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newsletter #3 Funny how reality and fiction can sometimes be both so surreal. More often than ever filmmakers seem obsessed by surrealism nowadays. So we decided to go on a quest for a quest for examples and reasons behind such a pheno- menon, as the program at Kaunas International Film festival is filled with perfect examples. First, we caught up with Latvian legendary director Yevgeny Pashkevich; took a deeper look at a Ca- nadian experimental “orgy” called Keyhole; and marvelled at the extreme reality in a Swedish prison documentary like no other, At Night I Fly. At Night I Fly The walls are thick. The fences are long. The sentences are high. At Night I Fly, by Michel Wenzer, is a documentary about the inmates of New Folsom prison. However, this time the main theme isn’t the violence and the horrible events that can take place in such a place, but how prisoners spend their time in isolation. It focu- ses on the Arts-in-corrections project, in which prisoners get the possibility to express them- selves through art. READ MORE Review by Zowi Vermeire (The Netherlands) Interview: Golf Stream under the Iceberg Interview by Ugne Gudzinskaite (Lithuania) Yevgeny Pashkevich new film, Latvia´s 2012 Os- car entry, talks about his first feature after a 23 years break, telling us three stories from diffe- rent periods, connected by character of Lilith, the mythical first wife of Adam. READ MORE Keyhole Review by Donata Juskelyte (Lithuania) Twisted Canadian director Guy Maddin created, in his latest movie Keyhole, a surrealistic, ex- perimental and completely bizarre Odyssey of a man called Ulysses. The name of the main cha- racter perfectly describes the form of this movie. Just like James Joyce’s stream of consciousness technique shaped in his famous novel “Ulysses”, Maddin manipulates us with strange images and a style of epileptic editing, rather than with experi- mental prose. READ MORE Kaunas international Film Festival 2012

Nisimazine Kaunas Newsletter #3

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newsletter #3

Funny how reality and fiction can sometimes be both so surreal. More often than ever filmmakers seem obsessed by surrealism nowadays. So we decided to go on a quest for a quest for examples and reasons behind such a pheno-menon, as the program at Kaunas International Film festival is filled with perfect examples. First, we caught up with Latvian legendary director Yevgeny Pashkevich; took a deeper look at a Ca-nadian experimental “orgy” called Keyhole; and marvelled at the extreme reality in a Swedish prison documentary like no other, At Night I Fly.

At Night I Fly

The walls are thick. The fences are long. The sentences are high. At Night I Fly, by Michel Wenzer, is a documentary about the inmates of New Folsom prison. However, this time the main theme isn’t the violence and the horrible events that can take place in such a place, but how prisoners spend their time in isolation. It focu-ses on the Arts-in-corrections project, in which prisoners get the possibility to express them-selves through art. READ MORE

Review by Zowi Vermeire (The Netherlands)

Interview: Golf Stream under the Iceberg

Interview by Ugne Gudzinskaite (Lithuania)Yevgeny Pashkevich new film, Latvia´s 2012 Os-car entry, talks about his first feature after a 23 years break, telling us three stories from diffe-rent periods, connected by character of Lilith, the mythical first wife of Adam. READ MOREKeyhole

Review by Donata Juskelyte (Lithuania)Twisted Canadian director Guy Maddin created, in his latest movie Keyhole, a surrealistic, ex-perimental and completely bizarre Odyssey of a man called Ulysses. The name of the main cha-racter perfectly describes the form of this movie. Just like James Joyce’s stream of consciousness technique shaped in his famous novel “Ulysses”, Maddin manipulates us with strange images and a style of epileptic editing, rather than with experi-mental prose. READ MORE

Kaunas international Film Festival 2012