freezonebelgrade.orgfreezonebelgrade.org/wp-content/uploads/2019/11/2019-SZ-Katalog.pdfJadnici Lađ Li. Skoro 150 godina kasnije malo toga se promenilo - socijalne i rasne tenzije,

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

6

Tim Slobodne zoneOsnivači udruženja Slobodna zona: Rajko Petrović, Branka Pavlović, Olivera Ranđić, Fond B92Direktor festivala: Rajko PetrovićSelektori međunarodnog programa: Branka Pavlović, Rajko PetrovićSelektori regionalnog programa: Ivan Bakrač, Jelena MaksimovićUrednik govornog programa Kompas: Ivan MilenkovićSaradnik govornog programa Kompas: Vladimir SimovićKoordinatorka festivala: Una ĆirićKoordinatorka programa: Melanija Stoin PetrovićPR festivala: Julijana VincanDruštvene mreže: Strahinja ĆalovićKoordinatorka marketinga: Jovana StranjančevićVizuelni identitet: Nikola KoraćTV i audio reklama: Vladimir ŠojatWebsite: Branko Lazić Urednica podcasta: Milica LapčevićUrednica kataloga: Angelina RadovanovićLektura: Marija BraunovićKoordinatorka službe za goste: Milica JoksimovićKoordinatorka volontera: Mina HasanovićKoordinator žirija: Vukašin VeličkovićKoordinator u Nišu: Dragan ĐorđevićKoordinatorka u Novom Sadu: Branislava LovreTehnička podrška: Marko MilinkovićVozač: Miroslav IvkovićPrevodi i tehnička obrada filmova: Ivana BogunovićTehnička realizacija: Trimark

HVALA: Veran Matić, Maja Čečen, Katarina Živanović, Marko Popović, Slavica Stojanović, Zoe Gudović, Mirjana Bobić Mirosavljević, Tijana Despotović, Branislav Glumac, Đorđe Kaćanski, Nataša Kilibarda, Jelena Marković, Ana Novaković, Srđan Keča, Dušica Parezanović, Olivera Ranđić, Jovana Timotijević, Dina Vuković, Višnja Brnjas, Ana Stojković, Jelena Anokić, Danijela Savkić, Snežana Ćuruvija, Jelena Gavrilović, Maša Seničić, Bogdan Bošković, Vladimir Đorđević, Vladimir Šojat, Jelena Kikić, Biljana Tutorov, Zorica Rosić, Mila Ivanović, Vesna Danilović, Nevena Negojević, Dragan Nikolić, Marjan Vujović, Nevena Đonlić, Nataša Šošević, Dragana Kecman, Timea Levai Majin, Nebojša Popović (in memoriam), Robert Klajn (in memoriam), Bojana Ćućilović (in memoriam)

7

VolonteriBEOGRAD:Ana Ostojić, Anđela Jovanović, Milica Rilak, Isidora Marušić, Mario Matović, Dušanka Matović, Jana Vukadinović, Jovana Marjanović, Julija Simić, Isidora Popović, Ana Gligorić, Dunja Milijić, Tea Danilović, Nevena Živković, Milica Matić, Dragana Jevtić, Tijana Vasiljević, Jovana Obrenović, Aleksa Petrović, Kristina Erić, Kristina Radoman, Marina Đurović , Ilinka Orović, Borivoje Lazić, Nina Ilić, Marina Zarić, Anja Radovanović, Marija Čamić, Tatjana Maksić, Ivona Jojić Kordić, Mila Vulić, Marta Ćuprić, Marija Tenjović, Nataša Pantić, Jelena Pantelić , Iva Ižak, Verica Arsić, Anastasija Belaćević, Aleksandra Ašanin, Andrija Anđelković, Isidora Čalija, Isidora Ljubisavljević, Marija Lazarević, Jelisaveta Simić, Ana Butigan, Viktorija Samardžić, Tamara Tica, Jovana Lazin, Teodora Raičević, Lazar Aleksić, Ružica Mitranić, Maša Vujanović, Sonja Lakava, Jovana Grof Mitrović, Nevena Trifković, Tijana Gagović, Tatjana Kovačević, Branislava Polimac , Anja Veličković, Anđela Miljević, Senka Bek, Danijela Milovanović, Marijana Josifoski, Milica Bulović, Anđela Arsenović, Ana Lukač, Emilija Vrančić, Marija Daković, Milan Đokić, Marija Mišić, Nina Petrović, Emilija Rakić, Jelena Ilić,Pavle Korać, Andreja Stambolija, Tatjana Marjanović, Marija Vučković, Nevena Kopanja, Milica Čubrilović , Ana Stefanović, Katarina Pavlović, Dobrica Cvetković, Darko Trajanović, Tamara Milanović

NOVI SAD:Katarina Petranović, Marija Stajčić, Dunja Grubor, Lana Trklja, Ana-Marija Radosavljević, Milica Jokić, Neven Hercegovac

NIŠ:Vuk Dinić, Anđela Antić, Nevena Antić, Anđela Maksimović, Natalija Milojković, Staša Vasilić, Anđela Pavlović, Tina Jovanović, Aleksa Nikolić, Đorđe Dimitrijević, Marija Živković, Jana Filipović, Aleksandra Pavlović, Natalija Branković, Lea Vučković

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

8

Kakvo je to vreme u koje je

Razgovor o drveću gotovo zločin

Zato što podrazumeva ćutanje o tolikim zlodelima!

Četvorica legendi sudanske kinematografije u mraku propalog bioskopa, nedaleko od sudanskog grada Kartuma citiraju Bertolta Brehta. Svi su studirali režiju u inostranstvu u zemljama koje danas više ne postoje. Njihovi filmovi su potpuno zaboravljeni ili izgubljeni, većina stanovnika Sudana ni ne zna ko su oni, oni mlađi nikada nisu videli javnu bioskopsku projekciju. Filmsko, a sa njim i kulturno nasleđe njihove zemlje, nepovratno je izgubljeno tokom tridesetogodišnje diktature islamista uspostavljene posle vojnog puča 1989. Te godine je zatvoreno svih 65 bioskopa u zemlji. Uprkos šerijatskim zakonima četvorica veterana odlučuju da ožive jedan od njih.„Diktatura nas je iskvarila, tako su nas pobedili. I prodali zemlju u bescenje. To je njihov trijumf.“ kaže Pablo Salas, jedan od junaka filma Kordiljeri snova reditelja Patrisija Guzmana koji već 40 godina živi u egzilu. Salas je odlučio da ostane i snima. U

njegovoj kući hiljade kaseta, traka i rolni svedoče o protestima u Čileu. Od sudbonosnih događaja 1973. do aktuelnih protesta protiv privatizacije zemljišta i prodaje resursa stranim korporacijama pod plaštom demokratije. Da se ne zaboravi. Zemlja iz koje je Patrisio Guzman otišao više ne postoji, osim u njegovim filmovima. I to je dovoljan razlog da ih i dalje snima.

I Viktor Igo je objavljivanje romana Jadnici, dočekao u egzilu posle vojnog puča Napoleona III. U četvrti Monfermej, radničkom predgrađu Pariza opisanog u romanu, danas postoji škola Viktor Igo. U toj četvrti se rodio i odrastao reditelj filma Jadnici Lađ Li. Skoro 150 godina kasnije malo toga se promenilo - socijalne i rasne tenzije, policijska brutalnost, ljudi na margini kojima društvo ne daje nikakvu šansu i koji, suočeni sa represijom

Svetlo u tamiBranka Pavlović i Rajko Petrović selektori

9

države nemaju šta da izgube. Sam reditelj je u Montfermeju vodio aktivističku video grupu i 365 dana brižljivo dokumentovao život u predgrađu, uključujući i brutalne nemire iz 2005. godine. U filmu Jadnici, Baz, mladi video entuzijasta (i alter ego reditelja) dronom beleži sve što se događa u četvrti i nehotice postaje svedok policijske akcije koja kreće naopako. Slučajno zabeležena istina, otkriće mrežu korupcije, licemerja i beznađa i pokrenuti spiralu nasilja i mržnje koja preti da proguta sve što joj se nađe na putu.

Nasilje je sveprisutno i na fotografijama Leticije Batalje, prve žene foto-reportera koja je uspela da snimi i otkrije javnosti brutalna ubistva koje je počinila Mafija na Siciliji 70-ih godina prošlog veka. Ona je punih devetnaest godina dokumentovala krvave zločine Koza nostre na ulicama Palerma, često ju je samo kamera delila od slične sudbine. Njen nemirni duh nije uzmicao pred opasnošću - želela je da ispriča priču o sicilijanskoj svakodnevici i ljudima koji su bili primorani da ćute u strahu pred nezamislivim zločinima. Bila je svedok, njene fotografije su bile dokaz nemoći države pred lokalnim bosovima i poziv na borbu. Rediteljka Kim Longinoto u filmu Mafija kroz objektiv okreće objektiv ka ovoj izuzetnoj ženi i ljudima sličnim njoj koji su bili ključni u borbi italijanske države sa mafijaškom državom u državi. Ona i danas u 84. godini fotografiše. „Najviše me bole fotografije koje nisam snimila“, kaže. „Ali raduje me da za mene još uvek ima stvari za koje se vredi boriti.“

Petnaest godina od prvog izdanja Slobodne Zone budućnost je potpuno drugačija nego što (nam) se činilo tada. Mnoge ljude koji su ugradili deo sebe u ideju koja stoji iza ovog festivala život je odneo

na različite strane sveta. Neki više ne veruju u ono u šta su nekada verovali. Neka mesta u publici su ostala prazna. Na neka je došla nova, mlada publika. Došlo je novo doba u kome vladaju nova pravila. Pa ipak, uvek će biti onih koji su drugačiji i plivaju protiv struje. Onih koji se opiru zaboravu. Koji snimaju, fotografišu, pamte. Filmovi na ovogodišnjoj Slobodnoj Zoni su filmovi o njima. Oni su svetlo u tami.

Vi što ćete izroniti iz potopa

U kome smo mi potonuli,

Spomenite se,

Kad budete govorili o našim slabostima,

Iz mračnog ovog vremena

Kome ste umakli. ROĐENIMA POSLE NAS* – Bertolt Breht, u egzilu, Pariz, 1939.

* Pr

eveo

sa

nem

ačko

g Sl

obod

an G

lum

ac

Dobro došli u Slobodnu Zonu!

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

10

What times are these, in which

A conversation about trees is almost a crime

For in doing so we maintain our silence about so much wrongdoing!

Four legends of Sudan cinematography are citing Bertolt Brecht in the darkness of a demolished cinema near the town of Khartoum, the capital of Sudan. All of them were the students of movie-directing in foreign countries that no longer exist. Their films have been completely forgotten or lost, and the vast majority of people of Sudan don't even know who they are; the younger ones don't even have the experience of seeing a film in a cinema. Cultural and movie heritage of their country is forever lost, due to the 30-year-long Islamist dictatorship, that was established in the year of 1989, after the military coup. That year, all of the 65 cinemas in Sudan were closed. Despite the Sharia law, four veterans are striving to revive one of them.

“Dictatorship has made us rotten, that's how they've won. They've sold the land and it was a bargain. That's their triumph“, says Pablo Salas, one of the protagonists of the movie The Cordillera of Dreams, directed by Patricio Guzmán, who has been living in exile for 40 years now. Salas decided

to stay and shoot. In his house, there are thousands of tapes and rolls that document the protests in Chile. From the crucial year of 1973 to the current protests against land-privatization and the selling of resources to the foreign corporations in the name of democracy. The tapes are there so that the protests are not forgotten. The country that Patricio Guzmán left no longer exists, except in his films. And that is a good enough reason for him to keep making them.

Victor Hugo was also the one in exile at the time of publication of his famed novel Les Misérables, after the military coup of Napoleon III. In the commune Montfermeil, a working-class suburb of Paris described in the novel, there is now a school called „Victor Hugo“. The director of film Les Misérables Ladj Ly was born in that commune and he grew up there. Almost 150 years later, little has changed − social and racial tensions, police brutality and marginalized people who are not given any chance by the society, and faced with the government's repression those people have

A Light in the DarknessBranka Pavlović, Rajko Petrović Selectors

11

Welcome to the Free Zone!

nothing to lose. The director himself led an activist video group in Montfermeil and for 365 days he carefully documented life in the suburb, including the turmoil in 2005. In the movie Les Misérables, Baz, a young video-enthusiast (and director's alter-ego) documents, using a drone camera, everything that happens in the commune and thus unwillingly becomes a witness of the police action that went wrong. Accidentally documented truth goes on to reveal the net of corruption, hypocrisy and hopelessness, and it will start a spiral of violence and hate that would threaten to swallow everything that comes in its way.

Violence is ever-present and depicted in the photographs of Letizia Battaglia, the first woman photo-reporter who has accomplished to document and reveal to the public eye brutal murders of Sicilian mafia in the '70s. For 19 years, she had been documenting horrible crimes of Cosa Nostra on the streets of Palermo, and, more often than not − only camera saved her from a similar destiny. Her intrepid spirit never weakened in the face of danger − she wanted to tell the story of everyday life in Sicily, where people had to keep silent in fear of unimaginable crimes. She was a witness, her photographs are the proof of the government's inadequacy to deal with local bosses and they are also a call for action. Director Kim Longinotto, in her feature film Shooting the Mafia, turns the objective to this incredible woman and to people like her, who were invaluable to the Italian government's fight against mafia in the country. Even today, 84-year-old Leticia keeps making photographs. She says: „What hurts me the most are the photographs I haven't made. But what makes me happy is that for me, there are still things worth fighting for.“

Fifteen years have passed since the first Free Zone, and from this point of view, the future seems completely different than it did back then. A lot of people who gave themselves to the idea behind this festival have now gone their separate ways. Some of them have given up believing in what they used to. Some of the seats in the audience are left vacant. And some of them are occupied by some new, young ones. New time brings new rules. Nevertheless, there will always be people who are different, those who swim against the current. People who don't give in to oblivion. People who film, photograph and remember. This year's Free Zone is about them. They are a light in the darkness.

You, who shall resurface following the flood

In which we have perished,

Contemplate —

When you speak of our weaknesses,

Also the dark time

That you have escaped.

THOSE WHO FOLLOW IN OUR WAKE*

– Bertolt Brecht, in exile, Paris, 1939.

* Tr

ansl

ated

from

Ger

man

by

Slob

odan

Glu

mac

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

12

“Ne volim ljude koji se izvlače iz sveta kao kišne gliste. Bez ožiljka i bez ogrebotine. Komedijaši. Agnosceo veteris vestigia flamme. Ožiljkom jednim obogaćen.”

– Danilo Kiš

U okviru ovogodišnje selekcije Horizonti Balkana suočićemo gledaoce sa šest ostvarenja koja u sebi nose tragove borbe za neki bolji svet. U pitanju su konkretni, narativni filmovi čiji se protagonisti, bilo ljudi ili prostori, sećaju, preispituju, bore, pamte, suočavaju.

Porodica i prijatelji sećaju se Tuste, jugoslovenske pank-rok legende čiji su stihovi ostali sa svima nama koji smo odrasli na ovim prostorima. Klasičan u svojoj formi, dokumentarac Andreja Korovljeva kroz intervjue i arhivske snimke sa koncerata podseća nas na jednu iskreniju, ne tako daleku prošlost. Pesme KUD Idijota nose duh ljubavi, iskrene radničke borbe i želje za slobodom.

Rumunski reditelj Marius Olteanu preispituje odnos glavnih protagonista kroz njihove susrete

sa potpunim strancima. Vešto izgrađen saspens omogućava putovanje kroz usamljenost ljudskog bića u post-tranzicionoj državi. Kroz minimalističku trodelnu strukturu film nas suočava sa melanholijom dugogodišnjeg odnosa čija budućnost nije izvesna.

Moderna makedonska satira prati borbu tridesetdvo-godišnje žene sa svakodnevnim nevoljama post-socijalističkog patrijarhalnog društva. Preciznim rediteljskim postupkom Teona Strugar Mitevska postiže balans između humora i ozbiljne feminističke pozicije koja preispituje tradiciju, patrijarhat i religiju kao najproblematičnije aspekte savremenog makedonskog društva.

Još jedan film koji reprezentuje žensku borbu režirala je hrvatska rediteljka Dana Budisavljević. Dnevnik

Sećanja i suočavanjaJelena Maksimović i Ivan Bakrač

13

Diane Budisavljević predstavlja crno-belu fuziju savremenog dokumentarnog i arhivskog materijala, dramatizacije autentičnih događaja, filmskih natpisa, komponovane eksperimentalne i klasične muzike. Dokumenti i fikcija se susreću u snažnom portretu hrabre žene koja odlučuje da je život nevine dece veći od ideja nacionalnosti, političke pripadnosti, pa i od njenog sopstvenog života.

U okviru dokumentarnog omnibusa Palata za narod bugarskih reditelja Georgija Bogdanova i Borisa Misirkova, glavni protagonisti su građevine u Moskvi, Sofiji, Bukureštu, Berlinu i Beogradu koje predstavljaju remek-dela arhitekture iz perioda socijalizma. Arhivski materijali, intervjui, savremeni snimci, glasovi naratora i citati grade strukturalno kompleksan omaž ovim izuzetno značajnim građevinama. Zgrade pamte drugačije političke

vrednosti i otvaraju pitanja za različite interpretacije u sadašnjosti.

Selekciju zaključujemo još jednim portretom arhitektonskih bravura iz Drugog svetskog rata na području bivše Jugoslavije. Futuristički memorijalni spomenici, putem precizne fotografije i klasične dokumentarne forme, ovekovečeni su u filmu Umetnost sećanja srpske rediteljke Jelene Radenović. Oni nas suočavaju sa prošlošću zemlje u kojoj smo rođeni, tokom čijeg smo razaranja rasli, odolevajući vremenu i promeni političkih sistema.

Filmovi iz Horizonata Balkana pozivaju nas na sećanja i suočavanja. Na stara previranja i ona koja tek dolaze. Podsećaju nas na ožiljke generacija koje su se borile za svoje ideale i pitaju nas koja je naša borba.

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

14

“I dislike people who get out of things unscraped. No scars, no scratches. Comedians. Agnosceo veteris vestigia flamme. Refined through a scar.”

– Danilo Kiš

In this year’s selection of Balkan’s horizons, our viewers will be introduced to six films that bear marks of a fight for a better world within themselves. These films are concrete, narratives whose protagonists, whether they’re people or objects – recall, question, fight, remember and confront.

Family and friends remember Tusta, a Yugoslav punk-rock legend whose verses remain with all of us who grew up in this region. Classical in its form, the documentary by Andrej Korovljev reminds us through interviews and archive footage of a more truthful, not-so-distant past. The songs of KUD Idijoti band carry the spirit of love, sincere struggles of laborers and wish for freedom.

Romanian director Marius Olteanu questions the relationship between protagonists through their encounters with complete strangers. Masterfully

built suspense enables us to travel through the loneliness of the human soul in a post-transitional country. Through a minimalist three-part structure, the movie shows us the melancholy of a long-term relationship with an uncertain future.

Modern Macedonian satire follows the fight of a 32-year-old woman with everyday struggles of a post-socialist patriarchal society. With precise directing, Teona Strugar Mitevska reaches a balance between humor and a serious feminist position which questions tradition, patriarchy, and religion as the most problematic aspects of Macedonia’s modern society.

Another movie that represents a woman’s fight is directed by Croatian director Dana Budisavljević. The Diary of Diana B. represents a black and white fusion of contemporary documentary and archive

Memories and confrontationsJelena Maksimović and Ivan Bakrač

15

material, dramatization of authentic events, film inscriptions, composed experimental and classical music. Documents and fiction meet in a powerful portrait of a brave woman, who decides that the lives of innocent children are more important than nationalistic ideas, political affiliation and even her own life.

In a documentary omnibus Palace for the People by Bulgarian directors Georgi Bogdanov and Boris Missirkov, the main protagonists are buildings in Moscow, Sofia, Bucharest, Berlin and Belgrade which represent masterpieces of architecture from the period of socialism. Archive materials, interviews, contemporary videos, voices of narrators and quotes build a structurally complex homage to these incredibly important buildings. They remember different political values and make

room for discussions with various interpretations in the present.

We conclude this selection with another portrait of architectural excellence from World War II in the region of former Yugoslavia. Futuristic memorial monuments are perpetuated by precise photography and classical documentary form in the movie Milestones, by Serbian director Jelena Radenović. Through them, we face the history of the country we were born in, during whose destruction we grew up, resisting time and the change of political systems.

Movies from Balkan’s Horizons appeal to memories and confrontations. To old turmoils and the ones that are yet to come. They remind us of the scars of the generations that fought for their ideals and make us question ourselves: What is our fight?

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

16

Kada se javni prostor isprazni od bilo kakvog sadržaja i kada se uklone orijentiri iz javnog života, kada gusta magla prekrije prostor slobode i kada dezorijentacija građana postane politički program, tada umetnički i angažovani gest postaju isto, tada umetnički izraz i govor o slobodi postaju nekom vrstom kompasa. Angažovani film, utoliko, nastoji da pokaže kako su umetnost i delovanje oblici borbe za slobodu. Delovanje, sa svoje strane, zahteva govor, te govoriti o značenjima angažovanog filma znači filmski izraz prevesti na drugi jezik, jednu vrstu iskustva artikulisati drugim sredstvima kako bi se samo iskustvo usložnilo, kako bi poslužilo kao motiv za delovanje i kako bi se, najzad, iznova osvajala sloboda, ali i kako bi samo delovanje postalo samorefleksivno, kako bi znalo sopstvene ciljeve i načine na koje se do ciljeva stiže. Zbog toga što pokreće na delovanje angažovani film je svojevrsni orijentir (ili oruđe za orijentaciju – kompas).

Razgovor o angažovanom filmu znači običnim jezikom zahvatiti značenja filma i preneti ih dalje. „Kompas“ je karika u ulančavanju znakova, artikulacija i prenošenje značenja. Angažovanje

zahteva učešće. Zbog toga su sagovornici u „Kompasu“ uvek već upleteni, na jedan ili drugi način, u sadržaj koji film zahvata. Dobar filmski izraz, naime, prisiljava na govor.

Švedski novinar i pisac Stig Laršon bio je jedan od orijentira švedskog društva. Njegova slavna trilogija Milenijum (Muškarci koji mrze žene, Devojčica koja se igrala vatrom, Kula od karata) zapravo je kapa jednog bogatog života, vrh brega koji je rastao trideset godina. Još 1974. godine mladi novinar Stig Laršon počinje da prati neonacističke pokrete u Švedskoj, u vreme, dakle, kada se nacizam smatrao završenom istorijskom epizodom i nevažnom temom za sadašnjost. Laršon nije mislio tako. Trideset godina kasnije, 2004, u vreme kada, sa pedeset godina, umire, neonacistički pokreti su u Evropi toliko ojačali da su izašli iz svojih memljivih rupa i ponovo se vrte u javnom prostoru, a Evropa se, danas, sučava sa ubilačkim sablastima nacističkih ideja. Dokumentarni film Henrika Georgsona, koji parafrazira naslov jednog od romana Stiga Laršona, rekonstruiše Laršonovu strasnu borbu protiv neonacista, te do detalja prati njegovu eruptivnu

Kompas Slobodne zone 2019.Urednik Ivan Milenković

17

energiju u odbrani slobode. Čak i u jednoj od najslobodnijih zemalja na svetu, u Švedskoj, bilo je strahovito teško osnovati i održati novine koje će biti posvećene borbi protiv nacizma. Zbog toga ovaj film, osim što priča priču o jednom hrabrom, pametnom i nadasve talentovanom piscu i novinaru, govori i o uzrocima i posledicama povampirenja jedne od najužasnijih ideoloških pojava u Evropi 20. veka. „Kompas“ Slobodne zone pokušaće da odgovori na pitanja o uzrocima ponovnog buđenja nacizma u Evropi, o preobražaju tvrdog neonacističkog nastupa u našminkani i uljuđeni govor koji drugim sredstvima promoviše iste nevrednosti, o tome, najzad, koliko su savremeni populistički pokreti slični, ili isti sa neonacističkim pričama, te kako se protiv njih boriti.

Gradonačelnik Liona Pol Terano, koji je 30 godina u politici, izgubio je kompas. Leve ideje za koje se zalagao u mladosti prekrili su umor i rutina. Orijentiri koje je koristio svih godina svog dugog gradonačelničkog mandata više ne važe ni za njega ni za svet u kojem se obreo. Njegovom timu se, u jednom trenutku, pridružuje Alis Hajman, mlada filozofkinja koja, zajedno sa svojom mladošću, u gradonačelnikov kabinet unosi i niz novih ideja. Umorni gradonačelnik će, neočekivano i za sebe samog, da se trgne iz letargije. Najednom, ideje za koje je i sam mislio da su mrtve i da više ne mogu oživeti – jer ne samo da se on promenio, nego se promenio i svet – dobijaju, uz pomoć Alis, nove oblike i mogućnosti, te sada i gradonačelnik počinje bolje da razume vreme u kojem živi.

U „Kompasu“ Slobodne zone razgovaramo o tome kako da se, danas, artikulišu nove političke

ideje. Zašto nema levih ideja na tržištu političkih ideja, odnosno, ako ih i ima, zašto im je cena tako niska (za razliku od dobre prođe i najsumanutijih desnih ideja)? Šta su uzroci dubokog pada levice i da li taj pad znači abdikaciju pred nadirućim fašizmom? Kakvo je mesto demokratije u takvoj raspodeli snaga?

Osim što je upravo izvanredan filmski izraz, Jadnici Lađa Lija pokreću lavinu pitanja i dilema, te pokušavaju, ako je to uopšte moguće, da pobodu orijentire u košmarnoj stvarnosti pariskih predgrađa. U Jadnicima pozitivnih likova nema, a tek je, možda, nekoliko njih koji nisu dotakli samo dno poniženja, nemoći, jada, besa i beznađa. Ponekad je granica između kriminalca i policajca veoma tanka, čak i ako je, u formalnom smislu, jasno povučena. U tome nema ničeg skandaloznog: policajac mora odlično da poznaje ono protiv čega se bori, a da bi se uspešno borio protiv toga – šta god to bilo – mora i sam, jednim delom, da bude deo toga. Sve dok se granica ne pređe. Tada nastaje pakao. Trojici policajaca je upravo to pošlo za rukom: pošto su izbrisali granicu između čuvara poretka i onih koji bi radije haos nego red, nastaje pakao. Ali uloga policajaca u svemu tome, iako nesumnjiva i velika, zapravo je tek učinak mnogo masivnijih problema koje ovaj sjajni film pokreće. Recimo, kako tamnopute i manje tamnopute žitelje jedne evropske zemlje, zajedno s njihovim religijama, strahovima i običajima, načiniti punopravnim građanima te zemlje? Na koji način školovati decu u sredini koja proklamuje jednakost, ali u stvarnosti te jednakosti nema? Na koji način braniti republikanske vrednosti? Kako tretirati prestup i kakva je uloga policije u svemu tome?

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

18

When public space is emptied of any content and landmarks are removed from public life, when thick fog covers the space of freedom and when citizens' disorientation becomes a political program, then artistic and engaged gestures become the same, then artistic expression and freedom talk become a kind of a compass. The engaging cinema seeks to show that art and action are forms of the struggle for freedom. Acting, for its part, requires speech, and to speak about the meanings of an engaging film means to translate a cinematic expression into another language, to articulate one type of experience by other tools, in order to complicate the experience itself, to serve as a motive for action and finally, to conquer freedom again; but also to make the action self-reflective, to know its own goals and ways in which the goals are achieved. Because it drives people to action, engaging film is a kind of landmark (or orientation tool — a compass).

Talking about an engaging film means ‘capturing the meaning of the film by the simple language and communicating it further’. Compass is the link between articulation and the transmission of meaning. Engaging requires participation and that is why the interviewees at Compass are always already

involved, in one way or another, in the content that the film captures. A good cinematic expression forces speech.

The work of Swedish journalist and writer, Stieg Larsson, is one of the landmarks of Swedish society. His famous Millennium trilogy (The Girl with the Dragon Tattoo, The Girl Who Played with Fire, The Girl Who Kicked the Hornets’ Nest) is the result of an engaged life, the result of thirty years of work. Back in 1974, young journalist Stieg Larsson began to follow the neo-Nazi movements in Sweden, at a time when Nazism was considered a historical episode and an irrelevant topic for the present. But Larsson didn't think so. Thirty years later, in 2004, he died at the age of fifty, when neo-Nazi movements had grown so strong in Europe that they emerged from their moldy basements and returned to public space. As a result, Europe is today confronted with the deadly demons of Nazi ideas. Henrik Georgsson’s documentary, paraphrasing the title of one of Stieg Larsson's novels, reconstructs Larsson's passionate struggle against the movement and shows details of his eruptive energy in defense of freedom. Even in Sweden, one of the freest countries in the world,

Free Zone Compass 2019Editor Ivan Milenkovic

19

it was extremely difficult to set up and maintain a newspaper dedicated to the fight against Nazism. That is why this film, in addition to telling the story of a brave, smart and highly talented writer and journalist, also talks about the causes and consequences of the rise of one of the most horrifying ideologies of 20th-century Europe. The Free Zone Compass will attempt to answer questions about the causes of Nazism's re-awakening in Europe, the transformation of neo-Nazi appearances into embellished and polite speech that promotes the same violence by other instruments, and finally, how similar the modern populist movements are to the neo-Nazi propaganda, and how to combat them.

The mayor of Lyon, Paul Terrano, who has been in politics for 30 years, lost his compass. The Left-wing ideology that he once promoted is now part of the past. The landmarks he used throughout his long mayoral term no longer apply to him or to the world in which he finds himself.

At one point, his team is joined by Alice Hayman, a young philosopher who, along with her youth, brings new ideas into the mayor's office. The weary mayor will, unexpectedly, flinch from lethargy. Suddenly, ideas he thought were dead and could no longer be revived — because not only has he changed, but the world has also changed — are getting new forms and opportunities with Alice’s help, and now the mayor starts to understand better the era in which he lives.

At Free Zone Compass, we discuss how to articulate new political ideologies nowadays. Why are there

no Left-wing ideas in the market, or, if any, why are their prices so low (as opposed to the popularity of the most preposterous Right-wing ideas)? What are the causes of this serious downfall of the Left and does it mean surrendering to the upcoming wave of fascism? Where is democracy in such a distribution of political power?

In addition to being an extraordinary cinematic expression, Ladj Ly's Les Misérables raise an avalanche of questions and dilemmas, and try, if it is at all possible, to pierce landmarks in the nightmarish reality of Parisian suburbs. In Les Misérables there are no heroes or heroines, only a few protagonists who perhaps haven´t reached the bottom of humiliation, frailty, misery, anger, and hopelessness. Sometimes the line between an offender and a police officer is very thin, even if, in a formal sense, it exists. There is nothing scandalous about this: a police officer must know perfectly well what he is fighting against, and to successfully fight against it — whatever it is — he must be part of it. All until the line is crossed. And then hell ensues. Three police officers did exactly this: when they have blurred the line between order keepers and those who would rather break it, hell follows. However big and unquestionable their role is, it also reveals much bigger problems explored in this great film. For example, how can ‘dark-skinned’ and ‘less-dark-skinned’ residents of a European country become true French citizens, along with their customs, religions and fears? How to educate children in an environment that proclaims equality, when we know that equality doesn’t exist? How to defend Republican values? How to treat the offense and what is the role of the police in all this?

Filmski festival Slobodna Zona dodeljuje nagrade za:Free Zone Film Festival is giving awards for:

najbolji angažovani film u međunarodnoj konkurenciji best engaging film in international selection

najbolji angažovani film u regionalnoj konkurenciji “Horizonti Balkana“ best engaging film in regional selection “Balkan Horizons“

najbolji film u okviru selekcije 14+ best film in 14+ selection

Nagradu Human Rights Human Rights Award

Nagradu publike Audience Award

Nagrade Awards

Žiri Jury

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

22

Žan Pjer Rem je diplomirao savremenu književnost i filozofiju, predavao istoriju i teoriju filma i umetnosti. Radio je u Ministarstvu kulture Francuske. Priredio je niz izložbi savremene umetnosti, kako u Francuskoj tako i u inostranstvu (Muzej moderne umetnosti u Kairu, Jokohama Art Center u Japanu, Witte de With u Roterdamu, Fondation Caixa u Barseloni). Autor je mnogobrojnih filmskih i umetničkih kritika, izložbenih kataloga i monografija o umetnicima i filmskim rediteljima. Pored toga, redovno piše za medije. Od 2001. godine direktor je Filmskog festivala u Marseju.

Jean-Pierre Rehm, a graduate of the École Normale Supérieure and student of modern literature and philosophy, has been moving from teaching (history and theory of art and film) in various Art School to the French Ministry of Culture and curating exhibitions (Cairo Museum of Modern Art, Yokohama Art Center in Japan, Witte de With in Rotterdam, Fondation Caixa in Barcelona). In addition, he writes regularly for various media: exhibition catalogues, artists and filmmakers monographs (Roee Rosen, Tsaï Ming-liang, Mark Lewis, William Eggleston, Jimmie Durham, Peter Friedl, Jacques Rozier, Isidore Isou, etc.), art and cinema reviews like Cahiers du Cinéma, Cinéma, Trafic, etc. Since 2001, he is Director of the International Film Festival of Marseille, FIDMarseille.

Međunarodni žiri International Jury

23

Petar Milat je bivši filozof i programski koordinator Multimedijalnog instituta / MaMa (Zagreb, Hrvatska), zadužen za eksperimentalnu muziku, vizuelnu kulturu i izdavačke programe. Između ostalog, Petar je vršio odabir i objavljivao knjige i umetnička dela autora poput Žaka Ransijera, Lasla Krasnahorkaija, Dubravke Ugrešić, Lorensa Ingliša, Tomasa Kenera i drugih. Od 2008. godine direktor je festivala Human Rights Film. Veza između normativa socijalne i estetske teorije glavni je fokus njegovog istraživanja, a predavao je na institucijama poput Stenforda i Barda. Petar je 2018. godine bio član žirija na festivalu kratkometražnog filma u Oberhauzenu.

Petar Milat is a former philosopher who works as programme coordinator at Multimedia Institute/MaMa (Zagreb, Croatia), in charge of experimental music, visual culture and publishing programmes. Among others, Petar commissioned and published books and artworks by authors like Jacques Rancière, László Krasznahorkai, Dubravka Ugrešić, Lawrence English, Thomas Köner, etc. Since 2008 he has been the director of Human Rights Film Festival, a festival of cinéma d'auteur engagé. The nexus of normatives of social and aesthetic theory is the main focus of his own research, and he lectured at institutions like Stanford and Bard. In 2018 Petar was a Jury member at the Oberhausen Short Film Festival.

Vladimir Blaževski je rođen u Skoplju 1955. godine. Od iste godine živi u Beogradu. Diplomirao je filmsku režiju na Fakultetu dramskih umetnosti u Beogradu. Profesionalno se bavi filmom od 1978. godine. Kao reditelj snimio je šest kratkometražnih i pet dugometražnih dokumentarnih filmova, desetak namensko-komercijalnih dokumentarnih filmova, manji broj reklamnih spotova, preko 250 televizijskih emisija za TV Beograd, kao i četiri celovečernja igrana filma: Haj-Faj, Bulevar Revolucije, Pank nije mrtav, Godina majmuna. Dobitnik je mnogobrojnih nagrada. Najznačajnija je Zlatna arena za režiju u Puli 1987 (film Haj-Faj).

Vladimir Blazevski was born in Skopje in 1955. Since then he has lived in Belgrade. He graduated in film directing from the Faculty of Dramatic Arts in Belgrade. He has been a professional filmmaker since 1978. As a director, he has made six short and five feature documentaries, a dozen purpose-made documentaries, a few commercials, over 250 television shows for TV Beograd, as well as four feature films: Hi-Fi, The Boulevard of the Revolution, Punk is not dead, Year of the Monkey. He has received numerous awards. Most notable is The Golden Arena for directing in Pula in 1987 (Hi-Fi).

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

24

Gijom de Sej rođen je 1968. godine. Nakon što je kao scenarista i reditelj osvojio nagrade za svoja dva kratkometražna filma, deset godina provodi u filmskom sektoru Kanala Plus (Canal+). Nekoliko godina je na istoj televiziji bio i urednik u sektoru kratkometražnog filma, kao i umetnički producent za francuski javni servis France 2. Radi kao nezavisni producent od 2000. godine i od tada je producirao i ko-producirao preko 50 dugometražnih art-haus filmova van francuskog govornog područja, viđenih na svakom značajnom festivalu. Takođe je i rukovodilac većeg broja razvojnih platformi širom sveta poput B’Est, Ties That Bind, Wroclaw Studio i Cannes Cinéfondation Résidence & ArrasDays.

Guillaume de Seille was born in 1968. After two awarded short-films as writer and director, he worked at Canal+ for ten years in the cinema department. He was a commissioning editor for a couple of years within the short film department of Canal+ and artistic producer for French public broadcaster France 2. As an independent producer since 2000, he has produced or co-produced more than 50 non-French feature art-house films invited in every major festival. He is also mentoring several development platforms around the world – B’Est, Ties That Bind, Wroclaw Studio, and Cannes Cinéfondation Résidence & ArrasDays.

Regionalni žiri Regional Jury

25

Nataša Pantić je filmska montažerka iz Beograda. Tokom prethodnih 15 godina, montirala je veliki broj igranih i dokumentarnih filmova od kojih su mnogi prikazivani i nagrađivani na festivalima. Dobitnica je nagrade za najbolju montažu na beogradskom Festivalu dokumentarnog i kratkog filma 2012. godine, Specijalnog priznanja za montažu na Filmskom festivalu u Herceg Novom 2016. godine i nagrade za montažu na Beldocs festivalu 2018. Završila je filmsku i TV montažu na Fakultetu dramskih umetnosti u Beogradu.

Nataša Pantić is a film and video editor from Belgrade. Over the past 15 years in the industry, Nataša has edited a number of films, documentaries, award-winning shorts and a wide variety of TV forms. She is the holder of three awards: Best Achievement in Editing at the Belgrade Documentary and Short Film Festival 2012, the Special Award for Editing at Herceg Novi Film Festival 2016, Best Achievement in Editing at Beldocs festival 2018. She graduated film editing from the University of Arts, Faculty of Dramatic Arts in Belgrade

Petar Mitrić doktorirao je evropsku filmsku koprodukciju na Univerzitetu u Kopenhagenu gde radi kao istraživač i predavač. Iskustvo u evropskoj filmskoj industriji stekao je za vreme boravka u Danskom institutu za film, Austrijskom filmskom institutu i Eurimažu, i radeći za austrijsku produkcijsku kompaniju Nina Kusturica Projects i program MEDICI-Film Funding Journey. U 2018. godini Petar je bio koautor knjige Evropska filmska i TV koprodukcija: politika i praksa.

Petar Mitric received his PhD in European film co-production from the University of Copenhagen where he works as a researcher and lecturer. He attained experience in European film industry during his residency at the Danish Film Institute, Eurimages and MEDIA Desk Austria, and while working for the Austrian production company "Nina Kusturica Projects" and the "MEDICI-Film Funding Journey" programme. In 2018, Petar co-authored the book "European Film and TV Co-production: Policy and Practice".

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

26

Iva Milojković je rođena 2003. godine u Beogradu. Pohađa treći razred Škole za dizajn, odsek likovni tehničar. 2015. godine je snimila je svoj prvi krakometražni film Moli. U okviru škole dokumentarnog filma Slobodne zone junior 2019 realizovala je film I sve je još uvek tu, ali nije više onako kako je nekada bilo.

Iva Milojkovic was born in 2003 in Belgrade. She is in third grade at the School of Design, art technician department. In 2015. she filmed her first short film Moli. Within the Free Zone Documentary School junior 2019, she made the film Everything is still here, but it's not the same as it used to be.

Sergej Lišanin je učenik Farmaceutsko fizioterapeutske škole. Trenira rukomet i sa svojim klubom je osvojio razne nagrade. Smatra da je veliki filmofil, a naročito voli da gleda filmove naučne fantastike. Prethodne godine je takođe bio član žirija ovog festivala koji mu je doneo puno iskustva i novih poznanstva.

Sergej Lisanin is a student at the School of Pharmacy and Physiotherapy. He practices handball and has won various awards with his club. He considers himself a great cinephile and especially loves watching science fiction films. Last year, he was also a jury member of this festival, which brought him a lot of experience and new acquaintances.

14+ žiri 14+ Jury

27

Rastko Šarčević ima 18 godina i četvrti je razred Elektrotehničke škole „Nikola Tesla“. U slobodno vreme voli da gleda filmove, a omiljeni žanr su mu akcioni filmovi i komedije.

Rastko Sarcevic is 18 years old and is a fourth-grader of the “Nikola Tesla“ School of Electrical Engineering. In his spare time, he enjoys watching movies and his favorite genre is action movies and comedies.

Milica Todorović ima 18 godina i pohađa Elektrotehničku školu “Nikola Tesla". Njena želja je da jednog dana bude pilot ili programer. Voli da proba nove stvari i da upoznaje nove ljude. Što se tiče filmova, najviše voli da gleda drame i akcije.

Milica Todorovic is 18 years old and goes to “Nikola Tesla“ School of Electrical Engineering. Her wish is to one day become a pilot or a programmer. She likes to try new things and to meet new people. As far as films are concerned, she prefers to watch drama and action films.

Marina Stepanoski ima 18 godina i maturant je Farmaceutsko-fizioterapeutske škole. Vrlo je komunikativna i druželjubiva osoba. Prošle godine je bila član žirija na festivalu Slobodna Zona i veoma raduje ponovnom druženju.

Marina Stepanoski is 18 years old and a graduate of the School of Pharmacy and Physiotherapy. She is highly communicative and friendly. Last year she was a jury member at the festival and is very much looking forward to being part of the Free Zone again.

Filmski program Film program

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

30

DOK. / DOC.

Areta Frenklin: Amazing GraceAmazing GraceSVEČANO OTVARANJE / FESTIVAL OPENING

Director/Reditelj: Alan Elliott, Sydney PollackCountry/Zemlja: USAYear/Godina: 2018.Runtime/Trajanje: 87'Language/Jezik: EnglishCast/Uloge: Aretha Franklin, James Cleveland, Southern California Community Choir

Production: NEON

Kombank dvorana, 7. nov, 20:00 | Kulturni centar Novog Sada, 7. nov, 20:00 | Cineplexx Niš, 7. nov, 20:00

31

SINOPSIS

Areta Frenklin je na vrhuncu slave u januaru 1972. godine, odlučila da se vrati korenima, u svet gospel muzike. Za samo dva dana snimila je album Amazing Grace u crkvi Nju Templ Mišionari Baptist u Kaliforniji sa crkvenim horom Džejmsa Klivlenda. Vrhunac ovog albuma je 11-minutna verzija pesme Amazing Grace. Dokumentarni film o snimanju tog albuma čekao je čak 46 godina da ugleda svetlost dana. Navodno je reditelj filma Sidni Polak zaboravio da koristi klapu, uređaj za sinhronizaciju zvuka i slike, i nikada nije uspeo da sinhronizuje snimak zbog analogne tehnike. Areta Frenklin nije dozvolila prikazivanje ovog filma. Alan Eliot je preuzeo projekat i 2007. godine uz pomoć digitalne tehnologije, sa timom tehničara, uspeo da sinhronizuje sliku i zvuk. Odobrenje da se od ovog materijala napravi dokumentarni film je stiglo tek nakon smrti Arete Franklin, od njene nećake Sabrine Ovens.

O REDITELJIMA

Alan Eliot je diplomirao 1986. godine na Univerzitetu Nortve-stern. Radio je za diskografsku kuću Vorner Braders Rekords kao posrednik između izvođača i izdavačke kuće. Neka od značajnih muzičkih imena sa kojima je radio su: Prins, Majls Dejvis, Džordž Klinton i Pol Sajmon.

Sidni Polak je bio američki režiser, producent i glumac. Reži-rao je više od 20 filmova i 10 televizijskih emisija, producirao preko 44, a glumio u više od 30 filmskih ostvarenja. Godine 1985, film Moja Afrika donosi mu Oskara za najbolju režiju i produkciju, kojem su prethodile dve Akademijine nominacije za filmove: Konje ubijaju, zar ne? (1969) i Tutsi (1982), u kategoriji nagrade za najbolju režiju.

SYNOPSIS

In January 1972, Aretha Franklin made her legendary album Amazing Grace with the Southern California Community Choir and Reverend James Cleveland in the New Temple Missionary Baptist Church in Los Angeles. At the height of her fame, she made the decision to return to the world of gospel music. Recorded in two days, this live album was to become the most successful gospel record of all time. On it, Franklin provides a legendary 11-minute rendition of Amazing Grace. The film that documented that live record-ing waited 46 years for its premiere. Legend has it that director Sydney Pollack forgot to use a clapperboard, the device used to help sync sound and image, and was una-ble to edit the footage. Franklin refused the film’s release. In 2007 producer Alan Elliott purchased the raw footage and used advanced digital technology to successfully synch sound and image. The approval was finally obtained after Franklin’s death, from her niece Sabrina Owens.

DIRECTORS' BIOGRAPHIES

Alan Elliott graduated from Northwestern University in 1986. He worked in the Artists and Repertoire division at Warner Brothers Records where he served as a creative liaison ("A & R man") for Prince, Miles Davis, George Clinton and Paul Simon.

Sydney Pollack was an American film director, producer and actor. Pollack directed more than 20 films and 10 television shows, acted in over 30 movies or shows and produced over 44 films. His 1985 film Out of Africa won him Academy Awards for directing and producing. He was also nominated for Best Director Oscars for They Shoot Horses, Don't They? (1969) and Tootsie (1982) in which he also appeared.

FESTIVALI I NAGRADE / FESTIVALS AND AWARDS

• Outstanding Documentary - Image Awards (NAACP) 2019• Berlin International Film Festival 2019• Miami Film Festival 2019

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

32

DOK. / DOC.

Kordiljeri snovaThe Cordillera of DreamsMEĐUNARODNA SELEKCIJA / INTERNATIONAL SELECTION

Director/Reditelj: Patricio GuzmánCountry/Zemlja: Chile, France Year/Godina: 2019.Runtime/Trajanje: 85'Language/Jezik: SpanishCast/Uloge: ×

Production: ARTE, Atacama Productions

DKC, 8. nov, 17:00 | Dom omladine Beograda, 9.nov, 18:00 | Kulturni centar Novog Sada, 10. nov, 18:00 | Cineplexx Niš, 9. nov, 18:00

33

SINOPSIS

„U Čileu, tamo gde Sunce izlazi, ono je moralo da dosegne brda, zidove i vrhove pre nego što je obasjalo poslednju stenu Kordiljera. U mojoj zemlji, Kordiljeri su svuda. Međutim, za Čileance, to je nepoznata teritorija. Nakon što sam bio na severu zbog Nostalgije za svetlošću i jugu zbog Dugmeta od sedefa, osećam se spremnim da snimim ovu beskrajnu kičmu Čilea ne bih li istražio njene tajne, moćne istine iz davne i savremene istorije Čilea.“ – Patrisio Guzman.

O REDITELJU

Rođen je 1941. godine u Santjagu de Čileu i studirao je na Fakultetu filmske umetnosti u Madridu. Svoju karijeru posvetio je dokumentarnim filmovima. Njegovi filmovi su prikazani na brojnim festivalima i stekli su međunarodno priznanje. Od 1972. do 1979. godine režirao je Bitku za Čile, petosatnu trilogiju o vladi Salvadora Aljendea i njenom padu. Ovaj film je postavio temelj njegovog rediteljskog rada. Američki časopis CINEASTE ga je uvrstio među deset najboljih političkih filmova na svetu. Nakon Pinočeovog prevrata, Guzman biva uhapšen. Proveo je dve nedelje na Nacionalnom stadionu gde je više puta bio podvrgnut lažnom pogubljenju. Godine 1973. napušta Čile i seli se na Kubu, zatim u Španiju i Francusku, mada je i dalje ostao privržen svojoj domovini i njenoj istoriji. Na čelu je Međunarodnog festivala dokumentarnog filma u Santjagu (FIDOCS) koji je i osnovao 1997. godine. Film Kordiljeri snova, koji je prikazan u okviru zvanične selekcije Filmskog festivala u Kanu 2019. godine, poslednji je deo trilogije koju čine i Nostalgija za svetlošću (Kan 2010) i Dugme od sedefa (Berlin 2019).

SYNOPSIS

"In Chile, when the sun rises, it had to climb hills, walls and tops before reaching the last stone of the Cordillera. In my country, the Cordillera is everywhere. But for the Chilean citizens, it is an unknown territory. After going North for Nos-talgia for the Light and South for The Pearl Button, I now feel ready to shoot this immense spine to explore its mysteries, powerful revelations of Chile’s past and present history." – Patricio Guzmán

DIRECTOR’S BIOGRAPHY

Patricio Guzmán was born in 1941 in Santiago de Chile. He studied at the Official School of Film Art in Madrid. He has dedicated his career to documentary filmmaking. His films have been screened in many festivals and have gained international recognition. From 1972 to 1979, he directed The Battle of Chile, a five-hour-long trilogy on Salvador Allende’s government and its downfall. This film laid the foundation for his work as a director. The North American periodical CINEASTE described it as “one of the ten best political films in the world”. After Pinochet’s coup, Guzmán was arrested and spent two weeks in the National Stadium, where he was subjected to mock executions several times. In 1973 he left Chile and moved to Cuba, then to Spain and France, although he remains deeply attached to his country and its history. He chairs the Santiago International Documentary Film Festival (FIDOCS), which he founded in 1997. The Cordillera of Dreams, to be shown in the official selection at the 2019 Cannes Film Festival, is the last part of a trilogy also composed of Nostalgia for the Light (Cannes 2010) and The Pearl Button (Berlin 2015).


• Best Documentary - Cannes Film Festival 2019 • Chicago International Film Festival 2019 • Melbourne International Film Festival 2019

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

34

DOK. / DOC.

Lepota i prolaznostBeauty and DecayMEĐUNARODNA SELEKCIJA / INTERNATIONAL SELECTION

Director/Reditelj: Annekatrin HendelCountry/Zemlja: GermanyYear/Godina: 2019.Runtime/Trajanje: 79'Language/Jezik: GermanCast/Uloge: Sven Marquardt, Dominique Hollenstein, Robert Paris

Production: It Works!, RBB Media

DKC, 9. nov, 21:00 | Art bioskop Kolarac, 10. nov, 20:30

35

SINOPSIS

U Berlinu, Sven Markart je poznat kao legendarni čuvar kamenog lica u ultra-ekskluzivnom tehno klubu Berghain. Međutim, ovaj čuveni izbacivač skriva nešto više od onoga što vidimo na prvi pogled: on je i pisac bestseler autobiografije i uspešni fotograf. U trenutku kada Nemačka slavi tridesetogodišnjicu pada Berlinskog zida, Markart se priseća svoje prošlosti mladog pankera u Istočnoj Nemačkoj. On se ponovo susreće sa svojom bivšom muzom, Dominik Holenštajn, kako bi sa njom napravio novu seriju portreta, i osvrće se na život zajedničkog prijatelja Roberta Parisa, fotografa koji je napustio umetnost i provodi veći deo godine kao srećan, porodični čovek u Indiji. Naizmenično prikazujući scene Markarta na poslu i njegovih prelepih crno-belih fotografija, Lepota i prolaznost je fascinantan prikaz tri bliska prijatelja, koji još uvek pokazuju srednji prst društvu u kome žive i ignorišu ustaljenu predstavu o starenju.

O REDITELJKI

Ankatrin Hendel je rođena i odrasla u Berlinu, u Nemačkoj. Nakon što je završila studije dizajna, radila je kao scenografkinja u pozorištu i na filmu. Osnovala je filmsku producentsku kuću It Works! koja je producirala veoma uspešne filmove kao što su Space Dogs, The Brasch Family, Living in Demmin, Fassbinder, Zonenmädchen, Anderson, Vaterlandsverräter - Enemy Of The State, Flake. Hendelova je počela da režira sopstvene filmove 2011. godine i osvojila je nekoliko Grim nagrada. Član je upravnog odbora Nemačke filmske akademije. Živi u Berlinu i ima dvoje dece.

SYNOPSIS

In Berlin, Sven Marquardt is legendary for working as the stone-faced gatekeeper of ultra-exclusive techno club Berghain, but there’s more to the famous bouncer than meets the eye: he also wrote a bestselling autobiography and is an accomplished photographer. Now, as Germany celebrates the 30th anniversary of the fall of the Berlin Wall, Marquardt revisits his days as a young East German punk. This glimpse of his early career also sees him reunite with his former muse, Dominique Hollenstein, to shoot a new series of portraits, and looks in on the life of his friend Robert Paris, a photographer who moved away from his art and now spends most of the year as a happy family man in India. Moving between observational scenes of Marquardt at work and highlights of his gorgeous black-and-white portrait photography, Beauty and Decay is a fascinating look at three close friends, still giving society the middle finger and ignoring preconceived notions of what it means to age.


Annekatrin Hendel was born and raised in Berlin, Germany. After completing her studies of design, she worked as a production designer for theater and film. In 2004, Hendel founded It Works! Medien, a film production company responsible for successful films such as Space Dogs, The Brasch Family, Living in Demmin, Fassbinder, Zonenmädchen, Anderson, Vaterlandsverräter - Enemy Of The State, Flake... Hendel started directing her own films in 2011 and has won multiple Grimme Awards. She is a member of the board of the German Film Academy. Hendel lives in Berlin and has two children.


• Heiner-Carow-Award - Berlin International Film Festival 2019• Hot Docs - Canadian International Documentary Filmfestival 2019• Helsinki International Film Festival 2019

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

36

DOK. / DOC.

Razgovor o drvećuTalking About TreesMEĐUNARODNA SELEKCIJA / INTERNATIONAL SELECTION

Director/Reditelj: Suhaib GasmelbariCountry/Zemlja: France, Sudan, Germany, Chad, QatarYear/Godina: 2019.Runtime/Trajanje: 94'Language/Jezik: Arabic Cast/Uloge: Suleiman Ibrahim, Ibrahim Shaddad

Production: AGAT Films & Cie

Art bioskop Kolarac, 08. nov, 18:30 | DKC, 10. nov, 17:00

37

SINOPSIS

Suliman i još tri člana Sudanskog filmskog kluba odlučuju da obnove stari bioskop. Njih ujedinjuje ne samo ljubav prema filmu i strastvena želja za obnavljanjem starog filmskog fonda kako bi još jednom skrenuli pažnju na istoriju sudanskog filma, već i činjenica da su svi studirali u egzilu. Neumorno pokušavaju da pridobiju vlasnike bioskopa na svoju stranu i da ponovo učine bioskop funkcionalnim, ali svaki put nailaze na veliki otpor. U međuvremenu, sede zajedno i razgovaraju o prošlosti, o progonu i torturi kroz koje su prošli kao umetnici disidenti. Čitaju stara pisma koja su napisali tokom vremena provedenog u egzilu i sanjaju o Sudanu u kom umetnost i intelektualna misao mogu biti slobodni. „Mi smo pametniji od njih, ali nismo toliko jaki,” je rečenica kojom oni jednoglasno rezimiraju svoju situaciju.

O REDITELJU

Rođen je u Sudanu 1979. gde je i živeo do svoje šesnaeste godine. Studirao je film na Université Paris 8 i radio honorarni posao kao kamerman za televizijske kuće Al Qarra, Al Jazeera i France 24. Napisao je i režirao veliki broj kratkometražnih i dokumentarnih filmova. Razgovor o drveću je njegov prvi dugometražni dokumentarni film. Tokom njegovog istraživanja u sudanskim audio-vizuelnim arhivama, našao je filmove za koje se mislilo da su zauvek izgubljeni i aktivno je učestvovao u državnim i internacionalnim projektima kako bi ih digitalizovao i sačuvao.

SYNOPSIS

Suliman and three further members of the 'Sudanese Film Club' have decided to revive an old cinema. They are united not only by their love of cinema and their passionate desire to restore old film stock and draw attention to Sudanese film history once more, but also by the fact that they have all enjoyed a film education in exile. Tirelessly, they try to get the cinema's owners on their side and make the place operational again, but repeatedly find themselves up against considerable resistance. In the meantime, they sit together and talk about the past - including their expe-riences of persecution and even torture as oppositional artists. They also read out old letters written while in exile and dream of a Sudan in which art and intellectual thought can be free. “We are smarter than them, but not as strong,“ is how they unanimously summarise their situation.


Born in Sudan in 1979, he lived there until the age of 16. He studied film at the Université Paris 8 in France and worked as a freelance cameraman and editor for Al Qarra, Al Jazeera and France 24. He has written and directed many short fiction films and documentaries. Talking About Trees is his first feature-length documentary. During his research into Sudanese audio-visual archives, he found some films believed to have been lost and actively participated in national and international projects to save and digitise them.


• Special Jury Prize, FIPRESCI prize - Istanbul Film Festival 2019• Best Documentary Award, Audience Award - Berlin International Film Festival 2019

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

38

IGR. / FIC.

KožaSkinMEĐUNARODNA SELEKCIJA / INTERNATIONAL SELECTION

Director/Reditelj: Guy NattivCountry/Zemlja: USAYear/Godina: 2019.Runtime/Trajanje: 110'Language/Jezik: EnglishCast/Uloge: Jamie Bell, Danielle Macdonald, Daniel Henshall

Production: A24

Dom omladine Beograda, 9. nov, 20:00 | DKC, 10. nov, 15:00 | Art bioskop Kolarac, 11. nov, 20:30 Kulturni centar Novog Sada, 10. nov, 20:00 | Cineplexx Niš, 9. nov, 20:00

39

SINOPSIS

Brajon Vajdner je bio jedan od najtraženijih skinhedsa na FBI-ovoj listi. Zastrašujuće rasističke tetovaže kojima je pokriven od glave do pete simbolizuju zločine iz mržnje. Kada upoznaje Džuli i njene tri mlade kćeri, osećaj očinstva i odgovornosti ga snažno podstiču da napusti pokret i život pun mržnje. Njegova odluka je dočekana na nož od strane njegove bivše bande koja mu preti smrću dok on pokušava da preokrene svoj život. Uz pomoć FBI-ja, imao je čak 25 brutalnih operacija uklanjanja tetovaža u zamenu za razotkrivanje zločina na koji se svaka pojedinačna tetovaža odnosi.

O REDITELJU

Gaj Nativ je rođen 1973. godine u Izraelu, u Tel Avivu gde je studirao na katedri za film i televiziju Fakulteta umetnosti Kamera Opskura. Više od deset godina snima kratkometražne filmove i reklame za internacionalne kompanije. Njegov kratkometražni film Poplava prikazan je na Filmskom festivalu u Berlinu 2002. godine gde je osvojio nagradu Kristalni medved. Iz ovog filma proizašao je istoimeni dugometražni film koji je takođe prikazan na Berlinalu u okviru selekcije Generacija. Godine 2004. u selekciji Panorama prikazan je njegov kratki film Stranci. Kratkometražni film Koža dobitnik je Oskara za najbolji kratkometražni film, a istoimeni dugometražni film je prvi igrani film koji je snimio u SAD.

SYNOPSIS

Bryon Widner was one of the FBI's most sought after white supremacists. Covered in racist tattoos from head to toe that he earned performing hate crimes, he conducts a destructive life and is headed down the path of no return. When he meets Julie and her three young daughters from previous relationships, the responsibilities of fatherhood give him the desire to leave the movement behind. He endures death threats and harassment from his old gang while attempting to turn his life around. With the help of the FBI, he undergoes 25 brutal tattoo removal surgeries in exchange for decoding the tattoos covering his body.


Born in Tel Aviv, Israel in 1973, he studied at the film and television department of the Camera Obscura School of Art in the same city. As a director he made short films and commercials for international companies for over ten years. His short film The Flood screened at the 2002 Berlinale where it won a Crystal Bear. From this work he developed a feature film of the same name which also screened in the Generation section. In 2004, Panorama presented his short film Strangers. His short film by the name of Skin has won an Oscar for best live action short film; his full-length film Skin is the first feature film he has made in the USA.


• FIPRESCI, Toronto International Film Festival 2019• Berlin International Film Festival 2019

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

40

DOK. / DOC.

Dolaziš iz dalekaYou Come From Far AwayMEĐUNARODNA SELEKCIJA / INTERNATIONAL SELECTION

Director/Reditelj: Amal RamsisCountry/Zemlja: Egypt, Lebanon, Spain, Qatar, Greece, RussiaYear/Godina: 2018.Runtime/Trajanje: 84'Language/Jezik: RussianCast/Uloge: ×

Production: Klaketa Árabe

DKC, 11. nov, 17:00

41

SINOPSIS

Zamislite da imate braću ili sestre, ali ne možete da pričate sa njima jer ne govorite isti jezik. Zamislite da imate roditelje, ali ste odgojeni bez njih. Film je izvanredna priča o palestinskoj porodici koja je raseljena zbog nekoliko turbulentnih događaja koji su dali pečat prošlom veku: počevši od Španskog građanskog rata u kojem se otac Najati Sidki borio protiv Franka i fašizma, pa sve do Drugog svetskog rata, Nakbe i Libanskog građanskog rata.

O REDITELJKI

Amal Ramsis je studirala film u Madridu. Ramsis je osnivačica i direktorka Međunarodnog ženskog filmskog festivala u Kairu. Vodila je brojne video radionice sa ženama širom sveta. Njeni filmovi Samo snovi (2005), Zabranjeno (2011) i Trag Leptira (2015) su prikazivani na mnogim festivalima i osvojili su nekoliko međunarodnih nagrada.

SYNOPSIS

Imagine that you have siblings but you can’t talk to them because you don’t speak the same language. Imagine that you have parents but you were raised without them. The film tells the extraordinary story of a Palestinian family which was dispersed by several turmoils that steer the last century: From the Spanish Civil War in which the father Najati Sidki fought against Franco and fascism to World War II, Nakba and Lebanese Civil War.


Amal Ramsis has studied cinema in Madrid. Ramsis is the founder and the director of Cairo International Women’s Film Festival. She has conducted numerous video workshops around the world with women. Her films Only Dreams (2005), Forbidden (2011) and The Trace of the Butterfly (2015) have been screened in many festivals and got several international awards.


• FIPRESCI Critics' Prize - Ismailia International Film Festival • Silver Tanit - JCC Carthage Film Festival • Best Film Award - Al Ard Doc Film Festival

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

42

IGR. / FIC.

OkrugThe CountyMEĐUNARODNA SELEKCIJA / INTERNATIONAL SELECTION

Director/Reditelj: Grímur HákonarsonCountry/Zemlja: Iceland, Denmark, Germany, FranceYear/Godina: 2019.Runtime/Trajanje: 92'Language/Jezik: IcelandicCast/Uloge: Arndís Hrönn Egilsdóttir, Þorsteinn Bachmann, Ævar Þór Benediktsson

Production: Netop Films

DKC, 08. nov, 21:00 | Art bioskop Kolarac, 9. nov, 18:30 | Kulturni centar Novog Sada, 11. nov, 20:00 | Cineplexx Niš, 10. nov, 20:00

43

SINOPSIS

Smešten u maloj islandskoj poljoprivrednoj zajednici, film Okrug govori o Ingi, sredovečnoj mlekarki koja se suprotstavlja svemoćnoj lokalnoj zadruzi. Inga pokušava da natera ostale farmere da joj se pridruže u borbi protiv korumpirane zadruge, ali nailazi na veliki otpor, što je primorava da se suoči sa zavisnošću i lojalnošću zajednice ovom jedinom, dominantnom preduzeću. Inga se mora poslužiti svojom snalažljivošću i lukavstvom, kako bi se oslobodila uticaja zadruge i konačno živela onako kako želi.

O REDITELJU

Islandski režiser Grimur Hakonarson je diplomirao na FAMU 2004. godine. Njegov diplomski film, Slavek The Shit, je prikazan 2005. godine u programu Cinéfondation na Kanskom festivalu. Film je proputovao i osvojio 12 festivalskih nagrada, uključujući i nagradu Srebrni Hugo na Međunarodnom filmskom festivalu u Čikagu. Njegov naredni kratkometražni film, Wrestling, premijerno je prikazan na Filmskom festivalu u Lokarnu 2007. godine i osvojio je 25 nagrada na festivalima širom sveta. Grimurov prethodni igrani film, Ovnovi, je 2015. osvojio nagradu u programu Izvestan pogled na Filmskom festivalu u Kanu. Film je dobio više od 30 međunarodnih i 11 nagrada Islandske filmske akademije.

SYNOPSIS

Set in a small Icelandic farming community, The County tells the story of Inga, a middle-aged dairy farmer who rebels against the all powerful local Cooperative. Inga tries to get other farmers to join her in rising up against the Co-op’s corruption, but encounters great resistance, forcing her to confront the community’s dependence and loyalty to this single, dominant enterprise. Inga must use her resourcefulness and cunning to break free of the Co-op’s grasp and finally live life on her own terms.


Icelandic director, Grímur Hákonarson, graduated from FAMU in 2004. His graduate film, Slavek The Shit, was selected to the Cinefondation section of Cannes Film Festival 2005. The film travelled widely and won 12 festival prizes, including the Silver Hugo at the Chicago International Film Festival. His next short film, Wrestling, premiered at Locarno Film Festival 2007 and won 25 festival prizes around the world. Grimur’s previous feature film, Rams, won the Prix Un Certain Regard at the Cannes Film Festival 2015. The film has received more than 30 international awards and won 11 Icelandic Academy Awards.


• Toronto International Film Festival 2019

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

44

IGR. / FIC.

JadniciLes MisérablesMEĐUNARODNA SELEKCIJA / INTERNATIONAL SELECTION

Director/Reditelj: Ladj LyCountry/Zemlja: FranceYear/Godina: 2019.Runtime/Trajanje: 102'Language/Jezik: FrenchCast/Uloge: Damien Bonnard, Alexis Manenti, Djibril Zonga

Production: SRAB Films

Dom omladine Beograda, 8. nov, 18:00 | DKC, 10. nov, 11:00 Kompas Slobodne zone | DKC, 12. nov, 17:00 Kulturni centar Novog Sada, 8. nov, 20:00 | Cineplexx Niš, 8. nov, 20:00

45

SINOPSIS

Stefan se nedavno pridružio odredu za borbu protiv kriminala u Monfermeju, predgrađu Pariza, gde je i Viktor Igo smestio svoj poznati roman Jadnici. Zajedno sa svojim novim kolegama Krisom i Gvadom, iskusnim članovima tima, ubrzo otkriva da među lokalnim bandama vlada tenzija. Kada se ova trojka nađe u haosu, nastalom tokom jednog hapšenja, dron će snimiti nešto što preti da otkrije istinu o svakodnevnom životu u getu. Inspirisan neredima u Parizu 2005. godine i Lađev Lijevim istoimenim kratkim filmom, Jadnici su provokativni uvid u napet odnos koji vlada između lokalnog stanovništva i policije.

O REDITELJU

Reditelj Lađ Li rođen je u Monfermeju (četvrt u departmanu Sena-Sen Deni), i najpoznatiji je po svojim privlačnim veb dokumentarcima koji oslikavaju stvarnost društvenog i političkog života u predgrađu. Li je režirao svoj prvi kratkometražni film, Montfermeil Les Bosquets, 1997. godine. Radio je kao koautor dokumentarnog filma 28 Millimeters sa čuvenim fotografom JR-om, najpoznatijem po uličnim fotografijama velikog formata, postavljenim na zidovima Klišija, Monfermeja i Pariza. 2017. godine režirao je kratki film, Jadnici, koji je nominovan za nagradu Cezar 2018, a osvojio nagradu na Festivalu kratkog filma u Klermon Feranu. Iste godine, zajedno sa rediteljem i piscem Stefanom de Freitasom, režirao je dokumentarni film A Voix Haute, koji je takođe nominovan za nagradu Cezar. Jadnici je prvi Lijev dugometražni film, inspirisan njegovim istoimenim kratkim filmom.

SYNOPSIS

Stéphane has recently joined the Anti-Crime Squad in Montfermeil, in the suburbs of Paris, where Victor Hugo set his famed novel Les Misérables. Alongside his new colleagues Chris and Gwada – both experienced members of the team – he quickly discovers tensions are running high among local gangs. When the trio find themselves overrun during the course of an arrest, a drone camera captures the encounter, threatening to expose the reality of everyday life. Inspired by the 2005 Paris riots, and Ladj Ly’s short film of the same name, Les Misérables is a provocative insight into the tensions between neighborhood residents and police.


Filmmaker Ladj Ly is a native of Montfermeil (Seine-Saint-Denis), best known for his attention-grabbing web documentaries that depict the realities of social and political life. Ly went on to direct his first short film, Montfermeil Les Bosquets in 1997. In 2004, he co-wrote the documentary 28 Millimeters with renowned photographer JR, best known for his large-format street photographs posted on the walls of Clichy, Montfermeil and Paris. In 2017, he directed his first short film, Les Misérables, which was César - nominated in 2018 and a prize-winner at the Clermont-Ferrand Short Film Festival. That same year, he and director/writer Stéphane de Freitas co-directed the documentary A Voix Haute, also nominated for a César award. Les Misérables is Ly’s first feature film, inspired by his original short.


• Special Jury Prize - Cannes International Film Festival 2019• Best Film - Durban International Film Festival 2019• Toronto International Film Festival 2019

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

46

IGR-DOK. / DOCU-FICTION.

Dnevnik Diane BudisavljevićThe Diary of Diana B.HORIZONTI BALKANA / BALKAN HORIZONS

Director/Reditelj: Dana BudisavljevićCountry/Zemlja: Croatia, Slovenia, SerbiaYear/Godina: 2019.Runtime/Trajanje: 88'Language/Jezik: Croatian, GermanCast/Uloge: Alma Prica, Igor Samobor, Biserka Ipša, Mirjana Karanović

Production: Hulahop, December, This and That

Kombank dvorana, velika sala, 11. nov, 19:00

47

SINOPSIS

Ovo je istinita priča o najboljim ljudima u najgorim vremenima. Diana Budisavljević bila je humanitarna i društvena aktivistkinja iz Zagreba koja je organizovala akciju spasavanja i zbrinjavanja srpske dece iz ustaških logora tokom Drugog svetskog rata. Koristeći svoje austrijsko poreklo, Diana je pozvala vlast, crkvu i Crveni krst da spasu barem decu iz logora. Nakon što niko nije preuzeo odgovornost, odlučila je da iz svog stana organizuje akciju koja bi do kraja rata spasila više od deset hiljada dece. Dana Budisavljević tokom posete Jasenovcu 2010. godine dobija od tadašnje upravnice memorijalnog centra Dianin dnevnik, koji je zapis o gotovo nepoznatom junaštvu Diane i njenih prijatelja i odlučuje da na osnovu njega snimi film.

O REDITELJKI

Rođena 1975. godine u Zagrebu. Diplomirala je na Odseku za filmsku i TV montažu na ADU u Zagrebu. Radila je kao montažer, asistent produkcije i organizator filmskih festivala. Debitovala je dokumentarnim filmom Sve 5!, a širu popularnost stekla je porodičnim filmom Nije ti život pjesma Havaja. Kao producentkinja potpisuje dokumentarnu seriju Betonski spavači Saše Bana, filmove Lijepo mi je s tobom znaš Eve Kraljević, Onda vidim Tanju Juraja Lerotića i druge. Dnevnik Diane Budisavljevic njen je prvi autorski dugometražni film. Premijerno je prikazan na Pulskom filmskom festivalu 2019. godine, na kojem je osvojio šest nagrada (Velika Zlatna Arena za najbolji film, Zlatna arena za režiju, Nagrada ocjenjivačkog suda Federacije filmskih kritičara Europe i Mediterana - FEDEORA za najbolji hrvatski dugometražni film, Nagrada publike Zlatna vrata Pule, Zlatna arena za muziku, Zlatna arena za montažu).

SYNOPSIS

This is a true story about the best of people in the worst of times. Diana Budisavljevic was a humanitarian and social activist from Zagreb, who organized an operation of rescuing and sheltering Serb children from the Ustashe camps in World War II. Using her Austrian origins, Diana appealed to the authorities, Church and Red Cross to save children from the camps. As no one else wanted to assume responsibility for it, she took it on herself to manage from her apartment the action that would result in saving more than ten thousand children from certain death. Director Dana Budisavljevic during her visit to Memorial Centre Jasenovac in 2010. received Diana's diary, containing the details of the hitherto unknown heroism of Diana and her friends.


Dana Budisavljević (Zagreb, 1975) graduated from the Academy of Dramatic Art in Zagreb, Department of Film and TV Editing. She has worked as editor, production assistant, and organiser of film festivals. Her directorial debut was the documentary Straight A’s (Factum, 2004), and she has gained popularity with a family film on coming out Family Meals (2012). She has worked as a producer on Slumbering Concrete by Saša Ban, films I Like That Super Most the Best by Eva Kraljević, Then I See Tanja by Juraj Lerotić, and others. Her first feature film The Diary of Diana B. was awarded Grand Golden Arena at the Pula Film Festival making her the first female director to receive main festival award since 1957.


• Golden Arena for Best Film, Directing, Editing, Music, Audience Award - Pula Film Festival 2019• Motovun Film Festival 2019

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

48

DOK. / DOC.

Umetnost sećanjaMilestones HORIZONTI BALKANA / BALKAN HORIZONS

Director/Reditelj: Jelena RadenovićCountry/Zemlja: Serbia, Belgium, UKYear/Godina: 2019.Runtime/Trajanje: 62'Language/Jezik: Serbian, EnglishCast/Uloge: Miodrag Živković

Production: Fini Šnit Production

Dom omladine Beograda, 10. nov, 20:00

49

SINOPSIS

Umetnost sećanja je dokumentarni film o monumentalnim spomenicima podignutim u periodu socijalizma na tlu bivše Jugoslavije. Osnovna namera filma je da na primeru spomenika pokaže da će prava umetnost opstati, naći put do publike i preživeti smene ideologija i političkih uređenja. Spomenici su istovremeno simboli stradanja i čovekove borbe za slobodu, za bolju i svetliju budućnost. O tome kako su nastali neki od najvažnijih spomenika i kako je bilo stvarati u tom periodu u filmu svedoči skulptor prof. Miodrag Živković, autor spomenika na Kadinjači, Tjentišu, u Kragujevcu... To su apstraktne konstrukcije, lišene ideoloških simbola (srp, čekić) i kulta ličnosti koji je veoma prisutan u spomeničkoj skulpturi drugih socijalističkih zemalja. Njihov oblik i dizajn su moderni, čak i futuristički, vizionarski, dok je njihova tehnička izvedba impresivna.

O REDITELJKI

Jelena Radenović je rođena u Beogradu 1979. godine. Završila je osnovne studije glume na Akademiji lepih umetnosti u Beogradu. Više godina je radila kao novinar i urednik emisija na televiziji Studio B i B92. Trenutno radi u Školi filma Fokus na Kolarcu, gde predaje glumu za film i televiziju. Dokumentarni film Kuda dalje (2015) je njen rediteljski prvenac. Film je podržala fondacija TEMPUS – program Evropske unije koji pomaže mladim umetnicima. Jelena takođe radi namenske, kratke filmove za UNTF (the UN Trust Fund to End Violence against Women) o organizacijama koje se bore za prava žena širom sveta.

SYNOPSIS

Milestones is a documentary on monumental memorials erected during the period of socialism on the territory of the former Yugoslavia. The basic intention of the film is to demonstrate, on the example of the monument, that true art will remain, find its way to the audience and survive the shift of ideologies and political systems. Monuments are at the same time symbols of the suffering and man's struggle for freedom, for a better and brighter future. The sculptor prof. Miodrag Zivkovic, the author of the monuments at Kadinjaca, Tjentiste, Kragujevac, testifies about how some of the most important monuments were created and how it was to create during this period. These are abstract constructions, devoid of ideological symbols (sickle, hammer) and a cult of personality very present in the monumental sculpture of other socialist countries. Their form and design are modern, even futuristic, visionary, while their technical side is impressive.


Jelena Radenovic was born in Belgrade in 1979. She graduated acting from The Academy of Arts in Belgrade. For several years she worked as a journalist and editor of TV shows aired on television channels Studio B and B92. She currently works at the Film School Focus at Kolarac where she teaches acting in film and television. Turning Point, a documentary which premiered in October 2015, was her directorial debut. This film was supported by the TEMPUS foundation — a European Union program that supports young artists. Jelena also makes dedicated short films for UNTF (the UN Trust Fund to End Violence against Women) on women's rights organizations around the world.


SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

50

IGR. / FIC.

Čudovišta.Monsters.HORIZONTI BALKANA / BALKAN HORIZONS

Director/Reditelj: Marius OlteanuCountry/Zemlja: RomaniaYear/Godina: 2019.Runtime/Trajanje: 116'Language/Jezik: RomanianCast/Uloge: Judith State, Cristian Popa, Alexandru Potocean

Production: Parada Film, We Are Basca

DKC, 11. nov, 21:00 | Dom omladine Beograda, 12. nov, 20:00

51

SINOPSIS

Dana i Artur su bračni par u svojim četrdesetim i zajedno su skoro već 10 godina. Kao par, uživaju ljubav i naklonost prijatelja i porodice, a pojedinačno prezir. Njihove lične potrebe, ubeđenja, životna očekivanja ali i unutrašnji demoni nateraće ih da se zapitaju, ali i odluče, da li je rastanak zaista najveći dokaz ljubavi.

O REDITELJU

Nakon što je u Londonu stekao master u oblasti režije igranog filma, Marijus Olteanu se opredelio da istražuje sukob između privatnog i društvenog života pojedinca, kao i prepreke koje iz njega proističu. Njegova poslednja dva kratkometražna filma, Kravata i Ničija zemlja, ušli su u selekciju kratkih filmskih ostvarenja na više od 30 festivala, među kojima su Međunarodni filmski festivali u Busanu, Talinu, Namuru, Torontu i mnogim drugim. U njima, autor pokazuje interesovanje za istraživanje suštine svakoga od nas, skrivene ispod naizgled savršene spoljašnosti, kao i za pronalaženje novih filmskih tehnika oslikavanja borbe svakog pojedinca u rušenju sopstvenih granica mogućnosti. Film Kravata je poslužio kao osnovica za njegovo prvo dugometražno ostvarenje Čudovišta.. Marijus je radio i kao pomoćnik režisera na nagrađivanom filmu Kristija Puijua, Sijera Nevada (2016), a pored toga radi i kao fotograf čiji su radovi objavljeni u brojnim novinskim i elektronskim izdanjima.

SYNOPSIS

Dana and Arthur, wife and husband in their forties, have been together for almost 10 years. They are a couple that society, family, friends seem to love together, but despise separately. Because of their needs, their beliefs, their life options and their inner monsters, the day comes for them to decide if letting go is the biggest proof of love.


After graduating from NFTS, United Kingdom, with an MA in Fiction Film Directing, Marius Olteanu has chosen to focus on the clash between private and social life and the boundaries that arise. His last two shorts, Tie, which was the starting point for his feature debut Monsters, and No man’s land were selected in more than 30 festivals – Busan IFF, Tallinn POFF, Namur FIFF, TIFF, etc. These films show his interest in exploring what lies beyond the perfect surface of things and finding new cinematic ways to convey the struggle with one’s own limits. Marius worked as an assistant director for the award-winning film Sieranevada (2016) by Cristi Puiu and is also a published photographer.


• Best Screenplay - Montenegro Film Festival Herceg Novi, 2019• Best Feature Film - Sofia International Film Festival, 2019• Tagesspiegel Readers’ Jury Award - Berlin International Film Festival, 2019

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

52

IGR. / FIC.

Bog postoji: njeno ime je PetrunijaGod Exists, Her Name Is PetrunyaHORIZONTI BALKANA / BALKAN HORIZONS

Director/Reditelj: Teona Strugar MitevskaCountry/Zemlja: Macedonia, Belgium, Slovenia, Croatia, FranceYear/Godina: 2019.Runtime/Trajanje: 100'Language/Jezik: MacedonianCast/Uloge: Zorica Nusheva, Labina Mitevska, Stefan Vujisic

Production: Sisters and Brother Mitevski, Entre Chien et Loup, Vertigo, Spiritus Movens

DKC, 9. nov, 19:00 | Dom omladine Beograda, 11. nov, 20:00 | Kulturni centar Novog Sada, 13. nov, 20:00 | Cineplexx Niš, 12. nov, 20:00

53

SINOPSIS

U Štipu, malom gradu u Makedoniji, svakog januara lokalni sveštenik baca drveni krst u reku i stotine muškaraca skače za njim. Sreća i napredak su zagaranovani onom čoveku koji izvadi krst iz vode. Ovaj put Petrunija naprasno odlučuje da skoči u vodu i uspeva da zgrabi krst pre ostalih. Njeni protivnici su ljuti – kako to da se jedna žena usuđuje da učestvuje u njihovom ritualu? Nastaje potpuni haos, ali Petrunija ne popušta. Ona je osvojila krst i neće ga se odreći.

O REDITELJKI

Teona Strugar Mitevska, rođena je 1974. godine u Skoplju, Makedoniji. Završila je magistarske studije filma na prestižnoj Tiš školi umetnosti Univerziteta u Njujorku 2001. godine. Njen prvi dugometražni film Kako sam ubio sveca je obišao više od pedeset filmskih festivala i osvojio mnoge nagrade širom sveta. Njen drugi film, Ja sam iz Titovog Velesa je predstavljen publici u petnaest država 2008. i 2009. godine, a prikazan je i u okviru takmičarskog programa Filmskog festivala u Sarajevu, gde je osvojio specijalnu nagradu žirija. Njeni filmovi Kada dan nije imao ime i Bog postoji: njeno ime je Petrunija su premijerno prikazani na Filmskom festivalu u Berlinu.

SYNOPSIS

In Stip, a small town in Macedonia, every January the local priest throws a wooden cross into the river and hundreds of men dive after it. Good fortune and prosperity are guaranteed to the man who retrieves it. This time, Petrunya dives into the water on a whim and manages to grab the cross before the others. Her competitors are furious - how dare a woman take part in their ritual? All hell breaks loose, but Petrunya holds her ground. She won her cross and will not give it up.


Teona Strugar Mitevska was born in 1974 in Skopje, Macedonia. In 2001, she finished the Master of Film Arts programme at New York University's prestigious Tisch School of the Arts. Her first feature-length film, How I Killed a Saint, travelled to more than 50 film festivals and won numerous prizes around the world. Her second film, I Am From Titov Veles, was theatrically released in 15 countries in 2008-2009, and was screened in the official competition of the Sarajevo Film Festival, where it won a Special Jury Award. Her films When the Day Had No Name and God Exists, Her Name Is Petrunija have premiered at Berlinale.


• Guild Film Prize, Prize of the Ecumenical Jury - Berlin International Film Festival 2019• FIPRESCI Prize - Best Film, Motovun Film Festival 2019• Edinburgh International Film Festival 2019

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

54

DOK. / DOC.

Tusta Tusta HORIZONTI BALKANA / BALKAN HORIZONS

Director/Reditelj: Andrej KorovljevCountry/Zemlja: Croatia, Serbia, MacedoniaYear/Godina: 2019.Runtime/Trajanje: 109'Language/Jezik: Croatian, Serbian, MacedonianCast/Uloge: ×

Production: Factum, Wake Up Films

Dom omladine Beograda, 08. nov, 20:00

55

SINOPSIS

Dugometražni dokumentarac Tusta približava nam život Branka Črnca Tuste, frontmena legendarnog pank-rok benda KUD Idijoti iz Pule. Kroz arhivske materijale i intervjue sa članovima benda, kolegama i savremenicima, prvi deo filma govori o neočekivanom proboju i meteorskom usponu pulskog sastava. Drugi čin ove specifične rock and roll priče posvećen je ograničenim aktivnostima benda i zabranama koje su doživljavali usled rata i nacionalizma u Hrvatskoj. Nepoljuljanih ideala i beskompromisnog stava, Tusta i KUD Idijoti bili su prvi hrvatski bend koji je nastupio u Srbiji nakon raspada SFRJ, na danas legendarnom koncertu u beogradskoj Hali sportova 2000. godine. Konačno, u finalnom segmentu filma, reditelj Andrej Korovljev fokusira se na poslednje godine i prerani kraj Tustinog života kroz dirljiva svedočenja članova porodice i prijatelja, gde otkrivamo njegovu manje poznatu, intimnu, ljudsku dimenziju.

O REDITELJU

Andrej Korovljev je rođen 1970. godine u Puli. Studirao je filmsku režiju na Univerzitetu Vestminster u Londonu. 2000. godine se vratio u Hrvatsku, gde je započeo profesionalnu karijeru. Osnova njegovog komercijalnog rada su televizijske reklame. Sa umetničkog stanovišta, više puta se dokazao na polju dokumentarca. Njegov film Godine hrđe nagrađivan je i prikazivan na filmskim festivalima širom sveta i uvršten u antologije hrvatskih dokumentarnih filmova. Andrej je takođe dugogodišnji selektor kratkih filmova na Motovun Film Festivalu i član Društva hrvatskih filmskih redatelja. Dvostruki je dobitnik nagrade Porin i Oktavijan, kao i nagrade Jelena Rajković.

SYNOPSIS

The feature documentary Tusta acquaints us with the life of Branko Črnac Tusta, the frontman of the iconic punk rock band KUD Idijoti from Pula. Through archive materials and interviews with members of the band, colleagues and contemporaries, the first part of the film speaks about the band’s extraordinary breakthrough. The second part of this rock and roll tale is dedicated to the limited activity of the band and the bans imposed on them during the war and the nationalist atmosphere in Croatia. Firm in their ideals and uncompromising in their views, Tusta and KUD Idijoti were the first Croatian band to perform in Serbia after the collapse of SFRY, at the iconic concert in Belgrade’s Sport Hall in 2000. Finally, in the last segment of the film, director Andrej Korov-ljev focuses on the last years and the premature end of Tus-ta’s life through touching testimonies of family and friends, revealing his less known, intimate, human dimension.


Andrej Korovljev was born in Pula in 1970. He studied Film Directing at London's Westminster University. In 2000 he returned to Croatia where his artistic career began to take shape commercially. The base of his commercial work have been television commercials. From an artistic perspective, Andrej has proved his strong abilities within the documentary genre. His award-winning film The Years of Rust has been screened at film festivals worldwide and has been prestigiously included in the anthology of Croatian documentaries. He has been a long-serving selector for short films at the Motovun Film Festival and a member of the Croatian Guild of Film Directors. He is also a double winner of the Porin and Oktavijan awards and the Jelena Rajković award.


• Audience Award - Liburnia Film Festival 2019• Motovun Film Festival 2019• DokuFest 2019

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

56

DOK. / DOC.

Palata za narodPalace for the PeopleHORIZONTI BALKANA / BALKAN HORIZONS

Director/Reditelj: Georgi Bogdanov, Boris MissirkovCountry/Zemlja: Bulgaria, Germany, RomaniaYear/Godina: 2018.Runtime/Trajanje: 76'Language/Jezik: German, Russian, Bulgarian, Romanian, SerbianCast/Uloge: ×

Production: Agitprop, Filmtank, ICON production

DKC, 10. nov, 19:00 | Dom omladine Beograda, 12. nov, 18:00

57

SINOPSIS

Palata za narod govori o pet najpoznatijih socijalističkih građevina koje su najreprezentativnije nasleđe jedne epohe i svedoče o istorijskim preokretima u Istočnoj Evropi u drugoj polovini dvadesetog veka. Nacionalna palata kulture u Sofiji, Državni univerzitet u Moskvi, Palata parlamenta u Bukureštu, Palata Srbije u Beogradu i Palata republike u Berlinu jedinstvena su arhitektonska dela čija je izgradnja zahtevala mnogo hrabrosti i malo ludila, a zadatak im je bio da podsete narod na vrhovnu vlast i svetlu budućnost. Svaka od njih je po nečemu posebna – najviša, najveća, ima najveći sat na svetu ili najnapredniju tehnologiju svoga vremena. Te građevine su bile najgrandiozniji poduhvati u vreme kada je borba za opšte dobro bila politika centralne vlade. Sada, kada je socijalizam propao, moramo se osvrnuti na njih i otkriti njihove tajne.

O REDITELJIMA

Kreativni duo Boris Misirkov i Georgije Bogdanov su međunarodno priznati bugarski direktori fotografije, reditelji, vizuelni umetnici i fotografi. Autori su vizuelnih kampanja, dugometražnih dokumentaraca, video spotova i kratkih filmova. Idejni su tvorci i osnivači Agitprop produkcijske kompanije i suosnivači Bugarskog fotografskog društva. Direktori fotografije na nekoliko dokumentaraca za HBO - Betonski faraoni, Hotel Paradise i Tata je snimao bezobrazne filmove. Kao poznati vizuelni umetnici i fotografi, oni su se predstavljali kako samostalno, tako i na velikim izložbama savremene umetnosti i fotografije u Evropi i Sjedinjenim Američkim Državama.

SYNOPSIS

Palace for the People tells the stories of the five most emblematic buildings of socialist times, which are highly representative of the period and which witnessed the his-torical turbulence of Eastern Europe in the second half of the 20th century. The National Palace of Culture in Sofia; Moscow State University; the Palace of Parliament in Bu-charest; the Palace of Serbia in Belgrade; and the Palace of the Republic in Berlin are unique architectural creatures, conceived of with a lot of courage and a little bit of lunacy to remind the people of both an ultimate power and a brighter future. Each is the tallest, the biggest, has the largest clock on Earth, or the most advanced technology of its time. They were the most grandiose enterprises in a time when collective good was the primary state policy. Now that socialism is over, it is time to go back and reveal the hidden secrets of these edifices.

DIRECTORS’ BIOGRAPHIES

The creative duo Boris Missirkov and Georgi Bogdanov are internationally acclaimed Bulgarian cinematographers, directors, visual artists and photographers. Authors of visual campaigns, full- length documentaries, videos and short films. Ideologists and founders of Agitprop Production Company and co-founders of Bulgarian Photographic Association. DOP of the first original Bulgarian productions for HBO, documentaries Concrete Pharaohs and Paradise Hotel and of Dad Made Dirty Movies, etc. Renowned visual artists and photographers, they have been presented in solo shows as well as major photography and contemporary art exhibitions in Europe and the USA.


• Seattle International Film Festival 2019• Sarajevo Film Festival 2019• DOK Leipzig 2019

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

58

DOK. / DOC.

Kada je paradajz sreo VagneraWhen Tomatoes Met Wagner

Director/Reditelj: Marianna EconomouCountry/Zemlja: GreeceYear/Godina: 2019.Runtime/Trajanje: 72'Language/Jezik: Greek, French, EnglishCast/Uloge: ×

Production: STEFI&Lynx & Anemon

DKC, 9. nov, 14:00

59

SINOPSIS

Elias, malo poljoprivredno selo u centralnoj Grčkoj, polako odumire. Međutim, dva rođaka ujedinjuju snage sa seoskim bakama kako bi počeli da uzgajaju paradajz. Uz malu pomoć Vagnerove muzike, seljani počinju da izvoze svoje teglice od organskog paradajza širom sveta. Film prati protagoniste ove neobične priče tokom njihove borbe da ostvare svoje snove. Duhovita i nadrealna priča govori nam o značaju lične transformacije u kriznim vremenima i moći ljudskih odnosa.

O REDITELJIMA

Marijana Ekonomu je grčka je rediteljka koja je u Londonu studirala antropologiju, fotožurnalizam i film. Od 2000. godine producira i režira dokumentarne serije i nezavisne filmove u saradnji sa evropskim emiterima, uključujući BBC, arte i ILE. Njeni dokumentarni filmovi poput My Place in the Dance, Bells, Threads & Miracles i Food for Love osvojili su brojne nagrade. Njen film The Longest Run nominovan je za nagradu evropske filmske akademije 2016. godine i osvojio nagradu za najbolji dokumentarac na filmskom festivalu DOK Lajpcig.

SYNOPSIS

Elias, a small farming village in central Greece, is dying out. But two cousins team up with the village grannies to culti-vate tomatoes. With a little help from Wagner’s music, the villagers export their little jars with organic tomato recipes across the world. The film follows the protagonists of this unlikely story, as they struggle to make their dream come true. Humorous and bittersweet, this surreal story speaks to us about the importance of reinventing oneself in times of crisis and the power of human relationships.

DIRECTORS’ BIOGRAPHIES

Marianna Economou is a Greek director who studied anthropology, photojournalism and film in London. Since 2000, she has been producing and directing documentary series and independent films in cooperation with European broadcasters including the BBC, arte and YLE. Her documentaries such as My Place in the Dance, Bells, Threads & Miracles and Food for Love have won a number of prizes. Her film The Longest Run was nominated for a European Film Award in 2016 and won the VER.DI Award for Best Documentary at DOK Leipzig.


• Greek selection for the Academy Awards 2020• Berlin International Film Festival 2019• Sarajevo Film Festival 2019

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

60

IGR. / FIC.

Alis i gradonačelnikAlice and the MayorEU ZONA PROMENA / EU ZONE OF CHANGE

Director/Reditelj: Nicolas PariserCountry/Zemlja: France, Belgium Year/Godina: 2018.Runtime/Trajanje: 105'Language/Jezik: FrenchCast/Uloge: Fabrice Luchini, Anaïs Demoustier, Nora Hamzawi

Production: Bizibi Productions

Dom omladine Beograda, 11. nov, 18:00 | DKC, 12. nov, 19:00 | Kulturni centar Novog Sada, 12. nov, 20:00 | Cineplexx Niš, 11. nov, 20:00

61

SINOPSIS

Gradonačelnik Liona, Pol Terano, pati od egzistencijalne krize. Nakon 30 godina u politici, oseća se potpuno prazno i lišen ideja. Kako bi to prevazišao, Pol angažuje mladu i pametnu filozofkinju, Alis Ajman, za neobičan posao predlaganja ideja Gradskoj skupštini. Kroz njihov odnos reditelj na duhovit i dirljiv način preispituje savremeni život, kroz filter dve generacije. Dijalog dveju dijametralno suprotnih ličnosti koje preispituju sve ono u šta su do tada verovale.

O REDITELJU

Nikolas Pariser je rođen 1974. godine u Parizu. Nakon studija prava, filozofije, istorije umetnosti i filma, postaje filmski kritičar za magazin Sofa početkom 2000-ih. Nakon toga ostvaruje četvorogodišnju saradnju sa rediteljem Pjerom Risintom. 2008. godine režira svoj kratkometražni film Dan kada je Segolen pobedila, koji prati aktivistkinju Socijalističke partije, na dan kada je Nikola Sarkozi izabran za predsednika Francuske. Godinu dana kasnije režira srednjemetražni politički film Republika i osvaja nagradu Žan Vigo 2010. godine. Velika igra, njegov prvi dugometražni film se 2015. godine našao u selekciji Stvaraoci današnjice na Lokarno filmskom festivalu. Njegov drugi dugometražni film Alis i gradonačelnik prikazan je u okviru programa Petnaest dana autora na Kanskom festivalu.

SYNOPSIS

The Mayor of Lyon, Paul Théraneau is suffering from an existential crisis. After 30 years in politics, he feels totally empty and devoid of ideas. To overcome this, Paul hires a young and brilliant philosopher, Alice Heimann for a nebu-lous job conjuring ideas at City Hall. Their interactions are our gateway into a lively, funny and touching exploration of the way we live now through the filter of two gener-ations. A dialogue between two diametrically opposed personalities who will turn their certainties upside down.


Nicolas Pariser was born in Paris in 1974. After studying law, philosophy, art history and film, he became a film critic for the magazine Sofa in the early 2000s, then spent four years collaborating with director Pierre Rissient. In 2008, he directed his first short, The Day Ségolene Won, which follows a Socialist Party activist, on the day French President Nicolas Sarkozy was elected. The following year, he directed his medium-length political film The Republic and won the Jean Vigo Award 2010. The Great Game, his first feature film, made the 2015 Locarno Film Festival in the «Filmmakers of the Present» selection. His second feature Alice and the Mayor is selected in Cannes’ Directors Fortnight.


• Europa Cinemas Label Award - Cannes Film Festival 2019• Haifa International Film Festival 2019• Hamburg Film Festival 2019

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

62

DOK. / DOC.

Stig Laršon: Čovek koji se igrao vatromStieg Larsson: The Man Who Played With FireEU ZONA PROMENA / EU ZONE OF CHANGE

Director/Reditelj: Henrik GeorgssonCountry/Zemlja: SwedenYear/Godina: 2018.Runtime/Trajanje: 99'Language/Jezik: SwedishCast/Uloge: Emil Almén, Johan Eriksson, Magnus Höqqvist

Production: B-Reel Films, C More Entertainment, Film i Väst

DKC, 8. nov, 15:00 | Art bioskop Kolarac, 8. nov, 20:30 | DKC, 9. nov, 11:00 Kompas Slobodne zoneKulturni centar Novog Sada, 8. nov, 18:00 | Cineplexx Niš, 8. nov, 18:00

63

SINOPSIS

Stig Laršon: Čovek koji se igrao vatrom detaljno govori o zaostavštini i životnom delu poznatog autora Stiga Laršona. Tvorac je i pisac najprodavanijeg serijala Devojka sa tetovažom zmaja, koji je adaptiran u nekoliko uspešnih filmova. Laršon je bio predan novinar i autor, čiji je fascinantan i dramatičan život do sada bio uglavnom nepoznat. Bio je posvećen borbi protiv desnog ekstremizma i širenju poruke da je demokratija pravo za koje se treba boriti. Film sadrži intervjue sa ljudima bliskim Laršonu, kao i jedinstven materijal iz njegove privatne arhive, rekonstrukcije događaja i nikada ranije viđene arhivske snimke.

O REDITELJU

Henrik Georgson je reditelj koji stoji iza proslavljene televizijske serije The Bridge (Most). Režirao je i druge popularne serije, poput Wallander (Volander) i Blue Eyes (Plave oči). Studirao je režiju dokumentarnog filma na Dramatiska Institutet u Stokholmu, a nedavno je završio snimanje britanske televizijske serije Marcella (Marsela) koja pripada nordijskom noir žanru.

SYNOPSIS

Stieg Larsson: The Man Who Played With Fire details famed author Stieg Larsson’s legacy and life’s work. Creator and writer of the best-selling series The Girl With The Dragon Tattoo, which has been adapted into several successful films, Larsson was a dedicated journalist and author whose fascinating and dramatic life has largely been unknown until now. He devoted his time to fighting right wing extremism in the world and spreading the mes-sage that democracy is a right that needs to be fought for. The film includes interviews with people close to Larsson, as well as unique material from his private archive, re-enactments and never-before-seen archive footage.


Henrik Georgsson is the director behind the celebrated tv-series The Bridge. He has directed other popular tv series, such as Wallander and Blue Eyes. He studied documentary directing at Dramatiska Institutet in Stockholm, and most recently wrapped on the British Nordic-noir tv-series Marcella.


• Sundance Film Festival 2019• Hot Docs Film Festival 2019• Vancouver International Film Festival 2019

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

64

DOK. / DOC.EU ZONA PROMENA / EU ZONE OF CHANGE

Director/Reditelj: Fredrik GerttenCountry/Zemlja: Sweden, CanadaYear/Godina: 2019.Runtime/Trajanje: 92'Language/Jezik: English, Spanish, Italian, German, KoreanCast/Uloge: Leilani Farha, Saskia Sassen, Joseph Stiglitz

Production: WG Film

IzbačeniPush

DKC, 10. nov, 21:00 | DKC, 11. nov, 11:00 Kompas Slobodne zone | Kulturni centar Novog Sada, 12. nov, 18:00 | Cineplexx Niš, 11. nov, 18:00

65

SINOPSIS

Izbačeni je novi dokumentarac nagrađivanog reditelja Fredrika Gertena, koji istražuje zašto više ne možemo da priuštimo život u našim gradovima. Stanovanje je osnovno ljudsko pravo, preduslov za siguran i zdrav život. Međutim, u gradovima širom sveta postaje sve teže i teže obezbediti mesto stanovanja. Ko stoji iza svega toga i koji su faktori koji čine stanovanje jednim gorućih svetskih pitanja današnjice? U filmu učestvuju Saskija Sasen, Džosef Stiglic, Roberto Savijano i Lejlani Farhe, specijalni izvestilac Ujedinjenih nacija za pitanja adekvatnog stanovanja ljudi širom sveta. Ovaj aktuelan i sjajan dokumentarac poziva na odgovornost moćnike koji sprečavaju pristup onome što je osnovno ljudsko pravo.

O REDITELJU

Fredrik Gerten je nagrađivani švedski reditelj i novinar. Njegova poslednja filmska ostvarenja Becoming Zlatan (2016), Bikes vs Cars (2015), Big Boys Gone Bananas!* (2012), Bananas!*(2009) je publika imala prilike da upozna u preko 100 zemalja kao i na vodećim filmskim festivalima. Fredrik je 1994. godine osnovao produkcijsku kompaniju WG Film. Prethodno je radio kao strani dopisnik i kolumnista za radio, televiziju i štampu u Africi, Latinskoj Americi, Aziji i širom Evrope. Danas kombinuje filmsko stvaralaštvo sa ulogom kreativnog producenta u WG Film-u, jednoj od najistaknutijih švedskih kompanija za produkciju dokumentarnih filmova, poznatoj po lokalnim pričama koje imaju odjek i uticaj na globalnom nivou.

SYNOPSIS

Push is a new documentary from award-winning director Fredrik Gertten, investigating why we can’t afford to live in our own cities anymore. Housing is a fundamental human right, a precondition to a safe and healthy life. But in cities all around the world, having a place to live is becoming more and more difficult. Who are the players and what are the factors that make housing one of today’s most pressing world issues? With contributions from Saskia Sassen, Joseph Stiglitz, Roberto Saviano, and Leilani Farha - UN Special Rapporteur for Housing. This is a timely and stark documentary, calling to task those gatekeepers preventing access to what is a human right.


Fredrik Gertten is an award-winning Swedish director and journalist. His latest works Becoming Zlatan (2016), Bikes vs Cars (2015), Big Boys Gone Bananas!* (2012) and Bananas!* (2009) have met audiences in over 100 countries and screened at leading festivals. In 1994, Fredrik founded the production company WG Film. He previously worked as a foreign correspondent and columnist for radio, TV and press in Africa, Latin America, Asia and around Europe. Today he combines filmmaking with a role as a creative producer at WG Film – one of Sweden’s most prominent documentary production companies, famous for local stories with a global understanding and impact.


• Audience Award - CPH:DOX, 2019• Best Feature Documentary - Freedom Film Festival 2019• Hot Docs Film Festival 2019

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

66

DOK. / DOC.ŽENSKA LINIJA / WOMAN LINE

Director/Reditelj: Kim LonginottoCountry/Zemlja: Ireland, USA, ItalyYear/Godina: 2019.Runtime/Trajanje: 97'Language/Jezik: Italian, EnglishCast/Uloge: Letizia Battaglia

Production: Lunar Pictures Ltd

Mafija kroz objektivShooting the Mafia

DKC, 11. nov, 19:00 | Art bioskop Kolarac, 12. nov, 18:30 | Kulturni centar Novog Sada, 13. nov, 18:00 | Cineplexx Niš, 12. nov, 18:00

67

SINOPSIS

Biografski film o Leticiji Batalji, fotografkinji italijanskog porekla poznatoj po smelim snimcima pustoši koju je za sobom ostavljala mafija u njenoj rodnoj Siciliji. Kroz ovaj dokumentarac su protkane Bataljine upečatljive crno-bele fotografije, scene iz klasičnih italijanskih filmova, retki istorijski snimci i sećanja same autorke, sada već 84-godišnjakinje, kako bi se oslikao portret jedne izuzetne žene, čija je hrabrost i nepokolebljivost pomogla razotkrivanju brutalnih zločina Koza nostre.

O REDITELJKI

Rođena u Ujedinjenom Kraljevstvu, u Londonu 1952. godine, Kim Longinoto je studirala kinematografiju i režiju u Nacionalnoj školi filma i televizije u Bikonsfildu. Od 1987. godine snimala je brojne dokumentarne filmove čija su tema buntovnici i autsajderi. Gaia devojke, dokumentarac o dvema devojkama u japanskom trening kampu za rvače, je prvi njen prikazan film i to u okviru programa Panorama Dokumente 2001. godine. Potom, dokumentarac Salma, koji se bavi životima muslimanki u južnoj Indiji, prikazan je 2013. godine u programu Panorama. Film Hvatač snova osvojio je nagradu za najbolju režiju dokumentarnog filma na filmskom festivalu Sandens 2015. godine.

SYNOPSIS

A biopic about the Italian photographer Letizia Battaglia known for her intrepid recording of the devastation caused by the mafia in her native Sicily. The feature documentary weaves together Battaglia’s striking black-and-white photographs, classic Italian movies, rare archival film, and the now 84-year-old’s own memories, to paint a portrait of a remarkable woman whose bravery and defiance helped expose the Cosa Nostra’s brutal crimes.


Born in London, UK in 1952, she studied cinematography and directing at the National Film and Television School in Beaconsfield. Since 1978, she has made numerous documentaries which focus above all on rebels and outsiders. Her work first screened in the Panorama Dokumente section in 2001 with Gaea Girls, about two girls in a Japanese training camp for wrestlers. Salma, about the lives of Muslim women in southern India, screened in Panorama in 2013. Her film Dreamcatcher won the World Cinema Documentary Directing Award at Sundance in 2015.


• Audience Award, Brussels International Film Festival 2019• Sundance Film Festival 2019 • Berlin International Film Festival 2019• Hot Docs Toronto Documentary Film Festival 2019

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

68


Director/Reditelj: Rob GarverCountry/Zemlja: USAYear/Godina: 2018.Runtime/Trajanje: 95'Language/Jezik: EnglishCast/Uloge: Woody Allen, Alec Baldwin, Quentin Tarantino

Production: 29Pictures LLC

Tako je govorila Polin KejlWhat She Said: The Art of Pauline Kael

Dom omladine Beograda, 10. nov, 18:00 | DKC, 12. nov, 15:00

69

SINOPSIS

Polin Kejl, filmska kritičarka časopisa Njujorker, uspela ja da se izbori i ostavi trag u svetu filma i filmske kritike, zahvaljujući briljantnom stilu, nepokolebljivom samopouzdanju, burnoj prošlosti i dubokoj ljubavi prema umetnosti. Sačinjen od preko 40 intervjua i do sada nikada viđenog arhivskog materijala, film Tako je govorila Polin Kejl je verodostojan portret pionirke koja je, zbog izjava vezanih za filmove i kulturu u zlatnoj eri filmskog stvaralaštva, u isto vreme bila obožavana ali i omražena. U dokumentarcu, glumica Sara Džesika Parker čita Polinine zapise i predstavlja sagovornike među kojima su: Kventin Tarantino, Kamil Palja, Dejvid O. Rasel, Moli Haskel, Džo Morgenstern i Grejl Markus.

O REDITELJU

Rob Garver je filmski reditelj koji živi i radi u Njujorku. Režirao je i producirao nekoliko kratkometražnih filmova koji su prikazivani u lokalnim njujorškim bioskopima i emitovani na kablovskoj televiziji. Tu ubrajamo: Comic Belief, dokumentarac o crtaču stripova Denu Piraru; The Man in the Yellow Cap; i kratkometražni igrani film Two Roads From Belfast, Maine, koji je emitovan na televizijskom kanalu Classic Arts Showcase. Diplomirao je na Univerzitetu Northwestern.

SYNOPSIS

The New Yorker film critic Pauline Kael battled to make her mark -- fueled by brilliance, unshakable self-confidence, a complicated past, and a deep love of the arts. With over 40 new interviews and never-before seen archival material, What She Said is an unvarnished portrait of a pioneer who was both admired and resented for what she said about movies and the culture in an era of great moviemaking. Sarah Jessica Parker voices the writing of Pauline, and featured participants include Quentin Tarantino, Camille Paglia, David O. Russell, Molly Haskell, Joe Morgenstern and Greil Marcus.


Rob Garver is a New York-based filmmaker who has written, produced and directed several short films that have been screened in local New York cinemas and aired on cable television. Films include: Comic Belief, a documentary profile of cartoonist Dan Piraro; The Man in the Yellow Cap; and Two Roads From Belfast, Maine, a short narrative that has aired on the Classic Arts Showcase cable network. He graduated from Northwestern University.


• Telluride Film Festival, 2018• Doc NYC, 2018• Berlin International Film Festival, 2019• Miami Film Festival, 2019

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

70


Director/Reditelj: Barbara MillerCountry/Zemlja: Switzerland, GermanyYear/Godina: 2018.Runtime/Trajanje: 97'Language/Jezik: English, German, JapaneseCast/Uloge: Deborah Feldman, Leyla Hussein, Rokudenashiko

Production: Mons Veneris Films, Das Kollektiv für audiovisuelle Werke, Indi Film

#Žensko zadovoljstvo#Female Pleasure

DKC, 12. nov, 21:00

71

SINOPSIS

Dokumentarac Barbare Miler, #Žensko zadovoljstvo, upoznaje gledaoce sa pet hrabrih, pametnih i samosvesnih žena, koje razbijaju tišinu koju nameću njihova patrijarhalna društva i verske zajednice. Debora Feldman, Lejla Husein, Rokudenašiko, Doris Vagner i Vitika Jadav se svojom neverovatnom snagom i pozitivnom energijom bore za oslobađanje i autonomiju ženske seksualnosti, protiv religijskih dogmi i kulturoloških barijera. Ali njihova pobeda ima visoku cenu: javno su omalovažavane, optuživane za krivična dela, izopštene iz društva u kome su odrastale, a pristizale su im čak i pretnje smrću od strane verskih vođa i fanatika.

O REDITELJKI

Rođena 1970. godine u Cirihu, u Švajcarskoj, Barbara Miler završila je prava, a potom i osnovne studije filma, filozofije i psihologije na Univerzitetu u Cirihu. Radila je dve godine kao pomoćnik režije na dokumentarcu Kristijana Fraja Ratni fotograf. Od 2001. godine snima dokumentarne filmove kao slobodna umetnica.

SYNOPSIS

Barbara Miller’s feature documentary #Female Pleasure portrays five courageous, smart and self-determined women, breaking the silence imposed by their archaic-patriarch societies and religious communities. With incredible strength and positive energy, Deborah Feldman, Leyla Hussein, Rokudenashiko, Doris Wagner and Vithika Yadav are fighting for sexual liberation and autonomy for women, beyond religious rules and cultural barriers. But their victory comes at a high price: they all have experienced public defamation, threats and prosecutions, have been excommunicated by the society they grew up in and even received death threats by religious leaders and fanatics.


Born 1970 in Zurich, Switzerland, Barbara Miller holds a first degree in law and an undergraduate degree in film studies, philosophy and psychology from the University of Zurich. As an assistant director and editing assistant she worked on Christian Frei’s documentary War Photographer for two years. Since has been a freelance documentary filmmaker since 2001.


• Premio Zonta Club Award – Locarno IFF 2018• Documentary Award - Millennium Docs Against Gravity 2019• Special Jury Award - Istanbul International Film Festival 2019

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

72

DKC, 12. nov, 13:00

IGR. / FIC.SELEKCIJA 14+ / SELECTION 14+

Director/Reditelj: Marie-Sophie ChambonCountry/Zemlja: France Year/Godina: 2019.Runtime/Trajanje: 88'Language/Jezik: FrenchCast/Uloge: Laure Duchene, Angèle Metzger, Pauline Serieys

Production: Koro Films

Zvezda od 100 kilaStars by the Pound

73

SINOPSIS

Šesnaestogodišnja Lua ima samo jedan san, a to je da postane astronaut. Odlična je u fizici i kada bi se merila samo pamet, bila bi savršen kandidat. Međutim, Lua ima veliki problem: ima preko 100 kila - porodično nasleđe od kog ne može da pobegne. Kada pomisli da je sve izgubljeno, Lua upoznaje Ameli, Stanu i Džastin, tri tinejdžerke suočene sa sličnim problemima, ali ipak spremne da učine sve što je potrebno kako bi se zajedno otisnule u svemir...

O REDITELJKI

Nakon studija na odseku za pisanje scenarija na Francuskoj filmskoj školi, La fémis, Mari-Sofi je zavolela da piše priče o običnim devojkama i ženama neobičnih sudbina. Započinje kao ko-scenaristkinja na prvom igranom filmu Lejle Buzid Dok otvaram oči iz 2015. godine koji je nagrađivan sa 30 nagrada na raznim festivalima, u koje spadaju Venecija, Toronto, Namur, Sent-Žan de Luz... Radeći na ovakvim temama nastavila je i kao rediteljka, počevši sa tri kratka filma i svojim prvim igranim filmom, Zvezda od 100 kila, koji je publici predstavljen na festivalu Cannes Screens Juniors u maju 2019.

SYNOPSIS

Lois, 16, has only one dream: becoming an astronaut. However, although she’s gifted in physics, she has a big problem: Lois weighs over 200 pounds – a family trait she’s inescapably stuck with. Then, just when everything seems lost, Lois meets Amélie, Stannah, and Justine: three teenagers shattered, like her, by life’s tough breaks; yet ready for anything in order to leave with her for outer space…


After studying at the script department of the French school of cinema, La fémis, Marie-Sophie loves to write stories about ordinary girls and women with an extraordinary destiny. First as co-screenwriter, on the first feature film by Leyla Bouzid As I open my eyes in 2015, rewarded with thirty awards at festivals, including Venice, Toronto, Namur, St Jean de Luz ... Then, as a director, starting with 3 shorts films, and her first feature film, Stars by the pound, presented at Cannes Screen Junior, last May.


• Cannes Film Festival 2019• Sarajevo Film Festival 2019• Hamburg International Film Festival 2019

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

74

DKC, 8. nov, 13:00 | DKC, 11. nov, 15:00 | Kulturni centar Novog Sada, 11. nov, 18:00 | Cineplexx Niš, 10. nov, 18:00

DOK. / DOC.SELEKCIJA 14+ / SELECTION 14+

Director/Reditelj: Luke LorentzenCountry/Zemlja: USA, MexicoYear/Godina: 2019.Runtime/Trajanje: 81'Language/Jezik: SpanishCast/Uloge: Juan Ochoa, Fer Ochoa, Josué Ochoa

Production: Hedgehog Films, No Ficción

Treća smenaMidnight Family

75

SINOPSIS

Porodica Očoa vodi privatnu hitnu pomoć u Meksiko Sitiju, takmičeći se za pacijente sa ostalim službama hitne pomoći. Dok pokušavaju da zarade za život u ovom nemilosrdnom poslu, bore se da njihove finansijske potrebe ne ugroze ljude kojima pomažu. Rigorozna kazna inače korumpirane policije tera porodicu da pokuša da legalizuje svoju praksu. Film Treća smena bavi se ljudskom dimenzijom etički kompromitovanog posla porodice Očoa i istražuje goruća pitanja funkcionisanja zdravstvenog sistema, propuste vlade i kompleksnost lične odgovornosti.

O REDITELJU

Rođen 1993. godine, Luk Lorencen je nedavno diplomirao na Stanford univerzitetu, gde je studirao istoriju umetnosti i film. Njegov film Santa Cruz del Islote iz 2014. godine, kratkometražni dokumentarac o maloj i gusto naseljenoj ribarskoj zajednici u Kolumbiji, je osvojio nagrade na preko deset internacionalnih filmskih festivala, uključujući i San Francisco International, Full Frame Documentary, Camden International, i Chicago International. Njegov prvi dugometražni dokumentarac, New York Cuts iz 2015. godine istražuje šest frizerskih salona u potpuno različitim kulturnim enklavama Njujorka. Luk je takođe deo kreativnog tima iza Netfliksove dokumentarne serije Last Chance U (od prve do četvrte sezone). Njegov rad istražuje elemente svakodnevnog života, često kroz rigorozna formalna sredstva, ispitujući i eksperimentišući načinima pričanja dokumentarnih priča. Poreklom iz Konektikata, Luk sada živi putujući. U poslednje vreme radio je na nekoliko projekata u Kanzasu, Meksiko Sitiju i Italiji.

SYNOPSIS

The Ochoa family runs a for-profit ambulance in Mexico City, competing with other EMTs for patients in need of urgent help. While making a living in this cutthroat industry, they struggle to keep their financial needs from jeopardizing the people in their care. When a crackdown by corrupt police forces the family to try legitimizing their operation, their desperate financial situation pushes them into questionable practices. In humanizing the Ochoas’ ethically compromised business, Midnight Family explores urgent questions around healthcare, the failings of government and the complexity of personal responsibility.


Born in 1993, Luke Lorentzen is a recent graduate from Stanford University's department of Art and Art History, where he studied Art History and Film Studies. His film, Santa Cruz del Islote (2014) – a short documentary about a small and densely populated fishing community in Colombia – has won awards at over ten international film festivals including the San Francisco International, Full Frame Documentary, Camden International, and Chicago International. His first feature documentary, New York Cuts (2015), explores six hair salons in disparate cultural enclaves of New York City. Luke is also part of the creative team behind the Netflix documentary series, Last Chance U (seasons one through four). His work explores elements of everyday life, often through rigorous formal means, questioning and experimenting with the ways in which non-fiction stories are told. Originally from Connecticut, Luke now lives on the road, most recently working on projects in Kansas, Mexico City and Italy.


• Special Jury Award for Cinematography - Sundance Film Festival 2019• Grand Jury Award - Sheffield Doc/Fest 2019• Best Documentary - Hong Kong International Film Festival 2019

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

76

DKC, 7. nov, 13:00 | Art bioskop Kolarac, 11. nov, 18:30

DOK. / DOC.SELEKCIJA 14+ / SELECTION 14+

Director/Reditelj: Agostino FerrenteCountry/Zemlja: France, ItalyYear/Godina: 2019.Runtime/Trajanje: 78'Language/Jezik: ItalianCast/Uloge: Alessandro Antonelli, Pietro Orlando

Production: Magneto, Arte France

SelfiSelf ie

77

SINOPSIS

Alesandro i Pietro imaju 16 godina i žive u napuljskom predgrađu Traiano. Leta 2014. godine Davida Bifolkoa (16) je policajac greškom ubio tokom potrage, zamenivši ga sa beguncem. Alesandro radi kao konobar u baru, dok Pietro sanja o tome da postane frizer i oni su nerazdvojni prijatelji. Alesandro i Pietro prihvataju rediteljev predlog da beleže snimke ajfonom, uživo komentarišući svoja svakodnevna iskustva, svoje blisko prijateljstvo, kraj u kome žive, koji je sada, u sred leta, prazan i tragediju koja je okončala Davidov život.

O REDITELJU

Agostino Ferente je reditelj, producent i umetnički direktor. Pre nego što se posvetio filmu, bio je koordinator uredništva za časopise i informativne programe rađene za Italijane u dijaspori. Nakon što je stekao umetničku diplomu u Bolonji i pohađao Ipotesi Cinema Ermana Olmija, režira kratkometražne filmove i muzičke spotove i producira ih sa svojom kompanijom Pirata Manifatture Cinematografiche. Takođe je član multietničkog benda L'Orchestra di Piazza Vittorio. Radeći sa deset saradnika 2001. godine je osnovao grupu „Apolo 11“ u Rimu, koja je sačuvala istorijski bioskop Apolo, sprečivši da bude pretvoren u salu za bingo. Promovišući film, muziku i književnost, grupa je od njega stvorila jedan od najživljih kulturnih centara u italijanskoj prestonici, načinivši ga prvim koji ima stalni repertoar posvećen filmu stvarnosti. Ferente trenutno radi na svom prvom igranom dugometražnom filmu.

SYNOPSIS

Alessandro and Pietro are 16 years old and live in Naples, district of Traiano where, in the summer of 2014, Davide Bifolco, also 16, was shot by a policeman who mistook him for a fugitive. They are inseparable friends, Alessandro works as a waiter in a bar, Pietro dreams to become a hairdresser. Alessandro and Pietro accept the director’s proposal to shoot themselves with an iPhone, commenting live on their own daily experiences, their close friendship, their neighborhood – now empty, in the middle of summer – and the tragedy that ended Davide’s life.


Agostino Ferrente is a director, producer and artistic director. Before becoming involved in cinema, he was an editorial coordinator for magazines and news programs addressed to communities of Italians living abroad. After gaining a degree in the DAMS in Bologna and attending Ermanno Olmi’s Ipotesi Cinema, he directed short films and music videos and produced them with his company Pirata Manifatture Cinematografiche. He’s also part of the multiethnic band L'Orchestra di Piazza Vittorio.

In 2001, collaborating with ten accomplices, he founded the group "Apollo 11" in Rome, which saved the historical Apollo cinema theatre from becoming a bingo hall. By promoting film, music and writing, the group turned it into one of the liveliest cultural centres in Italy’s capital city, the first with an ongoing program dedicated to cinema of the real. He is currently working on his first non-documentary feature film.


• Documentary Award by BGL BNP Paribas - Luxembourg City FF, 2019 • Berlin International Film Festival, 2019• Cinéma du Réel Paris, 2019• Documenta Madrid, 2019

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

78

Art bioskop Kolarac, 9. nov, 20:30

IGR. / FIC.

Director/Reditelj: Steven Wouterlood Country/Zemlja: Netherlands, GermanyYear/Godina: 2019. Runtime/Trajanje: 82' Language/Jezik: Dutch Cast/Uloge: Sonny Coops Van Utteren, Josephine Arendsen, Tjebbo Gerritsma

Production: BIND, Ostlicht, VPRO

Moje neverovatno leto sa TesMy Extraordinary Summer with Tess

79

SINOPSIS

Uplašen od mogućnosti da će jednog dana, kao najmlađe dete ostati sam na svetu jer će svi stariji iz njegove porodice umreti pre njega, Sem započinje sopstveni „trening samoće” tokom kog luta ostrvom nekoliko sati dnevno. Kada upozna misterioznu Tes, koja ima veliku tajnu, Sem se upliće u avanturu koja će mu pomoći da shvati da bi trebalo da neguje odnos sa svojom porodicom, umesto da beži od njih. On donosi prelomnu odluku koja će dovesti u pitanje njegovo specijalno prijateljstvo sa Tes i zauvek promeniti njen život.

O REDITELJU

Stiven Vauterlod je rođen 1984. godine u Utrehtu u Holandiji. 2013. godine režirao je Anything Goes, dečiji film za televiziju, koji je osvojio Internacionalnu dečiju Emi nagradu u Njujorku, TIFF dečiju nagradu u Torontu i brojne druge nagrade i nominacije širom sveta. 2015. godine Stiven je režirao kratkometražni film Kings’s Day. Ovaj film je takođe osvojio nekoliko nagrada, uključujući dečiju nagradu na Međunarodnom Filmskom Festivalu u Torontu. Njegova televizijska serija Remi, Nobody’s Boy (2016), zasnovana na poznatom romanu Hektora Maloa, bila je nominovana za Dečiju Emi nagradu. Moje neverovatno leto sa Tes je njegov prvi igrani film.

SYNOPSIS

Afraid of being left alone as the youngest of the family, Sam begins his own made up aloneness training during his holiday on the Dutch island Terschelling. But by meeting the elusive Tess, who carries a big secret, he is drawn into an adventure that makes him realize that you should cherish your family instead of fleeing. Sam makes a drastic decision that puts his special friendship with Tess at risk and will change Tess‘ life forever.


Steven Wouterlood was born in 1984 in Utrecht, The Netherlands. In 2013 he directed Anything Goes, a children’s movie for television. The film won an International Emmy Kids Award in New York, a TIFF Kids Award in Toronto and multiple other awards and nominations around the world. In 2015 Steven directed the short movie Kings’s Day. This film also won several awards, including a TIFF Kids Award. His TV series Remi, Nobody’s Boy (2016), based on the renowned novel by Hector Malot, was nominated for an Emmy Kids Award. My Extraordinary Summer with Tess is his first feature film.


• Special Mention - Berlin International Film Festival 2019• Grand Prize Feature - New York Children's Film Festival 2019• Special Jury Diploma - Molodist International Film Festival 2019

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

80

Jugoslovenska kinoteka, 9. nov, 20:30

IGR. / FIC.30 GODINA OD PADA BERLINSKOG ZIDA / 30 YEARS SINCE THE FALL OF THE BERLIN WALL

Director/Reditelj: Wim WendersCountry/Zemlja: West Germany, FranceYear/Godina: 1987.Runtime/Trajanje: 128'Language/Jezik: German, French, EnglishCast/Uloge: Bruno Ganz, Solveig Dommartin, Otto Sander

Production: Road Movies Filmproduktion GmbH, Argos Films S.A.

Nebo nad BerlinomWings of Desire

81

SINOPSIS

Nebo nad Berlinom simbolično je obeležio Vendersov „povratak“, budući da predstavlja rediteljev prvi film na nemačkom jeziku nakon osam godina provedenih u Americi. Glavni likovi u filmu su anđeli čuvari, brižna i nevidljiva bića u kaputima koja osluškuju misli smrtnika i nastoje da im pomognu. Jedan od anđela, Damiel, poželi da postane čovek nakon što se zaljubi u Marion, umetnicu na trapezu. Piter Falk, koji u filmu glumi samoga sebe, pomaže Damielu prilikom njegovog preobražaja u čoveka tako što ga upoznaje sa sitnim životnim radostima. Film je ispričan iz perspektive anđela, koji vide svet crno-belo. Film Nebo nad Berlinom je stekao kultni status širom sveta, a ko-scenarista ovog filma bio je dobitnik Nobelove nagrade za književnost za 2019. godinu Peter Handke.

O REDITELJU

Vim Venders jedan je od najistaknutijih reditelja novog nemačkog filma. Rođen je 1945. godine u Dizeldorfu, a studirao je u Minhenu. Stekao je veliko priznanje za svoju filmsku adaptaciju romana Petera Handkea, Golmanov strah od jedanaesterca (1972), prikazanu na Filmskom festivalu u Veneciji. Alisa u gradovima (1974) prvi je deo filmske trilogije koja pripada žanru putopisnih filmova. Trilogija je zaokružena Kraljevima puta (1977). Venders će se često vraćati ovom žanru pre svega filmom Pariz, Teksas (1984), čiji je scenario pisao poznati američki dramaturg Sem Šepard. Venders je za ovaj film dobio Zlatnu palmu u Kanu. Snimao je i dokumentarne filmove. Njegov dokumentarni film So zemlje dobitnik je nagrade publike na 10. festivalu Slobodna Zona.

SYNOPSIS

Wings of Desire marked Wenders’s “homecoming” and was his first German film after eight years in America. The main characters are guardian angels—benevolent, invisible beings in trench coats—who listen to the thoughts of mortals and attempt to comfort them. One of them, Damiel, wishes to become human after he falls in love with the beautiful trapeze artist Marion. Peter Falk, played by himself, helps him during his transformation, by introducing him to life’s little pleasures. The film is narrated from the perspective of the angels, who see the world in black and white. The film has cult status all around the world and it’s co-writer was this years’ Nobel Prize laureate Peter Handke.


Wim Wenders is one of the most prominent authors of New German cinema. Born in 1945 in Dusseldorf, he studied in Munich, earning major acclaim with the adaptation of Peter Handke's novel The Goalie's Anxiety at the Penalty Kick (1972), screened at the Film Festival in Venice. Alice in the Cities (1974) is the first part of a road film trilogy, rounded up with Kings of the Road (1977). Wenders would often return to the genre, particularly with the film odyssey Paris, Texas (1984) co-written by American playwright Sam Shepard. This film brought him the Golden Palm in Cannes. He also made documentary films. Film Salt of the Earth won the Audience Award at the 10th Free Zone FF.


• Best Director - Cannes Film Festival 1987• Best Director - Bavarian Filmprize 1987• Best National Film, Gilde-Filmprize in Silver 1988• Best Director, Best Supporting Actor, European Filmprize 1988

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

82

Jugoslovenska kinoteka, 8.nov, 20:30

IGR. / FIC.

Director/Reditelj: Florian Henckel von DonnersmarckCountry/Zemlja: GermanyYear/Godina: 2006.Runtime/Trajanje: 137'Language/Jezik: GermanCast/Uloge: Ulrich Mühe, Martina Gedeck, Sebastian Koch

Production: Wiedemann & Berg Filmproduktion

Život drugihThe Lives of Others30 GODINA OD PADA BERLINSKOG ZIDA / 30 YEARS SINCE THE FALL OF THE BERLIN WALL

83

SINOPSIS

Istočni Berlin, godina 1984. Istočnonemačka vlada veruje da može da zadrži vlast sistemom individualnog nadgledanja koji vodi Štazi, tajna služba državne bezbednosti. Kada kapetanu, Gerdu Vizleru, daju zadatak da špijunira dramskog pisca Georga Drajmana i njegovu devojku, poznatu glumicu Kristu-Mariju Ziland, on se nada da će mu ova misija doneti napredak u karijeri. Ono što ne može da predvidi je da će ga zaranjanje u svet slobode mišljenja u književnosti naterati da shvati ispraznost i jednostranu prirodu svog postojanja. Danonoćno prisluškivanje mu otvara vrata u svet za koji nije znao da postoji i prisiljava ga da se i sam zapita o sopstvenim vrednostima. Međutim, jednom pokrenut, sistem je veoma teško zaustaviti...

O REDITELJU

Florijan Henkel fon Donersmark je rođen 2. maja 1973. godine u Kelnu, a odrastao je u Njujorku i Zapadnoj Nemačkoj. Studirao je ruski jezik i književnost u Lenjingradu, koji je za vreme njegovog boravka preimenovan u Sankt Petersburg. Potom je nastavio da se bavi filozofijom, politikom i ekonomijom na Univerzitetu u Oksfordu. Godine 1996, učestvovao je na takmičenju u pisanju eseja i osvojio je rediteljsku praksu kod Ričarda Atenboroa na setu filma U ljubavi i ratu. Zatim se upisao na kurs pisanja i režije na Akademiji za film i teleleviyiju u Minhenu, gde je snimio nekoliko nagradjenih kratkometražnih filmova. Za svoj debitantski dugometražni film Život drugih 2006. godine je osvojio Evropsku filmsku nagradu za najbolji film i najbolji scenario. Film je takođe nominovan za nagradu Zlatni globus a osvojio je Oskara za najbolji strani film 2007. godine

SYNOPSIS

East Berlin, 1984. The government of GDR (German Democratic Republic) strives to maintain political and social control by establishing Stasi, secret police, whose job would be to monitor the residents of East Berlin. Stasi Captain, Gerd Wiesler, gets an order to spy on the playwright Georg Dreyman and his girlfriend - a prominent actress Christa-Maria Sieland. He hopes this mission will benefit his career. However, he couldn't have foreseen that diving into the world of freedom of thought in literature would make him realize the vanity and biased nature of his own existence. This intense monitoring opened the door to the world he didn't believe existed and made him question his own values. However, the system proves to be very hard to be beaten once you are under it…


Florian Henckel von Donnersmarck (born 2 May 1973 in Cologne) grew up in New York and West Berlin. He studied Russian language and literature in Leningrad (which was renamed St. Petersburg during his stay), and went on to read Philosophy, Politics, and Economics at Oxford University. In 1996, he took part in an essay competition and won a directing internship with Richard Attenborough on the set of In Love and War. He then enrolled in writing and directing course at Munich Film Academy, where he made several award-winning shorts. For his feature film debut The Lives of Others he won the European Film Award 2006 for Best Film and Best Screenplay. The film has also been nominated for the Golden Globe and the Academy Award 2007 in the category Best Foreign Language Film.


• Oscar - Best Foreign Language Film of the Year 2007• BAFTA - Best Film Not in the English Language 2008• Best Film - Munich Film Festival 2006

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

84

Jugoslovenska kinoteka, 8.nov, 18:30

IGR. / FIC.

Director/Reditelj: Christian PetzoldCountry/Zemlja: GermanyYear/Godina: 2012.Runtime/Trajanje: 105'Language/Jezik: GermanCast/Uloge: Nina Hoss, Ronald Zehrfeld, Rainer Bock

Production: Schramm Film Koerner & Weber

BarbaraBarbara30 GODINA OD PADA BERLINSKOG ZIDA / 30 YEARS SINCE THE FALL OF THE BERLIN WALL

85

SINOPSIS

Barbara je besprekorno snimljen triler o Hladnom ratu, sa talentovanom Ninom Hos u glavnoj ulozi doktorke iz Berlina koja je po kazni prognana u bolnicu u ruralnim delovima Istočne Nemačke jer je aplicirala za izlaznu vizu. Dok njen ljubavnik iz Zapadne Nemačke pažljivo osmišljava njeno bekstvo, Barbara mora strpljivo da čeka i izbegava prijateljstva sa kolegama - izuzev Andrea (Ronald Cerfeld), glavnog lekara bolnice, koji je blagonaklon prema njoj. Međutim, iako počinje da se zaljubljuje u njega, Barbara još nije sigurna da li je Andre špijun. Dok njen odbrambeni zid polako počinje da se ruši, ona je primorana da donese tešku odluku. Nemački predstavnik u trci za Oskara 2013 u kategoriji najbolji strani film.

O REDITELJU

Rođen u Hildenu, u Nemačkoj 1960. godine. Živi u Berlinu od 1981. Studirao je nemački jezik i pozorišnu umetnost na Slobodnom univerzitetu u Berlinu a potom, između 1988. i 1994. godine, filmsku umetnost na Nemačkoj akademiji za film i televiziju u Berlinu (dffb). Za vreme studija radio je kao asistent reditelja Haruna Farokija i Hartmuta Bitomskog. Režirao je svoj prvi igrani film 1995. godine. Film Stanje u kome se nalazim osvojio je Zlatnu nemačku filmsku nagradu. Nakon što su filmovi Duhovi i Jela prikazani u takmičarskom programu Berlinala, osvojio je Srebrnog medveda za najboljeg reditelja sa filmom Barbara 2012. godine.

SYNOPSIS

Barbara is an impeccably crafted Cold War thriller, starring the gifted Nina Hoss-in her fifth lead role for the director-as a Berlin doctor banished to a rural East German hospital as punishment for applying for an exit visa. As her lover from the West carefully plots her escape, Barbara waits patiently and avoids friendships with her colleagues-except for Andre (Ronald Zehrfeld) the hospital’s head physician, who is warmly attentive to her. But even as she finds herself falling for him, Barbara still cannot be sure that Andre is not a spy. As her defensive wall slowly starts to crumble, she is eventually forced to make a profound decision about her future. Germany’s official Oscar submission for Best Foreign Language Film.


Born in Hilden, Germany in 1960, he has lived in Berlin since 1981. He studied German and theatre at Freie Universität Berlin and then, between 1988 and 1994, film at the German Film and Television Academy Berlin. Whilst there he worked as an assistant director to Harun Farocki and Hartmut Bitomsky. In 1995 he directed his first feature film. The State I Am In won the German Film Award in Gold. After having presented his films Ghosts and Yella in the Berlinale Competition, he won the Silver Bear for Best Director with Barbara in 2012.


• Best Film - Nuremberg Film Festival 2012• Best Film - German Film Critics Association Awards• Silver Bear for Best Director - Berlin International Film Festival 2012

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

86

07. 11. 2019.

Future is Here I08. 11. 2019.

Future is Here II12. 11. 2019.

Future is Here III

87

Moji prijatelji My Friends Director/Reditelj: Gentrit Kastrati / Kosovo*, 2019, 6’Language/Jezik: albanskiTitl: engleski/srpskiProdukcija/distribucija: DokuFest

SINOPSIS Film Moji prijatelji je kratka priča o životu jednog tinejdžera sa Kosova*, žrtvi vršnjačkog nasilja. On menja školske drugove za prijatelje koje je stekao na društvenim mrežama.

O REDITELJU Gentrit Kastrati rođen je 2002. godine u Prištini. Završio je osnovnu školu u Prizrenu i trenutno je završna godina društveno-jezičkog smera u gimnaziji “Remzi Ademaj”. Planira da studira režiju nakon što završi srednju školu.

SYNOPSIS My Friends is a short narration about the life of a teenager, a bullying victim in Kosova*. He juxtaposes his classmates to other friends he has met in social networks. DIRECTOR’S BIO Gentrit Kastrati was born in 2002, in Prishtina, Kosova*. He finished elementary school in Prizren and currently he is a senior at the social-linguistic Gymnasium "Remzi Ademaj". After high school, he thinks to study filmmaking.

DOK. / DOC.FUTURE IS HERE I

88

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

I sve je još uvek tu, ali nije više onako kako je nekad biloEverything is still here, but it’s not the same as it used to be

Director/Rediteljka: Iva Milojković / Srbija, 2019, 9’Language/Jezik: srpskiTitl: engleskiProdukcija/distribucija: Free Zone Filmmaker School

SINOPSIS Dve prijateljice se prisećaju svog detinjstva. Hodajući kroz mesta gde su provele najviše vremena kao deca, vode nas kroz likove i priče koje su stvarali dok su bile male i otvaraju nam čarobna vrata u svet mašte.

O REDITELJKI Iva Milojković je rođena 2003. godine u Beogradu. Po završetku osnovne škole upisala je Školu za dizajn u Beogradu. Ove godine je završila drugi razred na smeru likovni tehničar. Njeno prvo filmsko iskustvo bilo je 2013. na filmu Divan dan za bananaribe, u režiji Stefana Maleševića, gde je igrala lik Sanje. 2015. godine je snimila je svoj prvi krakometražni film Moli, a 2018. je bila asistentkinja režije i operator klape za film Mamonga, takođe u režiji Stefana Maleševića. I sve je još uvek tu, ali nije više onako kako je nekad bilo je njen prvi dokumentarni film.

SYNOPSISTwo friends are remembering their childhood. Walking through the places where they spent most of their time as children, they guide us through characters and stories they designed while they were little, opening for all of us the magical doors to the world of imagination. DIRECTOR’S BIO Iva Milojkovic was born in 2003 in Belgrade. She finished elementary school and enrolled the School of Design in Belgrade. This year she finished her second grade at the arts technician department. Her first film experience was in 2013 in the film Divan dan za bananaribe directed by Stefan Malesevic, where she played the role of the girl named Sanja. In 2015. she filmed her first short film Moli and in 2018 she is assisted in directing department and was also the clapper board operator for the film Mamonga also directed by Stefan Malesevic. Everything is still here, but it's not the same as it used to be is her first documentary film.

DOK. / DOC.FUTURE IS HERE I, III

89

Blinera na web-u Blinera In The Web Director/Reditelj: Laberion Nitaj / Kosovo*, 2019, 8’Language/Jezik: albanskiTitl: engleski/srpskiProdukcija/distribucija: DokuFest

SINOPSIS Sedamnaestogodišnja Blinera koristi društvenu mrežu Instagram i govori nam o svakodnevnim doživljajima na ovoj mreži. Instagram je za nju magija i već se oseća zasićeno.

O REDITELJU Laberion Nitaj završio je Kembridž gimnaziju u Peći. Za njega, snimanje filmova je najprefinjeniji način komunikacije, a ovo mu je prvo iskustvo u filmskom svetu. Očekuje ga još mnogo lepih stvari i iskustava.

SYNOPSIS Blinera, a 17 years old girl tells about her everyday vicissitudes of posting into Instagram. The network is nothing but magic for her, it is already becoming defiant. DIRECTOR’S BIO Laberion Nitaj has graduated from “Cambridge High School” in Peja. For him, filmmaking is the most sophisticated way of communication. This is his first experience with film. There are many beautiful things to come and yet much to see.


90

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

Najduže leto The Longest SummerDirector/Reditelj: Gentiana Gashi / Kosovo*, 2019, 8’Language/Jezik: albanskiTitl: engleski/srpskiProdukcija/distribucija: DokuFest

SINOPSIS Najduže leto je kratki dokumentarni film o svakodnevnom životu dve tinejdžerke tokom letnjeg raspusta, nakon završetka srednje škole.

O REDITELJKI Gentiana Gaši je učenica, rođena je i odrasla u Prizrenu. Ove godine je završila srednju školu, smer interna medicina. Privlači je snimanje filmova, i ovo joj je prvo iskustvo u tom poslu.

SYNOPSIS The Longest Summer is a short documentary about the daily routine of two teenagers on summer vacation after they finished high school. DIRECTOR’S BIO Gentiana Gashi is a student, born and raised in Prizren, Kosovo*. She graduated from high school this year in the field of Internal Medicine. Filmmaking is her passion, and this is her first experience in filmmaking.


91

Ja I Directors/Reditelji: Rron Bekteshi, Ermal Boşnak / Kosovo*, 2019, 3’Language/Jezik: albanskiTitl: engleski/srpskiProdukcija/distribucija: DokuFest

SINOPSIS Strah da će spoznati realnost ako progledaju drži ih podalje od bolne istine isprogramiranog života. Nisu mogli da biraju kakav će život živeti, ali su ipak odlučili da zažmure.

O REDITELJIMA Rron Bekteši rođen je 13. februara 2001. godine u Prizrenu. Bio je predsednik i predstavnik prizrenskih učenika u kosovskom omladinskom parlamentu (KYC). Srednju školu je završio 2019. godine. Ljubitelj je umetnosti i eksperimentisao je u raznim njenim oblastima, međutim, ovde se prvi put oprobao kao filmski stvaralac.

Ermal Boşnak rođen je i odrastao u Prištini. Aktivista je i borac za ljudska prava. Ove godine je završio gimnaziju, društveno-jezički smer. Ovo mu je prvo iskustvo u snimanju filma.

SYNOPSIS The fear of seeing reality when they look is keeping everyone far away from the harsh truth of their programmed life. They didn't have a say in the reality they live in but they chose to close their eyes. DIRECTORS’ BIO Rron Bekteshi, born on February 13th, 2001 in Prizren, Kosovo*. Graduated from High School in 2019, he was the president and representative of Prizren’s students for Kosovar Youth Council (KYC). As an art lover, he experimented in many fields of art, but this is his first project as a filmmaker.

Ermal Boşnak is an activist and human rights advocate born and raised in Prishtina, Kosovo*. He graduated from high school this year in the field of Social-Linguistics. This is his first experience in filmmaking.

DOK. / DOC.FUTURE IS HERE II

92

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

Bez brata Without a BrotherDirectors/Rediteljke: Alba Demiri, Genta Sefa / Kosovo*, 2019, 10’Language/Jezik: albanskiTitl: engleski/srpskiProdukcija/distribucija: DokuFest

SINOPSIS Četiri žene i jedna priča ispričana na Kosovu*. Ovo je priča o teretu koji nose devojčice u porodicama bez muškarca. Život pun anksioznosti, predrasuda i hrabrosti. Bez brata je film o prevazilaženju stereotipa između polova.

O REDITELJKAMA Alba Demiri rođena je 2002. godine u Uroševcu. Učenica je gimnazije "Arbër's Assembly". Pohađala je i nižu muzičku školu, smer klavir. Aktivista je u civilnom društvu i debater formata BP. Gaji ljubav prema umetnosti, naročito prema filmu.

Genta Sefa je rođena 2001. godine u Prištini, a živi u Uroševcu. Završila je gimnaziju "Arbër's Assembly" i planira da nastavi školovanje na Američkom Univerzitetu u Bugarskoj. Istakla se u školi violine, kao debater BP formata, a takođe se bavila i volonterskim radom. Kao ljubitelj filma, doprinela je organizaciji FER filmskog festivala u Uroševcu.

SYNOPSIS Four women, one story. Told throughout Kosovo*. The burden of being a girl, in families without boys. Full of anxiety, prejudice and courage. Pa vlla! A film overcoming gender stereotype! DIRECTORS’ BIO Alba Demiri was born in 2002 in Ferizaj, Kosovo*. She is a student of the "Arbër's Assembly" Gymnasium in Ferizaj. She has also attended the lower piano music school. Alba is a civil society activist and debater of the BP format. She has a passion for art, especially film. Genta Sefa, born in 2001 in Pristina, lives in Ferizaj. She graduated from the "Arbër's Assembly" Gymnasium and is expected to continue his studies in Bulgaria at American University. Genta was distinguished at the violin school, as a debater in the BP format, and participated in volunteer activities. She has contributed to the organization of the FER Film Festival in Ferizaj, based on her passion for film.


93

Yaaas Queen! Yaaas Queen! Directors/Reditelji: Petar Lakić, Isidora Lazić, Jovan Pjević / Srbija, 2019, 14’Language/Jezik: srpskiTitl: engleskiProdukcija/distribucija: Free Zone Filmmaker School

SINOPSIS Luda noć i dan posle u životu izvanredne dreg kraljice.

O REDITELJIMA Petar Lakić je rođen 2000. godine u Smederevu, ali od rođen-ja živi u Kovinu. Upravo je završio srednju školu „Branko Radičević“. Od detinjstva je pokazivao radnoznalost i talenat za različite vidove umetnosti, naročito za film i pozorište. Petar je član amaterskog pozorišta u svom gradu.

Isidora Lazić je rođena 2000. godine. Završila je Treću beogradsku gimnaziju, društveno-jezičkog smera na fran-cuskom jeziku. Nedavno je primljena na Sorbonu u Parizu, na Katedru za filozofiju. Zanimaju je jezici, društvene nauke, omladinska politika, diplomatija i razne vrste umetnosti.

Jovan Pjević je rođen 2001. u Beogradu. On je sada četvrta godina Gimnazije "Sveti Sava" u Beogradu. Film je uvek bio u središtu njegovih interesovanja. Jedna od njegovih omiljenih aktivnosti u slobodno vreme je volontiranje.

SYNOPSISWild night and the day after in a life of an extraordinary drag queen. DIRECTORS’ BIO Petar Lakic was born in 2000 in Smederevo), but since he was born he lives in Kovin. He just graduated from high school “Branko Radicevic”. At an early age, he showed a curiosity and talent for various forms of art, especially film and theatre. Petar is a member of amateur theatre in his city.

Isidora Lazic was born in 2000. She graduated from Third Belgrade Gymnasium – Bilingual French Department. She just got accepted at Sorbonne University – Paris, Philosophy Department. She is interested in languages, social sciences, youth politics, diplomacy and various forms of art.

Jovan Pjevic was born in 2001 in Belgrade. He is now the fourth grade of "Sveti Sava" Gymnasium in Belgrade. The film has always been at the center of his interests. One of his favorite things to do in his free time is to volunteer.

DOK. / DOC.FUTURE IS HERE II, III

94

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

Srećan čovek The Happy ManDirector/Rediteljka: Gresa Dida / Kosovo*, 2019, 9’Language/Jezik: albanskiTitl: engleski/srpskiProdukcija/distribucija: DokuFest

SINOPSIS Malo telo, neverovatne priče i ogromno srce. Pridružite nam se, dok vam otkrivamo harizmatiču ličnost gospodina Afrima - obožavaoca Arnolda Švarcenegera, ljubitelja fudbala i pasioniranog glumca.

O REDITELJKI Gresa Dida rođena je 2001. godine u Prizrenu. Trenutno je maturant gimnazije “Gjon Bazuku”. Voli kameru, putovanja i da uči nove stvari.

SYNOPSIS Small body, great stories, huge heart. Join us, as we unveil the charismatic persona of Mr. Afrim. An Arnold Schwarzenegger admirer, football lover and passionate actor. DIRECTOR’S BIO Gresa Dida was born in 2001 in Prizren, Kosovo*. Currently, she’s a senior at Gymnasium “Gjon Buzuku”. She loves learning new things, cinematography and traveling.


95

Tvoje drugo ime Your Other Name Director/Rediteljka: Milica Živančević / Srbija, 2019, 9’Language/Jezik: srpskiTitl: engleskiProdukcija/distribucija: Free Zone Filmmaker School

SINOPSIS Dokumentarni film Tvoje drugo ime je jedinstveno pismo stvarnosti, umetnosti, ljubavi i vremenu. Autorka nas vodi kroz predele koji predstavljaju samo obris misli o protoku vremena, pokazujući nam da je život borba u kojoj uvek težimo da uhvatimo pravi trenutak.

O REDITELJKIMilica Živančević je rođena 2001. godine u malom gradu Vojki u Srbiji. Završila je Osnovnu školu „Milan Hadžić“ u svom rodnom gradu, a ove godine je završila Devetu beogradsku gimnaziju „Mihailo Petrović Alas“. Gaji strast ka filmu, posebno filmskoj montaži. Kratkometražni dokumentarac Tvoje drugo ime je njen prvi film.

SYNOPSIS Documentary Your other name is a unique letter to reality, art, love and time. The author takes us through the landscapes that represent only the outline of the thoughts about the flow of time, showing us that life is a struggle in which we always strive to catch „the moment“. DIRECTOR’S BIO Milica Zivancevic was born in 2001 in small town Vojka (Serbia). She finished primary school “Milan Hadzic” in her hometown, and this year she graduated at the Ninth Belgrade Gymnasium "Mihailo Petrovic Alas". She is passionate about film, especially film editing. Documentary short Your Other Name is her first film.

DOK. / DOC.FUTURE IS HERE III

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

96


DOK. / DOC.

Director/Reditelj: Juliano Ribeiro Salgado, Wim WendersCountry/Zemlja: France, Brasil, ItalyYear/Godina: 2014.Runtime/Trajanje: 110'Language/Jezik: English, French, Portuguese Cast/Uloge: Sebastião Salgado, Wim Wenders, Lélia Wanick Salgado

Production: Independent Production Company

So zemljeThe Salt of the EarthNAJBOLJE OD SLOBODNE ZONE / THE BEST OF FREE ZONE

97

SINOPSIS

U poslednjih 40 godina, fotograf Sebastiao Salgado proputovao je svet i bio svedok nekih od najznačajnijih događaja skorije istorije: međunarodnih sukoba, epidemija gladi i egzodusa. Sada se upušta u otkrivanje netaknutih predela, divlje faune i flore, i grandioznih pejzaža u sklopu ogromnog fotografskog projekta koji je posvećen lepoti planete. Život i delo Sebastiaoa Salgada nam otkriva njegov sin Džulijan, saputnik tokom mnogih putovanja, kao i Vim Venders, koji se i sam bavi fotografijom. Dobitnik nagrade publike 10. Festivala Slobodna Zona 2014. godine.

O REDITELJIMA

Vim Venders je rođen u Dizeldorfu 1945. godine. Nakon dve godine provedene na studijama medicine i filozofije i jednogodišnjeg boravka u Parizu gde se bavio slikarstvom, opredelio se za studije filma i televizije na filmskoj akademiji u Minhenu od 1967. do 1970. godine. Važi za jednu od najznačajnijih figura Novog nemačkog filma 70-ih godina prošlog veka. Pored režije autorskih filmova, Venders se bavi i fotografijom.

Džulijano Ribero Salgado je rođen 1974. godine u Parizu gde je odrastao u francusko-brazilskoj porodici. Godine 1996. snimio je svoj prvi dokumentarac Suzana za televizijski kanal Arte, o upotrebi nagaznih mina u Angoli. Usledili su dokumentarci snimljeni u Etiopiji, Avganistanu, Brazilu. Salgado je zatim upisao Filmsku školu u Londonu, koju je završio 2003. godine. Snimio je veći broj kratkih i dokumentarnih filmova za francusku televiziju.

SYNOPSIS

For the last 40 years, the photographer Sebastião Salgado has been travelling through the continents, in the footsteps of an ever-changing humanity. He has witnessed some of the major events of our recent history; international conflicts, starvation and exodus. He is now embarking on the discovery of pristine territories, of wild fauna and flora, and of grandiose landscapes as part of a huge photographic project, which is a tribute to the planet’s beauty. Sebastião Salgado’s life and work are revealed to us by his son, Juliano, who went with him during his last travels, and by Wim Wenders, a photographer himself. Salt of the Earth was Free Zone Audience Award winner 2014.


Wim Wenders was born in Düsseldorf in 1945. After two years of studying medicine and philosophy and a year-long stay in Paris as a painter, he attended the University of Television and Film in Munich from 1967 to 1970. One of the most important figures to emerge from the New German Cinema period in the 1970s. Alongside directing atmospheric auteur films, Wenders works with the medium of photography.

Juliano Ribeiro Salgado was born in 1974 in Paris, where he grew up in a Franco-Brazilian environment. In 1996, he made his first documentary for Arte, Suzana, on the use of anti-personnel mines in Angola. Other documentaries followed, made in Ethiopia, Afghanistan and Brazil. Salgado then entered the London Film School, from which he graduated in 2003. Juliano Ribeiro Salgado has made a number of short films and documentaries for French television.


• Special Jury Prize, Special Mention - Cannes Film Festival 2014• Best Documentary Film - César Awards, France 2015• Best Film - Sofia International Film Festival 2015

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

98


DOK. / DOC.

Director/Reditelj: Patricio GuzmánCountry/Zemlja: Chile, France, SpainYear/Godina: 2015.Runtime/Trajanje: 82'Language/Jezik: SpanishCast/Uloge: Martín Calderón, Cristina, Patricio Guzmán

Production: Atacama Productions, Valdivia Film, Mediapro, France 3 Cinéma

Dugme od sedefaThe Pearl ButtonNAJBOLJE OD SLOBODNE ZONE / THE BEST OF FREE ZONE

99

SINOPSIS

U okeanu je pohranjena istorija čitavog čovečanstva. U okeanu su sačuvani glasovi zemlje i glasovi svemira. Zvezde pokreću okeane i živa bića u njima. Okean, ujedno najduža vodena granica Čilea, čuva tajnu misterioznog dugmeta od sedefa pronađenog na njegovom dnu. Čile, sa svojom 2.670 milja dugom obalom i najvećim arhipelagom na svetu izgleda gotovo natprirodno. Njegovi vulkani, planine i glečeri čuvaju glasove starosedelaca Patagonije i Ognjene zemlje, prvih engleskih kolonizatora i političkih zatvorenika Pinočeovog režima. Kažu da voda pamti, a Dugme od sedefa pokazuje da može i da govori.

O REDITELJU

Nakon vojnog puča kojim je svrgnut Salvador Aljende, Patrisio Guzman je držan u pritvoru u Santijagu pod pretnjom da će biti pogubljen. Napustio je Čile novembra 1973. godine. Od tada je živeo na Kubi, u Španiji i Francuskoj, gde i trenutno boravi. Šest njegovih ostvarenja je doživelo premijeru na Kanskom festivalu, među kojima se posebno izdvajaju Bitka za Čile, Slučaj Pinoče, Salvador Aljende i Nostalgija za svetlošću, za koji je dobio Grand Prix nagradu Evropske filmske akademije 2010. godine. Osnivač je Festivala dokumentarnog filma u Santijagu. 2013. godine Guzman je primio poziv za članstvo u Američkoj akademiji za filmsku umetnost i nauku. Njegova trilogija Bitka za Čile se smatra jednim od najboljih dokumentarnih filmova svih vremena.

SYNOPSIS

The ocean contains the history of all humanity. The sea holds the voices of the Earth and those that come from outer space. Water receives impetus from the stars and transmits it to living creatures. Water, the longest border in Chile, also holds the secret of a mysterious button that was discovered in its seabed. Chile, with its 2,670 miles of coastline, the largest archipelago in the world, presents a supernatural landscape. In it are volcanoes, mountains and glaciers. In it are the voices of the Patagonian indigenous people, of the first English sailors and also those of its political prisoners. Some say that water has memory. This film shows that it also has a voice.


After the coup d’etat that brought down Salvador Allende, Patricio Guzmán was held in solitary confinement in Santiago’s National Stadium and threatened with execution. He abandoned Chile in November 1973. He has since lived in Cuba, Spain and France, where he lives now. Six of his works have been premiered at Cannes film festival, amongst which stand out The Battle of Chile, The Pinochet Case, Salvador Allende and Nostalgia For the Light. The latter was awarded the Grand Prix by the European Film Academy in 2010. He is the founder of the Documentary Film Festival of Santiago. Recent retrospectives: British Film Institute, Harvard Film Archive. In 2013 he was invited to be part of the Hollywood Academy. His trilogy The Battle of Chile is considered one of the best documentary films ever made.


• Silver Bear for Best Script - Berlin International Film Festival, 2015• Best Documentary - Jerusalem Film Festival 2015• Best Film - Biografilm Festival 2015

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

100


IGR. / FIC.

Director/Reditelj: Felix van GroeningenCountry/Zemlja: Belgium, NetherlandsYear/Godina: 2012.Runtime/Trajanje: 111'Language/Jezik: DutchCast/Uloge: Veerle Baetens, Johan Heldenbergh, Nell Cattrysse

Production: Menuet Producties, Topkapi Films, Belgacom

Prekinuti krugThe Broken Circle BreakdownNAJBOLJE OD SLOBODNE ZONE / THE BEST OF FREE ZONE

101

SINOPSIS

Elis i Didije su se zaljubili na prvi pogled. Ona drži salon za tetoviranje, dok on svira bendžo u bendu. Povezuje ih zajedničko interesovanje za američku muziku i kulturu i upuštaju se u snažnu romansu koja se odigrava i na, i van scene. Međutim, kada neočekivana tragedija zadesi njihovu novu porodicu, sve što znaju i vole biće stavljeno na probu. Intenzivno dirljiv portret jedne veze od početka do kraja, prožet blugras muzikom, Prekinuti krug je romantična melodrama najvišeg ranga.

O REDITELJU

Feliks van Greningen je diplomirao na Kraljevskoj akademiji lepih umetnosti u Gentu, u Belgiji. Njegov film Nesretnici (2009) privukao je pažnju međunarodne filmske javnosti nakon svetske premijere u Kanu. Ovaj film bio je filmski hit broj jedan na flamanskom, osvojivši brojne nagrade, uključujući i nagradu Zlatna lala na Filmskom festivalu u Istanbulu. Pisao je i režirao predstave sa gentskom pozorišnom trupom Kung-fu. Sva četiri njegova filma su rađena u saradnji sa producentom Dirkom Impensom.

SYNOPSIS

Elise and Didier fall in love at first sight. She has her own tattoo shop and he plays the banjo in a bluegrass band. They bond over their shared enthusiasm for American music and culture, and dive headfirst into a sweeping romance that plays out on and off stage — but when an unexpected tragedy hits their new family, everything they know and love is tested. An intensely moving portrait of a relationship from beginning to end, propelled by a soundtrack of foot-stomping bluegrass, The Broken Circle Breakdown is a romantic melodrama of the highest order.


Felix van Groeningen graduated from the Royal Academy of Fine Arts in Ghent, Belgium. His 2009 film The Misfortunates was a Flemish hit and won the Istanbul Film Festival’s Golden Tulip. He has written and directed plays with the Ghent theatre group Kung Fu. All four of his features have been collaborations with producer Dirk Impens.


• Audience Award, Europa Cinemas - Berlin International Film Festival 2013• Best Actress, Best Screenplay - Tribeca Film Festival 2013• FIPRESCI Prize - Palm Springs International Film Festival 2014

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

102


IGR. / FIC.

Director/Reditelj: Ritesh BatraCountry/Zemlja: India, France, Germany, USAYear/Godina: 2013.Runtime/Trajanje: 104'Language/Jezik: Hindi, EnglishCast/Uloge: Irrfan Khan, Nimrat Kaur, Nawazuddin Siddiqui

Production: Sikhya Entertainment, DAR Motion Pictures, NFDC

The LunchboxThe LunchboxNAJBOLJE OD SLOBODNE ZONE / THE BEST OF FREE ZONE

103

SINOPSIS

Domaćica Ila, pripadnica srednje klase, pokušava da začini svoj brak, ovog puta uz pomoć kuhinje. Ona ne zna da je specijalni ručak koji je pripremila mužu, greškom došao u ruke nesrećnog činovnika Sajana, usamljenog čoveka koji je pred penzijom. Zaintrigirana nedostatkom reakcije svog supruga, Ila sledećeg dana stavlja malu poruku u kutiju za ručak u nadi da će saznati šta se desilo. Ovo pokreće razmenu niza poruka u kutiji za ručak između Sajana i Ile, a uteha kroz anonimnog komuniciranje sa strancem uskoro prerasta u neočekivano prijateljstvo. Publika ga je proglasila za najbolji film 9. festivala Slobodna Zona 2013. godine.

O REDITELJU

Riteš Batra je rođen i odrastao u Mumbaiju, a trenutno živi na relaciji Mumbai-Njujork. Kratkometražni filmovi Riteša Batre su prikazivani na mnogim međunarodnim filmskim festivalima i u umetničkim galerijama. Njegov kratkometražni film na arapskom jeziku, Običan kafe, Kairo, prikazan je na preko četrdeset filmskih festivala i osvojio je trinaest nagrada, uključujući FIPRESCI, nagradu međunarodnih filmskih kritičara u Oberhausenu, kao i Specijalnu plaketu žirija na festivalima Tribeka i Međunarodnom filmskom festivalu u Čikagu. Njegov scenario za dugometražni film Ramova priča je bio deo laboratorije scenarista i producenata na festivalu Sandens 2009. godine. The Lunchbox je prvi dugometražni film Riteša Batre. Film je svetsku premijeru doživeo u okviru programa Nedelja kritike na filmskom festivalu u Kanu 2013. godine.

SYNOPSIS

Housewife Ila, a member of the middle class, tries to spice up her marriage once again, this time with the help of a kitchen. She doesn't know that a special meal she had prepared was mistakenly delivered to miserable clerk Saajan, a lonely man who is near retirement. Intrigued by the lack of reaction from her husband, Ila leaves a small message inside the lunchbox the next day, in hopes of finding out what had happened. This sets in motion an exchange of a series of messages in the lunchbox between Saajan and Ila, and the from anonymous communication with a stranger soon turns into an unexpected friendship. Voted for the best film by the audience of the 9th Free Zone Belgrade Human Rights FF.


Ritesh Batra was born in Mumbai, where he grew up as well, and he currently lives at Mumbai-New York route. Short movies of Ritesh Batra were screened on many international film festivals and at art galleries. His short movie in Arabian language, Café Regular, Cairo, was screened at over 40 film festivals and won 13 awards, including FIPRESCI, an award given to intentional film critics in Oberhausen, as well as Jury Special Mention at Tribeca Film Festival and Chicago International Film Festival. His scenario for the feature film The Story of Ram, was a part of the laboratory used by producers and script-writers at the Sundance Festival, 2009. The Lunchbox is the first feature film of Ritesh Batra. It premiered worldwide as a part of the International Critics' Week at the Cannes Film Festival, 2013.


• Grand Golden Rail - Cannes Film Festival 2013• Best Film - Zagreb Film Festival 2013• Best Film - Sofia International Film Festival 2014

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

104


IGR. / FIC.

Director/Reditelj: Margarethe von TrottaCountry/Zemlja: Germany, Luxembourg, France, IsraelYear/Godina: 2012.Runtime/Trajanje: 113'Language/Jezik: German, EnglishCast/Uloge: Barbara Sukowa, Axel Milberg, Janet McTeer |

Production: Heimatfilm

Hana ArentHannah ArendtNAJBOLJE OD SLOBODNE ZONE / THE BEST OF FREE ZONE

105

SINOPSIS

Radnja filma smeštena je u razdoblje između 1960. i 1964. godine i opisuje Hanin put u Jerusalim, suđenje oficiru i nacističkom zločincu Ajhmanu, kao i njeno izveštavanje o tom suđenju za američki magazin Njujorker. Očekujući da će na optuženičkoj klupi pronaći čudovište, američka književnica nemačko-jevrejskog porekla je iznenađena ravnodušnošću kojom Ajhman odiše, pa tako kreira svoju čuvenu tezu o „banalnosti zla” i piše članak koji u javnosti izaziva pravi skandal. Naslovnu ulogu tumači Fasbinderova diva Barbara Sukova.

O REDITELJKI

Margaret fon Trota umetničku karijeru započinje daleke 1968. godine u vreme studentskih protesta i Crvenih brigada, najpre kao glumica, scenaristkinja i producentkinja, a potom i kao rediteljka. Režiju prvog filma Izgubljena čast Katarine Blum uradila je u saradnji sa Folkerom Šlendorfom, a prema romanu Hajnriha Bela. Njeno prvo samostalno rediteljsko ostvarenje je film Drugo buđenje Kriste Klage iz 1978. godine, da bi već sa svojim drugim filmom Nemačke sestre započela svoju dugu i blistavu karijeru osvojivši Zlatnog lava u Veneciji 1981. godine.

SYNOPSIS

The movie is set in the period between 1960 and 1964 and it describes Hannah's journey to Jerusalem, a famous trial of an officer and nazi criminal Eichmann, as well as her report about this trial for an American journal, New Yorker. Expecting a monster as the main suspect, the American writer of a German-Jewish origin is surprised by the indifference that Eichmann exudes, and that's how she creates her famous thesis about the 'banality of evil' and writes an article which causes a real scandal in public. Barbara Sukowa plays the title character.


Margarethe von Trotta begins her career early during 1968, in time of student demonstrations and Red brigades, at first as an actress, screenwriter, and producer, and later on as a director. She directed her first movie The Lost Honour of Katharina Blum, in collaboration with Schloendorff, and based on the novel of Heinrich Böll. Her first independent directorial work is the film The Second Awakening of Christa Klages in 1978., and she started her long and magnificent career early on, with her second movie, The German Sisters, by winning the Golden Lion award in Venice, 1981.


• Best Film - Valladolid International Film Festival 2012• Toronto International Film Festival 2012• Best Actress Bavarian Film Awards 2013

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

106

DOK. / DOC.

Director/Reditelj: Iain Forsyth, Jane PollardCountry/Zemlja: UKYear/Godina: 2014.Runtime/Trajanje: 97'Language/Jezik: EnglishCast/Uloge: Nick Cave, Susie Bick, Warren Ellis

Production: JW Films, Pulse Films

20.000 dana na Zemlji20.000 Days on EarthNAJBOLJE OD SLOBODNE ZONE / THE BEST OF FREE ZONE

107

SINOPSIS

Film 20.000 dana na Zemlji pruža iznenađujuće iskren uvid u umetnički proces, bavi se pitanjem šta nas čini onim što jesmo i slavi moć transformacije koju nam kreativnost nudi. Kolege muzičari Bliksa Bargeld i Kajli Minog prisećaju se zajedničke saradnje, a Nik Kejv nam, istovremeno i kao pisac i kao narator, otkriva svoj pogled na svet, život i način na koji stvara. 20.000 dana na Zemlji govori o tome kako mit, sećanja, ljubav i gubitak oblikuju naše živote iz dana u dan. Film je dobio naziv po belešci na margini Kejvove knjige pesama gde je zabeležio koliko dana je već živ.

O REDITELJIMA

Jan Forsajt je rođen u Mančesteru, u Velikoj Britaniji, 1973. godine, a Džejn Polard u Njukaslu, 1972. Studirali su zajedno na Goldsmits koledžu u Londonu od 1992. do 1995. godine i od tada rade zajedno. Njihov performans „Rokenrol samoubistvo“ je do poslednjeg detalja apsolutno verna rekonstrukcija legendarnog (poslednjeg) Bouvijevog nastupa u liku Zigija Stardasta, čime su postali jedni od pionira ovog postupka u savremenoj umetnosti u kome se značajni kulturni momenti oživljavaju i stavljaju u potpuno novi kontekst.

SYNOPSIS

20.000 Days on Earth gives a surprisingly honest view into the artistic process, deals with the question of what makes us who we are and celebrates the power of transformation offered to us by creativity. Fellow musicians Blixa Bargeld and Kylie Minogue remember the joint cooperation, and Nick Cave, both as a writer and as a narrator, reveals his view on the world, life and his manner of creation. 20.000 Days on Earth tells the story of how myth, memories, love, and loss shape our daily lives. The film was named after a note on the margins of Cave's book of poems where he recorded the number of days he was alive.


Ian Forsyth was born in Manchester, Great Britain, in 1973, and Jane Pollard in Newcastle, in 1972. They attended the Goldsmiths College in London, from 1992 to 1995, and have been working together since. Their performance "Rock n Roll Suicide" is an absolutely authentic re-enactment of the legendary (last) Bowie's performance as the character of Ziggy Stardust, which made them pioneers of this process in the modern art, in which the significant cultural moments are brought to life and placed into completely new context.


• Directing Award, Editing Award - Sundance Film Festival 2014• FIPRESCI Prize - Istanbul Film Festival 2014• Golden Athena - Athens International Film Festival 2014

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

108


IGR. / FIC.

Director/Reditelj: Benedek FliegaufCountry/Zemlja: Hungary, Germany, FranceYear/Godina: 2012.Runtime/Trajanje: 95'Language/Jezik: Hungarian, English, RomanyCast/Uloge: Katalin Toldi, Gyöngyi Lendvai, Lajos Sárkány

Production: Inforg-M&M Film Kft.

Samo vetarJust the WindNAJBOLJE OD SLOBODNE ZONE / THE BEST OF FREE ZONE

109

SINOPSIS

Vesti su se brzo proširile o ubistvu romske porodice u jednom mađarskom selu. Počinioci su pobegli i niko ne zna njihov identitet. Za drugu romsku porodicu koja živi blizu, ovo ubistvo oživelo je njihove stare strahove. U dalekoj Kanadi, otac porodice odlučuje da mu se žena, deca i njihov deda priključe što pre. Živeći u strahu od rasističkog terora koji ih okružuje sa osećanjem napuštenosti u svojoj tihoj manjini, porodica se trudi da preživi dane posle napada. Njihov san o odlasku se čini nemogućim.

O REDITELJU

Benedek Fligauf jedan je od vodećih mađarskih filmskih stvaralaca novije generacije. Osim režijom, bavi se i pisanjem scenarija, scenografijom i komponovanjem. Prvim igranim filmom Forest ostvario je zapažen međunarodni uspeh, što mu je otvorilo vrata svetske kinematografije. Njegov drugi film Dealer je osvojio brojne nagrade, a na festivalu u Mar del Plati bio je apsolutni pobednik, osvojivši četiri priznanja, među kojima i nagradu za najbolji film. Njegovo treće ostvarenje, film Milky Way, na Locarno Film Festivalu 2007. osvojio je nagradu Zlatni leopard.

SYNOPSIS

News quickly spreads of the murder of a Romany family in a Hungarian village. The perpetrators have escaped and nobody claims to know who might have committed the crime. For another Romany family living close by, the murder only serves to confirm their latent, carefully repressed fears. Far away in Canada the head of the family decides that his wife, children and their grandfather must join him as soon as possible. Living in fear of the racist terror that surrounds them and feeling abandoned by the silent majority, the family tries to get through the day after the attack. Their hope of escaping the madness proves illusory.


Benedek Fliegauf is one of the leading Hungarian filmmakers of the new generation. In addition to directing, he is also a screenwriter, stage designer and composer. With his first feature film Forest, he achieved remarkable international success, which opened the door to world cinema. His second film Dealer has won numerous awards and at the Mar del Plata Festival he was the absolute winner, winning four awards, including the Best Picture Award. His third film, Milky Way, won the Gold Leopard Award at the 2007 Locarno Film Festival.


• Best Film, Peace Film Award - Berlin International Film Festival 2012• FACE Award - Istanbul International Film Festival 2012• Best Film - Hungarian Film Critics 213

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

110

DKC, 9. nov, 16:00

IGR. / FIC.

Director/Reditelj: Denis CôtéCountry/Zemlja: CanadaYear/Godina: 2019.Runtime/Trajanje: 66'Language/Jezik: no dialogueCast/Uloge: Guillaume Tremblay

Production: Inspiratrice & Commandant, GreenGround

VilkoksWilcoxU FOKUSU: DENIS KOTE / IN FOCUS: DENIS CÔTÉ

111

SINOPSIS

Vilkoks je od onih koji postoje izvan norme. Putujući pustim putevima i bezimenim poljima, Vilkoks je krenuo u kreiranje vlastite mitologije. Dezerter, delikvent ili borac, ovaj avanturista tiho putuje u potrazi za nečim, u potrazi za nekakvim osloncem, u potrazi za nečim što bi najjednostavnije moglo biti opisano kao sloboda.

O REDITELJU

Denis Kote je rođen u Nju Bransviku, u Kanadi 1973. godine. Nakon završenih studija filma, započinje rad na kratkometražnim filmovima. Radio je kao novinar i filmski kritičar i u tom periodu režirao svoj prvi dugometražni film Drifting States (2005) koji je osvojio Zlatnog leoparda na Međunarodnom filmskom festivalu u Lokarnu. Film Otpad je predstavljen na Kanskom festivalu 2009. godine u okviru programa Petnaest dana autora. Koteov predmet interesovanja su teme vezane za samoću, lične strahove i otuđenost, i obrađuje ih kroz dokumentarna ostvarenja i fikcije, na način koji se suprotstavlja i dovodi u pitanje konvencionalni filmski jezik. Njegovi filmovi su prikazivani na više od dvadeset retrospektiva širom sveta. Vilkoks je Koteov dvanaesti dugometražni film koji je usledio posle ostvarenja kao što su Curling, Bestiaire, Vic+Flo Saw a Bear, Ghost Town Anthology.

SYNOPSIS

Wilcox is of those whom exist outside the norm. Traversing deserted roads and nameless fields, Wilcox sets off to create his own mythology. Deserter, delinquent, or survivalist, the adventurer quietly roams in search of something; in search of a touchstone of some kind; in search of what could more simply be described as freedom.


Born in New Brunswick in 1973, he began making short films after completing his studies in Cinema. While working as a film critic, Denis Côté finished his first feature-length film in 2005, Drifting States. The film won the Golden Leopard Award at the Locarno International Film Festival in Switzerland, then made the rounds of the festival circuit. Carcasses (2009) was presented at the Directors’ Fortnight at the 2009 Cannes Film Festival. Côté is interested in exploring themes of solitude, intimate fears, and alienation through documentary and fiction filmmaking that confronts and questions the language of cinema. His films have been shown at more than twenty retrospectives throughout the world. Wilcox is Denis Côté’s 12th feature-length film, following films such as Curling, Bestiaire, Vic+Flo Saw a Bear, Ghost Town Anthology.


• Locarno Film Festival 2019

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

112


IGR. / FIC.

Director/Reditelj: Denis CôtéCountry/Zemlja: CanadaYear/Godina: 2010.Runtime/Trajanje: 92'Language/Jezik: FrenchCast/Uloge: Emmanuel Bilodeau, Philomène Bilodeau, Roc LaFortune

Production: Nihilproductions

KarlingCurlingU FOKUSU: DENIS KOTE / IN FOCUS: DENIS CÔTÉ

113

SINOPSIS

Radnja filma smeštena je u zabačenoj provinciji, gde ljudi žive na margini društva. Film Karling prati privatni život oca i ćerke. Pored svakodnevnih, običnih poslova, Žan-Fransoa Blan je posvećen svojoj ćerki Julivon na neobičan način. Krhka ravnoteža njihovog odnosa biće ugrožena sumornim okolnostima.

O REDITELJU

Denis Kote je rođen u Nju Bransviku u Kanadi 1973. godine. Od 1997. godine Denis je producirao i režirao petnaest kratkometražnih filmova koji su bili prikazivani na mnogobrojnim svetskim festivalima. Novinar i filmski kritičar sve do 2005. godine, Denis Kote je režirao svoj prvi dugometražni film Drifting States koji je osvojio Zlatnog leoparda na prestižnom Međunarodnom filmskom festivalu u Lokarnu. Usledila je velika nagrada Indie Vision na Međunarodnom filmskom festivalu u Jeonjuu u Južnoj Koreji. Film Drifting States je bio prikazivan na više od 25 svetskih filmskih manifestacija. Njegov treći dugometražni film All that She Wants osvojio je Srebrnog leoparda za režiju u Lokarnu u avgustu 2008. godine. Film Carcasses je premijerno prikazan 2009. godine u Kanu u okviru programa Petnaest dana autora. Denis Kote je 2010. godine predstavio svoje delo pod naslovom The Enemy Lines za Jeonju Digital projekat. Curling je njegov peti dugometražni film.

SYNOPSIS

Set on the fringe of society, in a remote part of the countryside, Curling takes a keen look at the unusual private life of a father and his daughter. Between his unremarkable jobs, Jean-François Blain devotes an awkward energy to Julyvonne. The fragile balance of their relationship will be jeopardized by some very dreary circumstances.


Denis Côté was born in New-Brunswick, Canada in 1973.Since 1997, Denis has produced and directed 15 short films which have been screened at many international film festivals. Journalist and film critic until 2005, Denis Côté directed his first feature film Drifting States which won the Golden Leopard Award at the prestigious Locarno International Film Festival. The Indie Vision Grand Prize followed at the Jeonju International Film Festival in South Korea. Drifting States been screened at more than 25 international film events. His third feature film All that She Wants won the Silver Leopard for Best Director at Locarno in August 2008. Carcasses was premiered at Cannes in The Directors’ Fortnight section in 2009. In 2010, Denis Côté presented his piece for the Jeonju Digital Project entitled The Enemy Lines. Curling is his fifth feature film.


• Best Director, Best Actor - Locarno International Film Festival 2010• Toronto International Film Festival 2010• Hong Kong International Film Festival 2010

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

114


DOK. / DOC.

Director/Reditelj: Denis CôtéCountry/Zemlja: CanadaYear/Godina: 2009.Runtime/Trajanje: 72'Language/Jezik: FrenchCast/Uloge: Jean-Paul Colmor

Production: Nihilproductions

OtpadCarcassesU FOKUSU: DENIS KOTE / IN FOCUS: DENIS CÔTÉ

115

SINOPSIS

Žan Pol Kolmor ima 74 godine. Nakon što je doživeo nesreću, rano se penzionisao i počeo sa sakupljanjem automobila, olupina i otpada, i to radi poslednjih 40 godina. Živeći među tonama i tonama olupina, on tiho radi svakog dana na svom neverovatnom imanju, sređujući i preprodajući auto delove mehaničarima i drugim ljubiteljima metala. Jednoga dana četiri provalnika dolaze kod Kolmora u potrazi za čudnim blagom. Film Otpad koristi elemente dokumentarca i fikcije kako bi uspeo da dopre do suštine jednog nezamislivog mesta.

O REDITELJU

Denis Kote rođen je u Nju Bransviku u Kanadi 1973. godine. Radio je kao producent i reditelj od 1997. godine na petnaest kratkometražnih filmova koji su bili prikazivani na mnogobrojnim svetskim festivalima. Ostvario se kao novinar i filmski kritičar i u tom periodu režirao svoj prvi dugometražni film Drifting States (2005) koji je osvojio Zlatnog leoparda na prestižnom Međunarodnom filmskom festivalu u Lokarnu. Velika nagrada Indie Vision je usledila na Međunarodnom filmskom festivalu u Jeonjuu u Južnoj Koreji. Film Drifting States je bio prikazan na više od 25 svetskih filmskih manifestacija. Njegov treći dugometražni film All that She Wants osvojio je Srebrnog leoparda za režiju u Lokarnu u avgustu 2008. godine. Otpad je premijerno prikazan 2009. godine u Kanu u programu Petnaest dana autora.

SYNOPSIS

Jean-Paul Colmor is 74 years old. After an accident, he took an early retreat and has been collecting cars, wrecks and junk for the last 40 years. Living among tons and tons of debris, he quietly works all day on his unimaginable property, furnishing and dealing car parts to mechanics and other iron afficionados. One day four intruders visit Colmor in search of a corner of twisted paradise. Carcasses uses documentary and fictitious elements to try getting at the soul of an unthinkable place.


Denis Côté was born in New-Brunswick, Canada in 1973. Since 1997, Denis has produced and directed 15 short films which have been screened at many international film festivals. Journalist and film critic until 2005, Denis Côté directed his first feature film Drifting States which won the Golden Leopard Award at the prestigious Locarno International Film Festival. The Indie Vision Grand Prize followed at the Jeonju International Film Festival in South Korea. Drifting States has been screened at more than 25 international film events. His third feature film All that She Wants won the Silver Leopard for Best Director at Locarno in August 2008. Carcasses was premiered at Cannes in The Directors’ Fortnight section in 2009.


• Cannes Film Festival 2009• Toronto International Film Festival 2009• Locarno International Film Festival 2009

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

116

DKC, 08. nov, 19:00

IGR. / FIC.

Director/Reditelj: Denis CôtéCountry/Zemlja: Canada Year/Godina: 2019.Runtime/Trajanje: 96'Language/Jezik: FrenchCast/Uloge: Robert Naylor, Josée Deschênes, Jean-Michel Anctil

Production: Couzin Films

Antologija gradova koji nestajuGhost Town AnthologyU FOKUSU: DENIS KOTE / IN FOCUS: DENIS CÔTÉ

117

SINOPSIS

U izolovanom gradiću sa populacijom od 215 stanovnika, u saobraćajnoj nesreći umire Simon Dube. Zapanjeni stanovnici nerado raspravljaju o okolnostima ove tragedije. Od tog trenutka za porodicu Dube, gradonačelnika Smolvuda, kao i šačicu stanovnika vreme kao da gubi svako značenje, a dani se protežu u nedogled. Nad gradom se nadvila neka senka. Dok su ljudi u žalosti, a napolju se spušta magla, stranci počinju da se pojavljuju. Ko su oni? Šta se dešava?

O REDITELJU

Denis Kote je rođen u Nju Bransviku, u Kanadi 1973. godine. Nakon završenih studija filma, započinje rad na kratkometražnim filmovima. Radio je i kao novinar i filmski kritičar i u tom periodu režirao svoj prvi dugometražni film Drifting States (2005) koji je osvojio Zlatnog leoparda na Međunarodnom filmskom festivalu u Lokarnu. Film Carcasses je predstavljen na Kanskom festivalu 2009. godine u okviru programa Petnaest dana autora. Koteov predmet interesovanja su teme vezane za samoću, lične strahove i otuđenost, i obrađuje ih kroz dokumentarna ostvarenja i igrane filmove, dovodeći u pitanje konvencionalni filmski jezik. Njegovi filmovi su prikazivani na više od dvadeset retrospektiva širom sveta.

SYNOPSIS

In Irénée-les-Neiges, a small, isolated town with a population of 215, Simon Dubé dies in a car accident. The stunned townspeople are reluctant to discuss the circumstances of the tragedy. From that point on, for the Dubé family as well as for Mayor Smallwood and a handful of others, time seems to lose all meaning, and the days stretch on without end. Something descends slowly upon the area. In this period of mourning and in this fog, strangers start to appear. Who are they? What is happening?


Born in New Brunswick in 1973, he began making short films after completing his studies in Cinema. While working as a film critic, Denis Côté finished his first feature-length film in 2005, Drifting States. The film won the Golden Leopard Award at the Locarno International Film Festival in Switzerland, then made the rounds of the festival circuit. Carcasses (2009) was presented at the Directors’ Fortnight at the 2009 Cannes Film Festival. Côté is interested in exploring themes of solitude, intimate fears, and alienation through documentary and fiction filmmaking that confronts and questions the language of cinema. His films have been shown at more than twenty retrospectives throughout the world.


• Berlin International Film Festival 2019• Toronto International Film Festival 2019• Seattle International Film Festival 2019

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

118

119

Prateći programi Additional programs

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

120

Kompas Slobodne Zone Free Zone Compass

Subota, 9. novembar u 11.00č

Neonacističke sablasti: može li se vampir upokojiti?Projekcija filma „Stig Laršon: Čovek koji se igrao vatrom” i panel diskusija sa gostima

Učesnici panela: Đorđe Pavićević (filozof politike), Zora Drčelić (novinarka), Jovo Bakić (sociolog)

Nedelja, 10. novembar u 11.00č

Nema loših ljudi,već samo loših kultivatoraProjekcija filma „Jadnici“ i panel diskusija sa gostima

Učesnici panela: Branko Romčević (filozof), Igor Štiks (teoretičar politike), Srđan Prodanović (sociolog)

Saturday, November 9th, 11.00

Neo-Nazi spooks: can a vampire retire?Screening of the „Stieg Larsson: The Man Who Played With Fire” and panel discussion with guests

Panel participants: Đorđe Pavićević (political philosopher), Zora Drčelić (journalist), Jovo Bakić (sociologist)

Sunday, November 10th, 11.00

There are no bad people, only bad cultivatorsScreening of the „Les Misérables“ and panel discussion with guests

Panel participants: Branko Romčević (philosopher), Igor Štiks (political theorist), Srđan Prodanović (sociologist)

Urednik programa: Ivan Milenković

Mesto održavanja: Dvorana Kulturnog centra Beograda

GOVORNI PROGRAM DEBATE PROGRAM

Editor: Ivan Milenković

Venue: Cultural Centre of Belgrade Theatre

121

Ponedeljak, 11. novembar u 11.00č

Zašto nam je ugroženopravo na krov nad glavom?Projekcija filma „ Izbačeni” i panel diskusija sa gostima

Učesnici panela: Fredrik Gerten (režiser), Iva Marčetić (Pravo na grad, Zagreb), Aleksa Petković (Združena akcija Krov nad glavom), Danilo Ćurčić (Inicijativa za ekonomska i socijalna prava - A11) i Robert Zuber (novinar i reditelj)

Urednik i moderator panela: Vladimir Simović

Pitanje stanovanja, kao i prava na grad, zadnjih nekoliko decenija postalo je jedno od najvažnijih pitanja koje ima egzistencijalnu potku. Pravo na adekvatno stanovanje jedno je od prava prepoznatih u Međunarodnom paktu o ekonomskim, socijalnim i kulturnim pravima, koji obavezuje i Republiku Srbiju. Ipak, ovo pravo sve je ugroženije. Rast cena nekretnina, nedovoljna razvijenost sistema socijalnog stanovanja, kao i prinudna iseljenja, dovode do egzodusa siromašnih iz gradskih centara, porasta beskućništva, a posledično i ugrožavanja drugih ljudskih prava pojedinaca i pojedinki.

Iako situacija sa stanovanjem ima trend koji negativno pogađa građane, širom sveta javljaju se udruženja i pokreti koji pokušavaju da ponude rešenja kako bi se izbegla socijalna katastrofa. Različiti modeli udruživanja u zadruge stanara samo su jedno od mogućih izlaza. Tu su i kampanje koje zahtevaju sveobuhvatniji sistem socijalnog stanovanja, a imamo i primer Berlina u kojem je pokrenuta masovna kampanja sa zahtevom da se nacionalizuju stanbeni objekti koji su u rukama velikih korporacija. Na ovom panelu pokušaćemo da obuhvatimo različita iskustva borbe za dom i analiziramo njihovu uspešnost u obezbeđivanju osnovnog prava na adekvatno stanovanje.

Monday, November 11th, 11.00

Why is our right to a roofover our head compromised?Screening of the „Push” and panel discussion with guests

Panel participants: Fredrik Gertten (director), Iva Marčetić (Right to the City, Zagreb), Aleksa Petković (Collective Action “Roof Over the Head“), Danilo Ćurčić (A11 – Initiative for Economic and Social Rights) and Robert Zuber (journalist and director)

Editor and panel moderator: Vladimir Simović

The issue of housing, as well as the right to the city, has become one of the most important issues that has existed in the last few decades. The right to adequate housing is one of the rights recognized in the International Covenant on Economic, Social and Cultural Rights (ICESCR), which also obliges the Republic of Serbia. However, this right is increasingly threatened. Rising real estate prices, underdeveloped social housing systems, as well as forced evictions, lead to the exodus of the poor from urban centers, the rise of homelessness and, consequently, the threat to other human rights of individuals.

Although the housing situation has a trend that is negatively affecting citizens, associations and movements around the world are trying to come up with solutions to avoid a social disaster. Different models of association with tenant cooperatives are only one possible way out. There are also campaigns that call for a more inclusive social housing system, and we have an example of Berlin launching a massive campaign to nationalize housing in the hands of large corporations. In this panel, we will try to capture the different experiences of home fighting and analyze their success in securing a basic right to adequate housing.

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

122

MEDIA desk Srbija radionice Media desk Serbia workshop

Petak, 8. novembar u 10:30č Jugoslovenska kinoteka, Multimedijalna sala, II sprat

Kako funkcioniŠe VODdistribucijaPredavači: Vincent Lucassen i Saša Stanišić

MEDIA desk Srbije u partnerstvu sa Filmskim festivalom Slobodna Zona organizuje radionicu na temu VoD distribucije. Događaj uključuje predavanje Kako funkcioniše VoD distribucija (predavač Vincent Lucassen iz kompanije Under the Milky Way), prezentaciju VoD platforme Cinesquare (Saša Stanišić, CutAway d.o.o.) i individualne konsultacije sa predavačima.

Predavanje Kako funkcioniše VoD distribucija daje pregled glavnih VoD platformi koje su dostupne za digitalnu distribuciju fokusirajući se na način kako se filmovi iz zemalja niskog produkcijskog kapaciteta mogu eksploatisati putem VOD platformi u saradnji sa distributerima koji su fokusirani na online distribuciju, poput kompanije Under the Milky Way.

Cinesquare je najveća regionalna VoD platforma koja je fokusirana na evropske filmove i filmove sa Balkana. Platforma pokriva 13 teritorija (Turska, Slovenija, Hrvatska, Srbija, Bosna i Hercegovina, Crna Gora, Makedonija, Albanija, Grčka, Rumunija, Bugarska i Kipar). Cinesquare pruža mogućnost filmovima sa Balkana kao i evropskim nezavisnim filmovima dalji život izvan njihove bioskopske distribucije.

Za više informacije o događaju, kao i za prijavljivanje za individualne konsultacije pišite na: [email protected]

123

Friday, November 8th, 10:30 Yugoslav Film Archive, Multimedia hall, 2nd floor

VoD Distribution: How does it work?Workshop lecturers: Vincent Lucassen i Saša Stanišić

MEDIA desk Serbia in partnership with Free Zone Festival organizes a workshop on the topic of VoD distribution.

The event includes a lecture VoD Distribution: How does it work? (lecturer Vincent Lucassen from company Under the Milky Way), presentation of the VoD platform Cinesquare (Saša Stanišić, CutAway d.o.o.) and individual consultations with lecturers.

This lecture provides an overview of the major VoD platforms available for digital distribution by focusing on how films from low-production countries can be exploited through VOD platforms in collaboration with distributors focused on online distribution, such as Under the Milky Way.

Cinesquare is the largest regional VoD platform focused on European and Balkan films. The platform covers 13 territories (Turkey, Slovenia, Croatia, Serbia, Bosnia and Herzegovina, Montenegro, Macedonia, Albania, Greece, Romania, Bulgaria and Cyprus). Cinesquare provides an opportunity for films from the Balkans as well as European independent films to live beyond their cinematic distribution.

For more information about the event, as well as to sign up for an individual consultation: [email protected]

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

124

Promocija knjige Book promotion

Petak, 8. novembar u 18č Bar Sprat/Zaokret, Cetinjska 15

Marguerite Duras &Jean-Luc Godard: DijaloziUčesnici: Petar Milat (izdavač MAMA Zagreb), Dina Pokrajac (urednica izdanja) i Milica Vinaver Ković (docentkinja, Filološki fakultet u Beogradu).

Tri dijaloga između Marguerite Duras i Jean-Luca Godarda sabrana u ovoj knjizi predstavljaju razgovor započet u 1979. [prvi dijalog, povodom snimanja Godardova filma Spašavaj tko može (život)], nastavljen u 1980. (drugi dijalog, u vezi filmskog projekta o incestu) i koji se završava 1987. godine (treći dijalog za televizijsku emisiju Océaniques). Između spisateljice i redatelja, radi se ujedno o suštinskom odnosu i vremenski određenom susretu. Godard, u jednom intervjuu iz 1997. godine kaže da je Duras poznavao “dvije ili tri godine”, u izrazu koji podsjeća na naslov njegova filma, Dvije ili tri stvari koje znam o njoj. Oni se susreću nekoliko godina i razgovaraju o “dvije ili tri stvari” koje im pomažu u razmišljanju: njihov se drugi susret događa nakon što su oboje objavili zbornike svojih razmišljanja o filmu, Duras Zelene oči, Godard Uvod u istinsku povijest filma.

Izdavači: Bijeli val/Subversive Festival i Multimedijalni institut // 2019. // broj strana 132 // prijevod: Zlatko Wurzberg

Friday, November 8th, 18.00 Bar Sprat/Zaokret, Cetinjska 15

Marguerite Duras & Jean-Luc Godard: DialoguesParticipants: Petar Milat (publisher MAMA Zagreb), Dina Pokrajac (editor) i Milica Vinaver Ković (Assistant Professor at University of Belgrade Faculty of Philology)

The three dialogues between Marguerite Duras and Jean-Luc Godard assembled in this book represent a conversation started in 1979 [the first dialogue on the filming of Godard's movie Sauve qui peut (la vie)], continued in 1980 (the second dialogue, regarding the film project on incest ) and ending in 1987 (the third dialogue for the television show Océaniques). Between the writer and the director, it is both an essential relationship and a timely encounter. Godard, in a 1997 interview, said Duras had known "two or three years," in an expression reminiscent of the title of his movie, 2 or 3 Things I Know About Her. They meet for a few years and talk about "two or three things" that help them think: their second encounter occurs after both have published proceedings of their reflections on the film, Duras Green Eyes, Godard Introduction to a True History of Cinema and Television.

Publishers: Bijeli val/Subversive Festival and Multimedia Institute // 2019. // total pages: 132 // translation: Zlatko Wurzberg

125

Petak, 8. novembar u 19č Bar Sprat/Zaokret, Cetinjska 15

Vladimir Šojat:Dugo i netremice:pogled na likove udokumentarnom filmuUčesnici: Igor M. Toholj (urednik izdanja), Vladimir Bjeličić (istoričar umetnosti, pisac predgovora) i Vladimir Šojat (autor knjige)

Vladimir Šojat se bavi istraživanjem vrtoglavog uspeha dokumentarnih filmova i naglog povećanja broja gledalaca, kako u komercijalnim bioskopima tako i na specijalizovanim festivalima. Nove okolnosti otvorile su prostor za promišljanje i analizu elemenata filmskog izraza u ovoj filmskoj formi, kao i za istraživanje niza pitanja počevši od toga da li su svi likovi u dokumentarnim filmovima izmišljeni.

Vladimir Šojat, filmski autor, montažer i video umetnik, kroz seriju predavanja održanih u Domu kulture Studentski grad, tokom 2017. i 2018. godine, “prepustio se uočavanju, istraživanju, upoređivanju, te izgradnji višeslojnih tumačenja odabranih ostvarenja, što za konačni cilj ima drugačije sagledavanje različitih dokumentranih filmskih pristupa i poetika”. Sadržaj predavanja prenet je u knjizi koja je objavljena u oktobru ove godine.

Izdavač: Dom kulture Studentski grad // 2019. // broj strana 158

Friday, November 8th, 19.00 Bar Sprat/Zaokret, Cetinjska 15

Vladimir Šojat: Persistent and Unblinking:a Survey on Articulation of Characters in Documentary CinemaParticipants: Igor M. Toholj (editor) Vladimir Bjeličić (art historian, preface author) i Vladimir Šojat (author of the book)

Vladimir Šojat investigates the enormous success of documentaries and the rapid increase in viewership in both commercial cinemas and specialized festivals. New circumstances have opened up space for reflection and analysis of the elements of cinematic expression in this film form, as well as for exploring a range of questions, starting with whether all the characters in documentaries are fictional.

Vladimir Šojat, filmmaker, editor, and video artist, through a series of lectures held at the Student City Cultural Center in 2017 and 2018, “indulged in spotting, researching, comparing, and building multi-layered interpretations of selected accomplishments, with the ultimate goal of a different perspective on different documentary film approaches and poetics." The content of the lecture was written in a book published in October this year.

Publisher: Student’s City Cultural Center // 2019. // total pages: 158

SLO

BO

DN

A Z

ON

A F

RE

E Z

ON

E

126

Na kafi sa autorima Coffee With the Authors

9. i 11. novembar u 13č Zaokret/Sprat, Cetinjska 15, Beograd

Na kafi sa autorima je govorni format Slobodne Zone koji je uspešno započet 2016. godine. Zamišljen je kao mesto okupljanja i druženja predstavnika medija i gostiju festivala ali i platforma za komunikaciju i razmenu mišljenja. Ovogodišnje izdanje uređuju i vode Jelena Maksimović i Ivan Bakrač, koji će razgovarati sa autorima filmova Lepota i prolaznost, Dnevnik Diane Budisavljević, Umetnost sećanja, Tusta, Čudovišta, Dolaziš iz daleka i sa autorom filmova Antologija gradova koji nestaju, Vilkoks, Karling, Otpad i svim prisutnim gostima festivala. Razgovori su otvoreni za publiku i održavaju se u neformalnoj atmosferi.

November 9th and 11th at 13:00 Zaokret/Sprat, Cetinjska 15, Belgrade

Coffee with the authors is a speech format at the Free Zone Festival that was successfully launched in 2016. It is conceived as a place for gathering and socializing for media representatives and festival guests, as well as a platform for communication and exchange of opinions. This year’s edition is edited and moderated by Jelena Maksimović and Ivan Bakrač, who will talk with the authors of films Beauty and Decay, The Diary of Diana B, Milestones, Tusta, Monsters, You Come From Far Away and with the author of Ghost Town Anthology, Wilcox, Curling, Carcasses and all present guests of the festival. The talks are open to the public and are held in an informal atmosphere.

127

Phot

o fro

m th

e film

CUR

RENT

S by

Kat

erin

a Du

da

Wateringdocumentaries!

Prva nedjelja juna 2020. godinewww.underhillfest.me

[email protected]

Phot

o fro

m th

e film

CUR

RENT

S by

Kat

erin

a Du

da

Wateringdocumentaries!