AWAYII\AMAI\GER

F/A Gm/Bb F/C C#dim DmF

Words and Music bYMUELLER

N.C.C7C7

GmC7

Gm/BbBb

F(add9)F

Bdim F/CF

bed,wakes,stay

F*dim CTIGC7

waycat

neaf

C7

in- tle

IIIE,

aa

to

TheBut

Close

lit - tle Lordlit - tle Lordby me for -

L7

no crib forthe Ba - bY

I ask Thee

a

areLord

man - ger,low - ing,Je - sus,

F/AF

cm/Bh

sus laidsus noof, and

Bdim

Gm

his sweet head.

ing He makes.

rne, I praY.

F#dim GmC7

c13

The starsI love

Bless all

F/A Gm/Bb F/CF

sky-Je - sus,

chil - dren

cm/BbBb

F10

Je

Je

ev

Bh

Bb

downcrylove

inThee,

the

C*dim Dm

theLorddear

lookedlookin

C7C7

F/CF

15

down where hedown from theThy ten - der

lay,sky,

carg,

TheAndAnd

lit - tlestay byfit us

Lord Je - sus,

my cra - dlefor heav - en

sleep onmorn - inglive with

a

tillto

the.tts

I

Thee

F/A Gm/Bb F/C C*dtunDmIlm/CGm/BbBb

add9FA

c7 F(C7

hay.nigh.

l. Notice the effectiveness of the contrary motion caused by the bass line of the substitutions, (most obvious in bars -17-19)'Throushout, the bass line is moving in a direction opposite to that of the melodic contour. This reinforces the tension and

relea# of eich phrase

2. Here is an example ofa simple arpeggio for an F(add9) chord'

TheBe there.

C-mwisht @ 1992 bv HAL LEONARD PLTBLtriHIIIIG CORFORA'flOF|Inernationil CopvrightResrrrcd AII RitB Rcscnrcd

Play an octave lower

O COME,ALLYEFAITHFUL

G#dim Am G/B Am/C C#m7(b5) D7 G/D Cm/Eb G/DGCGGD7 L7 D

G D/F# G/F CNGD

T'

GG

D7D7

G/D D/F# Em A7G DEm

D/F#D

GG

D A/CSDA7

a

o

come all yeSing, choirs of

faith - ful,an - gels,

Joy - ful and tri - um phant, O comesing in ex - ul - ta - tion,

- sing

Ya, Oall ye

10 D NE D/T'# GDG

D/A A7DA7

GG

DIC G/BG

DD

DTIA GAmG

F#m7(b5)D7

come -

ye tocit-i-zens of

Bethheav'n

le - hem;a - bove.

G/B

Come andGlo -ry

D7t^ G/B "li

be - holdto God

Him,

G/D GlOr < F#m7(b5)87 E;nrT AlDEmAm

G/BGG

DD

- - -Born the

1n

-""ri:'f o

F#m10 G#dimDG

come letofKing

thean

high

G10G

a - dore Him, O

l9 F#m10 G10 Am10D7

Am G/B Am/C C#m7(b5) D7D7A7D

G/D Ch/EIGC

-

come let - dore Him, O let US dore Him,

Christ the Lord.

23

the Lord. Christ

Copyright @ 1992 by HAL LEONARD PLIBLISHING CORPORATIONInternational Copyright Secured All Rights Reserved

THE CHRISTMAS SOI{G(Chestnuts Roasting On An Open Fire)

Am7(b5)D7(b9) Gm7 Cm7 F7 Bb7(b9) E,b6t9

Ab,1 Gm7 Cm7 Fm7 Bb7(b9) Eb6A

Abm6Fm9/Bb

Am7(b5)Bb9 Eh6

Bb7BbmT

BdimFh9

Bb13 Bb

Fj6

Cm Fm7(bs)/Cb Eb/Bb

Ab Ab7 G(*s) Cm7

Chest- nuts roast- ing on an

F/AAbm6

Abm

Music and LYric bY MEL TORME-& ROBERT WELLS

Fm6B,b7

F,bmajT/GEh6

Yule car - olspen fire, Jack Frost nip - ping at Your nose'

FfdimAm7 D7

G6 AbmTAbmT

GbmajT Fm7Gb B,b7

Db9Db9

Bb7GG

FhIG

sung by and folks dressed uP like Es - Ev -'ry

Eh

F,6Fm6B,b7

EbmajT/GFj6

Abm6 Am7(b5)Fm9/Bb B,b7 Fj6

Blb7 BdimBbmT Eb9

Cm Fm7(bAb Ab7 G(

bright.

Fm7 Bb7Fm7 Bb7

Fh7

knows a

FSrSbCm7

Dhmajg D7 Eb

Eh6

tur - key and some

F/A AbmAbm6

mis - tle- toe

Eh/GFp3-l

Help to make the sea - son

Gm7Gm7

F*dimAm7 D7

C7C7

15

Ti -ny tots with their eyes all a - glow will find it hard to sleeP

BbmBbmT

They know that San

Bbm6BbmT

ta's on his way;

Bbm(f5)Eh9

Bbm(#5)Eh9l8

o19{61992EDWINH.MoRRISqCquIlNY.ADivisionofMPlCumrnicaftrc'Inc"€ Rmrcd tyr guwnr'ii ilbRRri& coMpexv, A Diririm of MPL cmft*knq ltrc'

*'-J^-i e--inm srmrcd AII Rifftts Rcscnrcd

He's load - ed

2t

BbmTBbmT

GbmajTGb

Am7(b5)F}

Eh6

lots of toys and good- ies

Eb9F;9

Ebm Ehm/Db

Ab13(#11)Fm6Bb7

AbdimAb

on his sleigh.

Cml1Cm7

AbmTAbmT

F7 FTTB

17 3-

Ab Db9Db9

tBbl3(be)BbTsus Bb7

Bb7 Bbe Bb7(bel

And ev - 'ry moth-er's child -

is gon - na

spy

-

To see if ; real - ty know how to

Gm7 Gb7(bs) Fme Bb13(b9) Eb6teEblG Abm6 Am7(b5)Fj6 Fm9/Bb Bb9 Fj6

reln fly.

BbmTBb7

BbmT

Ae0s)BdimFj9

And

SO, I'M of - fer - ing this sim - ple phrase To kids from one to nine - ty

Lb6te Db9 DbgtcblCm Fm7(b5/Cb FhrcbAb Lb7 c7 Cm7

two.

FT|A Abm6Abm6

Al - tho' it's been said man- y

FfdimD7 Lb7

times, man - y ways: "Mer - ry

EblGEh

Gm7 Cm7 Fm7Gm7 Cm7 Fm7

Bb7(b9) Dbmaj9 D7 Fh6t9Bb7(be) Eb6

2

GmTCmTFml Bb9sus Ab9 Gm7GmTCmTFnrT Bb9sus Gm7

Cm7Fm7 Bb9sus Ab9Cm7Fm7 Bb9sus

Christ - mas

Gm7Gm7

to

Bb7(be)Bb7$91A

you."

E,b6t9Eh6

Cm7 Fm7Cm7 Fm7

Christ- mas,

Db9

Mer -ry

Cm7

rit.

Christ- mas, Mer -' ty

Bb9sus C6l9

A

Christ - mas, to you.'

bars 19-26, the substitute chords suggest a chromatic counter melody:

Bbm Bbm(*S) Bbm6 Bbm(#S) BbmT Elb9 Abdim Abctc-