Who Cares About Content?

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  • 1. @steph_hay WHO CARESABOUT CONTENT? steph hay {BT} nov 22, 2011Hey! Thanks for being interested in content. I love you.

2. WHO DATIm here because I care about content. A lot. Also Im here because Marc asked me to come. Which is great. And plus Stefan told him I shouldspeak. Which is uber great. Thanks dudes! 3. http://www.ickr.com/photos/stn1978/5387611987/ THANKS MARCI didnt ask Stefan permission for this. Thanks Stefan. 4. ABOUT CONTENT I CAREI care about compelling content -- the kind of content that makes you want to DO something. 5. http://www.rebox.com/product/4719/Original-Beard-Hats?aff=512&awc=550_1321540108_1cc8bf4fa2db6885c466422ffb37eaa5 YOU ARE AWESOMEYOU WANT TO CONVEY TO USERS THATAt some point, you and possibly a team of folks already made the decision that you want to compel someONE to do someTHING, like actuallyREAD your website, buy your app, vote for your congressperson, whatever. But really, above all else, you want the user to know that what yourepromoting (be it a product or an experience) is quite kick-ass.What youre creating -- whether youre designing a more topical, marketing website for consumers targeting some fairly high-level categoricalaudience (you know, like women) or maybe a more niche, user-centric ipad, mobile, or web application -- will determine how your process likelyunfolds from there.But lets just say for purposes of this discussion that were designing a brochure-ware sort of marketing-focused website for our company, which isa full-service web consulting agency.So we might follow a process that looks similar to this: 6. CREATIVE BRIEF INFORMATION ARCHITECTURE WIREFRAMES DESIGN MOCKS BUILD! SOCIAL MEDIA INTEGRATION CONTENT QA + UNNECESSARY TWEAKS LAUNCH!In this sort of a common process, you might start from a common document like a creative brief, which captures the goals of the project andoutlines audiences, then move sufciently through IA, wireframes, and comp iterations before getting approval to build it. Near the end, you mightpull in a Twitter feed, populate blank pages with content, do nal QA and some maddening tweaks, then launch it. 7. CREATIVE BRIEFINFORMATION ARCHITECTUREWIREFRAMESDESIGN MOCKSBUILD!SOCIAL MEDIA INTEGRATIONCONTENTQA + UNNECESSARY TWEAKS LAUNCH!So we think about content at the start -- when were creating the IA (which should be driven by content priorities) -- and at the end. But ignoring(for now) the obvious vacuum of content in this process, we might arrive at a nal website that has this formulaic-type of content: 8. WE BUILD SITES DESIGN MOBILECREATIVETALENTED TEAM DEVELOPERSSUBMIT YOUR EMAIL TWITTER THANK YOU.Here are some words about WHAT we do, WHO we are, and HOW a user can get ahold of us.Pretty straightforward. 9. WE BUILD SITESDESIGN MOBILE CREATIVE TALENTED TEAMDEVELOPERSSUBMIT YOUR EMAIL TWITTER THANK YOU. ?But this is what our competition does! And in almost the exact same way! In fact, this is what the great majority of sites out there does -- they talkabout who they are and what they offer, but they miss the mark when it comes to bear hugging the user. Content needs to compel the user to *do*something ... to feel condent in believing that youre what theyve been searching for. To rise above the many other people who seemingly dowhat you do, to degrees of subjective quality that the user can determine.And I think thats accomplished by writing content that has three elements: 10. 3 ELEMENTS OF COMPELLING CONTENT Focus Credibility ConsistencyCompelling writing that conveys importance has 3 primary elements: focus, credibility, and consistency. THESE THREE ELEMENTS extendbeyond your typical website or application content creation process and into all your writing -- from email to Twitter, SMS messages, bios orFacebook pages.So I encourage you to consider these three elements from a rather global perspective and incorporate them increasingly into everything you write. 11. MAKE NO MISTAKE... This is HardSo the one caveat to everything Ill discuss related to focus, credibility, and consistency is that achieving them every time is HARD. And not justbecause it takes a strategic mind to consider how content can bridge business, marketing, and user experience goals. But also because it maychallenge that process I mentioned earlier -- it likely will require some re-thinking to integrate content into the wireframing and comp process. Andinto the build, where content is equally essential. But its certainly possible, and just prioritizing the written word and taking one step and a time isthe best way to start moving forward toward more compelling content.BUT BEFORE YOU TYPE A SINGLE THING.... 12. FOCUS IN WHICH AREAS CAN BE DEMONSTRATED?Consider this: Why are we writing in the rst place? 13. FOCUSED CONTENT CONSIDERS...AudienceMediumNetworkAs with all things, you need to understand a few key pieces: Audience, Medium, and Network. Understanding the potential of these three areasBEFORE you start writing will actually shape HOW you write. 14. Copyright Lemuhr http://acidcow.com/pics/4553-dead-ies-art-15-pics.html AUDIENCETo whom are you PRIMARILY sending a message. Instead of thinking of broad, generic demographics, consider ONE person. Sitting across thetable from you.What does that person look like? What kind of day is he having? How do you want the user to FEEL when she discovers you? And what do youwant the reader to *DO* when she reads your content? Is she a government person, hipster, baby boomer, or teenager? How web savvy is she?What questions does she have that you can answer BEFORE she asks them? 15. AUDIENCEDont: Consider everyone.Do: Focus on *one* ideal person, then speak directly to him or her.Writing for one person makes writing easier. You can imagine the conversation. You can write for that ideal conversation.And after youve got some basic content that successfully speaks to this particular, primary audience, you can always go back to nd the ways inwhich additional or different content can be layered in to reach secondary or tertiary audiences. But if you start there -- trying to speak to everyaudience at once -- you will have a much tougher time writing targeted, focused content right out of the gate. 16. Copyright Lemuhr http://acidcow.com/pics/4553-dead-ies-art-15-pics.html MEDIUMNow that you know specically to whom youll be communicating with your writing, consider which ways you can send that message.Content will vary from web and mobile to email to LinkedIn proles, Twitter updates, blog posts, business cards. Your method of delivering thatcontent is, arguably, a part of the message itself, so consider how you can best leverage the characteristics of each. For example, maybe youCAN get away with creating a 2-3 page website with links to additional information that lives elsewhere, such as in a blog, on GetSatisfaction, oron Twitter. As long as these additional media have been considered as part of a holistic approach to your content strategy, then you can feelcondent that your writing is going to complement itself across several channels and, hopefully, thereby paint a more vibrant picture of whateveryoure offering. 17. MEDIUMDont: Think in isolation.Do: Capitalize on other communication channels to tell your story.The ip side of course is that by taking stock of additional media, youll have to make sure they dont undermine the work youre putting intowriting specic content to begin with. Theres always a (pretty good) chance that people will Google your name or the products name before theytake action, so be sure that the various media promoting your work are aligned. And consider how you can better align them to provide acomprehensive view of your awesomeness. 18. Copyright Lemuhr http://acidcow.com/pics/4553-dead-ies-art-15-pics.htmlNETWORKNow that youve thought about your audience and the various media you can use to communicate with that audience, consider your network:which people or inuencers around you are going to facilitate those messages or serve as a reference to your product or service? Which peopledo you owe a major responsibility to INDEED, BE AWESOME, well AFTER they refer you as being awesome? 19. NETWORK Dont: Forget others reach. Do: Consider how your network will describe you -- and inuence your target audience.The most active people who could be willing to help you might actually help you shape the content BECAUSE OF the people theyll connect youwith. For example, if you know the editor of a major tech magazine, and that editor wants to write a glowing review of your app, you may in factdecide to tailor some of the content youre writing to appeal to the reader of that magazine. In doing so, youll be positioning the app to better alignwith the readership, and hopefully increasing its likelihood of traction for that audience.Or, youll at least call in a copy editor to go through everything with a ne-toothed comb to ensure nothing trivial like typos exist. After all, becausethat editor is willing to offer such support, you have an a responsibility to NOT make the editor look like an asshole. Your network of peopleSHOULD INSPIRE YOU TO WORK HARDER at making sure your writing doesnt undermine your credibility or theirs.SO, now that youve focused on your target audience, media for delivering messages, and network who help with connecting you with potentialadopters, its time to write credible content. 20. CREDIBILITY IN WHICH WAYS CAN BE CONVEYED?In many ways, your content *is* your credibility. Its what youre saying, or its what others are saying about you. Its separate from design,features, and social media channels. Its the thought behind each purposeful word. 21. CREDIBLE CONTENT IS... Meaningful Helpful Results-Oriented ConfidentCredible content seems to universally have four qualities. It (1) substantively says something to convey meaning (2) Explicitly tells users whatthey should do (3) Describes to users what outcome will be bestowed u