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1 teori & sejarah desain arsitektur 1 6 setiadi sopandi geometri (dan aturan) sebagai teori arsitektur renaissance merchant class & roman catholic church as patron of the arts: philosophy science arts & architecture lorenzo de medici medici family was the patron of the great renaissance artists, such as brunelleschi and michelangelo

Teori & Sejarah Desain Arsitektur 1

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Page 1: Teori & Sejarah Desain Arsitektur 1

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teori & sejarah desain arsitektur 1

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setiadi sopandi

geometri (dan aturan) sebagaiteori arsitektur

renaissance

merchant class & roman catholic churchas patron of the arts:philosophysciencearts & architecture

lorenzo de medici

medici family was the patron of the great renaissance artists, such as brunelleschi

and michelangelo

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art historiography:giorgio vasari

polymaths:filippo bruneleschi 1377-1446donato bramante 1444-1514michelangelo buonarotti 1475-1564antonio da sangallo 1485-1546raphael 1483-1520baldassare peruzzi 1481-1536guilio romano 1499-1546giacomo della porta 1533-1602

architectural theory:leon battista alberti 1402-1472sebastiano serlio 1475-1554andrea palladio 1508-1580

technical development:perspective

medieval tapestry medieval fresco

bulgary, 13th century

medieval painting medieval painting

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cenni di pepo (giovanni) cimabue c. 1240 - c. 1302

cenni di pepo (giovanni) cimabue c. 1240 - c. 1302

lamentation

giotto dibondone

ca. 1305

legend of st. francis

giotto di bondone

ca. 1305

marriage at cana

giotto dibondone

ca. 1305

the holy trinity, santa maria novella

masaccio

15th century

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fresco with trompe l'oeuilandrea pozzojesuit church vienna

perspectivebrunelleschi developed the technique by studying architecture in rome, 15th century

the main concern of the renaissance architect was with the defining, ordering and controlling of his visibleuniverse

this would achieve by means of graphic representations

the most rudimentary graphic system, geometry, was an essential tool for the accurate recording of architectural information

principles in perspective

application of perspective as a tool for architectural designs

baldassare peruzzi

pierro della francesca c.1470

view of an ideal city

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allegory of a bad architect allegory of a good architect

philibert de l’orme

1568

“a man can do all things if he will”leon battista alberti

philosophical development:humanism

human worth and individual dignity can be achieved through liberal arts:artmusicgrammarrhetoricoratoryhistorypoetry

against medieval christian ideals

aesthetic:return to classicism

studying classical textsregularitysymmetryproportiongeometry

empiricismpositivism

man is the measure of all thingsstructure behind appearances is rationally organizedknowledge comes from empirical investigation

study of human or living creature anatomyleonardo da vinci c1490

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“all steps of learning should be sought from nature“leon battista alberti

the ten books on architecturevitruvius80 bc - 25 bc

re-drawn by leonardo da vinci

classical proportion

re-reading of vitruvius

giorgio vasari 1511-1574le vite delle più eccellenti pittori, scultori, ed architettorilives of the most excellent painters, sculptors, and architects

palazzo farnese

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palazzo medici-riccardimichelozzo 1444-1459

filippo brunelleschi 1377-1446

ospedale degliinnocenti (1419-ca.1445), or foundling hospitalfilippo brunelleschi

pazzi chapel, florence, 1429-1451filippo brunelleschi

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punctual use of golden section

st. lorenzo 1421-1440florencefilippo brunelleschi

sagrestia vecchia, or old sacristy of st. lorenzo (1421-1440)florencefilippo brunelleschi

sagrestia vecchia, or old sacristy of st. lorenzo (1421-1440)filippo brunelleschi

florence cathedral’s dome1420-1436filippo brunelleschi

florence cathedral’s dome1420-1436filippo brunelleschi

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leon battista alberti 1402-1472

basilica santa maria novella

1470

leon battista alberti

sant‘andrea, mantua (begun 1471)

Book One: LineamentsBook Two: MaterialsBook Three: ConstructionBook Four: Public WorksBook Five: Works of IndividualsBook Six: OrnamentBook Seven: Ornament to Sacred BuildingsBook Eight: Ornament to Public Secular BuildingsBook Nine: Ornament to Private BuildingsBook Ten: Restoration of Buildings

leon battista alberti

de re aedificatoria

the ten books of architecture

1443-1452

the first theoretical book on architecture

vitruvius tells architects how buildings were be built

alberti tells architects how buildings should be built

tempietto of st. pietro, rome 1502

bramante tempietto of st. pietro, rome 1502

bramante

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laurentian library 1524-1557

michelangelo

laurentian library 1524-1557

michelangelo

laurentian library 1524-1557

michelangelo

laurentian library 1524-1557

michelangelo

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ideal city, bramante, c1500

http://www.epalladio.com/villas.html

villasandrea palladio

1508-1580

i quattro libri dell‘architetturathe four books of architecture 1570

vitruvius tells architects how buildings were be built

alberti tells architects how buildings should be built

palladio tells architects how buildings should be built: by examples of his own work

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villa rotonda

villa angarano

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villa barbaro

villa barbaro

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teatro olimpico 1585

This theater has seven hallways designed as streets of the city of Thebes, Greece, introducing the idea of artistic perspective into Renaissance theater. The idea behind the seven hallways is to provide each spectator with a view down at least one of the streets. An effective trompe-l'oeilprospectic technique is used to provide the illusion of long streets within few meters of real space.

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kuis

max 2 lembar A4, tulis tangan

dikumpulkan minggu depan, sebelum kuliah

cari pengertian:

baroque , rococco, neo-classicism, romanticism1. sebagai periode sejarah

2. sebagai gerakan estetis dalam seni rupa dan arsitektur

3. sebagai gagasan

lengkapi dengan ilustrasi berupa sketsa, foto, gambar, dll

lengkapi dengan sumber referensi (buku, website, dll.) – perhatikanstandar mengutip sumber referensi (nama pengarang/ penulis, judulbuku/ artikel, tahun penerbitan, penerbit)