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No 03 > March 2011
A PUBLICATION OF THE INSTITUTE OF COMMUNICATION SOCIOCULTURALCORNER IRACEMA > YEAR 12 > No 65 > APRIL 2011
April 13
Fortaleza 285 Years
> movement for reconstruction and revitalization of praia de iracema
Ceara culture close to you!Ceara culture close to you!
State Government of Ceará | Secretary of Culture
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> the materials published are the responsibility of their authors!
// 5
MIL P
RINT
COPIE
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> WHO WE ARE!
overall coordination zeno falcão • coordination assistant pingo de fortaleza • editor and journalist joanice sampaio - jp 2492 - ceexecutive producer arnóbio santiago • production assistant tieta pontes • review rodrigo de oliveira - tembiu.pro.br • employees josémaria damasceno / audifax rios / fernando neri / augusto moita / talles lucena / nilze costa e silva / calé alencar / kazane • editorial boardaugusto moita / audifax rios / calé alencar / erivaldo casimiro • diagramming artzen • contacts > canto da iracema rua joaquim magalhães331 / cep 60040-160 / center / fortaleza / ceará / brazil / phone (0....85) 3032.0941 / [email protected] > solar av. dauniversidade 2333 / benfica / fortaleza / ceará / brazil / phone (0....85) 3226.1189 / [email protected]
The waters of March have passed and here we
are again with the third edition of 2011. How time
flies! Brought to you, dear reader, a chronicle in
which Nilze Costa e Silva talks about our beloved
Metal Bridge or Bridge of the Englishmen, as you
want. Let us know the history of cat Taffarel one day
took the rest of Parahyba Kid. This tells us who is
our spirited Augusto Moita.
Reminiscences, prose, poetry and images, on page
13 of Calé Alencar. And of course, can not miss the
Fulô Lazio. Fernando Neri and his hasty chronicle
suburban.
COOVER PHOTO > GOOGLE MAPS
Culture Points this month is the point of the House
of Comedy Cearense. Let us know a little of the book
“Fragments, “ the musician, writer and teacher
Carlinhos Perdigão. Henry Beltran returns in this issue
and presents us with a beautiful poem, which leads
us to ponder as well.
We still have subversive filmmaker: Robério Ara-
újo. And Audifax Rios, who remembers our Sea
Dragon, after all our history is important. Still on our
cultural identity, Pricila Elida outlines the Maracatu
and its elements. Happy reading!
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... Fortress is a Brazilian city, capital of Ceara state.
It belongs to the meso and the FortalezaMetropolitan microregion of Fortaleza. The cityhas developed on the banks of the creek Pajeúnortheast of the country, 2285 km from Brasilia.
Its toponymy is an allusion to SchoonenborchFort, built by the Dutch during his second stay inplace between 1649 and 1654. The city’s motto(present in his coat) is the Latin word “Fortitudine”
which in Portuguese means “strength, valor,
courage.”
It is located along the Atlantic coast, with 34km of beaches, at an average altitude of 21 meters,
and is the center of a city of 313.8 km ² and 2,447,409
inhabitants, the capital’s most densely populated
country, with 8001 inhabitants / km ². It is the
most populous city in Ceará, Brazil’s fifth and 91
th most populous in the world. The MetropolitanRegion of Fortaleza has 3,655,259 inhabitants,
being the sixth most populous in Brazil and second
in the Northeast. In a recent study by the IBGE,
Fortaleza appears as the third largest metropolisin urban population in Brazil.
Fortaleza, and the 15th largest municipal GDPof the nation and second in the Northeast, with28.3 billion reais, is an important industrial and
commercial center of Brazil, the seventh largest
purchasing power in the country. In tourism, thecity reached the mark of most popular destinationin Brazil in 2004, with attractions such as micareta
Streng in late July and the largest water park inBrazil, Beach Park. In 2010 was the capital of theNortheast most requested by domestic travelers,
according to a study of Deals. Nationwide, the ca-pital of Ceará occupied the fourth place, behindRio de Janeiro, Sao Paulo and Brasilia. It is the
headquarters of the Bank of the Northeast, theNortheast Railway Company and DNOCS. In 1996
the city joined the Common Market of Cities.
Its airport is the Pinto Martins InternationalAirport. BR-116, the largest in the country, startingin Fortaleza. Called Blonde bride of the Sun, theverses of the poet Paul Ney, the city is the birthplaceof writers José de Alencar and Rachel de Queiroz,the humorist Tom Cavalcante and former President
Castello Branco. The Centro Dragão do Mar Art
and Culture (CDMAC) is currently the main cul-tural area of ??Fortaleza, with museums, theaters,
cinemas, libraries and planetarium.
It is the capital of Brazil closest to Europe, withthe 5,608 km from Lisbon, Portugal. It is also one
of 12 venues of the FIFA World Cup 2014.
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CHICO’S MATILDEAND THE REST OF THE STAFF
FRANCISCO JOSÉ BIRTH, THE DRAGON OF THE SEA, ONLY LEARNEDTO READ TO TWENTY YEARS IN LEATHER. THE SEA IS HIS TRUE SCHOOLAND THERE I BECAME ACQUAINTED WITH MARUJA OTHER LANDSWHERE HAVE SLAVERY WAS ABOLISHED. SEETHED WITH HIS BLOODTHE IDEA OF FREEDOM IN DIFFERENT LANGUAGES, LIKE THE FRENCHAND GERMAN TO LEARN HOW TO SCRATCH. PULLED THE KEEP THECOMPETITION WITH TWO RAFTS AND WAS THE SECOND STUDY OFTHE PORT AUTHORITY. TOOK TO THE STREETS WITH BRIGHT FORTRESSOF MAJOR BURDEN FOR HELPER AND ORDERS BY CAD AND BOOED.THE SAME TO MANGO SUNSET IN THE SQUARE OF THE BLACKSMITH.FREEDOM OF THE SUN IN BRIGHT RAYS.
04
HEALTHY FRIENDSHIP, BLACK BENCH - Sponsorship of Joseph came to thegreen wild seas by encouraging the poet Paula Nei and was warmly received bymembers of the Liberation Society “and” Club of the Freedmen. “Covered in roses waskissed by a slave, and earned the nickname Black Marshal. In response to Cearánamed the “Land of Light. “ Here she met Chico’s Matilde who asked, “So mate, evenif the port is blocked?”. Answer: “No force in this world that do reopen. “ Sponsorshipwas the son of a greengrocer black with the vicar of the parish of Fields, Father JohnCarlos Monteiro. Graduated in Pharmacy was one of the great journalists who foughtfor the cause of abolishing slavery in Brazil. Paula Nei was a journalist who did notcomplete medical school. Almost everything he wrote was lost in the anonymity of thereports. He died almost destitute. Immortalized with the poem “Fortress “.
THOMAS, ELVIRA, AND OTHER ABOLITIONISTS CARLOTA - Dona JoaquinaFrances, wife of Chico da Matilde, director of the Company Cearense Liberator,participated actively in the women’s wing next to Mary Thomas, Elvira Pine, NCCharlotte (wife of John Lamb), Jacinta Augusta , Liduina (wife of Pedro Borges),Eugenia Correia Amaral, Virginia Salgado and Stephanie Mello. Maria TomasiaSobralense was the daughter of Joseph and Sherry Linhares Ana Figueira de Mello.It became known as “The Liberator” or “The Abolitionist. “ Elvira was born in PineMaranguape, a schoolteacher, was just 22 when he joined the Society. CharlotteLamb was the daughter of Jose Lorenzo de Castro and got rid of all the jewels of thecampaign in favor of freedom of the slaves. All this was told by Ceara Edmar Morel inhis book “Whirlwind of Freedom, “ whose first edition was called “Sea Dragon, theabolition of the fisherman. “
FEARLESS CABOCLO NORTH - John Lamb was Santana’s Acaraú Ceará (1842/1931). Abolitionist and Republican, was a senator, a friend of Floriano Peixoto, whocalled him “my caboclinho the north. “ One Sunday (January 31, 1881), at ameeting of the Society Cearense Liberator, has prepared a dark room in the center puta table covered with a black cloth. Suddenly, a dagger vest bag, spikes it on the tableand yells, “I demand of each of us an oath on this knife, to kill or die, if necessary, forthe good of the abolition of slavery ... Who can not you dare leave while you can.“After a moment crestfallen, reflective, looks up and realizes that eleven of theliberators were gone. Then the brave abolitionist dictated what would be the synthesisof the status of the Society: “One for all and all for one. The Company will free theslaves by all means at its disposal. “
ALL RACE - The first meetings of the “Perseverance and Hereafter” held at theresidence of Joseph Amaral, in Formosa Street, dubbed “Black Cave” or “Castle of theBlack Stone. “ Part of, besides the host, John Lamb, Frederick Bennett, AntonioMenezes, Miguel A. S. Portugal, Justin Francis Xavier Jatahy Silva, Eugenio Costaand Caetano Marçal. The Company retained the newspaper Liberation Cearense “TheLiberator”which had as editors Menezes and José Teles Morocco. Collaborated FrederickBennett, Justiniano de Serpa, Martin Rodriguez, Afonso Afonso, Abel Garcia and JohnLopez. John founded the newspaper Brigido Unit, said an advocate of freedom of theslaves and fought the Liberation Society. Clerks founded the Abolitionist CaixeiralClub, Junior forward Antonio Papi, Olimpio Barreto, Francisco Carneiro Monteiro andTheofilo Francisco. Included in the Military Club Abolitionist Pedro Augusto Borges,Manoel Bezerra de Albuquerque, Father John Leite de Oliveira, Alfredo Weyne andHenry Theberge. Liberating The Student was commanded by Manoel de OliveiraPaiva, Galdino Castro e Silva, José A. G. Angelim, Solon Pinheiro, José da CunhaFontenele Francisco and Francisco Ramos.
05
The Point of Comedy
The theater group Cearense Comedy was created in 1957 by initiativeof artists Haroldo Serra, Glico Sales, Palm Guimaraes and other amateuractors. Since then, he continues working anddignified way of representing the culture of thestate of Ceara. The group has performed morethan 80 mounts, and was awarded participatedin events throughout Brazil and abroad.
With the group, came to the House of ComedyCearense, a space that offers free courses andworkshops for children, youth and adults. It has alibrary, video library, dance hall and music room, computer, film club,theater and garden room that holds part of the collection of costumedesigner Flavio Phebo Ceará. Two employees are responsible formaintenance.
The first, which would only be a space to allocate material, costumesand rehearsal space, also gave way to teach theater and teachingexperience in the actor and playwright Harold Serra, Serra Hiroldo ofhis son and his wife, and actress, Hiramisa Serra.
The House of Comedy, as well as many call it, is a cultural resourcesmaintained by the Sierra family in partnership with the Centro CulturalBanco do Nordeste, they offer a free introductory course theatrical.
Located in the neighborhood Rodolfo Teófilo, in 2008 the House ofComedy Cearense won the title Point of Culture of the Federal Governmentand received five computers, camcorder, camera, data-show, micro-system and a home theater.
In September 2009, began the activities of the Culture, offeringcourses in dance, choir, drama, hip-hop, computers, art circus. Thephotography and audiovisual courses due to the unavailability ofinstructors were suspended. Currently offer course in ballroom dancing.
According to the director of the House, the actress Serra HiramisaCeará, the activities are open to a diverse audience. “There are persons
| Point to Point Point to Point Point to Point Point to Point Point to Point
One of the most active theater groups and traditional of Ceará, Ceará Comedy, also broadens its
range of cultural activities with the Culture Point House of Comedy Cearense.
to participate in the best age drama classes and computer,” he adds.Student in Theater for a year and a half the computer science
student Ronaldo Lopes said she’d always wantedto do theater and dance. “The point has taughtme a lot. The discipline makes me engage withthe culture, have good social life. It is a greatpleasure, here it is (sic).
Ronaldo has been presented in two partsassembled by point - the Opera and The TricksterCapeta Caruaru and prepare to live a number of
soldiers in The Passion of the Christ. “This is very gratifying to me. Itopens the doors. If you can dedicate even grow professionally, “headds.
A good example is the boy Lucas Cavalcante, 11 years. Participant’sPoint of Culture since the beginning of activities, Lucas was nominatedby Sierra Hiroldo to participate in the trial that a boy would choose tolive comedian Renato Aragão Ceará child in special Didi 50, theGlobo network, aired in December 2010. And is not that Lucas gavelife to the then little sad sack!
Ex-student of audiovisual and resident Rodolfo Teófilo, Nito Batessaid: “Point of Culture is an opportunity for those who can not afford topay for a course in the area. “ Want to live where it was discovered theart of filmmaking and currently participates in shows mounted byPoint and as enlightening as an actor in plays staged by ComedyCearense.
>>>>>
By:
Joa
nice
Sam
paio
/ / D
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PHOT
OS
SERVICE: HOUSE OF COMEDY CEARENSEStreet: Major Pedro Sampaio, No. 1190Neighborhood: Rodolfo Teófilo / Fortaleza - Ceará - Brazil
06
www.clubefotoecompanhia.com.brwww.clubefotoecompanhia.com.br
MARACATU is a cultural expression originating in the coronations of Kings of Congo fromAfrica organized by the Brotherhood of Our Lady of the Rosary of Black Men in Portugal, aftera first contact with the image of St. Dominic Church in Lisbon in mid-fifteenth century.
According to historians, “as soon as the king came with his court, went to Mass, which was sung,
with peals of bells and firecrackers ... finished the Mass, the procession went to the real cityoutside the palace until, in passing the rest of the day eating, drinking, dancing, partying in thefew hours of freedom every year granted him the landlords.”
Brought to Brazil with the consent of the Church and of their masters, came to our city Fortaleza
around the twentieth century by Raymond Mouth Open, founder of Maracatu Az Gold and
greatest singer of loa which is no news.
THE PARADETHE PARADETHE PARADETHE PARADETHE PARADE represents a cutof Maracatu. Leading theprocession is the flagshipannouncing her presence.Among the participatingcharacters are the king, thequeen - who is the principal anda reference to N’Bandi Rainha Ginga, Angola’s sovereign - the prince,princess, comes following the bridesmaids, footmen, maids and others.
KING AND QUEEN - MARACATU VOICES OF AFRICA
A reference to black CALUNGA CALUNGA CALUNGA CALUNGA CALUNGA is areligious myth, also called the doll. It iscarried by the black going to the front ofthe black cord. Doll is also a pastgeneration and future seed. At other ti-mes came to be used in the standard mast.
MARCH 25
/ / DAY OF MARACATU
THE FACE PAINTTHE FACE PAINTTHE FACE PAINTTHE FACE PAINTTHE FACE PAINT is the tradition ofCeará. The origin of PernambucoMaracatus did not paint because theywere black.
THE INDIANSTHE INDIANSTHE INDIANSTHE INDIANSTHE INDIANS represent theindigenous people of Brazil,features wear clothes with theirheaddresses and a penalty flag.
THE DAY OF MARACATUTHE DAY OF MARACATUTHE DAY OF MARACATUTHE DAY OF MARACATUTHE DAY OF MARACATU has to becelebrated on March 25, the date of releaseof the captives in the town of Redemption.
BANNER - BANNER - BANNER - BANNER - BANNER - A piece made of satin orvelvet, lace or fringe is at the bottom andbrings painted or embroidered in thecenter. Brand Step and announces thepresence of Maracatu.
SOURCE:SOURCE:SOURCE:SOURCE:SOURCE: Shut Alencar: Origin and Evolution of MaracatuCeara, 2008 | MARACATUS: Voices of Africa and Solar
LANTERNS, LAMPS,LANTERNS, LAMPS,LANTERNS, LAMPS,LANTERNS, LAMPS,LANTERNS, LAMPS, representing the lightand fire in the cortege route. Led by guides toilluminate the path.
FotoclubeFoto&Companhia:
Fco. Elian Duarte | Josy FernandesCecília Montenegro | Élida Pricila Brasil
07
We are just stepsfrom the
unpredictable-able.
The explicitinsistence of graceand cunning violenceseems not to reveal
the real-ness that the
n e w s - s p e c t a c l e -Lariza river policeevery day. They areso alike in all corners
of the world and
invariably the bestminds seem to be
against the content of
their heads-ditório
unthinking that weultimately fail to seethe dangerous side ofpleasure withouta p p o i n t m e n t ,without len ??satin-thing, without Preliminarysubtle intellectual and preambles. We engage in
this kind of fascination with the marginal sidethat opens to all experiences and gets carried away
and takes us by storm in the desires.
The speed with which we feast gives us afalse superiority that engenders emotion withoutreason that the license is certainly not the bestadvice in these moments when the instincts flaunt
their needs. And there we go by attics of the
night to prepare our bed to the sound of cheesyforrós and electronics, to engage in conversations
about unrelated women soccer fags sapatões shots
stabs family feuds fights neighbors ... the staff ofa police program type Route 22, one nine zeroheavy toll among the reflections of light and shadescreen where the dancers show that the song that
people like “is very well endowed with anythingmusical attributes.
THE NIGHT IS YOUNG
Let’s stop doing that lemon lemonade!
By:
Fer
nand
o N
eri |
Com
pose
r
The cigarette smoke
environment that givesthe atmosphere of dryice from the peripheryand the tables crowded
lead us to a mug of thefifth category. Enter the
bathroom is an ex-
perience of resurrectionbased on ammonia
concentration is high.
Mijos The yellow of
the bathroom refers to
the yellow cups withAmerican brewers on
the tables-ja-whiteplastic, measuresentrusted: comes out on
top and low due to the
diuresis catalyzed byethanol increasinglyweighing on the head!
And when everything looks like it will end rightthere, the early hour and pocket almost askingtruce, behold, the ailing libido decides to give theair of grace and drag to any place where anythingis possible. Somewhat more wobbly, escoramo us
in each other and we hugged gaze at the stars that
pass fast by road we have to go through.
And then he later under an almost cloudless
sky and a grass bed on the banks of the urbanstream, emptied the weight of our desires is almostoverflowing. It is as if the world did not exist
around us and indecent assault were the fuckingwing, the son of a bitch!
Everything is so fast and intense and welltanned and end! Take that! Okay? Cool! Thanks!
Bye!
The worlds separate. A night of adventure. Or
happiness. Or misadventure. Only then will know!
Fernando Neri is a poet and composer born in Fortaleza. Poems published in anthologies and texts and newspapers fromFortaleza. Music recorded on disks and CDs as interpreters Pingo Fortaleza, Calé Alencar, Joao Claudio Moreno andMarcus Caffé. Currently the group includes literary and musical poems violated. Fernando Neri / [email protected]
a hasty chronic (sub) urban!
08
By:
Aug
usto
Moi
ta |
Com
pose
r
The tireless cultural activist Parahyba, which currently conducts amagnificent social work with disadvantaged youth, was, in days ofyore in his youth one of the largest beauty-mad that Fortress of OurLady of the Assumption ever owned. And one of the hallmarks of beingstoned was the total lack of responsibility with whatever it was. Confun-díamos once irresponsibility with freedom.
Morava our winning music festival in the bucolic neighborhood ofthe lighthouse, which today, biased, is called Serviluz. He was adorableas neighbors, as well as cabaret Bia, the most unforgettable BohemianClaudio Pereira, Pereirão. Also, wall and half, it skirted the northeasternculture researcher Jose Romulo.
Unfortunately it was not only good neighbors and nocturnal visitorsto the area that exists there that the neighborhood was visited. Due tothe proximity to the pier, there was an unbearable plague of rats, whichled our poet, following the advice of a friend with a passion for pussies,to adopt a kitten playful and very smart. As the little boy used to playgrabbing paper balls in the air - and being the World Cup season, andthe Brazil goalkeeper Taffarel call themselves - was found fit to give youthe name of the archer above.
Taffarel has grown to be relatively got the job done, was elevated toa position of prominence within the home. This fact led our disgracedson of the hinterlands of Inhamuns feel often relegated to the backgroundby his heroic consort. Felt between jealous and envious, that his bosswas more concerned with the health of that sleeper than his. Early onemorning, he was unconscious due to a Homeric drunk rum and guitar,his devoted Beth revived by telling you scared Taffarel was dying.
- It’s time to die? This guy serves not to die. I give him a milk anddawn when we take to the vet.
THE UNGRATEFUL CAT TAFFAREL
- But can not the cat will die and blah blah blah ...
Noting that the hangover “Para” was adamant about the urgencyto rescue, D. Beth leaves to try the process of conviction and begins touse the dreaded method of nuisance, unfailing in her husbandcompletely intoxicated by alcohol.
- He will die. The blame will be yours. You will lead the rest of mylife back this murder. Its inhumane. Terminator. This crime is worsethan squander the public patrimony. And so on.
The hero rises from the bed, no longer endure the endless torture,thinking of how to resolve that delicate issue. At that time, dear readers,our mavioso singer, now transformed into a cat rescuer poisoned,undergoing a situation economically a little uncomfortable (but nothingso serious that a good two weeks of hospitalization in the vault of thecentral bank would not resolve) and I knew that the contract wouldrequire some financial cost. How do if he had in his pocket a total lackof cash?
- Okay, I will. But you can help me to pay.
Took the car and went looking for a veterinary clinic that meets 24hours. However, the Praia do Futuro go there and just have the seahere, only suburbs. And you know, everything is noble noble quarter,up prices.
One thinks. Very beautiful, well decorated, a neon blinkingemergency rooms day and night. Granfino thing. Rings the doorbell,wait a while and meets a beautiful young woman. She asks for amoment and turn all attired in veterinary medicine. Our savior isunfortunate cold just thinking about how much it would cost all thatpromptness of care.
The doctor takes Taffarel gently with gloved hands as well andcomfortably immobilized in a stretcher suitable for convalescing cats.With the stethoscope around her neck, a symbol of the newly trainedphysicians, is proud to hear the patient.
It was revolting to see that guy saved from begging and be adoptedas a child now a staunch ally of the person you would suck the lastmeager exchanged. And that look of disdain for their owners and forcollusion with the doctor?
- What food does he eat?- How so? Responds by asking the neophyte nutritionist.- Yes, it is a. .., and went on to quote the doctor a lot of diets that
ended with the naming gold, plus, light, fish, imported only expensivething.
- No, doctor, even normal food he eats.- But at least you boil the meat before you give him?
Parahyba seeing what was turning into a situation that wouldleave you in trouble and, in an attempt to show that costly doctor thathe was not part of the nobility of the neighborhood, was emphatic:
- Doctor, I’ll be frank with you. This cat went home to hunt downthe rats. Now, if I catch mice one by one, cook and give him, he loses hisjob. So you better stay the way it is.
Things you Tale...
09
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MOVIES WITH IDEOLOGY
The political cinema Costa-GravasCosta-GravasCosta-GravasCosta-GravasCosta-Gravas
Bay: Robério Araújo | [email protected]
With the proximity of another holiday, manyisolate themselves in beach homes, ranch,mountain, and this is a special time to reflect andreturn to the past very close and pearl diving into a controversial andimportant film maker. Prepare popcorn and soak in the universe andreal hard to master.
The French nationalized Kostantinos Greek filmmaker Costa-Gavrasmade masterpieces, which today are a little neglected by the public.But even in a year without elections, it’s always good to see classicssuch as Z, State of Siege and Missing. Clearly movies left. These threeportray a time not so far away, where dictatorships prevailed withoutmercy, especially in Latin America.
Let us start with Z, based on the novel by NikosKazantzakis, the same author of Zorba the Greek,Italian and played by Yves Montand, but many peoplefind to be French - after all, he became a symbol offrancophone still small after moving to France. Z-Gavras portrays the cruel Greek dictatorship in the1960s (when reading today about the Hellenistic
beautiful country, one is hard to believe that the Greeks have gonethrough a dictatorship) and the struggle for a liberal group to find outwho killed a Mr (Montand) opposition.
Already Disappeared, is closer to the Brazilians. 1982, shows afather, Jack Lemmon, trying to find her son, arrested days afterPinochet’s coup, which overthrew the socialist government of Salva-dor Allende in Chile. Not even the U.S. citizenship of “disappeared”,John Shea, saves him from death in the National Stadium of Santi-ago, on the edge of the Andes. And worse, the discovery that the U.S.government - read CIA - supported the coup. If you watch Zuzu Angel,you will see many similarities in both films. With masterfulperformances from Sissy Spacek and Jack Lemmon, Missing is anotherfilm depicting the military years in this beautiful South Americancountry (about the Pinochet dictatorship still recommend, and RainOver Santiago Machuca).
Finally, I stopped to talk about the siege. Little known today, thefilm shows the worst moments of the dictatorship in Uruguay, asviolent as ours, and organized by the U.S. in the 1970s. Speak of theguerrilla Tupamaros and as military crackdown. Very similar to whathappened in Brazil.
10
ROCK AND ROLL AND CULTURAL DEVELOPMENT IN FORTALEZA! HAVE INTEREST IN OUR ACTIVITIES? ACCESS:
www.paneladiscos.com
/ / D
ISCLO
SED
The SAME OLD SHIT SAME OLD SHIT SAME OLD SHIT SAME OLD SHIT SAME OLD SHIT cearense a band of punk rock bubblegumborn in February 2010 from a conversation between friends about thenostalgia of the times we play Rock n ‘Roll was really just having fun.Without any pretension increased, the band was starting a very intenseprocess of composition, which had already experienced musicians from therock scene of Fortaleza, and when least expected were already rehearsingtheir copyright music that portray all that spirit of teenage rebellion socommon during the 60 and 70 years.
Songs that talk about being yourself, do what you like about thatspecial girl or just about rock and roll, entertainment and cold beer. It wasin this spirit that the band recorded their first EP titled “Bad Intentions”,which depicts this whole bubblegum songs like “Saturday Night”, “AJeans Ripped and an All Star, “ “Lisa” and bad intentions! !
Now the band released two singles, recorded at Studio Pan Records,they are: “Memento alcohol “and “Joey. “ Check out the new work guys, aswell as exclusive interview and four songs recorded live to our PODCASTPAN WASHERS on our site: paneladiscos.com
SAME OLD SHITSAME OLD SHITSAME OLD SHITSAME OLD SHITSAME OLD SHIT
RELEASES PANELA DISCOS!The punk band is the SAME OLD SHIT
band of the montc of April Seal PANELA DISCOS!
DIRECT CONTACT WITH THE BAND:
BOMJA FESTIVAL ROCKS!16 bands, different cities, the same passion!
Programming at the Cultural Center Bom Jardimpartnership with the seal of this institution PANELA DISCOS!
Day 02
16h: ZENOIS - http://www.myspace.com/zenois17h: AGONY - www.myspace.com/agonythrashmetal18h: ESTADO ANESTESIA - www.myspace.com/estadoanestesia19h: ANONIMATO (PB) - http://www.myspace.com/bandanonimato
Day 09
16h: SO SO - www.myspace.com/xdsoso17h: OS MALDITOS ROCK BAND - http://palcomp3.com/osmalditos18h: SÍNTESE - http://www.oinovosom.com.br/sintese19h: INFLAME - www.myspace.com/inflamebr
Day 16
16h- ATIKA - http://palcomp3.com/atika8917h: BABY LIZZ - http://www.myspace.com/babylizz
18h: INSIDE (PI) - http://www.bandainside.com19h: EUTANÁZIA (TAUÁ) - www.myspace.com/eutanaziataua
Day 30
16h: RAFAEL VASCONCELOS - www.paneladiscos.com17h: O GARFO - http://www.myspace.com/ogarfo
18h: FELIPE CAZAUX - http://www.felipecazaux.com/19h: REJECTS (RN) - http://www.myspace.com/rejectsrock
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The project BOMJA ROCKS,BOMJA ROCKS,BOMJA ROCKS,BOMJA ROCKS,BOMJA ROCKS, partnership of producer and recordlabel with the PAN WASHERS Bom Jardim Cultural Center was bornfrom the need of the growing number of music lovers independentwithin the Greater Good Garden. Demand to have a program gearedexclusively to rock music and its variations.
The partnership is the fruit of the union’s largest music labelCeará, whose ownership is in wide production of shows and bands,the latter coming in their entirety in the outskirts of Fortaleza (as wellas neighboring counties) and the credibility of the already acclaimedCCBJ Within his musical project SOUNDS AND TONES.
APRI
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11
By:
Nilz
e Co
sta
e Si
lva
- Writ
er.
// PHOTO BY SALVINO LOBO
I assure you, the beloved city, the Metal Bridge
is not going anywhere. It does not cross rivers,
not turn anything to anything. Or turn. It is a
path that stretches into the middle of the sea andallowed to stay until the going down of the sun.
The Metal Bridge is an unfinished poem, fullof vices and easy rhymes of language,indecipherable in-between. One day they thoughtshe would fall and repaired its tentacles, it allbeautified with earrings and ornaments, feathers
and sequins. Who invented that crazy bridge! Theygave him glare for the tourist to see what I could
not see. Killed on the bridge that sweetvoluptuousness of the evenings, the sweet
sensations of looks, caresses almost invisible.
I cling to the simple picture of the old bridgebecause, like her, I refuse to die completely andwill never give up the temptation to resist collapse.The bridge is my link with the past. She tells methat the sun still sets and old sea continues to lick
the voracious passion with eternal stringers.
There was once a source there, underground,surreptitious. It was a hidden source and the onlybright spot of the sea. But that was a long time, Ihave not even had me by people. Port of Fortale-
za who was born on December 18, 1902 to serve
as a bridge landing. Later became the EnglishBridge, its construction started in 1920, theGovernment of President Pessoa. Its structure was
designed by company engineers Nastor Griffts
English, who had business interests in Ceará,whence came its name from the English Bridge.
It was there that pick up passengers and cargo.
With the construction of Port Mucuripe, thebridge has been disabled. The collector NirezCeara, in his book “Fortress of Yesterday andToday” says that its entire structure is metallic,hence the name by which it became known today.
It is not true that the Metal Bridge was
abandoned even before the reform. The Fortale-
za, desamedrontados by nature, never ceased toreturn there for a chat and a post-sunset differentevery day. They brought their guitars, girlfriends,suspicious cases, their spoken and sung poetry.
Everyone knew this indisputable fact: the rustedgirders, but of course they would not fall. Onlythose who would not believe a silly dream that.
Imagine how the tentacles of the Metal Bridge
would not resist rolling of the sea? And all those
people, mixing Fortaleza and tourists were goingto collapse along with the bridge? Only thosewho do not know the people here would think
such a thing.
Not for nothing did the great poet and singer
Ceara, Ednardo, poet: One by one, things gomissing / one by one, if desmilinguindo / Just
me and the Old Bridge stubbornly resisting.
Metal BridgeMetal Bridge
12
By:
Cal
é Al
enca
r - S
inge
r and
Com
pose
r
// PH
OTOS
BY C
ALÉ A
LENC
AR
FULÔOFOFOFOFOFLÁZIOLÁZIOLÁZIOLÁZIOLÁZIO>
The Indian boy lollipop salesman was not there to ask “hey giveme a nickel plate.”
All I knew was selling lollipop and I bought three for a real, and Iwas like to come over. More so when I heed the place where I found theboy and his board of lollipops and he has to sweat on the sign in themiddle of the hot sun.
Once in the neighborhood of my dear friend white owl AnthonyJoseph, I mean, this time wandering the streets of the Garden of Olives,corner better known in India by jaunty name of Oliva’s Garden, fromthere the conductor does not come out or the stick Juvenal and is therethat inspiration comes to him play piano and enchants and enthrallsEgberto Gismonti and the beings of good heart of the earth.
”Mom Dad I cry I cry give me a penny to buy me a lollipop.Lollipop wrapped in paper and stuck on a stick. “ The voice of LuizGonzaga coming in the paths of memory bringing back memories ofpaths, the wooden benches in the train towards the Fortress and thedirection of Juazeiro do Norte, the land of Padim Ciço by my grandmotherwho wore a black dress every single day 20 .
The crazy train that left Pernambuco is making Vuco-Vuco untilCeará. Alencar was so with my band, the calendar marking the 1940’s.Children in the middle of the night and at night the eyes of Oz out bythe flames. A fire to scare the jaguar and the boys amazed, astonishedmen, women amazed; belongings in the backs of donkeys and theymade arranchados gypsies in the woods and the fire to scare off anounce.
The boy was not there to ask “hey give me a real plate, a trocadim.Planted there that boy who wanted me remembering Francisco JoséLuiz Gonzaga and Alencar up and down the top of Araripe to live livesof Ceara in Juazeiro and when he reached Dona Munda was thedearest market do so much to eat and distribute a plate of food to thehungry.
The violin of the Blind Oliveira played a lot thank for food andcoffee, water and bread offered by Raimunda Benevides de Alencar,Queen of Gameleira dearest and always kissed by the wind Cantarino.The lollipop boy was not there to ask “hey give me a plate to helpinterar lunch.”
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(BANNED CAR STEREO...AVOID BOREDOM)13
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FRAGMENTS
FRAGMENTS
FRAGMENTS
FRAGMENTS
FRAGMENTS
MADEart
CARLINHOS PERDIGÃO
/ / D
ISCLO
SED
Day 13.4, at 12h,CCBNB in PoemarioMusical show, whichbrings together thepoems in the bookthat became lyrics.22/04, 19h, at Cul-tura. All events arefree.
RELEASES
musician, composer and writer
What is expected of a musician? A show
that a bid disk or DVD. Here, the musician,
teacher and writer Carlinhos Perdigãorecorded his literary work that also permeates
his music, the book Fragments.
Released in February this year, in theauditorium of the Cultural Center of the
Sea Art and Culture, the publication bringstogether thirty unpublished poems, withtopics involving social issues and love, a
mixture between the “poetic I”of the author
and the world experienced. There are alsotwo literary essays - a relational perspective
on dealing between the book and the movie
Vidas Secas, respectively Graciliano Ramos
and Nelson Pereira dos Santos, and anotheron the novel The Posthumous Memoirs of
Brás Cubas, Machado de Assis. Amongother texts, there is also a popular sciencearticle that discusses issues related to reading- the subject of continuing interest of theauthor. The whole book is permeated by
images that refer to music, with illustrations
by the artist Renata Netherlands. The
foreword is written by the poet fromPernambuco, Ceara, Carlos Dantas.
According to Perdigao, Fragments has ahistorical character, as it combines textsproduced for more than 30 years and isbeing published at a time of personal andprofessional maturation, resulting from hisdiverse experiences in different fields ofculture in Ceará.
FRAGMENTSFRAGMENTSFRAGMENTSFRAGMENTSFRAGMENTS
MEETINGMEETINGMEETINGMEETINGMEETING
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