Upload
jercin
View
991
Download
12
Embed Size (px)
DESCRIPTION
This months highlights include: The Hitchcock 9, Films that Could've, Would've, Should've won the Oscar, Tribute to Fred Keleman, Wacky Film Club, All Is Lost, Saving Mr. Banks, Blue Is the Warmest Color, Generation War, and much more...
Citation preview
Hitchcock's Silent Classics with Musical Accompaniment
.jer cin@jer cin February
—
—
—
—
Tenement Songs
The February program
Sat., February 1, 2014, 11:00 a.m.
IN THE BACKYARD OF HESTER STREET
Songs of Jewish Immigration and Early American Klezmer Music
Lecture by: Prof. Eliyahu Schleifer
Screening of: Hester Street by Joan Micklin Silver (USA 1975)With: Steven Keats, Carol Kane
Concert performed by:Eliyahu Schleifer baritoneMikhal Shiff-Matter mezzo-sopranoAya Schleifer pianoKlezmer band: Gilad Harel clarinet, Ilya Magalnik, accordion
On the program:The concert will present Jewish Tenement Songs of the Lower East Side. For the first time, an authentic performance of the Klezmer Music in the United States during the great immigration period.
Sat., February 15, 2014, 11:00 a.m.
JOSEPH HAYDN
A MAN’S LIFE AS A REFLECTION OF HIS TIME
Lecture by: Dr. Ron Regev
Screening of: In Search of Haydn by Phil Grabsky (UK 2012)
Concert performed by:Eyal Kless violinAvigail Arad celloRon Regev piano
On the program:Haydn — Piano sonata in C minor, Piano sonata in E minor, Piano variations in F minor, Trio in G major (“Gypsy Trio”) for piano, violin and cello
Jerusalem Municipality The Israel Film CouncilThe Jerusalem Foundation Ministry of CultureThe Van Leer Group FoundationOstrovsky Family Fund
מדברים קולנוע
www.jer cin.org.il
פעלטון לילדים שאוהבים סרטים
חדש בסינמטק! פעלטון לגיל הרך בליווי
הקרנת סרטים ברצף
כל שבת בין השעות 14:00-10:00
"להציל נסיכה" האביר הנועז וטוב הלב ראסטי יוצא למסע
לטיהור שמו וכיבוש לב אהובתו. לפני הסרט - שיחה מרתקת על נסיכות
ואבירים עם שר היער, ניר וילד. (מומלץ לגילאי 5 ומעלה)
שבת, 08.02, 11:00, סינמטק 3 בתלת מימד
"ללכת בין דינוזאורים" מסע המופלא של שורד קטן ואמיץ אל עולם הדינוזאורים - בתלת מימד. לפני
הסרט - סדנה על דינוזאורים עם הזואולוג אודי שני (כולל הדגמות של בעלי חיים).
(מומלץ לגילאי 5 ומעלה)
שבת, 01.02, 11:15, סינמטק 3
בסוף כל סרט הפתעה לילדים!
פברואר לילדים בסינמטק:
הצטרפו למסע בעולם המופלא!
"ניקוס השקנאי" סרט נוגע ללב על ידידות מרגשת
בין נער ושקנאי. (מומלץ לגילאי 9 ומעלה)
שבת, 08.02, 11:00, סינמטק 2
הסינמטק קופות / 02.5654356 נוספים: ופרטים כרטיסים רכישת
| The Jerusalem Cinematheque / www.jer-cin.org.il
"אליסה בארץ הפלאות" מועדון הסרט הטוב לכל המשפחה עם
אלון גור אריה / מפגש מס' 3 - עולם הדמיון בקולנוע
הסיפורים האמיתיים מאחורי סרטי הפנטזיה הגדולים - "פיטר פן", "הקוסם
מארץ עוץ" ו"עליסה בארץ הפלאות". כיצד נולדו המצאות כמו מטוסים וטלפונים בדמיונם הפרוע של סופרים וקוסמים
ועובדו לקולנוע. לסיום יוקרן הסרט "עליסה בארץ הפלאות" (לואיס קרול).
(מומלץ לגילאי 5 ומעלה)
שבת, 15.02, 11:15, סינמטק 3
"אי.טי - חבר מכוכב אחר" איחוד משעשע עם החייזר האהוב
ביותר בתולדות הקולנוע. לפני הסרט- דינוזאורים, פיטר פן וארכיאולוג שעשוי
ללא חת נפגשים סדנת "הקסם של שפילברג" עם חוקר הקולנוע עידו לויט.
(מומלץ לגילאי 9 ומעלה)
שבת, 22.02, 11:00, סינמטק 3
"קיקוריקי" עולמם המושלם של חברי קיקוריקי נסדק
כשהם מגלים את הטלוויזיה וחושבים שמה שהם צופים בו - זוהי המציאות!
(מומלץ לגילאי 5 ומעלה)
שבת, 22.02, 11:00, סינמטק 1
ע בו
של
כם
יול
כש
ודח
הל
כע
בוש
ל כ
ם יו
ל
Omar (Palestine 2013) Dir.: Hany Abu-Asaad | W.: Adam Bakri, Samer Bisharat, Leem Lubani | Love and war are not taken for granted in Palestine.
Omar climbs over the Separation Wall and dodges bullets for
Nadia’s love. When an Israeli soldier is killed in a deadly act of
resistance, he becomes entangled in a cat-and-mouse game.
Omar’s painful choices about life, love, and masculinity will
leave him as torn as the Palestinian landscape. (96 min., Arab.
& Heb., Heb. subt.)
Sweets (Israel 2013)Dir.: Joseph Pitchhadze | W.: Makram Khouri, Ruth Hailovsky, Menashe Noy, Shmuel Vilozny, Moni Moshonov | Salah, an
Israeli-Arab entrepreneur, hopes to sweeten the lives of the
children in the Arab sector by opening a new chain of candy
stores. Klausner, head of an Israeli corporation controlling the
Israeli candy market, sees this new initiative as a real threat,
not only in a business sense but also culturally and politically.
Under the guise of a Business struggle the story reveals moral
dilemmas and cultural differences. (132 min., Heb., Arab., Eng.,
Russ. & Ger., Eng. subt.)
Ticket price to remain the same when film isscreened in Cinematheque Halls 1, 2 & 4.
Tickets: 38 NIS, Members: 31 NIS
8www.jer-cin.org.il
עבו
שכל
ם כל יו
ש חוד
הכל
ע בו
שכל
ם כל יו
Like Father, Like Son (Japan 2013) Dir.: Hirokazu Koreeda | W.: Masaharu Fukuyama, Machiko Ono | Ryota is an ambitious architect living with his wife
and young son in a gorgeous apartment overlooking Tokyo.
An unexpected phone call from the hospital changes this
idyllic existence. Six years earlier, their son was swapped with
another baby. Meeting his biological child will show Ryota
the true meaning of fatherhood. “Hirokazu has crafted a warm
and lovely film that suggests the easiest thing about raising
a child is embracing how complicated it can be” (The Playlist).
(122 min., Jap., Heb. & Eng. subt.)
Tickets: 38 NIS, Members: 31 NIS
Ticket price to remain the same when film isscreened in Cinematheque Halls 1, 2 & 4.
9 www.jer-cin.org.il
ע בו
של
כם
יול
כש
ודח
הל
כע
בוש
ל כ
ם יו
ל
Tickets: 38 NIS, Members: 31 NIS
Ticket price to remain the same when film isscreened in Cinematheque Halls 1, 2 & 4.
Miele (Italy/France 2013) Dir.: Valeria Golino | W.: Jasmine Trinca, Carlo Cecchi, Libero De Rienzo | No one knows that Irene, a regular young woman,
works for a euthanasia organization. With a sense of purpose,
she helps grant people their dying wish. Her life changes
when she develops a relationship with a healthy man that
comes to the clinic for their special treatment. Stunning
cinematography, meticulous cinematic style, and fantastic
performances create this precise drama. (95 min., It., Eng. &
Heb. subt.)
10www.jer-cin.org.il
עבו
שכל
ם כל יו
ש חוד
הכל
ע בו
שכל
ם כל יו Ticket price to remain the same when film is
screened in Cinematheque Halls 1, 2 & 4.
Generation War (Unsere Mütter, unsere Väter) (Germany 2013) Dir.: Philipp Kadelbach | W.: Volker Bruch, Tom Scilling, Katharina Schuttler, Miriam Stein | Berlin, 1941. They were
five friends that made a promise to meet after the war
ended. Brothers Wilhem and Friedhelm (soldiers ordered to
the Eastern front), Charlotte (a nurse sent to the frontline),
Greta (dreaming of becoming a star), and her boyfriend Victor
(a Jew trying to survive). They all have ideals, dreams, loves.
They all believed they would be back in time to welcome the
New Year. None of them could have ever imagined that this
war would change the face of history and their lives forever.
Generation War, the controversial series that has caused an
uproar throughout Europe. (Ger., Heb. & Eng. subt.)
The series will be shown in two parts: Part 1, 132 min., Part
2, 148 min.
Free entry for Members of the preview screening on 5.2
Tickets:
* Special discounted price for the entire series (Parts 1 & 2): 64
NIS / Members: 34 NIS
Individual ticket price: 38 NIS / Members: 19 NIS
* Parts 1 & 2 may be viewed on different dates.
11 www.jer-cin.org.il
Present Continuous (Israel 2012)Dir: Aner Preminger | W.: Kais Nashif, Hilla Vidor, Lucy Aharish, Moris Cohen | During the 2000 Palestinian uprising, Ruti locks her house
to the outside. Her family wakes up to a claustrophobic prison for an
intimate and difficult weekend. (100 min., Heb., Heb. subt.)
Farewell Herr Schwarz (Israel/Germany 2013) Dir.: Yael Reuveny | Michla and Feiv’ke Schwarz, sister and brother,
could have re-met in Lodz in 1945. But they didn’t. They are only
the beginning. Farewell Herr Schwarz constructs and de-constructs
a family myth and suggests a new explanation to our unexplained
urge to hang onto stories. (96 min., Heb., Ger. & Eng., Heb. & Eng.
subt.)
Screenings times
Wed.
Sat.
Sat.
Sat.
Screenings times
Sat.
Mon.
Sat.
Thur.
12www.jer-cin.org.il
In Envelopes (Israel 2013)Dir: Shelly Kling | An intimate inside look into the process of creating
the dance and musical performance Envelopes by chorographer
Keren Levi. Besides Levi, the main characters in the film are her
sister Reut, a dancer and sociology student, British musician and ex-
boyfriend Tom Parkinson and his twin brother Alex, a musician and
a camera man. The film explores the relationship between art and
life, and themes such as home, family and identity. (50 min., Heb. &
Eng., Heb. subt.)
Footsteps in Jerusalem: A Tribute to David Perlov (Israel 2013) Creator and Curator: Renen Schorr | Dir.: David Perlov, Dan Geva, David Ofek, Nadav Lapid, Benjamin Freidenberg, Moran Ifergan, Yarden Karmin, Amichai Chasson and Elad Schwartz, Boaz Frankel and Yair Agmon, Nayef Hammoud and Yotam Kislev | A homage to
director David Perlov and his landmark In Jerusalem, in which top
graduates and students of the Sam Spiegel Film & Television School,
Jerusalem created short films inspired by Perlov and his film. (87 min.)
Screenings times
Wed.
Sat.
Wed.
Screenings times
Sat.
Tue.
Sat.
13 www.jer-cin.org.il
Not Your Life (Israel 2013)Dir: Tal Shefi | Can we invent our own reality? Is there a place for
a tribe of people who are not defined by nationality, race and
economic status? What are the consequences of our life choices
and how do they affect our relationship with our children? (67 min.,
Heb. & Eng., Heb. subt.)
Screenings times
Sat.
Mon.
Sat.
Fri.
Screenings times
Tue.
Sat.
Tue.
14www.jer-cin.org.il
Paradise: Love (Austria/Germany/France 2012)Dir.: Ulrich Seidl | W.: Margarete Tiesel, Peter Kazungu | Teresa is what
is known as a “Sugar Mama”, European middle-aged women who
seek out African boys selling love for money. She goes from one
Beach Boy to the next, never finding the paradise she is pursuing.
On the beaches of Kenya love is only a business. (120 min., Ger., Eng.
& Swahili, Eng. & Heb. subt.)
הסרטים מתורגמים לשבע שפות: עברית, אנגלית, צרפתית, רוסית, גרמנית, ספרדית וערבית
טרילוגיה הכוללת שלושה סרטים
המכה ה–81 / פני המרד / הים האחרוןהטרילוגיה הופקה על ידי "סרטי תעודה", הקשורה בבית לוחמי הגטאות למורשת השואה והמרד, בין השנים 1985-1972 ונערכה מחדש בשנים האחרונות על ידי הארכיון הישראלי לסרטים, סינמטק ירושלים. הסרטים מלווים בעדויות האנשים, בני הזמן ההוא,
מבין הנרדפים והנרצחים ומבין רודפיהם והורגיהם, להבדיל, פוגשות בתמונות שחור-לבן אמיתיות ובפרקי זמר ומנגינות השייכים לעידן ההוא וכל זאת ללא קריינות ופרשנות - כך נוצרת העלילה העושה את הצופה לשותף פעיל המפענח את פשר ההתרחשות.
לרכישה בקופות הסינמטק ובטלפון: www.jer-cin.org.il / 02-5654356
למכירה בקופות סינמטק ירושלים במחיר השקה מיוחד בימי הפסטיבל לקולנוע יהודי 2013 - 149 ₪ (במקום 189 ₪)
סינמטק ירושלים ובית לוחמי הגטאות גאים להציג
הטרילוגיה התיעודית - היסטורית
FRED KELEMEN RETROSPECTIVE
The Retrospective is organized with the help of Goethe Institute Tel Aviv
JOSEF PICHHADZE RETROSPECTIVE
Bésame Mucho
Fallen
16www.jer-cin.org.il
THE HITCHCOCK 9
February-March 2014In 2012 the British Film Institute undertook its largest restoration
project to bring nine of Alfred Hitchcock’s silent films back to
life. Made between 1925 and 1929, they are among the greatest
achievements in British silent film from one of the world’s great
directors. I am delighted that a partnership between the British Film
Institute and the British Council has meant that the Hitchcock 9 have
been seen in countries such as Brazil, South Africa and now Israel.
We have invited seven of this country's finest musicians to perform
new and existing works at Hitchcock 9 screenings in Haifa, Jerusalem
and Tel Aviv. Alongside these previously unseen works we will be
screening a number of Hitchcock masterpieces such as The 39
Steps and Psycho at the Cinematheques over the next few months.
I want to thank our Cinematheque partners in this project and hope
you enjoy the films.
Alan Gemmell
Director, British Council Israel
About The Hitchcock 9While Hitchcock is one of the most famous film directors of all
time, his first 10 films—nine of which survive—are little known
compared to his later work. Made from 1925 to 1929, Hitchcock’s
extant silents are among the greatest achievements of early British
cinema, containing the motifs and obsessions we’ve come to
recognise as ‘Hitchcockian’, though most of the nine have been
little-seen here, if at all.
The nine new BFI restorations include the director’s very first film,
The Pleasure Garden, and such rarities as Downhill, Easy Virtue,
Champagne, and The Farmer’s Wife. The familiar Hitchcock style
begins to emerge strongly in at least four of the films: Blackmail,
The Ring, The Manxman, and The Lodger, which the director himself
dubbed “the first true Hitchcock picture” (it also features his first
cameo appearance). One early Hitchcock, The Mountain Eagle, is lost.
The restoration of the ‘Hitchcock 9’ is the largest restoration
project ever undertaken by the BFI, which holds some of the most
important and earliest surviving copies of the silent Hitchcocks; the
restorations also include materials sourced from other international
archives. The restorations have made the films crisper and fresher
than ever and uncover new layers of meaning, encouraging a
deeper appreciation of the precocious genius at work.
Easy Virtue
Live musical accompaniment by Karni Postel and Tom Darom
The Pleasure Garden
Live musical accompaniment by DJ Ofer Tal (Schoolmaster)
The Farmer s Wife
Live music accompaniment by saxophonist Abate Brihun and pianist Omri Mor
17 www.jer-cin.org.il
Jerusalem Cinematheque | 11 Hebron Rd.
| |
—
Jerusalem Cinematheque Israel Film Archive
Czech Center Tel Aviv, Embassy of the Czech Republic in Israel
Cordially invites you to the opening of
CZECH FATEFUL DATES Exhibition and Gallery Talk with Eliyahu Rips and historian Adam Hradílekin honor of Jan Palach's anniversary.
Friday | January 24th, 2014 | at 12:00
Eliyahu Rips, also Ilya Rips is a Latvian-born Israeli
mathematician known for his research in geometric group
theory. He became known to the general public following
his co-authoring a paper on what is popularly known as
Bible code, the supposed coded messaging in the Hebrew
text of the Torah. Rips grew up in Latvia (then part of Soviet Union). He was the first high school student from Latvia to participate in the International Mathematical Olympiad. On 9 April 1969, Rips, then a graduate student at the University of Latvia, attempted self-immolation in a protest against the Soviet invasion of Czechoslovakia. After that, he was incarcerated by the Soviet government for two years, but under pressure from Western mathematicians, was allowed to emigrate to Israel in 1972.
Adam Hradílek
Czech historian, Institute for the Study of Totalitarian Regimes
The discussion will be accompanied by video segments
| |
HBO
Additional events in honor of Jan Palach´s anniversary
Saturday | February 1st, 2014 | at 19:30
Screening of
BURNING BUSHCzech Republic, 2013(240 minutes, Czech, English & Hebrew subtitles)
Director: Agnieszka Holland
Burning Bush is a three-part mini-series created for HBO
by world-renowned Polish director Agnieszka Holland.
Based on real characters and events, this haunting drama
focuses on the personal sacrifice of a Prague history
student, Jan Palach, who set himself on fire in protest
against the Soviet occupation of Czechoslovakia in 1969.
Box office: 02-5654330
Cinematheque members: free admission
Exhibition duration: 20.1.14-27.2.14 Free Entrance
הסינמטק קופות / 02.5654356 נוספים: ופרטים כרטיסים רכישת
| The Jerusalem Cinematheque / www.jer-cin.org.il
מר פיבודי ושרמןבאווירת "ונהפוך הוא": מי קבע שאדם
יכול לאמץ גור כלבים, אבל כלב אינו יכול לאמץ ילד? "דרימוורקס" מביאה למסך
הגדול ובתלת מימד את הסרט "מר פיבודי ושרמן", מסע במכונת הזמן של כלב וילדו
אל ההיסטוריה.(מומלץ לגילאי +5)
סינמטק 3 / 11:00
עמי‘לה, סטנד אפ לילדיםסטנדאפיסט הילדים הראשון יוצא מהמסך הקטן, ”עמי‘לה“
הופעת סטנד אפ לילדים של כוכב הסדרה ’עמי‘לה‘ .ZOOM המשודרת בערוץ
(מומלץ לגילאי 6-12)
סינמטק 1 / 11:15
בגדי המלך החדשיםעומר המספר בהצגה ”בגדי המלך
החדשים“ לפעוטות. סיפור לפורים על מלך שאהב רק להתלבש, מהו סופו של
אותו ראוותן? זאת יגלה לנו ילד קטן.(מומלץ לגילאי 3-5)
פעלטון / 11:00
יום ראשון, 16.03.14
קרנבל של הפתעות לכל המשפחה בסינמטק ירושלים
20
Saturday
01/02
Like Father Like SonSee page
Like Father Like SonSee page
Like Father Like SonSee page
OmarSee page
SweetsSee page
Tenement Songs
Cinematic Variations on Live Classical Music
In the Backyard of Hester StreetSongs of Jewish Immigration and Early
American Klezmer Music
Lecture (in Heb.) by: Prof. Eliyahu Schleifer
Concert performed by:
Eliyahu Schleifer baritone, Mikhal Shiff-
Matter mezzo-soprano
Aya Schleifer piano
Klezmer band: Gilad Harel clarinet, Ilya
Magalnik accordion
On the program:
The concert will present Jewish Tenement
Songs of the Lower East Side from the
collections of Mark Slobin and others.
For the first time in this concert series, we
present an authentic performance of the
Klezmer music in the United States during
the great immigration period.
Hester Street (USA 1975) Dir.: Joan Micklin Silver | W.: Steven Keats,
Carol Kane | Hester Street is named after
one of the main streets of the Lower East
Side of Manhattan, the biggest Jewish
ghetto in the world at the turn of the
20th century. Gitl, a Jewish immigrant
just arrived from Russia, joins her
husband Yankel in the Land of Endless
Opportunities, only to discover a different
person. Yankel, who now goes as “Jake,”
dreams of becoming a full-fledged
American and ridding himself of the old-
world mentality. He is ashamed of Gitl’s
old-world ways. Gitl, for her part, feels
hurt and betrayed, but most of all she
misses her beloved of yore. The debut film
by director Joan Micklin Silver (Crossing
Delancey) is a kind of souvenir album
from the New York Jewish-immigrant
experience of the beginning of the 20th
century. (92 min., Eng. & Yidd., Heb. & Fr.
subt.)
BBC
Walking with Dinosaurs
21
Children’s Cinema ClubBefore the screening, a dinosaur
workshop (30 min.)
Walking with Dinosaurs (USA/UK 2013) Dir.: Barry Cook, Neil Nightingale | Join
Patchi, a young dinosaur, as he journeys
from childhood to adulthood, trying to
avoid hungry dinosaurs, and find food and
companionship. Walking with Dinosaurs is
a compelling and illuminating adventure.
(87 min., Heb. dub.) For ages 5+
New Films
Enough Said (USA 2013) Dir.: Nicole Holofcener | W.: Julia Lewis-Dreyfus,
James Gandolfini | Eva and Albert. They
meet at a party, and romance blooms. They
have been fine with their independence,
their freedom, but the heart wants what
the heart wants. Just as they start to believe
that they have finally, mid-life, found their
better half, the problems begin. (93 min.,
Eng., Heb. subt.)
New Films
Bethlehem (Israel 2013) Dir.: Yuval Adler | W.: Tsahi Halevi, Shadi Mar’i,
Hitham Omari | In this unparalleled glimpse
into the dark and fascinating world of
human intelligence, Bethlehem depicts the
complex relationship between an Israeli
Secret Service officer and his teenage
Palestinian informant. A fantastic thriller
that successfully translates a personal
and political complexity into an effective
cinematic drama. (99 min., Heb. & Arab.,
Heb. subt.)
HBO
Burning Bush (Czech Republic 2013) Dir.: Agnieszka Holland | W.: Tatiana
Pauhofova, Jaroslava Pokorna, Petr Stach | A
three-part mini-series created for HBO by
world-renowned Polish director Agnieszka
Holland. Based on real characters and
events, this haunting drama focuses on
the personal sacrifice of a Prague history
student, Jan Palach, who set himself on fire
in protest against the Soviet occupation of
Czechoslovakia in 1969. (240 min., Czech,
Heb,. & Eng. subt.)
Bethlehem
22
New Films
Blue Is the Warmest Color (France 2013) Dir.: Abdellatif Kechiche | W.: Adele
Exarchopoulos, Lea Seydoux | In this most
stunning portrait of female maturation,
the film depicts the intense relationship
between two women, Adele and Emma,
and the way in which this relationship
maps Adele’s growth from adolescence
to adulthood. Blue Is the Warmest Color is
a portrait of romantic curiosity and lust,
sexual ecstasy, and heartbreak. (177 min.,
Fr., Heb. subt.)
Sunday
02/02
Like Father Like SonSee page
SweetsSee page
OmarSee page
Like Father Like SonSee page
Around the World—Northern Lights
Cross Cultural Meetings—Emigrants and Hosts in Nord-Finnish CultureLecture (in Heb.): Roni Yanovsky. Tickets: 75
NIS / Members: 65 NIS
Le Havre (Finland/France 2011) Dir.: Aki Kaurismaki | W.: Andre Wilms, Blondin
Miguel, Kati Outinen | Marcel Marx meets a
young African refugee. Taking pity on him,
Marcel invites the young boy into his home
and vows to help him find his mother in
London. Le Havre is a charming deadpan
treat that showcases Kaurismaki’s unique
style, a subtle appearance by its cast, and
mostly the love of mankind. (103 min., Fr.,
Heb. subt.)
Blue Is the Warmest ColorSee
The Escape (Israel 2013)Dir.: Meni Elias | Eight young Israelis, from all
walks of life, set out to follow the paths of
escape of thousands of Holocaust survivors
from Europe at the end of WWII. The journey
is made up of moments of laughter and
tears, at the end of which they have a better
sense of themselves and of the society in
which they live. (74 min., Heb., Ger., It. &
Eng., Eng. subt.)
Le Havre
23
Preview Screening
Miele (Italy/France 2013) Dir.: Valeria Golino | W.: Jasmine Trinca, Carlo
Cecchi, Libero De Rienzo | No one knows that
Irene, a regular young woman, works for a
euthanasia organization. With a sense of
purpose, she helps grant people their dying
wish. Her life changes when she develops a
relationship with a healthy man that comes
to the clinic for their special treatment.
Stunning cinematography, meticulous
cinematic style, and fantastic performances
create this precise drama. (95 min., It., Eng.
& Heb. subt.)
Album 61 (Israel 2013) Dir.: Halil Efrat | Director Halil Efrat (an
average chess player), sets out in the
footsteps of the fascinating character of
Boris Gelfand, the first Israeli to compete
for the title of World Chess Champion. This
is a film about parental choices and the
dilemma of whether to dictate for one’s
child the way to self-fulfillment. (70 min.,
Heb., Eng. & Russ., Heb. subt.)
Monday
03/02
Like Father Like SonSee page
OmarSee page
SweetsSee page
Like Father Like SonSee page
Enough SaidSee
Blue Is the Warmest ColorSee
Present ContinuousSee page
Tuesday
04/02
Like Father Like SonSee page
SweetsSee page
OmarSee page
Like Father Like SonSee page
Miele
24
Jerusalem Premiere
Gisi (Israel/Czech Republic/Slovakia/USA 2014) Dir.: Natasha Dudinski | Gisi Fleischmann
believed she could stop the Holocaust
if only she succeeded to raise enough
money. Through the dialogue between
film and theater, past and present, facts
and imagination, Gisi tells the tragic, yet
inspiring story of a woman who helped to
save thousands but couldn’t save herself.
(62 min., Heb., Czech, Slovak & Eng., Heb.
subt.)
Could’ve, Would’ve, Should’ve
Cecil B. Demille’s The Greatest Show on Earth
might have won the Oscar for best film in
1952, but sixty years on, Fred Zinnemann’s
High Noon is considered the prototype for
all Westerns and one of the greatest classic
films of all time.
High Noon (USA 1952) Dir.: Fred Zinnemann | W.: Gary Cooper, Grace
Kelly, Thomas Mitchell | A sheriff stands
alone against a group of gunslingers bent
on revenge. A classic of the Western genre
which brought Gary Cooper his second
Oscar. (85 min., Eng. only)
BethlehemSee
Not Your LifeSee page
Wednesday
05/02
Like Father Like SonSee page
OmarSee page
SweetsSee page
Like Father Like SonSee page
Generation War—Part 1 (Unsere Mütter, unsere Väter) (Germany 2013) Dir.: Philipp Kadelbach | W.: Volker Bruch, Tom
Scilling, Katharina Schuttler, Miriam Stein
| Berlin, 1941. They were five friends that
made a promise to meet after the war ended.
Brothers Wilhem and Friedhelm (soldiers
ordered to the Eastern front), Charlotte (a
nurse sent to the frontline), Greta (dreaming
of becoming a star), and her boyfriend
Victor (a Jew trying to survive). They all
have ideals, dreams, loves. They all believed
they would be back in time to welcome
the New Year. None of them could have
ever imagined that this war would change
the face of history and their lives forever.
Generation War, the controversial series that
has caused an uproar throughout Europe.
(Ger., Heb. & Eng. subt.). The series will be
shown in two parts, with an intermission
between. (Part 1, 132 min., Part 2, 148
min.) Free entry for Members for the
screening on 5.2
Farewell Herr SchwarzSee page
Generation War
25
Generation War—Part 2
In EnvelopesSee page
Thursday
06/02
MieleSee page
Like Father Like SonSee page
Like Father Like SonSee page
SweetsSee page
New Films
The Best Offer (USA 2013) Dir.: Giuseppe Tornatore | W.: Geoffrey Rush,
Jim Sturgess, Sylvia Hoeks | Virgil Oldman
is an eccentric genius who can appraise
art, recognize forgery, and find beauty in
a realm hidden from the world. But when
a mysterious woman invites him to assess
the contents of an old house, Virgil’s life
will change forever. Giuseppe Tornatore’s
(Cinema Paradiso) presents his first English
spoken film. (118 min., Eng., Heb. subt.)
WWW.JER-CIN.ORG.IL 02-5654356
Dvořák
RUSALKA
20:00 8.2.14
HD
26
Preview Screening
Operation Sunflower (Israel 2014)Dir.: Avraham Kushnir | W.: Yehoram Gaon,
Tzufit Grant | The 1960s. The Iranians are a
“push of the button” away from launching
missiles at Israel. Racing against time, the
head of the Mossad and a key scientist
have been recruited to develop the
nuclear option for Israel. There is no
connection between events in the film
and real events. (105 min., Heb., Heb.
subt.)
Preview Screening
Happiness Wrapped In a Blanket (Israel 2013) Dir.: Yosi Artzi | W.: Kais Nashif, Hilla Vidor, Lucy
Aharish, Moris Cohen | Bashir returns home
after a long night of working only to find
his partner Karin holding a baby. “We are a
family now”, she says. After it is announced
that the baby was kidnapped, they go on
the run. On the backdrop of social and
political issues, a gentle love story unveils.
(55 min., Heb. & Arab., Heb. subt.)
BethlehemSee
Tribute to Joseph Pitchhadze
Bad Days (Israel 1992) Dir.: Joseph Pitchhadze | Lily shares her life
with the obsessive and violent Mosh. When
a stranger enters their lives, things a bound
to change. (22 min., Heb.)
Under Western Eyes (Israel 1996) Dir.: Josef Pichhadze | W.: Eyal Shechter, Liat
Glick | A tragic-comic road movie which
tells the story of Gary Razumov, a young
architect living in Berlin in total detachment
from his past, until sudden notification of
his father’s death brings him back to Israel.
Upon his arrival, he discovers that he was
tricked. (95 min, Heb.)
Friday
07/02
SweetsSee page
MieleSee page
Like Father Like SonSee page
Like Father Like SonSee page
The Best OfferSee
ynet
New Films
All Is Lost (USA 2013) Dir.: J. C. Chandor | W.: Robert Redford | An
American man must face the elements and
mortality when his ship goes down at sea. A
sweeping epic starring Robert Redford in a
physical role that gives the film its charisma,
heart, and allegorical framework. (106 min.,
Eng., Heb. subt.)
27
Richard Pryor in Concert (USA 1979) Dir.: Jeff Margolis | Brilliant, vulgar, cynical
and irreverent, Richard Pryor ignores every
possible taboo and blasts into sex, race and
death. (78 min., Eng. only)
Saturday
08/02
Generation War—Part 1See page
Generation War—Part 2See page
Like Father Like SonSee page
SweetsSee page
Like Father Like SonSee page
MieleSee page
Like Father Like SonSee page
Children’s Cinema Club
Nicostratos the Pelican (France/Greece 2011) Dir.: Olivier Horlait | W.: Thibault Le Guellec,
Emir Kusturica, Jade-Rose Parker | Yanis,
a 14-year-old boy, lives a quiet life with
his father on a small Greek island. Their
relationship has been strained since the
death of his mother. But when Yanis finds
a young pelican and takes him home, a
special bond is formed that might just
change Yanis relationship with his father.
(108 min., Fr., Heb. subt.) For ages 9+
Children’s Cinema ClubBefore the film, a princesses and knights
workshop . (30 min.)
Knight Rusty (Germany 2012) Dir.: Thomas Bodenstein | After being
accused of theft, Knight Rusty sets out
on an entertaining adventure to redeem
himself, fight the evil prince, and win over
the heart of the damsel. (85 min., Heb.
dub.) For ages 5+
All Is LostSee
The Best OfferSee
Footsteps in Jerusalem: A Tribute to David Perlov
See page
Farewell Herr SchwarzSee page
All is Lost
28
The Metropolitan Opera HD-LIVEWith gratitude to the Crown family for
their generous support
Dvorak
RusalkaThe great Renée Fleming returns to
one of her signature roles, singing
the enchanting “Song to the Moon” in
Dvorák’s soulful fairy-tale opera. Tenor
Piotr Beczala co-stars as the Prince, Dolora
Zajick is Ježibaba, and dynamic young
maestro Yannick Nézet-Séguin is on the
podium. (4 hours)
Present ContinuousSee page
Sunday
09/02
SweetsSee page
MieleSee page
Like Father Like SonSee page
Like Father Like SonSee page
The Last of the Unjust (France/Austria 2013)Dir.: Claude Lanzmann | In 1975, while
collecting materials to his monumental
Shoah, director Claude Lanzmann met
Benjamin Murmelstein, the last president
of the Theresienstadt Jewish Council, for a
series of conversation that did not make it
into the film. In 2012, he went back to these
materials and discovered a composed hero
that had to withstand cruel and painful
moral tests. Murmelstein arrived to these
meetings with a unique sober and reflective
perspective, completely aware of his
actions and their significance. Lanzmann
possess a direct and persistent approach
to the horrors and is able to translate them
into a captivating and thought provoking
work. (220 min., Fr. & Ger., Heb. subt., short
intermission after two hours)
Play Misty for Me (USA 1971) Dir.: Clint Eastwood | W.: Eastwood, Donna
Mills | A late night radio D.J. is stalked by
a homicidal fan. Eastwood’s first film as
director. (102 min., Eng. only)
Could’ve, Would’ve, Should’veIt is surprising how this sharp comedy
managed to get nominated for Best Film at
the 1964 Oscar. It is less surprising that it lost
to the heartening musical My Fair Lady
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (UK 1964) Dir.: Stanley Kubrick | W.: Peter Sellers, George C.
Scott, Sterling Hayden | Fifty years after it was
first released, this dark Cold War era comedy
remains the quintessential example of satire
in film. The magical and brilliant combination
between the directing of Stanley Kubrick
and Peter Sellers's acting reminds us of why
this classic work will always be enjoyable to
all. (93 min., Eng., Heb. subt.)
29
Monday
10/02
MieleSee page
Like Father Like SonSee page
Like Father Like SonSee page
SweetsSee page
All Is LostSee
An Evening with Ma’aleh School Alon Rabinovitz, graduate of Ma’aleh School
of Television, Film & the Arts, will present his
short film and discuss the influence of The
Return on his work.
With Visit to Parents (Israel 2013)Dir.: Alon Rabinovitz | After my divorce, I
decided to deal with my traumatic past and
mend the shattered pieces of my family. Will
I succeed in recovering a belief in love?
The Return (Russia 2003) Dir.: Andrei Zvyagintsev | W.: Vladimir Garin,
Ivan Dobronravov | One day, without
explanation and after an absence of twelve
years, the father of 15-year-old Andrei
and his younger brother Ivan appears.
The following day, he takes the boys on a
fishing trip. Emotional tensions increase as
their journey continues, until the mystery
behind the father begins to unravel. (105
min., Russ., Heb. subt.)
The Cursed—Part 1Screening of the first two episodes of the
series. Episodes 3-5 will be shown on 13.2
The Cursed: Pinchas Sadeh (Israel 2013) Dir.: Hagai Levi | Hagai, a suicidal teen from
a religious kibbutz. He feels Pinchas Sadeh
can change his life, perhaps even save
him. He knocks on his door with his small
super-8 camera. For the next 30 years,
Hagai documents Sadeh’s life. (62 min.,
Heb., Heb. subt.)
The Last of the Unjust
30
The Cursed: Yona Wallach (Israel 2013) Dir.: Hagai Levi | In the last two years of her
life, poet Yona Wallach became a public
figure. Hagai, who as a teenager was
exposed to the brutality and madness that
surrounded her, goes back to Wallach and
documents her late self-contemplation and
her love for the younger man she lived with.
(58 min., Heb., Heb. subt.)
Tuesday
11/02
Like Father Like SonSee page
MieleSee page
SweetsSee page
Like Father Like SonSee page
Tous les matins du monde (France 1991) Dir.: Alain Corneau | W.: Jean-Pierre Marielle,
Gerard & Guillaume Depardieu | M. de Saint
Colombe, the 17th century viola de gamba
player, takes on Marin Marais, the son of a
simple laborer, as a student. Soon enough
the young Marais rises to fame and leaves
his teacher behind. (115 min., Fr., Heb. &
Eng. subt.)
Architecture in Cinema
Poverty and Abundance—From the Favelas to the Skyscrapers and BackLecture (in Heb.): Dr. Emily Silverman.
Tickets: 85 NIS / Mebers: 75 NIS
Slumdog Millionaire (UK 2008) Dir.: Danny Boyle | W.: Dev Patel, Freida Pinto,
Anil Kapoor | A Mumbai teen who grew
up in the slums, becomes a contestant on
the Indian version of “Who Wants To Be A
Millionaire?”. As always with Danny Boyle,
his camera and editing work is brilliant. (120
min., Eng. & Hindi, Heb. subt.)
The Act of Killing (UK/Denmark/Norway 2012) Dir.: Joshua Oppenheimer | In this chilling
original film, director Joshua Oppenheimer
challenges his protagonists, war criminals
Slumdog Millionaire
32
who participated in Indonesia’s military
coup, with a request: to play themselves
and their victims in dramatic cinematic
recreations of the atrocities they committed
half a century ago. The Act of Killing explores
questions of ethics and the representation
of truth and memory, while offering
an affecting and tantalizing viewing
experience. (115 min., Indon., Eng. & Heb.
subt.)
Tribute to Joseph Pichhadze
Besame Mucho (Israel 2000) Dir.: Josef Pichhadze | W.: Moni Moshonov,
Carmel Betto, Ezra Kafri | A modern love
story laced with elements of film noir.
Ten marginal characters in southern Tel
Aviv are involved in the theft of a stolen
Christian icon from an international crime
syndicate. The cruel outcome will alter their
conception of love forever. (114 min., Heb.,
Eng. subt.)
Wednesday
12/02
Like Father Like SonSee page
SweetsSee page
MieleSee page
Like Father Like SonSee page
The Act of KillingSee
Jacques Faitlovitch and the Lost Tribes (France 2011) Dir.: Maurice Dores, Sarah Dores | Jacques
Faitlovitch discovered the Ethiopian Jews
during his first exploration, in 1904. The
movie traces back the journey of an unusual
character looking for the Lost Tribes. (59
min., Fr. & Eng., Heb. subt.) Following the
screening, a conversation with director
Maurice Dores
Preview Screening
A Place In Heaven (Israel 2013) Dir.: Joseph Madmoni | W.: Alon Aboutboul,
Rotem Zisman-Cohen, Tom Graziani | The
rise and fall of a brutish army general on
the backdrop of the history of the State,
a Hassidic tale about a man who sells his
place in Heaven, and a story about stifling
father-son relationship. (117 min., Heb.,
Heb. subt.) Screening courtesy of: United
King Films
Album 61See
Thursday
13/02
Generation War—Part 1See page
Generation War—Part 2See page
Like Father Like SonSee page
MieleSee page
New Films
August: Osage County (USA 2013) Dir.: John Wells | W.: Meryl Streep, Julia Roberts
| The death of a family’s patriarch brings
together the strong-willed female members
of the family. It does not take much for
tensions to bubble over and explode.
Streep and Roberts are phenomenal in
the roles of mother and daughter in this
effective, powerful, witty, and touching film.
(121 min., Eng., Heb. subt.)
33
Present ContinuousSee page
—
The Cursed—Part 2
The Cursed: Moshe Kroy (Israel 2013) Dir.: Hagai Levi | The unbelievable life story
of Moshe Kroy is one of the most extreme
to have been seen here. It is the story
of a genius who paid the price for his
uncompromising pursuit of the truth. (57
min., Heb., Heb. subt.)
The Cursed: Aviva Uri (Israel 2013) Dir.: Hagai Levi | Artist Aviva Uri is probably
the most influential and significant woman
in the history of Israeli modern art. Hagai,
who begins to document her, unveils her
great love for her husband and the price
she paid for her total devotion to her art
and love. (57 min., Heb., Heb. subt.)
The Cursed: Chapter Five (Israel 2013) Dir.: Halil Efrat | In the last part of the series,
18-year-old Emmanuel, a film student and
the son of the show’s creator Hagai Levi,
follows the unique mechanism of the show
and the reasons for its creation. (48 min.,
Heb., Heb. subt.)
—
Stop Making Sense—Rock’n’Roll at the CinemathequeOpening remark by Dana Kessler
Lou Reed’s Berlin (USA 2008) Dir.: Julian Schnabel | Jealousy, anger, loss,
depression, drugs—these are some of the
motifs in Lou Reed’s monumental album,
Berlin. Upon release, though, the critiques
were so harsh and the sales so mediocre
that the planned concert tour was
cancelled. Thirty-three years later, the tour
finally occurred. (85 min., Eng. only)
Lou Reed’s Berlin
The Cursed: Moshe Kroy
34
Friday
14/02
SweetsSee page
MieleSee page
Like Father Like SonSee page
Like Father Like SonSee page
Could’ve, Would’ve, Should’veHitchcock’s Rebecca might have won the
1940 Oscar for best film, but honestly, The
Great Dictator was much more deserving.
The Great Dictator (USA 1940) Dir.: Charles Chaplin | W.: Chaplin, Paulette
Godard | Chaplin’s satire of Nazism, in
which he plays a Jewish ghetto barber and
dictator Adenoid Hynkel of Tomania. (125
min., Eng. & Gibberish, Heb. subt.)
August: Osage CountySee
La Chinoise (Portraits De Paris) (France 1967) Dir.: Jean-Luc Godard | W.: Ann Wiazemski,
Jean Pierre Leaud, Juliet Berto | An attack
on capitalism and the USA as well as on
the Soviet brand of communism. The film
follows a five-member revolutionary unit
living in a rented Paris flat. (95 min., Fr., Eng.
subt.)
Saturday
15/02
Generation War—Part 1See page
Generation War—Part 2See page
Like Father Like SonSee page
MieleSee page
Like Father Like SonSee page
SweetsSee page
Cinematic Variations on Live Classical Music
Joseph Haydn—A Man’s Life as a Reflection of His TimeLecture (in Heb.) by: Dr. Ron Regev Concert
performed by:
Eyal Kless violin
Avigail Arad cello
Ron Regev piano
On the program: Haydn—Piano sonata
in C minor, Piano sonata in E minor, Piano
variations in F minor, Trio in G major (“Gypsy
Trio”) for piano, violin and cello
In Search of Haydn (UK 2012) Dir.: Phil Grabsky | Through interviews with
musicians and excerpts from Haydn’s
personal letters, director Phil Grabsky
follows the development of Haydn’s style,
and the Classic style in general, from the
end of the Baroque and up to the buds
of the Romantic era. The film includes
interpretations of Haydn’s music, with
performances by some of the world’s
greatest musicians and orchestras. (102
min., Eng. only)
35
Children’s Cinema Club—Family Film Club
The Imaginary World in Cinema A program dedicated to the best family
oriented films. Before the film, Alon Gur
Arye will give a talk about the magical
world of cinema and imagination. (30 min.)
Alice in Wonderland (USA 1951) Dir.: Clyde Geronimi, Wilfred Jackson,
Hamilton Luske | The Disney adaptation
of the Lewis Caroll’s wonderful story in
which young Alice falls asleep and wakes
up in a mysterious world: magical, a little
scary, and one that possesses its own
logic. A fantastic production, full of warm
colors and wisdom. A classic that should
not be missed. (75 min., Heb. dub.) For
ages 5+
Paradise: LoveSee page
August: Osage CountySee
Farewell Herr SchwarzSee page
Wacky Film Club—French ComediesOpening remarks by Alon Gur Arye
Le diner de cons (France 1998) Dir.: Francis Veber | W.: Thierry Lhermitte,
Jacques Villeret, Francis Huster | Each week,
Pierre and his friends organize what is
called a “diner de cons.” Each one brings the
dumbest guy he can find as a guest. Pierre
thinks his champ—Francois Pignon—will
steal the show. (80 min., Fr., Heb. subt.)
In EnvelopesSee page
Not Your LifeSee page
Sunday
16/02
SweetsSee page
MieleSee page
Like Father Like SonSee page
Like Father Like SonSee page
Around the World—Northern Lights
The Bad Boy of Scandinavian CinemaLecture (in Heb.): Yaron Shamir. Tickets: 75
NIS / Members: 65 NIS
Melancholia (Denmark/Sweden/France/Germany 2011) Dir.: Lars von Trier | W.: Kirsten Dunst, Charlotte
Gainsbourg | As the planet Melancholia
is about to collide with earth, two sisters
approach the end of the world in very
different manners. Lars von Trier devises
a hypnotic cinematic reality, which wisely
combines different genres in a way that
speaks to both the mind and heart. (136
min., Eng., Heb. subt.)
36
Tribute to Joseph Pichhadze
Year Zero (Israel 2004) Dir.: Josef Pichhadze | W.: Menashe Noy, Sarah
Adler, Moni Moshonov | Several stories are
interwoven. Michal unexpectedly gets
pregnant. Her husband runs over a seeing-
eye dog and out of guilt befriends the dog’s
owner. A young single mother resorts to
prostitution and meets an arms dealer. An
aging punk rocker enters the life of the son
of the founder of the punk movement in
Israel. (130 min., Heb. only)
Could’ve, Would’ve, Should’ve
Just being nominated for the Best Film
should have been satisfying, but still, losing
to the historical melodrama The English
Patient was frustrating.
Fargo (USA 1996) Dir.: Joel Coen | W.: Frances McDormand, Steve
Buscemi, William H. Macy | A car salesman
from Minnesota tries to settle his money
problems by having his wife kidnapped. He
hires two thugs for the job, offering them
a cut from the ransom, which he tries to
force her rich father-in-law to pay. But the
kidnapping turns sour. Fargo turned out to
be one of the more mischievous films of
1996 and one of the most wonderful gems
in the Coen Brother’s successful career. (97
min., Eng., Heb. subt.)
37
Under the RadarOpening remarks by film critic Meir
Schnitzer
You Ain’t Seen Nothin’ Yet (Vous n’avez encore rien vu) (France 2012) Dir.: Alain Resnais | W.: Mathieu Amalric, Pierre
Arditi | From beyond the grave, celebrated
playwright and director Antoine d’Anthac
gathers all who have appeared in his play
Eurydice over the years. While watching
a recording of the work performed by a
non-professional acting company, they
reminisce over their past involvement in the
play. (115 min., Fr., Heb. subt.)
Monday
17/02
MieleSee page
Like Father Like SonSee page
Like Father Like SonSee page
SweetsSee page
Could’ve, Would’ve, Should’ve
In 1995, Forrest Gump overshadowed all
its competitors including Pulp Fiction,
Four Weddings and a Funeral, and also The
Shawshank Redemption, which these days
stars in many of the best films lists.
The Shawshank Redemption (USA 1994) Dir.: Frank Darabont | W.: Tim Robbins, Morgan
Freeman | Andy, a young respectable
banker, is sentenced to life imprisonment
for the murder of his wife and her lover. He
meets Red, also convicted for murder. The
story is told by the old-timer who observes
Andy through the years. A wonderful and
heartfelt film. (142 min., Eng., Heb. subt.)
Paradise: LoveSee page
Tuesday
18/02
Like Father Like SonSee page
MieleSee page
SweetsSee page
Like Father Like SonSee page
In the Heat of the
Night
Could’ve, Would’ve, Should’veArthur Penn’s Bonnie and Clyde did lose the
Best Film Oscar in 1967, but it was to the
fantastic In the Heat of Night
Bonnie and Clyde (USA 1967) Dir.: Arthur Penn | W.: Warren Beatty, Faye
Dunaway, Gene Hackman | The life and
times of the infamous gangster couple
Bonnie and Clyde. The film was made with
a very low budget, was highly successful,
and became a milestone in the history of
cinema. (111 min., Eng., Heb. subt.)
Footsteps in Jerusalem: A Tribute to David Perlov
See page
38
The Critics’ Society
In cooperation with the Film Critics Forum.
Once a month two film critics will discuss
and analyze a film. This month, Gravity,
chosen by the Forum as the best film of the
year. In conversation: Yael Shuv, Time Out
Israel and Doron Fishler, Fisheye
New Films
Gravity (USA 2013) Dir.: Alfonso Cuaron | W.: Sandra Bullock,
George Clooney | A first time astronaut
and a veteran one must find a way to
save themselves when a disaster leaves
them stranded in space. Alfonso Cuaron
masterfully orchestras the plot twists,
special effects, 3D, soundtrack, and his two
lead actors to present a humane, thrilling,
and captivating film that activates the mind
and impacts the heart. (91 min., Eng., Heb.
subt.)
Not Your LifeSee page
Wednesday
19/02
Like Father Like SonSee page
SweetsSee page
MieleSee page
Like Father Like SonSee page
The Last of the UnjustSee
39
In EnvelopesSee page
—
sea yam ac gmail com
Orthodox—A Look from Within
Leisure in the Orthodox SocietyDiscussion with Yaacov Lifschitz and
Menachem Naabath. Tickets: 38 NIS /
Members: Free entry / Discount tickets:
20 NIS (advanced booking at sea.yam.ac@
gmail.com)
The Wonders (Israel 2013) Dir.: Avi Nesher | W.: Adir Miller, Ori Hizkiah,
Yehuda Levi, Yuval Scharf | Graffiti artist,
mystery man—part conman, part modern-
day prophet—along with a grumpy cyclical
private investigator, and a neurotic femme
fatale, embark on a nourish journey into the
very heart of darkness of Jerusalem. (112
min., Heb. only)
Thursday
20/02
Generation War—Part 1See page
Generation War—Part 2See page
Like Father Like SonSee page
MieleSee page
Could’ve, Would’ve, Should’veLosing the Oscar to Laurence Olivier’s
Hamlet is a great honor. Even so, Hamlets
are in abundance, but demanding and
tender melodramas about ballerinas in love
are hardly ever made anymore.
The Red Shoes (UK 1948) Dir.: Michael Powell, Emeric Pressburger | W.:
Moira Shearer, Anton Walbrook, Marius Goring
| Victoria Page gets the position hundreds
of young ballerinas covet in the acclaimed
Lermontov ballet company. But when she
falls in love with a young composer, she
finds herself torn between her innocent
love and the company’s manager’s fierce
possessive hold. The Red Shoes is one of the
great dance films of all time—not only due
to the choreography and dance selections,
but primarily, because of the directorial
craft. (134 min., Eng. only)
—
Tribute to Fred Kelemen—Opening Event Screening in the presence of Fred Kelemen
Fate (Germany 1994) Dir.: Fred Kelemen | W.: Valerij Fedorenko, Marc
Ottiker | The paths of various characters cross
during the course of one night. They speak
different languages, but they are bound
together by the solitary quest for happiness
and deliverance. “Fred Kelemen’s Fate is
a visionary, one-of-a-kind achievement. I
admire this film very much” (Susan Sontag).
(80 min., Ger., Heb. & Eng. subt.)
40
Man Changes the World
Pina— The Greatest of Modern DanceLecture (in Heb.): Amir Kolben. Tickets: 85
NIS / Members: 75 NIS
Pina (Germany/France 2011) Dir.: Win Wenders | The unique and inspiring
art of the great German choreographer Pina
Bausch is depicted on camera and brought
to life in 3D by Wim Wenders. Wenders
creates poetic and fantastic images,
reinventing how cinema captures dance.
The result is a farewell bow worthy of the
great artist. (104 min., Ger., Heb. subt.)
New Films
Out of the Furnace (USA 2013) Dir.: Scott Cooper | W.: Christian Bale, Casey
Affleck | Rodney plans to settle his debts
with some boxing matches, but something
goes awry. Now, his older brother will have
to take matters into his own hands. With an
intense script and a sensational cast, Out of
the Furnace is one of the most exceptional
films of the year. (116 min., Eng., Heb. subt.)
The Good, the Bad, and the UglyIdan Barkai and friends in a hilarious,
personal and different show that combines
standup and video footage.
Friday
21/02
SweetsSee page
MieleSee page
41
Like Father Like SonSee page
Like Father Like SonSee page
Preview ClubLecture (in Heb.): Ron Fogel. Tickets: 85 NIS /
Members: 75 NIS
Philomena (UK 2013) Dir.: Stephen Frears | W.: Judi Dench, Steve
Coogan | A Catholic woman sets out on a
journey with an inquisitive journalist to find
the baby she gave up for adoption. With
an effective script, well-disguised social
criticism, and stellar performances by the
two leads, Philomena is one of the best films
of 2013. (98 min., Eng., Heb. subt.) Preview
screening courtesy: of Lev Films.
Saturday
22/02
Generation War—Part 1See page
Generation War—Part 2See page
Like Father Like SonSee page
GravitySee
Room Service (USA 1938) Dir.: William Seiter | W.: Groucho, Chico &
Harpo Marx, Lucille Ball | The Marx Bros in a
Broadway farce about destitute producers
trying to keep their play afloat. (78 min.,
Eng. only)
Silent film with live musical accompa-
niment by Karni Postel and Tom Darom.
Easy Virtue (UK 1927) Dir.: Alfred Hitchcock | W.: Isabel Jeans,
Robin Irvine, Franklin Dyall, Ian Hunter |
Easy Virtue offers Hitchcock’s favorite
theme—the wrong man—judged
guilty by society and forced to become
an outsider. Hitchcock’s imaginative
play with point-of-view and flashbacks
shows his impressive narrative talent.
(70 min., Eng. titles, Heb. subt.)
42
MieleSee page
Like Father Like SonSee page
SweetsSee page
Children’s Cinema Club
Kikoriki: Team Invincible (Russia 2011) Dir.: Denis Chernov | The Kikoriki live on an
isolated island and have never heard of
our world. But then a television set lands
on them. They are sure that everything
they see is real and set out to find their
favorite superhero in the big city. (90 min.,
Heb. dub.) For ages 5+
Children’s Cinema Club—Could’ve, Would’ve, Should’veIt is not clear how a fantastic film like E. T.
didn’t win an Oscar for best film instead of
a biography about Gandhi, especially as
this is probably Spielberg’s best film.
Before the film, a workshop on the magic
of Spielberg. (30 min.)
E. T.—The Extra Terrestrial (USA 1982) Dir.: Steven Spielberg | W.: Henry Thomas,
Drew Barrimore, Peter Coyote | The story of
the friendship between a 10-year old boy
and a remarkable creature from another
planet that has been stranded on earth.
A warm, touching, and exhilarating film.
(115 min., Eng., Heb. subt.) For ages 9+
GravitySee
Farewell Herr SchwarzSee page
Out of the FurnaceSee
Present ContinuousSee page
—
The Jerusalem Cinematheque – Israel Film Archive
The Romain Gary Jerusalem French Institute
Premiere screening
AMITIES SINCERESFrance
104 min., French,
Heb. subtitles
Directors: Stephan Archinard &
François Prévôt-Leygonie
With: Gérard Lanvin, Jean-Hugues
Anglade, Wladimir Yordanoff, Ana
Girardo, Zabou Breitman
Courtesy of Eden Cinema
Sunday, February 23rd, 2014 at 19.00
43
Wacky Film Club—It's Oscar TimeOpening remarks by Alon Gur
Arye The Producers (USA 1968)Dir.: Mel Brooks | W.: Zero Mostel, Gene Wilder,
Dick Shawn | In Mel Brooks’ first feature length
film, a down-and-out producer schemes to
stage the worst flop in Broadway history and
accidentally makes a fortune in the process.
(88 min., Eng., Heb. subt.)
Footsteps in Jerusalem: A Tribute to David Perlov
See page
Sunday
23/02
SweetsSee page
MieleSee page
Like Father Like SonSee page
Like Father Like SonSee page
Cine Premiere
Amitiés sincères (True Friends) (France 2012)Dir.: Stéphan Archinard, François Prévôt-
Leygonie | W.: Gérard Lanvin, Jean-Hugues
Anglade, Ana Girardot | They have been the
best of friends for many years, but still they all
keep some secrets to themselves. But when
these secrets are revealed, their male bond
is put to the test. Amitiés sincères offers a
portrait of developing masculinity, perfectly
sketched and delivered by an exceptional
cast. (104 min., Fr., Heb. subt.) Preview
screening courtesy of: Eden Cinema
Tribute to Fred Kelemen
Frost (Germany 1997) Dir.: Fred Kelemen | W.: Paul Blumberg, Anna
Schmidt | Micha has to escape with his
mother from the violence of his drunken
father. She wants to go back to her
childhood home. But when they arrive, it
is not as she remembered. Are they in the
wrong place? Or rather are her memories
distorted? One of the key films of the 1990s.
(201 min., Ger., Eng. subt.)
Paradise: LoveSee page
Monday
24/02
MieleSee page
Like Father Like SonSee page
Like Father Like SonSee page
SweetsSee page
Out of the mouth of babes and sucklings hast thou ordained
Children in Israeli IncarcerationIn cooperation with Ossim Shalom Lecture (in
Heb.): Dr. Maya Makhoul. Tickets: 38NIS /Ossim
Members: 31NIS /Cin’ Members: Free entry
44
Pixote (Brazil 1981) Dir.: Hector Babenco | W.: Fernando Ramos
da Silva, Marilia Pera | Pixote, 10-years-old,
breaks out of a reformatory with three
friends and commits more and more serious
crimes. A harsh look at juvenile delinquency
and on the situation of abandoned children
in the streets of the third world. (127 min.,
Port., Eng. subt.)
Out of the FurnaceSee
Tribute to Fred Kelemen
The Man from London (Hungary/France/Germany 2007) Dir.: Bela Tarr | W.: Miroslav Krobot, Tilda
Swinton, Agi Szirtes | Ph: Fred Kelemen | A
switchman in a seaside railway station
witnesses a horrifying violent act, causing
emotional and moral turmoil. “The movie
is really about a manner of looking at
things, exploring space in unexpected
ways, meditating on qualities of light and
the surface of objects” (New York Times).
(132 min., Hun., Eng. subt.) One-time
screening
Tuesday
25/02
Like Father Like SonSee page
MieleSee page
SweetsSee page
Like Father Like SonSee page
Silent movie with live musical accompa-
niment by DJ Ofer Tal (Schoolmaster)
The Pleasure Garden (UK 1926) Dir.: Alfred Hitchcock | W.: Virginia Valli,
Carmelita Geraghty, Miles Mander, John
Stuart | Directed when he was only
25-years-old, The Pleasure Garden is
Hitchcock’s first feature film. It tells
the story of two chorus girls who
work in a theatre called “The Pleasure
Garden” and their search for passion
and independence. It’s a discourse on
voyeurism, sexual politics and the gap
between romantic dreams and reality, and
exposes many of Hitchcock’s obsessions:
deception, black comedy, and murder. (90
min., Eng. titles, Heb. subt.)
45
Could’ve, Would’ve, Should’veIn the 1970s, harsh films such as Taxi
Driver managed to make it into the final
five of the Best Film category. This is
where it stopped. In 1976, this defeat
was particularly blatant, as Scorsese was
robbed from the much deserved award,
given to the boxing drama Rocky.
Taxi Driver (USA 1976) Dir.: Martin Scorsese | W.: Robert De Niro, Cybill
Shepherd, Jodie Foster | A young Vietnam
vet, finds work as a cab driver in New York.
His disgust with the dregs of humanity he
sees daily eventually drives him insane. (114
min., Eng., Heb. & Fr. subt.)
Tribute to Fred Kelemen
Fallen (Latvia 2005) Dir.: Fred Kelemen | W.: Egons Dombrovskis,
Nikolay Korobov | One night, Matiss Zelcs
notices a woman on a bridge. He ignores
her and she jumps, but her body is never
found. The sensation of failure and guilt
changes the course of his life. (90 min., Russ.
& Lat., Heb. & Eng. subt.)
Wednesday
26/02
Like Father Like SonSee page
SweetsSee page
MieleSee page
Like Father Like SonSee page
New Films
Saving Mr. Banks (USA 2014) Dir.: John Lee Hancock | W.: Emma Thompson,
Tom Hanks | Saving Mr. Banks depicts the
relationship between the two personas
responsible for one of the greatest and most
beloved films ever made, Mary Poppins,
author P.L. Travers and Walt Disney. “A delicate
and brilliantly acted story of overcoming
the past to embrace an uncertain future”
(Empire). (125 min., Eng., Heb. subt.)
Seven Days (Israel 2013) Dir.: Oded Raz | W.: Maya Gasner, Roni Hadar,
Dima Ross | Sigalit and Noga, two completely
opposite sisters, are forcefully reunited for
their mother's Shiva in the house. Sigalit has
never left and Noga never wished to return.
The sisters want to abide the ceremonial
protocol and peacefully complete the
mourning period, but the past cannot be
avoided. (58 min., Heb., Eng. subt.)
46
Tribute to Fred Kelemen
The Turin Horse (Hungary/France/Germany 2011) Dir.: Bela Tarr | W.: Erika Bók, János Derzsi, Mihály
Kormos Ricsi | Ph: Fred Kelemen | The Hungarian
winter. A carter, his horse, and his daughter.
We follow their daily routine over the course
of five days. Only two events disrupt the
routine. Béla Tarr presents one of the most
sublime films in his magnificent filmography.
(146 min., Hun., Heb. & Eng subt.)
Shin Heike Monogatari (Japan 1955) Dir.: Kenji Mizoguchi | W.: Raizô Ichikawa, Ichijirô
Oya | Set in the 12th century, the film traces
the story of a young man who is constantly
exposed to humiliation until he discovers he
is a member of the royal family. A classic of
Japanese cinema. (105 min., Jap., Eng. subt.)
Thursday
27/02
Generation War—Part 1See page
Generation War—Part 2See page
Like Father Like SonSee page
MieleSee page
Tribute to Fred Kelemen
Nightfall (Germany/Portugal 1999) Dir.: Fred Kelemen | W.: Adolfo Assor, Thomas
Baumann | A couple roams the dark streets
of a corrupt port city. During the night they
encounter different characters and face
different experiences. A poetic and hypnotic
film. (140 min., Ger., Heb. & Eng. subt.)
Saving Mr. BanksSee
Silent film with live music accompa-
niment by saxophonist Abate Brihun
and pianist Omri Mor
The Farmer’s Wife (UK 1928) Dir.: Alfred Hitchcock | W.: Jameson
Thomas, Lilian Hall-Davis, Gordon Harker,
| A charming rustic comedy, in which a
middle-aged widower decides to remarry,
enlisting his faithful housekeeper to look
for a suitable mate. The bumbling search
of the widower reflects Hitchcock’s own
timidity around women. Use of long takes
and party scenes featuring meticulous
choreography demonstrates the director’s
genius. (107 min., Eng. titles, Heb. subt.)
accompa-
ate Brihun
47
Cinema and Human RightsIn cooperation with The Hebrew
University, Jerusalem
Lecture (in Heb.): Esq. Dana Brachfeld on
The Appropriate Approach to Persons
with Disabilities in Israel
The Optimist and the Buddhist (Israel 2012)Noam Pinchas | Noam returns to the
kibbutz where he grew up to save Zack,
his childhood friend, who has become
a reclusive handicapped refusing
rehabilitation. (50 min., Heb. only)
Friday
28/02
SweetsSee page
MieleSee page
Like Father Like SonSee page
Like Father Like SonSee page
Paradise: LoveSee page
Saving Mr. BanksSee
Picnic at Hanging Rock (Australia 1975) Dir.: Peter Weir | An eerie and moody film
about three girls and their teacher who
mysteriously disappear during an outing one
sunny day. (115 min., Eng., Heb. & Fr. subt.)
www.jer-cin.org.il | www.elsc.huji.ac.il
SAVE T
HE DATE