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Visual Thinking and the Art of Research and Writing Stacy Brinkman, M.A., M.L.S. Diane Fellows, M.F.A., M.Arch. Miami University

Visual Thinking and the Art of Research and Writing

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Stacy Brinkman and Diane Fellows presentation for the "Collaborative Ventures, Collaborative Gains" session at the VRA + ARLIS/NA 2nd Joint Conference in Minneapolis, MN.

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Page 1: Visual Thinking and the Art of Research and Writing

Visual Thinkingand the Art of Research and Writing

Stacy Brinkman, M.A., M.L.S.Diane Fellows, M.F.A., M.Arch.

Miami University

Page 2: Visual Thinking and the Art of Research and Writing

• 2 or 3 year program• 12-16 per cohort

• Design and Research Methods course

• Thesis: conference-ready paper + design

• Librarian as embedded partner

Context: M. Arch program at Miami University

Page 3: Visual Thinking and the Art of Research and Writing

I don’t know what to write about

I’ve never really done serious research before

Writing doesn’t come naturally to me

I’m excited to do something original, but I don’t know what that will be

How do I know if my topic is any good?

Common anxieties

Page 4: Visual Thinking and the Art of Research and Writing

How can

visual tools and methods encourage

design students to engage in the entire

research and writing process?

Page 5: Visual Thinking and the Art of Research and Writing

Familiar Practices:Sketch notebooks, media,hand drawings, posters

Page 6: Visual Thinking and the Art of Research and Writing

• 10 minute freewrites• 40 per semester• “Low-stakes” writing

• In-class freewrites are shared: developing voice

“Sketch” writing

Page 7: Visual Thinking and the Art of Research and Writing

Man on the Moon (1999)

Milos Forman, directorScott Alexander &Larry Karaszewski, script

CAST:Jim CarreyDanny DeVitoCourtney LovePaul Giamatti

Who is your audience?

Page 8: Visual Thinking and the Art of Research and Writing

Graffiti Boarding

Public, interactive concept maps and notes/sketches

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PreliminaryPosters

overGraffitiBoards

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“Final” posters in gallery

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Sensory / feeling space / non-visual… Is this about haptic design?

What makes something “playful?”

See Michel de Certeau’s Practice of Everyday Life

Does atemporal = timeless?

How are these ideas [of empathy and community] necessarily related?

Liminal space as a PAUSE… “Ma” 間   in Japanese theater

Some student questions from poster/graffiti boards

Page 13: Visual Thinking and the Art of Research and Writing

Student/faculty “soiree”

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Research process of graffiti boarding

Page 15: Visual Thinking and the Art of Research and Writing