15
October 6, 2011

Polf09

Embed Size (px)

DESCRIPTION

 

Citation preview

Page 1: Polf09

October 6, 2011

Page 2: Polf09

Key Questions about CultureWhat is the relationship between mass or

popular culture and the broader culture of society?

What is the role and importance of film in popular culture at different periods in history?

Can film makers exercise power or influence through their privileged access to cultural production?

Page 3: Polf09

Early Beliefs about the Power of FilmIn its early days, as with photography, people

assumed that film was an accurate representation of reality

The early response to films was so strong that many observers thought that film could play a key role in politics

The first attempts to use film explicitly for political purposes were during World War I

The use of film for propaganda purposes by the Nazis and by Stalin was a continuation of this tradition

In the US, the private film industry volunteered its services to the government

Page 4: Polf09

Historical FilmsWe have seen a series of films about

fictionalized historical eventsFor example, is “Apocalyse Now” a realistic

or accurate portrayal of the War in Vietnam?Some argue that a film like “The Hurt

Locker” is an accurate portrayal of the war in Iraq; others disagree

How should we think about such claims?

Page 5: Polf09

Key Question about HistoryIs there such a thing as “objective” history?If so, how does one differentiate objective

from subjective history? Assuming objectivity is possible, how do

social institutions and popular myths (as reflected in cultural artifacts) push the telling of history away from objectivity?

Page 6: Polf09

History as a Unifying Myth vs. “Objective” HistoryOne idea about history is that a shared

understanding of history is important in maintaining social cohesion.

This goal often conflicts with the internal need of the community of historians to entertain opposing viewpoints in the interest of “objectivity.”

Page 7: Polf09

Film as MythWhat is the role of myth in society?What role does myth and mythology play

in the stories told by films and other artifacts of popular culture?

How do myths change over time to reflect new or different understandings of reality and/or history?

Page 8: Polf09

ArchetypesSwiss psychologist Carl Jung (1873–1961)

tried to understand the psychology behind world myths. Jung asserted that all humans share certain innate unconscious psychological forces, which he called archetypes. Jung believed that the similarities between the myths from different cultures reveals the existence of these universal archetypes.

Page 9: Polf09

Claude Levi-StraussMyths reflect patterns in the mind that are

characteristic of all humans, and therefore all human societies.

Most myths reflect mental polarities (pairs of opposites):Good vs. EvilHeroic vs. CowardlyMale vs. Female

People who agree with Levi-Strauss were called “structuralists”

Page 10: Polf09

Joseph Campbell (1904-1987)Early writings on Native AmericansMajor work: The Hero with a Thousand Facestwo different types of mythology:

myths that "are metaphorical of spiritual potentiality in the human being

myths "that have to do with specific societies“George Lucas was strongly influenced by

Campbell’s ideas, especially the importance of the heroic quest or journey in mythology

Page 11: Polf09

Heroes in Star WarsHan SoloLuke SkywalkerPrincess LeiaYodaObiwan Kenobe

Jedi kittens strike back video

Page 12: Polf09

12

Good vs. Evil in Star WarsRepubliRepublicc

JediJedi ObiwaObiwann

LukeLuke

YodaYoda

EmpireEmpire SithSith VaderVader

SiddiouSiddiouss

MaulMaul

DookuDooku

Page 13: Polf09

13

Chad Vader: Day Shift Manager

Page 14: Polf09

14

Page 15: Polf09

15

The Empire: Nazi Colors and Demonic Makeup

Color scheme:grey, red, black,and white.