|VJ5u Caiman
Sam Kieth
MlKET?lilNCENBERC
HER NIPPLES ARE HARPANP' PARKANPSHRUNKEN ON A. BREASTS LIKE EMPTY POUCHES.
YSTl.HA/RCOMES CAXT IN .
, CLUMPS WHEN SHE /MOVES.
SHE TRIPS NOT TO MOVE -
^ i TOO /MUCH._fy>X
THIRTY,,
,HER STOMACH SHRANK, THEN ^BLOATEP. THEN ITSHRANK
, AGAIN . HUNGER SUBSIPEPID AIONNAGGING IN THE BACK OFJ j HER MINC7.
ITS OK. IT
GOESAMY.
NINETY-SIX • NINETY-SEVEN.NINETY-ElgHT...
SHE'LLWAIT.
-
IfP JUSTHAPTHSlNIGHTMARE.
HAVE TOU EVER HAP ONEOF THOSE PATS WHENSOMETHING JUST SEEMSTO BETRYIN© TO TELL VOU
THESE THINGS WITH FACES LIKE
APPENPECTCMYSCARS WERE CROCHETINGMT INTESTINES INTO BOOTBAGS FOR
THE BLINPmVPEAP.
PL**Wm/g-ter ganpmanJX'M SOALONE, AIN'T}ygotnoBop/'-fixm
I TOLPMYSELF IT WAS ONLY"
A PREAM, BUT IT PIPNTMATTER.THEBASTARPS JUSTAS°rONBLOOPY KNITTING.
P'anpsive U5 ASome five pencePIKES THE
T^IHEARPITTHROUGHTHEGRAPEVINE’ USEPT© >SINS IT WITH MUCOUSMEMBRANEAGES AGO. PFACTICAUYMY i
SI THINK IT'S <YOUR&RLFR/ENP,
*now you ussenNTER ME, JOHN CONSTAN-7EEN, ioU LITTEL
PRICK! —WjSEP THE SANPMAN, *i
AN' I MEANT THE BLEEPIN'SANPMAN! 'EGBACK JOHN
.
/Took, the' SANPMAN'S A FA/RYSSTORY you TELL KIPSTO GETTHEM OFF TOSLEEP. SPRINKLESMAGICPUSYIN XXIR
v EYESANP BRINGS /you...
[1 KNOW.
FORTY-SEYV/NTEARS OLPMV .
\I KNOW' y
rfM TRYINGTONSAVE THE WOPLP,MAPHETTIE, ANC?YOU WANT TOTELLME /=*/«y .^ STOR/ES/ ^F&
I THE SANPMAN, EH?PtHE S/W.^MAA'T'XMAP HETTIE, YOU'VE }/
HE LEFT THE PORSCHE HALFA ^
MILE BACK VOW THE ROAO. HOPESIT WON'TSET STOLEN. THERE ARE
*
SOME REAL THIEVES AROUNPa THESE PAYS. .
THE/CALL THEMSELVES CREEPERS.
,
ITS A SPORT. BREAKING INTO JPEOPLE'S HOUSES WHILE THET'RE
^ j ST/ZZ. NTHOME.
OURING THE PAY HES ANINVESTMENT COUNSELOR
ANP
HECAN FEEL THE WARM ,
TIGHTNESS OF HERSXW;THESCENTOFSEX IS „HEAVY IN THE AIR
. ^
7OOGOOPTO BE TRUE.
He'S HITTINGA HUNPREC?'ANP FIFTY IN THE —
.
LAMBORSHINI OF JMTI HISPREAMS. ,
JTTlE CANSEE HIS PARENTS, HIS 4r Boss, hislovers in the 4L , CEOWP BELOW HIM.
THEY'RE &XWNOW. SORRY THE/ <
’ TREATEP HW SO SAPLX BECAUSE. , HE'S THE SICW. . a A. >
HE CAHPO ,
ANyTHING- •
ONE THIN© I'VE LEARNED:>0U CANKNOWANYTHING.ITSALL THERE. YOU OUSTHAVETOf/ZViPIT.
/.y
FOR THE NEAT FEW WySI /fiS6P MEANING TOINVESTIGATE THISSANPMAN STUFF. I JUSTNEVERQUITEGETROUND’ 70 IT.
JZ.TOCALLIIY ML|-
>OWN...lWANTA^-DREAM LOVER,SOI
<
DON'THAVE TO J1
.
| pREAM ALONE... >
AS PERUSUAL.
IT WASON "THE THIRPCWHECAU6HT UP WITH ME.
'THATPOUCH? THAT WAS'
YEARS AGO. YEAH, I BOUGHT.IT IN A GARAGE SALE IN J
" I HAVENTSEEN IT FORAGES.BUT THEODRSARE ITS DOWNIN CHAS'LOCK-UP, WITH MESTUFF FROM...PADPINGTDNANPFROM THE NOTTINSHIU. PIACEy*.
'ANP THE EASTCKMDOH.FUAT BEFORE THATm^
^ THOPE YOU DON’TEXPECT/METOGOONPUBLICTRANSPORTS.WITH YOU PRESSED7 /^MKE 7WA7: y-
Let us reprieve £
FWE'VE STILLGOT /C
HOW PIP YOU ^lose THIS POUCH,V,ANYWAY ?^
PAMNl nDON'T KNOW WH?’I HANS ON TO ALL THIS
STUFF. ^
uh,boss.x1THINK1 KNOW]WHERE yoUtZlk POUCH IS. A
r IF THERE WASFIRE IT'P BE LIKE MT
’
VJHOLEI/FE WASSOINS UP IN i
L- FLAMES...
LOAPOTS'.V",-- ;•:>p^n-THBOUftH YET, Mr'
, BOSS Juj. .
KEEPSMILiNS.™ J “*
'ERE, JOHN, CAN WEStopatA service Station? ]
J'/VI FWRCHEP. I TOOKOFF J^ WITHOUT ME TEA
.
f you HEARPTHEMAN/^CHAS.OLP MATE . SORRY.I AIN'TNOMARKFOB.vWEVENUSOF THE J
,yoU, JOHN
. BUT THISLis pushing it. /
/'HIS KINO^JUST TURN UPOUTOF THE BLUE.THEY CALL .
'v YOU. ^’ UH. IT'S JUSTCHAS, /MISTER.,
WE WERE LIVINGTOGETHER IN A HIGH-RISE FLAT IN EASTCROyPON. I WENT TOALASKA FOP SIXMONTHS, OVER THELUPUS AFFAIR
.
1 tV/S/i IV REALIZE?v
THATSHEVNICKEO THE (
POUCH AS WELL, THOUGH
.
“ "CANPy- ^>COLOREO CLOWN"?
'
[ YEAH, RIGHT. MjAP-THE CANPY-COLOREP CLOWN THEY (
' CALL THESANPMAN...TIP-TOES THROUGHMY i
ROOM EVERYNIGHT.., \
T RIGHT. 1THIS l« IT. "WE
W HER RAP'S/?/sw: retirep.a/kPILOT. NiceMAN.WE'LL SET yoUK ^
fc. g/K5 BACK-^^fl
W/lfi STAY IN THECAR ’ YOU TAKEOFF AT THEBOLL UP THE WINROWS, FIRST SKSN OF TROUBLE.LOCK THE POORS. RIGHT?
LET'S NOT \.GIVEHER A 1
REASON /
TO. £H?S4
The POUCHOhere And MoP£‘than -ffie Pouch,..
This house >
is PANS£R0US,Constantine.
Mi I%* r"'l
ZJBr ro Youj|^U(VW3J
in
RACHEL WAS ALWAYS PLAYINGWITH THE POUCH. KEPT GOINSON ATME TPTRyTPOPEN IT.
SHE'PASK WE, WHAtfS THE POINTOFHAVING SOMETHIN©MAGIC I
IF YOU CON'T l/jgg IT ?
HELL, THERE'S NO>p’letb GOROUNP THE BACK,WECANSMASH AWINDOW, GET IN
s 73W WAy.„^
HOTLINE TO /HE/HOPy.
\f'ANYWAY,WAS FONt? OF ’
RACHEL ONCE. SHEWAS, you KNOW,
. THE QMLCFNtf .
\UPEAMS. Ji
'WHAT 90 yOU ’
/VIBAN/ WATCHOUT,THE
r ELECTRICITY'S ’
CUTOFF. THERESSIX MONTHS' WORTH
. OFMAIL ON THE .
bw. POORMAT. ArWHATS BEEN
'
HAPPENINGk
i. HERE ? ^
WHAT ^[/VAFFfiVeO’l
MK0M/V.
I'VE BEEN OUTOF/WPEPTH BEFORE.SOMETHING TELLS/VIE THERE ARE SHARKSIN THESE PEPTHS
.
1 OUGHT TOBE RUNNINGAWAY. BUT.
SURE. THANKS.
MOV/ES. OLP PARK HOUSE.HORRIBLE MENACE ON THELOOSE. "LET'S SPLIT UP.*MUFFLEP SCREAMS IN
PARKNSSS...
yecHH.
ANP I CAN SEE THEi CLOUPS. THEYUDOKKINPOF SOUP. ANPTHE SROUNPBELOW
THEM.
HOW 0\P XGET HERE?
X PONT WANTTOP1E.IR3NTWANT TO RAIL.
MEMORY FILL'S IN =
THE PLANE ONFIRE; 1 JUMPSI7...
..ITSWHENvoug^y?
ITELLADSELF ITSNOT THE PALL. FALLINGDOESN'T HURT.
X FEEL SICK. X CAN FEELTHE HOTPOSANP COFFEEX GKASSEO FOR PINNERTRYINGID FIGHT THEIRWAY BACK UP FORAIR-
'o0 ;PlSTUfZBjl/
.. U4 //'
'po NOT
kM£fZ
Pi CWN'T^^WCAKE WHO)©u\QBLOOPYf\RE
!
)jWE WAbfT TO.£££ ZACHEL>/
Vo not£>iSftjpB
POcjUSH«eAr
/THIN&SA
"HEAK If^
Posture?
HEAP IT^threaten?.
rAUUSbNe^loNegoNEj
^/vwereit.
RIGHT?
'^WE'THoUeHT '
you ions ©one^
r^NP >ou'RE^REALLY THE/R.MASTER?
WHENEVERI WANT TO.,.
'
! ,jjki
(J
4* 4HUM- ifr amg1 1
^>©U CAN'T^LEAVE HER LIKE
. THIS. ^
HURTS.
S XSAIC? /. youCAN'T %BLOOpyLEAVE.
7 HER LIKE fTH/S!jvjy-J
ANP SHE KNOWSfiEiS WAITING. FOR HER.
"
HULLO,.LOVE.,
'1S BEEN ALONGTIME.
THEN'
1 KNOW.Love you.
WELL,
HEHHH. AREN'T WEALL, MATE? AREN'T
WE ALL? ^,,1'IL GO WAKE CHASUP, ANP TAKE OFFSACK TOTHE SMOKE,THEN. OOTWOAKIO l
p/'
'WHEREARE'you eome\NOW? j