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  • ROMANTICISMA N A N T H O L O G Y F O U R T H E D I T I O N

    E D I T E D B Y D U N C A N W U

    ISBN 978-1-4051-9075-6

    An outstanding anthology, an excellent choice for advanced undergraduate courses on the Romantic era. This editions improvements include illustrations, a detailed chronology, and expanded selections from women poets. I look forward to using this edition of Romanticism for years to come. Kim Wheatley, College of William and Mary

    This anthology, even more magnificent and indispensable in its Third Edition, is not simply the most useful or the most learned anthology of English Romantic poetry and thought; it is the most exciting.

    Leslie Brisman, Yale University

    Duncan Wus Romanticism: An Anthology has been appreciated by thousands of literature students and their teachers across the globe since its first appearance in 1994, and is the most widely used teaching text in the field in the UK. Now in its fourth edition, it stands as the essential work on Romanticism. It remains the only such book to contain complete poems and essays edited especially for this volume from manuscript and early printed sources by Wu, along with his explanatory annotations and author headnotes. This new edition carries all texts from the previous edition, adding Keatss Isabella and Shelleys Epipsychidion, as well as a new selection from the poems of Sir Walter Scott. All editorial materials, including annotations, author headnotes, and prefatory materials, are revised for this new edition.

    Romanticism: An Anthology remains the only textbook of its kind to include complete and uncut texts of:

    Cover image: Jacques-Louis David, Napoleon Crossing the Alps (1803). Muse National du Chteau de Malmaison. Rueil-Malmaison, France White Images / Scala, Florence

    Cover design by: Richard Boxall Design Associates

    Wordsworth and Coleridge, Lyrical Ballads (1798)

    Wordsworth, The Ruined Cottage, The Pedlar, The Two-Part Prelude, Michael, The Brothers and the Preface to Lyrical Ballads (1800)

    Charlotte Smith, Elegiac Sonnets (3rd edn, 1786), The Emigrants, Beachy Head

    Felicia Dorothea Hemans, Records of Woman sequence (all 19 poems)

    Byron, Childe Harolds Pilgrimage Canto III and Don Juan Dedication and Cantos I and II

    Blake, Songs of Innocence and of Experience, The Marriage of Heaven and Hell, and Urizen

    Shelley, Prometheus Unbound, Epipsychidion, The Mask of Anarchy and Adonais

    Keats, Odes, the two Hyperions, Lamia, Isabella and The Eve of St Agnes

    Hannah More, Sensibility and Slavery: A Poem

    Anna Laetitia Barbauld, Eighteen Hundred and Eleven

    Ann Yearsley, A Poem on the Inhumanity of the Slave-Trade

    Helen Maria Williams, A Farewell, for two years, to England

    ED

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    Praise for the third edition:

    As well as generous selections from the works of Mary Robinson, John Thelwall, Dorothy Wordsworth, Robert Southey, Charles Lamb, Thomas De Quincey, William Hazlitt, Leigh Hunt, John Clare, Letitia Landon and Elizabeth Barrett Browning.

    Visit www.romanticismanthology.com for resources to accompany the anthology, including a dynamic timeline which illustrates key historical and literary events during the Romantic period and features links to usefulmaterials and visual media.

    Duncan Wu is Professor of English at Georgetown University, a former Professor of English Literature at the Universities of Glasgow and Oxford, and a Fellow of the Royal Society of Arts. His publications include A Companion to Romanticism (Blackwell, 1997) and Romantic Women Poets: An Anthology (Blackwell, 1997). He is Vice-Chairman of the KeatsShelley Memorial Association and The Charles Lamb Society.

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  • Romanticism

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  • Blackwell Anthologies

    Editorial Advisers

    Leslie Brisman, Yale University; Kim Wheatley, The College of William and Mary; Paul Douglass, San Jos State University; David Ayers, University of Kent; Corinna Wagner, Exeter University; Susan Wolfson, Princeton University.

    Blackwell Anthologies are a series of extensive and comprehensive volumes designed to address the numerous issues raised by recent debates regarding the literary canon, value, text, context, gender, genre, and period. While providing the reader with key canonical writings in their entirety, the series is also ambitious in its coverage of hith-erto marginalized texts, and flexible in the overall variety of its approaches to periods and movements. Each volume has been thoroughly researched to meet the current needs of teachers and students.

    Old and Middle English c.890c.1450: An Anthology. Third Editionedited by Elaine Treharne

    Medieval Drama: An Anthologyedited by Greg Walker

    Chaucer to Spenser: An Anthology of English Writing 13751575edited by Derek Pearsall

    Renaissance Literature: An Anthology of Poetry and Prose. Second Editionedited by John C. Hunter

    Renaissance Drama: An Anthology of Plays and Entertainments. Second Editionedited by Arthur F. Kinney

    Restoration Drama: An Anthologyedited by David Womersley

    British Literature 16401789: An Anthology. Third Editionedited by Robert DeMaria, Jr

    Romanticism: An Anthology. Fourth Editionedited by Duncan Wu

    Irish Literature 17501900: An Anthologyedited by Julia Wright

    Childrens Literature: An Anthology 18011902edited by Peter Hunt

    Victorian Women Poets: An Anthologyedited by Angela Leighton and Margaret Reynolds

    Modernism: An Anthologyedited by Lawrence Rainey

    The Literatures of Colonial America: An Anthologyedited by Susan Castillo and Ivy T. Schweitzer

    American Gothic: An Anthology 17871916edited by Charles L. Crow

    Nineteenth-Century American Women Writers: An Anthologyedited by Karen L. Kilcup

    Nineteenth-Century American Women Poets: An Anthologyedited by Paula Bernat Bennett

    Native American Womens Writing: An Anthology of Works c.18001924edited by Karen L. Kilcup

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  • AN ANTHOLOGY

    Fourth Edition

    EDITED BY DUNCAN WU

    A John Wiley & Sons, Ltd., Publication

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  • This fourth edition first published 2012Editorial material and organization 2012 Duncan Wu

    Edition history: Blackwell Publishers Ltd (1e, 1994 and 2e, 1998); Blackwell Publishing Ltd (3e, 2006)

    Blackwell Publishing was acquired by John Wiley & Sons in February 2007. Blackwells publishing program has been merged with Wileys global Scientific, Technical, and Medical business to form Wiley-Blackwell.

    Registered OfficeJohn Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK

    Editorial Offices350 Main Street, Malden, MA 02148-5020, USA9600 Garsington Road, Oxford, OX4 2DQ, UKThe Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK

    For details of our global editorial offices, for customer services, and for information about how to apply for permission to reuse the copyright material in this book please see our website at www.wiley.com/wiley-blackwell.

    The right of Duncan Wu to be identified as the author of the editorial material in this work has been asserted in accordance with the UK Copyright, Designs and Patents Act 1988.

    All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs and Patents Act 1988, without the prior permission of the publisher.

    Wiley also publishes its books in a variety of electronic formats. Some content that appears in print may not be available in electronic books.

    Designations used by companies to distinguish their products are often claimed as trademarks. All brand names and product names used in this book are trade names, service marks, trademarks or registered trademarks of their respective owners. The publisher is not associated with any product or vendor mentioned in this book. This publication is designed to provide accurate and authoritative information in regard to the subject matter covered. It is sold on the understanding that the publisher is not engaged in rendering professional services. If professional advice or other expert assistance is required, the services of a competent professional should be sought.

    Library of Congress Cataloging-in-Publication Data

    Romanticism: an anthology / edited by Duncan Wu. 4th ed. p. cm. Includes index. ISBN 978-1-4051-9075-6 (pbk.)1. English literature19th century. 2. English literature18th century. 3. RomanticismGreat Britain. I. Wu, Duncan. PR1139.R66 2012 820.80145dc23

    2011033180

    A catalogue record for this book is available from the British Library.

    Set in 9 on 10.5pt Dante by SPI Publisher Services, Pondicherry, India

    1 2012

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  • OTHER BOOKS BY DUNCAN WU

    Wordsworths Reading 17701799Wordsworths Reading 18001815Making Plays: Interviews with Contemporary British Dramatists and DirectorsWordsworth: An Inner LifeWordsworths PoetsSix Contemporary Dramatists: Bennett, Potter, Gray, Brenton, Hare, AyckbournWilliam Hazlitt: The First Modern Man

    William Wordsworth: Selected Poems (co-edited with Stephen Gill)Romanticism: A Critical Reader (editor)William Wordsworth: The Five-Book Prelude (editor)Women Romantic Poets: An Anthology (editor)A Companion to Romanticism (editor)William Hazlitt, The Plain Speaker: Key Essays (editor)The Selected Writings of William Hazlitt, nine volumes (editor)British Romanticism and the Edinburgh Review (co-edited with Massimiliano Demata)William Wordsworth: The Earliest Poems 17851790 (editor)Metaphysical Hazlitt (co-edited with Uttara Natarajan and Tom Paulin)New Writings of William Hazlitt (editor)Immortal Bird: Romantic Poems about Nightingales (editor)The Happy Fireside: Romantic Poems about Cats and Dogs (editor)

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  • EdinburghGlasgow

    Abbotsford

    HolyIsland

    Ayr

    DumfriesGretnaGreen

    CockermouthPenrith

    KeswickGrasmere

    HawksheadKendal

    LiverpoolManchester

    Birmingham

    Swansea

    CoventryRugby

    TinternAbbey

    Shrewsbury

    NewsteadAbbey

    WemEastwood

    Porlock

    Alfoxden House(Holford)

    Ottery St Mary Bournemouth

    Clevedon

    Canterbury

    Dover

    Windsor

    Cobham

    Stonehenge

    SalisburyWinchester

    Felpham

    Field Place

    Brighton

    TunbridgeWells

    Nottingham

    Cambridge

    OxfordMarlow

    Eton London

    Lincoln

    MALVERN HILLS

    MENDIPHILLS

    THEFENS

    WENSLEYDALE

    HO

    LDERNESS

    NEWFOREST

    PORTLANDBILL

    ISLE OF WIGHT

    FOREST OFARDEN

    NetherStowey

    VALLEY OF THE ROCKS

    Lands End

    Bath THE WEALD

    MTSNOWDON

    Gwyrch

    LAMMERMUIR HILLS

    CHEV

    IOT

    HILL

    S

    HADRIANS WALL

    COTS

    WOLD

    HILL

    S

    DORSET DOWNSSOUTH DOWNS

    NORTH DOWNSSALISBURYPLAIN

    CHILT

    ERN H

    ILLS

    PE

    NN

    IN

    ES

    ISLE OFMAN

    Arran

    100 miles

    BLAC

    KMOOR

    RYDAL MT

    S C O T L A N D

    WAL E S

    E N G L A N D

    CA

    MB

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    ENGLAND,WALES andthe BORDERS

    in the 19th Century

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  • Contents

    Titles within square brackets are editorial.

    List of Illustrations xxviiiList of Plates xxixAbbreviations xxxIntroduction xxxiiEditors Note on the Fourth Edition xlvEditorial Principles xlviAcknowledgements xlviiiA Romantic Timeline 17701851 li

    Richard Price (17231791) 3From A Discourse on the Love of our Country (1789)

    [On Representation] 4[Prospects for Reform] 5

    Thomas Warton (17281790) 6From Poems (1777)

    Sonnet IX. To the River Lodon 7

    Edmund Burke (1729/301797) 8From A Philosophical Enquiry into the Origins of our Ideas

    of the Sublime and Beautiful (1757) Obscurity 10

    From Reflections on the Revolution in France (1790) 11[History will record] 11[The age of chivalry is gone] 12[On Englishness] 14[Society is a Contract] 15

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    nts William Cowper (17311800) 17

    From The Task (1785) [Crazy Kate] (Book I) 19[On Slavery] (Book II) 20[The Winter Evening] (Book IV) 21

    From Works (18357) Sweet Meat has Sour Sauce, or The Slave-Trader in the Dumps 23

    Thomas Paine (17371809) 24From Common Sense (1776)

    Of the Origin and Design of Government in General 26

    From The Rights of Man Part I (1791) [Freedom of Posterity] 26[On Revolution] 27

    From The Rights of Man Part II (1792) [Republicanism] 28

    Anna Seward (17421809) 29Sonnet written from an Eastern Apartment in the Bishops Palace

    at Lichfield 30

    From Llangollen Vale, with Other Poems (1796) To Time Past. Written Dec. 1772 30

    From Gentlemans Magazine (1786) Advice to Mrs Smith. A Sonnet 31

    From Llangollen Vale, with Other Poems (1796) Eyam 32

    Anna Laetitia Barbauld (ne Aikin) (17431825) 34From Poems (1773)

    A Summer Evenings Meditation 37

    From Poems (1792) Epistle to William Wilberforce, Esq., on the Rejection of the Bill

    for Abolishing the Slave Trade 41

    From Works (1825) The Rights of Woman 44

    From The Monthly Magazine (1799) To Mr Coleridge 45

    Eighteen Hundred and Eleven, A Poem (1812) 46

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    sHannah More (17451833) 55From Sacred Dramas: Chiefly Intended for Young Persons: The Subjects Taken

    from the Bible. To which is Added, Sensibility, A Poem (1782) Sensibility: A Poetical Epistle to the Hon. Mrs Boscawen 59

    Slavery: A Poem (1788) 69

    Cheap Repository The Story of Sinful Sally. Told by Herself (1796) 76

    Charlotte Smith (ne Turner) (17491806) 81Elegiac Sonnets: The Third Edition. With Twenty Additional Sonnets (1786) 87

    To William Hayley, Esq. 87Preface to the First Edition 87Preface to the Third Edition 88Sonnet I 88Sonnet II. Written at the Close of Spring 89Sonnet III. To a Nightingale 89Sonnet IV. To the Moon 89Sonnet V. To the South Downs 90Sonnet VI. To Hope 90Sonnet VII. On the Departure of the Nightingale 91Sonnet VIII. To Spring 91Sonnet IX 91Sonnet X. To Mrs G. 92Sonnet XI. To Sleep 92Sonnet XII. Written on the Seashore. October 1784 93Sonnet XIII. From Petrarch 93Sonnet XIV. From Petrarch 94Sonnet XV. From Petrarch 94Sonnet XVI. From Petrarch 94Sonnet XVII. From the Thirteenth Cantata of Metastasio 95Sonnet XVIII. To the Earl of Egremont 95Sonnet XIX. To Mr Hayley. On Receiving some Elegant Lines from Him 96Sonnet XX. To the Countess of Abergavenny. Written

    on the Anniversary of her Marriage 96Sonnet XXI. Supposed to be Written by Werther 97Sonnet XXII. By the Same. To Solitude 97Sonnet XXIII. By the Same. To the North Star 98Sonnet XXIV. By the Same 98Sonnet XXV. By the Same. Just before his Death 98Sonnet XXVI. To the River Arun 99Sonnet XXVII 99Sonnet XXVIII. To Friendship 100Sonnet XXIX. To Miss C. On being Desired to Attempt

    Writing a Comedy 100

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    nts Sonnet XXX. To the River Arun 101

    Sonnet XXXI. Written on Farm Wood, South Downs, in May 1784 101Sonnet XXXII. To Melancholy. Written on the Banks of the Arun,

    October 1785 102Sonnet XXXIII. To the Naiad of the Arun 102Sonnet XXXIV. To a Friend 102Sonnet XXXV. To Fortitude 103Sonnet XXXVI 103

    The Emigrants: A Poem in Two Books (1793) 104Dedication: To William Cowper, Esq. 104Book I 106Book II 115

    From Beachy Head: with Other Poems (1807) Beachy Head 126

    George Crabbe (17541832) 146From The Borough (1810) Letter XXII: The Poor of the Borough

    Peter Grimes 147

    William Godwin (17561836) 155From Political Justice (2 vols, 1793)

    [On Property] 157[Love of Justice] 158[On Marriage] 159

    Ann Yearsley (ne Cromartie) (17561806) 160From Poems on various subjects (1787)

    Addressed to Sensibility 163A Poem on the Inhumanity of the Slave-Trade (1788) 165

    William Blake (17571827) 174All Religions Are One (composed c.1788) 180

    There is no Natural Religion (composed c.1788) 181

    The Book of Thel (1789) 182

    Songs of Innocence and of Experience (178994)

    Songs of Innocence (1789) 186Introduction 186The Shepherd 186The Ecchoing Green 186The Lamb 187

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    sThe Little Black Boy 188The Blossom 189The Chimney Sweeper 189The Little Boy Lost 190The Little Boy Found 190Laughing Song 190A Cradle Song 191The Divine Image 191Holy Thursday 192Night 192Spring 194Nurses Song 194Infant Joy 195A Dream 195On Anothers Sorrow 196

    Songs of Experience (1794) 197Introduction 197Earths Answer 197The Clod and the Pebble 198Holy Thursday 198The Little Girl Lost 199The Little Girl Found 200The Chimney Sweeper 202Nurses Song 202The Sick Rose 202The Fly 202The Angel 203The Tyger 203My Pretty Rose-Tree 204Ah, Sunflower! 204The Lily 205The Garden of Love 205The Little Vagabond 205London 207The Human Abstract 207Infant Sorrow 208A Poison Tree 208A Little Boy Lost 209A Little Girl Lost 209To Tirzah 210The Schoolboy 211The Voice of the Ancient Bard 212A Divine Image 212

    The Marriage of Heaven and Hell (1790) 212The Argument 212The Voice of the Devil 213

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    nts A Memorable Fancy [The Five Senses] 214

    Proverbs of Hell 215A Memorable Fancy [Isaiah and Ezekiel] 217A Memorable Fancy [A Printing-House in Hell] 218A Memorable Fancy [The Vanity of Angels] 219A Memorable Fancy [A Devil, My Friend] 222A Song of Liberty 222Chorus 223

    Visions of the Daughters of Albion (1793) 224The Argument 224Visions 224

    The First Book of Urizen (1794) 230Preludium to the First Book of Urizen 230Chapter I 230Chapter II 231Chapter III 233Chapter IVa 235Chapter IVb 235Chapter V 237Chapter VI 239Chapter VII 241Chapter VIII 242Chapter IX 243

    Letter from William Blake to the Revd Dr Trusler, 23 August 1799 (extract) 245

    From The Pickering Manuscript (composed 18004) The Mental Traveller 246The Crystal Cabinet 249

    From Milton (composed 18038) [And did those feet in ancient time] 249

    Mary Robinson (ne Darby) (17581800) 250From The Wild Wreath (1804)

    A London Summer Morning 253

    From Lyrical Tales (1800) The Haunted Beach 255

    From The Poetical Works of the Late Mrs Robinson (1806) Ode Inscribed to the Infant Son of S. T. Coleridge, Esq. Born 14 September

    1800 at Keswick in Cumberland. 257

    From Memoirs of the Late Mrs Robinson (1801) Mrs Robinson to the Poet Coleridge 259

    From The Wild Wreath (1804) The Savage of Aveyron 261

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    sRobert Burns (17591796) 265

    From Poems, Chiefly in the Scottish Dialect (1786) Epistle to J. Lapraik, an old Scotch bard, 1 April 1785 267Man was Made to Mourn, A Dirge 271To a Mouse, on turning her up in her nest, with the plough,

    November 1785 273

    From Francis Grose, The Antiquities of Scotland (1791) Tam o Shanter. A Tale 275Song [Oh my loves like the red, red rose] 281

    Mary Wollstonecraft (17591797) 281From A Vindication of the Rights of Men (1790)

    [On Poverty] 283

    From A Vindication of the Rights of Woman (1792) Introduction 284[On the Lack of Learning] 287[A Revolution in Female Manners] 288[On State Education] 289

    Helen Maria Williams (17611827) 291From Poems (1786)

    Part of an Irregular Fragment, found in a Dark Passage of the Tower 296

    From Letters written in France in the summer of 1790 (1790) [A Visit to the Bastille] 302[On Revolution] 303[Retrospect from England] 303

    From Julia, A Novel (1790) The Bastille, A Vision 304

    A Farewell, for Two Years, to England. A Poem (1791) 307

    From Letters containing a Sketch of the Politics of France (1795) [Madame Roland] 312

    Joanna Baillie (17621851) 313From A Series of Plays (1798)

    Introductory Discourse (extracts) 314

    William Lisle Bowles (17621851) 321From Fourteen Sonnets (1789)

    Sonnet VIII. To the River Itchin, near Winton 321

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    nts John Thelwall (17641834) 322

    From Poems Written in Close Confinement in the Tower and Newgate upon a Charge of Treason (1795) Stanzas on hearing for certainty that we were to be tried for high treason 324

    From The Tribune (1795) Dangerous tendency of the attempt to suppress political discussion 325Civic oration on the anniversary of the acquittal of the lecturer

    [5 December], being a vindication of the principles, and a review of the conduct, that placed him at the bar of the Old Bailey. Delivered Wednesday 9 December 1795 (extracts) 326

    Letter from John Thelwall to Samuel Taylor Coleridge, 10 May 1796 (extract) 327

    From Poems Written Chiefly in Retirement (1801) Lines written at Bridgwater in Somersetshire, on 27 July 1797,

    during a long excursion in quest of a peaceful retreat 329

    William Wordsworth and Samuel Taylor Coleridge, Lyrical Ballads (1798) 333

    Contents of Lyrical Ballads (1798) are presented in the order in which they appeared when first published in volume form, not that of composition as elsewhere in this volume. Advertisement (Wordsworth) 337The Rime of the Ancyent Marinere, in seven parts (Coleridge) 339The Foster-Mothers Tale: A Dramatic Fragment (Coleridge) 357Lines left upon a seat in a Yew-Tree which stands near the Lake

    of Esthwaite, on a desolate part of the shore, yet commanding a beautiful prospect (Wordsworth) 359

    The Nightingale; A Conversational Poem, written in April 1798 (Coleridge) 360

    The Female Vagrant (Wordsworth) 363Goody Blake and Harry Gill: A True Story (Wordsworth) 370Lines written at a small distance from my house, and sent by my little

    boy to the person to whom they are addressed (Wordsworth) 374Simon Lee, the old Huntsman, with an incident in which he was

    concerned (Wordsworth) 375Anecdote for Fathers, showing how the art of lying may be

    taught (Wordsworth) 378We are seven (Wordsworth) 380Lines written in early spring (Wordsworth) 382The Thorn (Wordsworth) 383The Last of the Flock (Wordsworth) 390The Dungeon (Coleridge) 392The Mad Mother (Wordsworth) 393The Idiot Boy (Wordsworth) 396

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    sLines written near Richmond, upon the Thames, at Evening (Wordsworth) 408

    Expostulation and Reply (Wordsworth) 409The Tables Turned: an evening scene, on the same subject

    (Wordsworth) 410Old Man Travelling; Animal Tranquillity and Decay,

    A Sketch (Wordsworth) 411The Complaint of a Forsaken Indian Woman (Wordsworth) 412The Convict (Wordsworth) 414Lines written a few miles above Tintern Abbey, on revisiting

    the banks of the Wye during a tour, 13 July 1798 (Wordsworth) 415

    William Wordsworth (17701850) 420A Night-Piece 426

    The Discharged Soldier 427

    The Ruined Cottage 431First Part 431Second Part 436

    The Pedlar 444

    [Not useless do I deem] 453

    [Away, away it is the air] 457

    [The Two-Part Prelude] 457First Part 457Second Part 470

    [There is an active principle] (extract) 483

    From Lyrical Ballads (1800) [There was a boy] 484Nutting 485[Strange fits of passion I have known] 487Song [She dwelt among th untrodden ways] 488[A slumber did my spirit seal] 488[Three years she grew in sun and shower] 488

    [The Prelude: Glad Preamble] 490

    [Prospectus to The Recluse] 491

    From Lyrical Ballads (1800) The Brothers: A Pastoral Poem 493Preface to Lyrical Ballads 506Note to The Thorn 518Note to Coleridges The Rime of the Ancient Mariner 520Michael: A Pastoral Poem 520

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    nts From Poems in Two Volumes (1807)

    [I travelled among unknown men] 533

    From Lyrical Ballads (1802) Appendix to the Preface to Lyrical Ballads:

    On Poetic Diction (extracts) 533Preface to Lyrical Ballads (extracts from revised text) 536

    From Poems in Two Volumes (1807) To H.C., Six Years Old 538The Rainbow 539

    [These chairs they have no words to utter] 540

    From Poems in Two Volumes (1807) Resolution and Independence 541[I grieved for Buonaparte] 545[The world is too much with us] 545Composed upon Westminster Bridge, 3 September 1802 546To Toussaint LOuverture 547[It is a beauteous evening, calm and free] 5471 September 1802 548London 1802 548[Great men have been among us] 549Ode (from 1815 entitled Ode. Intimations of Immortality

    from Recollections of Early Childhood) 549

    From The Five-Book Prelude [The Infant Prodigy] (from Book IV) 554

    From Poems (1815) Daffodils [I wandered lonely as a cloud] 558

    From Poems in Two Volumes (1807) Stepping Westward 559The Solitary Reaper 560

    From The Thirteen-Book Prelude [The Arab Dream] (from Book V) 561[Crossing the Alps] (from Book VI) 565[The London Beggar] (from Book VII) 568[London and the Den of Yordas] (from Book VIII) 568[Paris, December 1791] (from Book IX) 570[Blois, Spring 1792] (from Book IX) 571[Beaupuy] (from Book IX) 572[Godwinism] (from Book X) 575[Confusion and Recovery; Racedown, Spring 1796] (from Book X) 576[The Climbing of Snowdon] (from Book XIII) 578

    From Poems in Two Volumes (1807) Elegiac Stanzas, Suggested by a Picture of Peele Castle in a Storm,

    Painted by Sir George Beaumont 583

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    sA Complaint 585Star Gazers 585[St Pauls] 586

    From Poems (1815) Surprised by joy impatient as the wind 587Preface (extract) 588

    From The River Duddon (1820) Conclusion (I thought of thee, my partner and my guide) 591

    From The Fourteen-Book Prelude (1850), Book VII (extract) [Genius of Burke!] 591

    From Yarrow Revisited, and Other Poems (1835) Airey-Force Valley 592

    From Poetical Works (1836) Extempore Effusion upon the Death of James Hogg 593

    From The Fenwick Notes (1843) [On the Ode] (extract) 595[On We are Seven] (extract) 595

    Sir Walter Scott (17711832) 597

    From The Lay of the Last Minstrel (1805) [Melrose Abbey] 599Caledonia 599

    From Marmion (1808), from Canto V Lochinvar 600

    From Tales of My Landlord (1819); The Bride of Lammermoor Lucy Ashtons Song 602

    From J. G. Lockhart, Memoirs of the Life of Scott (18378) Scotts Diary: 12 February 1826 602

    Dorothy Wordsworth (17711855) 603From The Grasmere Journals

    Wednesday 3 September 1800 604Friday 3 October 1800 (extract) 605Thursday 15 April 1802 605Thursday 29 April 1802 6064 October 1802 607

    A Cottage in Grasmere Vale 608

    After-recollection at sight of the same cottage 609

    A Sketch 609

    Thoughts on my Sickbed 609

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  • xviiiC

    onte

    nts Samuel Taylor Coleridge (17721834) 611

    From Sonnets from Various Authors (1796) Sonnet V. To the River Otter 618

    Letter from S. T. Coleridge to George Dyer, 10 March 1795 (extract) 619

    From Poems on Various Subjects (1796) Effusion XXXV. Composed 20 August 1795, at Clevedon, Somersetshire

    parallel text 620

    From Poetical Works (1834) The Eolian Harp. Composed at Clevedon, Somersetshire (1834) parallel text 621

    From Poems (1797) Reflections on having left a Place of Retirement 626Religious Musings (extract) 628

    Letter from S. T. Coleridge to John Thelwall, 19 November 1796 (extract) 630

    Letter from S. T. Coleridge to Robert Southey, 17 July 1797 (extract) (including early version of This Lime-Tree Bower My Prison) parallel text 632

    From Poetical Works (1834) This Lime-Tree Bower My Prison (1834) parallel text 633

    Letter from S. T. Coleridge to John Thelwall, 14 October 1797 (extract) 638

    Letter from S. T. Coleridge to Thomas Poole, 16 October 1797 (extract) 638

    From Christabel; Kubla Khan: A Vision; The Pains of Sleep (1816) Of the Fragment of Kubla Khan 639[Kubla Khan] (MS) parallel text 640Kubla Khan (1816) parallel text 641

    From Fears in Solitude, written in 1798 during an alarm of an invasion; to which are added France: an Ode; and Frost at Midnight (1798) Frost at Midnight (1798) parallel text 644

    From Poetical Works (1834) Frost at Midnight (1834) parallel text 645

    From Fears in Solitude, written in 1798 during an alarm of an invasion;to which are added France: an Ode; and Frost at Midnight (1798)France: An Ode 650Fears in Solitude. Written April 1798, During the Alarm of an Invasion 653

    From Christabel; Kubla Khan: A Vision; The Pains of Sleep (1816) Christabel 659 Preface 659 Part I 660 The Conclusion to Part I 666 Part II 667 The Conclusion to Part II 675

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  • xix

    Con

    tent

    sLetter from S. T. Coleridge to Thomas Poole, 6 April 1799 (extract) 676

    From The Annual Anthology (1800) Lines Written in the Album at Elbingerode, in the Hartz Forest 677

    The Day-Dream 678

    From The Morning Post (6 September 1802) The Picture; or, The Lovers Resolution 679

    A Letter to Sara Hutchinson, 4 April 1802. Sunday Evening 683

    From Poetical Works (1828) A Day-Dream 692

    From Sibylline Leaves (1817) Dejection: An Ode 693

    From The Morning Post (11 September 1802) Chamouny; the Hour Before Sunrise. A Hymn 697

    Letter from S. T. Coleridge to Robert Southey, 11 September 1803 (extract) (including early version of The Pains of Sleep) parallel text 700

    From Christabel; Kubla Khan: A Vision; The Pains of Sleep (1816) The Pains of Sleep (1816) parallel text 701

    From The Morning Post (11 October 1802) Epigram on Spots in the Sun, from Wernicke 704

    Letter from S. T. Coleridge to Thomas Poole, 14 October 1803 (extract) 704

    Letter from S. T. Coleridge to Richard Sharp, 15 January 1804 (extract) 705

    To William Wordsworth. Lines composed, for the greater part, on the night on which he finished the recitation of his poem in Thirteen Books, concerning the growth and history of his own mind, January 1807, Coleorton, near Ashby-de-la-Zouch 706

    Letter from S. T. Coleridge to William Wordsworth, 30 May 1815 (extract) 709

    From Biographia Literaria (1817) Chapter 13 (extract) 711Chapter 14 (extracts) 712

    From Sibylline Leaves (1817) The Rime of the Ancient Mariner. In seven parts. 714

    From Poetical Works (1829) Constancy to an Ideal Object 731

    From Table Talk (edited from MS) [On The Ancient Mariner] 732[The True Way for a Poet] 732[On The Recluse] 732[Keats] 733

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  • xxC

    onte

    nts Francis, Lord Jeffrey (17731850) 734

    From Edinburgh Review (November 1814) Review of William Wordsworth, The Excursion (extracts) 735

    Robert Southey (17741843) 741From The Monthly Magazine (October 1797)

    Hannah, A Plaintive Tale 744

    From The Morning Post (30 June 1798) The Idiot 746

    From The Morning Post (9 August 1798) The Battle of Blenheim 748

    From The Morning Post (26 September 1798) Night 750

    From Critical Review (October 1798) Review of William Wordsworth and S. T. Coleridge,

    Lyrical Ballads (1798) 751

    From Poems (1799) The Sailor who had Served in the Slave-Trade 753

    Charles Lamb (17751834) 756From Blank Verse by Charles Lloyd and Charles Lamb (1798)

    The Old Familiar Faces 760

    From The Annual Anthology (1799) Living without God in the World 761

    Letter from Charles Lamb to William Wordsworth, 30 January 1801 (extract) 762

    Letter from Charles Lamb to John Taylor, 30 June 1821 (extract) 763

    From Elia (1823) Imperfect Sympathies 764Witches, and Other Night-Fears 769

    William Hazlitt (17781830) 774From The Round Table (1817)

    On Gusto 779

    From The New Monthly Magazine (February 1822) The Fight 782

    From The Liberal (April 1823) My First Acquaintance with Poets 794

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  • xxi

    Con

    tent

    sFrom The Spirit of the Age (1825) Mr Coleridge 808

    James Henry Leigh Hunt (17841859) 816From The Examiner (14 May 1815)

    To Hampstead 820

    From The Story of Rimini, A Poem (1816) Canto III. The Fatal Passion (extract) 820

    From The Examiner (21 September 1817) On the Grasshopper and Cricket 825

    From Foliage (1818) To Percy Shelley, on the degrading notions of deity 826To the Same 826To John Keats 827

    From The Indicator (1820) A Now, Descriptive of a Hot Day 827

    Thomas De Quincey (17851859) 829From Confessions of an English Opium-Eater (1822)

    [Ann of Oxford Street] 835[The Malay] 837[The Pains of Opium] 839[The Pains of Opium: Visions of Piranesi] 841[Oriental Dreams] 842[Easter Sunday] 843

    From London Magazine (October 1823) On the Knocking at the Gate in Macbeth 845

    From Taits Edinburgh Magazine (February 1839) [On Wordsworths There was a boy] 848

    From Blackwoods Edinburgh Magazine (March 1845) Suspiria de Profundis: The Affliction of Childhood

    (extract) 850

    From Blackwoods Edinburgh Magazine ( June 1845) Suspiria de Profundis: The Palimpsest (extract) 855

    From Blackwoods Edinburgh Magazine ( July 1845) Suspiria de Profundis: Finale to Part I. Savannah-la-Mar 856

    Benjamin Robert Haydon (17861846) 858[The Immortal Dinner] 860

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  • xxiiC

    onte

    nts George Gordon Byron, 6th Baron Byron (17881824) 862

    From Childe Harolds Pilgrimage: A Romaunt (1812) Written Beneath a Picture 872

    From Childe Harolds Pilgrimage: A Romaunt (2nd edn, 1812) Stanzas 872

    From Hebrew Melodies (1815) She Walks in Beauty 874

    From Poems (1816) When we two parted 875Fare Thee Well! 876

    Childe Harolds Pilgrimage Canto the Third (1816) 878

    From The Prisoner of Chillon and Other Poems (1816) Prometheus 912Stanzas to Augusta 914

    Epistle to Augusta 915

    From The Prisoner of Chillon and Other Poems (1816) Darkness 919

    Manfred, A Dramatic Poem (1817) 922Dramatis Personae 922Act I 922Act II 932Act III 947

    Letter from Lord Byron to Thomas Moore, 28 February 1817 (extract) (including So well go no more a-roving) 958

    Don Juan (1819) Dedication 959Canto I 964Canto II 1015

    To the Po. 2 June 1819 1064

    Letter from Lord Byron to Douglas Kinnaird, 26 October 1819 (extract) 1065

    Messalonghi, 22 January 1824. On this day I complete my thirty-sixth year 1065

    Richard Woodhouse, Jr (17881834) 1067Letter from Richard Woodhouse to John Taylor,

    c.27 October 1818 (extract) 1067

    Letter from Richard Woodhouse to John Taylor, 19 September 1819 (extract) 1069

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  • xxiii

    Con

    tent

    sPercy Bysshe Shelley (17921822) 1070From Alastor; or, The Spirit of Solitude, and Other Poems (1816)

    To Wordsworth 1081Alastor; or, The Spirit of Solitude 1081

    Journal-Letter from Percy Bysshe Shelley to Thomas Love Peacock, 22 July to 2 August 1816 (extract) 1100

    From The Examiner (19 January 1817) Hymn to Intellectual Beauty 1101

    From History of a Six Weeks Tour through a Part of France, Switzerland, Germany and Holland by Percy Bysshe and Mary Shelley (1817) Mont Blanc. Lines written in the Vale of Chamouni 1104

    From The Examiner (11 January 1818) Ozymandias 1108

    On Love 1108

    From Rosalind and Helen (1819) Lines written among the Euganean Hills, October 1818 1110

    From Posthumous Poems (1824) Stanzas written in Dejection, near Naples 1119

    The Mask of Anarchy. Written on the Occasion of the Massacre at Manchester 1120

    From Prometheus Unbound (1820) Ode to the West Wind 1131

    England in 1819 1134

    Lift not the painted veil 1135

    From Essays, Letters from Abroad, Translations and Fragments (1840) On Life 1135

    Prometheus Unbound (1820) Preface 1138Dramatis Personae 1141Act I 1142Act II 1166Act III 1185Act IV 1198

    From Prometheus Unbound (1820) To a Skylark 1215

    Epipsychidion (1821) 1218

    A Defence of Poetry; or, Remarks Suggested by an Essay Entitled The Four Ages of Poetry (extracts) 1233

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  • xxivC

    onte

    nts Adonais: An Elegy on the Death of John Keats (1821) 1248

    From Posthumous Poems (1824) Music, when soft voices die 1266When passions trance is overpast 1266

    To Edward Williams (The serpent is shut out from Paradise) 1266

    With a Guitar, to Jane 1268

    John Clare (17931864) 1271From The London Magazine (1822)

    To Elia 1272

    Sonnet 1272

    From The Shepherds Calendar (1827) January (A Cottage Evening) (extract) 1273June (extract) 1274

    To the Snipe 1275

    The Flitting 1278

    The Badger 1284

    A Vision 1285

    I am 1286

    An Invite to Eternity 1286

    Little Trotty Wagtail 1287

    Silent Love 1288

    [O could I be as I have been] 1288

    Felicia Dorothea Hemans (ne Browne) (17931835) 1290From Poems (1808)

    Written on the Sea-Shore 1296

    From Welsh Melodies (1822) The Rock of Cader Idris 1296

    From The Works of Mrs Hemans (1839) Manuscript fragments in prose 1297

    From Records of Woman: With Other Poems (1828) Records of Woman (complete sequence) 1298

    Dedication 1299Arabella Stuart 1299The Bride of the Greek Isle 1307The Switzers Wife 1312

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  • xxv

    Con

    tent

    sProperzia Rossi 1315Gertrude, or Fidelity till Death 1318Imelda 1320Edith, a Tale of the Woods 1324The Indian City 1329The Peasant Girl of the Rhne 1334Indian Womans Death Song 1336Joan of Arc, in Rheims 1338Pauline 1341Juana 1344The American Forest Girl 1345Costanza 1347Madeline, a Domestic Tale 1350The Queen of Prussias Tomb 1353The Memorial Pillar 1355The Grave of a Poetess 1357

    Miscellaneous Pieces (1828) The Homes of England 1359The Sicilian Captive 1360To Wordsworth 1362The Spirits Mysteries 1363The Graves of a Household 1365

    From Songs of the Affections, with Other Poems (1830) The Land of Dreams 1366Natures Farewell 1367Second Sight 1369

    From The Works of Mrs Hemans (1839) Despondency and Aspiration 1370

    From The New Monthly Magazine (1835) Thoughts During Sickness: II. Sickness Like Night 1374

    John Gibson Lockhart (17941854) 1375From Blackwoods Edinburgh Magazine (August 1818)

    The Cockney School of Poetry No. IV (extracts) 1379

    John Keats (17951821) 1384From Poems (1817)

    On First Looking into Chapmans Homer 1396Addressed to Haydon 1397On the Grasshopper and the Cricket 1398

    From Endymion: A Poetic Romance (1818) (extracts) [A thing of beauty is a joy for ever] 1398[Hymn to Pan] 1399[The Pleasure Thermometer] 1401

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  • xxviC

    onte

    nts Letter from John Keats to Benjamin Bailey, 22 November 1817 (extract) 1403

    Letter from John Keats to George and Tom Keats, 21 December 1817 (extract) 1404

    On Sitting Down to Read King Lear Once Again 1405

    Sonnet: When I have fears that I may cease to be 1406

    Letter from John Keats to John Hamilton Reynolds, 3 February 1818 (extract) 1406

    From Lamia, Isabella, The Eve of St Agnes, and Other Poems (1820) Isabella; or, The Pot of Basil 1407

    Letter from John Keats to John Hamilton Reynolds, 3 May 1818 (extract) 1423

    Letter from John Keats to Richard Woodhouse, 27 October 1818 1424

    From Lamia, Isabella, The Eve of St Agnes, and Other Poems (1820)Hyperion: A Fragment 1425The Eve of St Agnes 1446

    Journal-Letter from John Keats to George and Georgiana Keats, 14 February3 May 1819 (extracts) 1458

    La Belle Dame Sans Merci: A Ballad 1460

    From Lamia, Isabella, The Eve of St Agnes, and Other Poems (1820) Ode to Psyche 1462Ode to a Nightingale 1464Ode on a Grecian Urn 1466Ode on Melancholy 1469Ode on Indolence 1470Lamia 1472To Autumn 1489

    The Fall of Hyperion: A Dream 1490

    [Bright star, would I were steadfast as thou art] 1502

    [This living hand, now warm and capable] 1503

    Hartley Coleridge (17961849) 1503From Poems (1833)

    Sonnet IX (Long time a child, and still a child) 1504

    From Essays and Marginalia (1851) Sonnet: When I review the course that I have run 1504To Wordsworth 1504

    Mary Wollstonecraft Shelley (ne Godwin) (17971851) 1505From Journals 1506

    28 May 1817 150615 May 1824 1506

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  • xxvii

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    tent

    sOn Reading Wordsworths Lines on Peele Castle 1507

    A Dirge 1508

    [Oh listen while I sing to thee] 1509

    From The Poetical Works of Percy Bysshe Shelley, ed. Mary Shelley (1839) Note on the Prometheus Unbound (extracts) 1509

    Letitia Elizabeth Landon (18021838) 1512From The Improvisatrice; and Other Poems (1824)

    The Improvisatrice: Introduction 1518[Sapphos Song] 1519

    From New Monthly Magazine (1835) Stanzas on the Death of Mrs Hemans 1520

    From Fishers Drawing Room Scrap-Book (1838) Felicia Hemans 1522

    From The Works of L. E. Landon (1838) Scenes in London: Piccadilly 1525The Princess Victoria 1527

    From The Zenana, and Minor Poems of L.E.L. (1839) On Wordsworths Cottage, near Grasmere Lake 1528

    From Life and Literary Remains of L.E.L. (1841) The Poets Lot 1530Death in the Flower 1531Experience Too Late 1531The Farewell 1531

    Elizabeth Barrett Browning (18061861) 1532From The Globe and Traveller (30 June 1824)

    Stanzas on the Death of Lord Byron (composed shortly after 14 May 1824) 1533

    From New Monthly Magazine (1835) Stanzas Addressed to Miss Landon, and suggested by her Stanzas

    on the Death of Mrs Hemans 1534

    From The Athenaeum (26 January 1839) L.E.L.s Last Question 1535

    From The Athenaeum (29 October 1842) Sonnet on Mr Haydons Portrait of Mr Wordsworth 1537

    Index of First Lines 1538

    Index to Headnotes and Notes 1543

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  • Illustrations

    1. The front page of Leigh Hunts Examiner for 14 December 1817 xxxv 2. Anna Laetitia Barbaulds Eighteen Hundred and Eleven, as it

    first appeared in 1812 xxxviii 3. Felicia Hemanss Records of Woman (second edition, 1828) xliii 4. Hazlitts The Spirit of the Age, first published in 1825 xliv 5. Anna Laetitia Barbauld (17431825), engraved by Chapman after

    an unknown artist, published 1798 35 6. Hannah More (17451833) painted by Henry William Pickersgill, 1822 56 7. Charlotte Smith (17491806) engraved by Pierre Cond from a

    portrait by John Opie, published 1797 82 8. London, by William Blake 206 9. Helen Maria Williams (17611827), engraved after a painting by

    an unknown artist, published 1816 29210. Dove Cottage, Grasmere, home of William and Dorothy Wordsworth,

    17991809 52111. Samuel Taylor Coleridge (17721834) by Peter Vandyke, 1795 61212. Charles Lamb (17751834) reading three books at once by candlelight,

    as portrayed by Daniel Maclise 75713. Leigh Hunt (17841859) striking a raffish pose during the 1830s,

    as portrayed by Daniel Maclise 81714. Shelleys Hymn to Intellectual Beauty as it was first published,

    in the pages of Leigh Hunts Examiner 107415. The Peterloo Massacre, by an unknown artist, 1819 112116. Felicia Dorothea Hemans (17931835), bust by Angus Fletcher, 1829 129217. A View of Cheapside in the City of London, by T. M. Baynes after

    W. Duryer, published 11 December 1823 138518. The Sosibios Vase, drawing attributed to Keats 146719. Letitia Elizabeth Landon (18021838) as portrayed

    by Daniel Maclise, c.18305 1513

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