Lecture 8Lecture 8 11
American Realism and American American Realism and American NaturalismNaturalism
The featuresThe features
The representative writersThe representative writers
Mark TwainMark Twain
Lecture 8Lecture 8 22
Historical Background:
the Civil War (1861—1864): “The industrial North had triumphed over the agrarian South, and from that victory came a society based on mass labor and mass consumption.”
Lecture 8Lecture 8 33
“The Gilded Age”: “an age of extremes”— “of decline and progress, of poverty and dazzling wealth, of gloom and buoyant hope”.
Lecture 8Lecture 8 44
American RealismAmerican Realism
Lecture 8Lecture 8 55
RealismRealism
OriginOrigin Reálisme, Reálisme, a literary doctrine that called for “rea literary doctrine that called for “re
ality and truth” in the depiction of ordinary life.ality and truth” in the depiction of ordinary life.
DefinitionDefinition William Dean HowellsWilliam Dean Howells defines Realism as “not defines Realism as “not
hing more and nothing less than the truthful trehing more and nothing less than the truthful treatment of materials”.atment of materials”.
Lecture 8Lecture 8 66
American RealismAmerican Realism
①① a verisimilitude of detail derived from a verisimilitude of detail derived from observationobservation
②② a reliance on the representative in a reliance on the representative in plot, setting and characterplot, setting and character
③③ an objective rather than an idealized an objective rather than an idealized view of human nature and experienceview of human nature and experience
Lecture 8Lecture 8 77
Local ColorLocal Color
““an amalgam of romantic plots and an amalgam of romantic plots and realistic descriptions of things realistic descriptions of things immediately observable: the dialects, immediately observable: the dialects, customs, sights, and sounds of customs, sights, and sounds of regional America”regional America”
Lecture 8Lecture 8 88
Local coloristsLocal colorists
Bret Harte (1836—1902)Bret Harte (1836—1902)
the first American writer of local color to achieve wide the first American writer of local color to achieve wide popularitypopularity
his major concern -- the western mining towns in the his major concern -- the western mining towns in the pioneering dayspioneering days
““The Luck of Roaring Camp”The Luck of Roaring Camp” “ “The Outcasts of Poker Flat”The Outcasts of Poker Flat” “ “Tennessee’s PartnerTennessee’s Partner
Lecture 8Lecture 8 99
Harriet Beecher Stowe (1811—1896)Harriet Beecher Stowe (1811—1896)
a woman writera woman writer
her object – “to interpret the world the her object – “to interpret the world the New England life and character in that New England life and character in that particular time of history which may be particular time of history which may be called the seminal period”called the seminal period”
Uncle Tom’s Cabin (1852)Uncle Tom’s Cabin (1852) Oldtown Folks (1869)Oldtown Folks (1869)
Lecture 8Lecture 8 1010
Kate Chopin (1850—1904)Kate Chopin (1850—1904)
a woman writera woman writer
her concern – the preservation of the Americaher concern – the preservation of the American Southn South
Bayou Folk (1894)Bayou Folk (1894) A Night in Acadie (1897)A Night in Acadie (1897) The Awakening (1899)The Awakening (1899)
Lecture 8Lecture 8 1111
Edith Wharton (1862—1937)Edith Wharton (1862—1937)
a woman writera woman writer
a mirror to the New York high societya mirror to the New York high society
Souls Belated (1899)Souls Belated (1899) The House of Mirth (1905)The House of Mirth (1905) The Custom of the Country (1913)The Custom of the Country (1913)
Lecture 8Lecture 8 1212
Mark Twain (1835—1910)Mark Twain (1835—1910)
a local colorist in his earlier careera local colorist in his earlier career
his major works:his major works: The Adventure of Tom Sawyer (1876)The Adventure of Tom Sawyer (1876) The Adventures of Huckleberry Finn (1884)The Adventures of Huckleberry Finn (1884) Life on the Mississippi (1883)Life on the Mississippi (1883) The Gilded Age (1873)The Gilded Age (1873)
Lecture 8Lecture 8 1313
The Great MastersThe Great Masters
Mark Twain (1835—1910)Mark Twain (1835—1910)
William Dean Howells (1837—1920)William Dean Howells (1837—1920)
Henry James (1843—1916)Henry James (1843—1916)
Lecture 8Lecture 8 1414
William Dean HowellsWilliam Dean Howells
the arbiter of American Realismthe arbiter of American Realism
his subject matter– the experiences of the midhis subject matter– the experiences of the middle class by sustaining an objective point of vidle class by sustaining an objective point of viewew
his works:his works: The Rise of Silas Lapham (1885)The Rise of Silas Lapham (1885) Criticism and Fiction (1891)Criticism and Fiction (1891)
Lecture 8Lecture 8 1515
Henry JamesHenry James
probing into the individual psychology of his probing into the individual psychology of his characterscharacters
writing in a rich and intricate style writing in a rich and intricate style
his concern – American innocence in contact and his concern – American innocence in contact and contrast with European sophisticated and decadencecontrast with European sophisticated and decadence
Daisy Miller (1878)Daisy Miller (1878) The Wings of the Dove (1902)The Wings of the Dove (1902) The Ambassadors (1903)The Ambassadors (1903)
The Art of Fiction (1884)The Art of Fiction (1884)
Lecture 8Lecture 8 1616
Samuel Langhorne ClemensSamuel Langhorne Clemens
(Mark Twain)(Mark Twain)
(1835—1910)(1835—1910)
Lecture 8Lecture 8 1717
Lecture 8Lecture 8 1818
-- born in Hannibal, Missouri-- apprenticed to a printer-- a steamboat pilot on the Mississippi-- fought in the Civil War -- went to the silver fields of Nevada-- joined the staff of Territorial Enterprise-- began his career as a frontier humorist
Mark Twain’s Life:
Lecture 8Lecture 8 1919
Innocents Abroad (1869)Roughing it (1872)The Gilded Age (1873)The Adventures of Tom Sawyer (1876)The Adventures of Huckleberry
Finn (1884)Life on the Mississippi (1883)
Mark Twain’s works:
Lecture 8Lecture 8 2020
1. His works sum up the tradition of Western
humor and frontier realism.
2. He writes about his people and his own life.
3. His greatest achievement on literature is his use of
the dialect and his portrayal of the locale.
Characteristics of Mark Twain’s works:
Lecture 8Lecture 8 2121
“ “Humor is the great thing, the saving Humor is the great thing, the saving
thing. The minute it crops up, all our thing. The minute it crops up, all our
irritations and resentments slip away and irritations and resentments slip away and
a sunny spirit takes their place.”a sunny spirit takes their place.”
-- Mark Twain-- Mark Twain
Lecture 8Lecture 8 2222
The Celebrated Jumping Frog The Celebrated Jumping Frog
of of
Calaveras CountyCalaveras County
Lecture 8Lecture 8 2323
a comic frontier/western tale, together with many tall tales, which Mark Twain heard in the western mining camps in 1861. theme: competition between the pioneers, selfishness and mercilessness of capitalism colloquial style: in the general standard speech of the uneducated
“The Notorious Jumping Frog of Calaveras County” (1865):
Lecture 8Lecture 8 2424
Discussion topics: a. What realistic elements can you find in this story? b. What role does language play in the story? c. How is the story narrated?
Lecture 8Lecture 8 2525
Background: Gold Rush California was a world of men, isolated, homesick,
and eager for entertainment. Gambling was one of the easiest and most
popular ways to amuse themselves. The Easterners had a reputation for being
civilized, cultured, and advanced; whereas the Westerners were considered to be less-educated, less-refined and easy to be deceived.
a. realistic elements:
Lecture 8Lecture 8 2626
Andrew Jackson (the dog’s name): the 7th President of the United States the first Westerner to become president He is described as being determined and strong-
willed.
Daniel Webster (the frog’s name): Daniel Webster (1782 – 1852) is a statesman. He embodies the very spirit of the nation.
Lecture 8Lecture 8 2727
Informal language vs. formal language: To highlight the educational background of the
characters To create a realistic picture of how the characters
speak To make the narration more vivid
b. the role of language:
Lecture 8Lecture 8 2828
(a) Would the story be any different if it were told in the third person point of view?
(b) In what way will this change influence the validity of the story of the jumping frog?
first person within another first person point of view
Third person: more objective, balanced view First person: personal, emotional, sensational,
more vivid
c. The narrative pattern: