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YAHYULIANA
HERNANDEZPortfolio 2016
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YAH
NameYuliana Hernandez
Address4707 Pin Oak ParkApt 1401 Houston, TX 77081
Phone281-660-9990
[email protected]
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RASSAMBLER 4
RIZO 8
VISIONS 12
ALUCINACION 22
BRAZOS VALLEY CHILDRENS THEATRE 28
SPEECH MONSTER 38
CONTENTS
UNIVERSITY OF HOUSTON 2014-2016
TEXAS A&M UNIVERSITY 2010-2014
PROFESSIONAL WORK 2015
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4 ProjectMONUMENT AUX GIRONDINS
PLACE DE LA BOURSE
BASILICIA OF ST. MICHAEL
PONT DE PIERRE
PLACE DE LA VICTOIRE (GIRONDE)
MAISON CANTONALE
JARDIN BOTANIQUE
FUTURE
25 M 75 M 175 M
RASSAMBLERBORDEAUX,FRANCE
LEFT
BA
NK
RIG
HT
BAN
K
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5Yuliana Hernandez
Rassambler proposes the bringing together of the left and right
banks of bordeaux in an effort to open the sit eup to the rest of
the city. Our strategy for the design of the master plan was to
study the existing urban conditions on both the left and right bank
master plan and create a fusion of the two that would exhibit a
cohesion. In an effort to pay respect to the historical
architecture while the space inside of the existing fire station,
housing facilities, and drying tower to create an architectural
complex designed for into a creative arts co-operative where native
and visiting artists environment. The drying tower has been
re-purposed into a camera obscura as a means of visually bringing
together both sides of the city. The first level of the housing
facility has been transformed into retail spaces where artists are
given the opportunity to seel their work and the second level has
been kept as apartment units.
1
MONUMENT AUX GIRONDINS
PLACE DE LA BOURSE
BASILICIA OF ST. MICHAEL
PONT DE PIERRE
PLACE DE LA VICTOIRE (GIRONDE)
MAISON CANTONALE
JARDIN BOTANIQUE
FUTURE
RASSAMBLER
RASSAMBLER PROPOSES THE BRINGING TOGETHER OF THE LEFT AND RIGHT
BANKS OF BORDEAUX IN AN EFFORT TO OPEN THE SITE UP TO THE REST OF
THE CITY. OUR STRATEGY FOR THE DESIGN OF THE MASTER PLAN WAS TO
STUDY THE EXISTING URBAN CONDITIONS ON BOTH THE LEFT BANK AND RIGHT
BANK MASTER PLAN AND CREATE A FUSION OF THE TWO THAT WOULD EXHIBIT
A COHESION. IN AN EFFORT TO PAY RESPECT TO THE HISTORICAL
ARCHITECTURE WHILE SIMULTANEOUSLY CREATING A BOLD PROGRAM, WE HAVE
RE-APPROPRIATED THE SPACE INSIDE OF THE EXISTING FIRE STATION,
HOUSING FACILITIES, AND DRYING TOWER TO CREATE AN ARCHITECTURAL
COMPLEX DESIGNED FOR THE CRE-ATIVE ARTS. IN OUR PROPOSAL, WE
TRANSFORMED THE FIRE STATION INTO A CREATIVE ARTS CO-OPERATIVE
WHERE NATIVE AND VISITING ARTISTS ARE GIVEN THE OPPORTUNITY TO
PARTICIPATE IN A WORK, LIVE AND CREATE ENVIRONMENT. THE DRYING
TOWER HAS BEEN RE-PURPOSED INTO A CAMERA OBSCURA AS A MEANS OF
VISUALLY BRINGING TOGETHER BOTH SIDES OF THE CITY. THE FIRST LEVEL
OF THE HOUSING FACILITY HAS BEEN TRANSFORMED INTO RETAIL SPACES
WHERE ARTISTS ARE GIVEN THE OPPORTUNITY TO SELL THEIR WORK AND THE
SECOND LEVEL HAS BEEN KEPT AS APARTMENT UNITS.
25 M 75 M 175 M
DENSE MINIMAL GREEN SPACETRADITIONAL FRENCH ARCHITECTURELIMITED
PEDESTRIAN PATHS OPEN PLAZAS RADIAL PATHS
GREEN SPACE PEDESTRIAN ORIENTEDMODERN ARCHITECTUREOPEN
PLAZASRADIAL PATHS
ESTCODE
2
WEST ELEVATION EAST ELEVATIONEAST ELEVATION 5 M 15 M 35 M
LEVEL 7
LEVEL 8
LEVEL 6
LEVEL 5
LEVEL 4
LEVEL 3
LEVEL 2
LEVEL 1
A CAMERA OBSCURA IS A OPTICAL DEVICE THAT CONSISTS OF A BOX OR
ROOM WITH A HOLE IN ONE SIDE. LIGHT FROM AN EXTERNAL SCENE PASSES
THROUGH THE HOLE AND STRIKES A SURFACE INSIDE, WHERE IT IS
REPRODUCED UPSIDE DOWN WITH COLOR AND PERSPECTIVE PRESERVED. USING
MIRROS OR A PRISM IT IS POSSIBLE TO PROJECT A RIGHT-SIDE-UP IMAGE.
WE HAVE APPLIED THE CONCEPT OF CAMERA OBSCURA TO RASSAMBLER AS A
MEANS TO VISUALLY BRING TOGETHER THE LEFT AND RIGTH BANKS OF
BORDEAUX.
LEVEL 4
LEVEL 3
LEVEL 2
LEVEL 1 LEVEL 5
LEVEL 6
LEVEL 7
LEVEL 8
12
34
5
8
1
5
8
8
6
6
7
7
3
4
2
8
22
4 4
6
6
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6 Project
ESTCODE
2RASSAMBLER
10 M 35 M 85 M
WEST ELEVATION EAST ELEVATIONEAST ELEVATION 5 M 15 M 35 M
LEVEL 7
LEVEL 8
LEVEL 6
LEVEL 5
LEVEL 4
LEVEL 3
LEVEL 2
LEVEL 1
A CAMERA OBSCURA IS A OPTICAL DEVICE THAT CONSISTS OF A BOX OR
ROOM WITH A HOLE IN ONE SIDE. LIGHT FROM AN EXTERNAL SCENE PASSES
THROUGH THE HOLE AND STRIKES A SURFACE INSIDE, WHERE IT IS
REPRODUCED UPSIDE DOWN WITH COLOR AND PERSPECTIVE PRESERVED. USING
MIRROS OR A PRISM IT IS POSSIBLE TO PROJECT A RIGHT-SIDE-UP IMAGE.
WE HAVE APPLIED THE CONCEPT OF CAMERA OBSCURA TO RASSAMBLER AS A
MEANS TO VISUALLY BRING TOGETHER THE LEFT AND RIGTH BANKS OF
BORDEAUX.
LEVEL 4
LEVEL 3
LEVEL 2
LEVEL 1 LEVEL 5
LEVEL 6
LEVEL 7
LEVEL 8
12
34
5
8
1
5
8
8
6
6
7
7
3
4
2
8
22
4 4
6
6
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7Yuliana Hernandez
RETAIL + APARTMENTS
TOWER/CAMERA OBSCURA
CREATIVE ARTS CO-OP
111221 2 1 1 2
21121 2 1 1 2 3
31112 12 2 2
1 1 2 21 2 1 1 1 1
2 1 21 1 2 1 1 32
3RASSAMBLER
RETAIL + APARTMENT NORTH ELEVATIONRETAIL + APARTMENT SOUTH
ELEVATION
5 M 15 M 40 M
5 M 15 M 35 M
1. OFFICE 2. MEETING ROOM3. OPEN COLLABORATION 4. BREAK ROOM5.
MAIL ROOM6. STORAGE7. RESTROOM8. GYM9. RESTAURANT BAR
1. TEACHING KITCHEN2. RESTAURANT 3. APARTMENT LOBBY4. ART
STUDIO5. DANCE STUDIO6. STORAGE7. RESTROOM8. CLOAK ROOM9. THEATER
BOX OFFICE
1 1
1 1
1
2
4
7 7
56
8
9
3
11
1
2
3
4 5
6 6
6
77
7 7
7 7 8 9 10 12
13
14
15 16 16 17
11
1 M 5 M 15 M
LEVEL 1
LEVEL 2
1. RETAIL SPACE2. STORAGE 3. HOUSING UNIT
LEVEL 1
LEVEL 2
LEVEL 7
LEVEL 6
LEVEL 5
LEVEL 4
LEVEL 31
1
11
11
1 1 1 1
2
22
2 22 2 2 2 2
3
3
33
33 3 3 3
3
1
1
11
11
1 1 1 1
2
22
2 22 2 2 2 2
3
3
33
33 3 3 3
3
SECTION A
1 M 5 M 15 M 1 M 5 M 15 M
111221 2 1 1 2
21121 2 1 1 2 3
31112 12 2 2
1 1 2 21 2 1 1 1 1
2 1 21 1 2 1 1 32
111221 2 1 1 2
21121 2 1 1 2 3
31112 12 2 2
1 1 2 21 2 1 1 1 1
2 1 21 1 2 1 1 32
111221 2 1 1 2
21121 2 1 1 2 3
31112 12 2 2
1 1 2 21 2 1 1 1 1
2 1 21 1 2 1 1 32
111221 2 1 1 2
21121 2 1 1 2 3
31112 12 2 2
1 1 2 21 2 1 1 1 1
2 1 21 1 2 1 1 32
1. APARTMENT UNIT2. WORKSHOP3. LAUNDRY
10. THEATER LOBBY11. STAIR12. THEATER WORKSHOP13. THEATER14.
STAGE15. LOUNGE 16. DRESSING ROOM17. LOADING
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8 Project
X1
X2
X3
X4
X5Y1
Y2
Y3
Y4Y5
C O R ES H E A R W A L L S E X T E R I O R
C O L U M N S
Level 00 Level 05 Level 10 Level 15 Level 20 Level 25 Level 30
Level 35 Level 40 Level 45 Level 50 Level 55 Level 60 Level
65Str
aig
ht
Tow
er
40 o
pen
view
s
Level 00
Tow
er
145
ope
n vi
ews
Tow
er
242
ope
n vi
ews
Tow
er
344
ope
n vi
ews
Tow
er
441
ope
n vi
ews
1 = 500
S T R U C T U R A LG R I D
1 / 1 6 = 1
O P E N V I E W S
+ +
1 = 500
RIZOHOUSTON,TEXAS
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9Yuliana Hernandez
Rizo is a proposal for a residentail twist-ing Skyscrapper in
Downtown Houston. The emphasis of this project was on the different
view sthat it could make without there being any obstrusions. By
testing four different twisting towers, open and closed views were
created. Open views were defined as views that were clear from
anything in the way and closed views were those that had a
neighboring building in the way of the view. Twisting the tower
allowed for new views that would not be otherwsie not be seen in a
straight tower and or blocked by buildings in the future.
1
2 3
1,859 sq-ft
2,377 sq-ft
1,391 sq-ft1/8=1
1
2
3
R E S I D E N T I A L S U I T E S1 / 1 6 = 1
A
A
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10 Project
1
2 3
1,859 sq-ft
2,377 sq-ft
1,391 sq-ft 1
2
3
R E S I D E N T I A L S U I T E S
A
A
G A R D E N R E T A I L
B A L C O N Y U N I T D E T A I L
S O U T H E L E V A T I O N
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11Yuliana Hernandez
Clothing Stores Site
Restauraunts/Bars
Miscsellaneous
Restauraunts/Bars62,454 sq-ft
Retail156,560 sq-ft
Green Gardens39,130 sq-ft
Housing750,000 sq-ft
Green Gardens39,130 sq-ft
Restauraunts/Bars58,695 sq-ft
Housing750,000 sq-ft
parking garage559 parking spaces312,500 sq-ft
Total Project squarefootage: 2.25 Million sq-ft
Restauraunts Bars
Retail
Green Gardens
Housing
Green Gardens
Housing
Restauraunts Bars
C U S T O M E R S E R V I C E S T O R E S
S E C T I O N A1 / 3 2 = 1
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12 Project
VISIONS
Found within Barcelonas Barceloneta Blocks, Visions is a project
derived from an operative map which takes a look at the sections
from the site to specific points around the city in order to design
a market. Noting that Barcelona is a city with a vast history,
tourist life and landscape, it was Important to be able to connect
the Project back to its surroundings. The visibility from the site
to different points in the city was a great factor to being able to
make this relationship, hence why sections were made to better
analyze what could be Visibly seen from a distance.
Barcelona, Spain
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13Yuliana Hernandez
PORT AND BEACH
BARCELONETA MARKET
BARCELONETA BLOCKS
LOCAL SCALE SECTIONS
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14 Project
W HOTEL
GEHRY FISH
PARC DE LACIUTADELLA
BARCELONA CATHEDRAL
TOURIST SCALE SECTIONS
Seven different sections were made from a specific point on the
site to it surrounding city landmarks. These sections were divided
into two categories, landmarks at a tourist scale and landmarks at
a local scale. Making the sections allowed us to look at the spaces
between our site and our landmarks. Once having analyzed the
sections, we came to the conclusion that out project had to reflect
its outside Surroundings while still maintaining the visual
integrity within the residential blocks.
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15Yuliana Hernandez
Lines were drawn Perpendicularly from each of the sections
across the site, so as to begin mapping the analysis of the
sections. In the end, all these lines were overlaid to form a grid
which expressed the sections in their entirety Completely across
the site.From the local and tourist scale grids, two different
geometries were arbitrarily made and then combined together on the
site to form the operative map.
W Hotel
Gehry Fish
Parc de la Ciutadella
Barcelona Cathedral
Combined Grid
Geometry Derivation
Combined Grid
Geometry Derivation
Beach and Port
Barceloneta Market
Barceloneta Blocks
Local scale Tourist scale
Operative Map
OPERATIVE MAP
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16 Project
The geometries within the Operative map became our roofs that
would reflect the landmarks around the city. Each roof would have
Different reflection panels which would reflect a Different part of
the city based on its height and location on the roof. These
reflections would then be made visible from a location underneath
the roof. The program of the market was then formed around making
voids which would allow for visibility to the reflection
panels.
Roof Formation
Creating a Triangular Geometry
Roof Plan
Tourist Scale
ROOF FORMATION
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17Yuliana Hernandez
blue: reflecting the Beachgreen: reflecting the blocks
REFLECTION PANELS
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18 Project
FLOOR PLANS+SECTION
Section
Public Space Plan Market Level Plan
The final market consisted of two plans, the public space plan
and the market plan. The public space plan, which was found
underneath the market, was an area designed for the public to
gather and be given the liberty do many beach side activities such
as , sitting, skateboarding, jogging or simply walking. Within this
floor we have reflection points which are areas directly underneath
the market level. These points allow the public to look up and
directly see one of the reflections on the reflection panels. The
market level was designed so that it didnt impede the view of these
reflections from the public level. Triangular voids were made on
this floor so that reflections would be clearly seen from the
public level.
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19Yuliana Hernandez
STRUCTURE
STRUCTURE
Axonometric
3D perspective of an entrance to the market
The markets bronze roofs are supported by a system of 1 meter
deep steel W Sections which work cohesively with its triangular
geometry. In order to make the reflections possible, reflection
panels are made out of a durable material like stainless steel.
Each of the roofs have a different height in order to achieve the
different Reflections. The tallest two roofs which make up the
market areas are 21 and 18 meters tall. While the two smaller roofs
closer to the residential blocks are 17 and 15 meters tall.
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Project
Walking up to the marketLooking directly up at a reflection
panel from the public level
20
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21Yuliana Hernandez
Walking up to the market
RENDERINGS
View from the tallest market Looking out to the beach
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Project
Objective of this project was to create a fashion Pavilion based
off of iconic fashion inspirations. By looking at designers such as
Yohji Yamamoto and Comme de Garcons I was able to design an analog
model which was derived from two skins, the voronoi skin which not
only created an exo skeleton but also supported the lace, and the
lace skin which Enhanced the voronoi through its use of line work
and ornamental flower like pattern. When put together the skins
produced an analog which expressed, form, structure, ornamentation
and the influence of fashion.
ALUCINACIONSOHO, New York
22
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Yuliana Hernandez 23
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Project
In the final pavilion we see the Structure is embodied not only
as the black textured skin but also as
the metallic ornament which Caresses it. Both elements work
together to create the high fashion effect that is wanted. The
ground
was designed so that in essence it is one with the metallic
structure.
MID RISE
24
-
Yuliana Hernandez
The ground continues onto the black skin and overlaps it
perfomatively creating an exo skeleton which not only works as an
ornament through its organic leaf shapes and complex geometry , but
also Structurally supporting and further Enhancing the black
textured skin.
SECTION
PROGRAM
1. Exterior Public Space2. Entrance Lobby3. Cafe/Bar4.
Kitchenette5. Rest rooms6. Auditorium7. Exhibition Gallery8.
Showroom9. Video Gallery10. Storage
11
1
2
3/4
8
8
7
8
7
10
5 9
625
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26 Project
FLOOR PLANS
Level 3
Level 8
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Yuliana Hernandez
The same geometry that was used for the metallic skin on the
outside of the pavilion was implemented on the interiors but with a
hint of color. The color in contrast with the black creates a
feeling of Hallucination which better emerges the shopper into the
fashion Environment. The interior creates an experience which
involves the perception of something not being present when it
truly is. Its the idea of an interior with elements that seem to
have no reality creating not only effect but also affect.
Alucinacion articulates the notion of Fashion as architecture but
it also makes the surreal and unusual a reality.
INTERIORS
27
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28 ProjectBox Office
Entrance Lobby
Foyer/Perfunction Space
Multi- Purpose Room
Catering Kitchen
Cloakroom
Restrooms
Sup./ LunchSup./ Lunch
Directors officeDirectors Assistant
Reception Waiting
Rece
ptio
nist Large Con-
ference Room
Mee
ting
Room
Senior StaffOffice
Open office Work Station
Classrooms
Costuming Workshop
Storage
Lunch/ Multipurpose Room
Dance Studio
Black Box Theater
General Store
Paint S
torage
RestroomsEquiptment Room
Scene Stor-age
Dressing Room
Scene Shop
Paint Shop
Prop Shop
Staging Storage
Green
Roo
m
TheaterAdmin Instructional Public
Classrooms
BRAZOS VALLEY CHILRENSTHEATREProject in Collaboration with
Amanda GarciaBryan, Texas
Brazos Valley Childrens Theatre is found within Downton Bryan, a
part of the city that is filled with two different age groups. That
of the senior citizens and that of the neighboring college
students. A black box theatre is created in an effort to stimulate
an environment that brings forth a younger Audience to the downtown
scene. Given a specific program, a Tetris inspired program diagram
was made which expressed the relationship between the four
different spaces in the theatre, admin., public, theatrical and
instructional. We then made relationships between the program
itself and the game Tetris. After analyzing both, we found that
Tetris had an intriguing form of manipulation that we wanted to
continue to integrate into our Theatre. Through the shifting and
rotating of forms, Tetris became a game that challenged it players
to think analytically, while still learning and having fun, all
things which we wanted to stimulate within our Black Box
Theatre.
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29Yuliana Hernandez
Restrooms
CONCEPT MASS
MODIFIED MASS
CONCEPT MASSING
The four main Tetris shapes are compiled together into a concept
mass. These shapes are then pushed and pulled in order to amount
for the theatrical program. Once the program is put into the
massing a Theatre is created which not only engages children but
also stimulates them to learn and have fun through its colorful and
playful atmosphere.
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30 Project
YA 0 PLAN
ESTCODE ESTCODE
FLOORPLANS + SITE PLAN
SCA
LE 1
/16
= 1
SI
TE P
LAN
Y ALEVEL 0SITE PLAN
The theatre had to be connected to a park which was across the
street. Our park has a colorful tiled road that leads to the
entrance of the theatre. Also within the park is a water feature,
and cubed seats for outdoor movie screenings. The park slopes down
underneath the connecting street in order to better transition the
younger audience into the playful Theatre realm. Level 0 consists
of the main Entrance and admin. spaces, while Level 1 and Level 2
house the theatrical and instructional spaces.
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31Yuliana Hernandez
YA 2 PLAN
ESTCODE
ESTCODE
1/8 GROUND PLANYALEVEL 2LEVEL 1/ GROUND LEVEL
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32 Project
ELEVATIONS
SOUTH ELEVATION
EAST ELEVATION WEST ELEVATION
NORTH ELEVATION
Each of the Elevations are made up of different colored
Alucobond panels in the form of Tetris shapes. The voids within the
facades make up 1x1 windows and the colored square tiles represent
extruded cubes 3 from the facade and are also 1x 1. The rest of the
facade is made up of white Alucobond panels placed predominately in
a vertical pattern.
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33Yuliana Hernandez
RENDERINGS
View of the Theatre from the Ground level sidewalk
View of the park with the theatre in the background
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Project
SECTION
34
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35Yuliana Hernandez
STRUCTURE
12'-6
"/7.5"
12'-6
"/7.5"
12'-6
"/7.5"
12'-6
"/7.5"
12'-6
"/7.5"
12'/7.2"
12'/7.2"
12'/7.2"
4'/2.5"
4'/2.5"
4'/2.5"
31'/2
'
31'/2
'
19'-8
"/11.8"
12'-6
"/7.5"
19'-4"/11.5"
19'-4"/11.5"
21'-8"/1'
21'-8"/1'
32'-0
"/2'
50'-0
"/2'
9'-4"/5
.6"
9'-8"/2
'
41'-0
"/2'
10'-0"/6"
10'-0"/6"
10'-0"/6"
10'-0"/2'
10'-0"/2' 23'-8"/2'
6'-1"/3
.6"
6'-1"/2
'
6'-1"/3
.6"
10'-0"/6"
10'-0"/6"
10'-0"/6"
10'-0"/2'
10'-0"/2'
18'-9"/2'
18'-9"/2'
18'-9"/2' 22'-0"/2'
32'-8
"/2'
17'-5"/2'
17'-5"/2'
12'-6
"/2'
39'-0"/2'
39'-0"/2'
16'-6
"/2'
14'-11"/2' 21'-9"/2'
16'-6
"/2'
4'/2'
19'-9
"/2'
13'3"/8
"
41'-0
"/2'
19'-9
"/2'
22'-0"/2'
31'/1
'-6.6"
31'/1
'-6.6"
31'/1
'-6.6"
31'/1
'-6.6"
31'/1
'-6.6"
31'/1
'-6.6"
31'/1
'-6.6"
31'/2
'
40'-11"/2' 36'-9"/2'
21'-9"/1'
21'-9"/1'
21'-9"/2'
16'-6
"/9.9"
16'-6
"/9.9"
16'-6
"/9.9"
16'-6
"/9.9"
16'-6
"/9.9"
16'-6
"/9.9"
16'-6
"/9.9"
16'-6
"/9.9"
16'-6
"/9.9"
6'-1"/3
.6"
6'-1"/3
.6"
6'-1"/3
.6"
10'-0"/6"
21'-1
"/2'
10'-0"/6"
10'-0"/6"
6'-1"/3
.6"
Lateral Cross Brace
Lateral Cross Brace
6'-1"/2
'
Lateral Cross Brace
Transfer Column
5'-10"/3.5"
18'-9"/11.25"
18'-9"/11.25"
18'-9"/11.25"
18'-9"/2' 22'/2'
22'/2'
22'/2'
17'-5"/10.5"
6'/3.5"5'-6"/3.5"
28'-6"/1.5"
28'-6"/1.5"
28'-6"/2'
12'-6"/7.5"
12'-6"/7.5"
12'-6"/2'
12'-6"/2'
12'-6"/2'
18'-9"/2'
17'-5"/2'
17'-5"/2'
17'-5"/2'
28'-6"/1.5"
28'-6"/1.5"
28'-6"/1.5"
12'-6"/7.5"
12'-6"/7.5"
12'-6"/7.5"
12'-6"/7.5"
22'/1'1"
22'/1'1"
22'/1'-1"
17'-5"/10.5"
17'-5"/10.5"
17'-5"/10.5"12'/7.2"
12'/7.2"
28'-6"/2'
28'-6"/2'
18'-0"/10.8"
12'-0"/2'
27'-6"/ 2'
27'-6"/2'
27'-6"/ 2'
27'-6"/ 2'
27'-6"/ 2'
27'-6"/ 2'
5'-10"/2'
5'-10"/3.5"
5'-10"/2'
12'6"/7.5"
12'6"/7.5"
12'-6"/2'
12'-6"/2'
7'-9"/4.5"
6'8"/2'
36'5"/ 2'
36'5"/ 2'
36'5"/ 2'
42'11"/2'
42'11"/2'
16'2"/2'
22'-5"/2'
5'-10"/3.5"
5'-10"/3.5"
28'-6"
28'-6"
28'-6"
28'-6"
28'-6"
28'-6"
28'-6"
28'-6"
28'-6"
17'-5"
17'-5"
17'-5"
17'-5"
17'-5"
17'-5"
17'-5"
17'-5"
17'-5"
22'-0"
22'-0"
22'-0"
22'-0"
22'-0"
22'-0"
22'-0"
22'-0"
22'-0"
18'-0"
18'-0"
18'-0"
18'-0"
18'-0"
18'-0"
18'-0"
12'-6"
12'-6"
12'-6"
12'-6"
12'-6"
12'-6"
12'-6"
12'-6"
12'-6"
12'-0"
12'-0"
12'-0"
12'-0"
12'-0"
12'-0"
28'-6"17'-5"22'-0"18'-0" 12'-6"
9'-0"
9'-0"
9'-0"
9'-0"
9'-0"
9'-0"
8'-4"
8'-4"
8'-4"
7'-4"
8'-4"
8'-4"
16'-3"
16'-3"
16'-3"
16'-3"
16'-3"
16'-3"
12'-0"
12'-0"
12'-0"
12'-0"
12'-0"
9'-8"
9'-8"
9'-8"
9'-8"
9'-8"
7'-3"
7'-3"
7'-3"
7'-3"
7'-3"
7'-3"
8'-4"
8'-4"
8'-4"
8'-4"
8'-4"
8'-4"
9'-4"
9'-4"
9'-4"
9'-4"
9'-4"
9'-4"
18'-9" 22'-0" 28'-6" 12'-6"17'-5"
18'-9"
18'-9"
18'-9"
18'-9"
18'-9"
18'-9"
18'-9"
22'-0"
22'-0"
22'-0"
22'-0"
22'-0"
22'-0"
22'-0"
17'-5"
17'-5"
17'-5"
17'-5"
17'-5"
17'-5"
17'-5"
28'-6"
28'-6"
28'-6"
28'-6"
28'-6"
28'-6"
28'-6"
12'-6"
12'-6"
12'-6"
12'-6"
12'-6"
12'-6"
12'-6"
21'-0"
21'-0"
13'-4"
13'-4"
13'-4"
13'-4"
13'-4"
13'-4"
13'-4"
13'-4"
13'-4"
13'-4"
13'-4"
13'-4"
8'-8"
8'-8"
8'-8"
8'-8"
8'-8"
8'-8"
13'-4"
13'-4"
13'-4"
13'-4"
13'-4"
13'-4"
13'-8"
13'-8"
13'-8"
13'-8"
13'-8"
13'-8"
6'-1"
6'-1"
6'-1"
6'-1"
6'-1"
6'-1"
7'-9"
7'-9"
7'-9"
7'-9"
7'-9"
7'-9"
FRAMING PLANS
22'-0" 17'-5" 28'-6" 12'-6"
21'-0"
21'-0"
21'-0"
21'-0"
12'-6
"/7.
5"
12'-6
"/7.
5"
12'-6
"/7.
5"
12'-6
"/7.
5"
12'-6
"/7.
5"
12'/7.2"
12'/7.2"
12'/7.2"
4'/2.5"
4'/2.5"
4'/2.5"
31'/2
'
31'/2
'
19'-8
"/11
.8"
12'-6
"/7.
5"
19'-4"/11.5"
19'-4"/11.5"
21'-8"/1'
21'-8"/1'
32'-0
"/2'
50'-0
"/2'
9'-4
"/5.
6"9'
-8"/
2'
41'-0
"/2'
10'-0"/6"
10'-0"/6"
10'-0"/6"
10'-0"/2'
10'-0"/2' 23'-8"/2'
6'-1
"/3.
6"
6'-1
"/2'
6'-1
"/3.
6"
10'-0"/6"
10'-0"/6"
10'-0"/6"
10'-0"/2'
10'-0"/2'
18'-9"/2'
18'-9"/2'
18'-9"/2' 22'-0"/2'
32'-8
"/2'
17'-5"/2'
17'-5"/2'
12'-6
"/2'
39'-0"/2'
39'-0"/2'
16'-6
"/2'
14'-11"/2' 21'-9"/2'
16'-6
"/2'
4'/2'
19'-9
"/2'
13'3
"/8"
41'-0
"/2'
19'-9
"/2'
22'-0"/2'
31'/1
'-6.6
"
31'/1
'-6.6
"
31'/1
'-6.6
"
31'/1
'-6.6
"
31'/1
'-6.6
"
31'/1
'-6.6
"
31'/1
'-6.6
"
31'/2
'
40'-11"/2' 36'-9"/2'
21'-9"/1'
21'-9"/1'
21'-9"/2'
16'-6
"/9.
9"
16'-6
"/9.
9"
16'-6
"/9.
9"
16'-6
"/9.
9"
16'-6
"/9.
9"
16'-6
"/9.
9"
16'-6
"/9.
9"
16'-6
"/9.
9"
16'-6
"/9.
9"
6'-1
"/3.
6"
6'-1
"/3.
6"
6'-1
"/3.
6"
10'-0"/6"
21'-1
"/2'
10'-0"/6"
10'-0"/6"
6'-1
"/3.
6"
Lateral Cross Brace
Lateral Cross Brace
6'-1
"/2'
Lateral Cross Brace
Transfer Column
5'-10"/3.5"
18'-9"/11.25"
18'-9"/11.25"
18'-9"/11.25"
18'-9"/2' 22'/2'
22'/2'
22'/2'
17'-5"/10.5"
6'/3.5"5'-6"/3.5"
28'-6"/1.5"
28'-6"/1.5"
28'-6"/2'
12'-6"/7.5"
12'-6"/7.5"
12'-6"/2'
12'-6"/2'
12'-6"/2'
18'-9"/2'
17'-5"/2'
17'-5"/2'
17'-5"/2'
28'-6"/1.5"
28'-6"/1.5"
28'-6"/1.5"
12'-6"/7.5"
12'-6"/7.5"
12'-6"/7.5"
12'-6"/7.5"
22'/1'1"
22'/1'1"
22'/1'-1"
17'-5"/10.5"
17'-5"/10.5"
17'-5"/10.5"12'/7.2"
12'/7.2"
28'-6"/2'
28'-6"/2'
18'-0"/10.8"
12'-0"/2'
27'-6"/ 2'
27'-6"/2'
27'-6"/ 2'
27'-6"/ 2'
27'-6"/ 2'
27'-6"/ 2'
5'-10"/2'
5'-10"/3.5"
5'-10"/2'
12'6"/7.5"
12'6"/7.5"
12'-6"/2'
12'-6"/2'
7'-9"/4.5"
6'8"/2'
36'5"/ 2'
36'5"/ 2'
36'5"/ 2'
42'11"/2'
42'11"/2'
16'2"/2'
22'-5"/2'
5'-10"/3.5"
5'-10"/3.5"
28'-6"
28'-6"
28'-6"
28'-6"
28'-6"
28'-6"
28'-6"
28'-6"
28'-6"
17'-5"
17'-5"
17'-5"
17'-5"
17'-5"
17'-5"
17'-5"
17'-5"
17'-5"
22'-0"
22'-0"
22'-0"
22'-0"
22'-0"
22'-0"
22'-0"
22'-0"
22'-0"
18'-0"
18'-0"
18'-0"
18'-0"
18'-0"
18'-0"
18'-0"
12'-6"
12'-6"
12'-6"
12'-6"
12'-6"
12'-6"
12'-6"
12'-6"
12'-6"
12'-0"
12'-0"
12'-0"
12'-0"
12'-0"
12'-0"
28'-6"17'-5"22'-0"18'-0" 12'-6"
9'-0"
9'-0"
9'-0"
9'-0"
9'-0"
9'-0"
8'-4"
8'-4"
8'-4"
7'-4"
8'-4"
8'-4"
16'-3"
16'-3"
16'-3"
16'-3"
16'-3"
16'-3"
12'-0"
12'-0"
12'-0"
12'-0"
12'-0"
9'-8"
9'-8"
9'-8"
9'-8"
9'-8"
7'-3"
7'-3"
7'-3"
7'-3"
7'-3"
7'-3"
8'-4"
8'-4"
8'-4"
8'-4"
8'-4"
8'-4"
9'-4"
9'-4"
9'-4"
9'-4"
9'-4"
9'-4"
18'-9" 22'-0" 28'-6" 12'-6"17'-5"
18'-9"
18'-9"
18'-9"
18'-9"
18'-9"
18'-9"
18'-9"
22'-0"
22'-0"
22'-0"
22'-0"
22'-0"
22'-0"
22'-0"
17'-5"
17'-5"
17'-5"
17'-5"
17'-5"
17'-5"
17'-5"
28'-6"
28'-6"
28'-6"
28'-6"
28'-6"
28'-6"
28'-6"
12'-6"
12'-6"
12'-6"
12'-6"
12'-6"
12'-6"
12'-6"
21'-0"
21'-0"
13'-4"
13'-4"
13'-4"
13'-4"
13'-4"
13'-4"
13'-4"
13'-4"
13'-4"
13'-4"
13'-4"
13'-4"
8'-8"
8'-8"
8'-8"
8'-8"
8'-8"
8'-8"
13'-4"
13'-4"
13'-4"
13'-4"
13'-4"
13'-4"
13'-8"
13'-8"
13'-8"
13'-8"
13'-8"
13'-8"
6'-1"
6'-1"
6'-1"
6'-1"
6'-1"
6'-1"
7'-9"
7'-9"
7'-9"
7'-9"
7'-9"
7'-9"
ESTCODE
ESTCODE
60 PSF
100 PSF
150 PSF
250 PSF
W 12x87 Column
Bolted Moment Connection
W14x730 Girder
W12X35 Beam
YA BUILDING STRUCTURE
FRAMING PLANS
LIVE LOAD DIAGRAM
LOAD TRACING DIAGRAM
COLUMN CONNECTION
22'-0" 17'-5" 28'-6" 12'-6"
21'-0"
21'-0"
21'-0"
21'-0"
The structural material that was chossen to Support the Theatre
was steel. Steel better supported our long spans as well as kept
our building from looking too bold or heavy. The Black Box theatre
is made up of load bearing concrete walls 1 thick with steel
trusses. The theatre had different needs to meet than that of the
rest of the building so we treated it as its own space by giving it
a structural and cooling/heating system of its own.
-
36 Project
FACADE DETAIL
1
2
3
The colorful Tetris inspired facades are supported by 4x 4 steel
tube waffles. The steel tube waffles support operable windows, the
Alucobond panels and their supporting clippings as well as C
Channels and steel panels which help connect everything together.
The facade makes up the most playful aspect of the building by
engaging the younger audience with the cubes and windows. The
Children are able to touch and understand the forms on the facade
as well as poke their heads on the windows so as to play hide and
seek with both the Exterior and interior of the building.
-
37Yuliana Hernandez
RENDERING
4 5
-
38 Project
SPEECH MONSTERHOUSTON,TEXAS
Renovation of an Existing Community Center office for the use of
a new speech center. Two different Design Options wer made for the
client. Option one was chosen by the client and contractor so as to
not demolish and have to construct new walls. The Center now gives
speech therapy classes to children around the Houston Area. With 4
different classrooms, the center gives its students the privacy and
comfort they need to better their speech.
Scale
Date
Drawn By
Checked By
Project Number
1/4" = 1'-0"
A101
LEVEL 01 -DEMOLITION PLAN
Mitch Matson
Speech TherapyCenter
.Yuliana Hernandez
3/29/2015.01
No. Description Date
LEGENDEXISTING TO REMAIN PARTITION
PARTITION TO BE DEMOLISHED
CONTRACTOR TO PATCH UP THEREST OF THE WALL WHEREWINDOWS USED TO
BERE: A-102
CONTRACTOR TOPATCH UP THE REST OFTHE WALL RE: A-102
EXISTING TO REMAIN DOOR
DOOR TO BE DEMOLISHED
WINDOW TO BE DEMOLISHED
-
39Yuliana Hernandez
7' -
0 1/
2"
11' - 0"
7' -
0 1/
2"9'
- 1
1/4"
9' -
1 1/
4"11
' - 1
" RECEPTION
CLASSROOM 1
CLASSROOM 2
CLASSROOM 3
CLASSROOM 4
OFFICE
RESTROOM
RECEPTION
CLASSROOM 1
CLASSROOM 2
CLASSROOM 3
CLASSROOM 4
OFFICE
RESTROOM
RECEPTION
CLASSROOM 1
CLASSROOM 2
CLASSROOM 3
CLASSROOM 4
OFFICE
RESTROOM
OPTION 1 OPTION 2
4' - 2"
NEWWALLSTHATWOULDNEED TOBE ADDED
Scale
Date
Drawn By
Checked By
Project Number
1/4" = 1'-0"
A102
LEVEL 01 -GROUND PLAN
Mitch Matson
Speech TherapyCenter
CheckerYuliana Hernandez
3/29/2015.01
No. Description Date
LEGENDEXISTING TO REMAIN PARTITION
EXISTING TO REMAIN DOOR
NEW DOOR
NEW PARTITION
-
YAHYULIANA
HERNANDEZPortfolio 2016
