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Vira-lata, adj (animal) without defined breed.Vira: to change direction: v1. to place in direction or previous opposite position. 2. (to make) to take direction to. 3. to place head upside down. 4. to go to (a road that returns or turns). 5. to place the inside outside. 6. to move around oneself center. 7. to effort to overcome trouble or reach goals. 8. to suffer disturbance, to change. 9. to transform. Vira-lata was born during our stay in Vila Matos, Salvador de Bahia, BR (2004).It is an open project, where whole format fits and doesn’t exist a unique or lineal process, but a concept and ways of work with a common base. Pretends to show things that “change direction”, that have different views, by investigation of different artistic areas such illustration, design, animation...Vira-lata is a body in continuous transfor-mation that moves depending on our interests, situations, possibilities or needs.Talking about a “Vira-lata”, we refer to an attitude, we try to learn from.
Vira-lata: (del portugués) adj. (animal) sin raza definida.virar: v.1. Colocarse en dirección o posición contraria a la anterior. 2. (hacer) tomar dirección de .3. Ponerse de cabeza para abajo. 4. seguir por (camino que da la vuelta o gira). 5. poner el lado interior para afuera. 6.
moverse en torno del propio eje o centro .7.esforzarse para vencer dificultades, alcanzar objetivos. 8. sufrir
alteración, mudar. 9. transformarse.
Vira-lata nace durante nuestra estancia en Vila Matos, un barrio de Salvador de Bahía, Brasil, (2004)
Es, esencialmente, un proyecto de vida dentro del cual se generan diversos proyectos artísticos en los que no
existe un proceso único o lineal aunque si una base común en cuanto a concepto y formas de trabajo.
Investigando en diferentes áreas artísticas, Vira-lata va mudando según sus inquietudes, situaciones,
posibilidades o necesidades. Su finalidad ética es conocernos mejor a través del mundo que nos rodea.
Cuando hablamos de un Vira-lata, nos referimos a una actitud, de la cual intentamos aprender.
by vira-lata
iosonoquastreet art proyect
Sometimes we stumble on something which shamelessly looks us with enquiring eyes, hungry mouths from ripped placards, bodies from holes or evil shades.
IO SONO QUAStreet Art Project
page4Palermo (Italy).2011
page51. Valencia (Spain). 20102 and 3. Madrid (Spain). 2010
1 2
3
page6Palermo (Italy).2011
page7
page81.Cartagena (Spain). 2011. (Page 7)2 and 3. Valencia (Spain).2010
Vira-lata, adj (animal) without defined breed.Vira: to change direction: v1. to place in direction or previous opposite position. 2. (to make) to take direction to. 3. to place head upside down. 4. to go to (a road that returns or turns). 5. to place the inside outside. 6. to move around oneself center. 7. to effort to overcome trouble or reach goals. 8. to suffer disturbance, to change. 9. to transform. Vira-lata was born during our stay in Vila Matos, Salvador de Bahia, BR (2004).It is an open project, where whole format fits and doesn’t exist a unique or lineal process, but a concept and ways of work with a common base. Pretends to show things that “change direction”, that have different views, by investigation of different artistic areas such illustration, design, animation...Vira-lata is a body in continuous transfor-mation that moves depending on our interests, situations, possibilities or needs.Talking about a “Vira-lata”, we refer to an attitude, we try to learn from.
Vira-lata: (del portugués) adj. (animal) sin raza definida.virar: v.1. Colocarse en dirección o posición contraria a la anterior. 2. (hacer) tomar dirección de .3. Ponerse de cabeza para abajo. 4. seguir por (camino que da la vuelta o gira). 5. poner el lado interior para afuera. 6.
moverse en torno del propio eje o centro .7.esforzarse para vencer dificultades, alcanzar objetivos. 8. sufrir
alteración, mudar. 9. transformarse.
Vira-lata nace durante nuestra estancia en Vila Matos, un barrio de Salvador de Bahía, Brasil, (2004)
Es, esencialmente, un proyecto de vida dentro del cual se generan diversos proyectos artísticos en los que no
existe un proceso único o lineal aunque si una base común en cuanto a concepto y formas de trabajo.
Investigando en diferentes áreas artísticas, Vira-lata va mudando según sus inquietudes, situaciones,
posibilidades o necesidades. Su finalidad ética es conocernos mejor a través del mundo que nos rodea.
Cuando hablamos de un Vira-lata, nos referimos a una actitud, de la cual intentamos aprender.
1
32
page91. Palermo (Italy). 20092. Valencia (Spain). 20103. Palermo (Italy). 20114.Cartagena (Spain).2011
1
2
3 4
page10
page111.Crack! Festival. Roma (Italy).20102.Palermo (Italy).2010
1
3
2 4
page12
page131. Palermo (Italy). 20112. Madrid (Spain). 2010
1
2
page14Palermo (Italy).2010
page151. Cartagena (Spain). 20112 and 3. Valencia (Spain). 2012
1
2
3
page16Valencia (Spain).2012
1
page171.Palermo (Italy). 2010
page18Madrid (Spain). 2010
page20Valencia (Spain). 2010
page21Cartagena (Spain).2011
HOLE SWEETHOLE.Street Art Project
page24Valencia (Spain). 2012
page25 1 and 4. Cartagena (Spain). 2011 2 and 3. Valencia (Spain). 2012
1
2 3
4
page26Cartagena (Spain).2011
MURALPAINTING
by VIRA-LATA
AMAIA’S ROOM Mural PaintingPrivate person, Valencia,Spain, 2012
page30Amaia’s room, Private person, Valencia (Spain), 2012
page31Amaia’s room, Private person, Valencia(Spain), 2012
page32Amaia’s room,Private person, Valencia (Spain), 2012
page33Amaia’s room, Private person, Valencia (Spain), 2012
page34Amaia’s room, Private person, Valencia (Spain), 2012
page35Amaia’s room, Private person, Valencia (Spain), 2012
POLINIZAMural PaintingPoliniza, Festival of Street Art,ValenciaSpain, 2011
page38PolinizaFestival of Street Art, Valencia (Spain), 2011
page39PolinizaFestival of Street Art, Valencia (Spain), 2011
page40PolinizaFestival of Street Art, Valencia (Spain), 2011
page41PolinizaFestival of Street Art, Valencia (Spain), 2011
RATATATÁMural PaintingPub Lulú, PalermoItaly, 2010
page46Ratatatá, Pub Lulú, Palermo (Italy), 2010
pág44Ratatatá,Pub Lulú, Palermo (Italy), 2010
page45Ratatatá,Pub Lulú, Palermo (Italy), 2010
page47Ratatatá, Pub Lulú, Palermo (Italy), 2010
HEMODIALYSIS AND QUIMIOTERIA ROOMEphemeral Mural Intervention(adhesive tape)Denia Hospital, AlicanteSpain, 2011Hemodialysis and Quimioteria RoomEphemeral mural intervention mural.This initiative is part of the workshops for patients of the Arts Hospital Project in Denia, launched to humanize healthcare spaces.The fact of intervening rooms while patients were present, we were forced to adapt. The rooms are implanted with tape instead of plastic paint due to the ephemeral nature of the intervention.Hemodialysis and chemotherapy room at the Hospital de Denia, Valencia (Spain)
page50Hemodialysis and quimioteria room,Denia Hospital, Alicante (Spain), 2011.Ephemeral Mural Intervention (tape)
page51Hemodialysis and quimioteria room,Denia Hospital, Alicante (Spain), 2011.Ephemeral Mural Intervention (tape))
pág55page52Hemodialysis and quimioteria room,Denia Hospital, Alicante (Spain), 2011.Ephemeral Mural Intervention (tape)
page53Hemodialysis and quimioteria room,Denia Hospital, Alicante (Spain), 2011.Ephemeral Mural Intervention (tape)
page54Hemodialysis and quimioteria room,Denia Hospital, Alicante (Spain), 2011.Ephemeral Mural Intervention (tape)
HEADLESS BODIES, BODILESS HEADSMural PaintingFaculty of ArchitecturePalermoItaly, 2010
page57Headless bodies, bodiless heads, Faculty of Architecture, Palermo (Italy), 2010
page58Headless bodies, bodiless heads, Faculty of Architecture, Palermo (Italy), 2010
page59Headless bodies, bodiless heads, (detail) Faculty of Architecture, Palermo (Italy), 2010
page60Headless bodies, bodiless heads, (detail) Faculty of Architecture, Palermo (Italy), 2010
page61Headless bodies, bodiless heads, (detail) Faculty of Architecture, Palermo (Italy), 2010
page62Headless bodies, bodiless heads, (detail) Faculty of Architecture, Palermo (Italy), 2010
page63Headless bodies, bodiless heads, (detail) Faculty of Architecture, Palermo (Italy), 2010
page64Headless bodies, bodiless heads, (detail) Faculty of Architecture, Palermo (Italy), 2010
page65Headless bodies, bodiless heads, (detail) Faculty of Architecture, Palermo (Italy), 2010
page66 Headless bodies, bodiless heads, (detail) Faculty of Architecture, Palermo (Italy), 2010
FEAR OF THE WALL Mural PaintingIncome Vila Velha Theatre,Salvador de BahíaBrazil, 2009
page69Fear of the wall (detail), Wall of the main entrance Vila Velha Theatre, Salvador de Bahía (Brazil), 2009
page70Fear of the wall (detail), Wall of the main entrance Vila Velha Theatre, Salvador de Bahía (Brazil), 2009
page71Fear of the wall (detail), Wall of the main entrance Vila Velha Theatre, Salvador de Bahía (Brazil), 2009
page72Fear of the wall (detail), Wall of the main entrance Vila Velha Theatre, Salvador de Bahía (Brazil), 2009
page73
Fear of the wall (detail), Wall of the main entrance Vila Velha Theatre, Salvador de Bahía (Brazil), 2009
page74Fear of the wall (detail), Wall of the main entrance Vila Velha Theatre, Salvador de Bahía (Brazil), 2009
PORRINHA, YOU ARE SMALLMural PaintingHairdresser Skip, La Comune, PalermoItalia, 2007
page77Porrinha, you are small (detail), Palermo (Italy), 2007
page78Porrinha, you are small (detail), Palermo (Italy), 2007
page79Porrinha, you are small (detail), Palermo (Italy), 2007
page80Porrinha, you are small (detail), Palermo (Italy), 2007
page81Porrinha, you are small (detail), Palermo (Italy), 2007
page82Porrinha, you are small (detail), Palermo (Italy), 2007
page83Porrinha, you are small (detail), Palermo (Italy), 2007
page84Porrinha, you are small (detail), Palermo (Italy), 2007
INDEXSTREET ART PROJECTS
Io Sono Qua2007/ 2012pages 3-22
Hole sweet hole2011/ 2012pages 23-27
MURAL PAINTING
Amaia’s roomPrivate person, Valencia (Spain). 2012 / page 29-36
PolinizaPoliniza, Festival of Street Art, Valencia (Spain).2010 / page 37-42
RatatatáPub Lulú, Palermo (Italy). 2010 / page 43-48
Io Sono Qua. Denia Hospital Hospital de Denia, Alicante (España). 2011 / page 49-55
Headless bodies, bodiless headsFaculty of Architecture, Palermo (Italy). 2010 / page 56-67
Fear of the wallTheatre Vila Velha, Salvador de Bahía (Brasil). 2008 / page 68-75
Porrinha, you are smallHairdresser, zSkip, la Comune, Palermo (Italia). 2007 / page 76-85
Vira-lata is formed by:Rebeca Ros GálvezElena Gisbert de ElioPorrinha
Contact:http://issuu.com/[email protected] Contact phone: Rebeca (+34) 653 403 157 Elena (+34) 659 862 548