CURRICULUM VITAE SANG-HIE LEE - USF School of Musicmusic.arts.usf.edu/content/articlefiles/1396-CV SHL... · CURRICULUM VITAE SANG-HIE LEE 4 of 31 Additional Piano Study Academy of

CURRICULUM VITAE SANG-HIE LEE

School of Music 9306 Braemar Drive

College of the Arts Tampa, Florida 33647

University of South Florida Tel: 813.746.9209 (home)

4202 East Fowler Avenue, MUS 101 813.944.8171 (cell)

Tampa, Florida 33620-7350

Tel: 813.974.2311 Fax: 813.974.8721

E-mail address: [email protected]

Webpage: http://music.arts.usf.edu/content/templates/?a=1396&z=42

EXECUTIVE SUMMARY

A pianist-pedagogue and higher education scholar, Sang-Hie Lee received a BA in piano

performance with honors from Ewha Womans University, Seoul, Korea; MM in piano

performance from American Conservatory of Music, Chicago; and EdD with specialization

on piano performance and pedagogy from The University of Georgia. She continued her

scholarly training at the Center for the Study of Higher and Postsecondary Education at

University of Michigan, where she received a PhD in Higher Education with emphasis on

Academic Affairs.

She came to University of South Florida as Associate Dean of College of Fine Arts for

Academic and Student Affairs in 1995, where she was also the PI and Director of federally-

funded community-arts program AmeriCorps Arts USF. Prior to coming to USF, she served

as Research Associate I to Provost at University of Michigan, where she expanded her

knowledge of research university’s governance and structure.

She is the author of Scholarly Research for Musicians: A Comprehensive Strategy to be published

by McGraw Hill Publications, Inc. in January 2012. This book focuses on innovative concept

in teaching research to musicians and music educators. She is now working on her second

book, Arts in the Academy: Research Agenda, Context and Content.


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Dr. Lee is the founding Editor of the College Music Society’s Cultural Expressions in Music

Monograph Series; and she serves on the Board of Directors of the Performing Arts Medicine

Association, an international multidisciplinary professional organization.

As performer, Dr. Lee has debuted solo recitals in Rome, Italy; Bruno Walter

Auditorium at the Lincoln Center, New York; and Dr. Bethune Collegiate Auditorium in

Ontario, Canada. Her performance was applauded “intelligent” and “deeply felt” in Rome

International Daily News. She is active as chamber music performer and premieres new

works as well as traditional repertoire at national and international venues.

Dr. Lee’s research, focused on musician’s performance-related physical and

psychological issues, has been published in Medical Problems of Performing Artists,

Psychomusicology, Médicine des Arts, the American Music Teacher, and Australian Journal of Music

Education. She has also published articles, critical reviews, and abstracts in the International

Society for Music Education Conference Proceedings, College Music Society Newsletter, Psychology of Music,

The Piano Quarterly, the Bulletin of the Council of Research in Music Education, Conference on Piano

Pedagogy Proceedings, Music Teachers National Association, and Music Educators National Conference.

Her research is cited in the inaugurating MENC Handbook of Research on Music Teaching and

Learning (1992), the Pianist’s Reference Guide, Pianographie, the Piano Quarterly, the Journal of the

American Liszt Society, and numerous doctoral dissertations.

Her current project “Robotics Modeling of Skilled Hand Tasks” received the

Neuroscience Collaborative grant of $100,000. She and her Computer-Science Engineer

collaborators are looking into motor control of skilled hand tasks through analyses of

performance, biomechanical, and motion data of healthy and injured pianists. The goal is to

develop robotic models that can guide educational and retraining programs.


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EDUCATION

Doctor of Philosophy (Ph.D.) (1991-1995)-- University of Michigan, Ann Arbor, Michigan

Center for the Study of Higher and Postsecondary Education

• Emphasis: Academic Affairs

• Ph.D. Dissertation. “Departmental Conditions and Music Faculty Vitality.”

University of Michigan, 1995. Advisor: Marvin W. Peterson. Publication on demand.

Ann Arbor, Michigan: ProQuest. Pub# 9527679.

Doctor of Education (Ed.D.) (1975-1977)--The University of Georgia, Athens, Georgia

College of Education. Completed Doctor of Musical Arts (DMA) Curriculum (1973-

1977) – The University of Georgia, Athens, Georgia, School of Music.

• Concentration: Piano Performance and Pedagogy

• Major Piano Professor: Carlos Kussrow-Corma

• Dissertation. “A Psychophysiological Approach to Technical Problems found in the

Piano Etudes of Chopin and Liszt and A Compendium of the Solutions.” The

University of Georgia, 1977. Advisor: John Corina. Continuous publication on

demand since 1978. Ann Arbor, Michigan: ProQuest. Pub# 7730484.

Vocal-General Music Teacher Certificate K-12 (1967-1971)--Indiana State University, Terre

Haute Master of Music (M.M) (1964-1966)--American Conservatory of Music, Chicago, Illinois

• Major: Piano Performance

• Piano study with William Browning

Graduate Music studies (1963 Fall)-- University of California, Los Angeles, CA

• Major: Piano and Music History

• Piano study with Aube Tzerko

Bachelor of Arts with Honors (B.A.) (1958-1961)--Ewha Womans University, Seoul, Korea

• Major: Piano Performance

• Piano study with Bohi Yun-Hyun


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Additional Piano Study

Academy of Music, Titograd, Montenegro (January 3-31, 1991)—C. Gabrielov

Eastman School of Music (summer 1981)— Maria Luisa Faini

Aspen Festival and School of Music (summer 1978)-- Aube Tzerko

Residencies

July 27-Auguat 1, 2009. Visiting Researcher in collaboration with Dr. Dagmar Wolfff.

Max Planck Institute, Neurophysiogie Forschung, Cologn, Germany. Ergonomic Piano

Exercises.

July 11-27, 2009. Guest Lecturer. PianoFest Austria and Altenburg Academie of Musik,

Altenburger, Austria. Pianists’ Hands.

March 11-13, 2007. Lecturer & Guest recital with Kim McCormick. Ewha Womans

University College of Music, Institute for Music Research. Music and Medicine. Flute

& Piano Duo.

January 7-May 7, 2005. Visiting Scholar. Pennsylvania State University Center for the

Study of Higher Education. Research on book project Arts in the Academy: Research

Agenda, Context and Content.

May 17-June 6, 2004. Associate Artist-in-Residence (with Elisabeth Streb, a McArthur

Genius Award winner, dancer, choreographer). The Atlantic Center for the Arts.

Music and movement.

October 15 –November 30, 1998. Visiting Scholar, University of Michigan Center for

the Study of Higher and Postsecondary Education. Research on Faculty Vitality &

Conditions.

December 7-14, 1997. Lecturer & Editorial Consultant on Group Piano book. Ewha

Womans University College of Music, Institute for Music Research. Piano pedagogy.


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ACADEMIC POSITIONS University of South Florida

Associate Professor of Music with Tenure 1995-present

Associate Dean, Academic & Student Affairs, College of Fine Arts 1995-1998

Principal Investigator & Director of AmeriCorps Arts USF 1997-2000

University of Alabama

Assistant/Associate Professor of Piano and Pedagogy. Tenured 1983-1993

Coordinator of Piano Pedagogy and Class Piano

State University of New York, Oswego Visiting Assistant Professor of Piano 1981-1982 Grambling State University, Louisiana Assistant Professor of Piano. Tenure track 1977-1981

Coordinator of Piano Area

Valparaiso University, Indiana

Part-time Piano Instructor 1966 Spring

ADMINISTRATIVE APPOINTMENTS University of South Florida • Associate Dean of College of Fine Arts 1995-1998

Academic Affairs: Academic planning, curriculum and course development, College

reports, grant development and grant writing, faculty development, outcomes assessment

and accountability, faculty salary compression and inversion, interdisciplinary projects

and programs, and College governance committees. Coordinated tenure and promotion,


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teaching awards, credentialing graduate faculty, faculty and staff tuition waiver, and

outside employment policy. Community relations, fundraising, and Provost’s Council.

Student Affairs: Structure and supervision of student services programs.

Accomplishments (initiated, developed and played a key role):

o College faculty salary compression-inversion model.

o Transfer arts education programs from College of Education to College of Fine

Arts.

o Task force on Interdisciplinary MFA.

o College faculty research fund.

o College women faculty forum.

o College faculty newsletter.

o College computer lab, the first cooperative laboratory established jointly with IT.

o Celebrate Diversity Festival.

o College diversity focus group.

o College Diversity 2000 Plan.

o Developed a College longitudinal enrollment study proposal.

o Student peer mentor program.

o Doubled the amount of graduate fellowship and talent grants.

o Sister relationship and exchange programs with Ewha Womans University, Seoul,

Korea.

o Provost-sponsored Faculty Development tour of Korea, Ewha and Yon Sei

Universities, Seoul, Korea.

• Director, AmeriCorps Arts USF 1997-2000

Principal Investigator of a Federal grant to create an after-school and summer integrated

arts program for underserved children in Tampa Bay area in collaboration with Boys and

Girls Clubs, Hillsborough County Schools, and Hillsborough County Parks and

Recreation (annual budget over $300,000). Facilitated governance infrastructure of 15-

member steering board and 4-member governance body. Created the program and


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budget. Coordinated site programs, curriculum book, program assessment instruments,

and assessment study. Wrote program reports and follow-up proposals.

University of Michigan, Ann Arbor • Research Associate I to Vice President for Academic Affairs 1994-1995

o Facilitator of Executive Planning Committee for Michigan Media Union

(Interdisciplinary Research Center)

o Survey of Total Quality Management Practice and Assessment

o Medical School Faculty Work Conditions Survey

o Michigan Publicity Materials Inventory

o Student Diversity Study

o School of Medicine Faculty Vitality Study. 1994.

o WUOM Classical Music Marketing Plan. 1994.

o University Musical Society Strategic Plan. 1991.

• UM Office of Government Relations in Washington DC. 1993 Summer

o UM reporter of the following:

Hearings of NEA and NEH Reauthorization

Health Initiatives

African Economic Development Initiatives

Higher Education Student Loan Hearings

RESEARCH

Publications, Presentations, Performances, Scholarly Contributions

Books in Progress Lee, Sang-Hie (in press). Scholarly Research for Musicians: A Comprehensive Strategy. McGraw Hill. Expected publication date: January, 2012. Lee, Sang-Hie. Arts in the Academy: Research Agenda, Content and Context. (Began work in 2005. Target date: 2014).


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Lee, Sang-Hie. What’s in the Hand? Myths and Science: Pianists’ Biomechanics & Ergonomics. (Target date: 2015). Publications (International and National) Lee, Sang-Hie (2011). “Faculty Role and Academic Leadership in the 21st Century Music Department.” The College Music Society Newsletter, May. (Invited and peer-reviewed.) Lee, Sang-Hie (2010). “Hand Biomechanics in Skilled Pianists Playing a Scale in Thirds.” Medical Problems of Performing Artists, December, 167-174. (Refereed.) Lee, Sang-Hie (2006). “Why is hiring, mentoring, and retaining faculty an issue at this point in time in college music profession?” The College Music Society Newsletter, 5-7, November. (Invited and peer-reviewed) Lee, Sang-Hie (2006). “Community Arts Program: An Impact Study.” Proceedings of the 27th World Conference of the International Society for Music Education 16-21 July, 2006, Kuala Lumpur, Malaysia, on CD-ROM, #523, 743-772. (Refereed.) Lee, Sang-Hie with Joseph Schwartz and Kenneth Hanks (2005). “Pianist’s Rehabilitation: Three Cases.” Medical Problems of Performing Artists, March/April, 35-39. (Refereed.) Lee, Sang-Hie (2002). “Musician’s Performance Anxiety and Coping Strategies.” The American Music Teacher. August/September, 36-39 & 95. (Refereed.) Lee, Sang-Hie (2001). “Pianist’s Biomechanics, Injuries, and MIDI Research.” Australian Journal of Music Education, No.1, 30-37. (Refereed.) Lee, Sang-Hie (1997). “Uses of Computer Technology in Piano Performance Research.” Celebrating the Fortieth Anniversary of the Museum of Modern Art Tape Music Concert: Reflections on the History and Future of Electroacoustic Music, CMS Report Number 11, 63-66. (Invited and peer-reviewed.) Lee, Sang-Hie (1996). Reprint of 1990 MPPA article (see below–with permission) in French journal by invitation. “Ergonomie de la main du pianiste et contrøle du toucher.” Médicine des Arts. No 15: 13-18. (Refereed journal.) Lee, Sang-Hie (1994). “Understanding the Basic Principles of Physiology: How the Body Works.” The National Conference on Piano Pedagogy 1994 Proceedings, 194-195. (Invited and peer-reviewed.) Lee, Sang-Hie (1990). “Pianists' Biomechanics and the Implications in Teaching.” Music Teachers National Association:1990 Convention, MTNA-707 (Audiotape). (Peer-reviewed.) Lee, Sang-Hie (1990). “Pianists' Hand Ergonomics and Touch Control.” Medical Problems of Performing Artists, 5, 2: 72-78. (Refereed.)


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Lee, Sang-Hie (1989). “Using the Personal Computer to Analyze Piano Performance.” Psychomusicology, 8, Special Issue on Microcomputers in Psychomusicology Research:143-149. (Refereed.) Lee, Sang-Hie (1988). “Piano Pedagogy Develops in Alabama.” ala breve, 17, 42. (Invited.) Lee, Sang-Hie (1987). “Music Pedagogy.” The American Music Teacher, 37, 41. (Refereed.) Conference Proceedings (International, National, and Regional) Lee, Sang-Hie with Yu Sun, Carlos Neninger, and Jeff Chodil (2011). “Robotic Modeling of Skilled Hand Tasks.” Twenty-Ninth Annual Symposium on Medical Problems of Performing Artists, July 21-24. Snowmass, Colorado. (Peer-reviewed.) Lee, Sang-Hie with Stephanie Carey and Rachael Matz (2011). “Health Intervention Program for College Instrumentalists.” Twenty-Ninth Annual Symposium on Medical Problems of Performing Artists, July 21-24. Snowmass, Colorado. (Peer-reviewed.) Lee, Sang-Hie with Stephanie Carey (2011). “Kinematics of Shoulder and Elbow in Cello and Flute Playing.” Twenty-Ninth Annual Symposium on Medical Problems of Performing Artists, July 21-24. Snowmass, Colorado. (Peer-reviewed.) Nininger, C.R., Sun, Y, Lee, S.H. & Chodil, J. (2011). “A Complete Motion Capture System to Study Hand Injuries Among Musicians.” ANS EPRRSD - 13th Robotics & remote Systems for Hazardous Environments • 11th Emergency Preparedness & Response. Knoxville, TN, August 7-10, 2011, on CD-ROM, American Nuclear Society, LaGrange Park, IL (Peer-reviewed.) Lee, Sang-Hie (2010). Panel on “Educational Opportunities in Performing Arts Medicine: Status and Prospects.” Twenty-Eighth Annual Symposium on Medical Problems of Performing Artists, July 29-August 1 held in Snowmass, Colorado. (Peer-reviewed.) Lee, Sang-Hie (2008). “Future Education in Arts Medicine: Prospect and Perspective.” The Twenty-Fourth Annual Symposium on Medical Problems of Musicians and Dancers in Conjunction with Aspen Music Festival and School, June 19-22. (Peer-reviewed.) Lee, Sang-Hie with Stephen Klasko and Kimberly Johnson (2007). “Music, Medicine, and Poetry.” The Twenty-Fifth Annual Symposium on Medical Problems of Musicians and Dancers in Conjunction with Aspen Music Festival and School, June 24-27. (Peer-reviewed.) Lee, Sang-Hie with David Barfield and Patricia Bowes Jeffers (2006). “Music, Medicine, and Myths.” Performing Arts Medicine Association in Conjunction with The Aspen Music Festival and School. The Twenty-Fourth Annual Symposium on Medical Problems of Musicians and Dancers, June 22-25. (Peer-reviewed.)


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Lee, Sang-Hie (2006). “Arts in the Flat World.” 27th World Conference of the International Society for Music Education 16-21 July, 2006, Kuala Lumpur, Malaysia, #521. (Peer-reviewed.) Lee, Sang-Hie (2005). “Arts in the Flat World.” International Symposium on Northeastern Asia Cooperation and Development in the Age of Globalization. Yanbian University of Science and Technology, Yanji, China, IV-3, 1-6. (Invited.) Lee, Sang-Hie (2005). “Individual Differences in Skilled Piano Playing.” Performing Arts Medicine Association in Conjunction with The Aspen Music Festival and School. The Twenty-Third Annual Symposium on Medical Problems of Musicians and Dancers, June 23-26. (Peer-reviewed.) Lee, Sang-Hie (2004). “The Role of the Arts in World Peace and Globalization.” International Symposium on Northeastern Asia Cooperation and Development in the Age of Globalization. Yanbian University of Science and Technology, Yanji, China, IV-3, 1-8. (Invited.) Lee, Sang-Hie (2004). “Pianist’s Rehabilitation: Three Cases.” Performing Arts Medicine Association in Conjunction with The Aspen Music Festival and School. The Twenty-Second Annual Symposium on Medical Problems of Musicians & Dancers, June 24-27. (Peer-reviewed.) Lee, Sang-Hie (1999). “Pianists’ Neurobiomechanics, Injuries, and MIDI Research.” Society for Music Perception and Cognition 1999 Conference, Northwestern University, Evanston, Illinois, USA, 95. August 14-17. (Peer-reviewed.) Lee, Sang-Hie (1990). “Incorporating World Music into Piano Pedagogy Class.” College Music Society Proceedings: The National and Regional Meetings 1990. (Peer-reviewed.) Lee, Sang-Hie (1989). “Pianists' Temporal and Dynamic Control: Measuring Piano 'Touch' with Computers.” Music Educators National Conference: Southern Division. Nashville, March. (Peer-reviewed.) Lee, Sang-Hie (1988). “Pianists' Biomechanics and Temporal and Dynamic Control.” Abstracts of Papers Read at the XVIII International Society for Music Education Conference. Canberra, Australia. (Peer-reviewed.) Lee, Sang-Hie (1987). “Music Pedagogy and Technology.” College Music Society Proceedings: The National and Regional Meetings, 84. (Peer-reviewed.) Lee, Sang-Hie (1985). “Computer Analysis of Skilled Piano Performance, co-authored with George P. Moore in College Music Society Proceedings: The National and Regional Meetings, 78-79. (Peer-reviewed.) Lee, Sang-Hie (1983). Ortmann's Theory of Joint Movement in Application to Piano Playing.” Abstracts of Papers Read at the Northeast Chapter of College Music Society, Philadelphia. March 6. (Peer-reviewed.)


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Published Abstracts and Citations (International and National) Lee, Sang-Hie, PhD with Stephanie Carey, PhD and Rachel Matz, MM (2011). Abstract, “Health Intervention Program for College Instrumental Musicians: Part I” in “Meetings” Medical Problems of Performing Artists, Snowmass, Colorado, July 21-24, 2011. Twenty-ninth Annual Symposium of the Performing Arts Medicine Association. MPPA Vol.26, No.3. 172-173. (Publisher selected.) Lee, Sang-Hie, PhD with Stephanie Carey, PhD and Rajiv, Dubey, PhD (2011). Abstract, “Health Intervention Program for College Instrumental Musicians: Part II. Kinematics of the Shoulder and Elbow in Cello and Flute Playing” in “Meetings” Medical Problems of Performing Artists, Snowmass, Colorado, July 21-24, 2011. Twenty-ninth Annual Symposium of the Performing Arts Medicine Association. MPPA Vol.26, No.3. 173-174. (Publisher selected.) Lee, Sang-Hie, PhD with Yu Sun, PhD, Jeffrey Chodil, BM, and Carlos Neninger, BS (2011). Abstract, “Pianists’ Hand Tasks in Preparation for Robotics Modeling” in in “Meetings” Medical Problems of Performing Artists, Snowmass, Colorado, July 21-24, 2011. Twenty-ninth Annual Symposium of the Performing Arts Medicine Association. MPPA Vol.26, No.3. 176-177. (Publisher selected.) Lee, Sang-Hie, “Pianists’ Ergonomics and Touch Control.” In Jabush, Hans-Christian (2006). Movement Analysis in Pianists in Music, Motor Control and the Brain by Eckart Altenmüller, Mario Wiesendanger and Jürg Kesselring, Editors. Oxford: Oxford University Press, 102. Lee, Sang-Hie, “A Psychophysiological Approach to the Technical Problems found in the Piano Etudes of Chopin and Liszt and a Compendium of the Solutions.” In Saffle, Michael (2004). Franz Liszt: A Guide to Research, 1470. Lee, Sang-Hie (1995). “Departmental Conditions and Faculty Vitality.” Dissertation Abstract International 1995, Volume 56-04, Section A, 1200. Lee, Sang-Hie, “Using the Personal Computer to Analyze Piano Performance.” In Higgns, William (1992). Technology in MENC Handbook of Research on Music Teaching and Learning. Richard Colwell, Editor, 488. Lee, Sang-Hie, “Using the Personal Computer to Analyze Piano Performance.” In Wilson, Frank R and Franz I. Rochmann (1992). The study of Biomedical and Physiological Processes in Relation to Musical Performance in MENC Handbook of Research on Music Teaching and Learning. Richard Colwell, Editor, 516. Lee, Sang-Hie, “A Psychophysiological Approach to the Technical Problems found in the Piano Etudes of Chopin and Liszt and a Compendium of the Solutions.” In Hinson, Maurice (1982). The Pianist's Reference Guide: A Bibliographical Survey, 161. Lee, Sang-Hie, “A Psychophysiological Approach to the Technical Problems found in the Piano Etudes of Chopin and Liszt and a Compendium of the Solutions.” In Pianographie (1982), German publication in four languages, 107.


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Lee, Sang-Hie, “A Psychophysiological Approach to the Technical Problems found in the Piano Etudes of Chopin and Liszt and a Compendium of the Solutions.” In The Piano Quarterly, No. 113, a Special Issue on Chopin (1981), 64. Lee, Sang-Hie (1978). “A Psychophysiological Approach to the Technical Problems found in the Piano Etudes of Chopin and Liszt and a Compendium of the Solutions.” Dissertation Abstract International 1978, 4439A-4440A. Lee, Sang-Hie (1978). “A Psychophysiological Approach to the Technical Problems found in the Piano Etudes of Chopin and Liszt and a Compendium of the Solutions.” in Journal of the American Liszt Society, Vol. III, 40-41. Book Reviews (International and National) Lee, Sang-Hie (2007). Book Review: Michael Fitzgerald (2005): The Genesis of Artistic Creativity, Asperger’s Syndrome and the Arts. Psychology of Music, 35-1: 172-173. (Invitation.) Lee, Sang-Hie (1989). Book Review: S.E. Dunkel: The Audition Process: Anxiety Management and Coping Strategies. Bulletin of the Council for Research in Music Education No. 107, 76-81. (Invitation.) Lee, Sang-Hie (1985). Method Book Review: B. Erdely: From Children to Children. The Piano Quarterly, No. 131, 6. (Invitation.) Dissertation Reviews (National) Lee, Sang-Hie (1994). Dissertation Review of Rod D. Harris: “Musician and Teacher: The Relationship Between Role Identification and Intrinsic Career Satisfaction of the Music Faculty at Doctoral Degree Granting Institutions.” Bulletin of the Council for Research in Music Education No. 120, 66-69. (As Council member.) Lee, Sang-Hie (1988). Dissertation Review of C.S. Whitaker: “Modification of Psychophysiological Responses to Stress in Piano Performance.” Bulletin of the Council for Research in Music Education No. 97, 77-78. (As Council member.) Lee, Sang-Hie (1988). Dissertation Review of B.A. McCune: Functional Performance Anxiety Modification in Adult Pianists. Bulletin of the Council for Research in Music Education No. 96, 93-98. (As Council member.) Lee, Sang-Hie (1986). Dissertation review of V.L.Covington: “Approaches to Piano Reading in a Selected Sample of Current Instructional Materials for Adult Beginners.” Bulletin of the Council for Research in Music Education No. 84, 83-86. (As Council member.)


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Committee Chair’s Reports

Lee, Sang-Hie Lee (2008). Cultural Inclusion Committee Report. The College Music Society Newsletter. Lee, Sang-Hie (2007). Cultural Inclusion Committee Report. The College Music Society Newsletter. Lee, Sang-Hie (2006). Cultural Inclusion Committee Report. The College Music Society Newsletter. Lee, Sang-Hie (2005). Cultural Inclusion Committee Report. The College Music Society Newsletter. Editorial Contributions Editor: CMS Cultural Expressions in Music Monograph Series, 2008-present. Associate Editor: The College Music Symposium, 1999-2001. Editorial Board Member: The College Music Symposium, 1999-present. Council Member: The Bulletin of the Council for Research in Music Education, 1985-1995. Blind Reviews for Refereed Journals: The College Music Symposium

International Education

Medical Problems of Performing Artists

Project Director & Consulting Editor (Regional and International): Lee, Sang-Hie (1999). Project director and editor, Integrated Arts Projects for Boys and Girls,

AmeriCorps Arts USF. Self published.

Lee, Sang-Hie (1997). Consulting editor, Piano for Private and Group Lesson. Seoul, Korea: Music Research Institute, College of Music, Ewha Womans University. (Invited.)

Discography Chosen Words (4:14) in Cross-Cultural Collisions, Reinventions, and Fertilizations (2008): The Compositions of Michael Sidney Timpson. Capstone Records.


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Lee, Sang-Hie (2003). Three Beethoven Sonatas. Recorded in Springs Theatre, Tampa, Florida. Self-published. Commissioned Works Frozen Land, You are Melting for Piano Duo, for Sang-Hie Lee and JiHyun Kim by Chan Hae Lee, November 2010. Premieres, World Piano Conference in Novi Sad, Serbia June 2011 and CMS International Conference in Seoul, Korea July 2011. Chera in Nain, Piano Duo Work for Sang-Hie Lee and Min Kwon by EunHye Park. Premiered in Steinway Hall, New York City, November 20, 2009. Sonata for Two Pianos for Sang-Hie Lee and Min Kwon by Paul Reller. Premiered at World Piano Conference, Novi Sad, Serbia May 7, 2009. Celestial Phenomena, Piano Duo for Sang-Hie Lee and Min Kwon by Gerard Chenoweth. Premiered at World Piano Conference, Novi Sad, Serbia May 7, 2009. Yellow Ribbons #44 for Pianist Sang-Hie Lee and Flutist Kim McCormick by Max Lifchitz. Premiered at Ewha Womans University, Seoul, Korea in March 13, 2007. Chosen Words for Piano (Sang-Hie Lee) Flute (Kim McCormick), and Mezzo Soprano (Theresa Andrasy) by Michael Sidney Timpson. Premiered at Yanbian University in China in July 2005. Selected Listing: Performances (International, National, and Home Institution)

Lee, Sang-Hie and Youmee Kim, Piano Duo Performance at World Piano Conference, Novi Sad, Serbia. June 27-July 3, 2012. Ars Nostra (Sang-Hie Lee, founding member) at Merkin Hall, New York City to perform a concert of all Max Lifchitz work with Sang-Hie Lee, Kyoung Cho, Jay Coble, Calvin Falwell, Kim McCormick, and Robert McCormick. May 15, 2012. Lee, Sang-Hie and JiHyun Kim Piano Duo Team. Premiere Works by Chan Hae Lee and Robert Paterson. World Piano Conference and European Piano Teachers Association. Novi Sad, Serbia, June 30, 2011. Max Lifchitz at USF. Sang-Hie Lee, Kyoung Cho, Jay Coble, Calvin Falwell, Kim McCormick, and Robert McCormick and USF Percussion Ensemble. USF Recital Hall. February 27, 2011. Lee, Sang-Hie and Min Kwon. Piano Duo Concert. World premiere of Chera in Nain by EunHye Park. Steinway Hall, New York City, November 20, 2009.


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Lee, Sang-Hie and Min Kwon. Piano Duo Concert. Recital Hall, USF. November 1, 2009.

Lee, Sang-Hie and Min Kwon. “World Premiere Performance of Commissioned Works for Two Pianos” at the World Piano Conference, Novi Sad, Serbia. May 6, 2009. Kyoung Cho, soprano and Sang-Hie Lee, piano. A recital of Korean Art Songs at USF Recital Hall, October 10, 2008. Lee, Sang-Hie with Kim McCormick (flute) and Kyoung Cho (soprano). “Chosen Words” a commissioned work by Michael Sidney Timpson during USF Helps International Festival, School of Music, February 15, 2008. Lee, Sang-Hie with Kim McCormick (flute). A concert “Yellow Ribbons and American Reflections,” a program of music by Contemporary American composers with a world premiere piece by Max Lifchitz at Ewha Womans University in Seoul, South Korea, March 13, 2007. Lee, Sang-Hie with Kim McCormick and Theresa Andrasy. USA Premiere work of Michael Timpson during Robert Helps International Competition and Festival, February 16, 2006. Lee, Sang-Hie with Kim McCormick and Theresa Andrasy. A recital of “Music for Peace.” National Conference of the College Music Society, Quebec City, Quebec, Canada, November 2005. Lee, Sang-Hie with Kim McCormick and Theresa Andrasy. A concert with a World Premiere Performance at The Symposium on North East Asia Globalization hosted by Yanbian University of Science and Technology in Yanji, China, July 2005. Lee, Sang-Hie with Kim McCormick and Theresa Andrasy. A concert at St. John’s Episcopal Church, Tampa, May 22, 2005. Lee, Sang-Hie with Kim McCormick and Theresa Andrasy. DeLand Museum of Art and Cultural Centre, December 18, 2004. Lee, Sang-Hie, Solo Recital of Three Beethoven Piano Sonatas, USF College of Fine Arts, Tampa, 2003. Lee, Sang-Hie, Florida State Music Teachers Association Conference, Teachers’ Recital, Miami, 2002. Lee, Sang-Hie, Florida State Music Teachers Association Conference, Lecture–Recital, St. Petersburg, 2001. Lee, Sang-Hie with William Hayden, Violin-Piano Duo Recital, USF College of Fine Arts, Tampa, 1997.


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Lee, Sang-Hie, Solo Recital, New York City, Bruno Walter Auditorium at the Lincoln Center, 1984.

Lee, Sang-Hie, Solo Recital, Ontario, Canada, Dr. Bethune Collegiate Auditorium, 1984.

Lee, Sang-Hie, Solo Recital, The University of Alabama, 1984.

Lee, Sang-Hie, Solo Recital, State University of New York, Oswego, 1982.

Lee, Sang-Hie, Solo Recital, State University of New York, Oswego, 1981.

Lee, Sang-Hie, Solo Recital, New York City, Bruno Walter Auditorium at the Lincoln Center, 1980.

Lee, Sang-Hie, Solo Recital, Toronto, Canada, West Elesmere United Church, 1980.

Lee, Sang-Hie with Rome Festival Orchestra, Rome, Italy, Basilica S. Martino al Monte, July, 1980. Lee, Sang-Hie, Solo Recital, New Orleans, Tulane University, 1980. Lee, Sang-Hie, Solo Recital, Grambling State University, 1980. Lee, Sang-Hie, Soloist, Beethoven’s Piano Concerto #4 in G Major with Shreveport Symphony Orchestra, 1978. Lee, Sang-Hie, Solo piano music for made-for-television movie, “White Tiger,” 1978. Lee, Sang-Hie, Solo Recital, Louisiana Tech University, 1977. Lee, Sang-Hie, Solo Recital, The University of Georgia, Doctoral Recital, 1977. Lee, Sang-Hie with John Corina, Oboe-Piano Duo, The University of Georgia Faculty Chamber Recital, 1976. Lee, Sang-Hie, Solo Recital, The University of Georgia, Doctoral Recital. 1975.

Example Repertoire Solo Piano J. S. Bach Partita III in A Minor George Frederick Handel Suite XIV in G Major Wolffgang Amadeus Mozart Sonata in Bb Major, K. 281 Sonata in F Major, K. 332 Franz Joseph Haydn Sonata in Eb Major, Hob. 52 Ludwig Van Beethoven Sonata in Ab Major, Op. 26 Sonata in Eb Major, Quasi una Fantasia, Op. 27 (1)


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Sonata in C# Minor, Quasi una Fantasia, Op. 27 (2) Sonata in D Major, Pastorale, Op. 28 Sonata in E Major, Op.109 Sonata in Ab Major, Op 110 Concerto I# 4 in G Major, Op. 58 Franz Schubert Sonata in A Major, Op. 120 Sonata in Bb Major, Op. Posthumous Johannes Brahms Variation and Fugue on a Theme by Handel in Bb Major, Op. 24 Frederic Chopin Etude in Ab Major, Op. 10, No.10 Etude in C# Minor, Op. 25, No.7 Franz Liszt "Paganini" Etude IV,Vivo Two Etudes Waldesrauschen and Gnomenreigen

Claude Debussy La fille aux cheveux de lin La sérénade interrompue Mili Balakirev Islamey (Oriental Fantasy) Chamber music Herman Schroeder Sonata for Oboe and Piano Jean Francaix Sonatine for Violin and Piano Francis Poulenc Sonata in D Minor for Violin and Piano Alan Hovaness Oror (Lullaby) for Violin and Piano

Maurice Ravel La Flute Enchanteee (voice, flute, piano) Camille Saint-Saens Une Flute Invisible (voice, flute, piano) Georges Hüe(1858-1948) Soir Paien (voice, flute, piano) Katherine Hoover (1937-) Masks (flute and piano) Chihchun Chi-sun Lee (1970-) Song Cycle Sentiments (voice and piano) Frank Martin (1890-1974) Trois Chants de Noel (voice, flute, piano) Max Lifchitz Canto de Paz (1983) Asia premiere Ernest Block Suite Modale for Flute and Piano

Samuel Barber Canzona for Flute and Piano Howard Hanson Serenade Op. 35 for Flute and Piano

*Michael Timpson (2006) Chosen Words (2005) World premiere *Max Lifchitz (2007) Yellow Ribbons #44 for Flute and Piano *Paul Reller (2008) Sonata for Two Pianos *Gerald Chenoweth (2008) Celestial Phenomena *EunHye Park (2009) Chera in Nain (Widow of Nain) *Chan Hae Lee (2010) Frozen Land, You are Melting * Commissioned works

Invited Conference Presentations, Lectures, & Workshops (International,

National, and Regional) (Some of the presentations are listed in publications.)

Lee, Sang-Hie. Panel, “What’s up doc? Music and Medicine: A New Paradigm in


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Music Teaching” with Judith Palac. Fifty-Fourth National Conference of the College Music Society, Richmond, Virginia. October 20-23, 2012.

Lee, Sang-Hie, “What’s in the Hands? Pianists’ Biomechanics and Ergonomics.” Lakeland

Piano Teachers Association. September 10, 2011. Lee, Sang-Hie. Panel, “The Future in Dance and Music Medicine/Science” with Janis

Plastino, Robin Kish, and Bonnie Robson. The Twenty-Ninth Annual Symposium of Medical Problems of Performing Artists. Snowmass, Colorado. July 21-24, 2011.

Lee, Sang-Hie. Panel on “Educational Opportunities in Performing Arts Medicine:

Status and Prospects.” with Bronwen Ackermann, PhD, BAPT of University of Sydney, Australia, Eckert Altenmüller, MD, MA of the Hannover Hochschule für Musik und Theatre, Germany, Judith Palac, DMA of Michigan State University, Roger Hobden, MD, DO from Montréal, Canada, Ralph Manchester, MD of University of Rochester and Editor of Medical Problems of Performing Artists, and Dagmar Wolffe, PhD, PT, Diploma Music of Max Planck Institute of Neurological Research in Cologne. Twenty-Eighth Annual Symposium on Medical Problems of Performing Artists, Snowmass, Colorado. July 29-August 1, 2010.

Lee, Sang-Hie. Panel with Juan Chattah. “Teaching Inclusive Research Techniques:

a Comprehensive Approach to Doing Research in Music and Music Education.” Fifty-First National Conference of the College Music Society. Portland, Oregon. October 22-25, 2009.

Lee, Sang-Hie. Panel with John Gaulty, David Montano and Anne Patterson. “Culture

and Counterculture in Supporting Faculty Vitality and Defining and Rewarding Research in the Arts.” Fifty-First National Conference of the College Music Society. Portland, Oregon. October 22-25, 2009.

Lee, Sang-Hie. “What’s in the Hand? Myths and Science: Pianists’ Biomechanics

and Ergonomics.” PianoFest Austria in Altenburg, Austria. July 12-26, 2009. Lee, Sang-Hie (2009). “Biomechanical Profiles in Skilled Piano Performance.”

International Congress for Music Physiology and Musician’s Medicine in Freiburg, Germany. March 26-28, 2009.

Lee, Sang-Hie. “Myths and Science of Piano Performance.” World Piano

Conference, Novi Sad, Serbia. May 4-8, 2009. Lee, Sang-Hie. “Pianists' biomechanics and Music Medicine.” Share Recital Hall at

Mason Gross School of the Arts of Rutgers University, February 20, 2009. Lee, Sang-Hie. Panel Moderator and Key-Note Speaker, “Future Education in Arts

Medicine: Prospect and Perspective.” The Twenty-Sixth Annual Symposium on Medical Problems of Musicians and Dancers in Conjunction with Aspen Music Festival and School, June 19-22, 2008.


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Lee, Sang-Hie. Two lectures on (1) “Pianists’ Biomechanics” (2) “Musician’s Injury, Prevention, Treatment, and Rehabilitation” hosted by Korean Piano Pedagogy Association at the Manhattan Institute of Music, Seoul, Korea, May 26, 2007. (Special invitation.)

Lee, Sang-Hie. Lecture on “Music and Medicine.” College of Music at Yeungnam University in

Dae-Ku City, South Korea, March 15, 2007. Lee, Sang-Hie. Lecture on “Music and Medicine.” Music Research Institute of College of

Music at Ewha Womans University in Seoul, Korea, March 12, 2007. Lee, Sang-Hie. “Why is hiring, mentoring, and retaining faculty an issue at this point in time in

college music profession?” Panel presentation in Cultural inclusion Panel on “Hiring, mentoring, and retaining minority faculty.” Forty-Ninth Annual National Conference of the College Music Society, San Antonio, Texas, September 13-18, 2006.

Lee, Sang-Hie. Chair, “Cultural Inclusion Forum.” Forty-Ninth Annual National Conference

of the College Music Society, San Antonio, Texas, September 13-18, 2006. Lee, Sang-Hie. Chair, “Graduate Research in Cultural Inclusion.” Forty-Ninth Annual

National Conference of the College Music Society, San Antonio. Sept. 13-18, 2006. Lee, Sang-Hie with Patricia Flowers, Max Lifchitz, Ann Sear, and Calvin Johnson, “Hiring,

mentoring, and retaining minority faculty.” Forty-Ninth Annual Conference of the College Music Society, San Antonio, September 13-17, 2006.

Lee, Sang-Hie. “Community Arts Program: An Impact Study.” 27th World Conference of

the International Society for Music Education, Kuala Lumpur, Malaysia, July 16-21, 2006.

Lee, Sang-Hie with Gail Woldu, Max Lifchitz, Ann Sear, Calvin Johnson, Panel and Forum

Chair, the Cultural Inclusion in Teaching and Learning. The Forty-Eighth Annual Conference of the College Music Society, Quebec City, November 3-6, 2005.

Lee, Sang-Hie. “Arts in the Flat World.” International Symposium on Northeastern Asia

Cooperation and Development in the Age of Globalization. Yanbian University of Science and Technology, July 4-6, 2005.

Lee, Sang-Hie. “Arts in Higher Education,” Center for the Study of Higher Education, The

Pennsylvania State University, Brownbag Lunch Talk, March 23, 2005. (Special invitation.) Lee, Sang-Hie. Forum Chair, Committee on Cultural Inclusion. The Forty-Seventh Annual

Conference of the College Music Society, San Francisco, November 4-7, 2004. Lee, Sang-Hie. “The Role of the Arts in World Peace and Globalization.” International

Symposium on Northeastern Asia Cooperation and Development in the Age of Globalization. Yanbian University of Science and Technology, July11-13, 2004.


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Lee, Sang-Hie. Panel, “Arts Advocacy through Performance and Composition,” The Forty-Fifth National Conference of the College Music Society, Kansas City, September 26-29, 2002.

Lee, Sang-Hie. Poster Presentation, "Learning in Context: Innovative Teaching Strategies for

Teaching Research Techniques to Music and Music Education Students." AAHE National Conference on Higher Education, Chicago, March 17-19, 2002.

Lee, Sang-Hie. Panel, “Arts Advocacy through Community Outreach,” The Forty-Fourth

National Conference of the College Music Society, Santa Fe, NM, November 15, 2001. Lee, Sang-Hie. Lecture Demonstration on Piano Pedagogy, Ewha Womans University, Seoul,

Korea, June 1, 2000. Lee, Sang-Hie. Lecture Demonstration on Piano Pedagogy, Han SeDae University, Suwon,

Korea, June 8, 2000. Lee, Sang-Hie. "Change and Challenge: Associate Dean’s Role in Time of Change."

Associate Deans’ Forum at the International Council for Fine Arts Deans, St. Louis, 1998.

Lee, Sang-Hie. "The Arts and School Improvement." Arts for Complete Education, Annual

Leadership Conference, Orlando, Florida, 1997. Lee, Sang-Hie. "AmeriCorps Arts USF, After-School Arts Program for Economically

Underprivileged Children." International Council for Fine Arts Deans, San Antonio, Texas, 1997.

Lee, Sang-Hie. "Departmental Conditions and Faculty Vitality." The 20th Annual

Conference of the Association for the Study of Higher Education, Orlando, Florida, 1995. (Refereed.)

Lee, Sang-Hie. "Departmental Conditions and Music Faculty Vitality." The Thirty-Eighth

Annual Meeting of the College Music Society, Portland, Oregon, 1995. Lee, Sang-Hie. "Pianists' Biomechanics: Applying what we know to Teaching and

Practicing; and other Possible Implications on Preventing and Diagnosing Musicians' Medical Problems." The 10th National Conference of the Australian Society for Music Education, Hobart, Tasmania, 1995.

Lee, Sang-Hie. "Pianists' Physiology." Committee Paper on Prevention of Medical Problems

at the National Conference on Piano Pedagogy, Schaumberg, Illinois, 1994. Lee, Sang-Hie. Panel, "The Physiological and Psychological Problems of

Undergraduates." National Conference on Piano Pedagogy, Schaumberg, Illinois, 1992.


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Lee, Sang-Hie. "Technology and Music Perception." Panelist at the Fortieth Anniversary of the Museum of Modern Art Tape Music Concert: Reflections on the History and Future of Electronic Music, Thirty-fifth Annual Meeting of the College Music Society. San Diego, California, 1992.

Lee, Sang-Hie. "Musician’s Performance Anxiety and Coping Strategies." The XXth

International Conference of the International Society for Music Education, Seoul, Korea, 1992.

Lee, Sang-Hie with Louis Nagel and Richmond Browne, Lecture Demonstration, "Music

Theory and Computer Analysis in Performance Teaching." Music Theory Midwest Conference, Columbus, Ohio, 1992.

Lee, Sang-Hie. "Pianists’ Hands and Technique." Tuscaloosa Piano Teachers’ Forum,

Tuscaloosa, Alabama, 1989. Lee, Sang-Hie. "Pedagogy of Music as a Discipline of Study." Howard University,

Washington, D.C., 1986. Lee, Sang-Hie. "Revisiting Ortmann’s Physiological Mechanics of Piano Technique."

Hochschule für Musik und Theater, Hannover, Germany, 1985. Lee, Sang-Hie. "Do we need Science in Instrumental Education?" Hochschule für Musik

und Theater, Hannover, Germany, 1985. Lee, Sang-Hie. "Piano Technique and Pianists’ Biomechanics." Florence Piano

Teachers’ Forum, Florence, Alabama, 1984. Lee, Sang-Hie. "Sight-reading Techniques." Tuscaloosa Piano Teachers’ Forum, Tuscaloosa,

Alabama, 1983. Music Camp, Workshops, Seminars Directed (International, National & Regional)

Ewha Music Camp, January 15-February 4, 2006. Sixteen music students from Ewha Womans University participated in the three-week

music camp at USF. Ewha Music Camp, January 14-February 3, 2001 Thirteen music students from Ewha Womans University participated in the three-week

music camp at USF. Organizer, Faculty Development Seminar in Seoul, Korea, 1999. Sixteen faculty members from six USF Colleges participated in a 10-day trip to Korea. Director, Music Pedagogy Seminars. Howard University, Washington DC, 1988-89. Clinicians during the series of four seminars included Samuel Baron (flute), William


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Sharnberg (horn), John Corina (theory and oboe), Fred Irby (trumpet), Barbara English Maris (piano), Thomas Mastroiani (piano), Raymond Jackson (piano), Elise Mach (piano), Henry Rubin (violin), Ronald Crutcher (cello), Marcus Thompson (viola), Frank Bahus (guitar), Ramsey Lewis (CBS artist).

Director, KTV III National Videoconference on Group Piano Teaching, University of

Alabama, Bryant Conference Center, Tuscaloosa, 1988. Over 50 regional and local piano teachers attended.

Director, Piano Pedagogy Workshop, University of Alabama, Tuscaloosa, 1988. Over 70 regional and local piano teachers participated. Invited External Doctoral Dissertation Committee (International) PhD Dissertation, “Prevalence, factors, and effects of performance-related medical disorders

(PRMD) among tertiary-trained jazz pianists in Australia and the United States,” by Graham Colin Wood. The University of Western Australia. August, 2011.

GRANTS AND FUNDING (Total Received @ $751,339) College of The Arts Research Grant: To travel to World Piano Conference, Novi Sad, Serbia

and College Music Society International, Seoul, Korea to perform world premiere piano duo concerts. June 25-July 11, 2011. $1,200.

Neuroscience Collaborative Grant: “Robotics Modeling of Skilled Hand Tasks.” In

collaboration with Dr. Yu Sun, Computer Science Engineering department. 2010-2012. $100,000. College of The Arts Research Grant: To present research paper at the European Conference

on Music Physiology and Music Medicine, March 26-28, 2009. $900. USF Foundation, Mark T. Orr (Clarion Society): Travel grant: East West Dancing Tiger

performance and two research paper presentations at the 27th Congress of the International Society for Music Education, Kuala Lumpur, Malaysia, July 16-22, 2006. $1,000.

Florida Arts Council Artists Enhancement Grant: Two research paper presentations at the

27th Congress of the International Society for Music Education, Kuala Lumpur, Malaysia, July 16-22, 2006. $1,000.

USF Foundation, Joseph Brinton (Clarion Society): Travel grant: Two research paper

presentations at the 27th Congress of the International Society for Music Education, Kuala Lumpur, Malaysia, July 16-22, 2006. $500.


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College of Visual and Performing Arts Teaching Grant: “Graduate Research in Cultural Inclusion” at the National Conference of the College Music Society, San Antonio, Texas, September, 2006. $1,000.

School of Music Area Grant: “Music, Medicine, and Myths.” Symposium on Medical

Problems of Musicians and Dancers, Aspen, Colorado, June 24-27, 2006. $1,000. College of Visual and Performing Arts Research Grant: East West Dancing Tiger

performance and two research paper presentations at the National Conference of the College Music Society, Quebec City, Canada, November, 2005. $1,170.

USF International Travel Grant: East West Dancing Tiger performance at the Symposium

of Northeast Asia Globalization at Yanbian University of Science and Technology, Yanji, China, 2005. $400.

USF Foundation: Travel for East West Dancing Tiger performance at the Symposium of

Northeast Asia Globalization at Yanbian University of Science and Technology, Yanji, China, 2005. $500.

USF International Affairs Office: Travel for East West Dancing Tiger performance at the

Symposium of Northeast Asia Globalization at Yanbian University of Science and Technology, Yanji, China, 2005. $500.

USF Asian Alliance: Travel for East West Dancing Tiger performance at the Symposium of

Northeast Asia Globalization at Yanbian University of Science and Technology, Yanji, China, 2005. $300.

College of Visual and Performing Arts Grant: East West Dancing Tiger performance at the

Symposium of Northeast Asia Globalization at Yanbian University of Science and Technology, Yanji, China, 2005. $2,500.

USF Research Council Creative Scholarship Grant, “Faculty Vitality and Organizational

Conditions,” 2005. $9,510. International Affairs Office: Research paper presentation at the Symposium of Northeast

Asia Globalization at Yanbian University of Science and Technology, Yanji, China, 2004. $2,000.

College of Visual and Performing Arts Grant: East West Dancing Tiger performance at the

Symposium of Northeast Asia Globalization at Yanbian University of Science and Technology, Yanji, China, 2004 (toward 2005 travel). $2,000.

ITT Grant through College of Educational Outreach, Summer grant to revamp on-line

course, Techniques of Research in Music and Music Education, 2003. $2,500. College of Visual and Performing Arts, “Rehabilitation of the Pianist,” 2002. $550.


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College of Educational Outreach, Summer grant to develop an on-line course, Techniques of Research in Music and Music Education, 2001. $6,000.

International Affairs, Student Affairs, Dance Department, School of Music, Asian Festival,

2000. $3,150. Corporation for National Service, National Competitive Grant, AmeriCorps Arts USF, 1999.

$170,345. Florida Department of Education, Service-Learning Project, 1999. $6,930. Corporation for National Service, National Competitive Grant, AmeriCorps Arts USF, 1998.

$176,345. Boys and Girls Clubs, AmeriCorps Arts USF Curriculum Project, 1998. $8,000. Boys and Girls Clubs, AmeriCorps Arts USF Partnership, 1998. $22,834. Hillsborough County Public Schools, AmeriCorps Arts USF Partnership, 1998. $2,250. Corporation for National Service, National Competitive Grant, AmeriCorps Arts USF, 1997.

$173,786. Boys and Girls Clubs, AmeriCorps Arts USF Partnership, 1997. $22,834. Area Center for Educational Enhancement, AmeriCorps Arts USF Curriculum

Development, 1997. $6,000. USF Sponsored Research, AmeriCorps Arts USF Impact Assessment, 1997. $4,100. Area Center for Educational Enhancement, USF Neighborhood Pilot Arts Program,

1997. $3,000. Hillsborough County Park and Recreation, USF Neighborhood Pilot Arts Program, 1997.

$600. USF Center for International Affairs, Korean Exchange Program, 1997. $845. USF Sponsored Research, a fund obtained for Jeanne Traver’s Dance Choreography and

Performance in Paris, 1997. $4,000. Dr. Mark Orr, Director, USF Center for International Affairs, a fund obtained for Jeanne

Travers’ Dance Choreography and Performance in Paris, 1997. $500. Panasonic Incorporated, Technics Electronic Piano for Use in Piano Research, 1995. University of Michigan, Center for International Studies and Multicultural Academic Affairs

for Paper Presentation in Tasmania, Australia, 1995. $2,400.


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The University of Alabama Research Grants Committee, "Performer’s Stage Fright: Nature and Coping Strategy," 1988. $2,440.

The University of Alabama Research Grants Committee, "Computer Analysis of Pianists’

Temporal and Dynamic Control," 1987. $2,850. The University of Alabama Research Grants Committee, "Biomechanics in Piano

Performance: Phase II," 1986. $3,500. The Yamaha Corporation, Electronic Keyboard GS-2 for Research, 1986. The University of Alabama Research Grants Committee, "An Investigation of the Physiological

Technique in Piano Performance," 1986. $2,000. The National Piano Foundation, "Piano Class for Elderhostel," 1984. $200.

TEACHING Philosophy I believe learning takes place best (1) when the content is meaningful and relevant to the

learner's experience and purpose, and (2) when the student takes an active role in the

process. My courses are student-centered. Students take ownership in the process and the

outcome. In this model of scholarship, students as collaborative learners explore the

materials and subjects together. In this process, the student becomes co-creator and co-

producer; the scholarship of teaching develops into a collaborative research.

Courses Taught

Techniques of Research in Music and Music Education (graduate)

Music and Medicine (graduate seminar)

Applied piano for piano majors, minors, and secondaries (undergraduate and graduate)

Class piano for music majors and non-music majors

Piano pedagogy (undergraduate and graduate)

Music theory lab (undergraduate)

Arts and culture for Honors College (undergraduate)

Music in Your Life (3000 level general education)


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Courses Created Music and Medicine: Interdisciplinary graduate seminar at USF.

Piano pedagogy: two undergraduate courses and six graduate courses at University of

Alabama.

Courses Featured at National Conferences “Teaching Techniques of Research in Music and Music Education Online”

Poster session at the AAHE (Association of American Higher Education) Conference in Chicago, 2002.

“Music, Medicine, and Myths.” Symposium on Medical Problems of Musicians and Dancers. Aspen, Co. 2006.

Student Accomplishments

Ji-Hyun Kim, Advanced Certificate in Piano and Piano Pedagogy (2004). Completed DMA in Piano Performance from University of Miami (December 2007) and is currently an Adjunct Professor of Piano at Sung-Shim University in Seoul, Korea. She was recognized as a Steinway artist in 2010.

Patricia Bowes Jeffers, a graduate student from my class Music and Medicine, received Provost’s Award for Outstanding Teaching Assistant (2007).

Joy Casoria, a graduate student from my Research Techniques class, presented a lecture demonstration in Graduate Research in Cultural Inclusion session at the National Conference of the College Music Society in San Antonio, Texas in September 14-17, 2006. David Barfield and Patricia Bowes Jeffers, both graduate students from Music and Medicine class, presented their collaborative research on “Music, Medicine, and Myths” at the Aspen Symposium on Medical Problems of Musicians & Dancers in Aspen, Colorado in June 22-25, 2006.

Michael Edelman, a graduate student from my Research Techniques class, presented a research paper, “Bach to Bebop” in Graduate Research in Cultural Inclusion session at the National Conference of the College Music Society in Quebec City in 2005.

Michael Edelman presented the same paper at the Southern Chapter Conference in San Juan Conference in 2006.

Many students use their final research papers in my Techniques of Research in Music and Music Education course for admission to doctoral programs.


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Served on numerous graduate (Master’s) committees. Elderhostel at University of Alabama Taught a music appreciation course, “World of Classical Music.”

Taught a group piano course, “Piano for fun.”

LEADERSHIP & SERVICE Honors and Awards

Pi Kappa Lambda.

Kappa Kappa Delta.

Rackham Merit Fellowship, University of Michigan.

One-Term Dissertation Fellowship, University of Michigan.

Graduate Teaching Assistantship, The University of Georgia (music theory, class/applied piano).

Graduate Teaching Assistantship, Indiana State University (music theory).

Scholarship at American Conservatory of Music.

Scholarship at U.C.L.A.

Scholarship at Aspen School of Music.

Korean National Scholarship (The only music student to receive this academic award).

Distinguished Alumna Award, Kyung-gi Girls’ High School Alumnae Association, Seoul, Korea.

Asia/Pacific Who’s Who (Vol. VII), 2007.

Nominated for Senior Professor at the USF Patel Center for Global Solution, 2006.

Outstanding Musicians of the 20th Century, International Biographical Centre, Cambridge, England.

International Who’s Who in Music and Musicians’ Directory, Seventeenth Edition, International

Biographical Centre, Cambridge, England.

The American Keyboard Artists.


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Professional Membership Member The College Music Society

International Society for Music Education

Society for Education, Music and Psychology Research

Performing Arts Medicine Association

Music Teachers National Association

Florida Music Teachers Association

Tampa Music Teachers Association

National and Internat ional Editor , Board,& Committees

Founding Editor, Cultural Expressions in Music Monograph Series, College Music

Society, 2009-present.

Board of Directors, Performing Arts Medicine Association, 2007-present.

Co-chair, Program Committee, Aspen Symposium on Medical Problems of Musicians

and Dancers hosted by Performing Arts Medicine Association, 2008.

Program Committee, Aspen Symposium on Medical Problems of Musicians and Dancers

hosted by Performing Arts Medicine Association, 2007.

Research and Education Committee, Performing Arts Medicine Association, 2005-2009.

International Program Committee, 2011 Korean Conference, College Music Society,

2009-2011.

Committee on Academic Citizenship, College Music Society, 2008-present.

Chair, Committee on Cultural Inclusion, College Music Society, 2005-2009.

Member, Committee on Cultural Inclusion, College Music Society, 2005-present.

College Music Society Engagement and Outreach Work Group, 2006-present.

College Music Society Professional Development Committee, 2005-2009.

College Music Society National Conference Program Committee, 2005-2008.

College Music Society International Conference Program Committee, 2006.

College Music Society San Antonio Conference Program Committee, 2006.

College Music Society Spain Conference Program Review Panel, 2005.

College Music Society Quebec City Conference Program Committee, 2005.


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College Music Society Advocacy Committee, 1999-2002.

Music Society Campus Representative, 1998-2004.

International Council of Fine Arts Deans, Associate Deans’ Forum, 1998.

International Council of Fine Arts Deans, Partnerships and Collaborative Efforts, 1997.

International Council of Fine Arts Deans, Education in the Arts, 1996-1998.

College Music Society Advisory Committee on Performance, 1992-1994.

National Conference Piano Pedagogy Prevention of Medical Problems Committee, 1991-1994. Univers i ty Facul ty Committees Senate’s Ad Hoc Committee on Student Course Evaluation, 2011.

Secretary, Tampa Faculty Senate, 2010-2012.

Senate Executive Council, 2008, 2010-2012.

University Research Council, 2009-2012.

Chair, University Honors and Awards Council, 2010-2011 -

University Honors and Awards Council 2008-2014.

Faculty Senate, 2000-2004. 2004-2006, 2007-2010. 2011-2012.

Center for Humanities Advisory Council Member, 2003-present.

Shared Governance Committee, 2005-2006.

Committee on Faculty Issues, 2004-2006, 2008-2010.

Committee on Educational Policy and Issues, 2004-2006.

Faculty Rules Committee, 2003-2004.

Distinguished Professor Disciplines Committee, 2002-2003.

Committee on Committees, 2001-2002. 2003-2004.

Ad Hoc Committee on Board of Trustee Workgroups 2001-2003.

Faculty Evaluation and Standards Committee, 2002- 2005.

Faculty Advisor, University Tae Kwon Do Club, 2001-2005.

Provost’s Strategic Planning Multidisciplinary Task Force, 1998-1999.

Col l ege Committees College Research Council, 2010-2012.

College Diversity Committee, 2008-present.

Chair, Dean’s Advisory Council, 2007-2009.


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Search Committee for Theatre Technical Director, 2006-2007.

Chair, Dean’s Advisory Committee, 1999-2000.

Departmental Committees Chair, Curriculum Committee, 2010-2011.

Music Education Search Committee, 2011.

Chair, History/Theory/Composition/Research Area 2007-2008, 2010-2011.

Chair, Planning Committee, Ewha Music Camp 2007.

Chair, Planning Committee, Ewha Music Camp 2006.

Chair, School of Music Assessment Committee, 2006-2007.

Chair, School of Music Accreditation Committee, 2001-2005.

School of Music Faculty Development Committee, 2000-2001.

Chair, Planning committee, Ewha Music Camp, 1999, 2001.

Attended

Symposium on “Keeping Our Faculties IV: Hiring, Mentoring, and Advancing Faculties

of Color,” University of Minnesota, April 12-14, 2007. Dean Ron Jones’ appointed

College representative.

Adjudicat ion (Selec t ed l i s t ) Regional Piano Festival. Central Florida Counties. Lakeland. February 25, 2012. Pasco County Spotlight of Talent Festival. Wesley Chapel. March 26, 2011. 12th World Piano Pedagogy Conference. First World Most Wanted PIANOvision,

Final Round Sonata/Concerto Invitational. Las Vegas, NV. November 4-7, 2007.

11th World Piano Pedagogy Conference. First World Most Wanted PIANOvision,

Final Round Sonata/Concerto Invitational. Atlanta, Ga. October 25-28, 2006.

Florida Orchestra Young Artists Concerto Competition, Junior Division Piano, 2002.

Florida Orchestra Young Artists Concerto Competition, Senior Division Piano, 1999.

Florida Orchestra Young Artists Concerto Competition, Senior Division Piano, 1998.

Indiana Music Teachers Association, Wurlitzer Collegiate Piano Competition, 1992.

Indiana Music Teachers Association, Collegiate Chamber Music Competition, 1992.


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Birmingham, Alabama Piano Sonata Competition, 1990.

Birmingham, Alabama Piano Sonata Competition, 1989.

Louisiana Tech University Collegiate Concerto Competition, 1985.

Statewide Panel and Committees Arts in Education Panel, the State of Florida, 2002.

State University System Fine Arts Course Leveling Committee, 1995-1996.

Florida Higher Education Arts Network, 1995-1998.

Outreach and Col laborat ion Founding Chair, Music and Medicine Work Group, 2009-present

Chair, University Asian Alliance, 1999-2000.

College of Education Curriculum Reform Planning Committee, 1999.

Liaison with University Park Center, 1999.

Charter School Management Team, 1998-1999.

USF Collaborative for Children, Families, and Communities Steering Committee, 1997.

Keynote Speaker, Asian Student Orientation, 1997.

Search Committee for Director, Latin and Caribbean Studies Center, 1996-1997.

Judge for University Honors Society Scholarship, 1996.

Liaison with Hillsborough County Arts Magnet Schools, 1996-1999.

Steering Committee Member, USF Neighborhood Community Civic Association, 1996-

1998.

Co-Chair, USF Neighborhood Association’s Arts, Culture, and Recreation Committee,

1996-1997.

Documents

CURRICULUM VITAE SANG-HIE LEE - USF School of Musicmusic.arts.usf.edu/content/articlefiles/1396-CV SHL... · CURRICULUM VITAE SANG-HIE LEE 4 of 31 Additional Piano Study Academy of