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Characteristics: They rejected mannerism - they regarded the first hand examination of nature very important. They wanted their paintings to look realistic(verisimilitude)

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Caravaggio, The Sacrifice of Isaac, 1603, oil on canvas

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Page 1: Characteristics: They rejected mannerism - they regarded the first hand examination of nature very important. They wanted their paintings to look realistic(verisimilitude)
Page 2: Characteristics: They rejected mannerism - they regarded the first hand examination of nature very important. They wanted their paintings to look realistic(verisimilitude)

Characteristics: •They rejected mannerism - they regarded the first hand examination of nature very important. •They wanted their paintings to look realistic(verisimilitude)•Their paintings were dramatic •The Baroque artist longs to create compositions that are dynamic, open and tend to expand outside the canvas boundaries. (strong diagonals) •They used high contrasts in Light & Dark (chiaroscuro) •These artists have an instinct for escape, which drives him or her to prefer forms that take flight (lots of action/movement), compared to scenes that are static and dense. •He or she loves to evoke any kind of emotion, through tension, suffering, life and/or death, to the extreme.

Page 3: Characteristics: They rejected mannerism - they regarded the first hand examination of nature very important. They wanted their paintings to look realistic(verisimilitude)

Caravaggio, The Sacrifice of Isaac, 1603, oil on canvas

Page 4: Characteristics: They rejected mannerism - they regarded the first hand examination of nature very important. They wanted their paintings to look realistic(verisimilitude)

Caravaggio, The Sacrifice of Isaac, 1603, oil on canvas

Page 5: Characteristics: They rejected mannerism - they regarded the first hand examination of nature very important. They wanted their paintings to look realistic(verisimilitude)

Caravaggio, Supper at Emmaus, 1660- 1601

Page 6: Characteristics: They rejected mannerism - they regarded the first hand examination of nature very important. They wanted their paintings to look realistic(verisimilitude)

Caravaggio, The Conversion of St. Paul, 1600 - 1601, oil on CAnvas

Page 7: Characteristics: They rejected mannerism - they regarded the first hand examination of nature very important. They wanted their paintings to look realistic(verisimilitude)

Rembrandt, The Blinding of Samson, 1936

Page 8: Characteristics: They rejected mannerism - they regarded the first hand examination of nature very important. They wanted their paintings to look realistic(verisimilitude)

Rembrandt, The Night Watch, 1642

Page 9: Characteristics: They rejected mannerism - they regarded the first hand examination of nature very important. They wanted their paintings to look realistic(verisimilitude)
Page 10: Characteristics: They rejected mannerism - they regarded the first hand examination of nature very important. They wanted their paintings to look realistic(verisimilitude)
Page 11: Characteristics: They rejected mannerism - they regarded the first hand examination of nature very important. They wanted their paintings to look realistic(verisimilitude)

A self portrait of Rembrandt & his wife - Saskia

Page 12: Characteristics: They rejected mannerism - they regarded the first hand examination of nature very important. They wanted their paintings to look realistic(verisimilitude)

Self Portrait 1640

Page 13: Characteristics: They rejected mannerism - they regarded the first hand examination of nature very important. They wanted their paintings to look realistic(verisimilitude)

Rembrandt, Self Portrait, 1658

Page 14: Characteristics: They rejected mannerism - they regarded the first hand examination of nature very important. They wanted their paintings to look realistic(verisimilitude)

Rembrandt, A Portrait of the Artist at his Easel, 1660