The Venetian School and Mannerism

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Venetian   School

• In the sixteenth century, artists such as Giorgione and Titian preferred a gentler, more sensuous approach to oil painting than had been adopted by the Florentine School . The Venetians used warm atmospheric tones.

• Distant from the influence of the Papacy, Venetian artists did not shy away from controversial (erotic/pagan) themes.

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GIORGIONE DA CASTELFRANCO (and/or TITIAN?), Pastoral Symphony, ca. 1508–1510. Oil on canvas, 3’ 7 1/4” x 4’ 6 1/4”. Louvre, Paris.

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GIORGIONE DA CASTELFRANCO, The Tempest, ca. 1510. Oil on canvas, 2’ 8 1/4” x 2’ 4 3/4”. Galleria dell’Accademia, Venice.

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TITIAN, Meeting of Bacchus and Ariadne, from the Camerino d’Alabastro, Palazzo Ducale, Ferrara, Italy, 1522–1523. Oil on canvas, 5’ 9” x 6’ 3”. National Gallery, London.

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GIOVANNI BELLINI and TITIAN, Feast of the Gods, from the Camerino d’Alabastro, Palazzo Ducale, Ferrara, Italy, 1529. Oil on canvas, 5’ 7” x 6’ 2”. National Gallery of Art, Washington, D.C. (Widener Collection).

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TITIAN, Venus of Urbino, 1538. Oil on canvas, 3’ 11” x 5’ 5”. Galleria degli Uffizi, Florence.

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Mannerism

• A style that developed in the sixteenth century as a reaction to the classical rationality and balanced harmony of the high Renaissance; characterized by dramatic use of space and light; exaggerated color, elongation of figures, and distortions of perspective, scale, and proportion.

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JACOPO DA PONTORMO, Entombment of Christ, Capponi Chapel, Santa Felicità, Florence, Italy, 1525–1528. Oil on wood, 10’ 3” x 6’ 4”.

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PARMIGIANINO, Madonna with the Long Neck, from the Baiardi Chapel, Santa Maria dei Servi, Parma,Italy, 1534–1540. Oil on wood, 7’ 1” x 4’ 4”. Galleria degli Uffizi, Florence.

MICHELANGELO BUONARROTI, Pieta, ca. 1498-1500. Marble, 5’ 8 ½” high. Saint Peter’s, Vatican City, Rome.

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BRONZINO, Venus, Cupid, Folly, and Time, ca. 1546. Oil on wood, 5’ 1” x 4’ 8 1/4”. National Gallery, London.

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BRONZINO, Portrait of a Young Man, ca. 1530–1545. Oil on wood, 3’ 1 1/2” x 2’ 5 1/2”. Metropolitan Museum of Art, New York (H. O. Havemeyer Collection, bequest of Mrs. H. O. Havemeyer, 1929).

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TINTORETTO, Last Supper, 1594. Oil on canvas, 12’ x 18’ 8”. San Giorgio Maggiore, Venice.

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PAOLO VERONESE, Christ in the House of Levi, from the refectory of Santi Giovanni e Paolo, Venice, Italy, 1573. Oil on canvas, 18’ 3” x 42’. Galleria dell’Accademia, Venice.

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