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created for my BA education in Graphic Design at Flagler College.
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ABBY PRATCHIOSThe Graphic Design Portfolio of
TYPE
PACKAGING ILLUSTRATIONIDENTITY WEB
AD
“The most beautiful thing we can experience is the mysterious. It is the source of all true art and science.”
ALBERT EINSTEIN
CONTENTS 1 2
4 5
6
78
9
10
3
TO KILL A MOCKINGBIRD
SEESAWPARENTINGMAGAZINE
KEEP MAGAZINESUSTAINABLE DESIGN
PBS KIDSADVERTISINGCAMPAIGN
TRUVIAPACKAGINGREDESIGN
FRESHBOXONLINE ORGANIC GROCERY STORE
SIMPLY GENTLEPRODUCT PACKAGING
ENFOLDMENTBOOK ARTS SCROLL
TIDE LAUNDRY DETERGENT PRINT AD
PROFOUNDTYPOGRAPHYINSTALLATION
TO KILL A MOCKINGBIRD
Overview
To Kill a Mockingbird is a novel by Harper Lee published
in 1960. It was immediately successful, winning the Pulitzer
Prize, and has become a classic of modern American literature.
The plot and characters are loosely based on the author’s
observations of her family and neighbors, as well as on an
event that occurred near her hometown in 1936, when she was
10 years old.
The novel is renowned for its warmth and humor, despite
dealing with the serious issues of rape and racial inequality.
Challenge
To design a 50th anniversary edition of To Kill a Mockingbird
that celebrates the timeless nature of Harper Lee’s novel.
Solution
A minimalist color scheme of back and white was chosen
to highlight this classic novel. In view of the fact that there
is an emphasis in To Kill a Mockingbird on the power of the
words we speak, a typographic illustration style was chosen
as the best solution for illustrating the meaningful themes of
the story. A sleeve was created to not only protect the prestine
white cover, but also to provide distinction for this enduring
story after 50 years of continued recognition.
1
AP DESIGN ° TKAM
TO KILL A MOCKINGBIRD 50TH ANNIVERSARY EDITIONSleeve Detail
AP DESIGN ° PROJECT 1
TO KILL A MOCKINGBIRD 50TH ANNIVERSARY EDITIONSpine, Title Page, Part 1, Part 2
AP DESIGN ° TKAM
AP DESIGN ° PROJECT 1
AP DESIGN ° TKAM
TO KILL A MOCKINGBIRD 50TH ANNIVERSARY EDITIONBook Cover + Detail
AP DESIGN ° PROJECT 1
To K
ill a
Moc
king
bird
"Why
coul
dn't
I mas
h hi
m?"
I ask
ed.
"Bec
ause
they
don
't bo
ther
you,
" Jem
answ
ered
in th
e dar
knes
s. H
e had
turn
ed
out h
is re
adin
g lig
ht. "
Reck
on yo
u're a
t the
stag
e now
whe
re yo
u do
n't k
ill �
ies an
d
mos
quito
es n
ow, I
reck
on,"
I said
. "Le
mm
e kno
w wh
en yo
u ch
ange
your
min
d. Te
ll yo
u
one t
hing
, tho
ugh,
I ain
't go
nna s
it ar
ound
and
not s
crat
ch a
redb
ug."
"Aw
dry u
p," h
e
answ
ered
dro
wsily
. Jem
was
the o
ne w
ho w
as ge
tting
mor
e lik
e a gi
rl ev
ery d
ay, n
ot I.
Com
forta
ble,
I lay
on
my b
ack
and
waite
d fo
r slee
p, an
d wh
ile w
aitin
g I th
ough
t of D
ill. H
e
had
left u
s the
�rst
of t
he m
onth
with
�rm
assu
ranc
es th
at h
e wou
ld re
turn
the m
inut
e
scho
ol w
as o
ut-h
e gue
ssed
his f
olks
had
got t
he ge
nera
l ide
a tha
t he l
iked
to sp
end
his
sum
mer
s in
May
com
b. M
iss R
ache
l too
k us
with
them
in th
e tax
i to
May
com
b Ju
nctio
n, an
d
Dill
wav
ed to
us f
rom
the t
rain
win
dow
until
he w
as o
ut o
f sig
ht. H
e was
not
out
of m
ind:
I m
issed
him
. �e l
ast t
wo d
ays o
f his
time w
ith u
s, Je
m h
ad ta
ught
him
to sw
im- T
augh
t him
to sw
im. I
was
wid
e
awak
e, re
mem
berin
g wha
t Dill
had
told
me.
Bark
er's
Eddy
is at
the e
nd o
f a d
irt ro
ad o
� th
e Mer
idian
high
way a
bout
a m
ile fr
om to
wn. I
t is e
asy t
o ca
tch a
ride d
own
the h
ighw
ay o
n a c
otto
n wa
gon
or
from
a pa
ssing
mot
orist
, and
the s
hort
walk
to th
e cre
ek is
easy,
but
the p
rosp
ect o
f walk
ing a
ll th
e
way b
ack
hom
e at d
usk,
when
the t
ra�
c is l
ight
, is ti
reso
me,
and
swim
mer
s are
care
ful n
ot to
stay
too
late.
Acco
rdin
g to
Dill
, he a
nd Je
m h
ad ju
st co
me t
o th
e hig
hway
whe
n th
ey sa
w At
ticus
driv
ing t
owar
d th
em. H
e
look
ed li
ke h
e had
not
seen
them
, so
they
bot
h wa
ved.
Attic
us �
nally
slow
ed d
own;
whe
n th
ey ca
ught
up
with
him
he sa
id, "
You'd
bet
ter c
atch
a rid
e bac
k. I w
on't
be go
ing h
ome f
or a
while
." C
alpur
nia w
as in
the b
ack
seat
. Jem
prot
este
d, th
en p
leade
d, an
d At
ticus
said
, "A
ll rig
ht, y
ou ca
n co
me w
ith u
s if y
ou st
ay in
the c
ar." O
n th
e way
to
Tom
Rob
inso
n's, A
tticu
s tol
d th
em w
hat h
ad h
appe
ned.
�ey
turn
ed o
� th
e hig
hway
, rod
e slo
wly b
y the
dum
p an
d pa
st th
e Ewe
ll re
siden
ce, d
own
the n
arro
w lan
e to
the N
egro
cabi
ns. D
ill sa
id a
crow
d of
blac
k
child
ren
were
play
ing m
arbl
es in
Tom
's fro
nt ya
rd. A
tticu
s par
ked
the c
ar an
d go
t out
. Calp
urni
a fol
lowe
d hi
m th
roug
h
the f
ront
gate.
Dill
hea
rd h
im as
k on
e of t
he ch
ildre
n, "W
here
's yo
ur m
othe
r, Sam
?" an
d he
ard
Sam
say,
"She
dow
n at
Sis S
teve
ns's,
Mr. F
inch
. Wan
t me r
un fe
tch h
er?"
Dill
said
Atti
cus l
ooke
d un
certa
in, t
hen
he sa
id ye
s, an
d Sa
m
scam
pere
d o�
. "G
o on
with
your
gam
e, bo
ys,"
Attic
us sa
id to
the c
hild
ren.
A li
ttle g
irl ca
me t
o th
e cab
in d
oor a
nd st
ood
look
ing a
t Atti
cus.
Dill
said
her
hair
was
a wa
d of
tiny
sti�
pig
tails
, eac
h en
ding
in a
brig
ht b
ow. S
he gr
inne
d
from
ear t
o ea
r and
walk
ed to
ward
our
fath
er, b
ut sh
e was
too
small
to n
avig
ate t
he st
eps.
Dill
said
Attic
us w
ent t
o he
r, too
k o�
his
hat,
and
o�er
ed h
er h
is �n
ger. S
he gr
abbe
d it
and
he ea
sed
her d
own
the s
teps
. �en
he
gave
her
to C
alpur
nia.
Sam
was
trot
ting b
ehin
d hi
s mot
her w
hen
they
cam
e up.
Dill
said
Hele
n sa
id, "
'even
in', M
r. Fin
ch, w
on't
you
have
a se
at?"
But s
he d
idn't
say a
ny m
ore.
Neit
her d
id A
tticu
s. "S
cout
," sa
id D
ill, "
she j
ust f
ell d
own
in th
e dirt
. Jus
t fell
dow
n in
the d
irt, li
ke
a gian
t with
a bi
g foo
t jus
t cam
e alo
ng an
d ste
pped
on
her. J
ust u
mp-
-" D
ill's
fat fo
ot h
it th
e gro
und.
"Lik
e you
'd ste
p on
an an
t." D
ill sa
id C
alpur
nia
and
Attic
us li
fted
Hele
n to
her
feet
and
half
carri
ed, h
alf w
alked
her
to th
e cab
in. �
ey st
ayed
insid
e a lo
ng ti
me,
and
Attic
us ca
me o
ut al
one.
Whe
n th
ey
drov
e bac
k by
the d
ump,
som
e of t
he E
wells
hol
lered
at th
em, b
ut D
ill d
idn't
catch
wha
t the
y said
. May
com
b wa
s int
eres
ted
by th
e new
s of T
om's
deat
h
for p
erha
ps tw
o da
ys; t
wo d
ays w
as en
ough
for t
he in
form
atio
n to
spre
ad th
roug
h th
e cou
nty.
"Did
you
hear
abou
t?....
No?
Well
, the
y say
he w
as ru
nnin
' �t
to b
eat l
ight
nin'.
.." T
o M
ayco
mb,
Tom
's de
ath
was t
ypica
l. Typ
ical o
f a n
igge
r to
cut a
nd ru
n. Ty
pica
l of a
nig
ger's
men
talit
y to
have
no
plan
, no
thou
ght
for t
he fu
ture
, just
run
blin
d �r
st ch
ance
he s
aw. F
unny
thin
g, At
ticus
Fin
ch m
ight
've go
t him
o�
scot
free
, but
wait
-? H
ell n
o. Yo
u kn
ow h
ow th
ey ar
e.
Easy
com
e, ea
sy go
. Jus
t sho
ws yo
u, th
at R
obin
son
boy w
as le
gally
mar
ried,
they
say h
e kep
t him
self
clean
, wen
t to
chur
ch an
d all
that
, but
whe
n it
com
es
down
to th
e lin
e the
vene
er's
mig
hty t
hin.
Nig
ger a
lway
s com
es o
ut in
'em
. A fe
w m
ore d
etail
s, en
ablin
g the
liste
ner t
o re
peat
his
versi
on in
turn
, the
n no
thin
g to
talk
abou
t unt
il �e M
ayco
mb T
ribun
e app
eare
d th
e fol
lowi
ng �
ursd
ay. �
ere w
as a
brief
obi
tuar
y in
the
Col
ored
New
s, bu
t the
re w
as al
so an
edito
rial. M
r. B. B
. Und
erwo
od w
as at
his
mos
t bitt
er, an
d he
coul
dn't
have
care
d les
s who
canc
eled
adve
r-
tisin
g and
subs
crip
tions
. (Bu
t May
com
b di
dn't
play
that
way
: Mr. U
nder
wood
coul
d ho
ller t
ill h
e swe
ated
and
write
wha
teve
r he
want
ed
to, h
e'd st
ill ge
t his
adve
rtisin
g and
subs
crip
tions
. If h
e wan
ted
to m
ake a
fool
of h
imse
lf in
his
pape
r tha
t was
his
busin
ess.)
Mr. U
nder
wood
did
n't ta
lk ab
out m
iscar
riage
s of j
ustic
e, he
was
writ
ing s
o ch
ildre
n co
uld
unde
rstan
d.
Mr. U
nder
wood
sim
ply �
gure
d it
was a
sin
to k
ill cr
ippl
es, b
e the
y sta
ndin
g, sit
ting,
or es
capi
ng. H
e lik
ened
Tom
's
deat
h to
the s
ense
less s
laugh
ter o
f son
gbird
s by h
unte
rs an
d ch
ildre
n, an
d M
ayco
mb
thou
ght h
e was
tryin
g to
write
an ed
itoria
l poe
tical
enou
gh to
be r
eprin
ted
in �
e Mon
tgom
ery A
dver
tiser.
How
coul
d th
is be
so, I
won
dere
d, as
I
read
Mr. U
nder
wood
's ed
itoria
l. Sen
seles
s kill
ing-
-Tom
had
bee
n gi
ven
due p
roce
ss of
law
to th
e day
of h
is de
ath;
he
had
been
tried
ope
nly a
nd co
nvict
ed b
y twe
lve go
od m
en an
d tru
e; m
y fat
her h
ad fo
ught
for h
im al
l the
way
. �en
Mr.
Und
erwo
od's
mea
ning
bec
ame c
lear:
Attic
us h
ad u
sed
ever
y too
l ava
ilabl
e to
free m
en to
save
Tom
Rob
inso
n, bu
t in
the
secr
et co
urts
of m
en's
hear
ts At
ticus
had
no
case
. Tom
was
a de
ad m
an th
e min
ute M
ayell
a Ewe
ll op
ened
her
mou
th an
d sc
ream
ed.. T
o
Kill
a Moc
king
bird
"Why
coul
dn't
I mas
h hi
m?"
I ask
ed. "
Beca
use t
hey d
on't
both
er yo
u," J
em an
swer
ed in
the d
arkn
ess.
He h
ad tu
rned
out h
is re
adin
g lig
ht. "
Reck
on yo
u're a
t the
stag
e now
whe
re yo
u do
n't k
ill �
ies an
d m
osqu
itoes
now
, I re
ckon
," I s
aid. "
Lem
me k
now
when
you
chan
ge yo
ur m
ind.
Tell
you
one t
hing
, tho
ugh,
I ain
't go
nna s
it ar
ound
and
not s
crat
ch a
redb
ug."
"Aw
dry u
p," h
e ans
were
d dr
owsil
y.
Jem
was
the o
ne w
ho w
as ge
tting
mor
e lik
e a gi
rl ev
ery d
ay, n
ot I.
Com
forta
ble,
I lay
on
my b
ack
and
waite
d fo
r slee
p, an
d wh
ile
waiti
ng I
thou
ght o
f Dill
. He h
ad le
ft us
the �
rst o
f the
mon
th w
ith �
rm as
sura
nces
that
he w
ould
retu
rn th
e min
ute s
choo
l
was o
ut-h
e gue
ssed
his f
olks
had
got t
he ge
nera
l ide
a tha
t he l
iked
to sp
end
his s
umm
ers i
n M
ayco
mb.
Miss
Rac
hel t
ook
us
with
them
in th
e tax
i to
May
com
b Ju
nctio
n, an
d D
ill w
aved
to u
s fro
m th
e tra
in w
indo
w un
til h
e was
out o
f sig
ht. H
e was
not
out
of m
ind:
I m
issed
him
. �e l
ast t
wo d
ays o
f his
time w
ith u
s, Je
m h
ad ta
ught
him
to sw
im- T
augh
t him
to sw
im. I
was
wid
e awa
ke, r
emem
berin
g wha
t Dill
had
told
me.
Bark
er's
Eddy
is at
the e
nd o
f a d
irt ro
ad o
� th
e Mer
idian
hig
hway
abou
t a
mile
from
town
. It i
s eas
y to
catch
a rid
e dow
n th
e hig
hway
on
a cot
ton
wago
n or
from
a pa
ssing
mot
orist
, and
the s
hort
walk
to th
e cre
ek is
easy,
but
the p
rosp
ect o
f walk
ing a
ll th
e way
bac
k ho
me a
t dus
k, wh
en th
e tra
�c i
s lig
ht, is
tire
som
e, an
d sw
imm
ers a
re ca
refu
l not
to st
ay to
o
late.
Acco
rdin
g to
Dill
, he a
nd Je
m h
ad ju
st co
me t
o th
e hig
hway
whe
n th
ey sa
w At
ticus
driv
ing t
owar
d th
em. H
e loo
ked
like h
e had
not s
een
them
, so
they
bot
h wa
ved.
Attic
us �
nally
slow
ed d
own;
whe
n th
ey ca
ught
up
with
him
he s
aid, "
You'd
bet
ter c
atch
a rid
e bac
k. I w
on't
be go
ing h
ome f
or a
while
." C
alpur
nia
was i
n th
e bac
k se
at. J
em p
rote
sted,
then
plea
ded,
and
Attic
us sa
id, "
All
right
, you
can
com
e
with
us i
f you
stay
in th
e car.
" On
the w
ay to
Tom
Rob
inso
n's, A
tticu
s tol
d th
em w
hat h
ad
happ
ened
. �ey
turn
ed o
� th
e hig
hway
, rod
e slo
wly b
y the
dum
p an
d pa
st th
e Ewe
ll
resid
ence
, dow
n th
e nar
row
lane t
o th
e Neg
ro ca
bins
. Dill
said
a cr
owd
of b
lack
child
ren
were
play
ing m
arbl
es in
Tom
's fro
nt ya
rd. A
tticu
s par
ked
the c
ar an
d go
t out
. Calp
urni
a fol
lowe
d hi
m
thro
ugh
the f
ront
gate.
Dill
hea
rd h
im as
k on
e of t
he ch
ildre
n, "W
here
's yo
ur m
othe
r, Sam
?" an
d he
ard
Sam
say,
"She
dow
n at
Sis
Stev
ens's
, Mr. F
inch
. Wan
t me r
un fe
tch h
er?"
Dill
said
Atti
cus l
ooke
d un
certa
in, t
hen
he sa
id ye
s,
and
Sam
scam
pere
d o�
. "G
o on
with
your
gam
e, bo
ys,"
Attic
us sa
id to
the c
hild
ren.
A li
ttle g
irl ca
me t
o th
e cab
in d
oor
and
stood
look
ing a
t Atti
cus.
Dill
said
her
hair
was
a wa
d of
tiny
sti�
pig
tails
, eac
h en
ding
in a
brig
ht b
ow. S
he gr
inne
d fro
m ea
r
to ea
r and
walk
ed
towa
rd o
ur fa
ther,
but
she w
as to
o sm
all to
nav
igat
e the
step
s. D
ill sa
id A
tticu
s wen
t to
her, t
ook
o� h
is ha
t, an
d o�
ered
her
his
�nge
r. She
grab
bed
it an
d he
ease
d he
r dow
n th
e ste
ps. �
en h
e gav
e her
to C
alpur
nia.
Sam
was
trot
ting b
ehin
d hi
s mot
her w
hen
they
cam
e up.
Dill
said
Hele
n
said
, "'ev
enin
', Mr. F
inch
, won
't yo
u ha
ve a
seat
?" Bu
t she
did
n't sa
y any
mor
e. N
eithe
r did
Atti
cus.
"Sco
ut,"
said
Dill
, "sh
e jus
t fell
dow
n in
the d
irt. J
ust f
ell d
own
in
the d
irt, li
ke a
gian
t with
a bi
g foo
t jus
t cam
e alo
ng an
d ste
pped
on
her. J
ust u
mp-
-" D
ill's
fat fo
ot h
it th
e gro
und.
"Lik
e you
'd ste
p on
an an
t." D
ill sa
id C
alpur
nia a
nd
Attic
us li
fted
Hele
n to
her
feet
and
half
carri
ed, h
alf w
alked
her
to th
e cab
in. �
ey st
ayed
insid
e a lo
ng ti
me,
and
Attic
us ca
me o
ut al
one.
Whe
n th
ey d
rove
bac
k by
the d
ump,
som
e of t
he E
wells
hol
lered
at th
em, b
ut D
ill d
idn't
catch
wha
t the
y said
. May
com
b wa
s int
eres
ted
by th
e new
s of T
om's
deat
h fo
r per
haps
two
days
; two
day
s was
enou
gh fo
r
the i
nfor
mat
ion
to sp
read
thro
ugh
the c
ount
y. "D
id yo
u he
ar ab
out?.
... N
o? W
ell, t
hey s
ay h
e was
runn
in' �
t to
beat
ligh
tnin
'..." T
o M
ayco
mb,
Tom
's de
ath
was t
ypica
l. Typ
ical o
f
a nig
ger t
o cu
t and
run.
Typi
cal o
f a n
igge
r's m
enta
lity t
o ha
ve n
o pl
an, n
o th
ough
t for
the f
utur
e, ju
st ru
n bl
ind
�rst
chan
ce h
e saw
. Fun
ny th
ing,
Attic
us F
inch
mig
ht've
got
him
o�
scot
free
, but
wait
-? H
ell n
o. Yo
u kn
ow h
ow th
ey ar
e. Ea
sy co
me,
easy
go. J
ust s
hows
you,
that
Rob
inso
n bo
y was
lega
lly m
arrie
d, th
ey sa
y he k
ept h
imse
lf cle
an,
went
to ch
urch
and
all th
at, b
ut w
hen
it co
mes
dow
n to
the l
ine t
he ve
neer
's m
ight
y thi
n. N
igge
r alw
ays c
omes
out
in 'e
m. A
few
mor
e det
ails,
enab
ling t
he li
stene
r
to re
peat
his
versi
on in
turn
, the
n no
thin
g to
talk
abou
t unt
il �e M
ayco
mb T
ribun
e app
eare
d th
e fol
lowi
ng �
ursd
ay. �
ere w
as a
brief
obi
tuar
y in
the
Col
ored
New
s, bu
t the
re w
as al
so an
edito
rial. M
r. B. B
. Und
erwo
od w
as at
his
mos
t bitt
er, an
d he
coul
dn't
have
care
d les
s who
canc
eled
adve
rtisin
g
and
subs
crip
tions
. (Bu
t May
com
b di
dn't
play
that
way
: Mr. U
nder
wood
coul
d ho
ller t
ill h
e swe
ated
and
write
wha
teve
r he w
ante
d to
, he'd
still
get h
is ad
verti
sing a
nd su
bscr
iptio
ns. I
f he w
ante
d to
mak
e a fo
ol o
f him
self
in h
is pa
per t
hat w
as h
is bu
sines
s.) M
r. Und
erwo
od
didn
't ta
lk ab
out m
iscar
riage
s of j
ustic
e, he
was
writ
ing s
o ch
ildre
n co
uld
unde
rstan
d. M
r. Und
erwo
od si
mpl
y �gu
red
it wa
s a
sin to
kill
crip
ples
, be t
hey s
tand
ing,
sittin
g, or
esca
ping
. He l
iken
ed T
om's
deat
h to
the s
ense
less s
laugh
ter o
f son
gbird
s by h
unte
rs an
d ch
ildre
n, an
d M
ayco
mb
thou
ght h
e was
tryin
g to
write
an ed
itoria
l poe
tical
enou
gh to
be r
eprin
ted
in �
e Mon
tgom
ery A
dver
tiser.
How
coul
d th
is be
so, I
won
dere
d, as
I re
ad M
r.
Und
erwo
od's
edito
rial. S
ense
less k
illin
g--T
om h
ad b
een
give
n du
e pro
cess
of la
w to
the d
ay o
f his
deat
h; h
e had
bee
n tri
ed o
penl
y and
conv
icted
by t
welve
good
men
and
true;
my f
athe
r had
foug
ht fo
r him
all t
he w
ay. �
en M
r. Und
erwo
od's
mea
ning
bec
ame c
lear:
Attic
us h
ad u
sed
ever
y too
l ava
ilabl
e to
free
men
to sa
ve T
om R
obin
son,
but i
n th
e sec
ret c
ourts
of m
en's
hear
ts At
ticus
had
no
case
. Tom
was
a de
ad m
an th
e min
ute M
ayell
a Ewe
ll op
ened
her
mou
th an
d sc
ream
ed. T
o Ki
ll a M
ocki
ngbi
rd "W
hy co
uldn
't I m
ash
him
?" I a
sked
. "Be
caus
e the
y don
't bo
ther
you,
" Jem
answ
ered
in th
e dar
knes
s.
He h
ad tu
rned
out
his
read
ing l
ight
. "Re
ckon
you'r
e at t
he st
age n
ow w
here
you
don't
kill
�ies
and
mos
quito
es n
ow, I
reck
on,"
I said
. "Le
mm
e kno
w
when
you
chan
ge yo
ur m
ind.
Tell
you
one t
hing
, tho
ugh,
I ain
't go
nna s
it ar
ound
and
not s
crat
ch a
redb
ug."
"Aw
dry u
p," h
e ans
were
d dr
owsil
y. Je
m
was t
he o
ne w
ho w
as ge
tting
mor
e lik
e a gi
rl ev
ery d
ay, n
ot I.
Com
forta
ble,
I lay
on
my b
ack
and
waite
d fo
r slee
p, an
d wh
ile w
aitin
g I th
ough
t of D
ill. H
e
had
left u
s the
�rst
of t
he m
onth
with
�rm
assu
ranc
es th
at h
e wou
ld re
turn
the m
inut
e sch
ool w
as o
ut-h
e gue
ssed
his f
olks
had
got t
he ge
nera
l ide
a tha
t he
liked
to sp
end
his s
umm
ers i
n M
ayco
mb.
Miss
Rac
hel t
ook
us w
ith th
em in
the t
axi t
o M
ayco
mb
Junc
tion,
and
Dill
wav
ed to
us f
rom
the t
rain
win
dow
until
he
was o
ut o
f sig
ht. H
e was
not
out
of m
ind:
I m
issed
him
. �e l
ast t
wo d
ays o
f his
time w
ith u
s, Je
m h
ad ta
ught
him
to sw
im- T
augh
t him
to sw
im. I
was
wid
e awa
ke,
rem
embe
ring w
hat D
ill h
ad to
ld m
e. Ba
rker
's Ed
dy is
at th
e end
of a
dirt
road
o�
the M
erid
ian h
ighw
ay ab
out a
mile
from
town
. It i
s eas
y to
catch
a rid
e dow
n th
e hig
hway
on
a cot
ton
wago
n or
from
a pa
ssing
mot
orist
, and
the s
hort
walk
to th
e cre
ek is
easy,
but
the p
rosp
ect o
f walk
ing a
ll th
e way
bac
k ho
me a
t dus
k, wh
en th
e tra
�c i
s lig
ht, is
tire
som
e,
and
swim
mer
s are
care
ful n
ot to
stay
too
late.
Acco
rdin
g to
Dill
, he a
nd Je
m h
ad ju
st co
me t
o th
e hig
hway
whe
n th
ey sa
w At
ticus
driv
ing t
owar
d th
em. H
e loo
ked
like h
e had
not
seen
them
, so
they
bot
h wa
ved.
Attic
us �
nally
slow
ed d
own;
whe
n th
ey ca
ught
up
with
him
he s
aid, "
You'd
bet
ter c
atch
a rid
e bac
k. I w
on't
be go
ing h
ome f
or a
while
." C
alpur
nia w
as in
the
back
seat
. Jem
pro
teste
d, th
en p
leade
d, an
d At
ticus
said
, "A
ll rig
ht, y
ou ca
n co
me w
ith u
s if y
ou st
ay in
the c
ar." O
n th
e way
to T
om R
obin
son's
, Atti
cus t
old
them
wha
t had
hap
pene
d.
�ey
turn
ed o
� th
e hig
hway
, rod
e slo
wly b
y the
dum
p an
d pa
st th
e Ewe
ll re
siden
ce, d
own
the n
arro
w lan
e to
the N
egro
cabi
ns. D
ill sa
id a
crow
d of
blac
k ch
ildre
n we
re p
layin
g mar
bles
in T
om's
front
yard
. Atti
cus p
arke
d th
e car
and
got o
ut. C
alpur
nia f
ollo
wed
him
thro
ugh
the f
ront
gate.
Dill
hea
rd h
im as
k on
e of t
he ch
ildre
n, "W
here
's yo
ur m
othe
r, Sam
?" an
d
hear
d Sa
m sa
y, "S
he d
own
at S
is St
even
s's, M
r. Fin
ch. W
ant m
e run
fetch
her
?" D
ill sa
id A
tticu
s loo
ked
unce
rtain
, the
n he
said
yes,
and
Sam
scam
pere
d o�
. "G
o on
with
your
gam
e, bo
ys,"
Attic
us sa
id to
the c
hild
ren.
A li
ttle g
irl ca
me t
o th
e cab
in d
oor a
nd st
ood
look
ing a
t Atti
cus.
Dill
said
her
hair
was
a wa
d of
tiny
sti�
pig
tails
, eac
h en
ding
in a
brig
ht b
ow. S
he gr
inne
d fro
m ea
r to
ear a
nd w
alked
towa
rd o
ur fa
ther,
but
she w
as to
o sm
all to
nav
igat
e the
step
s. D
ill sa
id A
tticu
s wen
t to
her, t
ook
o� h
is ha
t,
and
o�er
ed h
er h
is �n
ger. S
he gr
abbe
d it
and
he ea
sed
her d
own
the s
teps
. �en
he g
ave h
er to
Calp
urni
a. Sa
m w
as tr
ottin
g beh
ind
his m
othe
r whe
n th
ey
cam
e up.
Dill
said
Hele
n sa
id, "
'even
in', M
r. Fin
ch, w
on't
you
have
a se
at?"
But s
he d
idn't
say a
ny m
ore.
Neit
her d
id A
tticu
s. "S
cout
," sa
id
Dill
, "sh
e jus
t fell
dow
n in
the d
irt. J
ust f
ell d
own
in th
e dirt
, like
a gi
ant w
ith a
big f
oot j
ust c
ame a
long
and
stepp
ed o
n he
r. Jus
t um
p--"
Dill
's fat
foot
hit
the g
roun
d.
"Lik
e you
'd ste
p on
an an
t." D
ill sa
id C
alpur
nia a
nd A
tticu
s lift
ed H
elen
to h
er fe
et an
d ha
lf ca
rried
, half
walk
ed h
er to
the c
abin
. �ey
stay
ed in
side a
long
tim
e, an
d
Attic
us ca
me o
ut al
one.
Whe
n th
ey d
rove
bac
k by
the d
ump,
som
e of t
he E
wells
hol
lered
at th
em, b
ut D
ill d
idn't
catch
wha
t the
y said
. May
com
b wa
s int
eres
ted
by
the n
ews o
f Tom
's de
ath
for p
erha
ps tw
o da
ys; t
wo d
ays w
as en
ough
for t
he in
form
atio
n to
spre
ad th
roug
h th
e cou
nty.
"Did
you
hear
abou
t?....
No?
Well
, the
y say
he
was r
unni
n' �t
to b
eat l
ight
nin'.
.." T
o M
ayco
mb,
Tom
's de
ath
was t
ypica
l. Typ
ical o
f a n
igge
r to
cut a
nd ru
n. Ty
pica
l of a
nig
ger's
men
talit
y to
have
no
plan
, no
thou
ght f
or th
e fut
ure,
just
run
blin
d �r
st ch
ance
he s
aw. F
unny
thin
g, At
ticus
Fin
ch m
ight
've go
t him
o�
scot
free
, but
wait
-? H
ell n
o. Yo
u kn
ow h
ow
they
are.
Easy
com
e, ea
sy go
. Jus
t sho
ws yo
u, th
at R
obin
son
boy w
as le
gally
mar
ried,
they
say h
e kep
t him
self
clean
, wen
t to
chur
ch an
d all
that
, but
when
it co
mes
dow
n to
the l
ine t
he ve
neer
's m
ight
y thi
n. N
igge
r alw
ays c
omes
out
in 'e
m. A
few
mor
e det
ails,
enab
ling t
he li
stene
r to
repe
at h
is
versi
on in
turn
, the
n no
thin
g to
talk
abou
t unt
il �e M
ayco
mb T
ribun
e app
eare
d th
e fol
lowi
ng �
ursd
ay. �
ere w
as a
brief
obi
tuar
y in
the C
olor
ed N
ews,
but t
here
was
also
an ed
itoria
l. Mr. B
. B. U
nder
wood
was
at h
is m
ost b
itter,
and
he co
uldn
't ha
ve ca
red
less w
ho ca
ncele
d ad
verti
sing a
nd su
bscr
iptio
ns. (
But
May
com
b di
dn't
play
that
way
: Mr. U
nder
wood
coul
d ho
ller t
ill h
e swe
ated
and
write
wha
teve
r he w
ante
d to
, he'd
still
get h
is ad
verti
sing a
nd su
bscr
iptio
ns. I
f he
want
ed to
mak
e a fo
ol
of h
imse
lf in
his
pape
r tha
t was
his
busin
ess.)
Mr. U
nder
wood
did
n't ta
lk ab
out m
iscar
riage
s of j
ustic
e, he
was
writ
ing s
o ch
ildre
n co
uld
unde
rstan
d.
Mr. U
nder
wood
sim
ply
�gur
ed it
was
a sin
to k
ill cr
ippl
es, b
e the
y sta
ndin
g, sit
ting,
or es
capi
ng. H
e lik
ened
Tom
's de
ath
to th
e sen
seles
s slau
ghte
r of s
ongb
irds b
y hun
ters
and
child
ren,
and
May
com
b th
ough
t he w
as tr
ying t
o wr
ite an
edito
rial p
oetic
al en
ough
to b
e rep
rinte
d in
�e M
ontg
omer
y Adv
ertis
er. H
ow co
uld
this
be so
, I w
onde
red,
as I
read
Mr.
Und
erwo
od's
edito
rial. S
ense
less k
illin
g--T
om h
ad b
een
give
n du
e pro
cess
of la
w to
the d
ay o
f his
deat
h; h
e had
bee
n tri
ed o
penl
y and
conv
icted
by t
welve
good
men
and
true;
my
fathe
r had
foug
ht fo
r him
all t
he w
ay. �
en M
r. Und
erwo
od's
mea
ning
bec
ame c
lear:
Attic
us h
ad u
sed
ever
y too
l ava
ilabl
e to
free m
en to
save
Tom
Rob
inso
n, bu
t in
the s
ecre
t
cour
ts of
men
's he
arts
Attic
us h
ad n
o ca
se. T
om w
as a
dead
man
the m
inut
e May
ella E
well
open
ed h
er m
outh
and
scre
amed
.. To
Kill
a Moc
king
bird
"Why
coul
dn't
I mas
h hi
m?"
I
aske
d. "B
ecau
se th
ey d
on't
both
er yo
u," J
em an
swer
ed in
the d
arkn
ess.
He h
ad tu
rned
out
his
read
ing l
ight
. "Re
ckon
you'r
e at t
he st
age n
ow w
here
you
don't
kill
�ies
and
mos
quito
es
now,
I re
ckon
," I s
aid. "
Lem
me k
now
when
you
chan
ge yo
ur m
ind.
Tell
you
one t
hing
, tho
ugh,
I ain
't go
nna s
it ar
ound
and
not s
crat
ch a
redb
ug."
"Aw
dry u
p," h
e ans
were
d dr
owsil
y.
Jem
was
the o
ne w
ho w
as ge
tting
mor
e lik
e a gi
rl ev
ery d
ay, n
ot I.
Com
forta
ble,
I lay
on
my b
ack
and
waite
d fo
r slee
p, an
d wh
ile w
aitin
g I th
ough
t of D
ill. H
e had
left
us th
e �rst
of t
he
mon
th w
ith �
rm as
sura
nces
that
he w
ould
retu
rn th
e min
ute s
choo
l was
out
-he g
uesse
d hi
s fol
ks h
ad go
t the
gene
ral i
dea t
hat h
e lik
ed to
spen
d hi
s sum
mer
s in
May
com
b. M
iss R
ache
l
took
us w
ith th
em in
the t
axi t
o M
ayco
mb
Junc
tion,
and
Dill
wav
ed to
us f
rom
the t
rain
win
dow
until
he w
as o
ut o
f sig
ht. H
e was
not
out
of m
ind:
I m
issed
him
. �e l
ast t
wo d
ays o
f his
time w
ith u
s, Je
m h
ad ta
ught
him
to sw
im- T
augh
t him
to sw
im. I
was
wid
e awa
ke, r
emem
berin
g wha
t Dill
had
told
me.
Bark
er's
Eddy
is at
the e
nd o
f a d
irt ro
ad o
� th
e Mer
idian
high
way a
bout
a m
ile fr
om to
wn. I
t is e
asy t
o ca
tch a
ride d
own
the h
ighw
ay o
n a c
otto
n wa
gon
or fr
om a
passi
ng m
otor
ist, a
nd th
e sho
rt wa
lk to
the c
reek
is ea
sy, b
ut th
e pro
spec
t of
walk
ing a
ll th
e way
bac
k ho
me a
t dus
k, wh
en th
e tra
�c i
s lig
ht, is
tire
som
e, an
d sw
imm
ers a
re
care
ful n
ot to
stay
too
late.
Acco
rdin
g to
Dill
, he a
nd Je
m h
ad ju
st co
me t
o th
e hig
hway
whe
n th
ey sa
w At
ticus
driv
ing t
owar
d th
em. H
e
look
ed li
ke h
e had
not
seen
them
, so
they
bot
h wa
ved.
Attic
us �
nally
slow
ed d
own;
whe
n th
ey ca
ught
up
with
him
he s
aid, "
You'd
bette
r cat
ch a
ride b
ack.
I won
't be
goin
g hom
e for
a wh
ile."
Calp
urni
a was
in th
e bac
k se
at. J
em p
rote
sted,
then
plea
ded,
and
Attic
us sa
id, "
All
right
, you
can
com
e with
us i
f you
stay
in th
e car.
" On
the w
ay to
Tom
Rob
inso
n's, A
tticu
s tol
d
them
wha
t had
hap
pene
d. �
ey tu
rned
o�
the h
ighw
ay, r
ode s
lowl
y by t
he d
ump
and
past
the E
well
resid
ence
,
down
the n
arro
w lan
e to
the N
egro
cabi
ns. D
ill sa
id a
crow
d of
blac
k ch
ildre
n we
re p
layin
g mar
bles
in T
om's
front
yard
. Atti
cus p
arke
d th
e car
and
got o
ut. C
alpur
nia f
ollo
wed
him
thro
ugh
the f
ront
gate.
Dill
hea
rd h
im
ask
one o
f the
child
ren,
"Whe
re's
your
mot
her, S
am?"
and
hear
d Sa
m sa
y, "S
he d
own
at S
is
Stev
ens's
, Mr. F
inch
. Wan
t me r
un fe
tch h
er?"
Dill
said
Atti
cus l
ooke
d un
certa
in,
then
he s
aid ye
s, an
d Sa
m sc
ampe
red
o�. "
Go
on w
ith yo
ur ga
me,
boys
," At
ticus
said
to th
e ch
ildre
n. A
little
girl
cam
e to
child
ren.
A li
ttle g
irl ca
me t
o th
e cab
in d
oor a
nd st
ood
look
ing
at A
tticu
s. D
ill sa
id h
er h
air w
as a
wad
of ti
ny st
i� p
igta
ils, e
ach
endi
ng in
a br
ight
bow
. She
Wan
t me r
un fe
tch h
er?"
Dill
said
Atti
cus l
ooke
d un
certa
in, t
hen
he sa
id ye
s, an
d Sa
m sc
ampe
red
o�. "
Go
on w
ith yo
ur g
ame,
boys
," At
ticus
said
to th
e
Attic
us to
ld th
em w
hat h
ad h
appe
ned.
�ey
turn
ed o
� th
e hig
hway
, rod
e slo
wly b
y the
dum
p an
d pa
st th
e Ewe
ll re
siden
ce, d
own
the n
arro
w lan
e to
the
wave
d. At
ticus
�na
lly sl
owed
dow
n; w
hen
they
caug
ht u
p wi
th h
im h
e said
, "Yo
u'd b
ette
r cat
ch a
ride b
ack.
I won
't be
goin
g hom
e for
a wh
ile."
Calp
urni
a
is ea
sy, b
ut th
e pro
spec
t of w
alkin
g all
the w
ay b
ack
hom
e at d
usk,
when
the t
ra�
c is l
ight
, is ti
reso
me,
and
swim
mer
s are
care
ful n
ot to
stay
too
late.
is ea
sy, b
ut th
e pro
spec
t of w
alkin
g all
the w
ay b
ack
hom
e at d
usk,
when
the t
ra�
c is l
ight
, is ti
reso
me,
and
swim
mer
s are
care
ful n
ot to
stay
too
late.
read
ing
light
. "Re
ckon
you'r
e at t
he st
age n
ow w
here
you
don'
t kill
�ies
and
mos
quito
es n
ow, I
reck
on,"
I said
. "Le
mm
e kno
w wh
en yo
u ch
ange
your
min
d.
gene
ral i
dea t
hat h
e lik
ed to
spen
d hi
s sum
mer
s in
May
com
b. M
iss R
ache
l too
k us
with
them
in th
e tax
i to
May
com
b Ju
nctio
n, an
d D
ill
was g
ettin
g m
ore l
ike a
girl
ever
y day
, not
I. C
omfo
rtabl
e, I l
ay o
n m
y bac
k an
d wa
ited
for s
leep,
and
while
wait
ing I
thou
ght o
f Dill
. He
him
to sw
im- T
augh
t him
to sw
im. I
was
wid
e awa
ke, r
emem
berin
g wh
at D
ill h
ad to
ld m
e. Ba
rker
's Ed
dy is
at th
e end
of a
dirt
road
o�
the M
erid
ian
dirt.
Just
fell
down
in th
e dirt
, like
a gi
ant w
ith a
big
foot
just
cam
e alo
ng an
d ste
pped
on
her. J
ust u
mp-
-" D
ill's
fat fo
ot h
it th
e gro
und.
"Lik
e you
'd ste
p on
her h
is �n
ger. S
he gr
abbe
d it
and
he ea
sed
her d
own
the s
teps
. �en
he g
ave h
er to
Calp
urni
a. Sa
m w
as tr
ottin
g beh
ind
his m
othe
r whe
n th
ey ca
me u
p. D
ill
thro
ugh
the f
ront
gate.
Dill
hea
rd h
im as
k on
e of t
he ch
ildre
n, "W
here
's yo
ur m
othe
r, Sam
?" an
d he
ard
Sam
say,
"She
dow
n at
Sis
Stev
ens's
, Mr. F
inch
.
Neg
ro ca
bins
. Dill
said
a cr
owd
of b
lack
child
ren
were
play
ing
mar
bles
in T
om's
front
yard
. Atti
cus p
arke
d th
e car
and
got o
ut. C
alpur
nia f
ollo
wed
him
was i
n th
e bac
k se
at. J
em p
rote
sted,
then
plea
ded,
and
Attic
us sa
id, "
All
right
, you
can
com
e with
us i
f you
stay
in th
e car.
" On
the w
ay to
Tom
Rob
inso
n's,
Acco
rdin
g to
Dill
, he a
nd Je
m h
ad ju
st co
me t
o th
e hig
hway
whe
n th
ey sa
w At
ticus
driv
ing t
owar
d th
em. H
e loo
ked
like h
e had
not
seen
them
, so
they
bot
h
high
way a
bout
a m
ile fr
om to
wn. I
t is e
asy t
o ca
tch a
ride d
own
the h
ighw
ay o
n a c
otto
n wa
gon
or fr
om a
passi
ng m
otor
ist, a
nd th
e sho
rt wa
lk to
the c
reek
To K
ill a
Moc
king
bird
"Why
coul
dn't
I mas
h hi
m?"
I as
ked.
"Bec
ause
they
don
't bo
ther
you,
" Jem
answ
ered
in th
e dar
knes
s. H
e had
turn
ed o
ut h
is
had
left u
s the
�rst
of t
he m
onth
with
�rm
assu
ranc
es th
at h
e wou
ld re
turn
the m
inut
e sch
ool w
as o
ut-h
e gue
ssed
his f
olks
had
got t
he
Tell
you
one t
hing
, tho
ugh,
I ain
't go
nna s
it ar
ound
and
not s
crat
ch a
redb
ug."
"Aw
dry u
p," h
e ans
were
d dr
owsil
y. Je
m w
as th
e one
who
wave
d to
us f
rom
the t
rain
win
dow
until
he w
as o
ut o
f sig
ht. H
e was
not
out
of m
ind:
I m
issed
him
. �e l
ast t
wo d
ays o
f his
time w
ith u
s, Je
m h
ad ta
ught
To K
ill a
Moc
king
bird
"Why
coul
dn't
I mas
h hi
m?"
I as
ked.
"Bec
ause
they
don
't bo
ther
you,
" Jem
answ
ered
in th
e dar
knes
s. H
e had
turn
ed o
ut h
is re
adin
g
grin
ned
from
ear t
o ea
r and
walk
ed to
ward
our
fath
er, b
ut sh
e was
too
small
to n
avig
ate t
he st
eps.
Dill
said
Atti
cus w
ent t
o he
r, too
k o�
his
hat,
and
o�er
ed
said
Hele
n sa
id, "
'even
in', M
r. Fin
ch, w
on't
you
have
a se
at?"
But
she d
idn'
t say
any m
ore.
Neit
her d
id A
tticu
s. "S
cout
," sa
id D
ill, "
she j
ust f
ell d
own
in th
e
To Kill a Mockingbird
"Why couldn't
I mash him?" I
asked. "Because they don't bother you," Jem
answered in the darkness. He
had turned
out his
reading light. "Reckon you're at the stage now where
you don't kill
gonna
sit around
and not
scratch a
redbug."
"Aw dry
up," he
answered
drowsily.
Jem was the
one who was
getting more
like a girl
every day, not
I. Comfortable,
I lay on my
back and
waited for sleep,
and while
waiting I
thought of Dill.
He had left us
the �rst of
the month
with �rm
assurances
that he
would
return the
minute
school was
To Kill a
Mock-
ingbird
"Why
couldn't
I mash
him?" I
asked.
"Because
they don't
bother
you," Jem
answered in
the darkness. He
had turned
out his
reading light.
"Reckon
you're at the
stage now
where you don't
kill �ies and
mosquitoes now, I
reckon," I said.
"Lemme know
when you
change your
mind. Tell
you one
thing,
though,
I ain't
Nigger always comes out in 'em. A fe
w m
ore details,
assurances th a t he
spend his summers in Maycomb. Miss Rachel took us with them in the taxi to Maycomb Junction, and Dill waved to us from the train window until he was out of sight. He was not out of mind: I missed him. �e last two days of his time with us, Jem
guessed his folks had got the general idea that he liked to spend his summers in Maycomb. Miss Rachel took us with them in the taxi to Maycomb Junction, and Dill waved to us from the train window until he was out of
had taught him to swim- Taught him to swim. I was wide awake, remembering what Dill had told me. Barker's Eddy is at the end of a dirt road o� the Meridian highway about a mile from town. It is easy to
"All right,
you can come with us if you stay in the car." On the way to Tom Robinson's, Atticus told them what had happened. �ey turned o� the highway, rode slowly by the dump and
past the Ewell residence, down the narrow lane to the Negro cabins. Dill
said a crowd of black children were playing marbles in Tom's front yard.
Atticus parked the car and got out. Calpurnia followed him through the
front gate. Dill heard him ask one of the children, "Where's your mother,
Sam?" and heard Sam say, "She down at Sis Stevens's, Mr. Finch. Want me
run fetch her?" Dill said Atticus looked uncertain, then he said yes, and
Sam scampered o�. "Go on with your game, boys," Atticus said
to the children. A little girl came to the cabin door and stood looking at
Atticus. Dill said her hair was a wad of tiny sti� pigtails, each ending in
a bright bow. She grinned from ear to ear and walked toward
our father, but she was too small to navigate the
steps. Dill said Atticus went to
her, took o� his hat, and
o�ered her his �nger.
She grabbed it
and he eased her down the steps.
�en he gave her to Calpurnia. Sam was
trotting behind his mother when they came
up. Dill said Helen said, "'evenin', Mr. Finch,
won't you have a seat?" But she didn't say any
more. Neither did Atticus. "Scout," said
Dill, "she just fell down in the dirt. Just fell
down in the dirt, like a giant with a big foot
just came along and stepped on her. Just
ump--" Dill's fat foot hit the ground. "Like you'd
step on an ant." Dill said Calpurnia and Atticus lifted Helen
to her feet and half carried, half walked her to the cabin. �ey stayed inside a long time, and Atticus came out alone. When they drove back by the dump, some of the Ewells
hollered at them, but Dill didn't catch what they said. Maycomb was interested by the news of Tom's death for perhaps two days; two days was enough for the information to spread through the county. "Did you hear about?.... No? Well,
they say he was runnin' �t to beat lightnin'..." To Maycomb, Tom's death was typical. Typical of a nigger to cut and run. Typical of a nigger's mentality to have no plan, no thought for the future, just run
blind �rst chance he saw. Funny thing, Atticus Finch might've got him o� scot free, but wait-? Hell no.
You know how they are. Easy come, easy go. Just
shows you, that Robinson boy
then pleaded,
and Atticus said, "All right, you can come with us if you stay in the car." On the way to Tom Robinson's, Atticus told them what had happened.
�ey turned o� the highway, rode slowly by the dump and past the Ewell
residence, down the narrow lane to the Negro cabins. Dill said a crowd of black
children were playing marbles in Tom's front yard. Atticus parked the car
and got out. Calpurnia followed him through the front gate. Dill heard him
ask one of the children, "Where's your mother, Sam?" and heard Sam
say, "She down at Sis Stevens's, Mr. Finch. Want me run fetch her?" Dill
said Atticus looked uncertain, then he said yes, and Sam scampered
o�. "Go on with your game, boys," Atticus said to
the children. A little girl came
to the cabin door and
stood looking at
Atticus. Dill said her hair was a wad
of tiny sti� pigtails, each ending in a bright bow.
She grinned from ear to ear and walked toward
our father, but she was too small to navigate
the steps. Dill said Atticus went to her,
took o� his hat, and o�ered her his �nger.
She grabbed it and he eased her down the
steps. �en he gave her to Calpurnia. Sam was trotting
behind his mother when they came up. Dill said Helen said, "'evenin', Mr. Finch, won't you have a seat?" But she didn't say any more. Neither did Atticus. "Scout," said Dill,
"she just fell down in the dirt. Just fell down in the dirt, like a giant with a big foot just came along and stepped on her. Just ump--" Dill's fat foot hit the ground. "Like you'd step on an ant." Dill said Calpurnia and Atticus lifted Helen to her
feet and half carried, half walked her to the cabin. �ey stayed inside a long time, and Atticus came out alone. When they drove back by the dump, some of the
Ewells hollered at them, but Dill didn't catch what they said. May-
comb was interested by the news of Tom's death for perhaps two
�ies a
nd m
osqu
ito
es now, I reckon," I said. "Lemme kn
ow when you ch
ange
your mind. Tell you one thing, though, I ain't gonna sit
arou
nd and not scr a tch a redbug." "Aw dry up,"
was legally married, they say he kept himself clean, went to church and all that, but when it comes down to the line the veneer's mighty thin.
month with �rm
in the Colored New s, but there was al
so an editorial. Mr. B. B. Underw
ood was at
his
most bitter, and he couldn't have enablin
g the listener to repeat his version in turn, then noth
ing to t
alk
about u
ntil �
e Mayc
omb Tribune appeared the following �ursday. �ere was a brief obituary
waited for sleep, and while waiting I thought
every day, not I. Comfortable, I lay on my back and
who was g
etting m
ore lik
e a gi
rl
he answ
ered d
rowsily
. Jem was
the one
up,
" he a
nswere
d drow
sily. Je
m was the
swim-mers are careful not to stay too late. Ac-cord-ing to Dill, he and Jem had just come to the highway when they saw At-ticus driv-ing toward them. He looked like he had not seen them, so they both waved. Atticus �nally slowed down; when they caught up with him he said, "You'd better catch a ride back. I won't be going home for a while." Calpurnia was in the back seat. Jem protested, then plead- ed, and Atti-cus said, "All
To Kill a
Mock-ingbird
"Why couldn't I mash him?" I
asked. "Because they don't bother you," Jem
answered in the darkness. He had
turned out his reading light.
"Reckon you're at
the
To Kill a
Mock-ingbird
"Why couldn't I mash him?" I
asked. "Because they don't bother you," Jem
answered in the darkness. He had
turned out his reading light.
"Reckon you're at
the
had got the gen-eral idea that he liked to spend his summers in May-comb. Miss
Rachel took us with them in the taxi to May-comb Junction, and Dill waved to us from the train window until he was out of sight. He was not out of mind: I missed him. �e last two days of his time with us, Jem had taught him to swim- Taught him to swim. I was wide awake, remem-bering what Dill had told me. Bark-er's Eddy is catch a ride down the highway on a cotton wagon or from a passing motorist, and the short walk to the creek is easy, but the prospect of walking all the way back home at dusk, when the tra�c is light, is tiresome, and
n's, At-ti-cus told them what had hap-pened. the car." On the way to Tom Rob-in-so
�ey turned o� the highway, rode slowly by the dump and past the Ewell resi-dence, down the right, you can come with us if you stay in Dill
narrow lane to the N egro cabins.
stage now where you don't kill �ies
and mosquitoes now, I reckon," I said. "Lemme know when you
change your mind. Tell you one thing, though, I ain't gonna sit around and not scratch a
redbug." "Aw dry up," he answered drowsily. Jem was the one who was getting
more like a girl every day, not I. Comfortable, I lay on my back and waited for sleep,
and while waiting I thought of Dill. He had left us the �rst of the month with �rm assurances that he would return the minute school was out-he guessed his folks
dead man
of Dill. He had left us the
thought of Dill. He had
out-he guessed his folks had got the gen-er-
us the �rst of the month with �rm assurances that he would return the minute school was out-he g
us the �rst of the month with �rm assurances that he would return the minute school was out-he g
us the �rst of the month with �rm assurances that he would return the minute school was out-he g
us the �rst of the month with �rm assurances that he would return the minute school was out-he g
us the �rst of the month with �rm assurances that he would return the minute school was out-he g
gen-eral idea that he gen-eral idea that he
gen-eral idea that he
gen-eral idea that he gen-eral idea that he
gen-eral idea that he gen-eral idea that he gen-eral idea that he
liked to al idea that he
Mr. U
nderw
ood c
ould
holler till he sweated and write whateve
r he wanted to, he'
d still
get h
is adv
ert
ising and subscriptions. If he wanted to make a fool of himse
lf in his
cared les
s who
cance
led advertising and subscriptions. (But Mayc
omb didn't p
lay th
at wa
y:
on a
cotton wagon or from a passing motorist, and the short walk to the creek is easy, but the
prospect of walking all the way back home at dusk, when the tra�c is light, is tiresome, and swimmers are careful not to stay too late. According to Dill, he and Jem had just come to the highway when they saw Atticus driving toward them. He looked like he had not seen them, so they
both waved. Atticus �nally slowed down; when they caught up with him he said, "You'd better catch a ride back. I won't be going home for a while."
Calpurnia was in the back seat.
highway on a cotton wagon or from a passing motorist, and the short walk to the creek is easy,
but the prospect of walking all the way back home at dusk, when the tra�c is light, is tiresome, and swimmers are careful not to stay too late. According to Dill, he and Jem had just come to the highway when they saw Atticus driving toward them. He looked like he had not seen
them, so they both waved. Atticus �nally slowed down; when they caught up with him he said, "You'd better catch a ride back. I won't be going home
for a while." Calpurnia was in
Jem pro-tested, then
pleaded, and Atticus said, would return the minute school was out-he guessed his folks had got the general idea that he liked to spend his summers in Maycomb. Miss Rachel took us with them in the taxi to Maycomb Junction, and Dill waved to us from the train window until he was out of sight. He was not out of mind: I missed him. �e last two days of his time with us, Jem had taught him to swim- Taught him to swim. I was wide awake, remembering what Dill had told me. Barker's Eddy is at the end of a dirt road o� the Meridian highway about a mile from town. It is easy to catch a ride down the
highway
or
from
a passing m
o-tor-ist, and the short walk to the creek is e
or
from
a passi
ng
mo-tor
-ist
, an
d the
sh
ort wal
k to
the
creek
is e
At-ticus driving toward them. He
looked like he had not seen them, so they both waved. Atti-cus �nally slowed down; when they caught up with him he said, "You'd better catch a ride back. I won't be going home for a while." Calpurnia was in the back seat. Jem protested, then pleaded, and Atticus said, "All right, you can come with us if you stay in the car." On the way to Tom Robinson's, Atticus told them what had happened. �ey turned o� the highway, rode slowly by the dump and past the Ewell resi-dence, down the narrow lane to
play-ing marbles in Tom's front yard. Atticus parked the car and got out. Calpurnia followed him through the front gate. Dill heard him ask one of the chil
the Negro cabins. Dill said a crowd of black children were
that he would return the minute school was
out-he guessed his folks had got the general idea that he liked to spend his summers in Maycomb. Miss Rachel took us with them in the taxi to
Maycomb Junction, and Dill waved to us from the train window until he was out of sight. He was not out of mind: I missed him. �e last two days of his time with us, Jem had taught him to swim- Taught
him to swim. I was wide awake, remembering what Dill had told me. Barker's Eddy is at the end of a dirt road o� the Meridian highway about a mile from town. It is easy to catch a ride down the
To
Kill a Mock-ingbird "W
hy couldn't I
mash him?" I
asked. "Because
they don't bother
you," Jem
answered in the
darkness. He had
turned out his reading
light. "Reckon you're at
the stage now where
you don't kill �ies and
mosquitoes now, I
reckon," I said. "Lemme
know when you change
your mind. Tell you one
thing, though, I ain't gonna
sit around and not scratch a
redbug." "Aw dry up," he
answered drowsily. Jem was the
one who was getting more like a
girl every day, not I. Comfortable, I
lay on my back and waited for sleep,
and while waiting I thought of Dill. He
had left
change
your mind. Tell you
one thing,
though, I
ain't gonna
sit around
and not
scratch a
redbug." "Aw
dry up," he
answered
drowsily. Jem was
the one who was
getting more like
a girl
To
Kill
a
Mock-ingbird
"Why couldn't I
mash him?" I
asked. "Because they
don't bother you," Jem
answered in the darkness.
He had turned out his reading
light. "Reckon you're at the stage now
where you don't kill �ies and
mosquitoes now, I reckon," I
said. "Lemme know when
you change your mind.
Tell you one thing,
though, I ain't
gonna
us th
e �rst
of t
he
mon
th with �rm assurances that
he w
ou
ld return the m
inute school w
as
sens
eless
slaug
hter
sens
eless
slaug
hter
sens
eless
slaug
hter
sens
eless
At-ticus driving toward them. He looked like he had not seen them, so they both waved. Atticus �nally slowed down; when they caught up with him he said, "You'd better catch a ri
Atticus driving toward them. He
looked like he had not seen
them, so they both waved.
Atticus
Atticus driving toward them. He
looked like he had not seen
them, so they both waved.
Atticus
Atticus driving toward them. He
looked like he had not seen
them, so they both waved.
Atticus
Atticus driving toward them. He
looked like he had not seen
them, so they both waved.
Atticus
Atticus driving toward them. He
looked like he had not seen
them, so they both waved.
Atticus
Atticus driving toward them. He
looked like he had not seen
them, so they both waved.
Atticus
highway on a cotton wagon or from a p a s s -
ing motorist, and the short walk to the creek is easy, but the prospect of walking all the way back home at dusk, when the tra�c is light, is
tiresome, and swimmers are careful not to stay too late. According to Dill, he and
Jem had just come
u s the �rst of the month with �rm assurances that he would return the minute school was us the �rst of the month with � r m assurances that he
u s the �rst of the month with �rm assurances that he would return the minute school was us the �rst of the month with �rm assurances that he
us the �rst of the month with �rm assur-ances that he would return the minute school was out-he g
until he was out o f s i gh t . H e w a s not out o f mind: I missed h i m . � e l a s t t w o days of his time w i t h us, Jem h a d t a u g h t him to s w i m - Taught him to swim. senseless slaughter of songbirds by hunters and children
enabling the listener to repeat his version in turn, then nothing to talk about until �e M
aycomb Tribune appeared the following �
ursday. �ere was a brief obituary in the C
olored New
s, but there was als
o an
edito
rial.
Mr.
B. B
. Und
erwo
od w
as at
his
mos
t bitt
er, a
nd h
e co
uldn
't ha
ve ca
red
less w
ho ca
ncele
d ad
verti
sing
and
subs
crip
tions
. (Bu
t May
com
b di
dn't
play
that
way
: Mr. Underw
ood
could
holle
r till
he sw
eate
d and
writ
e wha
teve
r he
want
ed to
, he'd still get his advertising and subscrip tions. If he wanted to m
ake a
lifted
Hele
n to
her
feet
and
half
carri
ed, h
alf w
alked
her to
the c
abin. C
an �ey s
tayed inside a l
ong time, and Atticus came
and st
eppe
d on
her
. Jus
t um
p--"
Dill
's fat
foot
hit t
he gr
ound
. "Like
you'd
step on an ant." D
ill said Calpurnia and Atticus
no thought for the future, just run blind �rst
blind �rst chance he saw. Funny thing, Atticus
Typical of a nigger's mentality to have no plan,
typical. Typical of a nigger to cut and run.
lightnin'..." To Maycomb, Tom's death was
said, "All right, yo
u can co
me with
us if
you s
tay in
the c
ar." O
n th
e way
to T
om R
obin
son'
s, A
tticu
s tol
d th
em w
hat h
ad ha
ppened.
all the way back home at dusk, when the tra�
c is lig
ht, is
tireso
me, an
d swi
mm
ers a
re ca
refu
l not
to st
ay to
o lat
e. A
ccor
ding
to D
ill, he
and J
em had just
come to the highway when they saw Attic
us dri
ving t
oward
them
. He l
ooke
d lik
e he h
ad n
ot se
en th
em, s
o th
ey b
oth
wave
d. At
ticus
�nally
slowed down; when they caught up with him
he said, "You'd better catch a ride back. I won't be going home for a while." Calpurnia was in the back seat. Jem protested, then plead
ed,
and A
tticu
s
It is easy to catch a ride down the highway on a cotton wagon or from a passing m
otorist, and the short walk to the creek is easy, but the prospect of walking him. �e last two days
of his t
ime w
ith us
, Jem h
ad ta
ught
him
to sw
im- T
augh
t hi m
to sw
im. I
was
wid
e awa
ke, re
membe
rin
g what D
ill had told me. Barker's Eddy
liked to spend his summers
in Mayc
omb.
Miss Rach
el too
k us
school was out-he guesse
d his folks h
ad got th
e genera
l idea
that h
e
out a
lone
. Whe
n th
ey d
rove
back
by th
e dum
p, som
e of th
e E
wells holle
red at
them, but Dill d
idn't catch what they said.
now where you don't kill �ies and mosquitoes now, I reckon," I
said.
my
back
and w
aited for sleep, and while waiting I
mor
e lik
e a gi
rl eve
ry day, n
ot I. Comfortable, I lay on
then he said yes, and Sam scampered o�. "Go on with your game, boys," A
tticus said to the to
ward
our
fath
er, b
ut sh
e was
too
small
to n
aviga
te th
e step
s. Dill
said Attic
us went to
her, took o� his hat, and o�ered her
Atti
cus.
Dill
said
her
hair
was
a wa
d of
tiny
sti�
pigta
ils, e
ach en
ding in
a bright bow. She grinned from ear to ear and walked
For Well, they say he was runnin' �t to beat
Just shows yo
u, that R
obinson boy was l
egally marri
ed, they s
ay he k
ept him
self
"Lemme know when you change your mind. Tell you one thing, though,
thou
ght o
f Dill
. He h
ad le
ft us
the �
rst of
the m
onth
with �r
m assur
ances that h
e would retu
rn the minute school was
out-
he g
uesse
d hi
s fol
ks h
ad go
t the
gene
ral id
ea tha
t he l
iked t
o spen
d his summers
in Maycomb. Miss Rachel took us with them in the taxi to M
aycomb Junction, and D
ill waved to us from the train window until he was out of sight. He was not out of mind: I missed
�ey
turn
ed o
� th
e hig
hway
, rode
slow
ly by
the d
ump a
nd pa
st t
he Ewell
residence, d
own the narrow lane to the Negro
cabi
ns. D
ill sa
id a
crow
d of
blac
k chi
ldren
were
play
ing m
arbles
in Tom
's front ya
rd. Atticus parked the car and got out.
county. "Did you hear
abou
t?....
No?
the information to spread th
rough
the
days; two days was enoug
h for
death for perhaps t
wo
the news of Tom's
Maycomb was interested
by
clean, went to
church
and all that, b
ut when it c
oTo Kill
a
Attic
us. "
Scou
t," sa
id D
ill, "
she j
ust f
ell d
own
in th
e dirt
. Just
fell d
own in
the d
irt, like a
giant with a big foot just came along
up,"
he an
swere
d drow
sily. Jem
was the one who was getting
thou
gh, I
ain'
t gon
na sit
around and not scratch a redbug." "Aw dry
kinkin
kin kin
he was out of window until
mind: I missed
him. �e last
two days
sight. He was
not out o f
k i nS hthey are. Easy
kingbir
mockcome, easy go.
You know how wait-? Hell no.
M
ockingbird "W
hy couldn't I mash him?"
I
asked. "B
ecause t
hey don't bother y
ou," J
em
answered in the darkness.
He
had
tur
ned out his re
ading lig
ht.
"Reck
on you're
at
the sta
ge
of the month with �rm ass
urances
that he w
ould return th
e minu
te
when
they
cam
e up
. Dill
said
Hele
n sa
id, "
'even
in', M
r. Finc
h, won
't you
have a s
eat?" But sh
e didn't say any more. Neither did
his �
nger
. She
gra
bbed
it an
d he
ease
d he
r dow
n the
step
s. �en
he ga
ve her t
o Calp
urnia. Sam was trotting behind his mother
To K
ill a
Moc
king
bird
"W
hy
Calpurn
ia fol
lowed him through the fro
nt gate. Dill heard him ask
said.
"Lem
me
know
when
you change your mind. Tell you one thing,
kin
chance he saw. Funny
thing, Atticus Finch
ki
nkink
i
might've got him o�
scot free,
but
ki n
kin
for sleep, an
d while waitin
g I thought of D
ill. He h
ad left us th
e �rst
girl every day, not I. C
omfortable, I
lay on my back
and waited
drowsily. Jem
was the one who was g
etting more li
ke a
scratch a redbug." "Aw dry up," he answered
I ain't gonna sit aro
und and not ch
ildre
n. A
littl
e gi
rl ca
me
to th
e cab
in d
oor a
nd st
ood l
ookin
g at
taxi
to
the Maycomb
Junc
tion,
and Dill
wave
d to
us
with
them in th
e
ldre
n an
ds by
chi
song
bir
ghter
o
f
less s
lau-
mos
quito
es n
ow, I
reck
on," I
you
don'
t ki
ll �i
es an
d
the s
ense
ngbir
dut
but
from
th
e so
ng t
rain
d
hunt
ers
on
e of th
e children, "W
here's your mother, Sam?" and said Atticus looked
u n c e r t a i n ,
at th
e sta
ge n
ow w
here
light
. "R
ecko
n yo
u're
coul
dn't
I m
ash
him
?"
I
rdre ing
bi mock kill a
remem
ber
it's a
sin to
in the
secret courts of men's hearts Atticus had no case. in the secret courts of men's heart
s Attic
us ha
d no
cas
e.
heard Sam say,
"She down at Sis
Stevens's, Mr. Finch. Want
me run fetch her?" Dill
aske
d.
"Bec
ause
th
ey
don't
bo
ther
you
," Je
m a
nswe
red
in
the
dark
ness
. H
e ha
d tu
rned
out
in h
is re
adin
g
is at th
e end
of a
dirt r
oad o
� th
e Mer
idian
hig
hway
abou
t a m
ile fr
om to
wn.
kin bbu
t remem rem
embe
r it's a sin
t
kin to
kin to
kill a
m
oc kin kikin kin
To K
ill a
Moc
king
bird
"Why
coul
dn't
I mas
h hi
m?"
I ask
ed.
"Bec
ause
they
don
't bo
ther
you,
" Jem
answ
ered
in th
e dar
knes
s. H
e had
turn
ed
out h
is re
adin
g lig
ht. "
Reck
on yo
u're a
t the
stag
e now
whe
re yo
u do
n't k
ill �
ies an
d
mos
quito
es n
ow, I
reck
on,"
I said
. "Le
mm
e kno
w wh
en yo
u ch
ange
your
min
d. Te
ll yo
u
one t
hing
, tho
ugh,
I ain
't go
nna s
it ar
ound
and
not s
crat
ch a
redb
ug."
"Aw
dry u
p," h
e
answ
ered
dro
wsily
. Jem
was
the o
ne w
ho w
as ge
tting
mor
e lik
e a gi
rl ev
ery d
ay, n
ot I.
Com
forta
ble,
I lay
on
my b
ack
and
waite
d fo
r slee
p, an
d wh
ile w
aitin
g I th
ough
t of D
ill. H
e
had
left u
s the
�rst
of t
he m
onth
with
�rm
assu
ranc
es th
at h
e wou
ld re
turn
the m
inut
e
scho
ol w
as o
ut-h
e gue
ssed
his f
olks
had
got t
he ge
nera
l ide
a tha
t he l
iked
to sp
end
his
sum
mer
s in
May
com
b. M
iss R
ache
l too
k us
with
them
in th
e tax
i to
May
com
b Ju
nctio
n, an
d
Dill
wav
ed to
us f
rom
the t
rain
win
dow
until
he w
as o
ut o
f sig
ht. H
e was
not
out
of m
ind:
I m
issed
him
. �e l
ast t
wo d
ays o
f his
time w
ith u
s, Je
m h
ad ta
ught
him
to sw
im- T
augh
t him
to sw
im. I
was
wid
e
awak
e, re
mem
berin
g wha
t Dill
had
told
me.
Bark
er's
Eddy
is at
the e
nd o
f a d
irt ro
ad o
� th
e Mer
idian
high
way a
bout
a m
ile fr
om to
wn. I
t is e
asy t
o ca
tch a
ride d
own
the h
ighw
ay o
n a c
otto
n wa
gon
or
from
a pa
ssing
mot
orist
, and
the s
hort
walk
to th
e cre
ek is
easy,
but
the p
rosp
ect o
f walk
ing a
ll th
e
way b
ack
hom
e at d
usk,
when
the t
ra�
c is l
ight
, is ti
reso
me,
and
swim
mer
s are
care
ful n
ot to
stay
too
late.
Acco
rdin
g to
Dill
, he a
nd Je
m h
ad ju
st co
me t
o th
e hig
hway
whe
n th
ey sa
w At
ticus
driv
ing t
owar
d th
em. H
e
look
ed li
ke h
e had
not
seen
them
, so
they
bot
h wa
ved.
Attic
us �
nally
slow
ed d
own;
whe
n th
ey ca
ught
up
with
him
he sa
id, "
You'd
bet
ter c
atch
a rid
e bac
k. I w
on't
be go
ing h
ome f
or a
while
." C
alpur
nia w
as in
the b
ack
seat
. Jem
prot
este
d, th
en p
leade
d, an
d At
ticus
said
, "A
ll rig
ht, y
ou ca
n co
me w
ith u
s if y
ou st
ay in
the c
ar." O
n th
e way
to
Tom
Rob
inso
n's, A
tticu
s tol
d th
em w
hat h
ad h
appe
ned.
�ey
turn
ed o
� th
e hig
hway
, rod
e slo
wly b
y the
dum
p an
d pa
st th
e Ewe
ll re
siden
ce, d
own
the n
arro
w lan
e to
the N
egro
cabi
ns. D
ill sa
id a
crow
d of
blac
k
child
ren
were
play
ing m
arbl
es in
Tom
's fro
nt ya
rd. A
tticu
s par
ked
the c
ar an
d go
t out
. Calp
urni
a fol
lowe
d hi
m th
roug
h
the f
ront
gate.
Dill
hea
rd h
im as
k on
e of t
he ch
ildre
n, "W
here
's yo
ur m
othe
r, Sam
?" an
d he
ard
Sam
say,
"She
dow
n at
Sis S
teve
ns's,
Mr. F
inch
. Wan
t me r
un fe
tch h
er?"
Dill
said
Atti
cus l
ooke
d un
certa
in, t
hen
he sa
id ye
s, an
d Sa
m
scam
pere
d o�
. "G
o on
with
your
gam
e, bo
ys,"
Attic
us sa
id to
the c
hild
ren.
A li
ttle g
irl ca
me t
o th
e cab
in d
oor a
nd st
ood
look
ing a
t Atti
cus.
Dill
said
her
hair
was
a wa
d of
tiny
sti�
pig
tails
, eac
h en
ding
in a
brig
ht b
ow. S
he gr
inne
d
from
ear t
o ea
r and
walk
ed to
ward
our
fath
er, b
ut sh
e was
too
small
to n
avig
ate t
he st
eps.
Dill
said
Attic
us w
ent t
o he
r, too
k o�
his
hat,
and
o�er
ed h
er h
is �n
ger. S
he gr
abbe
d it
and
he ea
sed
her d
own
the s
teps
. �en
he
gave
her
to C
alpur
nia.
Sam
was
trot
ting b
ehin
d hi
s mot
her w
hen
they
cam
e up.
Dill
said
Hele
n sa
id, "
'even
in', M
r. Fin
ch, w
on't
you
have
a se
at?"
But s
he d
idn't
say a
ny m
ore.
Neit
her d
id A
tticu
s. "S
cout
," sa
id D
ill, "
she j
ust f
ell d
own
in th
e dirt
. Jus
t fell
dow
n in
the d
irt, li
ke
a gian
t with
a bi
g foo
t jus
t cam
e alo
ng an
d ste
pped
on
her. J
ust u
mp-
-" D
ill's
fat fo
ot h
it th
e gro
und.
"Lik
e you
'd ste
p on
an an
t." D
ill sa
id C
alpur
nia
and
Attic
us li
fted
Hele
n to
her
feet
and
half
carri
ed, h
alf w
alked
her
to th
e cab
in. �
ey st
ayed
insid
e a lo
ng ti
me,
and
Attic
us ca
me o
ut al
one.
Whe
n th
ey
drov
e bac
k by
the d
ump,
som
e of t
he E
wells
hol
lered
at th
em, b
ut D
ill d
idn't
catch
wha
t the
y said
. May
com
b wa
s int
eres
ted
by th
e new
s of T
om's
deat
h
for p
erha
ps tw
o da
ys; t
wo d
ays w
as en
ough
for t
he in
form
atio
n to
spre
ad th
roug
h th
e cou
nty.
"Did
you
hear
abou
t?....
No?
Well
, the
y say
he w
as ru
nnin
' �t
to b
eat l
ight
nin'.
.." T
o M
ayco
mb,
Tom
's de
ath
was t
ypica
l. Typ
ical o
f a n
igge
r to
cut a
nd ru
n. Ty
pica
l of a
nig
ger's
men
talit
y to
have
no
plan
, no
thou
ght
for t
he fu
ture
, just
run
blin
d �r
st ch
ance
he s
aw. F
unny
thin
g, At
ticus
Fin
ch m
ight
've go
t him
o�
scot
free
, but
wait
-? H
ell n
o. Yo
u kn
ow h
ow th
ey ar
e.
Easy
com
e, ea
sy go
. Jus
t sho
ws yo
u, th
at R
obin
son
boy w
as le
gally
mar
ried,
they
say h
e kep
t him
self
clean
, wen
t to
chur
ch an
d all
that
, but
whe
n it
com
es
down
to th
e lin
e the
vene
er's
mig
hty t
hin.
Nig
ger a
lway
s com
es o
ut in
'em
. A fe
w m
ore d
etail
s, en
ablin
g the
liste
ner t
o re
peat
his
versi
on in
turn
, the
n no
thin
g to
talk
abou
t unt
il �e M
ayco
mb T
ribun
e app
eare
d th
e fol
lowi
ng �
ursd
ay. �
ere w
as a
brief
obi
tuar
y in
the
Col
ored
New
s, bu
t the
re w
as al
so an
edito
rial. M
r. B. B
. Und
erwo
od w
as at
his
mos
t bitt
er, an
d he
coul
dn't
have
care
d les
s who
canc
eled
adve
r-
tisin
g and
subs
crip
tions
. (Bu
t May
com
b di
dn't
play
that
way
: Mr. U
nder
wood
coul
d ho
ller t
ill h
e swe
ated
and
write
wha
teve
r he
want
ed
to, h
e'd st
ill ge
t his
adve
rtisin
g and
subs
crip
tions
. If h
e wan
ted
to m
ake a
fool
of h
imse
lf in
his
pape
r tha
t was
his
busin
ess.)
Mr. U
nder
wood
did
n't ta
lk ab
out m
iscar
riage
s of j
ustic
e, he
was
writ
ing s
o ch
ildre
n co
uld
unde
rstan
d.
Mr. U
nder
wood
sim
ply �
gure
d it
was a
sin
to k
ill cr
ippl
es, b
e the
y sta
ndin
g, sit
ting,
or es
capi
ng. H
e lik
ened
Tom
's
deat
h to
the s
ense
less s
laugh
ter o
f son
gbird
s by h
unte
rs an
d ch
ildre
n, an
d M
ayco
mb
thou
ght h
e was
tryin
g to
write
an ed
itoria
l poe
tical
enou
gh to
be r
eprin
ted
in �
e Mon
tgom
ery A
dver
tiser.
How
coul
d th
is be
so, I
won
dere
d, as
I
read
Mr. U
nder
wood
's ed
itoria
l. Sen
seles
s kill
ing-
-Tom
had
bee
n gi
ven
due p
roce
ss of
law
to th
e day
of h
is de
ath;
he
had
been
tried
ope
nly a
nd co
nvict
ed b
y twe
lve go
od m
en an
d tru
e; m
y fat
her h
ad fo
ught
for h
im al
l the
way
. �en
Mr.
Und
erwo
od's
mea
ning
bec
ame c
lear:
Attic
us h
ad u
sed
ever
y too
l ava
ilabl
e to
free m
en to
save
Tom
Rob
inso
n, bu
t in
the
secr
et co
urts
of m
en's
hear
ts At
ticus
had
no
case
. Tom
was
a de
ad m
an th
e min
ute M
ayell
a Ewe
ll op
ened
her
mou
th an
d sc
ream
ed.. T
o
Kill
a Moc
king
bird
"Why
coul
dn't
I mas
h hi
m?"
I ask
ed. "
Beca
use t
hey d
on't
both
er yo
u," J
em an
swer
ed in
the d
arkn
ess.
He h
ad tu
rned
out h
is re
adin
g lig
ht. "
Reck
on yo
u're a
t the
stag
e now
whe
re yo
u do
n't k
ill �
ies an
d m
osqu
itoes
now
, I re
ckon
," I s
aid. "
Lem
me k
now
when
you
chan
ge yo
ur m
ind.
Tell
you
one t
hing
, tho
ugh,
I ain
't go
nna s
it ar
ound
and
not s
crat
ch a
redb
ug."
"Aw
dry u
p," h
e ans
were
d dr
owsil
y.
Jem
was
the o
ne w
ho w
as ge
tting
mor
e lik
e a gi
rl ev
ery d
ay, n
ot I.
Com
forta
ble,
I lay
on
my b
ack
and
waite
d fo
r slee
p, an
d wh
ile
waiti
ng I
thou
ght o
f Dill
. He h
ad le
ft us
the �
rst o
f the
mon
th w
ith �
rm as
sura
nces
that
he w
ould
retu
rn th
e min
ute s
choo
l
was o
ut-h
e gue
ssed
his f
olks
had
got t
he ge
nera
l ide
a tha
t he l
iked
to sp
end
his s
umm
ers i
n M
ayco
mb.
Miss
Rac
hel t
ook
us
with
them
in th
e tax
i to
May
com
b Ju
nctio
n, an
d D
ill w
aved
to u
s fro
m th
e tra
in w
indo
w un
til h
e was
out o
f sig
ht. H
e was
not
out
of m
ind:
I m
issed
him
. �e l
ast t
wo d
ays o
f his
time w
ith u
s, Je
m h
ad ta
ught
him
to sw
im- T
augh
t him
to sw
im. I
was
wid
e awa
ke, r
emem
berin
g wha
t Dill
had
told
me.
Bark
er's
Eddy
is at
the e
nd o
f a d
irt ro
ad o
� th
e Mer
idian
hig
hway
abou
t a
mile
from
town
. It i
s eas
y to
catch
a rid
e dow
n th
e hig
hway
on
a cot
ton
wago
n or
from
a pa
ssing
mot
orist
, and
the s
hort
walk
to th
e cre
ek is
easy,
but
the p
rosp
ect o
f walk
ing a
ll th
e way
bac
k ho
me a
t dus
k, wh
en th
e tra
�c i
s lig
ht, is
tire
som
e, an
d sw
imm
ers a
re ca
refu
l not
to st
ay to
o
late.
Acco
rdin
g to
Dill
, he a
nd Je
m h
ad ju
st co
me t
o th
e hig
hway
whe
n th
ey sa
w At
ticus
driv
ing t
owar
d th
em. H
e loo
ked
like h
e had
not s
een
them
, so
they
bot
h wa
ved.
Attic
us �
nally
slow
ed d
own;
whe
n th
ey ca
ught
up
with
him
he s
aid, "
You'd
bet
ter c
atch
a rid
e bac
k. I w
on't
be go
ing h
ome f
or a
while
." C
alpur
nia
was i
n th
e bac
k se
at. J
em p
rote
sted,
then
plea
ded,
and
Attic
us sa
id, "
All
right
, you
can
com
e
with
us i
f you
stay
in th
e car.
" On
the w
ay to
Tom
Rob
inso
n's, A
tticu
s tol
d th
em w
hat h
ad
happ
ened
. �ey
turn
ed o
� th
e hig
hway
, rod
e slo
wly b
y the
dum
p an
d pa
st th
e Ewe
ll
resid
ence
, dow
n th
e nar
row
lane t
o th
e Neg
ro ca
bins
. Dill
said
a cr
owd
of b
lack
child
ren
were
play
ing m
arbl
es in
Tom
's fro
nt ya
rd. A
tticu
s par
ked
the c
ar an
d go
t out
. Calp
urni
a fol
lowe
d hi
m
thro
ugh
the f
ront
gate.
Dill
hea
rd h
im as
k on
e of t
he ch
ildre
n, "W
here
's yo
ur m
othe
r, Sam
?" an
d he
ard
Sam
say,
"She
dow
n at
Sis
Stev
ens's
, Mr. F
inch
. Wan
t me r
un fe
tch h
er?"
Dill
said
Atti
cus l
ooke
d un
certa
in, t
hen
he sa
id ye
s,
and
Sam
scam
pere
d o�
. "G
o on
with
your
gam
e, bo
ys,"
Attic
us sa
id to
the c
hild
ren.
A li
ttle g
irl ca
me t
o th
e cab
in d
oor
and
stood
look
ing a
t Atti
cus.
Dill
said
her
hair
was
a wa
d of
tiny
sti�
pig
tails
, eac
h en
ding
in a
brig
ht b
ow. S
he gr
inne
d fro
m ea
r
to ea
r and
walk
ed
towa
rd o
ur fa
ther,
but
she w
as to
o sm
all to
nav
igat
e the
step
s. D
ill sa
id A
tticu
s wen
t to
her, t
ook
o� h
is ha
t, an
d o�
ered
her
his
�nge
r. She
grab
bed
it an
d he
ease
d he
r dow
n th
e ste
ps. �
en h
e gav
e her
to C
alpur
nia.
Sam
was
trot
ting b
ehin
d hi
s mot
her w
hen
they
cam
e up.
Dill
said
Hele
n
said
, "'ev
enin
', Mr. F
inch
, won
't yo
u ha
ve a
seat
?" Bu
t she
did
n't sa
y any
mor
e. N
eithe
r did
Atti
cus.
"Sco
ut,"
said
Dill
, "sh
e jus
t fell
dow
n in
the d
irt. J
ust f
ell d
own
in
the d
irt, li
ke a
gian
t with
a bi
g foo
t jus
t cam
e alo
ng an
d ste
pped
on
her. J
ust u
mp-
-" D
ill's
fat fo
ot h
it th
e gro
und.
"Lik
e you
'd ste
p on
an an
t." D
ill sa
id C
alpur
nia a
nd
Attic
us li
fted
Hele
n to
her
feet
and
half
carri
ed, h
alf w
alked
her
to th
e cab
in. �
ey st
ayed
insid
e a lo
ng ti
me,
and
Attic
us ca
me o
ut al
one.
Whe
n th
ey d
rove
bac
k by
the d
ump,
som
e of t
he E
wells
hol
lered
at th
em, b
ut D
ill d
idn't
catch
wha
t the
y said
. May
com
b wa
s int
eres
ted
by th
e new
s of T
om's
deat
h fo
r per
haps
two
days
; two
day
s was
enou
gh fo
r
the i
nfor
mat
ion
to sp
read
thro
ugh
the c
ount
y. "D
id yo
u he
ar ab
out?.
... N
o? W
ell, t
hey s
ay h
e was
runn
in' �
t to
beat
ligh
tnin
'..." T
o M
ayco
mb,
Tom
's de
ath
was t
ypica
l. Typ
ical o
f
a nig
ger t
o cu
t and
run.
Typi
cal o
f a n
igge
r's m
enta
lity t
o ha
ve n
o pl
an, n
o th
ough
t for
the f
utur
e, ju
st ru
n bl
ind
�rst
chan
ce h
e saw
. Fun
ny th
ing,
Attic
us F
inch
mig
ht've
got
him
o�
scot
free
, but
wait
-? H
ell n
o. Yo
u kn
ow h
ow th
ey ar
e. Ea
sy co
me,
easy
go. J
ust s
hows
you,
that
Rob
inso
n bo
y was
lega
lly m
arrie
d, th
ey sa
y he k
ept h
imse
lf cle
an,
went
to ch
urch
and
all th
at, b
ut w
hen
it co
mes
dow
n to
the l
ine t
he ve
neer
's m
ight
y thi
n. N
igge
r alw
ays c
omes
out
in 'e
m. A
few
mor
e det
ails,
enab
ling t
he li
stene
r
to re
peat
his
versi
on in
turn
, the
n no
thin
g to
talk
abou
t unt
il �e M
ayco
mb T
ribun
e app
eare
d th
e fol
lowi
ng �
ursd
ay. �
ere w
as a
brief
obi
tuar
y in
the
Col
ored
New
s, bu
t the
re w
as al
so an
edito
rial. M
r. B. B
. Und
erwo
od w
as at
his
mos
t bitt
er, an
d he
coul
dn't
have
care
d les
s who
canc
eled
adve
rtisin
g
and
subs
crip
tions
. (Bu
t May
com
b di
dn't
play
that
way
: Mr. U
nder
wood
coul
d ho
ller t
ill h
e swe
ated
and
write
wha
teve
r he w
ante
d to
, he'd
still
get h
is ad
verti
sing a
nd su
bscr
iptio
ns. I
f he w
ante
d to
mak
e a fo
ol o
f him
self
in h
is pa
per t
hat w
as h
is bu
sines
s.) M
r. Und
erwo
od
didn
't ta
lk ab
out m
iscar
riage
s of j
ustic
e, he
was
writ
ing s
o ch
ildre
n co
uld
unde
rstan
d. M
r. Und
erwo
od si
mpl
y �gu
red
it wa
s a
sin to
kill
crip
ples
, be t
hey s
tand
ing,
sittin
g, or
esca
ping
. He l
iken
ed T
om's
deat
h to
the s
ense
less s
laugh
ter o
f son
gbird
s by h
unte
rs an
d ch
ildre
n, an
d M
ayco
mb
thou
ght h
e was
tryin
g to
write
an ed
itoria
l poe
tical
enou
gh to
be r
eprin
ted
in �
e Mon
tgom
ery A
dver
tiser.
How
coul
d th
is be
so, I
won
dere
d, as
I re
ad M
r.
Und
erwo
od's
edito
rial. S
ense
less k
illin
g--T
om h
ad b
een
give
n du
e pro
cess
of la
w to
the d
ay o
f his
deat
h; h
e had
bee
n tri
ed o
penl
y and
conv
icted
by t
welve
good
men
and
true;
my f
athe
r had
foug
ht fo
r him
all t
he w
ay. �
en M
r. Und
erwo
od's
mea
ning
bec
ame c
lear:
Attic
us h
ad u
sed
ever
y too
l ava
ilabl
e to
free
men
to sa
ve T
om R
obin
son,
but i
n th
e sec
ret c
ourts
of m
en's
hear
ts At
ticus
had
no
case
. Tom
was
a de
ad m
an th
e min
ute M
ayell
a Ewe
ll op
ened
her
mou
th an
d sc
ream
ed. T
o Ki
ll a M
ocki
ngbi
rd "W
hy co
uldn
't I m
ash
him
?" I a
sked
. "Be
caus
e the
y don
't bo
ther
you,
" Jem
answ
ered
in th
e dar
knes
s.
He h
ad tu
rned
out
his
read
ing l
ight
. "Re
ckon
you'r
e at t
he st
age n
ow w
here
you
don't
kill
�ies
and
mos
quito
es n
ow, I
reck
on,"
I said
. "Le
mm
e kno
w
when
you
chan
ge yo
ur m
ind.
Tell
you
one t
hing
, tho
ugh,
I ain
't go
nna s
it ar
ound
and
not s
crat
ch a
redb
ug."
"Aw
dry u
p," h
e ans
were
d dr
owsil
y. Je
m
was t
he o
ne w
ho w
as ge
tting
mor
e lik
e a gi
rl ev
ery d
ay, n
ot I.
Com
forta
ble,
I lay
on
my b
ack
and
waite
d fo
r slee
p, an
d wh
ile w
aitin
g I th
ough
t of D
ill. H
e
had
left u
s the
�rst
of t
he m
onth
with
�rm
assu
ranc
es th
at h
e wou
ld re
turn
the m
inut
e sch
ool w
as o
ut-h
e gue
ssed
his f
olks
had
got t
he ge
nera
l ide
a tha
t he
liked
to sp
end
his s
umm
ers i
n M
ayco
mb.
Miss
Rac
hel t
ook
us w
ith th
em in
the t
axi t
o M
ayco
mb
Junc
tion,
and
Dill
wav
ed to
us f
rom
the t
rain
win
dow
until
he
was o
ut o
f sig
ht. H
e was
not
out
of m
ind:
I m
issed
him
. �e l
ast t
wo d
ays o
f his
time w
ith u
s, Je
m h
ad ta
ught
him
to sw
im- T
augh
t him
to sw
im. I
was
wid
e awa
ke,
rem
embe
ring w
hat D
ill h
ad to
ld m
e. Ba
rker
's Ed
dy is
at th
e end
of a
dirt
road
o�
the M
erid
ian h
ighw
ay ab
out a
mile
from
town
. It i
s eas
y to
catch
a rid
e dow
n th
e hig
hway
on
a cot
ton
wago
n or
from
a pa
ssing
mot
orist
, and
the s
hort
walk
to th
e cre
ek is
easy,
but
the p
rosp
ect o
f walk
ing a
ll th
e way
bac
k ho
me a
t dus
k, wh
en th
e tra
�c i
s lig
ht, is
tire
som
e,
and
swim
mer
s are
care
ful n
ot to
stay
too
late.
Acco
rdin
g to
Dill
, he a
nd Je
m h
ad ju
st co
me t
o th
e hig
hway
whe
n th
ey sa
w At
ticus
driv
ing t
owar
d th
em. H
e loo
ked
like h
e had
not
seen
them
, so
they
bot
h wa
ved.
Attic
us �
nally
slow
ed d
own;
whe
n th
ey ca
ught
up
with
him
he s
aid, "
You'd
bet
ter c
atch
a rid
e bac
k. I w
on't
be go
ing h
ome f
or a
while
." C
alpur
nia w
as in
the
back
seat
. Jem
pro
teste
d, th
en p
leade
d, an
d At
ticus
said
, "A
ll rig
ht, y
ou ca
n co
me w
ith u
s if y
ou st
ay in
the c
ar." O
n th
e way
to T
om R
obin
son's
, Atti
cus t
old
them
wha
t had
hap
pene
d.
�ey
turn
ed o
� th
e hig
hway
, rod
e slo
wly b
y the
dum
p an
d pa
st th
e Ewe
ll re
siden
ce, d
own
the n
arro
w lan
e to
the N
egro
cabi
ns. D
ill sa
id a
crow
d of
blac
k ch
ildre
n we
re p
layin
g mar
bles
in T
om's
front
yard
. Atti
cus p
arke
d th
e car
and
got o
ut. C
alpur
nia f
ollo
wed
him
thro
ugh
the f
ront
gate.
Dill
hea
rd h
im as
k on
e of t
he ch
ildre
n, "W
here
's yo
ur m
othe
r, Sam
?" an
d
hear
d Sa
m sa
y, "S
he d
own
at S
is St
even
s's, M
r. Fin
ch. W
ant m
e run
fetch
her
?" D
ill sa
id A
tticu
s loo
ked
unce
rtain
, the
n he
said
yes,
and
Sam
scam
pere
d o�
. "G
o on
with
your
gam
e, bo
ys,"
Attic
us sa
id to
the c
hild
ren.
A li
ttle g
irl ca
me t
o th
e cab
in d
oor a
nd st
ood
look
ing a
t Atti
cus.
Dill
said
her
hair
was
a wa
d of
tiny
sti�
pig
tails
, eac
h en
ding
in a
brig
ht b
ow. S
he gr
inne
d fro
m ea
r to
ear a
nd w
alked
towa
rd o
ur fa
ther,
but
she w
as to
o sm
all to
nav
igat
e the
step
s. D
ill sa
id A
tticu
s wen
t to
her, t
ook
o� h
is ha
t,
and
o�er
ed h
er h
is �n
ger. S
he gr
abbe
d it
and
he ea
sed
her d
own
the s
teps
. �en
he g
ave h
er to
Calp
urni
a. Sa
m w
as tr
ottin
g beh
ind
his m
othe
r whe
n th
ey
cam
e up.
Dill
said
Hele
n sa
id, "
'even
in', M
r. Fin
ch, w
on't
you
have
a se
at?"
But s
he d
idn't
say a
ny m
ore.
Neit
her d
id A
tticu
s. "S
cout
," sa
id
Dill
, "sh
e jus
t fell
dow
n in
the d
irt. J
ust f
ell d
own
in th
e dirt
, like
a gi
ant w
ith a
big f
oot j
ust c
ame a
long
and
stepp
ed o
n he
r. Jus
t um
p--"
Dill
's fat
foot
hit
the g
roun
d.
"Lik
e you
'd ste
p on
an an
t." D
ill sa
id C
alpur
nia a
nd A
tticu
s lift
ed H
elen
to h
er fe
et an
d ha
lf ca
rried
, half
walk
ed h
er to
the c
abin
. �ey
stay
ed in
side a
long
tim
e, an
d
Attic
us ca
me o
ut al
one.
Whe
n th
ey d
rove
bac
k by
the d
ump,
som
e of t
he E
wells
hol
lered
at th
em, b
ut D
ill d
idn't
catch
wha
t the
y said
. May
com
b wa
s int
eres
ted
by
the n
ews o
f Tom
's de
ath
for p
erha
ps tw
o da
ys; t
wo d
ays w
as en
ough
for t
he in
form
atio
n to
spre
ad th
roug
h th
e cou
nty.
"Did
you
hear
abou
t?....
No?
Well
, the
y say
he
was r
unni
n' �t
to b
eat l
ight
nin'.
.." T
o M
ayco
mb,
Tom
's de
ath
was t
ypica
l. Typ
ical o
f a n
igge
r to
cut a
nd ru
n. Ty
pica
l of a
nig
ger's
men
talit
y to
have
no
plan
, no
thou
ght f
or th
e fut
ure,
just
run
blin
d �r
st ch
ance
he s
aw. F
unny
thin
g, At
ticus
Fin
ch m
ight
've go
t him
o�
scot
free
, but
wait
-? H
ell n
o. Yo
u kn
ow h
ow
they
are.
Easy
com
e, ea
sy go
. Jus
t sho
ws yo
u, th
at R
obin
son
boy w
as le
gally
mar
ried,
they
say h
e kep
t him
self
clean
, wen
t to
chur
ch an
d all
that
, but
when
it co
mes
dow
n to
the l
ine t
he ve
neer
's m
ight
y thi
n. N
igge
r alw
ays c
omes
out
in 'e
m. A
few
mor
e det
ails,
enab
ling t
he li
stene
r to
repe
at h
is
versi
on in
turn
, the
n no
thin
g to
talk
abou
t unt
il �e M
ayco
mb T
ribun
e app
eare
d th
e fol
lowi
ng �
ursd
ay. �
ere w
as a
brief
obi
tuar
y in
the C
olor
ed N
ews,
but t
here
was
also
an ed
itoria
l. Mr. B
. B. U
nder
wood
was
at h
is m
ost b
itter,
and
he co
uldn
't ha
ve ca
red
less w
ho ca
ncele
d ad
verti
sing a
nd su
bscr
iptio
ns. (
But
May
com
b di
dn't
play
that
way
: Mr. U
nder
wood
coul
d ho
ller t
ill h
e swe
ated
and
write
wha
teve
r he w
ante
d to
, he'd
still
get h
is ad
verti
sing a
nd su
bscr
iptio
ns. I
f he
want
ed to
mak
e a fo
ol
of h
imse
lf in
his
pape
r tha
t was
his
busin
ess.)
Mr. U
nder
wood
did
n't ta
lk ab
out m
iscar
riage
s of j
ustic
e, he
was
writ
ing s
o ch
ildre
n co
uld
unde
rstan
d.
Mr. U
nder
wood
sim
ply
�gur
ed it
was
a sin
to k
ill cr
ippl
es, b
e the
y sta
ndin
g, sit
ting,
or es
capi
ng. H
e lik
ened
Tom
's de
ath
to th
e sen
seles
s slau
ghte
r of s
ongb
irds b
y hun
ters
and
child
ren,
and
May
com
b th
ough
t he w
as tr
ying t
o wr
ite an
edito
rial p
oetic
al en
ough
to b
e rep
rinte
d in
�e M
ontg
omer
y Adv
ertis
er. H
ow co
uld
this
be so
, I w
onde
red,
as I
read
Mr.
Und
erwo
od's
edito
rial. S
ense
less k
illin
g--T
om h
ad b
een
give
n du
e pro
cess
of la
w to
the d
ay o
f his
deat
h; h
e had
bee
n tri
ed o
penl
y and
conv
icted
by t
welve
good
men
and
true;
my
fathe
r had
foug
ht fo
r him
all t
he w
ay. �
en M
r. Und
erwo
od's
mea
ning
bec
ame c
lear:
Attic
us h
ad u
sed
ever
y too
l ava
ilabl
e to
free m
en to
save
Tom
Rob
inso
n, bu
t in
the s
ecre
t
cour
ts of
men
's he
arts
Attic
us h
ad n
o ca
se. T
om w
as a
dead
man
the m
inut
e May
ella E
well
open
ed h
er m
outh
and
scre
amed
.. To
Kill
a Moc
king
bird
"Why
coul
dn't
I mas
h hi
m?"
I
aske
d. "B
ecau
se th
ey d
on't
both
er yo
u," J
em an
swer
ed in
the d
arkn
ess.
He h
ad tu
rned
out
his
read
ing l
ight
. "Re
ckon
you'r
e at t
he st
age n
ow w
here
you
don't
kill
�ies
and
mos
quito
es
now,
I re
ckon
," I s
aid. "
Lem
me k
now
when
you
chan
ge yo
ur m
ind.
Tell
you
one t
hing
, tho
ugh,
I ain
't go
nna s
it ar
ound
and
not s
crat
ch a
redb
ug."
"Aw
dry u
p," h
e ans
were
d dr
owsil
y.
Jem
was
the o
ne w
ho w
as ge
tting
mor
e lik
e a gi
rl ev
ery d
ay, n
ot I.
Com
forta
ble,
I lay
on
my b
ack
and
waite
d fo
r slee
p, an
d wh
ile w
aitin
g I th
ough
t of D
ill. H
e had
left
us th
e �rst
of t
he
mon
th w
ith �
rm as
sura
nces
that
he w
ould
retu
rn th
e min
ute s
choo
l was
out
-he g
uesse
d hi
s fol
ks h
ad go
t the
gene
ral i
dea t
hat h
e lik
ed to
spen
d hi
s sum
mer
s in
May
com
b. M
iss R
ache
l
took
us w
ith th
em in
the t
axi t
o M
ayco
mb
Junc
tion,
and
Dill
wav
ed to
us f
rom
the t
rain
win
dow
until
he w
as o
ut o
f sig
ht. H
e was
not
out
of m
ind:
I m
issed
him
. �e l
ast t
wo d
ays o
f his
time w
ith u
s, Je
m h
ad ta
ught
him
to sw
im- T
augh
t him
to sw
im. I
was
wid
e awa
ke, r
emem
berin
g wha
t Dill
had
told
me.
Bark
er's
Eddy
is at
the e
nd o
f a d
irt ro
ad o
� th
e Mer
idian
high
way a
bout
a m
ile fr
om to
wn. I
t is e
asy t
o ca
tch a
ride d
own
the h
ighw
ay o
n a c
otto
n wa
gon
or fr
om a
passi
ng m
otor
ist, a
nd th
e sho
rt wa
lk to
the c
reek
is ea
sy, b
ut th
e pro
spec
t of
walk
ing a
ll th
e way
bac
k ho
me a
t dus
k, wh
en th
e tra
�c i
s lig
ht, is
tire
som
e, an
d sw
imm
ers a
re
care
ful n
ot to
stay
too
late.
Acco
rdin
g to
Dill
, he a
nd Je
m h
ad ju
st co
me t
o th
e hig
hway
whe
n th
ey sa
w At
ticus
driv
ing t
owar
d th
em. H
e
look
ed li
ke h
e had
not
seen
them
, so
they
bot
h wa
ved.
Attic
us �
nally
slow
ed d
own;
whe
n th
ey ca
ught
up
with
him
he s
aid, "
You'd
bette
r cat
ch a
ride b
ack.
I won
't be
goin
g hom
e for
a wh
ile."
Calp
urni
a was
in th
e bac
k se
at. J
em p
rote
sted,
then
plea
ded,
and
Attic
us sa
id, "
All
right
, you
can
com
e with
us i
f you
stay
in th
e car.
" On
the w
ay to
Tom
Rob
inso
n's, A
tticu
s tol
d
them
wha
t had
hap
pene
d. �
ey tu
rned
o�
the h
ighw
ay, r
ode s
lowl
y by t
he d
ump
and
past
the E
well
resid
ence
,
down
the n
arro
w lan
e to
the N
egro
cabi
ns. D
ill sa
id a
crow
d of
blac
k ch
ildre
n we
re p
layin
g mar
bles
in T
om's
front
yard
. Atti
cus p
arke
d th
e car
and
got o
ut. C
alpur
nia f
ollo
wed
him
thro
ugh
the f
ront
gate.
Dill
hea
rd h
im
ask
one o
f the
child
ren,
"Whe
re's
your
mot
her, S
am?"
and
hear
d Sa
m sa
y, "S
he d
own
at S
is
Stev
ens's
, Mr. F
inch
. Wan
t me r
un fe
tch h
er?"
Dill
said
Atti
cus l
ooke
d un
certa
in,
then
he s
aid ye
s, an
d Sa
m sc
ampe
red
o�. "
Go
on w
ith yo
ur ga
me,
boys
," At
ticus
said
to th
e ch
ildre
n. A
little
girl
cam
e to
mash him
?" I asked. "Because they
To Kill a Mockingbird "W
hy couldn't I
don't bother you," Jem answered in
the darkness. He had turned out
his r
eadi
ng li
ght.
"Rec
kon
you'r
e at t
he st
age n
ow w
here
you
don'
t kill
�ies
and
mos
quito
es
now, I reckon," I said. "Lemm
e know when you change your m
ind. Tell you one thing, though, I
ain't gonna sit around and not scratch a redbug."
"Aw dry up," he answered drowsily. Jem was
the one who was getting more like a girl
every day, not I. Com
fortable, I lay on my back and
waited for sleep, and while waiting I
thought of Dill. H
e had left us the �rst of the m
onth with �rm assurances th
at h
e wou
ld re
turn
the m
inut
e sch
ool
was out-he
guessed his folks had got the
general idea
that he liked to spend his summ
ers in
mash him
?" I asked. "Because they
To Kill a Mockingbird "W
hy couldn't I
don't bother you," Jem answered in
the darkness. He had turned out
the darkness. He had turned out
the darkness. He had turned out
his r
eadi
ng li
ght.
"Rec
kon
you'r
e at t
he st
age n
ow w
here
you
don'
t kill
�ies
and
mos
quito
es
now, I reckon," I said. "Lemm
e know when you change your m
ind. Tell you one thing, though, I
ain't gonna sit around and not scratch a redbug."
"Aw dry up," he answered drowsily. Jem was
the one who was getting more like a girl
every day, not I. Com
fortable, I lay on my back and
waited for sleep, and while waiting I
thought of Dill. H
e had left us the �rst of the m
onth with �rm assurances th
at h
e wou
ld re
turn
the m
inut
e sch
ool
was out-he
guessed his folks had got the
general idea
that he liked to spend his summ
ers in
mash him
?" I asked. "Because they
mash him
?" I asked. "Because they
To Kill a Mockingbird "W
hy couldn't I
don't bother you," Jem answered in
the darkness. He had turned out
his r
eadi
ng li
ght.
"Rec
kon
you'r
e at t
he st
age n
ow w
here
you
don'
t kill
�ies
and
mos
quito
es
now, I reckon," I said. "Lemm
e know when you change your m
ind. Tell you one thing, though, I
ain't gonna sit around and not scratch a redbug."
"Aw dry up," he answered drowsily. Jem was
the one who was getting more like a girl
every day, not I. Com
fortable, I lay on my back and
waited for sleep, and while waiting I
thought of Dill. H
e had left us the �rst of the m
onth with �rm assurances th
at h
e wou
ld re
turn
the m
inut
e sch
ool
was out-he
guessed his folks had got the
general idea
general idea
that he liked to spend his summ
ers in
that he liked to spend his summ
ers in
that he liked to spend his summ
ers in
mash him
?" I asked. "Because they
To Kill a Mockingbird "W
hy couldn't I
To Kill a Mockingbird "W
hy couldn't I
don't bother you," Jem answered in
the darkness. He had turned out
his r
eadi
ng li
ght.
"Rec
kon
you'r
e at t
he st
age n
ow w
here
you
don'
t kill
�ies
and
mos
quito
es
now, I reckon," I said. "Lemm
e know when you change
your mind. Tell you one thing, though, I
ain't gonna sit around and not scratch a redbug."
"Aw dry up," he answered drowsily. Jem was
"Aw dry up," he answered drowsily. Jem was
"Aw dry up," he answered drowsily. Jem was
the one who was getting more like a girl
the one who was getting more like a girl
every day, not I. Com
fortable, I lay on my back and
waited for sleep, and while waiting I
thought of Dill. H
e had left us the �rst of the m
onth with �rm assurances th
at h
e wou
ld re
turn
the m
inut
e sch
ool
was out-he
guessed his folks had got the
general idea
that he liked to spend his summ
ers in
child
ren.
A li
ttle g
irl ca
me t
o th
e cab
in d
oor a
nd st
ood
look
ing
at A
tticu
s. D
ill sa
id h
er h
air w
as a
wad
of ti
ny st
i� p
igta
ils, e
ach
endi
ng in
a br
ight
bow
. She
Wan
t me r
un fe
tch h
er?"
Dill
said
Atti
cus l
ooke
d un
certa
in, t
hen
he sa
id ye
s, an
d Sa
m sc
ampe
red
o�. "
Go
on w
ith yo
ur g
ame,
boys
," At
ticus
said
to th
e
Attic
us to
ld th
em w
hat h
ad h
appe
ned.
�ey
turn
ed o
� th
e hig
hway
, rod
e slo
wly b
y the
dum
p an
d pa
st th
e Ewe
ll re
siden
ce, d
own
the n
arro
w lan
e to
the
wave
d. At
ticus
�na
lly sl
owed
dow
n; w
hen
they
caug
ht u
p wi
th h
im h
e said
, "Yo
u'd b
ette
r cat
ch a
ride b
ack.
I won
't be
goin
g hom
e for
a wh
ile."
Calp
urni
a
is ea
sy, b
ut th
e pro
spec
t of w
alkin
g all
the w
ay b
ack
hom
e at d
usk,
when
the t
ra�
c is l
ight
, is ti
reso
me,
and
swim
mer
s are
care
ful n
ot to
stay
too
late.
is ea
sy, b
ut th
e pro
spec
t of w
alkin
g all
the w
ay b
ack
hom
e at d
usk,
when
the t
ra�
c is l
ight
, is ti
reso
me,
and
swim
mer
s are
care
ful n
ot to
stay
too
late.
read
ing
light
. "Re
ckon
you'r
e at t
he st
age n
ow w
here
you
don'
t kill
�ies
and
mos
quito
es n
ow, I
reck
on,"
I said
. "Le
mm
e kno
w wh
en yo
u ch
ange
your
min
d.
gene
ral i
dea t
hat h
e lik
ed to
spen
d hi
s sum
mer
s in
May
com
b. M
iss R
ache
l too
k us
with
them
in th
e tax
i to
May
com
b Ju
nctio
n, an
d D
ill
gene
ral i
dea t
hat h
e lik
ed to
spen
d hi
s sum
mer
s in
May
com
b. M
iss R
ache
l too
k us
with
them
in th
e tax
i to
May
com
b Ju
nctio
n, an
d
was g
ettin
g m
ore l
ike a
girl
ever
y day
, not
I. C
omfo
rtabl
e, I l
ay o
n m
y bac
k an
d wa
ited
for s
leep,
and
while
wait
ing I
thou
ght o
f Dill
. He
him
to sw
im- T
augh
t him
to sw
im. I
was
wid
e awa
ke, r
emem
berin
g wh
at D
ill h
ad to
ld m
e. Ba
rker
's Ed
dy is
at th
e end
of a
dirt
road
o�
the M
erid
ian
dirt.
Just
fell
down
in th
e dirt
, like
a gi
ant w
ith a
big
foot
just
cam
e alo
ng an
d ste
pped
on
her. J
ust u
mp-
-" D
ill's
fat fo
ot h
it th
e gro
und.
"Lik
e you
'd ste
p on
her h
is �n
ger. S
he gr
abbe
d it
and
he ea
sed
her d
own
the s
teps
. �en
he g
ave h
er to
Calp
urni
a. Sa
m w
as tr
ottin
g beh
ind
his m
othe
r whe
n th
ey ca
me u
p. D
ill
thro
ugh
the f
ront
gate.
Dill
hea
rd h
im as
k on
e of t
he ch
ildre
n, "W
here
's yo
ur m
othe
r, Sam
?" an
d he
ard
Sam
say,
"She
dow
n at
Sis
Stev
ens's
, Mr. F
inch
.
Neg
ro ca
bins
. Dill
said
a cr
owd
of b
lack
child
ren
were
play
ing
mar
bles
in T
om's
front
yard
. Atti
cus p
arke
d th
e car
and
got o
ut. C
alpur
nia f
ollo
wed
him
was i
n th
e bac
k se
at. J
em p
rote
sted,
then
plea
ded,
and
Attic
us sa
id, "
All
right
, you
can
com
e with
us i
f you
stay
in th
e car.
" On
the w
ay to
Tom
Rob
inso
n's,
Acco
rdin
g to
Dill
, he a
nd Je
m h
ad ju
st co
me t
o th
e hig
hway
whe
n th
ey sa
w At
ticus
driv
ing t
owar
d th
em. H
e loo
ked
like h
e had
not
seen
them
, so
they
bot
h
high
way a
bout
a m
ile fr
om to
wn. I
t is e
asy t
o ca
tch a
ride d
own
the h
ighw
ay o
n a c
otto
n wa
gon
or fr
om a
passi
ng m
otor
ist, a
nd th
e sho
rt wa
lk to
the c
reek
To K
ill a
Moc
king
bird
"Why
coul
dn't
I mas
h hi
m?"
I as
ked.
"Bec
ause
they
don
't bo
ther
you,
" Jem
answ
ered
in th
e dar
knes
s. H
e had
turn
ed o
ut h
is
To K
ill a
Moc
king
bird
"Why
coul
dn't
I mas
h hi
m?"
I as
ked.
"Bec
ause
they
don
't bo
ther
you,
" Jem
answ
ered
in th
e dar
knes
s. H
e had
turn
ed o
ut
To K
ill a
Moc
king
bird
"Why
coul
dn't
I mas
h hi
m?"
I as
ked.
"Bec
ause
they
don
't bo
ther
you,
" Jem
answ
ered
in th
e dar
knes
s. H
e had
turn
ed o
ut
had
left u
s the
�rst
of t
he m
onth
with
�rm
assu
ranc
es th
at h
e wou
ld re
turn
the m
inut
e sch
ool w
as o
ut-h
e gue
ssed
his f
olks
had
got t
he
Tell
you
one t
hing
, tho
ugh,
I ain
't go
nna s
it ar
ound
and
not s
crat
ch a
redb
ug."
"Aw
dry u
p," h
e ans
were
d dr
owsil
y. Je
m w
as th
e one
who
wave
d to
us f
rom
the t
rain
win
dow
until
he w
as o
ut o
f sig
ht. H
e was
not
out
of m
ind:
I m
issed
him
. �e l
ast t
wo d
ays o
f his
time w
ith u
s, Je
m h
ad ta
ught
To K
ill a
Moc
king
bird
"Why
coul
dn't
I mas
h hi
m?"
I as
ked.
"Bec
ause
they
don
't bo
ther
you,
" Jem
answ
ered
in th
e dar
knes
s. H
e had
turn
ed o
ut h
is re
adin
g
grin
ned
from
ear t
o ea
r and
walk
ed to
ward
our
fath
er, b
ut sh
e was
too
small
to n
avig
ate t
he st
eps.
Dill
said
Atti
cus w
ent t
o he
r, too
k o�
his
hat,
and
o�er
ed
said
Hele
n sa
id, "
'even
in', M
r. Fin
ch, w
on't
you
have
a se
at?"
But
she d
idn'
t say
any m
ore.
Neit
her d
id A
tticu
s. "S
cout
," sa
id D
ill, "
she j
ust f
ell d
own
in th
e
To Kill A MockingbirdTo Kill a Mockingbird "Why couldn't I mash him?" I asked. "Because they don't bother you," Jem answered in the darkness. He had turned out his reading light. "Reckon you're at the stage now where you don't kill �ies and mosquitoes now, I reckon," I said. "Lemme know when you change your mind. Tell you one thing, though, I ain't gonna sit around and not scratch a redbug." "Aw dry up," he answered drowsily. Jem was the one who was getting more like a girl every day, not I. Comfortable, I lay on my back and waited for sleep, and while waiting I thought of Dill. He had left us the Jem answered in the darkness. Jem answered in the darkness. Jem answered in the darkness. Jem answered in the darkness. Jem answered in the darkness. Jem answered in the darkness. Jem answered in the darkness. Jem answered in the
looked uncertain, then he said yes, and Sam scampered o�. "Go on with your game, boys," Atticus said to the children. A little girl came to the cabin door and stood looking at Atticus. Dill said her hair was a wad of tiny sti� pigtails, each ending in a bright bow. She grinned from ear to ear and
�rst of the mon th
with �rm assurances
that he wou
ld return the
the step
s . D
ill sai
d Atticus
went to her, took o� his hat, and o�ered
wagon or fro m
a pas
sing
mot
orist
, and the short walk to the creek is easy, but
minute school was out-he guessed his folks had got the general idea that he liked to spend his summers in Maycomb. Miss Rachel took us with them in the taxi to Maycomb Junction, and Dill waved to us from the train window until he was out of sight. He was not out of mind: I missed him. �e last two days of his time with us, Jem had taught him to swim- Taught him to swim. I was wide awake, remembering what Dill had told me. Barker's Eddy is at the end of a dirt road o� the Meridian highway about a mile from town. It is easy to catch a ride down the highway on a cotton
"All righ
t, yo
u can co
me with us walking al l t
h
e
wa y bac
k
pleaded, and Atticus said,
Jem protested,
walked to ward
ou
r father, but she was too
what had happened
. �
e y turned o�
the highway,
small to navigate
ho
me at dusk, when th e tra
�c i
s
the prospect of
to the Negro cabins. Dill said a crowd of black children were playing marbles in Tom's front yard. Atticus parked the car and got out. Calpurnia followed him through the front gate. Dill heard him ask one of the children, "Where's your mother, Sam?" and heard Sam say, "She down at Sis Stevens's, Mr. Finch. Want me run fetch her?" Dill said Atticus
Jem answer
ed in the answered in the darkness.
Jem answered in the darkness. Jem answered in the Jem answered in the darkness. Jem answered in the
won't be going home for a while." Calpurnia was in the back seat. Jem protested, then
rode slowly by the dump and past the Ewell residence, down the narrow lane if you stay in the car." On the way to Tom
�nally slowed down; when they caught up with him he said, "You'd better catch a ride back. I light, is tiresome, and swimmers are careful not to stay too late. According to Dill, he and Jem answered in the darkness. Jem answered in the darkness. Jem answered Jem answered in the darkness. Jem answered in the darkness. Jem
answered in the darkness. Jem answered in the darkness. Jem
," Jem answered in the darkness," Jem answered in the darkness," Jem answered in the Jem answered
," Jem answered in the darkness," Jem answered in the darkness," Jem answered in the Jem answered in the darkness. Jem answered in the darkness. Jem answered in the darkness.
Jem answered in the darkness. Jem answered in the darkness. Jem answered answered i n the d
arkness. Jem
Jem
in th
e d
arkness looked l
ike he had not se
en
t hem
, so
they
both waved. Atticu
s
Jem had just come to the highway when they saw Atticus driving toward them. He
Robinson's, Atticus told
them
in the c
ar." On the way to To
m R
obi
. "Go on with
Jem answered in the darkness
o�
s c ot
free,
but wait-?
Hel
l
Finch might've
got
him
Mr.
Finc
h, w
on't
you have a seat?" But she didn't say any more. Neither did A
tticus. "Scout," said Dill, "she just fell down in the dirt. Just fe
ll dow
n in
the d
irt, l
ike a
gian
t with
a big
foot
just c
ame a
long
and
stepped on her. Just um
p--"
w
as to
o sm
all to navigate the steps. Dill said Atticus went to her, took o� his hat, and o�ered her his �nger. She gra
bbed
it an
d he
ease
d he
r dow
n th
e step
s. �en
he g
ave h
er to
Cal
purnia. Sam was tro
tting
down; when they caught up w
ith him he said, "You'd better catch a ri
de back
. I wo
n't be
goin
g hom
e for
a wh
ile."
just come to the highway when they saw Atticus driving toward them. H e l
ooke
d lik
e he h
ad n
ot se
en th
em, s
o th
ey b
oth
wave
d. A
tticu
s �na
lly sl
owed
To K
ill a
Moc
kingb
ird "Why couldn't I mash him
?" I asked. "Because they don't bother you," Jem answered in the darkness. H
e had turned out h
is re
adin
g lig
ht. "
Rec
kon
you'
re at
the s
tage
now
whe
re yo
u do
n't k
ill �
ies a
nd
of tiny s
ti� pigtails, each ending i n a bright bow. She grinned from ea
r to
ear a
nd w
alked tow
ard
our f
athe
r, b
ut she
gonna sit around and not scratch a redbug." "Aw dry up," he answered drowsily. Jem was the one who was getting more like a girl every day, not I. Com fo
rtabl
e, I l
ay on m
y back and waited for sleep, and while
you're at the stage now where you don't kill �ies and mosquitoes now, I reckon," I said. "L
emm
e know when you ch ange
your
mind. Tell you one thing, though, I ain't
past th
e Ewell residence, down the narrow lane to the Negro cabins. D
ill said a crowd of black children were playing marbles in Tom's front yard. A
tticus parked the car and got out. Calpurnia fo
llowe
d hi
m th
roug
h th
e fro
nt g
ate.
Dill
hea
rd h
im as
k on
e of t
he ch
ildre
n,
Calpurn ia w as in the back seat. Jem protested, then pleaded, and A
tticus said, "All right, you can com
e with us if you stay in the car." On the w
ay to Tom R
obinson's, Atticus told them wha
t had
hap
pene
d. �
ey tu
rned
o�
the h
ighw
ay, r
ode s
lowl
y by t
he d
ump a
nd
I said. "Lemm
e know when you change you
r min
d. Te
ll yo
u on
e thi
ng, t
houg
h, I
ain'
t gon
na si
t aro
und
and
not s
crat
ch a
redb
u
g." "Aw dry up," he answered drowsily. Jem was the
of a
dirt
road
o�
the M
erid
ian
high
way a
bout
a m
ile fr
om to
wn. I
t is e
asy
to ca
tch
a rid
e dow
n th
e hig
hway
on
a cot
ton
wag
on o
r fro
m a
pass
ing
mot
orist
, and
the s
hort
walk
to th
e cre
ek is
easy
, but
the p
rosp
ect o
f walk
ing
all th
e way
bac
k ho
me a
t dus
k, wh
en th
e tra
�c i
s lig
ht, i
s tire
som
e, an
d sw
imm
ers a
re ca
refu
l not
to st
ay to
o lat
e. A
ccor
ding
to D
ill, h
e and
Jem
had
he'd still get his advertising and subscriptions. If he wanted to m
ake a fooUnderwood sim
ply �gured it was a sin to kill cripples, be they standing, sitting, or escaping. He likened Tom
's death to the senseless slaughter of songbirds by hunters and children, and Maycom
b To Kill a Mockingbird "W
hy couldn't I mash him
?" I asked. "Because they don't bother you," Jem answered in the darkness. H
e had turned out his reading
he'd still get his advertising and subscriptions. If he wanted to m
ake a fooUnderwood sim
ply �gured it was a sin to kill cripples, be they standing, sitting, or escaping. He likened Tom
's death to the senseless slaughter of songbirds by hunters and children, and Maycom
b To Kill a Mockingbird "W
hy couldn't I mash him
?" I asked. "Because they don't bother you," Jem answered in the darkness. H
e had turned out his reading
he'd still get his advertising and subscriptions. If he wanted to m
ake a fooUnderwood sim
ply �gured it was a sin to kill cripples, be they standing, sitting, or escaping. He likened Tom
's death to the senseless slaughter of songbirds by hunters and children, and Maycom
b To Kill a Mockingbird "W
hy couldn't I mash him
?" I asked. "Because they don't bother you," Jem answered in the darkness. H
e had turned out his reading
he'd still get his advertising and subscriptions. If he wanted to m
ake a fooUnderwood sim
ply �gured it was a sin to kill cripples, be they standing, sitting, or escaping. He likened Tom
's death to the senseless slaughter of songbirds by hunters and children, and Maycom
b To Kill a Mockingbird "W
hy couldn't I mash him
?" I asked. "Because they don't bother you," Jem answered in the darkness. H
e had turned out his reading
he'd still get his advertising and subscriptions. If he wanted to m
ake a fooUnderwood sim
ply �gured it was a sin to kill cripples, be they standing, sitting, or escaping. He likened Tom
's death to the senseless slaughter of songbirds by hunters and children, and Maycom
b To Kill a M
ockingbird "Why couldn't I m
ash him?" I asked. "Because they don't bother you," Jem
answered in the darkness. He had turned out his
he'd still get his advertising and subscriptions. If he wanted to m
ake a fooUnderwood sim
ply �gured it was a sin to kill cripples, be they standing, sitting, or escaping. He likened Tom
's death to the senseless slaughter of songbirds by hunters and children, and Maycom
b To Kill a Mockingbird "W
hy couldn't I mash him
?" I asked. "Because they don't bother you," Jem answered in the darkness. H
e had turned out his
to Maycom
b Junction, and Dill waved to us from
the train window until he was out of sight. He w as
not
out
of m
ind:
I missed him. �
e last two days of his time with us, Jem
had taught him to s wim- Taught
him to
swim
. I w
as w
ide a
wake
, rem
embe
ring
what
Dill
had
told
me.
Bark
er's
Edd
y is
at th
e end
waiting I thought of D
ill. He had left us the �rst of the m
onth with � rm as
surances that he would return the minute school w
as out-he guessed his folks had got the g
enera
l idea
that
he li
ked
to sp
end
his s
umm
ers i
n M
ayco
mb.
Miss
Rac
hel t
ook
us w
ith th
em in
the t
axi
Sis S
teve
ns's,
Mr.
Finc
h. Want m
e run fetch her?" Dill said A
tticus looked unce
rtain
, the
n he
said
yes,
one w
ho was getting m
ore like a
Mr. U
nderw
ood
coul
d ho
ller t
ill h
e sw
eate
d an
d w
rite w
hate
ver h
e wan
ted
to,
mosquitoe m
osquitoe
s now
, I re
ckon
,"
girl
ever
y da
y, not I. Comfortable, I lay on m
y back and waited for sleep, and
whi
le wa
iting
I th
ough
t o
f Dill
.
He
h
ad left us the �rst of the month with �rm
assurances that he would return the minute school w
as o
ut-h
e gue
ssed
his
folk
s had
got
the
gene
ral i
de
a that he l i k ed to
spen
d hi
s sum
mer
s in
children. A little girl came to the ca bin d
oor a
nd st
ood l
ooking a
t Atti
cus.
Dill
said
her
hair was a wad
behind his m
other
when
they
cam
e up.
Dill
sa
id Helen said, "'evenin',
To Kill a Mockingbird "W
h y couldn't I mash him?" I asked. "Because they don't bother you," Jem
answered in the darkness. He had turned out his reading light. "R
eckon
he'd
still
get
his
adve
rtisin
g an
d su
bscr
iptio
ns. I
f he
wan
ted
to m
ake
a foo
l scr
iptio
ns. I
f he w
ante
d to
mak
e a fo
ol
"Whe
re's
your
mot
her,
Sam?" and heard Sam
say,
"She
dow
n at
and Sam scam
p
ered
o�.
"Go
on w
ith yo
ur g
ame,
b oy
s," Atticus said to the
them in the taxi to Maycomb Jun
ction, and Dill waved to us from the train
Maycomb. M
iss Ra
chel to
ok us
with
residence, down the narrow
lane to the Negro cabins. D
ill said a crowd of black children were playing marbles in Tom
's front yard. Atticus parked the car and got out. Calpurnia followed him through the front gate. D
ill heard him ask one of the children, "W
here's . She grinned from ear to ear and walked tow
ard our father,
the car." On the way to Tom Robinson's, Atticus told them
what had happened. �ey turned o� the highway, rode slowly by the dum
p and past the Ewell
the car." On the way to
Tom Robinson's, Atticus told them what had happened. �
ey turned o� the highway, rode slowly by the dump and past the
the car." On the way to
Tom Robinson's, Atticus told them what had happened. �
ey turned o� the highway, rode slowly by the dump and past the
home for a while." C
alpurnia was in the back seat. Jem protested, then pleaded, and A
tticus said, "All right, you can come with us if you stay
had just
come
to the
highway when
they saw
A
tticus driving
toward them
. H
e looked
like he
had not
seen them
, s o
they both waved.
Atticus �nally
slowed
down;
when
they caught
up w
ith him
he
said, "You'd
better catch
a ride
back. I
won't be
going
had just come to the highway when they saw A
tticus driving toward them
. He looked like he had not seen them
, so they both waved. A
tticus �nally slowed down; when they caught up with him he said, "You'd better catch a ride back. I won't be going To Kill a Mockingbird "W
hy couldn't I mash him
?" I asked.
had just come to the highway when they saw A
tticus driving toward them
. He looked like he had not seen them
, so they both waved. A
tticus �nally slowed down; when they caught up with him he said, "You'd better catch a ride back. I won't be going To Kill a Mockingbird "W
hy couldn't I mash him
?" I asked.
of la
w to the day of his death; he had been
of la
w to the day of his death; he had been
U
nderw
ood's editorial. Senseless killing--Tom had been g
iven
due
Unde
rw
ood's editorial. Senseless killing--Tom had been give
n du
e pr
oces
s th
ough
t he w
as trying to write an editorial poetical enough to be reprinted in �e Montgomery Advertiser. H
ow could
this
be so
, I w
onde
red,
as th
ough
t he w
as tr
ying to
write an editorial poetical enough to be reprinted in �e M
ontgomery Advertiser. How could this be s
o, I w
onde
red,
as I
read
Mr. th
ough
t he w
as tr
ying to
write an editorial poetical enough to be reprinted in �e M
ontgomery Advertiser. How could this be s
o, I w
onde
red,
as I
read
Mr.
Underwood simply �gured it was a sin to kill cripples, be they standing, sitting, or escaping. He likened Tom's death to
the s
ense
less s
l aug
hter
of s
ongb
irds b
y hun
ters
and
child
ren, an
d May co
mb
Underwood simply �gured it was a sin to kill cripples, be they standing, sitting, or escaping. He likened Tom's death to the sen
seless s
laugh
ter of
song
bird
s by h
unte
rs an
d ch
ildre
n, an
d M
ayco
mb To K
ill a M
ockin
gb
ird "W
hy
enabling the listener to repeat his version in turn, then nothi ng to talk about until �
e Maycomb Tribune appeared the following �
ursday. �ere was a brief obituary in the Colored Ne ws, but there was also an editorial. M
r. B. B. Underwood was at his m
ost bitter, and he couldn't have cared less who canceled advertising and subscriptions. (But Maycomb d
idn't play that w
ay:
was t
ypical.
Typic
al of
a nigg
er to
cut a
nd ru
n. Ty
pica
l of a
nig
ger's
men
tality to
hav
e no
plan
, no
thou
ght f
or th
e f
uture, just run blind �rst chance he saw. Funny thing, Atticus Finch might've got him o� scot free, but wait-? H
ell no. You know how they are. Easy com
e, easy go. Just shows you, that Robinson boy w
as legally married, they say he kept him
self clea n, went to
chur
ch an
d all
that
, but
whe
n it
com
es d
own
to th
e lin
e the
ven
eer's
mig
hty
thin
. Nig
ger a
lway
s com
es o
ut in
'em
. A fe
w m
ore
was t
ypical.
Typic
al of
a nigg
er to
cut a
nd ru
n. Ty
pica
l of a
nig
ger's
men
tality to
hav
e no
plan
, no
thou
ght f
or th
e f
uture, just run blind �rst chance he saw. Funny thing, Atticus Finch might've got him o� scot free, but wait-? H
ell no. You know how they are. Easy com
e, easy go. Just shows you, that R
obinson boy was legally m
arried, they say he kept himself clea n, went
to ch
urch
and
all t
hat,
but w
hen
it co
mes
dow
n to
the l
ine t
he v e
neer
's m
ight
y th
in. N
igge
r alw
ays c
omes
out
in 'e
m. A
few
mor
e
To Kill a M
ockingbird "Why couldn't I mash him?" I asked. "Because they don't bother you,"
Jem
answ
ered
in th
e da
rkne
ss. H
e had
turn
ed ou
t his
readin
g lig
ht. "
Rec
kon
you'
re a
t the
stag
e now
whe
re y
ou d
on
't kill �
ies a
nd m
osquito
es
now,
I rec
kon,
" I sa
id. "
Lem
me k
now
whe
n yo
u ch
ange
your
min
d. T
ell y
ou o
ne th
ing,
thou
gh, I
ain
't go
nna s
i t around and not scratch a redbug." "Aw dry up," he answered drowsily. Jem
was the one who was getting more like a girl every day, not I. Com
fortable, I lay on my
they don't bothe
r y
ou," Jem
they don't bothe
r y
ou," Jem
answe red in the darkness. He had turned o
u t his reading light. "Reckon you're at th
e sta
ge n
ow w
h ere
you
answ
ered in the darkness. He had turned out his answe red in the darkness. He had turned o
u t his reading light. "Reckon you're at th
e sta
ge n
ow w
h ere
you
answ
ered in the darkness. He had turned out his
child
ren,
and
May
comb t
hought he was trying to write an editorial poetica
l eno
ugh
ain't g
onna sit around and not scratch a redbug." "Aw dry
"Lemm
e know when you c hange
your
min
d. T
ell y
ou o
ne th
ing, though,
kill cripp les, be they standing, sitting
, or e
scap
ing.
He
liken
ed T
om's
death
to the get his advertising and subscriptions. If he w
anted to make a fool of hi
mself
in h
is pa
per t
hat w
as h
is bu
sines
s.) M
r. U
nder
wood
did
n't t
alk ab
out m
iscar
riage
s of ju
stice,
he was
writ
ing
so ch
ildre
n cou
ld understand. Mr. U
nderwood simply �gured it was a sin to
be r e p rinte
d in
�e M
ontg
omer
y A
dver
tiser
. How
coul
d th
is be
so, I
won
dere
d, as
I re
ad M
r. Und
erwo
od's
edito
rial. Senseless killing--Tom had been given due process of law
to the day of his death; he had been tried openly and convicted by twelve good men and t
rue; m
y fath
er ha
d fou
ght
fo
r him
all t
he w
ay. �
en M
r. Underwood's meaning
be r e p rinte
d in
�e M
ontg
omer
y A
dver
tiser
. How
coul
d th
is be
so, I
won
dere
d, as
I re
ad M
r. Und
erwo
od's
edito
rial. Senseless killing--Tom had been given due process of law
to the day of his death; he had been tried openly and convicted by twelve good men and t
rue; m
y fath
er ha
d fou
ght
fo
r him
all t
he w
ay. �
en M
r. Underwood's meaning
but Dill didn't c
atch wh
at th
ey sa
id. M
ayco
mb
was
inte
reste
d by
the n
ews o
f Tom
's de
ath
for p
erha
ps tw
o da
ys; t
wo d
ays was
enou
gh fo
r the
info
r mat
ion
to sp
read
thro
ugh
the c
ount
y. "D
id yo
u he
ar ab
out?
.... N
o? W
ell,
they
say
h e was runnin' �t to beat lightnin'..." To Maycom
b, Tom's death w
as typical. Typical of a but Dill didn't catch w
hat they said. Maycom
b was interested by the news o
f Tom
's de
ath
for p
erha
ps tw
o da
ys; t
wo d
ays w
as
enough for the information to spread through the county. "D
id you hear about?.... No?
nigger to cut and ru n. Typical o
f a n
igge
r's m
enta
lity t
o ha
ve n
o pl
an, n
o th
ough
t f
or the future, just run blind �rst
Jem
ha d
taug
ht h
im t o
swi
m- T
augh
t him
to sw
im. I
was
wid
e aw
ake,
rem
e mbe
ring
wha
t Dill
had
told
me.
Bark
er's
Eddy is at the end o f a dirt road o� the M
eridian highway about a mile from
town. It is easy to catc h
a rid
e dow
n th
e hig
hway
on
a cotton wagon or from
a passing motorist, and the short w
alk to the creek
is ea
sy,
To Kill
a M
ocki
ngbi
rd "
Why
cou
ldn't
I m
ash
him
?" I
ask
ed.
"Bec
ause
the
y do
n't b
othe
r yo
u," J
em a
nswe
red in
the
dark
ness
. He
had
turn
ed o
ut h
is re
adin
g li g
ht. "
Reck
on y
ou're
at
the
stage
now
whe
re y
ou d
on't
kill �
ies a
nd m
osqu
itoes
now
, I reckon," I said. "Lem
me know when you change your m
ind. Tell you one thing, though, I ain't gonna sit around and not scratch a redbug." "Aw
dry up," he answered drowsily. Jem was the one who was getting m
ore like a girl every day, not I.
turned out his readi
ng light.
step on an
" Because they don't
bother you," Je
m an
swer
ed in
the d
arkness. H
e had
Dill's fat foot h i t the ground. "Like you'd
ant."
Dill sa
i d C
alpu
rnia
and
Atticus lifted Helen to her feet
"Reckon you're at th
e sta
ge n
ow w
here you
. "G
o on with your game, boys," . "
Go on with your game, boys," . "Go on with your game, boys,". "Go on with your game, boys,"
. "G
o on w
ith your
Overview
Seesaw Magazine features information about parenting
from a fun and creative perspective. The magazine works
to inform the newest generation of parents of the various
creative solutions to the endless obsticles of parenting.
Challenge
Fully design the layout and identity for a proposed magazine
about parenting. Each monthly issue must include at least
four varying articles and five colmns while maintaining a
visual consistency. The design and visuals must speak to the
magazine’s audience and to the subject matter at hand.
Solution
The magazine’s title “Seesaw” was chosen to represent the
constantly shifting balance of parenting, to reference the
playful aspect of parenting, and to suggest the connection
between the childhood of the parent and their child.
Seesaw Magazine is all about learning; for this reason, an
area for note taking is provided on the contents pages and
alternating corners are left blank for marking articles or
columns that the reader finds helpful.
In order to encourage subscriber loyalty, each year Seesaw
Magazine would have two child models (one girl and one boy)
represent the magazine in the articles and columns instead
of utilizing stock photography.
SEESAW PARENTING MAGAZINE2
AP DESIGN ° SEESAW
SEESAW PARENTING MAGAZINEMasthead + Additional Cover Designs
AP DESIGN ° PROJECT 2
SEESAW PARENTING MAGAZINETable of Contents + Columns
AP DESIGN ° SEESAW
AP DESIGN ° PROJECT 2
AP DESIGN ° SEESAW
SEESAW PARENTING MAGAZINEInfo Graphic + Detail
AP DESIGN ° PROJECT 2
AP DESIGN ° SEESAW
SEESAW PARENTING MAGAZINEMake Believe Article
AP DESIGN ° PROJECT 2
AP DESIGN ° SEESAW
SEESAW PARENTING MAGAZINE Things Kids Need Article ≠+ Page Numbers Detail
AP DESIGN ° PROJECT 2
PROFOUND TYPE INSTALLATION3
Overview
Profound is a collaborative project that was planned,
proposed and installed with Shannon Lundsford, Tyler
Tremellen, and Beth Johnston.
Typography plays a significant part in our everyday lives
while remaining largely unnoticed. From the numbers on the
clock to the directions on a box of pancake mix, designers
strive to convey information through the design of type.
Typography has the power to evoke ideas, play with emotion,
and call for action. This installation serves the purpose of
bringing attention to the art of typographic design itself as
well as to exemplify its effective capabilities.
Challenge
To choose a word that describes typography and its role in
graphic design and to create a typographic installtion which
conceptually communicates the meaning of the word.
Solution
The installation was 12.5 feet long by 3 feet tall, was compiled
of over 300 books and 15,000 pins, and remained installed in
the Flagler College Proctor Library for two weeks.
The word profound was chosen because of the definition:
“to puncture or enter deeply into subjects of thought or
knowledge; having deep insight or understanding.” In this
installation the books represent knowledge and the pins,
which create the word “profound,” represent typography.
The pins pierce into the books in the same way typography
pierces our minds; the Profound typographic installation
is meaningful both in content and in form.
PROFOUND TYPE INSTALLATIONDetail Shot of the Letter P
AP DESIGN ° PROFOUND
AP DESIGN ° PROJECT 3
TIDE INTERACTIVE PRINT AD 4
Overview
Tide laundry detergent was the first heavy-duty synthetic
detergent and is to this day the most trusted laundry deter-
gent on the shelves.
Challenge
To design an ad for Tide laundry detergent to be circulated
in the spring. Due to the scents associated with specific
laundry detergent brands, many people will develop a
lifelong preference for a specific brand. Therefore, the
target audience for this ad is young adults just getting out
on their own, who are looking for a laundry detergent to
trust with their clothes. Tide’s yearly peek in sales happens
mid summer so a springtime ad is ideal for gaining new
customers before the heavy wash season begins.
Solution
Everyone knows about Tide however many shoppers
forgo the more expensive name brand of Tide for the
less expensive counterparts. In order to make Tide more
appealing to a younger clientele, an interactive component
was a necessity. Due to the season the ad was to run, the
suggestion of being out in the sun was a natural choice.
The decision to use light sensitive paper was made because
it reflected the theme of “fun in the sun” while becoming
an amusing gimic for the audience to interact with in order
to reveal the message. The aspect of rinsing the paper with
water after exposing it to the sun directly correlates to the
aspect of washing clothes. A type only solution was deamed
to be a simple contrast to the complexity of the light
sensitive paper.
TIDE LIGHT SENSITIVE AD Direction + Process Stages
AP DESIGN ° TIDE
AP DESIGN ° PROJECT 4
TRUVIA PACKAGING REDESIGN5
Overview
Truvia natural sweetener is a concentrated sweetener.
It is made from stevia leaves and contains zero calories.
Challenge
To redesign the Truvia packaging so that it stands out on the
self while maintaining the current company branding and
utilizing eco-friendly materials.
Solution
When redesigning the packaging, the objective was to
minimize its carbon footprint by using 100% recycled
paperstock, biodegradable vegetable inks and a single
die cut packaging template that uses very little adhesive.
The packaging was created in two sizes; one as a table top
shaker and one as an economy size for those avid Truvia
users. Although the packaging looks very complicated in its
structure, it achieves its form through a series of scoring.
It is deceptively simple.
AP DESIGN ° TRUVIA
TRUVIA PACKAGING REDESIGN360 Degrees of Packaging + Detail
AP DESIGN ° PROJECT 5
ENFOLDMENT BOOK ARTS SCROLL6
Overview
A scroll is a roll of papyrus, parchment, or paper which
has been written, drawn or painted upon for the purpose of
transmitting information or using as a decoration.
Challenge
To create a scroll which has a width at least five times longer
than its height. The content and material used to create the
scroll must be conceptually linked.
Solution
The Enfoldment Book Arts Scroll illustrates the complex
and intrinsically domestic interaction between children and
the adults in their lives. It was created by weaving strips of
paper together. The strips of paper are lines of text that were
cut from a book about kings and their mistresses. This book
was chosen as a commentary on the process of bringing
children into this world; a process that often becomes hor-
ribly corrupted. The weavings begin consisitent and uniform
yet as the scroll continues the weaving takes on an organic
appearance. This progression directly correlates to the evolu-
tionary interaction between a parent and their child. Much
like growing a plant from a seed, we raise our children and
watch them take on a form of their own.
This scroll won a book arts competition at Flagler College
and was chosen to be purchased for display at the Flagler
College Proctor Library. It is now part of the Flagler College
permanent art collection.
BOOK ARTS SCROLLScroll Display Detail Shots
AP DESIGN ° ENFOLDMENT
AP DESIGN ° PROJECT 6
AP DESIGN ° ENFOLDMENT
BOOK ARTS SCROLLCompletely Unrolled Detail
AP DESIGN ° PROJECT 6
FRESHBOX ORGANICS7
Overview
Freshbox Organics is an online organic grocery store.
They bring the farmer’s market straight to your door.
No shopping cart necessary.
The majority of Freshbox Organics clientele is tech savvy,
environmentally aware, urban professionals with children.
Challenge
To design an effective company identity, efficient and
versatile packaging, and an easy to use website for Freshbox
Organics using only environmentally friendly materials while
still maintaining a fresh look.
Solution
The final logo has a fresh look and conforms to the shape of
a box while referencing nature in its color and design.
The letterhead was created to conserve paper, it can be
folded into itself to create the envelope and is made out of a
recycled kraft paper. The business card was designed to turn
into a topless box and includes a leaf shaped piece of seed
paper to be planted in the business card box.
All of the packaging is made out of recycled paper products.
The small berries and fruits line is sized according to weight
and is not specific to any particular kind of berry so that it
can be used interchangably as the season requires.
The website was created to be easy to navigate while still
preserving the fresh look that is consistant to the FreshBox
Organics brand.
AP DESIGN ° FRESHBOX ORGANICS
AP DESIGN ° PROJECT 7
FRESHBOX ORGANICSWebsite Home Page
AP DESIGN ° FRESHBOX ORGANICS
FRESHBOX ORGANICSWebsite About + Sign Up Pages
AP DESIGN ° PROJECT 7
AP DESIGN ° FRESHBOX ORGANICS
FRESHBOX ORGANICSInterchangable packaging for berry and small fruits.
AP DESIGN ° PROJECT 7
AP DESIGN ° FRESHBOX ORGANICS
AP DESIGN ° PROJECT 7
FRESHBOX ORGANICSBusiness Card + Letterhead
KEEP MAGAZINE8
Overview
Keep Magazine is a proposed magazine for design profes-
sions based around sustainability in architecture, industrial,
interior and graphic design.
Challenge
Create a sophisticated magazine that includes articles about
sustainable design. The magazine features 3 columns and 4
articles with a consistent design.
Solution
Keep Magazine is focused on the idea of sustainability
through change,because of this fact the design layout is
variable, changing from horizontal to verticle in format.
Keep required a website in order to encourage their
subscribers to conserve paper resources by downloading
their issues online. In order to maintain the idea of
sustainability through change, the website’s design is
variable; changing with each bimonthly issue.
AP DESIGN ° KEEP
knowledgeab l e ,
and purpose fu l de s igne ffic i en t ,
knowledgeab l e ,
and purpose fu l de s igne ffic i en t ,
AP DESIGN ° PROJECT 8
KEEP MAGAZINEMasthead + Additional Cover Design + Table of Contents
AP DESIGN ° KEEP
KEEP MAGAZINEMagazine Columns
AP DESIGN ° PROJECT 8
AP DESIGN ° KEEP
AP DESIGN ° PROJECT 8
KEEP MAGAZINEMagazine Articles
AP DESIGN ° KEEP
KEEP MAGAZINEVariable Website Designs
AP DESIGN ° PROJECT 8
PBS KIDS AD CAMPAIGN9
Overview
PBS Kids is the brand for children’s programming aired by
the Public Broadcasting Service (PBS) in the United States.
As with all PBS programming, PBS Kids programming is
non-commercial; It is aimed at children ages 2 to 12.
Challenge
To design an affective ad campaign for the nonprofit media
enterprise of PBS Kids to encourage parents to read to their
children daily to influence a love of learning and to begin the
process of learning literacy. The campaign must include one
magazine print ad, a mailer, and a standing table ad to be
displayed on the tables at McDonals.
Solution
Due to the serious nature of the subject and the target
audience, a photographic solution was ideal. The slogan
“Help your children reach new heights” was chosen for this
campaign to create a literal parallel between mental and
physical growth. The call to action word “help” was selected
to demonstate the critical need for parental involvement
in their childs education. The interactive component was
crucial create interest in both parent and child and the
coupon was included as the enticement factor that the target
audience requires.
AP DESIGN ° PBS KIDS
PBS AD CAMPAIGN3d Table Ad Flat + Interaction Shots
AP DESIGN ° PROJECT 9
PBS AD CAMPAIGNMagazine Ad and Mailer Front and Back
AP DESIGN ° PBS KIDS
AP DESIGN ° PROJECT 9
SIMPLY GENTLE PACKAGING 0
Overview
Simply Gentle organic cotton balls and squares are made
form 100% organic Cotton.
Challenge
To design a set of packaging for cotton balls and cotton
squares. The packaging should be aesthetically pleasing as
well as offering a way to dispense the product so that it may
e displayed on a bathroom counter instead of being stored in
a linen closest. The target audience is 22–32, adults who may
not have the necessary cloest space for storing large bags of
cotton balls and squares.
Solution
While designing the packaging it was important to
create patterns that could match a variety of decors.
The final design utilizes patterns comprised of geometric
shapes which correspond to the shape of the products
contains within them. It was also necessary to create a
separate set of packaging for both men and women. The
packaging has been developed to dispense the products in a
similar method as tissues.
1
SIMPLY GENTLE PACKAGINGMasculine and Feminine Packaging styles + Dispensing Functions
AP DESIGN ° SIMPLY GENTLE
AP DESIGN ° PROJECT 10
Oil Paintings
Ten Through Six
Artist Statement
I became a mother at an early age, long before any aspect
of my life was ready to accommodate the needs of a child. As a
result, the continual struggle of raising my daughter informs
my everyday life and my work.
I find the interaction between parenthood and childhood, how
they influence and inform one another, fascinating. As a child,
we learn almost everything from our parents, and as a parent
we learn a great deal from our children. As I watch my daughter
grow I remember things from my earlier years that i had long
since forgotten. Childhood is not only a time of discovery and
imagination, it is also a time marked by a lack of empathy and
a larger understanding of the world. When you peel back the
seemingly simple surface of childhood you are left with a slew
of complexities characterize by feelings of apprehension and
isolation. Loneliness is a common human experience and the
process of coming to that realization is not an easy one. This, as
well as the many other simplistic complexities, keeps bringing
me back to images of childhood in my work.
I explore these ideas by documenting ritualistic childhood
experiences in my daughter’s life through photography.
Sometimes I turn those photographs into paintings while
other times I feel the photograph is the finished work.
Ten Through Six
Ten Through Six is a series of ten paintings of my daughter
during her sixth year. Think of it as ten moments which took
place at various points throughout her year of being six.
AP DESIGN ° PAINTINGS
AP DESIGN ° PAINTINGS
AP DESIGN ° PAINTINGS
AP DESIGN ° PAINTINGS
AP DESIGN ° PAINTINGS
AP DESIGN ° PAINTINGS
Images for Project 3: Zach Thomas and Beth Johnston
Paper: Epson Ultra Premium Presentation Paper MATTE
Printing and production: Abby Pratchios
CREDITS
ABBY PRATCHIOS DESIGN
Apπ
ABBY PRATCHIOSThe Graphic Design Portfolio of