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YOU CAN WATCH this presentation with MUSIC on the link: http://www.authorstream.com/Presentation/sandamichaela-2339729-casas1/ Thank you! Please see also: http://www.slideshare.net/michaelasanda/ramon-casas4 http://www.slideshare.net/michaelasanda/ramon-casas3 http://www.slideshare.net/michaelasanda/ramon-casas2 Ramon Casas i Carbó (1866–1932) was a Catalan Spanish artist. Living through a turbulent time in the history of his native Barcelona, he was known as a portraitist, sketching and painting the intellectual, economic, and political elite of Barcelona, Paris, Madrid, and beyond; he was also known for his paintings of crowd scenes ranging from the audience at a bullfight to the assembly for an execution to rioters in the Barcelona streets. Also a graphic designer, his posters and postcards helped to define the Catalan art movement known as modernism.
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Ramon Casas i Carbó (1866–1932) was a Catalan Spanish artist. Living through a turbulent time in the history of his native Barcelona, he was known as a portraitist, sketching and painting the intellectual, economic, and political elite of Barcelona, Paris, Madrid, and beyond; he was also known for his paintings of crowd scenes ranging from the audience at a bullfight to the assembly for an execution to rioters in the Barcelona streets. Also a graphic designer, his posters and postcards helped to define the Catalan art movement known as modernism.In 1890s, Casas was one of many artists exercising their artistic talents around the Moulin de la Galette in Paris. Casas and his friend, and fellow artist, Santiago Rusinol, constructed several exhibitions back in their native city of Barcelona, that exhibited their first-hand experiences of the French culture and art. Over time, these exhibitions quickly evolved into a center of progressive painting scenes within the Modernist movement. Casas became a leading figure in the revival of Catalan culture, and was one of the first Spanish artists to introduce French Modernisme to Spain in the late nineteenth-century.
Self-portrait, Museo Nacional de Arte de Cataluña, Barcelona
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Cartell de l’exposició “Ramon Casas i l’Art publicitari del Cartell”
Copa Cataluña (1908) Colección de
R.A.C.C.A
Ámbar y espuma 1898
130 x 197 cm Colección Codorniu
Poster advertising
Codorniu Champagne Lola Plumet
1898
Dio
s lo
s cr
ía y
ello
s se
jun
tan
18
98
This famous Spanish brand of anise, often considered along with several French anisettes to be the finest of its type, was founded by Vicente Bosch at the end of the last century.
Mono y mona. Estudio para el cartel «Anís del Mono» Museu National d'Arte de Catalunya MNAC, Barcelona C
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Els Quatre Gats, often written Els 4 Gats, was a café in Barcelona which opened on 12 June 1897. It also operated as a hostel, a cabaret, a pub and a restaurant. Active until 1903, Els Quatre Gats became one of the main centers of Modernisme in Barcelona.
The artist Ramon Casas i Carbó largely financed this bar on the ground floor of Casa Martí (1896), a building by the architect Josep Puig i Cadafalch in Carrer Montsió near the center of Barcelona. Els Quatre Gats was reconstructed 1978. Pablo Picasso visited this pub–restaurant often in his early art career.
Sombras, by Ramon Casas and
Miguel Utrillo
Ramon Casas and Pere Romeu on a Tandem, 1897Museu National d'Arte de Catalunya MNAC, Barcelona
Els Quatre Gats was the inheritor of a legacy of tertulias and art reunions specific to Barcelona but also drew inspiration from the Parisian cabaret Le Chat Noir
4 G
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Pere Romeu, the barman at the famous
beer-hall Els Quatre Gats
Ramón Casas y Pere Romeu en un automovil. (1901) 208 x 291 cmMuseo de Arte de Cataluña
“Four Cats” is a colloquial Catalan expression for “only a few people” and the name of Els Quatre Gats is derived from this saying
Pere Romeu (1897) 86 x 67 cm
Colección particular
Pere Romeu (1897/99)
Museu Nacional d'Art de Catalunya
Like Le Chat Noir, Els 4 Gats attempted in 1899 its own literary and artistic magazine, to which Casas was a major contributor.
Ate
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Ca
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Auto-garage Central 1901
Museu Nacional d'Art de Catalunya,
BarcelonaWoman Driving
Sifi
lisSífilis (1900) Póster, 80 x 34.3 cm Museu Nacional d'Art de Catalunya, Barcelona
JOB, 1900
M. Fvster. Fabricación de silicatos 1898Museu Nacional d'Art de Catalunya, Barcelona
Joch
s F
lora
ls d
e B
arc
elo
na
. F
est
es
de
l cin
qua
nte
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Montmarte (1901) Museu Comarcal
de la Garrotxa. Olot
La tuberculosi amenaça la vida i
la riquesa de Catalunya (1922) Museu Nacional
d'Art de Catalunya, Barcelona
Headpiece for the magazine 'Pèl & Ploma' 1899
Headpiece for the magazine 'Pèl & Ploma’ Museu Nacional d'Art de Catalunya, Barcelona
Molinera de la Galette (1900)
64 x 43 cm Colección Oriol
Galería d'Art
Study of a Standing Woman,
c. 1902The Art Institute of
Chicago
At the Races
Antepalco del Liceo (Autorretrato)
Isaac Albéniz (1860-1909)
Novedades
Sala Descans
The Liceum 1901
Au
Mo
ulin
de
la G
ale
tte
(M
ad
ele
ine
) E
l aje
njo
18
92
, 1
17
x 9
0 c
m
Mu
seu
de
Mo
nts
err
at
Ca
fé-c
on
cie
rto
Interior del Moulin de la Galette
1890-189178.5 x 68.5 cm
Colección particularEl b
oh
em
io,
18
91
19
8.8
x 9
9.7
cm
El Baile del Moulin de la Galette. (1890-1891) 100 x 81.5 cm Museu del Cau Ferrat. Consorci del Patrimoni de Sitges
Moulin de la Galette1902(Obra pintada para la Rotonda del
Círculo del Liceo, Barcelona)
Bal de l'après-midi, 1896172 x 233 cm
Círculo del Liceo, Barcelona
Cartel de toros
Spanish GirlThe Art Institute of Chicago
A lo
s to
ros
(18
96
) 1
90
x 9
0 c
m C
ole
cció
n p
art
icu
lar
La
Ma
est
ran
za d
e S
evi
lla.
18
87
Ruedo
Plaza de toros 1900 Suerte de pica (1886) Colección Artur Ramón
Picador (1900) Abadía de MontserratT
oro
s 1
88
6
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ica
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7
Da
ma
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b f
ou
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ve
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19
01
Mu
seu
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l Mo
de
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me
Ca
talà
Torero
Una corrida, 1884Museu de Montserrat
Sardanes a la font de Sant Roc a Olot, 1901-02
144 x 201 cm
Revetlla(The Open-Air Party)
1901-1902, Círculo del Liceo,
Barcelona
En el hipodromo 1898-1901Fundación Francisco Godia de Barcelona
Seated Woman with a Greyhound Puppy, 1900The Art Institute of Chicago
Young Woman at a Piano The Art Institute of Chicago
Portrait of Mrs. John Paul Welling (Mrs. Harriet Walker Welling), 1924 The Art Institute of Chicago
Seated Woman with a Greyhound Puppy, 1900The Art Institute of Chicago
Portrait of Hattie Welling, 1924 The Art Institute of Chicago
Portrait of Mary Paul Welling, 1924 The Art Institute of Chicago
Mujer con campana
21 x 14 cm Colección particular
Galería Senda Barcelona
Barraca. Mujer y soldadoca 1900
Sound: Isaac Albéniz - Azulejos
Text and pictures: InternetCopyright: All the images belong to their authors
Presentation: Sanda Foi oreanuşwww.slideshare.net/michaelasanda
