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CH 11 FLIRTING W/ FUNCTION Where is the dividing line between a “craft” and “fine art”? Can a utilitarian, hand-made or machine made, object be considered Fine Art? Which object would be more expensive? Which might be shown in a museum?

Ch11 functional arts

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Page 1: Ch11 functional arts

CH 11 FLIRTING W/FUNCTION

• Where is the dividing line between a“craft” and “fine art”?

• Can a utilitarian, hand-made or machinemade, object be considered Fine Art?

• Which object would be moreexpensive?

• Which might be shown in a museum?

Page 2: Ch11 functional arts

CLAYCERAMICS

Page 3: Ch11 functional arts

Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

Peter Voulkos. Untitled Plate CR952. 1989.20-1/2" × 4-1/2".

Page 4: Ch11 functional arts

Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

Adrian Saxe. Les Rois du Monde Futur (Rulers of the Future World). 2004. 26-1/4" × 13-1/4" × 10".

WHAT ARE THE LITTLE THINGSON TOP?

WHEEL THROWN POTTERY

Page 5: Ch11 functional arts

CLAY IS FIRED IN A KILNto make it durable.

(Otherwise if it gets wet, it goes back to being mud/earth)

Page 6: Ch11 functional arts

EARLY AMERICAN INDIAN KILN

TYPICAL MODERN PRODUCTION KILN

Page 7: Ch11 functional arts

LAYING CERAMICFLOOR TILES

Page 8: Ch11 functional arts

GLASS

Page 9: Ch11 functional arts

BELLAGIOHOTEL,LAS VEGASChilhuly’s glass

Page 10: Ch11 functional arts

http://www.chihuly.com/chihuly-los-angeles.aspx

Chihuly glass in a boat

Page 11: Ch11 functional arts

Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

Dale Chihuly. Mauve Seaform Set with Black Lip Wraps from the "Seaforms"Series. 1985.

Page 12: Ch11 functional arts

Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

Adam Silverman Boolean Valley. 2009.Maximum height 24".

Page 13: Ch11 functional arts

FIBERBACK-STRAP WEAVING IN MESOAMERICA

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GUATEMALA WOVEN CLOTHING

Page 15: Ch11 functional arts

WEAVING INAFRICA

Kente cloth is a type of silk and cotton fabricmade of interwoven cloth strips and is native tothe people of Ghana.

Page 16: Ch11 functional arts

PERSIAN RUG WEAVING

Page 17: Ch11 functional arts

ARDABIL CARPETas installed in the

Victoria & Albert Museum, London, Eng.34’ X 17’6”, wool on silk warps & wefts

Page 18: Ch11 functional arts

Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

Nick Cave. Soundsuit. 2009.Height 7'.

Page 19: Ch11 functional arts

Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

Jessie Pettway. Bars and String-Piece Columns. 1950s.95" × 76".

An “arty” take offof the traditional quilt.

Page 20: Ch11 functional arts

Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

Faith Ringgold. Tar Beach. 1988.74" × 69".

Page 21: Ch11 functional arts

Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

Faith Ringgold. With detail of The Purple Quilt. 1986.

Page 22: Ch11 functional arts

Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

Polly Apfelbaum. Blossom. 2000.Diameter 18'.

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Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

Miriam Schapiro. Personal Appearance #3. 1973.60" × 50".

Text

The medium is acrylic paint & fabric on canvas.If it was quilted, soft material would it be ART?

In the 1970swomen artists werepurposely using“feminine” media.

Page 24: Ch11 functional arts

METAL

Page 25: Ch11 functional arts

Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

Cal Lane. Untitled (Map 3). 2007.78-1/2" × 71-3/4".

PLASMA CUT STEEL

Page 26: Ch11 functional arts

Cal Lane, sculptor

Page 27: Ch11 functional arts

Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

d’Arenberg Basin. 1247–1249.22.5 × 50.0 cm.

Page 28: Ch11 functional arts

WOOD

Page 29: Ch11 functional arts

Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

Henry Gilpin. Curiously Red. 2006.36" × 74" × 16", elm, pigment, magnets

Page 30: Ch11 functional arts

Copyright ©2011, ©2009 Pearson Prentice Hall Inc.

Maya Lin. Terra Table. 2009, red maple

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• is it art?