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A class presentation for ADV 6383 - Creativity as Problem Solving by graduate students Cesar Ortega and Matt Villanueva at SMU's Temerlin Advertising Institute.
Cesar Ortega & Matt Villaneuva If you want creative workers, give them enough time to play- John Cleese 2. The Gameplan Classic Views of Organization How Organizational Creativity can be Increased Formal Views of Creativity Division of Labor Modern Work Environment Systems Model Componential Model Selznicks Approach Corporate Strategies Training Creativity? 3. The Organizational Structure: Affect on Creativity
4. Adam Smith
At age 4, he was kidnapped by Gypsies in Scotland.
5. Modern Work Environment
6. Modern Work Environment
The New Employee
7. Theories of Creativity: In the Workplace
Csikszentmihalyi
8. Theories of Creativity: In the Workplace
Investment Theory
9. Theories of Creativity: In the Workplace
Amabiles Componential Model Intrinsic Task Motivation Domain-RelevantSkills Creativity Relevant Skillz Corporate Culture AllocatingResources Time, Freedom, Openness 10. Intrinsic Task Motivation Domain-RelevantSkills Creativity Relevant Skillz Allocating Resources Corporate Culture Time, Freedom, Openness
11. Gaining Acceptance of Innovation
Trained IncapacityIdiosyncrasy Credit
12. Should Organizations Train Creativity?
Self-efficacyEmpowerment Motivation 13. Corporate Strategies
Company Investment is the Key 14. Google Zurich 15. Pixar 16. VW Plant 17. Mindlab at the Ministry of Economic and Business Affairs 18. Blockbuster Bankruptcy
What Happened? 19. Proactive Employee
20. Discussion Questions 2. Can work environments that are too free-spirited get to the level in which the workplace actually becomes a distraction, and therefore hinder creativity? 5.Should Businesses and Communication Arts programs be on the same page in terms of what is taught, the traditional or new creativity accepting methods? 4.In your personal work/life experience what environmental factors aremost important?1.Many businesses have not embraced establishing a creative atmosphere in the workplace. For what reasons would one argue in defense of the hierarchy system?3.Do you see the structural or personal obstacles to creativity as being easier to remedy in the workplace? 21. Discussion Questions 6.Outside the workplace, are there any situations in which idiosyncrasy credit plays a prominent role? 7.Is our culture so embedded with the idea of upward mobility and surpassing our parents level of success that Z Organizations would not work in the US corporate setting? 8. Is it more cost-effective to retrain existing workers to have a creative mindset or hire new workers with the preexisting skill set?10.Using what you have learned about creativity in the workplace what were some possible failures that lead to the collapse of Blockbuster? 9.Based on the information we've provided on organizational creativity that allows for creative-inducing work environments, do you think that Unions have an affect - positive, negative, or both - on harnessing creativity in the workplace?