UNDERHILLFEST 2011

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Meunarodni festival dugometranog dokumentarnog filma

Organizator festivala / Festival organizer: NVO Crnogorski

filmski festival / NGO Montenegro Film Festival

20- 28. maj 2011.

Podgorica


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UnderhillFest 2011

UnderhillFest je posveen dugometranim dokumentarnim lmovima nastalim u malim kinematograjama i nezavisnimprodukcijama, lmovima koji su se nametnuli inovativnou, idejom i snagom svojih pria. UnderhillFest kao takavpredstavlja pravi izazov u Crnoj Gori, i u programskom i producentskom smislu.

Cilj naeg estivala je prvenstveno edukacija javnosti o posebnom mjestu koje ovaj lmski rod uiva u svjetskoj kine-matograji, kao i o moi koju dokumentarni lmovi imaju u predstavljanju i rjeavanju kako onih goruih, tako i onihnaizgled nebitnih, drutvenih problema u svijetu.

Na estival je u svakom smislu human i drutveno angaovan projekat: izdvojen iz bilo kakvih institucionalizovanihokvira, otvoren, pomalo alternativan i buntovan, namijenjen je iskljuivo slobodnom, radoznalom i kreativnom posjeti-ocu koji voli lmsku umjetnost i koji prepoznaje ozbiljnost problema kojima se dokumentarni lmovi bave. Na estival

je uspio da nae put do svoje autentine publike, od regularnih ljubitelja dokumentarnog lma, preko studenata eljnihsaznanja o ovom lmskom izrazu, pa do strune javnosti koja doprinosi kolektivnoj lmskoj edukaciji.

UnderhillFest is dedicated to the ull-length documentaries made in small cinematographies and independent produc-tions, that is, to lms that imposed themselves by innovation, idea and the power o their stories. UnderhillFest, assuch, represents a real challenge in Montenegro, in terms o its program and production.

The aim o our estival is primarily to educate the public about the special place that this kind o movie enjoys in theworld o cinema, as well as about the power that documentary lms have in representing and addressing both theurgent and seemingly irrelevant social problems in the world.

Our estival is humane and socially engaged project in every sense: it is set aside rom any institutionalized ramework,open, slightly alternative and rebellious, intended solely or the ree, creative and curious visitor who loves cinema andwho can recognize the seriousness o the problems depicted in documentary lms. Our estival has managed to nd apath to its authentic audience, rom the regular documentary lms lovers, students who want to learn more about thiscinematographic expression, to proessional public contributing to the collective lm education.


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Udahnite dokumentarce

Dokumentaristi preispituju prolost, kao i dananjost, savremeni svijet. Oni najhrabriji krenu umisiju istine kao kambodanski novinar koji je cijelu deceniju posjeivao ovjeka koji je odgo-voran za smrt njegove porodice, da bi ga tri godine zatim snimao. Oni matoviti, kao Vik Muniz,spremni su da pronau ljepotu i umjetnost tamo gdje je niko ne vidi i sa ljudima koji misle danemaju sposobnost da je stvaraju. Donose prie i o onima koji su sve vrijeme znali da su umjet-nici ak i kada su bili beskunici. Neki govore o loim vladama i njihovim odlukama, nehuma-nim zatvorima, drugi sasvim otvoreno, licem u lice, sa ljudima sa druge strane zakona, njihovim

pravilima i vezama sa politikom. Neki e vas odvesti na romantino, nestvarno putovanje cepelinom, dok e pojedinipreispitati granice ljubavi.

Oni provociraju visoke zvaninike, monike, prozivaju nau savjest i rovare po naim emocijama. Tjeraju nas da ponovorazmislimo, da preispitamo naizgled vrsta stanovita. Govore i o kokotima, o zavoenju, lmovima kakve smo voljeli,periodima i ljudima koje smo zaboravili, muzici koja je mnogima promijenila ivote. Poslije ovakvih lmova, neete bitiisti. Ne samo zbog vie nego zbunjujue svijetske medijske slike, ume inormacija iz kojih je teko probrati one pravei istinite, mnogi kau da vrijeme dokumentarnog dugometranog lma u stvari tek dolazi. Autorskog dokumentarnoglma. Takvi dokumentaristi vam serviraju istinu, jo na umjetniki nain. Utisak je da su dokumentarni lmovi ponovodoli na svoje mjesto - u bioskope. Vie od dvadeset lmova u devet dana, na svjeem vazduhu, otvorenom bioskopu.Uz svojevrsni soundtrack Undrehillesta, koncerte Elementala i Svi na pod! Duboko udahnite ispod Gorice!

Vuk Perovi

Breathe in the documentariesDocumentarists review the past, as well as modern, contemporary world. The bravest among them go in a mission otruth as a Cambodian journalist who had been visiting the man responsible or the death o his amily, or the entiredecade, proceeding to make the movie with him or the next three years. The imaginative ones, as Vik Muniz, are readyto nd beauty and ar t where no one can see them and to nd people who think they have no ability to create art at al l.They tell us stories about those who knew that they were artists even when they were homeless. Some speak o badgovernments and their decisions, inhumane prisons; others openly speak with people on the other side o the law, o

their rules and their connections with politics. Some will take you to the romantic, surreal Zeppelin journey, while somere-examine the boundaries o love.They provoke the high ocials, the powerul, and call upon our consciences, they probe into our emotions. They orceus to re-think, to question the seemingly strong points. They speak about the roosters, about seduction, about themovies we liked, times and people that we have orgotten, the music that changed many lives. Ater watching thesemovies, you will not be the same. Not only because o the conusing worlds media landscape, and the jungle o inor-mation rom which it is dicult to pick out the real and true, many say that the documentary lms time, is yet to come.The time o authors documentary lms. Such documentarists serve you the truth, yet in an artistic way. The impressionis that the documentary lm came back to its real place - in cinema. More than twenty lms in nine days in the resh air

outdoor movie theater. With an original Undrehillest soundtrack, concerts o Elemental and Svi na pod! You can takea deep breath under the Gorica hill!

Vuk Perovic


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NETO MRDA ISPOD BRDA: DOKUMENTARNI FILM

Povodom prve edicije UnderhillFest-a

Evo me uzbuenog, u predveerju novog snimanja; sutradan sedam u auto i odlazim u nepozna-to. Oprema je spremna a kamerman dolazi zorom - novca ima toliko da se pone, snima nekolikodana i posle vidi gde to vodi... Ja volim dokumentarni lm jer je to nain ivota: put pod noge pau nejasno i neizvesno. Dokumentarni lm moe biti urban, prigradski ili nas odvesti u divljinu, rat

i bespue ali je svakako nomadski, lutalaki, nestacionarni nain ivota i rada koji se odupire industriji, dosadi i poro-bljavanju oveka - sve to je upisano u njegovu sutinu jo pre nego to sumirate rezultate...

Dokumentar ista se uvek nalazi tamo gde se po njegovom miljenju dogaaju vane stvari, inei nevidljivo vidljivim. Adavati lice nevidljivom je i posao pesnika i maioniara koji u hokus-pokus preobratu mora svojim vruim emocijamaili dimu i magli, dati oblik. Meutim, u dokumentarnom lmu je ziki aspekt preovlaujui - reditelj material uzima izsvakodnevnog, zikog sveta. Zato mora zaroniti u njega, proputovati ga i pipnuti, emocionalno se vezati za aktere isituacije, izloiti samog sebe, esto uinti sebe indirektnim (ali stvarnim) uesnikom nekog drutveno-istorijskog pro-cesa, samo zato da bi ga snimio, dokuio i obznanio. To je esto opasno a uvek je zanimljivo i uvek izazov...

to je vie stvarnosti, rizika, strasti i linog angaovanja u dokumentarcu, oni su zanimljiviji, jai i ubedljiviji - ble je

nemogu, akademski ngiran dokumentarac je uglavnom ki. Ali ima tu i drugih stvari... Mene je u avanture doku-mentarnog lma prvenstveno gurala elja za upoznavanjem sveta oko sebe; elja za razgrtanjem ideoloke magle ispoznavanje nepatvorene istine. A istina je uvek revolucionarna.. Obznanjivanje istina o svetu koji nas okruuje je daklepokuaj ureenja tog sveta i borba za odreene vrednosti. To je zadatak svakolike stvarne umetnosti.

U stara, bogom dana i romantina vremena, kada se je vie panje poklanjalo umetnikoj ormi i jeziku nego istini istvarnosti, dokumentarni lm se je na estivalima pojavljivao zajedno sa svojim igranim sabratom. I ve tada je doku-mentarni lm izazivao specine eekte uzrokovane stvarnom, nesumnjivo aktualnom sadrinom. Naravno, postoje idokumentaristi, a ti su katkad i u veini, koji vie vole bavljenje ormom (zvanom lmski jezik), nego istinom. Suoenjesa stvarnou je uvek teak posao i zato je mnogima umetnost uopte, pa i umetnost dokumentarnog lma, komorani isplativ eskapizam.

Takvi umetnici nude utoita pred stvarnou i vetake rajeve, a stvarnost preputaju strunjacima ili odgovorni-ma (tj. politiarima). Oni ne veruju ni sebi ni javnosti. Meutim, to, da ste u svom umetnikom radu upueni na deliestvarnosti (stvarne stvarnosti, rekao bih) ipak ini dokumentarni lm posebnom, drutveno angaovanom, i speci-nom umetnou. Da li je sve to potrebno rei u obraanju jednom novom estivalu dokumentarnog lma, posebnoako taj estival uspeno i elekventno progovora ve prvom svojom edicijom, kao to je sluaj sa UnderhillFest-om uPodgorici? Ja mislim da jeste, jer je enomenoloko razmiljanje korisno ako elimo autentino trajanje i razumevanjaodreenih dogaaja...

Dimitar Anakiev


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There is something shiting under the hill: Documentary flm

On the occasion o the frst edit ion o Underhill Fest

Here I am, excited, at the dawn o a new lming session; tomorrow, at seven oclock, I will sit in the car and go intothe unknown. The equipment is ready and the cameraman will come at dawn theres enough money to start, lm ora ew days and later see where it all leads... I like the documentary lm because it is a way o lie: the path is underyour eet, and it leads somewherevague and uncertain. Documentary lm can be urban, suburban, or take us into thewilderness, war or wasteland, but it is certainly a nomadic, wandering, unsteady way o lie and work that resists theindustry, boredom and the enslavement o man - all these aspects are engraved in its essence even beore you sum-

marize the results...

Documentarists are always located where important things happen, making the invisible - visible. Giving a ace to in-visible is the work o poets and magicians whose hocus-pocus must convert their emotions or hot smoke and og intoa orm. However, physical aspect prevails in documentary movies director picks material rom the everyday physicalworld. Thereore he has to dive into it, traverse it and touch it, emotionally tying himsel to the actors and situations,exposing himsel, oten turning himsel into an indirect (but real) participant o a socio-historical process, just to get itlmed, comprehended and published. It is oten dangerous, but at the same time always interesting and always a chal-lenge... The more reality, risk, passion and personal involvement in the documentary, the more interesting, stronger

and more convincing it becomes - blu is impossible, an invented academic documentary is mostly kitsch. But, thereare other things... I was pushed into the adventures o a documentary lm primarily by the desire to learn more aboutthe world around mysel; the desire to clear ideological og and discover the genuine truth. The truth is always revo-lutionary... Publicizing the truth about the world around us is thereore an attempt to arrange the world and ght orcertain values. This is the task o all kinds o real art.

In the good old romantic days, when we paid more attention to artistic orm and language than to the truth and reality,documentary lm appeared at estivals along with its eature counterpart. And even then the documentary had spe-cic eects caused by the real, doubtlessly actual content. O course, there are documentary lmmakers, sometimesrepresenting the majority, who preer to engage in a orm (called lm language), than to the truth. Conrontation withreality is always a dicult job and that is why many perceive the art in general, and the art o documentary lm, as acomortable and cost-eective escapism. These artists oer a reuge rom the reality and articial paradises, whilereality is let to experts or responsible (i.e. politicians). They do not trust either themselves or the public. However,it is your attachment to the pieces o reality (actual reality, I would say) in artistic work that makes a documentaryspecial, socially engaged, and unique art.

Is all this necessary to say in an address to a new documentary lm estival, especially i the estival successully andeloquently speaks through its rst edition, as is the case with UnderhillFest in Podgorica? I think it is, because thephenomenological refection is useul i we desire an authentic duration and understanding o certain events...

Dimitar Anakiev


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MARIJA DIDEVA (MK)

Roena 24.12.1970. u eveliji, Makedonija. Diplomirala na Filolokom akultetu (1994) i na Fakul-tetu dramskih umjetnosti (2000) u Skoplju.

Marija Dzidzeva was born on 24.12.1970 in Gevgelija, Macedonia. Graduated Macedonian Litera-ture (1994) and Film an TV directing (2000).

Filmography and awards: Miss Amnesia (2000) showen at: 7 Film estival Pali, 2000; 21 IFCK Manaki BrothersBitola, Makedonija, 2000; (Kodak Prize ) Alpe Adria Cinema Festival Trst, Italia, 2001; Toni Mandzas list (2004) sho-

wen at: BalkanBlackBoxBerlin, Njemaka, 2004; (Best documentary); Saraevo FilmFestival Sarajevo, BIH, 2004;25 IFFKManaki Brothers Bitola, Makedonia, 2004; 2 Roma Film Festival Golden Wheel Skoplje, Macedonia 2004,(Best Director); ZagrebDox, Zagreb, Hrvatska, 2005; Festival o short documentary movie, Beograd, Serbia, 2005; Aster-Fest, Strumica, Makedonija, 2005; Dokuest, Prizren, Kosovo, 2006; You are alive (2005)Look at the lie through myEyes(2008) shown at: Underhill Fest, Podgorica, Montenegro 2010. (Best documentary) ; Some other stories(2010)-segment Macedonian Story is her rst eauture lm.

OLIVER SERTI (HR)

Medijski je aktivista, producent i novinar iz Zagreba. Objavljivao i ureivao u tampi, na webu, radi-ju i televiziji. Osniva je RESTART media centra koji se bavi edukacijom, produkcijom i distribucijomsocijalno angaovanog lma i videa. Programski je voditelj jedinog dokumentarnog kina u regiji- Dokukina CROATIA. Reirao je i producirao nekoliko kratkih dokumentarnih lmova. Saraivao

je i jo sarauje s brojnim lmskim estivalima u regiji kao PR, producent i savjetnik (Zagreb FilmFestival, ZagrebDox, Vukovar Film Festival, Dokuest, DORF...). Selektor je Liburnia Film Festivala,

Supetar Super Film Festivala, predselektor dokumentarnog programa Zagreb Film Festivala, jedan od selektora HumanRights Film Festivala kao i programski savjetnik Festivala MakeDox, Skoplje. Suosniva je Revije amaterskog lma - RAF,

Autonomnog kulturnog centra - Attack! i projekta Cross-radio. Trenutno priprema novi dokumentarni lm kao reditelj.

Oliver Sertic is a media activist, producer and journalist rom Zagreb. He published and edited print, web, radio and tel-evision media. He is the ounder o the RESTART media center that specializes in training, production and distributiono socially engaged lm and video. He is a program manager o the only documentary cinema in the region - DokukinoCROATIA. He has directed and produced several short documentaries and has produced three eature lms in variousstages o production. He cooperated and still cooperates with numerous lm estivals in the region as a PR, producer andconsultant (Zagreb Film Festival, ZagrebDox, Vukovar Film Festival, Dokuest, DORF...). He is a selector o Liburnia FilmFestival, Supetar Super Film Festival, pre-selector o the documentary program o Zagreb Film Festival, one o the selec-tors o the Human Rights Film Festival and program advisor to MakeDox Festival, Skopje. He is a co-ounder o the Reviewo Amateur Film RAF, Autonomous Cultural Center - Attack! and Cross-radio project. He is currently working on a newdocumentary lm as a director.


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PETAR PEJAKOVI (MNE)

Petar Pejakovi je roen 1970. godine u Kotoru. Osnovnu i srednju kolu zavrio je u Rijeci. NaFilozoskom akultetu u Beogradu je apsolvirao lozoju.Diplomirao je Pozorinu i radio reiju naFakultetu dramskih umetnosti u Beogradu. Od 1999. godine radi na Fakultetu dramskih umjet-nosti na Cetinju kao saradnik za predmet Pozorina reija, a 2009. godine je biran u zvanje do-centa. Od poetka studija bavi se neprekidno pedagokim radom sa mladima i djecom. Osniva

je nekoliko pedagokih dramskih studija u Srbiji i Crnoj Gori. Dvadeset godina radi pozorineprojekte sa posebno osjetljivim socijalnim grupama (iseljena lica, maloljetni delinkventi, nezbrinuta djeca, Romi). Upojedinim predstavama pojavljuje se i kao autor teksta i scenograje. Reirao je preko pedeset pozorinih pred-

stava i perormansa u Crnoj Gori i inostranstvu. Za rad u pozoritu dobio je vie domaih i internacionalnih nagrada,meu kojima su i dvije nagrade na Festivalima crnogorskog teatra 08 i 09 u konkurenciji OFF programa. Saradnici iglumci iz predstava koje je reirao dobitnici su vie strukovnih nagrada. Osniva je internacionalne grupe KUD NIKUD.Umjetniki je direktor NVO Vertigo.

Petar Pejakovic was born in 1970 in Kotor. He nished elementary and secondary school in Rijeka. He is a senior atthe Department o Philosophy at the Faculty o Philosophy in Belgrade. He graduated rom the Faculty o Dramatic

Arts in Belgrade at the Department or the theater and radio directing. Since 1999 he has been working at the Facultyo Dramatic Arts in Cetinje, as a teaching associate or the subject Theater directing, and was elected to the position

o assistant proessor in 2009. Since the beginning o his study, he is involved in continuous educational work withyoung people and children. He is the ounder o several educational drama studies in Serbia and Montenegro. Hehas been working on various theater projects with a particularly vulnerable social groups (displaced persons, juve-nile delinquents, abandoned children, Roma) or twenty years. In some theatrical perormances, he appeared as theauthor o the text and scenographer. He has directed over ty plays and theatrical perormances in Montenegro andabroad. For his work in the theater, Pejakovic received several national and international awards, including two awardsat Montenegrin Theatre estivals 08 and 09 in the so called OFF program competition. Collaborators and actors romhis productions are winners o several proessional awards. He is the ounder o the KUD NIKUD international group.He is the art director o NGO Vertigo.


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MEUNARODNA SELEKCIJA / INTERNATIONALSELECTION

DEPONIJA / Wasteland

KRADLJIVCI PO ZAKONU / Thieves by LawMEU ZVIJEZDAMA / Position among the Stars

NEPRIJATELJ NARODA / Enemies o the People

PORODINI INSTINKT / Family instinktRASTANAK / Farewell

RUIASTI SARIJI / Pink Saris

TI NE VOLI ISTINU 4 DANA U ZATVORU GVATANAMO/ You dont like the truth - 4 days inside Guantnamo


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DEPONIJA / WASTELANDBrazil, UK / Brasil, UK / 2010.

Reija / Director: Lucy WalkerScenario / Script: Lucy WalkerKamera / Photography: Dudu Miranda

Montaa / Editing: Pedro Kos, Karen HarleyMuzika / Music: MobyProdukcija / Production: Almega Projects LtdProducent / Producer: Angus Aynsley, Hank LevineTrajanje / Running time: 98Kolor / color: DVD

Festivali i nagrade / Festivals and Awards: OSCAR 2011. nominacija za najbolji dokumentarac / SUNDANCE FF /BERLIN FF - nagrada publike programa Panorama, Amnesty International Human Rights Film Award / IDFA nagradapublike / Rotten tomato - Golden Tomato Award, najbolje recenzirani dokumentarac / Dalas FF Target Filmmaker

Award / Full Frame Documentary FF - nagrada publike / Seattle International FF najbolji dokumentarac, GoldenSpace Needle nagrada publike / Sao Paolo International FF

Film Deponija sniman je gotovo tri godine. U njemu pratimo putovanje renomiranog umjetnika Vika Muniza od njegov-og doma u Bruoklinu do rodnog Brazila, odnosno do najveeg odlagalita otpada na svijetu smjetenog na perierijiRio de aneira, Jardim Gramacho. Muniz tamo snima catadorese, aroliku skupinu samoprozvanih skupljaa otpadaza reciklau. Reditelj je na poetku samo elio da oslika otpad koji skupljaju, ali saradnja s inspirativnim likovimarezultirala je neim mnogo veim: Muniz je istovremeno razotkrio njihov oaj i dostojanstvo dok iz otpada stvarajuotograske slike samih sebe, iznova zamiljajui svoje ivote.

Filmed over nearly three years, Waste Land ollows renowned artist Vik Muniz as he journeys rom his home base inBrooklyn to his native Brazil and the worlds largest garbage dump, Jardim Gramacho, located on the outskirts o Riode Janeiro. There he photographs an eclectic band o catadores sel-designated pickers o recyclable materials.Munizs initial objective was to paint the catadores with garbage. However, his collaboration with these inspiringcharacters as they recreate photographic images o themselves out o garbage reveals both the dignity and despair othe catadores as they begin to re-imagine their lives.

Lusi Voker odrasla je u Londonu. Jo kao srednjokolka je reirala pozorine predstave. Kod snimanja dokumentarnihlmova koristi dramatine lmske tehnike koje daju jedinstveni pristup u zatvorene svjetove nezaboravnih likova na

putu transormacije. Osim lma Zemlja smea / Waste Land reirala je jo jedan dokumentarac, Odbrojavanje do nule,premijerno prikazan 2010. godine na Sandensu. Njen raniji lm Blindshight premijerno je prikazan u Torontu, a osvojio

je nagrade publike na estivalima u Berlinu, Ghentu, AFI i Palm Springsu. Prvi dokumentarni lm koji je reirala, DevilsPlayground, premijeru je imao 2002. na Sandensu, a nagraen je na estivalima u Karlovim Varima i Sarasoti (SAD).

Lucy Walker grew up in London, England, started directing theater in high school and continued as an undergraduate atOxord University, where her plays won prestigious Oxord University Dramatic Society awards. Walker uses dramaticlmmaking techniques to make documentary lms, ollowing memorable characters on transormative journeys that grantunique access inside closed worlds. In addition to Waste Land, Walker directed a second eature documentary that pre-

miered at Sundance 2010 Countdown to Zero, previous lm Blindsight premiered at Toronto and received audienceawards at the Berlin, Ghent, AFI and Palm Springs lm estivals. Walkers rst eature documentary, Devils Playgroundpremiered at the 2002 Sundance Film Festival and went on to win awards at the Karlovy Vary and Sarasota lm estivals.


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KRADLJIVCI PO ZAKONU/ THIEVES BY LAWIzrael, Njemaka, panija / Israel, Germany, Spain / 2010.

Originalni naziv / Original Title: Ganavim ba HokReija / Director: Alexander GenetelevScenario / Script: Alexander Genetelev

Kamera / Photography: Sergei FreedmanMontaa / Editing: Alik BaskinProdukcija / Production: S.M.S. Productions/Israel - L.E. Productions/GermanyProducenti / Producers: Simone Baumann, Sasha Klein, Maya ZinshteinTrajanje / Running time: 90Kolor / color: DVD

Festivali i nagrade / Festivals and Awards: Tribeca lm estival 2010 -USA HotDocs 2010-Canada DocAviv 2010-Israel Prize Europe 2010-Germany Warshaw Film Festival 2010-Poland

Ima li neto to ruska maja ne moe? Nakon ovog pogleda iznutra na svijet, recimo hipotetskih zloina, prilino jejasno da odgovor glasi njet. Pratei prie troj ice majakih biznismena, Kradljivci po zakonu istkali su nevjerovatnutapiseriju ljudi pred kojima bi se postidio i Toni Soprano. Od Staljinovih gulaga do prelaska u meunarodnu organizac-iju, maja i lopovski kodeks uvijek su u direktnoj vezi s politikim borbama u Sovjetskom Savezu, to odraava drutvona licu vlasti kao u iskrivljenom ogledalu. Ovi su ljudi proli kroz dobre i loe trenutke, opstali naoruani ulinom in-teligencijom, dovitljivou i odanou kodeksu, da bi se najzad iz lukavih kradljivaca preobrazili u mudre biznismene.Zahvaljujui dosad nevienom pristupu i postavljanju pravih pitanja, reditelj Alexander Genteljev pokazuje tano tose dogodi kada se mrane trbuine prevrnu na lea: nanesu kremu za sunanje, narue Molotovljev koktel i krenu daupijaju zrake sunca na Francuskoj rivijeri.

The Russian Maa: what cant they do? Ater this insiders look into the world o, ahem, hypothetical crimes, it ispretty clear that the answer is nyet. Following the stories o three maosi-cum-businessmen, Thieves By Law paintsa ascinating tableau o men that would make Tony Soprano cringe. Most intriguing, though, are their personal histo-ries interwoven with the evolution o the Russian Maa itsel. Beginning in Stalins gulags and slowly transorming intoan international organization, the maa and Code o Thieves have always directly correlated to the political struggleso the Soviet Unionrefecting society back to the government like a unhouse mirror. These men have been throughbad times as well as good, persevering with the ammunition o street smarts, savvy, and loyalty to their code, andeventually transorming themselves rom cunning crooks to shrewd businessmen. Through unprecedented accessand a knack or asking all the right questions, director Alexander Gentelev shows us exactly what happens when a

dark underbelly is fipped on its back: It slaps on some sunscreen, orders a Molotov cocktail, and soaks up thoseFrench Riviera rays.

Aleksandar Gentelev emigrated rom Russia to Israel in 1992. He returned to Russia to collect materials or a lm aboutthe Russian oligarchs the award-winning The Rise and Fall o the Russian Oligarchs. Besides that one, his lmsinclude Generation o Loneliness, Yolki-Palki, The Operation Successor, and Just Like Home.

Alexander Genteljev emigrirao je 1992. iz Rusije u Izrael. U Rusiju se vratio prikupljajui grau za lm o ruskim oligar-sima nagraivani The Rise and Fall o the Russian Oligarchs. Autor je i lmova Generation o Loneliness, Yolki-Palki,

The Operation Successor i Just Like Home.


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MEU ZVIJEZDAMA / POSITION AMONG THE STARSHolandija / Netherland / 2010.

Originalni naziv / Original title: Stand van de SterrenReija / Director: Leonard Retel HelmrichScenario / Script: Hetty Naaijkens-Retel Helmrich, Leonard

Retel HelmrichKamera / Camera: Ismail Fahmi LubishLeonard Retel HelmrichDirektor otografje / Director o photography: Leonard Retel HelmrichMontaa / Editing: Jasper NaaijkensMuzika / Music: Danang Faturahman, Fahmy Al-AttasSound design / Dizajn zvuka: Ranko Paukovi

Produkcija / Production: Scarabeelms, HUMAN BroadcastingProducenti / Producers: Danang Faturahman, Fahmy Al-AttasTrajanje / Running time: 111

Kolor / color: DVDFestivali i nagrade / Festivals and Awards: IDFA 2010 - best documentary; Sundance Film Festival 2011 - Special juryaward in World Cinema program; ZagrebDox 2011 - Best documentary award.Leonard Retel Helmrich punih je dvanaest godina slijedio indonezijsku porodicu koja ivi u slamovima Dakarte. Kao i udva prethodna vie puta nagraena dokumentarca, The Eye o the Day (2001) i Shape o the Moon (2004), Retel i ovdjenastavlja da prikazuje temeljne obrasce ivota u Indoneziji. Inovativnim nainom rukovanja kamerom gledaocima prikazujemikrokosmos u kojem se otkrivaju najvaniji problemi drutva koje se brzo mijenja: korupcija, meureligijski konfikti, zavis-nost o kocki, generacijski jaz i rastue razlike izmeu bogatih i siromanih. Iako su sva tri lma povezana, svaki je jednakodopadljiv i kao samostalno djelo.

For twelve years, lmmaker Leonard Retel Helmrich has ollowed an Indonesian amily living in the slums o Jakarta. Just asin his previous two multiple award-winning documentaries The Eye o the Day (2001) and Shape o the Moon (2004), Retelcontinues to show us the underlying patterns o lie in Indonesia with his revolutionary camera work, oering viewers a mi-crocosm revealing the most important issues in the countrys ast-changing society: corruption, confict between religions,gambling addiction, the generation gap, and the growing dierence between poor and rich. Although the three lms areobviously connected, each lm is equally strong as a stand-alone eature.Leonard Retel Helmrich je holandski lmski radnik, pozorini reditelj i kamerman. Uhapen je 1995. snimajui demonstracijeu Indoneziji i zatvoren pod sumnjom da je pijun, a zatim je proglaen nepoeljnim, zbog ega dvije godine nije mogao dase vrati u Indoneziju. Za to je vrijeme radio u Holandiji kao reditelj-dokumentarista i kamerman. Godine 1997. vraa se u

Indoneziju da bi snimio prvi dokumentarni lm iz trilogije organizirane po razdobljima prije, tokom i nakon ostavke tadanjegpredsjednika Indonezije Suharta. Prvi dio trilogije The Eye o the Day (2001) donio je Leonardu reputaciju lmskog radnikasvjetske klase. Nastavak trilogije, Shape o the Moon, nagraen je 1995. kao najbolji dokumentarni lm u dokumentarnojkonkurenciji Sandensa, a osvaja i nagradu Joris Ivens na amsterdamskoj IDFA-i. Promised Paradise (2006) zabranjen je uIndoneziji zbog kontroverznog sadraja.Leonard Retel Helmrich is a Dutch lmmaker, drama director and cameraman. While lming a demonstration in Indonesiain 1995, Leonard was arrested and imprisoned as a suspected spy, then declared persona non grata. He was unable toreturn to Indonesia or two years, during which time he worked as a documentary director and camera operator in theNetherlands. In 1997 Leonard returned to Indonesia to make the rst documentary in a trilogy set beore, during and ater

the period when Suharto resigned as Indonesias leader. The trilogys initial instalment, The Eye o the Day (2001) madeLeonards reputation as a world-class lmmaker. The sequel, The Shape o the Moon, won Best Documentary in the WorldDocs Competition at Sundance in 2005, and the Joris Ivens Award at the 2004 International Documentary Film Festival

Amsterdam (IDFA). Promised Paradise (2006), was banned in Indonesia, due to its controversial subject.


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NEPRIJATELJI NARODA / ENEMIES OF THE PEOPLEKamboda, UK / Cambodia, UK / 2009.

Reija / Director: Thet Sambath, Rob LemkinScenario / Script: Rob LemkinKamera / Photography: Rob Lemkin, Thet Sambath

Montaa / Editing: Stean RonowiczMuzika / Music: Daniel PembertonProdukcija / Production: Old Street FilmsProducenti / Producers: Rob Lemkin, Thet SambathTrajanje / Running time: 93Kolor / color: DVD

Festivali i nagrade / Festivals and Awards: 2010. Norwegin Documentary Festival najbolji dokumentarac / 2010Beldocs najbolji dokumentarac / 2010 FULL FRAME Documentary / 2010. Hong Kong International Film Festival bestdocumentary / 2010. Sundence Film Festival 2010 World Cinema posebna nagrada irija / 2010. True False Festival,

Columbia MO nagrada True Lie / 2010. Santa Barbara International Film Festival 2010 -best documentary / 2010.VERA, Finska / 2010. One World Film Festival, Prag dobitnik velike nagrade irija / 2009. IDFA Amsterdam

Crveni Kmeri pobili su gotovo dva miliona ljudi krajem 70-ih godina prolog vijeka. Polja smrti u Kambodi ostala suneobjanjena... Sve do sada i to zahvaljujui Thetu Sambathu nepretencioznom, ali lukavom novinaru koji je proveodeceniju ivota kako bi zadobio povjerenje ljudi koji su poinili masakre. Od najnie rangiranih vojnika koji su rezaligrkljane do Pol Potove desne ruke, zloglasnog Brata Broj Dva, Sambath je snimio nevieno okantno svjedoanstvo.Zanemarivi godinama sopstvenu porodicu, Sambathov rad imao je i svoju cijenu. Ali njegova je misija posebna, jer jena Poljima smrti izgubio i roditelje i brau. U Sambathovoj potrazi za razlozima zato mu je ubijena porodica, prvi putsaznajemo pravu istinu o tragediji u Kambodi.

The Khmer Rouge slaughtered nearly two million people in the late 1970s. Yet the Killing Fields o Cambodia remainunexplained. Until now. Enter Thet Sambath, an unassuming, yet cunning, investigative journalist who spends a dec-ade o his lie gaining the trust o the men and women who perpetrated the massacres. From the oot soldiers who slitthroats to Pol Pots right-hand man, the notorious Brother Number Two, Sambath records shocking testimony neverbeore seen or heard. Having neglected his own amily or years, Sambaths work comes at a price. But his is a per-sonal mission. He lost his parents and his siblings in the Killing Fields. Amidst his journey to discover why his amilydied, we come to understand or the rst time the real story o Cambodias tragedy.

Rob LemkinFilmograja / Filmography: (Ten Days That Shook Soho, Black and White Trio (1989), Viva Mandela! (1990), Who ReallyKilled Aung San_ (1997), Malaya: The Undeclared War (1998), Chine:Handle with Care (2001), Bearers o the Sword(2002), The Real Dr. Evil (2003), Enemies oh the People (2009)

Thet SambathFilmograja / Filmography: Enemies o the People (2009)


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PORODINI INSTINKT / FAMILY INSTINCTLatvija / Letonija / 2010.

Originalni naziv / Original title:imenes lietasReija / Director: Andris GaujaScenario / Script: Andris GaujaKamera / Photography: Aleksandrs GrebnevsMontaa / Editing: Andris GaujaProdukcija / Production: Fa FilmaProducent / Producer: Madara MelbergaTrajanje / Running time: 58Kolor / color: DVD

Festivali i nagrade / Festivals and Awards: Triest FF, Italy / DocPoint - Helsinki Documentary Film / Festival, Finland /Docpoint Talinn, Estonia / IDFA Amsterdam, Netherlands / Planete doc review, Poland / Tallinn black nights FF, Estonia /True/False Film Fest, Columbi; Awards:Silver Eye 2010, Mid-length Category

Porodini instinkt je lm koji nudi putovanje u sere drutva koje su vrlo esto nepristupane. U pitanju je grupni portretljudi koji ive u uslovima ekstremnog siromatva u jednom zabaenom letonskom selu. Pria prati Zandu (28) koja iviu incestuoznoj vezi sa bratom Valdisom (34), sa kojim ima dvoje djece. Radnja se zasniva na njenim pokuajima dapreivi sa djecom u godini koju njen brat-partner provodi na odsluenju zatvorske kazne za neke ranije grijehe. Onamora da se bori sa siromatvom i potencijalnim ljubavnicima koji pokuavaju da je zavedu. Da li je u stanju da pobjegneiz takvog drutva i da ispuni nadanja u bolji ivot? Ovo je kljuno pitanje lma i kao takvo je paradoks koji se odnosina skoro svakoga na ovom svijetu.

Family Instinct is a lm which oers an excursion into a society which is normally inaccessible. Its a group portrait opeople living in extreme poverty in a remote Latvian village. The story ollows Zanda (28) who lives in incest relation-ship with her brother Valdis (34) having two children together. The plot is based on Zandas trying to survive with bothchildren during a year which her brother partner serves in prison sentenced or old sins. She has to cope withpoverty and potential lovers trying to seduce her. Can she escape her society, to ulll her hopes or better lie? Thatis the key question o the lm and thats a paradox that reers to almost everyone in the world.

Andris Gauja, roen je u Letoniji, studirao je pozorite, lm i TV scenario na letonijskoj Akademiji za kuturu; radio jekao TV i pres novinar, nauio je da svira fautu u Jazapi u Medina muzikoj koli i jo uvijek svira. Trenutno radi doku-

mentarne lmove.Born in Latvia, 1978, studied theatre, lm and television screenwriting in Latvian Academy o Culture; he has workedas a television and press journalist, learned playing fute in Jazepa Medina Music School and is still playing music. Atthe present time, he is engaged in documentary lm making.


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RASTANAK / FAREWELLHolandija / Netherlands / 2009.

Reija / Director: Ditteke MensinkScenario / Script: Ditteke MensinkIstraiva / Research: Gerard NijssenMontaa / Edited by: Jessica de KoningMuzika / Music: Paul M.van BruggeProdukcija / Production: Pieter van HuysteeTrajanje / Running time: 90Crno-bijeli / Black and white: DVDFestivali i nagrade / Festivals and Awards: Svjetska premijera / World pre-

miere: November 22nd 2009 International Documentary Film Festival Amsterdam

Rastanak je pria o lejdi Grejs Dramond-Hej, jedinoj putnici na prvom putovanju oko svijeta Gra Cepelinom, kojese odigralo 1929. godine. Grejs pie o avanturama sa putovanja, ne samo u lancima za novine Herst ve i u lini

dnevnik. Putovanje kroz visine, iznad svijeta, na nain na koji nikada nije iskusila ranije, mijenja Grejs. Njen nekadanjiljubavnik Karl on Vigand jedan je od putnika. Tokom dugog putovanja, njihova ljubav jo jednom biva iskuana. KadaCepelin preleti preko Njujorka, Grejs se pozdravlja sa Karlom i ljubavnici gube dalji kontakt. Po slijetanju u Njujorkdoekana je kao lmska zvijezda. Godine 1929. svi su bili ubijeeni da je ovo putovanje divna prekretnica u istorijiovjeanstva. Svega nekoliko sedmica kasnije, Vol Strit je propao i zapoeo je mraan period istorije.

Farewell tells the story o Lady Grace Drummond-Hay, the only emale passenger on the rst journey around theworld o the Gra Zeppelin in 1929. Grace writes about her adventures on the journey, not only in articles in the HearstNewspapers, as a reporter, but also in her diary. Traveling high in the sky, up over a world, in a way she has never

experienced beore, Grace changes. Her ormer lover Karl von Wiegand is amongst the other passengers. During herlong voyage their love is once again tested. When the Zeppelin nally fies over New York Grace says goodbye to Karland the lovers lose touch. Landing in New York she is welcomed like a cinema star. In 1929 people were convincedthis journey would be a splendid turning point in history. A ew weeks later Wall Street crashed and a dark period inhistory began.

Ditteke MensinkFilmograja / Filmography: 25 Cent (1991), Portret van een liede (1992), Het blauwe huis (1996), Bleeneusje (1998).Kamer met uitzicht (2001), Farewell (2009).


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RUIASTI SARIJI /PINK SARISEngleska / Indija / England, India / 2010.

Reija / Director: Kim LonginottoScenario / Script: Kim LonginottoKamera / Photography: Kim LonginottoMontaa / Editing: Ollie HuddlestonMuzika / Music: Midival PunditzProdukcija / Production: Women Makes MoviesProducenti / Producers: Girja Shanker Vohra, Amber LatiTrajanje / Running time: 96Kolor / color: DVD

Festivali i nagrade / Festivals and Awards: British Academy o Film and Television Arts (BAFTA), 2011 Nomination, BestSingle Documentary; Sheeld Doc Fest, Special Jury Prize Abu Dhabi Intl Film Festival 2011- Best Documentary,CPH:DOX2010, Amnesty Award,Nominated as a 2011 ALA Notable Video or Adults

Sampat Pal, nepismena ena iz niske kaste, osniva Udruenje Gulabi Gang, zbog nepravde i bespomonosti koje je iskusilatokom ivota. Prije nego to e napuniti dvanaest godina, poslata je u udaljeno selo kako bi se udala, ali tamo je naila namaltretiranje od muevljeve porodice. Pobunila se protiv strogih pravila sela i zavrila je na ulici sa petoro djece. PokretanjeUdruenja Gulabi Gang, bio je njen in inspirisanog oaja. Stotine ena, obuenih u ruiaste sarije, okupljaju se kako binatjerale korumpirane policajce da sprovode svoje zakonom propisane obaveze ili da se usprotive nasilnom supruniku.Sampat, vrhovni komandant ovog Udruenja, sada je poznata irom oblasti Utar Prade. Ona vie i ne mora okupljati GulabiGang, jer sada koristi svoju slavu da postigne eljene rezultate. Ali, slava je opasna stvar, to znai da Sampat ulazi u novidio period svog ivota. Ukoliko niste osjetili ljubav tokom svog djetinjstva, ukoliko ste bili zlostavljani, onda je jako tekoistinski brinuti o drugima. U ovom lmu gledamo kako se to klupko odmotava.

Sampat Pal, an illiterate, low-caste woman, set up the Gulabi Gang because o all the eelings o injustice and helplessnessshed experienced in her lie. Beore she was 12 years old, she was sent to a remote village to marry and was bullied by herin-laws. She rebelled against the stringent village rules and ended up on the streets with ve young children. Setting upthe Gulabi Gang was her act o inspired desperation. Hundreds o women, all dressed in bright uchsia saris, would gatherto make a corrupt policeman enorce the law or to challenge a violent husband. Sampat, the Commander in Chie o thisgroup, is now amous throughout Uttar Pradesh. She doesnt need to summon the Gulabi Gang anymore, she uses her owname to get results. But ame is a perilous thing and it means that Sampat is now moving on to another stage in her lie Iyou havent experienced any love in your childhood, i you have been abused, its very hard to truly care about other people.

We watch these threads played out in the lm.

Kim Longinotto roena je u Londonu. Studirala je kameru i reiju na engleskoj Nacionalnoj koli za lm. Dobitnica je brojnihnagrada, ukljuujui i nagradu irija World Cinema za dokumentarni lm na Sundansu za Rough Aunties (2008), nagraduPeabody za Sisters in Law (2005), kao i Nagradu za posebno postignue u karijeri na ovogodinjem estivalu Hot Docs.

Autorka je lmova: Dream Girls (1993) i Ruiasti sariji (2010).

Kim Longinotto was born in London, England. She studied camera and directing at Englands National Film School.She has won numerous awards, including the World Cinema Jury Prize in Documentary at the Sundance Film Festival or

Rough Aunties (2008), a Peabody Award or Sisters in Law (2005) and the Outstanding Achievement Award or careeraccomplishment at this years Hot Docs lm estival. Her other lms include: Dream Girls (1993) and Pink Saris (2010).

NE VOLI ISTINU 4 d G / YOU


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NE VOLI ISTINU - 4 dana u zatvoru Gvantanamo / YOUDONT LIKE THE TRUTH - 4 days inside GuantnamoKanada / Canada / 2010.

Reija / Director: Luc Ct, Patricio HenrquezScenario / Script: Luc Ct, Patricio Henrquez

COMPUTER GRAPHICS: Robert Audet, Kara BlakeOn-line Editing: Denis BoisvertMontaa / Editing:Andrea HenriquezSound editing / Zvuk: Claude LangloisProdukcija / Production: Les Films AdobeTrajanje / Running time: 100Kolor / color: DVD

Festivali i nagrade / Festivals and Awards: World premiere: October 14TH 2010, Festival du Nouveau Cinma de Mon-tral October 13th to 24th 2010, Winner at IDFA International Documentary Film Festival Amsterdam November 17th to

28th, 2010, DocPoint Festival Finland - Estonia - January 2011, ZagrebDox Zagreb, Croatia - February 27th to March 6th2011Winner at Its All True - 16th International Documentary Film Festival So Paulo/Rio de Janeiro, Brazil - March 31 to April10 2011, Doclisboa Portugal - October 2011Investigations Competition.

Susret tima kanadskih obavjetajaca i djeteta-zatvorenika u zatvoru Gvantanamo kakav do sada nije vien. Ovaj dokumen-tarac, zasnovan na sedam asova dugom video zapisu, koji je nedavno objelodanjen odlukom kanadskih sudova, razvijase u etvorodnevnu igru make i mia izmeu onih koji zarobljavaju i zarobljenog. Drei se kadra sigurnosne kamere, ovajlm analizira politiki, pravni i nauni aspekt dijaloga pod prisilom.

This encounter between a team o Canadian intelligence agents and a child detainee in Guantanamo has never beore beenseen. Based on seven hours o video ootage recently declassied by the Canadian courts this documentary delves into theunolding high-stakes game o cat and mouse between captor and captive over a our day period. Maintaining the surveil-lance camera style this lm analyzes the political, legal and scientic aspects o a orced dialogue.

Lik Kote se reijom i produkcijom bavi od etrnaeste godine. U proteklih 35 godina putovao je svijetom, stvarajui dokumentarcesa socijalnom tematikom kojima je cilj da uhvate i prikau ovjekov duh. Ranih osamdesetih, osniva prvu produkcijsku kuu uNjujorku pod nazivom On Track Video. Godine 1986. pridruio se Robiju Hartu u Montrealu i pokrenuo Adobe Productions. Njihdvojica su, zajednikim radom, reirali i producirali vie od trideset lmova, ukljuujui i dvije nagraivane dokumentarne serije:Napuniti esnaestu (Turning 16) i udotvorci (Rainmakers). 2005. godine, reirao je Prinudno slijetanje (Crash Landing), lm oporemeaju pod nazivom post-traumatski stres, koji se prikazan na brojnim estivalim irom svijeta i osvojio nekoliko nagradaukljuujui i Priznanje za kvalitet u kategoriji najboljeg kanadskog dokumentarnog lma na estivalu Hot Docs u Torontu 2005.Pored svog stvaralakog rada na polju lma, Lik predaje dokumentarni lm na Meunarodnoj koli lma na Kubi.

Luc Ct has been directing and producing lms since the age o ourteen. For the past 35 years, he has traveled exten-sively around the world, making social documentaries that capture the human spirit. In the early eighties, he ounded hisrst production company in New York, On Track Video. In 1986, he joined Robbie Hart in Montreal and launched AdobeProductions. Together, they produced and directed more than 30 lms including two award winning documentary series:Turning 16 and Rainmakers. In 2005, he directed, Crash Landing, a lm about post-traumatic stress disorder that wasselected to be shown in many estivals around the world and won several awards including an Honorable Mention or bestCanadian Documentary at the Hot Docs Toronto Festival in 2005. Along with his work as a lmmaker, Luc teaches docu-mentary lm making at the International Film School o Cuba.


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Patrisio Enrikez radio je, kao reditelj, za ileansku televiziju prije nego to se preselio u Montreal 1974. godine, nakonpada vlade Salvadora Aljendea. Svoj prvi lm Jaser Araat i Palestinci (Yasser Araat et les Palestiniens, 1980.), reirao jeu Libanu, prije nego to e poeti da radi za televiziju u Kvebeku, za koju e nainiti brojne meunarodne priloge u peri-odu izmeu 1981. i 1993. 1996. godine, postao je su-osniva produkcijske kue Macuma International. Enrikez je osvajapreko 60 nagrada irom svijeta, ukljuujui Grand Prix za najbolji televizijski dokumentarac u Francuskoj 1998. godine, kojidodjeljuje Graansko drutvo multimedijalnih autora (Socit civile des auteurs multimdia). Nagradu je osvojio za lm Pos-lednje uporite Salvadora Aljendea (The Last Stand o Salvador Allende), koji je, takoe, nagraivan na Kubi, u Sjednjenim

Amerikim Dravama, Argentini i Indiji.

Patricio Henrquez worked as a director or Chilean television beore moving to Montreal in 1974 ater the overthrow o theSalvador Allende government. He directed his rst lm, Yasser Araat et les Palestiniens (1980), in Lebanon beore workingor television in Quebec, where he made numerous international reports between 1981 and 1993. In 1996, he co-oundedthe production company Macumba International. Henrquez has won over 60 awards around the world, including the 1998Grand Prix or best television documentary in France awarded by the Socit civile des auteurs multimdia in Paris or The

Last Stand o Salvador Allende; this lm was also rewarded in Cuba, the U.S.A., Argentina and India.


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REGIONALNA SELEKCIJA / REGIONALSELECTION

BIJELO DUGME / White Batton

CINEMA KOMUNISTO / Cinema KomunistoDON UAN: OPROSTITE, GOSPOICE / Don Juan:Ecuse me, Miss

HOTEL RAJ / Hotel Paradise

IMALI SMO VE DVADESETDVIJE GODINE / Avevamogia 22 Anni

MILENA / Milena

SVIJET PO JONU B. / World according to Ion B.

TRKA ZA IVOTOM / Run or lie

IVOT, PRIKLJUENIJA I ODRIVI RAZVOJ JEDNOG

KOKOTA / Trials, Tribulations & Sustainable Growth o acock

BIJELO DUGME / WHITE BUTTON


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BIJELO DUGME / WHITE BUTTONSrbija / BH / Hrvatska / Serbia / BH / Croatia / 2010.

Reija / Director: Igor StoimenovScenario / Script: Igor StoimenovKamera / Photography: Marko StoimenovMontaa / Editing:Ana DunjiMuzika / Music: Petar AntonoviProdukcija / Production:Absinthe productionTrajanje / Running time: 86Kolor / color: DVDFestivali i nagrade: Sarajevo, Vancouver, Utrecht, Los Angeles, Minchen, Krakow,

Beograd, Rovinj, Zagrebdox

Bijelo dugme je za ex Jugoslaviju znailo isto to i Bitlsi za globalnu popularnu kulturu u to vrijeme. Bijelo dugme je bio na-jpoznatiji rokenrol bend u istonoj Evropi tokom 20. vijeka. Frontmen benda, Goran Bregovi je danas svjetski poznati kom-

pozitor lmske muzike. Dokumentarac o uvenoj grupi govori o eektima zapadnjake popularne kulture na komunisatikuzemlju , bivu Jugoslaviju. Zahvaljujui njima , rokenrol je masovno prihvaen. Njihovi koncerti su okupljali stotine hiljadaanova od Beograda do Moskve, njihovi albumi su se prodavali u milionskim tiraima, o skandaloznim lanovima benda suse na ovim prostorima prvi put pisale prie o drogi i dekadenciji.

What The Beatles mean or global popular culture is what Bijelo Dugme means or ex Yugoslavia and Balkans. BjeloDugme were the most amous rock and roll stars o the C20th in Eastern Europe. The leader o the band was GoranBregovic - today a globally acclaimed composer o lm scores and world music. This documentary lm delves into the e-ects Western popular culture had on a very particular communist country - this being the ormer Yugoslavia. Rock and Roll

was accepted on a massive scale thanks to them. Their concerts gathered hundreds o thousands o ans rom Belgradeto Moscow, their albums was released in the millions o copies, their bend members were the rst to scandalize region withstories o drugs and decadence.

Igor StoimenovSrpski reditelj, pisac i producent roen je 1971. Studirao je lmsku i tv reiju u Beogradu i Njujorku (1994 2000). Nakondiplomiranja, bavi se reijom televizijskih reklama i muzikih spotova. U meuvremenu, postaje jedan od boljih reiserabalkanskog vesterna kroz serije Crni Gruja, Fudbal, Nogomet i jo po neto, Robna kua. Reirao je jedan igrani tv lm Neskrei sa staze. Posljednjih godina se posvetio dokumentarnom lmu. Reirao je tri dugometrana dokumentarna lma

Partizanski lm, Novo vrijeme, Bijelo dugme i nekoliko kratkih igranih lmova.Serbian director, writer and producer born in 1971, studied lm and tv directing in Belgrade and New York (1994 2000).

Ater graduation, he became a director o tv commercials and music videos. In the meantime, proled as one o the besttelevision director o the Western Balkans, through the series Black Gruja, Soccer, Football and Something More, De-partment Store, and eature tv movie Not Turn From the Path.In recent years devoted to documentary lms and directedthree eature-length documentary lm Partisan lm, New time, White Button and several short lms.

CINEMA KOMUNISTO / CINEMA KOMUNISTO


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CINEMA KOMUNISTO / CINEMA KOMUNISTOSrbija / Serbia / 2010.

Reija / Director: Mila TurajliScenario / Script: Mila TurajliKamera / Photography: Goran KovaeviMontaa / Editing:Aleksandra MilovanoviKompozitor / Composer: Nemanja MosuroviDizajn zvuka / Sound design:Aleksandar ProtiProdukcija / Production: Dribbling Pictures, 3K Productions & Intermedia NetworkProducenti / Producers: Dragan Peikan, Iva Plemi Divjak, Dejan PetroviTrajanje / Running time: 100

Kolor / Color: DVDFestivali i nagrade / Festivals and Awards: First Appearance Competition at IDFA 2010; Magnicent 7 EuropeanFeature Documentary Film Festival 2010; Alpe Adria Cinema Award or the best documentary at the 2011 Trieste FilmFestival 2010; Tribeca Film Festival 2011; Its All True Festival in Brazil-Mention, 2011.

Cinema Komunisto nas vodi na putovanje kroz ostatke Titove lmske industrije ispitujui uspon i pad jugoslovenskelmske iluzije. Pomou rijetko vienih scena iz desetina zaboravljenih jugoslovenskih lmova, kao i ekskluzivnih arhivskihsnimaka sa snimanja lmova i Titovih privatnih projekcija, ovaj lm sklapa sliku o naoj zemlji, onu zvaninu koja se vidina ekranu, i onu skrivenu, iza scene. Dodatni sjaj cijeloj prii daju lmske zvijezde kao to su Riard Barton, Soja Loreni Orson Vels, koji nastupaju u velikim produkcijama koje nansira drava. O tome kako je istorija Jugoslavije kreirana nalmskom platnu govore Titov lini kinooperater, koji mu je putao lmove svake veeri tokom 30 godina.

Cinema Komunisto takes us on a journey through the crumbling remains o Titos lm industry exploring the rise and

all o the cinematic illusion called Yugoslavia. Using rare ootage rom dozens o orgotten Yugoslav lms, as well asnever-seen-beore archive rom lm sets and Titos private screenings, the documentary recreates the narrative o acountry, the stories told on screen and the ones hidden behind it . Stars such as Richard Burton, Soa Loren and Or-son Welles add a touch o glamour to the national e ort, appearing in super-productions nanced by the state. Titospersonal projectionist who showed him lms every night or 30 years.

Mila Turajli je roena 1979. u Beogradu, Srbija. Diplomirala je na London School o Economics i stekla diplomuiz politike i meunarodnih odnosa, kao i na Odseku za lmsku i televizijsku produkciju, Fakulteta dramskih umetnostiUniverziteta umetnosti u Beogradu. Tokom studija osnovala je Nevladinu organizaciju koja je na Beogradskom uni-

verzitetu poduavala debate, uestvovala je na brojnim debatnim turnirima i osvojila nagradu kao najbolji govornik naDebatnom ampionatu evropskih univerziteta u 2001. godini. Politika realnost post-revolucionarne Srbije okrenula juje ka pravljenju lmova u uvjerenju da e umjetnost uvijek biti subverzivnija od politike. Sa stipendijom Majkl Pikokzavrila je master studije na London School o Economics u oblasti Medija i komunikacije. Potom je specijaliziraladokumentarni lm na univerzitetu La Femis u Parizu.

Born in Belgrade, Serbia in 1979. Bsc in Politics and International Relations, London School o Economics, BA in Filmand TV Production, Faculty o Dramatics Arts in Belgrade MSc in Media and Communications at the London Schoolo Economics. Took the long road to being a documentary lmmaker. On the run rom political activism and mind-numbing academi. Converted to lmmaking in the belie that ar t will always be more subversive than politics; Seducedby cinema as art preaching o French cineastes during studies o documentary cinema in Paris.

DON UAN: OPROSTITE GOSPOICE / DON JUAN:


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DON UAN: OPROSTITE GOSPOICE / DON JUAN:ExCUSE ME, MISSHrvatska / Croatia / 2010.

Reija / Director: Goran DeviScenario / Script: Goran Devi, Sanja Potkonjak

Kamera / Photography: Vedran Samanovi, Bojana Burnac, Branimir Hajns, AlmirFaki

Montaa / Editing: Iva KraljeviMuzika / Music: Pavao Miholjevi, Jurica Neven FarinaProduction / Produkcija: PETNAESTA UMJETNOSTProducent/ Producer: Vanja JambroviTrajanje / Running time: 42

Format / Format: HDV, Beta SP Pal, Digi BetaFestivali i nagrade / Festivals and Awards: World premiere: Slobodna Zona , Zagreb Dox Festival, Hrvatska

Osnovna pripovjedaka linija ovog dokumentarnog lma prati prilino neobinu radionicu odranu u Zagrebu. Cilj radion-ice bio je da naui uesnike vrlo temeljnoj vjetini kako da zavedu enu i odvedu je u krevet. Ovaj dokumentarac pratipromjene, strahove, male uspjehe i velike nesporazume dvanaest uesnika radionice. Uesnici su bili raznovrsni, iz razliitihzemalja (Austrija, Njemaka, SAD) i razliite rase. Ovim zanimljivim ljudima zajedniko je bilo jedno: nali su se u kolskimklupama u zagrebakom hotelu Sheraton s jednim ciljem da zavedu djevojku s Balkana.

The basic narrative line o this documentary ollows a rather peculiar workshop held in Zagreb or the oreigners with bigpocketbooks. The aim o the workshop was to teach the participants one very basic skill how to seduce a woman in order

to get her to bed. The workshop was consisted o a theoretical part which was held in the hotel and a daily practical check-up on Zagreb streets and nightclubs. The most intriguing paradox is showing that the most requent source o problems inrelationships between men and women is actually very simple bad communication.

Goran Devi je roen 1971. u Hrvatskoj. Diplomirao je lmsku reiju na Akademiji dramskih umjetnosti u Zagrebu, gdje radikao asistent na Odsjeku za dokumentarni lm.

Born in 1971 in Croatia. He has graduated Film directing at Academy o drama art in Zagreb where he now works as assist-ant in Documentary Film department.

Filmography: Documentaries: 2010. Don Juans: Oprostite gospodina!, 40 minutes, PETNAESTA UMJETNOST ; 2010.Poplava, 42 minutes, PETNAESTA UMJETNOST; 2009. Sretna Zemlja, 51 minutes, PETNAESTA UMJETNOST; 2009. Sus-jedi, 25 minutes, PETNAESTA UMJETNOST; 2008. Tri, 26 minutes, FACTUM; 2008. Park u izgradnji, 25 minutes, PET-NAESTA UMJETNOST; 2006. Nemam ti ta rei ljepo, 30 minutes, FACTUM; 2004. Uvozne vrane, 22 minutes, ADU; 2004.Jesam li se zajebo?, 17 minutes, ADU ; 2004. Knin 2004, 30 minutes, HTV

HOTEL RAJ / HOTEL PARADISE


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O J / O SBugarska / Bulgaria / 2010.

Reija / Director: Sophia TzavellaScenario / Script: Sophia TzavellaKamera / Photography: Boris Missirkov, Georgi BogdanovMontaa / Editing: Nina Altaparmakova

Dizaj zvuka / Sound design: Momchil BozhkovProdukcija / Production:AgitpropProducent / Producer:Anna StoevaTrajanje / Running time: 54Kolor / color: DVD

Festivali i nagrade / Festivals and Awards: Message to Man IFF 2010 St. Petersburg, Sarajevo Film Festival 2010,Two Riversides Film and Art Festival Poland, Jihlava IFF 2010 - Nomination Silver Eye Award, Cinema Verite IranInternational Documentary Film Festival 2010, Festival on Wheels Ankara 2010, Golden Rython Bulgarian Docu-mentary and Animation Film Festival 2010.

Mladi Demir sanja vjenanje, ali romsko naselje na obodu provincijalnog bugarskog grada i nije mjesto za romantiku.Prije etvrt vijeka, ovo naselje je imalo sve to je bilo neophodno za socijalistiki panel raj: od parketnih podova do in-terona, ugraenog centralnog grijanja za vodu, uline rasvjete, klupa pod kronjama jabukovog drveta koje je utalo.Neko je ovo mjesto jednom nazvao Hotel Raj te se naziv zadrao. Parket je nestao. Voda je prestala da tee. Svjetla suse pogasila. Ali, svaki od 1500 stanovnika ima plan kako da se povrati izgubljeni raj. Ukoliko zaete u polje iza HotelaRaj, gdje se nebo i zemlja spajaju, upoznaete Boidara, Bogom datoga, koji titi svakoga od zla i pretjerane sree udokumentarcu o integraciji, ljubavi, nesrei, mnotvu snova i jednom romskom vjenanju.

The young Demir dreams o a wedding. But his Roma tower block at the outskirts o a provincial town in Bulgaria isno place or romance. 25 years ago it had all it takes or panel socialist heaven: rom parquet foors to intercom, thecoveted hot water central, street lamps, benches under murmuring apple trees. Someone called the place ParadiseHotel and the name stuck. But with the years the block gradually changed. The parquet disappeared. The waterstopped. The lights went o. But each o the 1500 inhabitants has a plan how to get back the dream o Paradise Lost.

And i you cross the eld behind Paradise Hotel where heaven and earth meet, you will see Bozhidar The God Givenwho protects everyone rom evil and excessive happiness in a documentary about panel integration, love, misery, alot o dreams, a little lyrics and one Gypsy wedding.

Sofja Cavela, je neobina TV novinarka, scenaristkinja i rediteljka. Poto je radila na bugarskoj nacionalnoj televizijicijelih 5 godina postala je poznata po dubokoj ironiji i lozoskom, zadivljujuem nainu prianja na izuzetno proe-sionalan nain. Ona je originalna autorka brojnih istraivakih televizijskih izvjetaja i intervjua za jednu od malobro-

jnih visoko-prolnih nezavisnih bugarskih politikih i socijalnih emisija pod nazivom Panorama. Autorka je jedne knj igei tri dokumentarna lma, ukljuujui i NDE ili Prie o smrti. Fondacija Fridrih Herber t odlikovala ju je zvanjem istaknutogautora u pogledu objektivnosti medija.

Author and director Sophia Tzavella is an unconventional TV journalist, scriptwriter and director. Having worked as anauthor or the Bulgarian National Television or 5 years, Sophia is well-known or her thorough irony and philosophi-cal, enchanting way o highly proessional storytelling. She is the original author o numerous investigative TV reportsand interviews or one o a ew high-prole independent view Bulgarian political and social TV shows Panorama. Au-thor o 1 book, and director and author o 3 documentaries, including NDE or the Stories About Death. Distinguishedas an outstanding author or media objectivity by the Friedrich Herbert Foundation.

IMALI SMO VE 22 GODINE / WE WERE ALREADY


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22 YEARS OLDItalija/ Italy / 2009.

Originalni naziv / Original title:Avevamo gia 22 anniReija / Director: Federico Mazzi

Scenario / Script: Federico MazziKamera / Photography:Alessandro Dominici, Giuseppe GalloMontaa / Editing: Gennaro de PandMuzika / Music: OminostancoProdukcija / Production:Associacione PolistyleTrajanje / Running time: 78Kolor / color: DVD

Festivali i nagrade / Festivals and Awards: SOTTODICIOTTO FESTIVAL 2010

Posljednjih decenija, percepcija godina se mijenja. U dananjem vremenu ostajemo due mladi. Ovaj dokumentarno-igrani lm se okusira na ivot pod tekim socijalnim uslovima, koji nas elie i daju nam snagu za drutveno djelovanje.U meuvremenu, primorani smo da ivimo u emotivnoj i poslovnoj nesigurnosti. Dva potpuno razliita pristupa, koji sudoprinijeli nekonvencionalnim nainima ivota. Meutim, kakve posljedice ovi trendovi imaju po nae drutvo? Zahvaljujuisvjedoenju ljudi koji su u razliitim periodima imali dvadeset i dvije godine, pokuali smo da istraimo posljedice ovakvogenomena u naem drutvu.

In the last decades, perception o age changed. WE nowadays stay longer young. This docu-ction will ocus on the livingwith hard social rules that gave us strength in our social and human role. In the meantime, were orced to live in emotional

and working precarity. Two very dierent approaches o lie, that gave birth to unconventional ways o living. But what aregoing to be the consequences in our society?

Thanks to testimonies o people who were 22 at dierent periods, we will analyze the consequences o this phenomenon inour society.The testimonies will be crossed with the memories o a peculiar character, Ettore Giacoletto aka Rabain: he wasa ormer Resistant who hid in the mountains at ascist times. Nowadays he oten tells his memories in schools, municipalevents...

Federiko Mazi is a video-maker born in Torino (Italy). His rst experiences in video making were at the Audiovisual Labo-ratory o the Architectural Department under the infuence o Steano Tealdi. Ater studying theatre and cinema at DAMS

he started working with theatre in 1990 as an Actor and Author/Director. During this period hes been writing several playswith the Kontrast Teatro, Polistyle and collaborating with Director Gabriele Vacis and Roberto Tarasco rom Teatro Settimo.Since 97 hes been working with several national TV Channels (TMC2, La7, AllMusic) as a Director and Author/Screenwriter,and with many Cinema Productions, producing Shorts and Documentaries mainly written by himsel.

Federico Mazzi is a video-maker born in Torino (Italy). His rst experiences in video making were at the Audiovisual Labo-ratory o the Architectural Department under the infuence o Steano Tealdi. Ater studying theatre and cinema at DAMShe started working with theatre in 1990 as an Actor and Author/Director. During this period hes been writing several playswith the Kontrast Teatro, Polistyle and collaborating with Director Gabriele Vacis and Roberto Tarasco rom Teatro Settimo.

Since 97 hes been working with several national TV Channels (TMC2, La7, AllMusic) as a Director and Author/Screenwriter,and with many Cinema Productions, producing Shorts and Documentaries mainly written by himsel.

MILENA / MILENA


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Srbija / Serbia / 2011.Reija / Director: arna RadoiiScenario / Script: arna RadoiiKamera / Photography: Dalibor TonkoviMontaa / Editing: Mateja Rackov

Muzika / Music: ore Miljenovi, Aleksandar SedlarProdukcija / Production: Tuna Fish StudioTrajanje / Running time: 72Kolor / color: DVD

Dokumentarno-igrani lm Milena je pria o umjetnici Mileni Pavlovi Barili (Poarevac, Srbija 1909 Njujork 1945),uvenoj i originalnoj slikarki, ilustratorki, dizajnerki i pjesnikinji. To je inspirativna pria o njenom zanimljivom ivotu,

jedinstvenoj senzibilnosti i stilu, kao i o njenom uticaju na savremenu umjetniku scenu i drutvo.

Docu-ction lm Milena is a story about artist Milena Pavlovi Barilli (Poarevac, Serbia 1909 - New York, NY 1945),amous and authentic emale painter, illustrator, designer and poet. Its an inspirational story about her extraordinarylie, unique sensibility and style as well as her infuence on contemporary art scene and circumstances in art andsociety.

Rediteljka iz Beograda arna Radoii roena je 1979. godine. Dobitnica je Gran Pri-a na 50. Festivalu kratkog idokumentarnog lma u Beogradu, kao i mnogih drugih nagrada za isti lm Tri line uline prie. Napisala je, reirala,snimila i producirala nekoliko dokumentarnih lmova. Reirala je tv serije i dogaaje. Bila je umjetniki direktor naprvom enskom lmskom estivalu na Balkanu ensko oko svijeta. Docent je na Akademiji umjetnosti u Beogradu, naodsjeku lmska reija.

Born on 1979, lm director rom Belgrade. Winner o Grand Prix o 50th estival o short and documentary lms inBelgrade, as well as many other prices or the same lm Three personal street stories. Wrote, directed, shot andproduced various documentaries. Directed many TV serials and events. Art director and selector o the rst Womenlm estival in Balkan, Female eye o the world. She is a docent proessor at Academy o Arts in Belgrade, on lmdirecting.

SVIJET PO JONU B. / THE WORLD ACCORDING TO


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ION B.Rumunija / Romania / 2010.

Reija / Director:Alexander NanauScenario / Script:Alexander Nanau

Kamera / Photography:Alexander NanauMontaa / Editing: Mircea OlteanuMuzika / Music: Dan ParvuProdukcija / Production: HBO Romania, Alexander Nanau ProductionTrajanje / Running time: 60Kolor / color: DVDFestivali i nagrade / Festivals and Awards: Best Balkan Documentary, Dokuest,

Prizren, Kosovo 2010.;Vision du Reel, Nyon, Switzerland 2010; HotDocs, Toronto 2010.

Jon B. je ezdesetogodinji beskunik u Bukuretu. Tokom sedamdesetih je poeo da pravi kolae koje naziva mojilmovi. Mladi vlasnik galerije 2008. godine sluajno uje za Jona i njegova djela. Beskunik mu pokazuje nekolikostarih koera u kojima je gotovo 1.000 kolaa koje je napravio od 70-ih do 90-ih godina prolog vijeka. Samo godinudana kasnije, Jon ivi u pristojnom domu, priznat kao jedan od najvanijih, savremenih rumunskih umjetnika. Ovo jeistinita pria o pravom umjetniku koji je ivio na margini drutva stvarajui umjetnost u pravom smislu te rijei - umjet-nost za sebe. Iako ga danas smatraju jednim od najznaajnijih predstavnika Pop arta, on, najiskrenije, ne zna ko jeEndi Vorhol.

Ion B. is a 62 year old homeless man living in Bucharest. In the 70s he started creating collages that he reers to asmy lms. In 2008, a young gallery owner hears by chance about Ion and his works. The homeless man shows hima ew old suitcases lled with almost 1000 collages he had made between the 70 and the 90.Only one year later, in2009, Ion lives in a decent place and has become one o the most important contemporary Romanian artists. This isa real lie story o a genuine artist living at the edge o society and creating art or himsel in the real and true senseo the world. Extraordinarily, even though he is cosidered one o the most important representatives o Pop Art, Ionhonestly doesent know who Andy Warhol is.

Aleksandar Nanauje roen u Bukuretu 1979.godine. Studirao je lmsku reiju na njemakoj Akademiji za lm i tel-eviziju (DEFB) u Berlinu i radio kao asistent reditel ja i koreditelj sa Petrom Zedekom na nekoliko pozorinih produkcijairom Evrope. Radi i kao otogra.

Born in Bucharest in 1979 and having lived in Germany since 1990, Alexander Nanau studied lm directing at the Ger-man Film and Television Academy (DEFB) in Berlin and worked as Assistant Director and Co-Director to Peter Zadekin several theatre productions across Europe. He also works as a photographer.

TRKA ZA IVOTOM / RUN FOR LIFE


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Srbija, Japan / Serbia / Japan / 2010.Reija / Director: Mladen MatieviScenario / Script: Mladen MatieviKamera / Photography: Nikola MajdakMontaa / Editing: Suzana Stevanovi

Muzika / Music: Dejan VuetiProdukcija / Production: StarhillProducent / Producer:Ana StankoviTrajanje / Running time: 87Kolor / color: DVD

Run or Lie je dokumentarni lm o trojici sportista iz Etiopije, koji su svoju zemlju zamijenili Srbijom, u potrazi za boljimivotom, sportskom karijerom i srpskim dravljanstvom. Film prati godinu i po dana provedenih u Srbiji, od trenutka

kada su stigli, pa sve dok nisu bili prisiljeni da napuste Srbiju. Pria je i o njihovom prijateljstvu s rediteljem MladenomMatieviem, ija su perspektiva i naracija okosnica lma.

Run or Lie is a documentary about three Ethiopian athletes that fed rom their country to Serbia seeking betterlie, sport career and Serbian citizenship. It covers a year and hal o their lives spent in Serbia, rom the day they ar-rived until the moment they were orced to leave Serbia. It is also a story o their riendship with the director MladenMatievi whose perspective and narration are the backbone o the lm.

Mladen Matievi roen je 1965. u Beogradu. Diplomirao je na Odsjeku za lmsku i TV reiju Akademije dramskihumetnosti u Beogradu. Radio je kao prvi i drugi asistent reditelja na nekoliko srpskih i stranih dugometranih l-mova (1985-1990). Radio je na beogradskoj televiziji kao reditelj kratkih ormi (igranih i dokumentarnih) za dokumen-tarni i djeji program (1985-1990). Njegov najpoznatiji dugometrani dokumentarac Ghetto Secret Lie o the City(1996) uspjeno je prikazan na brojnim lmskim estivalima irom svijeta. How to Become a Hero (2007) prikazan je udugometranoj dokumentarnoj kategoriji na IDFA-i.

Mladen Maticevic was born in 1965 in Belgrade. He graduated rom the Department or Film and TV directing at theAcademy o Dramatic Arts in Belgrade. He worked as the rst and second assistant director on several Serbian andoreign eature lms (1985-1990). He worked on the Belgrade television as a director o short orm (ction and docu-mentary) or the documentary and childrens program (1985-1990). Its most amous eature-length documentary The

Ghetto - The Secret Lie o the City(1996) was successully screened at numerous lm estivals around the world.How to Become a Hero(2007) was shown in the documentary eature lm category at the IDFA.

IVOT, PRIKLJUENIJA I ODRIVI RAZVOJ JEDNOGO O / S O S S S


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KOKOTA / TRIALS, TRIBULATIONS & SUSTAINABLEGROWTH OF A COCKCrna Gora / Montenegro / 2010.

Reija / Director: Vladimir PeroviScenario / Script: Vladimir PeroviDirector o photography / Direktor otografje: Milan StaniCinematographers / Snimatelji: Borislav Ristovi, Saa NikoliEdited by / Montaer:Aleksandar UhrinSound design / Dizajn zvuka: Slobodan MaejProdukcija / Production: CZK TIVAT, MontenegroProducers / Producenti: Milena Radojevi, Neven StaniiTrajanje / Running time: 21

Kolor / color: DVDFestivali i nagrade: Festivals and Awards: 7th ZagrebDox, Zagreb, Croatia, Feb 2011 / * 1st Prize (Big Stamp o Zagreb-Dox) / 1. nagrada (Veliki peat ZagrebDoxa); 7th RAFF, Yekaterinburg, Russia, Apr 2011;1st SEE A PARIS, Paris, France,

April 2011; BELDOCS, Belgrade, Serbia, May 2011; ARHAVI Film Festival, Turkey, May 2011; 2nd UNDERHILL Festival,Podgorica, Montenegro, May 2011 ; 4th Mediterranean Film Festival Split, Croatia, June 2011Jednom godinje u primorskom gradiu Perastu jedan meu mnogim pijetlovima (kokotima) iz kraja uestvuje u posebnomdogaaju. Odabran, on e se suoiti sa neoekivanim iskustvima. Ovo je pria o njegovom ivotu u okruenju ljudskihpravila i rituala.Once a year in the small coastal town o Perast, Montenegro, one out o many cocks in the region participates in a very

particular event. Being the chosen one, he will ace unexpected experiences. This is the story o his lie in the environmento human rules and rites...Vladimir Perovi (1955, Cetinje, Montenegro) graduated in Film & TV Directing rom Faculty o Drama Arts, Belgrade, Ser-bia. He directs creative documentaries. His lms were screened at the estivals worldwide and won 63 prizes and awardsso ar. He used to teach Documentary Direction at BK Academy o Arts in Belgrade. Jury member several times in Yugo-slavia, Germany, Russia, Iran, Romania... Employed as an author (script writer and director) in Documentary Dpt. o RTV,Novi Sad, Serbia. Guest proessor o Documentary at Faculty o Drama Arts in Cetinje, Montenegro. He lives in Belgrade,Serbia, and makes his lms both in Serbia and in MontenegroBorn in 1955, Cetinje, Crna Gora), diplomirao na lmskoj i televizijskoj reiji na Fakultetu dramskih umjetnosti u Beogradu,

Srbija. Reira kreativne dokumentarce. Njegovi lmovi su prikazivani irom svijeta i nagraeni sa 63 nagrade. Predavao jedokumentarnu reiju na BK Akademiji umjetnosti u Beogradu. Vie puta je bio je lan irija u Jugoslaviji, Njemakoj, Rusiji,Iranu, Rumuniji... Radi kao urednik (pisac i reditelj) u Dokumentarnoj redakciji, RTV Novi Sad, Srbija. Gostujui je proesorna Fakultetu dramskih umjetnosti, Odsjek za lmsku reiju (na predmetu Dokumentarni lm) u Cetinju, Crna Gora. ivi uBeogradu, Srbija, a svoje lmove snima u Srbiji i crnoj Gori...Filmografja / Filmography: 1989: Une maison - Kua (A House); 1992: Saga o Samuraju i Glibu (The Saga on Samourai &the Mud); 1996: Hodoae (Pilgrimage); 1997: U/deavanje glasa (Tuning Voices / Rigging Votes); 2000: Ura (The Clock);Sin (Son); Allegria (Allegria); 2001: Ljubav, zavet (Love, Vow); 2002: Mali kvar na mojoj sjajnoj zvezdi (A Slight Malunction onMy Shiny Star); uvar (The Guard); 2003: Nestajanje(Vanishing); 2004: Zov (The Call); 2006: Dim (The Smoke); Ribar ore

razgoni mrak (Fisherman George scatters the Gloom); Koraci (The Steps) ; 2009/2007/: e kamenog mora (The Thirst o aStone Sea) ; 2008: Da bude svetlost (Let There Be Light) ; 2010: Senka (Shadow); ivot, prikljuenija i odrivi razvoj jednogkokota (Trials, Tribulations & Sustainable Growth o a Cock)...


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VANTAKMIARSKA SELEKCIJA /NONCOMPETITION SELECTION

SMEE, TU, PORED NAS /

VIKILIKS / Wikileaks

ESTOKA SNAGA RIME / Furious Force o Rhymes

VIKILIKS / WIKILEAKS d k / S d / 2010


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vedska / Sweden / 2010.Reija / Director: Jesper Huor, Bosse LindquistScenario / Script: Jesper Huor, Bosse LindquistKamera / Photography: Lars Granstrand, Sven LindahlMontaa / Editing: Michael Hallberg

Produkcija / Production: SVT - Sveriges TelevisionTrajanje / Running time: 58Kolor / color: DVD

Od ljeta 2010. do danas vedska televizija je pratila tajnu medijsku mreu WikiLeaks i njenog zagonetnog glavnog ure-dnika Dulijana Asana. Jesper Huor i Bosse Lindquist posjetili su kljune zemlje odakle WikiLeaks djeluje, razgovaralis najvanijim lanovima poput Asana, nove portparolke Kristin Hranson i ljudima poput Daniela Domscheit-Berga,koji pokree svoju verziju: Openleaks.org! Kuda ta tajna organizacija stremi? Jesu li jai nego ikada ili su ih pokorile

Sjedinjene Amerike Drave? Ko je Asan: ampion slobode, pijun ili silovatelj? Kakvi su njegovi ciljevi? Kakve suposljedice po Internet?From summer 2010 until now, Swedish Television has been ollowing the secretive media network WikiLeaks and itsenigmatic Editor-in-Chie Julian Assange. Reporters Jesper Huor and Bosse Lindquist have traveled to key countrieswhere WikiLeaks operates, interviewing top members, such as Assange, new Spokesperson Kristinn Hransson, aswell as people like Daniel Domscheit-Berg who now is starting his own version Openleaks.org! Where is the secretiveorganization heading? Stronger than ever, or broken by the US? Who is Assange: champion o reedom, spy or rapist?What are his objectives? What are the consequences or the Internet?

Bose Lindkist je roen 1954. Producent je na vedskoj radio televiziji i direktor je na vedskom radiju. Bio je producenti autor dokumentaraca od 1988. godine.

Bosse Lindquist, born in 1954, is a Swedish radio and TV producer and writer who is head o the national radiobroadcaster Swedish Radios Documentary Department since 2007. He has been a producer o documentaries andan author since 1988.

ESTOKA SNAGA RIME / THE FURIOUS FORCE OF RHYMESFranc ska / France / 2010


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Francuska / France / 2010.Reija / Director: Joshua Atesh LitleScenario / Script: Joshua Atesh LitleKamera / Photography: Joshua Atesh LitleMontaa / Editing: Martha Skolnik, Jrme Ledup, Gloria Bremer

Muzika / Music: Wendell HanesProducent / Producer: Serge LalouProdukcija / Production: Les Films dIciTrajanje / Running time: 82Kolor / color: DVD

Festivali i nagrade / Festivals and Awards: Locarno International Film Festival-Winner; IDFA Amsterdam 2010.Leeds International Film Festival; Valladolid Seminci 2010; Abu Dhabi Film Festival

Njujork, Francuska, Palestina, Senegal, Kolumbija Hip-hop vremenski je putnik, svjetska buntovna muzika koja

je prela mnoge granice. Ovaj lm muziko je svjedoanstvo drutva iz perspektive onih koji su hip-hop uzdigli nadananji umjetniki nivo. Buntovni i kontroverzni jezik hip-hopa otkriva se kroz muziku, ples i dopadljive grate, dokpratimo zvijezde i nove mlade umjetnike irom svijeta koji progovaraju o sloenim drutvenim i politikim sistemima.Ovo putovanje predstavlja hip-hop kao most preko kulturnih razlika, kao pokretaa drutvenih promjena.

NY, France, Israel, Palestine, Senegal, Columbia Hip-hop has travelled through time and crossed many borders asa worldwide protest music. This lm is a musical statement o society seen through the eyes o those that make hip-hop the art orm it is today. By ollowing stars and up and coming new artists rom around the globe, speaking out oncomplex social and political environments, this lm sheds light on the rebellious and controversial language o hip-hop

through its music, dance, and compelling grati. This journey shows hip-hop as a bridge o cultural dierences andan activist or social change.

SMEE, TU, SVUDA OKO NAS / GARBAGE, HERE, ALL AROUNDUS

r. Marijana Kadi Bojani / Crna Gora / 2010 / 1020 godina Crna Gora je ekoloka drava, po Ustavu. Za to sto se Ustav i stvarnostne poklapaju, krivi smo svi. Film je raen u saradnji TV Vijesti sa DelegacijomEvropske Unije u Crnoj Gori.

For 20 years Montenegro is an ecological state by its Constitution. Reality andwhats written in the Constitution dont match, and we are all to blame or that.Documentary was produced by TV Vijesti in cooperation with Delegation o Eu-ropean Union to Montenegro.

SADRAJ


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UNDERHILLFEST 2011 04UDAHNITE DOKUMENTARCE, Vuk Perovic, selector programa 05NETO MRDA ISPOD BRDA Dimitar Anakiev 06IRI 08

MEUNARODNA SELEKCIJA / International Selection 10DEPONIJA / Wasteland 11KRADLJIVCI PO ZAKONU / Thieves by Law 12MEU ZVIJEZDAMA / Position among the Stars 13NEEPRIJATELJ NARODA / Enemies o the People 14PORODINI INSTINKT / Family instinkt 15RASTANAK / Farewell 16RUIASTI SARIJI / Pink Saris 17

TI NE VOLI ISTINU 4 DANA U ZATVORU GVATANAMO / 18You dont like the truth - 4 days inside GuantnamoREGIONALNA SELEKCIJA / Regional Selection 22BIJELO DUGME / White Batton 23CINEMA KOMUNISTO / Cinema Komunisto 24DON UAN: OPROSTITE, GOSPOICE / Don Juan: Excuse me, Miss 25HOTEL RAJ / Hotel Paradise 26IMALI SMO VE DVADESETDVIJE GODINE / We were already 22 years old 27

MILENA / Milena 28SVIJET PO JONU B. / World according to Ion B. 29TRKA ZA IVOTOM / Run or lie 30IVOT, PRIKLJUENIJA I ODRIVI RAZVOJ JEDNOG KOKOTA / 31Trials, Tribulations & Sustainable Growth o a cockVANTAKMIARSKA SELEKCIJA / Noncompetition Selection 32VIKILIKS / Wikileaks 33ESTOKA SNAGA RIME / Furious Force o Rhymes 34SMEE, TU, PORED NAS / Garbage, here, all around us 34INDEX FILMOVA / FILM INDEX 36INDEX REISERA / Director Index 37IMPRESUM / IMPRESSUM 38

INDEx FILMOVA / FILM INDEx


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AMIGO / AMIGO

BIJELO DUGME / WHITE BATTON

CINEMA KOMUNISTO / CINEMA KOMUNISTO

DEPONIJA / WASTELANDDON UAN: OPROSTITE, GOSPOICE / Don Juan: Excuse me, Miss /

DRAVLJAN A.T. / CITIZEN A.T.

HOTEL RAJ / HOTEL PARADISE

IMALI SMO VE DVADESETDVIJE GODINE / WE WERE ALREADY 22 YEARS OLD / AVEVAMO GIA22 ANNI

KRADLJIVCI PO ZAKONU / THIEVES BY LAW

MEU ZVIJEZDAMA / POSITION AMONG THE STARS

MILENA / MILENA

NEPRIJATELJ NARODA / ENEMIES OF THE PEOPLE

PORODINI INSTINKT / FAMILY INSTINCT

POSLEDNJI ILNIK / LAST OF THE ILNIKSRASTANAK / FAREWELL

RUIASTI SARIJI / PINK SARIS

SMEE, TU, SVUDA OKO NAS / GARBAGE, HERE, ALL AROUND US

SRPSKI EKSERI / SERBIAN NAILS

SVIJET PO JONU B. / WORLD ACCORDING TO ION B.

TI NE VOLI ISTINU 4 DANA U ZATVORU GVATANAMO / YOU DON T LIKE THE TRUTH - 4 daysinside Guantnamo

TRKA ZA IVOTOM / RUN FOR LIFE

IVOT, PRIKLJUENIJA I ODRIVI RAZVOJ JEDNOG KOKOTA / TRIALS, TRIBULATIONS &SUSTAINABLE GROWTH OF A COCK

INDEx REISERA / DIRECTORS INDEx


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Anakiev, Dimitar.

Atesh Litle, Joshua.

Devi, Goran

Gauja, AndrisGenetelev, Alexander

Henrquez, Patricio

Huor, Jesper

Kadi Bojani, Marijana

Lemkin, RobLindquist, Bosse

Longinotto, Kim

Matievi, Mladen

Mazzi, Federico

Mensink, Ditteke

Nanau, Alexander

Perovi, Vladimir

Radoii, arna

Retel Helmrich, Leonard

Sambath, Thet

Stoimenov, IgorTurajli, Mila

Tzavella, Sophia

Walker, Lucy

IMPRESUM / IMPRESSUM

ORGANIZACIJA FESTIVALA / FESTIVAL ORGANIZATION


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ORGANIZACIJA FESTIVALA / FESTIVAL ORGANIZATIONNvo Crnogorski Filmski estival / Ngo Montenegro Film estival

Direktor estivala / Festival Director - Anelka Nenezi

Selekcija / Selection - Anelka Nenezi, Vuk Perovi

Producentski tim / Production tim - Sanja Jovanovi, Ilija Brkanovi, Silva Bakovi

PR i odnosi sa medijima / PR & Press Service - Miro Mini

Muzicki program / Music program - Ivan Vukevi

Vizuelni identitet / Visual Identity - Jovo Vukevi

Urednik kataloga / Editor - Anelka Nenezi

Lektor kataloga / Catalogue Lector - Miroslav Mini

Dizajn kataloga / Catalogue Design - Ivan ukovi

Set Dizajn / Set Design - Mika

Prevod / Translation - Danilo Lekovi

Prevod i titlovanje / Translation and subtitling - Nevena Matovi

Prevodi / Translations - Ministarstvo titlova www.ministarstvotitlova.com


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Vlada Crne Gore

Ministarstvo kulture


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www.underhillfest.me

Documents

UNDERHILLFEST 2011