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The March in the 19th and Early 20th
Centuries
Europe and America
Why did the march become so popular in the 19th century?
I. Technological advances led to better woodwind and brass instruments
II. The Civic Orchestra became a prominent institution
III. Numerous Revolutions and Wars engendered
patriotism
IV. The Middle Class wanted more accessible music
I. Technology• There were many scientific
advances in the 19th century: “The Industrial Revolution”
• Led to improvements in instrument manufacture, especially woodwinds and brass
• Percussion instruments also became more prominent
Adolphe Sax1814-1894
• Belgian musician and inventor/manufacturer of instruments
• Perfected many brass instruments and the bass clarinet
• Invented the saxophone and saxhorn
• Championed by Berlioz, who used many of the new instruments
The Saxophone• First shown at the Paris
Exhibition of 1844
• First used in an opera orchestra later the same year
• Not really accepted as a regular member of the orchestra, but used in symphonic and military bands and later in jazz
II. The Civic Orchestra• A permanent ensemble
giving a regular schedule of concerts
• Rare before the middle of the 19th century, even in large cities
• After mid 19th-century, even small towns had orchestras and town bands
• These ensembles often participated in parades and festivals for which marches were often appropriate
Johann Strauss, Jr.’s Orchestra
III. Revolution• The era of revolutions began
in the late 18th century:--American Revolution, 1776--French Revolution, 1789
• In the 19th century, there were even more revolutions in Europe
• Military bands became important
• Much band music was patriotic
Delacroix, “Liberty Leading the People,” 1830
IV. The Middle Class• The growing population wanted
more music, especially music they could relate to
• Orchestras and bands played in concert halls, but also in dance halls, music halls, parade grounds, and town squares
• Music was everywhere and was important in everyday life
“Johann Strauss, Sr.’s Orchestra in the Volksgarten, Vienna”
The March
• Written for orchestras as well as for military bands
Musical features:• Distinct sections that
return throughout the piece
• Prominent rhythms• Importance of wind, brass,
and percussion instruments
The March in Europe: Vienna
• Vienna had a long tradition of good music and prominent composers:
--Haydn
--Mozart
--Beethoven
--Schubert
--Brahms
--The Strauss
Family
The Strauss Family
• Johann, Sr. (1804-1849)
• Johann, Jr. (1825-1899)
• Josef (1827-1870
• Eduard (1835-1916)
Johann Strauss, Sr.1804-1849
• Along with Josef Lanner, he made the Viennese waltz a popular dance, as well as an art form
• Formed his own dance orchestra in 1825 and toured Europe extensively, becoming a popular “star”
• Also composed marches and other genres, especially dances
Radetsky March
Johann Strauss, Jr. (center) with brothers, Eduard (left) and Josef
(right)
The March in the U. S. A.• Brass Band Movement
began in the 1850s
• Later, during the Civil War, military bands became very important
• Post-Civil War America emphasized optimistic, often patriotic music
Town band, ca. 1850
Music in Middle-Class America
QuickTime™ and aTIFF (Uncompressed) decompressor
are needed to see this picture.
• Social functions were often simple and involved music-making
• Most middle-class households had pianos
• Many people played instruments
G. Hollingsworth, “The Hollingsworth Family,” ca. 1840
The March in the USA
Patrick Gilmore
And
John Philip Sousa
Patrick Gilmore (1829-1892)“Father of the American Band”
• Emigrated from Ireland to America and settled in Boston in 1849
• Raised the musical level of the American band
• Conducted band performances all over the world
• Revered by J. P. Sousa
John Philip Sousa1854-1932
John Philip SousaAmerica’s “March King”
Sousa’s Life
• Born in Washington, D. C. in 1854• His father played trombone in the US Marine Band• At the age of six, John began to study music--voice,
piano, violin, flute, cornet, baritone, trombone, and alto horn
• After he tried to join a circus band at the age of 13, his father apprenticed him to the Marine Band
• Discharged from the Marines in 1875, but later returned to lead the band
• Toured all over the world until his death in 1932
Sousa’s Band in Johannesburg, So. Africa (1910-11)
Some of Sousa’s band members
R. Meredith Wilson
• Played flute and piccolo for three years with Sousa’s band
• Later composed The Music Man, a musical about a slick band instrument salesman who takes an Iowa town by storm
• Shows the importance of a band music in early 20th-century America
Sousa’s Music• Composed many different
types of music, including operettas, overtures, songs, and solo works
• Most famous for his patriotic marches--composed 135
Childe Hassam, “Allies Day 1917”
Some of Sousa’s Marches
• Semper Fidelis (1888)• The Thunderer (1889)• Washington Post (1889)• The Liberty Bell (1893)• King Cotton (1895)• El Capitan (1896)• Stars and Stripes Forever
(1896): the official march of the USA
• Hands Across the Sea (1899)
• The Invincible Eagle (1901)
• The Glory of the Yankee Navy (1909
• America First (1916)
• Boy Scouts of America (1916)
• Flags of Freedom (1918)
• Old Ironsides (1926)