The Eye€¦ · = 3 Verse Gtrs. 4 & 5 tacet 2nd time, Gtr. 6 tacet G5 So Write 1. 2. Rick Davies: you your think prob Bb5 your - lems school down C5 ing’s in - pho de Gtr. 6 tacet

Intro

Slowly q = 76

Words and Music by Rick Davies and Roger Hodgson

Bloody Well Right

Copyright © 1974 RONDOR MUSIC (LONDON) LTD. and DELICATE MUSICCopyright Renewed

All Rights in the USA and Canada Controlled and Administered by ALMO MUSIC CORP.All Rights Reserved Used by Permission

from Supertramp - Crime of the Century

= 3 *Gtr. 2

*** 24Bbsus

mp

Bb Bbsus24

VI

4fr

321

Ab

113

Bbsus4

3121

Eb

111

Bb

6fr

213

Bb9

6fr

321

Bb

Bb Bbsus24 Bb

3

*Kybd. arr. for gtr.

**Gtr. 1

mp

**Kybd. arr. for gtr.

***Chord symbols reflect implied harmony.

Bbsus 24 Bb Bbsus 24 Bb

3

36

63

5 7 6 5 3 5 3 1 3 1 13 3 3

3 5 3

354

354

333

333

354

354

333

333

354

354

3 333

333

3

6 78 5 8 8

8 108 10 11 12

10 1212

10 11 1211

1213 11

1214 15

1314 13 11

1211 13 11

12

354

354

333

333

354

354

333

333

1

Sorgdal

Gtr. 3 (elec.)

Bbsus 24 Bb

fw/ clean tone

Gtr. 3 tacet

Bbsus 24

Bb

Gtr. 2

* * *

*Played as even sixteenth-notes.

Gtr. 1

Gtr. 2

**


**As before

Gtr. 1

11

10 12 1012 11 10 8

1011 10 8

1010

108

56

6 56

36

5 35

36

56

66

5 35

56

536

5 35

3

354

354

333

333

354

354

333

333

363

63

53

53

53

33

33

1010

1110

1010

13 10 131010

1210 11 12

1112

1413 11 15 14 1513 13

654

354

333

333

3 354

354

333

333

2

Sorgdal

Gtr. 3

Bbsus 24 Bb Bbsus24 Bb

Gtr. 2

3 3

Gtr. 1

Gtr. 2

Gtr. 3 tacet

*


3

*Played as even sixteenth-notes.

Gtr. 1

11 9

14 13 1112

11 1313

11 13 1112

1156

6 56

36

536

36

354

354

333

333

33

1 3 354

354

333

333

3

634

34

534

634

634

534

333

333

333

1110

10 11 1210 11 12

11 13 1112

11 14 15

354

354

333

333

3 354

354

333

333

3

Sorgdal

Slower q = 70

Gtr. 2

Bbsus 24 Bb Bbsus 24 Bb Bbsus 24 Bb

33

3 3 3 33 3 3 3 3

Gtr. 1

= Gtr. 3

Gtrs. 1 & 2 tacet

µ

w/ wah-wah

w/ slapback delay

*Bbsus 24 Bb Bbsus 24 Bb

33

33

*Chord symbols reflect overall harmony.

1

grad. release


1/21 1


1 1 1 1 1 1 1 1 1 1 1


P.M. 1 1 1 1 1

15 14 13 1112

11 13 11 11 11 14 15 14 15 1413 13 13

15 1513

1513

1513

1513

1513

1513

14 1313

1112

11 1313

1112

1112

11 1413

15 1112

1113

121113

354

354

333

333

354

354

333

333

3 354

354

3 333

333

1 31 3 4 4 5

34 3 1

3 11

X

3 53 3 5

3 5 3 5

5 54 3 4 3

5 3 5 5 53 5

3 5 3

X6

6 6 6 6 6 6 66

66

6 6 65

5 X 5 X 3 5 5 5 5 5 35 3

X

11

X X

X 1X 1

X3

X 33

33

4

Sorgdal

Gtr. 4 (elec.)

Gtr. 3 tacet

mfw/ slight dist.


1/2 1

Gtr. 5 (elec.)

mfw/ slight dist.

1/2 1

Gtr. 4


8va

3 3 3

1

Gtr. 5

33

3

1

Gtr. 6 (elec.)

fw/ dist.

3

*Gtr. 7 (elec.)

fw/ dist.

*Doubled throughout

13 13 12 13 15 13 12 1311

13 12 13 15 13 12 13

11

13

6 6 5 6 8 6 5 64

6 5 6 8 6 5 6

4

6

13 12 13 151313 15 15 18 18 18 16 18

18

2018 20 18

6 5 6 855 7

3 6 6 6 4 6 86 6 8 6

5 76

6

13

5

Sorgdal

= 3 VerseGtrs. 4 & 5 tacet

2nd time, Gtr. 6 tacet

G5

So

Write

1.

2.

Rick Davies: you

your

think

prob

Bb5

your

lems-

school

down

C5

ing’s

in

- pho

de

Gtr. 6 tacet

2nd time, Gtr. 8: w/ Fill 1

G5

ney,

tail,

-

-

Bb5 F5

Gtr. 6 Gtr. 8 (elec.)

fw/ slight dist.

3 3 3

1 1/2

Gtr. 7

Rhy. Fig. 1

G5

I guess

take

it’s

’em

hard

to

Bb5

not

a high

to

C5

a

er-

gree.

place.

-

Gtr. 8 tacet

G5 Bb5 F5

1/4

End Rhy. Fig. 1

Fill 1Gtr. 8

6

1

6 85 5 5 5 5 5 5 5 5

35

35 1

335

35

35 1

3

13

3 3

35

35 1

335

35

35 1

3

13

1715

1518 15

17 15 14 14 12 12

6

Sorgdal

CTo oda

Gtr. 7: w/ Rhy. Fig. 1

G5

You

You’ve

say

had

it

your

all

cry,

Bb5

de

no,

pends

I

-

C5

on

should

the

n’t-

mon

say

G5

ey,-

wail,

Bb5 F5

G5

and who

in

is

the mean

in

Bb5

time,-

your fam

hush

C5

’ly

your

- tree.

face.

2nd time, Gtr. 8: w/ Fill 2

G5 Bb5 F5

Gtr. 8

Right,

Chorus

Gtr. 8 tacet

Ab6

(Right.)

you’re blood

Bbsus4

y- well right, you got

Eb

a blood y- right to say.

Bb

Gtr. 1

Rhy. Fig. 2

w/ fingers

Fill 2

Gtr. 8

1 1

0

55

33

0 1 30 0 3

13

151313

151313

151313

151313

13

151516

151516

151516

151516

12 121111

121111

121111

121111

13

151515

151515

151515

151515

13

1715 17

1817 17 15

7

Sorgdal

Ab6

Right, you’re blood

Bbsus4

y- well right, you know

Eb

you got a right to say.

Bb

Gtr. 8

1

Gtr. 1

Gtr. 9 (acous.)

mp

Rhy. Fig. 3

Ab

Ah, ah, you’re blood

Bbsus4

y- well right,

Eb

you know you’re right to say.

Bb

1/2

13 1313

13

151313

151313

151313

151313

13

151516

151516

151516

151516

12 121111

121111

121111

121111

13

151515

151515

151515

151515

13

11 13 1312 10

151313

151516

151516

151516

151516

12 121111

121111

121111

121111

15 151515

151515

151515

151513

13

8

Sorgdal

1.

D.S. al Coda2.

End Rhy. Fig. 3

Ab

Yeah, yeah, you’re blood

Bbsus4

y- well right,

Eb


Bb

A,

1/21

End Rhy. Fig. 2

me,

Gtrs. 8 & 9 tacet

Ab6/Bb

I don’t care an y- way.

Bb

-

A Ab

3

Gtr. 1

Gtr. 4

Interlude

*w/ delay

Gtr. 1 tacet

G5 Bb5 C5 G5 Bb5 F5 G5 Bb5 F5

*Set for eighth-note regeneration w/ 1 repeat.

Gtr. 5

**w/ delay

**Set for eighth-note regeneration w/ 1 repeat.

1311 65 5 5 3

5

151313

151313

13

151313

151313

13

151516

151516

151516

151516

12 121111

121111

121111

121111

13

151515

151515

151515

151515

13

13151313

1313151313

13 13

151515

3 3

3 5 35 X X 1

3X X 3

5

3 3

3 5 35 1 X 1

3

X X 13

3 3

3 5 35 1 X 1

3

X X 13

35

3 5 35 1

335

35

3 5 35 1

3

13

35

3 5 35 1

3

13

9

Sorgdal

Coda

Right,

Chorus

Gtr. 1: w/ Rhy. Fig. 2Gtr. 8 tacet

Ab6

(Quite right.)

you’re blood

Bbsus4

y- well right, you got

Eb


Bb Ab6

Right, you’re blood

Bbsus4

y- well right,

you

know


Eb


Bb Ab/F

Ah, ah, you’re blood

Bbsus4

y- well right,

Eb


Bb

Gtr. 8

fdbk.

8va

1 1

Ab

Yeah, yeah, you’re blood

Bbsus4

y- well right, you know

Eb


Bb

loco 8va

Gtr. 9

Gtr. 8 tacet

Outro

Bb9 VIBb

You got

Bb9


BbVI

Gtr. 1

Rhy. Fig. 4

8va

18 1818 18

1815

15

18

13131316

131313

15151518

1515

1518

131313

13131316

1515

1515

1518

1515

1515

1515

1518

10

Sorgdal

Bb9 BbVI

You got

Bb9


BbVI

End Rhy. Fig. 4

8va

Gtr. 1: w/ Rhy. Fig. 4 (till fade)

Bb9 BbVI

You got

Bb9


Gtr. 9 tacet

Ab/Bb Bb

You got

Ab/Bb

a blood y- right to say,

Bb

yeah.

Gtr. 3

(delay off)

Ab/Bb Bb Ab/Bb Bb Ab/Bb Bb Ab/Bb Bb

Begin fade

Ab/Bb Bb Ab/Bb Bb Ab/Bb Bb

Ab/Bb Bb Ab/Bb Bb Ab/Bb Bb

131313

1515

1518

1515

1518

1515

131313

131313

131318

12

1818 13

1515

1518

1515

5 8 X X

1098

1098

101110

101110

101110

101110

1098

X1098

1098

101110

101110

101110

1098

1098

X1098

1098

101110

101110

101110

101110

1098

1098

1098

1098

101110

101110

101110

1098

1098

101110

101110

101110

101110

1098

1098

101110

101110

101110

1098

1098

1098

XXX

XXX

101110

101110

XXX

XXX

101110

101110

XXX

XXX

1098

1098

1098

XXX

XXX

101110

101110

XXX

XXX

101110

1098

1098

1098

XXX

XXX

101110

101110

101110

101110

1098

1098

101110

101110

11

Sorgdal

Intro

Slowly q = 74


Breakfast in America

Copyright © 1979 ALMO MUSIC CORP. and DELICATE MUSICAll Rights Controlled and Administered by ALMO MUSIC CORP.

All Rights Reserved Used by Permission

from Supertramp - Breakfast in America

*Gtr. 1

Cm

mfw/ fingers

*Piano arr. for gtr.

Verse

Cm

Take1.Roger Hodgson: a look at my girl

Bb6

friend,- she’s

Ab,7

the on ly- one I got.

Bb6

**T

**T = Thumb on 6th string

T T T

Cm

Not much of a girl

Bb6

friend,- I nev

Ab,7

er- seem to get a lot.

T T T T

543

5543

5543

5543

5543

5543

5543

5543

5

35543

5543

35543

5543

13333

3333

13333

3333

4

6543

6543

4

6543

6543

4

6543

6543

413333

35543

5543

35543

5543

13333

3333

13333

3333

4

6543

6543

4

6543

6543

4

6543

6543

6

4

6543

1

Sorgdal

*G7

Take a jum bo- ’cross the wa ter,- like

Cm

to see A mer- i- ca,-

Rhy. Fig. 1


G7

see the girls in Cal i- for- nia,- I’m hop

Fm7

ing- it’s go ing- to come true,

Bb

but there’s

not

Fm7

a lot I can do.

Bb

End Rhy. Fig. 1

Could

Verse

2.

Cm

we have kip pers- for break

Bb6

fast,- Mum

Ab,7

my- dear, Mum my- dear?

Bb6

Rhy. Fig. 2

T T T T

343

5343

3

3

343

343

5343

3

3

343

543

5543

53

543

543

5543

53

543

343

5343

3

3

343

343

5343

3

3

343

3314

3314

3 51333

1333

3314

3314

1333

333

3 333

3 333

5

35543

5543

35543

5543

13333

3333

13333

3333

4

6543

6543

4

6543

6543

4

6543

6543

413333

2

Sorgdal

Cm

They got ta- have ’em in Tex

Bb6

as,- ’cause ev

Ab,7

’ry- one’s- a mil lion- aire.-

Ab,7/G Ab,7/F Ab,7/Eb

End Rhy. Fig. 2

T T


G7

I’m

a win ner,- I’m a sin ner,- do

Cm

you want my au to- graph?-

G7

I’m

a los er,- oh, what a jok er,- I’m

play

Fm7

ing- my jokes up on- you,

Bb

while there’s noth

Fm7

ing- bet ter- to do,

Bb

hey!

Gtr. 2 (12-str. elec.)

Riff A

mfw/ clean tone

let ring let ring let ring

End Riff A

let ring

Ba,

Bridge

Gtr. 2 tacet

G7

da, da, dum,

ba, um, ba, da, um do,

Cm

de, lo, de, lo, lay.

Gtr. 1

35543

5543

35543

5543

13333

3333

13333

3333

4

6543

6543

4

6543

66543

5543

3543

6

543

1

11

13

3

1

11

68

88

78

6

343

5343

3

3

343

343

5343

3

3

343

543

5543

53

543

543

5543

53

543

3

Sorgdal

Ba,

G7

ba, da, dum

ba, um, ba, da, um, do,

Cm

de, lo, de, lo, la, la,

Cm/Bb

la,

Ab

la, la,

Ab/G

la,

Fm

la, la,

Bb

la, la.

T T

Don’t

VerseGtr. 1: w/ Rhy. Fig. 2

3.

Cm

you look at my girl

Bb6

friend,-

(Girl friend.-

she’s

Ab,7

the on ly- one I got.

Bb6

Cm

Not much of a girl

Bb6

friend.-

Girl friend.-

I nev

Ab,7

er- seem to get a lot.

What she got?

Ab,7/G

Not

Ab,7/F

a lot.)

Ab,7/Eb


G7

Take

a jum bo- ’cross the wa ter,- like

Cm

to see A mer- i- ca,-

G7

see

the girls in Cal i- for- nia,- I’m

hop

Gtr. 2: w/ Riff A

Fm7

ing- it’s go ing- to come true,

Bb

but there’s not

Fm7

a lot I can do,

Bb

hey!

343

5343

3

3

343

343

5343

3

3

343

543

5543

3

543

543

5543

3554

6

554

4

654

54

6 654

4

654

3 1

3111

3111

1333

333

3 333

3 333

3

4

Sorgdal

La,

Outro

G7

la, la, la,

la, la, la, la, la, la,

Cm

la, la, la, la, la. La,

G7

la, la, la,

la, la, la, la, la,

Gtr. 1

la,

Cm

la, la, la, la, la. Hey,

mm,

G7

mm,

hey, mm, mm, hey, mm,

Cm

mm, hey,

mm, mm, hey,

mm,

G7

mm,

hey, mm, mm, hey, mm,

Cm

mm, hey,

mm, mm, la, la,

Cm/Bb

la,

Ab

la, la,

T T

la,

Fm7

la, la,

Bb

la, la.

T

343

5343

3

3

343

343

5343

3

3

343

543

5543

53

543

543

5543

53

543

343

5343

3

3

343

343

5343

3

3

343

543

5543

53

543

543

5543

53

543

343

5343

3

3

343

343

5343

3

3

343

543

5543

53

543

543

5543

53

543

343

5343

3

3

343

343

5343

3

3

343

543

5543

3

543

543

5543

3554

6

554

4

654

54

6 654

4

654

3

1

3111

3111

1333

5

Sorgdal

Intro

Moderately fast q = 148


Dreamer


All Rights Controlled and Administered by ALMO MUSIC CORP.All Rights Reserved Used by Permission


*Gtr. 2

D

mfHarm.

8va

let ring


**Gtr. 1

mfw/ fingers

**Kybd. arr. for gtr.

Dream

Verse

Gtr. 2 tacet

1.

Roger Hodgson:

D

er,-

A7sus4

you know you are a dream

D

er,-

A7sus4

well, can you put your

Gtr. 1

Rhy. Fig. 1

3

77

0775

775

775

775

775

775

775

775

775

775

775

775

775

775

775

0

775

0775

775

775

775

775

775

775

775

775

775

775

775

775

775

775

0

775

0775

775

775

775

775

775

775

775

775

0

233

233

0

233

0

233

0

223

0

203

0

20775

775

775

0

775

0775

775

775

775

775

0

233

233

0

233

0

233

0

223

0

203

0

2

1

Sorgdal

hands

C

in your head? Oh, no!

F,7

I

G

said dream

D

er,-

End Rhy. Fig. 1


A7sus4

you’re noth ing- but a dream

D

er.-

A7sus4

Well, can you put your hands

C

in your head? Oh, no!

F,7 G

F,7

I

G

said,

“Far

Chorus

*Ab

out,

Bb'2

what a

day,

Gm

a

year, a

Gtr. 1

Rhy. Fig. 2


life

C

it is.”

C'9 C

You

Ab

know,

Bb'2

well, you

know

Gm

you

had it

3

553

553

553

3

553

3

553

553

553

553

553

3555

3555

3555

3555

5433

5433

5433

0775

775

775

0

775

0775

775

775

775

5433

3555

3555

3555

3555

5433

5433

5433

10898

10898

10898

10898

10898

10898

10898

10898

1210118

1210118

1210118

1210118

1210118

1210118

8121011

9121011

10121211

121211

121211

9121211

10121211

121211

121211

10121211

8

988

8

988

8

988

1098

10

1098

10

10988

10988

10988

10898

10898

10898

10898

10898

10898

10898

10898

1210118

1210118

1210118

1210118

1210118

1210118

8121011

9121011

10121211

121211

121211

9121211

10121211

121211

121211

9121211

2

Sorgdal

com in’

- to you.

C

Now,

Gm

there’s

not a lot I

can do.

C

End Rhy. Fig. 2

Dream

Verse

2.

D

er,-

A7sus4

you stu pid- lit tle- dream

D

er,-

A7sus4

so now you put your

Gtr. 1

Rhy. Fig. 3

Gtr. 3 (clean)

mfw/ wah-wah

P.M.

head

C

in

your hands. Oh, no!

F,7 G

Whoo!

D

A7sus4

End Rhy. Fig. 3

P.M.

10121211

9121211

10121211

121211

8

988

988

988

988

10121211

121211

121211

9121211

10121211

121211

121211

9121211

10121211

9121211

10121211

121211

8

988

988

988

988

0775

775

775

0775

0775

775

775

775

775

0

233

233

0

233

0

233

0

223

2

203

4

20775

775

775

0775

0775

775

775

775

775

0

233

233

0

233

0

233

0

223

0

203

2

2

57

59

57

57

59

57

57

59

57

5 54 5

757

59

57

57

59

57

57

59

57

5 5 7

3

553

553

553

3

553

3

553

553

553

553

553

3555

3555

3555

3555

5433

5433

5433

0 0

8

775

0 0 0

8

775

0 00778

0 0778

0778

076

076

076

35

35

37

35

35

35

37

35

35

13

13

13

35

35 5

757

59

57

57

57

59

57

57

57

59

57

57

57

57

57

3

Sorgdal

D

A7sus4 C

F,7

I

G

said,

P.M.

“Far

Chorus


Gtr. 3 tacet

Ab

out,

Bb'2

what a

day,

Gm

a

year, a life

C

it is.”

C'9 C

You

Ab

know,

Bb'2

well,

you

know

Gm

you

had it com

in’

- to you.

C

Now,

Gm

there’s

not a

lot

I

can do.

Bridge

C

Bb'9/C

Gtr. 2

8va loco

Gtr. 1

let ring

Rhy. Fig. 4

let ring

0 0

8

775

0 0 0

8

775

0 00778

0 0778

0778

076

076

076

8 8 7

1098

8 8 8 7

1098

8 88

101010

8101010

8101010

10978

10978

57

57

59

57

57

57

59

57

57

57

59

57

57

57

57

735

35

37

35

37

35

35

35

13

13

35

35

20 15 17 1818 17

10121211

9121211

10121211

121211

8

988

988

988

988

988

988

988

988

988

988

988

988

988

988

988

988

8

768

768

768

768

768

768

768

768

4

Sorgdal

C

8va

let ring

Rhy. Fig. 4

let ring

Work it out some day.-

Ooh,

8va

let ring

Bb'9/C

ma, ma, ma, ma, ma, ma, ma, ma.

If

8va

let ring

End Rhy. Fig. 4

18 1717

18 17 18 17 191817

20 19 20

768

768

768

768

768

768

768

768

8

768

768

768

768

768

768

768

768

768

768

768

768

768

76

10

76

10

76

8

988

988

988

988

988

988

988

988

16 1715

1617

1717

16 1715

1617

1717

988

988

988

988

988

988

988

988

8

988

988

988

988

988

988

988

988

988

988

988

988

988

988

988

988

1817

1715

1513

8

768

768

768

768

768

768

768

768

768

768

768

768

768

768

768

768

8

768

768

768

768

768

768

768

768

768

768

768

8

768

768

8

768

768

768

5

Sorgdal

I

Gtr. 1: w/ Rhy. Fig. 4 (2 times)

C

could see some thing.-

(You

could see an y- thing- you want,

boy.)

If

Gtr. 2

loco

I

Gtr. 2 tacet

Bb'9/C

could be some one.-

(You

can be an y- one,- cel

e- brate,- boy.)

Well, if

I

C

can do some thing,-

(You can do some thing,-

if I could do an y- thing.-

but

you

can do some thing-

out

Bb'9/C

of this

world?)

Ooh, ooh, ooh,

Gtr. 2

8va

8va

ooh,

Gtr. 2 tacet

C

la, la.

Take a dream on a

Gtr. 1

8 98 8

20 20 20 20

121312

121312

121312

121312

121312

121312

121312

121312

121312

121312

121312

121312

121312

121312

121312

121312

121312

121312

121312

121312

121312

121210

121210

121210

121312

121312

121312

121210

121210

121210

121312

121312

6

Sorgdal

Sun

Bb/C

day,-

Bb,7/C

oh, take a life, take a

Gtr. 2

Riff A

8va

End Riff A

let ring

Gtr. 1

hol

C

i- day.-

F/C C

Gtr. 2 tacet

Take a lie, take a

Harm.

8va

let ring

Pitch: E

22 1818

151513

151513

151513

151513

151513

151513

151513

151513

151513

151513

151513

151513

151513

151513

151513

151513

101110

101110

101110

101110

101110

101110

101110

141110

141110

141110

141110

141110

141110

141110

141110

12

5 2020

121312

121312

121312

121312

121313

121312

121312

141313

141313

141313

141313

171817

171817

141313

141313

141313

121312

121312

121312

121312

121312

121312

121312

121312

121312

121312

121312

121312

121312

121312

121312

121312

7

Sorgdal

dream

Bb6/C

er,-

Gtr. 2: w/ Riff A

(Dream,

dream,

dream,

dream,

Bb,7/C

dream,

dream,

dream.)

dream a -

Gtr. 1

long.

C F/C C F/C C

F/Bb C/Bb F/Bb C/Bb Bb F/Bb C/Bb F/Bb C/Bb Bb

121113

121113

121113

121113

121113

121113

121113

121113

121113

121113

121113

121113

121113

121113

121113

121113

101113

101113

101113

101113

101113

101113

101113

141113

141113

141113

141113

141113

141113

141113

141113

141113

121312

121312

121312

121312

141313

121312

121312

141313

141313

141313

141313

141317

141317

141313

141313

141313

10 10 101010

10 101010

1098

10 10 101010

10 101010

1098

10 10988

10988

10988

12 12 121010

12 121010

1298

12 12 121010

12 121010

1298

12 121011

121011

121011

12 12 121010

12 121010

1298

12 12 121010

12 121010

1298

12 121011

121011

121011

8

Sorgdal

Dream

F/C

(Come

er.

on

-

and dream

C

on, dream

F/C

a long,

C

-

F/C

come on and dream

C

on, dream

F/C

a long.

C

-

Go lay down!

F/Bb

Come on and dream

C/Bb

on, dream

F/Bb

a long.

C/Bb

-

Bb

La,

F/Bb

la,

Come

la,

on

la,

and

la,

dream

la,

C/Bb

la,

on,

la, la,

dream

F/Bb

la, la,

a

la,

long.

C/Bb

-

la, la,

Bb

la, la.

Dream3.

Verse

Gtr. 1: w/ Rhy. FIg. 3 (1 5/6 times)

D

Come on and

er,

dream

-

on, dream

A7sus4

a

you

long,-

know you are a dream

D

come on and

er,

dream

-

on, dream

A7sus4

a long,-

can you put your

hands

C

in

come

your

on,

head? Oh, no!

F,7

come on.

I

G

said dream

D

Come on and

er,

dream

-

on, dream

A7sus4

a long,-

noth ing- but a

10 10 101010

10 101010

1098

10 10 101010

10 101010

1098

10 10988

10988

10988

10 10 101010

10 101010

1098

10 10 101010

10 101010

1098

10 10988

10988

10988

12 12 121010

12 121010

1298

12 12 121010

12 121010

1298

12 121011

121011

121011

12 12 121010

12 121010

1298

12 12 121010

12 121010

1298

12 121011

121011

121011

9

Sorgdal

Fade out

dream

D

come on and

er,

dream

-

on, dream

A7sus4

a long,-

can you put your hands

C

in

come

your

on,

head? Oh, no!

Gtr. 1: w/ Rhy. Fill 1

F,7

come on.)

G

Oh,

no!

F,7 GOutro

µ (D)

Gtr. 1 tacet

*Gtr. 4

mf

let ring throughout

Harm.

8va

*Glockenspiel arr. for gtr. Pitch: A A G A A G

Gtr. 1

Gtr. 4

Begin fade

Harm.

8va

Pitch: A A G A A G A A G A A G

Rhy. Fig. 1

Gtr. 1

3 3 34

37 5

712

73 3 3

43

7 57

12

7

3555

3555

3555

3555

5433

5433

3 3 34

37 5

712

73 3 3

43

7 57

12

73 3 3

43

7 57

12

73 3 3

43

7 57

12

7

553

3555

3555

3555

3555

5433

5433

10

Sorgdal

Intro

Free time


Even in the Quietest Moments

Copyright © 1977 ALMO MUSIC CORP. and DELICATE MUSICCopyright Renewed


from Supertramp - Even in the Quietest Moments

Moderately q = 132

(Bird noises, keyboards)

µ

21 sec. *Gtr. 1 (12-str. acous.)

**

mflet ring throughout

G/D

A'9/D A/D

**Chord symbols reflect implied harmony.

*Doubled throughout

D7 G/D D7 G/D

A'9/D A/D D7

G/D D7 G/D Gm6/D

0787

0

7

0

7

07

06

57

0

55

0

05

75

0

75

0 04

33

04

3

0 05

75

0

75

0 04

33

04

3

0

04

33

04

3

0 0787

787

787

787

0787

0 0 06

57

0

55

0 05

75

0

75

0

04

33

04

3

0 05

75

0

75

0 04

33

04

3

0 03

53

03

5

0

1

Sorgdal

Rhy. Fig. 1

D7sus4/A D9 D7sus4/A D9

Dm Am7 G6sus4/D D

End Rhy. Fig. 1

Rhy. Fig. 2

G6sus4/D D G6sus4/D

D

End Rhy. Fig. 2

G6sus4/D D

E

e

e

1.

Verse

Roger Hodgson:

G/D

ven

ven

ven

-

-

-

in

though

when

the

the

the

qui

stars

song

et

A'9/D

- est

are

is

-

lis

mo

o

’ning

A/D

-

ver,-

ments-

D7

and

I

the

where

wish

o

have

I

cean’s

I

-

knew

deep,

been?

G/D

55

30

05

3

5 45

30

54

3

4 55

30

05

3

5 45

30

54

3

0

32

31

3

03

0 02

01

2

30

2 00

10

00

3

0 02

32

02

3

0

00

10

00

3

0 02

32

02

3

0 00

10

00

3

0

02

32

02

3

0 00

10

00

0

0 02

32

02

3

0787

078

10

0787

0787

0 0 06

57

0

55

0 05

75

0

75

0 04

33

04

3

0

2

Sorgdal

2CTo oda

D7

what

I

was

I

just

it

had

go

just

to

to

a

do.

sleep.

dream?

G/D

And

And

And

e

then

though

I

ven

cre

your

- though

ate

door

-

the

a

is

sun

si

al

-

-

A'9/D

is

lent

ways

-

-

shin

mov

o

A/D

ing,

ie,

pen,

-

-

-

D7

well,

you

where

I

be

do

feel

come

I

-

the

the

be

rain,

star,

gin?-

G/D

D7

here

is

it

that

comes

what

a

you

gain,

are,

-

G/D

dear.

dear?

Gm6/D

And

Your

e

whis

Pre-Chorus


D7sus4/A

ven

per

-

-

when

tells

you

a

showed

se

D9

me,

cret,

-

my

your

heart

laugh

D7sus4/A

was

ter-

out

brings

of

me

tune,

joy

D9

for there’s

and

a

a

05

75

0

75

0 04

33

04

3

0 04

33

04

3

0 0787

0 078

10

0787

0787

0 0

06

57

0

55

0 05

75

0

75

0 04

33

04

3

0

05

75

0

75

0 04

33

04

3

0 03

53

03

5

0

3

Sorgdal

1CTo oda

D.S. al Coda 1 1 Coda

shad

won

Dm

ow

der

-

-

of

of

doubt

feel ing-

that’s not

I’m

let

Na

Am7

ting- me

ture’s-

find

own

you

lit

too

tle- boy.

G6sus4/D

soon.

D

The

But

mu

D7sus4/A

sic- that you gave

D9

me, the lan

D7sus4/A

guage- of my soul,

D9

Lord, I

wan

Dm

na- be with you, won’t you let

Am7

me come in from the cold?

G6sus4/D D

Gtr. 1: w/ Rhy. Fig. 2 (1st 2 meas.)

G6sus4/D D


Chorus

G6sus4/D

Don’t you let the sun

D

fade a way,-

G6sus4/D

don’t you let the sun

D

fade a way,-

G6sus4/D


D

be leav ing,- won’t you

come

G6sus4/D

to me soon?

D

And2.

still,

D7sus4/A

the tears keep fall

D9

ing,

- they’re

rain

D7sus4/A

ing- from the sky.

D9

Well, there’s a lot

Dm

of me got to go un

Am7

der- be fore- I get

high.

G6sus4/D D

Gtr. 1: w/ Rhy. Fig. 2 (1st 2 meas.)

G6sus4/D D

Chorus


G6sus4/D

Don’t you let the sun

D

dis ap- pear,-

G6sus4/D


D

dis ap- pear,-

4

Sorgdal

Play 3 times

G6sus4/D


D

be leav ing,- no, you can’t

G6sus4/D

be leav ing- my life.

D

Say that you

won’t

G6sus4/D

be leav ing- my life,

D

say that you won’t

G6sus4/D

be leav ing- my life.

D

Say won’t you

please,

G6sus4/D

say won’t you please,

D


G6sus4/D


D

Lord, won’t you

come

Bridge

Half-time feel*Gtrs. 1 & 2: w/ Rhy. Fig. 2 (4 times)

*Gtr. 2 (elec.) w/ clean tone, played mf.

G6sus4/D

and get in to- my life,

D

Lord, won’t you come

G6sus4/D

and get in to- my life.

D

Say won’t you

please,

G6sus4/D


D


G6sus4/D


D

oh, Lord, don’t

go.

G6sus4/D

(Come on, let the sun

D

fade and go,

G6sus4/D

come on, let the sun

D

fade and go,

G6sus4/D

Voc. Fig. 1


D

fade and go,

G6sus4/D


D

fade and go.)

End Voc. Fig. 1

Gtrs. 1 & 2

Lead Voc. ad lib., next 20 meas.Bkgd. Voc.: w/ Voc. Fig. 1 (3 times)

G6sus4/D Dsus4 D G6sus4/D Dsus4 D

00

13

00

2

0 02

33

02

2

0 00

13

00

2

0 02

33

02

2

0

5

Sorgdal

D.S. al Coda 2

2 Codarit.

rit.

Bkgd. Voc.: w/ Voc. Fig. 1 (2 times)

Gtrs. 1 & 2: w/ Rhy. Fig. 2 (2 times)

G6sus4/D

D

G6sus4/D

D

Interlude

Bkgd. Voc.: w/ Voc. Fig. 1Gtrs. 1 & 2: w/ Rhy. Fig. 2 (6 times)

G6sus4/D

Aah.

D G6sus4/D D

La, la,

ooh,

G6sus4/D

(Come on, let the sun,

D

let the sun,

G6sus4/D

let the sun,

D

let the

sun,

*Voc. Fig. 2

*Refers to downstemmed voc. only.

G6sus4/D

let the sun,

D

let the sun,

G6sus4/D

let the sun,

D

la,

let

la,

the

End Voc. Fig. 2

la,

Bkgd. Voc.: w/ Voc. Fig. 2 (3 times)

G6sus4/D

stay, please.

D G6sus4/D

D

Won’t you

come

G6sus4/D

to

D

me?

G6sus4/D D

La, la,

G6sus4/D

la, la,

D

la, la.

G6sus4/D D

And3.

D7

May I please come in,

G/D

dear?

Gm6/A

05

75

0

75

0 04

33

04

3

000353

6

Sorgdal

Moderately q = 88

from Supertramp - Even in the Quietest Moments

Give a Little BitWords and Music by Rick Davies and Roger Hodgson

Copyright © 1977 ALMO MUSIC CORP. and DELICATE MUSICCopyright Renewed


Intro

** A7 D

Oo,Roger Hodgson: yeah.

A7 D

G A7

Al right.-

G A7

*Gtr. 1

(12-str. acous.)

mflet ring throughout

*Two gtrs. arr. for one.

**Chord symbols reflect overall harmony.

And here we go a gain.

G

-

D

A7 D G

Nay, nay.

A7

Whoa, no.

G

Na, na.

A7

Hey, hey.

G

Yeah.

D

I’ll

Verse

2.

1.

D

Give

give

a

a

lit

lit

tle

tle

-

-

bit,

bit,

A7 D

Rhy. Fig. 1

2020

02020

232

0232

2020

02020

0232

0232

320033

320033

02020

02020

02020

02020

00

32003

320033

2020

02020

0 02020

02020

000

2003

320033

0232

0232

23

23

0232

0 0232

202

2020

02020

0 0232

0232

0232

0 0232

00

32003

320033

2020

02020

02 2

0

02020

02020

000

32003

320033

00

2020

02020

20

02

02020

202020

000

32003

320033

0 0232

0232

0232

0232

2020

2020

02020

0 0232

1

Sorgdal

oh,

I’ll

give

give

a

a

lit

lit

tle

tle

-

-

bit

bit

of

of

G

your

my

love

life

A7

to

for

me.

you.

G A7

G D

I’ll

So

give

give

a

a

lit

lit

tle

tle

-

-

bit,

bit,

A7 D

I’ll

oh,

give

give

a

a

lit

lit

tle

tle

-

-

bit

bit

of

of

G

my

your

love

time

A7

to

to

you.

me.

G A7

G Bm

Bridge

There’s

See

so

the

much

man

that

with

we

the

need

lone

Esus4

to

ly-

share

eyes.

E

so

Oh,

D5/F#

End Rhy. Fig. 1 Rhy. Fig. 2

0232

0 0232

0232

000

32003

320033

2020

02020

202

202

02020

020

020

02020

000

320033

320033

202

02020

202

020

02020

202020

000

32003

320033

0 0232

0232

0 0232

0232

020

020

02020

0 0232

0232

0232

0 0232

000

320033

320033

202

2020

02020

0 02020

2020

02020

2020

000

32003

320033

000

2020

02020

20

020

02020

2020

02020

202

000

32003

320033

00

44

24432

24432

24432

2 24432

000

02220

2200

02220

022100

022100

00

200

00

2

Sorgdal

1.

2.

send

take

G

a

his

smile

hand,

and

you’ll

show

be

A7sus4add6

you

sur

care,

prised.

A7

-

A7sus4add6 A7[no3rd]

al

A7

right.-

D

End Rhy. Fig. 2

A7sus4add6

Oo,

A7[no3rd] A7

take it.

Sax Solo

F#m

Gtr. 2: w/ Fill 1 (2 times)

Bm Bm/C# Bm/D Bm/E

Oh,

Bm/F#

*Gtr. 4

divisi

Gtr. 2 (12-str. elec.)

Fill 1

w/ clean tone & heavy reverb mf

let ring f

End Fill 1 Gtr. 4 3

*Tenor sax arr. for gtr.

1

Gtr. 1

Gtr. 3 (elec.)

mf w/ clean tone

P.M.

3X003

3X0033

0 2320033

00

320033

00

0403

4030

0403

2020

02020

02 2

0

02020

0000

0403

4030

04030

0

05

05

0

05

05

2020

02020

0 0232

119

79

7 7 10 10 107 121210

1010 7

0403

4030

0

05

05

0

05

05

05

05

05

05

02

202

0 244 2

22

44

XXXXX

44222

44222

44222

2222

44222

44222

24432

24432

24432

24432

4432

4432

4432

4432

4432

4432

4432

4432

0 2 2

24

2 2 2

24 4 2 4 4 5

2 4

3

Sorgdal

yeah.

F#m Bm Bm/C# Bm/D Bm/C#

Come a long.

Bm

-

Gtr. 4

Gtr. 1

Gtr. 3

F#m

Yeah,

G

yeah, yeah,

Bm

yeah.

Bm/A G

1 1

P.M.

7 10 7

9 7 9 7 97

79

0 244 2

22

44

XXXXX

44222

44222

44222

2222

44222

44222

24432

24432

24432

24432

4432

4432

4432

4432

4432

4432

4432

4432

4432

4432

0 2 2

24

2 244 2

2

44

44

2 4 4 5 4 2

7 7 1010 7 10 107 10

0 244 2

2

44

XXXXX

44222

44222

44222

44222

44222

44222

3X003

003

3X000

2443

044 4

3

3

0 2 2

24

2 2 2 2 32 0

3

4

Sorgdal

Yeah,

Cadd9

yeah, yeah,

G6

yeah, yeah, yeah,

(Ah.

A7

yeah.

A7sus4add6

Gtr. 41 1

Rhy. Fig. 3

Gtr. 2

Gtr. 3 let ring throughout

divisi

Riff A

*Gtr. 3 to left of slash in tab.

*1/2

Gtr. 3 tacet

A7[no3rd] A7sus4add6Gtr. 1: w/ Rhy. Fig. 3 (2 times)

Ah.

Go,

A7[no3rd]

boy.

A7sus4add6

Gtr. 4

1

Gtr. 1

End Rhy. Fig. 3

Gtr. 2

End Riff A

10 10 7

9 7 9 9

3203

3 32033

2 3

0430

0430

3X0430

302020

2020

2020

2020

02020

04030

4030

4030

04030

4030

04030

32 3

02

42

55

4

5

9 109 11 12

9 11 1210 8 7 8

10

107 9 10

0

05

05

05

05

05

05

0

05

05

0

05

05

0

05

05

04030

4030

4030

04030

4030

4030

2

0

5

42

54

2

55

4

5

5

Sorgdal

A7[no3rd]

A7sus4add6

Ah.)

A7

Yeah.

A7sus4add6

Gtr. 4

1 1

Gtr. 2

A7[no3rd]

A7sus4add6

VerseGtr. 1: w/ Rhy. Fig. 1

D

Give3. a

lit tle

- bit,

A7 D

1

Gtr. 4 tacet

oh, give a lit tle- bit of

G

your love

A7

to me.

G A7

G D

Gtr. 2

10 8 7 8 107 129 10 12

1212 10

10 10

12 10

2

0

5

42

54

2

55 5

4

5

99 11 12

9 11 1210 12

9 10 1512 14 15

2

0

55 0

53

03

03

6

Sorgdal

I’ll give a lit tle- bit,

A7 D

I’ll give a lit tle- bit of

G

my life

A7

for you.

G A7

G Bm

Bridge


Now’s the time that we need

Esus4

to share.

E

So

D5/F#

find

G

your self,- we’re on

Cadd9

our way

G

back home.

A7

Gtr. 1: w/ Rhy. Fig. 3 (3 times)Gtr. 2: w/ Riff A (3 times)

A7sus4add6 A7[no3rd]

Oh,

A7sus4add6

go in’- home,

Gtr. 1

Gtr. 2

A7 A7sus4add6 A7(no3rd)

don’t you need, don’t you need

A7sus4add6

to feel at home?

A7 A7sus4add6

5 0 53

03

03

2

2 1 1

320

32033

32033

32033

32033

32033

320033

320033

320033

320033

320033

0202

45 5 5

5

7

Sorgdal

A7[no3rd]

Oh, yeah,

A7sus4add6

we got ta- sing.

OutroD G/D

Whoo.

A/D G/D

Ooh,

D

you’ve got

Dsus4

ta

D

- get

Dsus2

a

Rhy. Fig. 4

Gtr. 1

feel

C/D

in’.-

Cadd#4/D C/D G/D

Ooh,

D

yeah,

Dsus4 D

come

Dsus4

a

D

long

Dsus2

-

End Rhy. Fig. 4

too.


D G/D

Whoo.

A/D G/D D

Yeah, come

Dsus4

a

D

long

Dsus2

- too.

C/D Cadd#4/D C/D

G/D

Come a, come

D

a, come

Dsus4

a,

D Dsus4

oh,

D

come

Dsus2

a long.

D

-

G/D A/D

G/D

Cha

D

ka,- do, cha ka,- do,

Dsus4 D

cha

Dsus2

ka,- do,

C/D

day.

Cadd#4/D C/D

G/D

Oo,

D

yeah,

Dsus4 D

come

Dsus4

a

D

long

Dsus2

- too.

D G/D A/D

0232

0787

0787

0787

0 09

109

09

109

09

109

0 0787

0 0232

0232

0233

0232

010

0010

0010

0010

0010

0013

0013

0012

0010

0433

0433

0 0232

0233

0232

0233

0232

0230

8

Sorgdal

G/D D

Yeah, come

Dsus4

a

D

long

Dsus2

- too.

C/D Cadd#4/D C/D

G/D D Dsus4 D

Sing,

Dsus4 D

bang

Dsus2

a- loo.

Gtr. 1: w/ Rhy. Fig. 4 (last 2 meas., 2 times)

C/D

-

Cadd#4/D C/D

G/D D Dsus4 D Dsus4 D Dsus2 C/D Cadd#4/D C/D

G/D D Dsus4 D

Come

Dsus4

a

D

long

Dsus2

- too.

Cadd9

What a long

Gtr. 1

ride.

Em7 Em

We’ve come a long way.

A7sus4

Oh,

G6

sing

A

it to night.

D

-

G/D A/D G/D

Oo,

D

yeah.

3203

3203

3203

3203

3203

3203

3203

3203

3203

3203

2203

22000

22000

22000

22000

003

003

003

003

003

000

0203

0203

0203

0203

03X203

203

203

2030

2030

2030

2030

02220

00232

0787

0787

0787

0 09

109

09

109

09

109

XXX

XXX

0787

XXX

XXX

0232

0232

0141514

9

Sorgdal

Intro

Moderately q = 116


Goodbye Stranger

Copyright © 1979 ALMO MUSIC CORP. and DELICATE MUSICAll Rights Controlled and Administered by ALMO MUSIC CORP.

All Rights Reserved Used by Permission

from Supertramp - Breakfast in America

**Ab

Was1.Rick Davies: an

*Gtr. 1

mfw/ fingers

let ring throughout


**Chord symbols reflect implied harmony.

ear

Verse

Ab

ly- morn ing- yes

Dº/Ab

ter- day,-

Bbm7/Ab

I was up be fore- the dawn,

Rhy. Fig. 1

Ab

and I real ly- have en joyed

Dº/Ab

- my stay,

6544

4

56544

4

56544

544

4

56544

4

56544

4

56544

4

56544

544

4

56544

4

6544

4

56764

4

6764

764

4

48664

4

8664

4

6544

4

56544

4

56544

544

4

56544

4

6544

4

56764

4

1

Sorgdal

Bbm7/Ab

but I must be mov ing- on.

Ab

Like a

End Rhy. Fig. 1

king

Pre-Chorus

Ab/Gb

with out- a cas tle,- like a queen

Fm

with out- a throne,

I’m an

Gtr. 1

Gtr. 2 (dist.)

Riff A

f

ear

Db

ly- morn ing- lov er- and I must

Bbm

be mov ing- on, yeah.

End Riff A

6764

764

4

48664

4

8664

4

6544

4

56544

4

56544

544

4

56544

4

544

4544

4544

354

2 1

664

4

664

4 3 1332

4 4 3 1

2

Sorgdal

Gtr. 2 tacet

Ab

Now2.

Gtr. 1

Gtr. 3 (slight dist.)

mpP.M.

I

Verse


Ab

be lieve- in what

Dº/Ab

you say,

Bbm7/Ab

is the un dis- put- ed-

Gtr. 3

P.M.

Ab

truth, but I have to have things my

Dº/Ab

own way,

P.M.

6544

4

56544

4

56544

544

4

56544

4

4 4 4 4 4 4 3 4 4

4 4 3 4 4 4 4 3 4 4 4 4

4 4 3 4 4 3 4 4 3 4 4 4 4 4 4

3

Sorgdal

Bbm7/Ab

to keep me in my

Ab

youth. Like a

Gtr. 2

Gtr. 3

P.M.

ship

laugh

Gtr. 2: w/ Riff A

Gtr. 3 tacet

Pre-Chorus

Ab/Gb

with

at

out

my

- an

be

an

hav-

chor,-

ior,-

like

that

a

’ll-

slave

nev

Fm

with

er-

out

both

- a

er-

chain,

me,

just

say

a

the

Gtr. 1

thought

dev

Db

il-

of those

is

sweet

my

la

sav

dies-

ior,-

sends a

but

shiv

I

Bbm

er

don’t

- through

pay

my

no

veins.

heed. And

16

3 4 4 4 4 4 4 4 4 3 4 4 4 4 3 4 4

544

4546

4544

3544

664

4

664

4 3 1332

4

Sorgdal

I

Ab

will go on shin ing,- shin

Ab/Gb

ing- like brand new, I’ll

Gtr. 1

Gtr. 2

nev

Db

er- look be hind- me, my trou

Bbm

bles- will be few.

Interlude

Gtr. 2 tacet

Ab

*Whistled

Ab(#5) Fm Bbm Eb6

Gtr. 1

8va

*1st time, Voc. tacet (next 4 meas.).

544

6546

6544

4546

4

4 2

664

4 4 3866

64

64

4 4 3 1

151313 13

1315

131316

13131318

131318

131316

1514

131315

131316

14131318

14 1413

1515

131313

1513 13

1316

131318

131318

131316

16

151418

151418

18

171620

17

16

17

5

Sorgdal

Gtr. 1

Ab

Ab/Gb Db Bbm Eb8va

Gtr. 4 (clean)

mflet ring let ring let ring let ring let ring

Chorus

Ab

Good bye- stran ger,-

Ab/Gb

it’s been nice,

*Db/F

hope you find your

Bbm

par a- dise.

Eb

-

loco

Rhy. Fig. 2 End Rhy. Fig. 2

Riff B

let ring let ring let ring let ring

End Riff B

let ring

*Bass plays F.


Gtr. 4: w/ Riff B (5 times)

Ab

Tried to see your

Ab/Gb

point of view,

Db/F

hope your dreams will

Bbm

all come true.

Eb

Voc. Fig. 1

Ab

Good bye- Mar y,-

Ab/Gb

good bye- Jane,

Db/F

will we ev er-

Bbm

meet a gain?

Eb

-

151313 13

1315

131316

13131318

131318

131316

1516

131315

16131316

13131318

131313

16 161513

161513

15

161513

16

16 161513

18

16 161513

13

151418

13

151418

13131516

131516

89

8

87

811

10

99

108

66 8

88

6543

6544

6546

6544

4543

4544

546

4 44

68

4

664

4

666

664

6

666

666

6

886

8

108

89

8

87

811

10

99

108

66 8

88

6

Sorgdal

CTo oda

Ab

Feel no sor row,-

Ab/Gb

feel no shame,

Db/F

come to mor- row-

Bbm Eb

Sweet de vo-

Bkgd. Voc.: w/ Voc. Fig. 1

Ab

tion,- it’s not for me,

Ab/Gb

just give me mo -

feel no pain.

End Voc. Fig. 1

Db/F

tion- and set me free,

Bbm Eb

and the land and the o

Ab

cean- far a way,-

Ab/Gb

it’s the life I’ve cho

Db/F

sen- ev ’ry- day.

Bbm Eb

So good bye-

Mar

Ab

(Good

y,-

bye- Mar y,

good

-

bye- Jane,

Ab(#5)/E

good bye- Jane,

will we ev -

Gtr. 1

Gtr. 4

let ring let ring

6543

6544

6546

6544

2113

2114

6556

7

89

810

9

88

9

7

Sorgdal

Fm

er-

will we ev er

meet

-

a gain?-

Ab/Gb

meet a gain?)-

let ring let ring

Gtr. 4 tacet

Ab

Now3.

Gtr. 1

Gtr. 2

w/ wah-wah

P.M.

some

Verse


Gtr. 2 tacet

Ab

they do and some

Dº/Ab

they don’t,

Bbm7/Ab

and

Gtr. 3

P.M.

3113

3114

6566

656

4543

544

546

4 4543

544

546

4

1010

89

10 87

8

87

6544

4

56544

4

56544

544

4

56544

4

4 4 4 3 4 4 4 4 4 4 3 4 4 4 4 4 4 3 4 4 4 4 4 4 3 4 4 4

4 4 4 4 3 4 4 4 4 4 4 4 4 3 4 4 4 4 4 4 4 4 3 4 4 4 4 4 4 4 4 3 4 4 4 4

8

Sorgdal

D.S. al Coda

some you just can’t

Ab

tell,

P.M.

and some they will and some

Dº/Ab

they won’t,

P.M.

Bbm7/Ab

with some it’s just as

P.M.

Ab

well. You can

P.M.

34 4 4 4 4 4 4 4 4 4 4 4 3 4 4 4 4 4 4 4 4 3 4 4 4 4

4 4 4 4 3 4 4 4 4 4 4 4 4 3 4 4 4 4 4 4 4 4 3 4 4 4 4 4 4 4 4 3 4 4 4 4

4 4 4 4 3 4 4 4 4 4 4 4 4 3 4 4 4 4 34 4 4 4 4 4 4 4

4 4 4 4 3 4 4 4 4 4 4 4 4 3 4 4 4 4 4 34 4 4 4 4 4 44 16 16

9

Sorgdal

Coda

Bbm Eb

Now I’m leav

Bkgd. Voc.: w/ Voc. Fig. 1Gtr. 1: w/ Rhy. Fig. 2 (2 times)

Gtr. 4: w/ Riff B (2 times)

Ab

ing,- got to go,

Ab/Gb

hit the road.

Db/F

I’ll say

Bbm

it once a gain,-

Eb

yes, I’m leav

Ab

ing,- got to go,

Ab/Gb

got to go,

Db/F

I’m sor

Bbm

ry- I must tell

Eb

you, good bye-

Mar

Ab

(Good

y,-

bye- Mar

good

y,-

bye- Jane,

Ab(#5)/E

good bye- Jane,

will we ev -

Gtr. 1

Gtr. 4

let ring let ring

6543

6544

6546

6544

2113

2114

6556

7

108

89

810

9

88

9

10

Sorgdal

Fm

er-

will we ev er

meet

-

a gain?-

Ab/Gb

meet a gain?)-

Gtr. 1

Gtr. 5 (dist.)

mf

Gtr. 4

let ring let ring

Ab7

Abm7

Gtr. 1

Gtr. 2

Gtr. 5 Riff C End Riff C

3113

3114

6566

656

4543

544

546

4

74

1010

89

10 87

8

87

657

654

65

6

657

657

654

65

6

647

647

644

64

6

4 4 4 4

74 74 74

11

Sorgdal

Gtr. 5: w/ Riff C (2 1/2 times)

Oh, I

3

be

Ab7

lieve,- yeah,

Gtr. 1

Gtr. 2

Abm7

that I’ve got to get a -

647

647

644

64

6

657

657

654

65

6

4 4 4 4

657

657

654

65

6

647

647

644

64

6

647

647

4 4 4 4 4 4 4 4 4

12

Sorgdal

way.

Outro-Guitar Solo

Ab7

Gtr. 2 tacet

Gtr. 3

w/ wah-wah

Gtr. 1

Rhy. Fig. 3

Gtr. 2

Gtr. 3

Db7sus4 Db7 Db7sus4 Db7

Gtr. 1 End Rhy. Fig. 3

Gtr. 3

Gtr. 1: w/ Rhy. Fig. 3 (till fade)

Ab7Voc.: ad lib. (next 13 meas.)

4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4

657

65

657

654

654

657

65

657

654

4

4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4

647

4 4646

644

647

4 4646

644

4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 3 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4

13

Sorgdal


Ab7


Ab7


Db7sus4 Db7 Db7sus4

3

Db7

let ring

Ab78va

1/2


8va

1/2 1/2 hold bend

4 6 6 6 6 8 8 8 8 9 9 9 9 11 11 116 8 8 8 8 10 10 10 10 11 11 11 11 13 13 13

13 15 15 15 15 15 15 15 15 1513 14

15 15 15 15 15 15 15 15 1513 14

14 14 14 14 14 1613 13 13 13 13 13

13 14 14 14 14 14 1613 13 13 13 13 X X

13 1513

1413

15

1313

1313

13 13 1513

1413

15

1313

1313

13

13 15 16

1616

16

1616

16

1816

16

18 18 18 18 18 16 18

18 18 18 18 16 18 1818

18 1816

18 1614

16 1413

14

14

Sorgdal

Fade out

loco

Ab7 Db7sus4 Db7

1/2 11/2 1/2

Db7sus4 Db7

Begin fade

Ab7

1/2


Ab7


Db7sus4 Db7

Db7sus4 Db7 Ab7

1/2 11/2

Db7sus4 Db7 Db7sus4 Db7 Ab7

1 1/2

12 12

11 1311 13

12 14 12 1213

12 14 14 12 1213

12 12 14

12 1213

12 12 00 11

11XX

1111

XX

XX

1111

1111

1111

11 1311 X 11

11XX

1111

XX

1111

1111

1111

11 1311

13

1312

XX

1312

XX

1312

1111

XX

1111

XX

1111

109

109

109

109

109

109

109

119

119

119

87

87

66 6

X X 54

5 32

3 11

1 0 1 1 1 1 1 0 1 1 1 1 1

13 14 13 13 13 13 13 13 13 13 13 1312 14 12 12 0

11 1311 13

12 12 12 1213 13

12 14 14

12 12 0

1111

12 14 12 1213

12 14 14 12 1213

15

Sorgdal

Intro

Free time


School


All Rights in the USA and Canada Controlled and Administered by ALMO MUSIC CORP.All Rights Reserved Used by Permission


Slowly q = 80

(Harmonica & kybd.)

38 sec. Gtr. 1 (12-str. elec.)

ppw/ chorus

let ring throughout

G6 G/B

231

Am

21 3

G

3211

F

321

Fmaj7

12fr

321

E

7fr

321

B'4

5fr

321

A

10fr

321

D'9

F6 F,13

mf

I1.

Verse

Am

can see you in the morn ing- when you go to school,

G6

don’t

G/B

for get- your books, you know you’ve got to learn the gold

F6

en- rule. The

54

53

54

54

53

54

97

87

87

97

87

87

32

31

32

32

30

3 0

0

910

810

9

8

910

810

95

45

3

45

45

45

3

45

97

87

78

79

78

7

78

0 32

31

32

32

31

3

3

1

Sorgdal

teach

Am

ers- tell you, “Stop your play and get on with your work.”

G6

And

be

G/B

like John ny,- too good, don’t you know he

F6

nev er- shirks, he’s com ing- a -

long.

Interlude

Am D/A

Am

G'9

Gtr. 2 (elec.)

w/ dist.**w/ delay

pp* mffdbk.

w/ bar

*Vol. swell

**Delay set for dotted quarter-note regeneration w/ 2 repeats.

-1/2-1 -2

Gtr. 1

0

910

810

9

8

910

810

95

45

3

45

5 54

53

45

5

97

87

78

79

78

7

78

0 32

31

23

23

23

1

23 0

9 9

05 7

555

70777

10

05 7

555

5 5435

2

Sorgdal

Verse

Faster q = 87

pp* mf

w/ bar

Am

D/A

** pp mf

*Vol. swell -1 1/2 **As before

Am G'9

pp mf

fdbk.

8va

***

***G string sounds during bend of B string. †As before

†

1

1/2 1/21/2

Af

††

Gtrs. 1 & 2 tacet

2.

Am

ter- school is o ver- you’re play ing- in the park,

†††G6/A

ooh,

Gtr. 3 (elec.)

mf

††Chord symbols reflect overall harmony. †††Bass plays A, next 7 meas.

1 18

5435

05 7

555

0 0777

10

88

151515 15

0777

10

05 7

555

5 5435

109

108

109

108

109

108

109

108

XXXX

XXXX

XXXX

XXXX

109

108

109108

109

108

109

108

XXXX

XXXX

XXXX

XXXX

5453

5453

5453

5453

XXXX

XXXX

XXXX

XXXX

5453

5453

5453

5453

XXXX

XXXX

XXXX

XXXX

3

Sorgdal

don’t

G/A

be out too late, don’t let it get

F6/A

too dark. They

tell

Am

you not to hang a round- and learn what life’s

G6/A

a bout,- and

grow

G/A

up just like them, won’t let you work

F6/A

it out, and you’re

full

C

of doubt.

E7

9787

9787

9787

9787

XXXX

XXXX

XXXX

XXXX

9787

9787

9787

9787

XXXX

XXXX

XXXX

XXXX

3231

3231

3231

3231

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3231

3231

3231

3231

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0 0 0

109

108

109

108

109

108

109

108

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XXXX

XXXX

XXXX

109

108

109

108

109

108

109

108

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XXXX

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5453

5453

5453

5453

XXXX

XXXX

XXXX

XXXX

5453

5453

5453

5453

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XXXX

9787

9787

9787

9787

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9787

9787

9787

9787

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3231

3231

3231

3231

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3231

3231

3231

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00

3201

3201

02213

4

Sorgdal

Interlude

Double-time feel q = 174

Gtr. 3 tacet

Am7 Am13

Gtr. 2

**w/ delay

*pp

**Delay set for quarter-note regeneration w/ 1 repeat.

*Vol. swell

***Gtr. 4 (elec.)

mplet ring throughout

Riff A End Riff A

***Keyboard arr. for gtr.

Gtr. 2

Gtr. 4: w/ Riff A (12 times)

mf

Am7 Am13

w/ bar delay off

8va

-1/2-1 -1 1/2

Am7 Am13

8va loco

Am7 Am13

1 1

15

1214

1412 13

14

1512 12

1412

1412 14

12

14

1311 11

14

15 15 1717

1717

1517 17 13 15

13 1312 12 12 5

5

Sorgdal

Gtr. 5 (acous.)

mp

Am7 Am13

Gtr. 2

Am7 Am13

Gtr. 7 (elec.)

Gtr. 2 tacet

Am7

mpw/ clean toneHarm.

Am13

let ring

Gtr. 5

let ring

Gtr. 6 (elec.)

mpw/ clean tone

P.M.

4 5 5 5 5 5 5 4 5 5 5 5 5 5 4 5 5 5 5

Documents

The Eye€¦ · = 3 Verse Gtrs. 4 & 5 tacet 2nd time, Gtr. 6 tacet G5 So Write 1. 2. Rick Davies: you your think prob Bb5 your - lems school down C5 ing’s in - pho de Gtr. 6 tacet