C200 Product Overview

The C200 HD is the ideal Live

Production Console. It is a

digital audio console with a

traditional analogue style ‘knob per function’

control surface and an in-line channel format.

Freelance audio engineers stepping from studio

based music production into on-air mixing for TV

are instantly familiar and comfortable with the

C200. It offers all of the benefits of a digital audio

console including instant reset, extremely flexible

channel layout capability and capacity for dual

operator configuration.

In a choice of frame sizes, the familiarity of C200’s

discrete control surface is combined with the

scalability of SSL’s Centuri™ core. Up to 512 I/O,

and 60 GPIs are available from a single 15U core,

with fibre connected stageboxes handling remote

controlled microphone resource.

The console benefits from redundancy, fault

tolerance and hot-swap features. Full diagnostic

support and the security of proprietary design

ensure robust long term performance.

• Freelance friendly, ‘analogue style’ control

• Dual faders (large and small) per channel strip

• Flexible in-line channel configurations

• 48 Multitrack busses with trim and fader path

summing, redeployable as aux or group busses

• 12 Main busses for Stereo/5.1 sub groups,

(expandable to 36 using Multitrack busses)

• 2 Programme outputs (5.1 and Stereo)

• Independent pre and post fader direct outputs

• 12 Aux busses with odd/even stereo linking,

(expandable to 36 using Multitrack busses)

• 12 stereo FX returns

• Sample-independent processing with options

for 48kHz or 96kHz operation

• Dedicated processing per channel strip

• EQ and Dynamics DSP emulations

• Full 5.1 facilities for surround mixing

• Comprehensive dynamic automation and

integrated 4-port machine control system

• Mobile configuration for space/weight savings

• DAW control

Solid State LogicC200 HD Live Production Console

Product Overview

INTRODUCTION

C200 Product Overview Page 2 of 16

Superior Audio Quality

With options for 48 or 96kHz operation, the C200

delivers superior audio performance. All channels

provide 4-band parametric EQ, high and low pass

filters, and independent compressor/limiter and

gate/expander sections.

Processing is dedicated to every channel so there’s

no need to assign resources at the start of the setup,

and emulations such as the SSL ‘E’ and ‘G’ Series

EQ, and ‘Quad’ compressor, provide familiar and

great sounding audio tools.

Secure Performance

SSL proprietary technology is used in all hardware

and software design, guaranteeing robust and

reliable performance.

Self-healing DSP, fast reboot times and power

supply redundancy options are among some of the

console’s fault tolerant features. Local and remote

diagnostics provide trouble shooting tools from

any location, with SSL’s network of offices offering

training and service support.

Analogue-Style Control Surface

The C200’s dedicated channel strips provide a

familiar operational interface to both in-house and

freelance audio engineers. The operator has

immediate access and an excellent overview of all

console’s settings.

Multi-Operator Capability

With parameters adjustable simultaneously across

multiple channels, C200 is ideally suited for multi-

operator environments.

Modular Construction

SSL’s proprietary Centuri core contains all audio

and control processing, I/O options and GPI

interfacing within a single, robust chassis.

Up to 512 inputs and outputs, at 48kHz (256 inputs

and outputs at 96kHz), may be handled directly

from the Centuri core. Card options include

Analogue, AES/EBU Digital and MADI, all

operating at 24-bit with sample rate conversion for

digital I/O, both AES and MADI, as standard. A

60 channel GPI card may be fitted to provide

programmable machine starts, cue lights, etc.

Mic sources are input through separate remote

controlled stageboxes, with a choice of stagebox

hardware options. Each unit provides mic inputs

with foldback, with options for split feeds and

PSU/fibre link redundancy.

All key control surface, Centuri core and stagebox

elements are easily serviced, with features such as

hot-swap fader cassettes and quick-release power

supply assemblies fitted as standard.

Maximum Value

Each C200 console is tailored to meet production

and budgetary needs, with all elements scalable:

console surface, channel capacity and I/O.

Configuration options, such as the C200 Mobile,

enable 48 channel strips (105 faders) to fit across a

width of 2.34m (92"). Alternatively, where space is

less restricted, customised frame layouts can be

used to create impressive real estate.

Page 3 of 16 C200 Product Overview

Key CONSOLe feaTUReS

Multiformat Mixing

C200’s 12 main busses provide multiple 5.1

and/or stereo groups. A programmable matrix

configures the independent 5.1 and stereo

programme outputs. 5.1 and stereo monitoring

paths include insertion points for matrix encoders

and decoders, and external source selections.

Choice of Servo or VCA-style Fader Grouping

All large and small faders are motorised providing

freely assignable moving fader grouping.

Alternatively, choose SSL’s unique emulation of

VCA-style fader grouping to view the balance and

adjust slave positions whilst the group master

fader is closed.

Integrated Routing Control

An integrated digital routing matrix removes the

need for complex analogue patch bays and allows

easy reconfiguration of complex setups.

Channel inputs, bus routing

and mic parameters are

handled centrally for speed

and convenience. Routes may

be made individually or in

arrays, providing fast setup

tools for changing channel

source or assigning mix

minus/N-1 feeds.

Dynamic Automation

The C200’s dynamic automation provides another

dimension to its capabilities. Comprehensive on

and off-line automation tools, an integrated 4-port

machine control system, and refined user interface

make the console ideal for off-line mixing

applications.

Fast Access to Many Channels

The C200’s Channel Banking feature provides fast

access to two layers of channels with global and

individual channel A/B access buttons. For

smaller control surface configurations, ‘Virtual

Bays’ provide additional layers, allowing access to

all 128 in-line channels even on a console as

compact as 16 fader strips.

Sweet Spot Operation for Optimum Listening

Any bay of 8 channels can be swapped into a

designated central master bay, allowing

parameters across multiple channel strips to be

adjusted from the optimum listening position.

Status Lock Provides Operational Peace of Mind

The Status Lock option on C200 disables

potentially destructive console functions including

Solo-in-place, dynamic automation, console status

changes (e.g. Record to Mix) and tone or talkback

to main bus outputs.

Instant Snapshot Reset

Controls may be reset instantly using static

‘Snapshots’. Selective reset enables channels to be

reconfigured whilst a production is live to air, for

example, when handling an entertainment show

with multiple live acts.

Backstop PFL

This popular broadcast

console feature enables the

operator to pre fade listen any

input by simply pulling back

on the channel fader.

Full System Reconfiguration

The C200 Project Management

system enables full console

reconfiguration for a new type of production. In

addition to console parameters, this includes reset

of routing, surround formats, GPIs, etc.

SIgNaL fLOw

C200 Product Overview Page 4 of 16

aUDIO aRCHITeCTURe

Page 5 of 16 C200 Product Overview

Flexible In-Line Design

The C200 console uses a traditional in-line design

providing two independent signal paths per

processing channel. These are known as the

‘Channel’ and ‘Monitor’ signal paths, each with

dedicated input, output, motorised fader, cut,

AFL/PFL/Solo and multiformat panning controls.

Global console statuses (RECORD, REPLAY and

MIX) determine whether the large or small faders

control the main Channel or secondary Monitor

signal paths, providing fast reconfiguration for

Recording, Overdubbing or Mixing.

Most live productions are run in MIX status, with

the small faders controlling additional inputs to

the mix. Alternatively, a live to tape production

may be run in RECORD status allowing small

faders to set record levels to multitrack and large

faders to feed the main production balance.

Flexible Channel Configurations

The Centuri core provides a range of channel

configurations. Options for either 48kHz or 96kHz

operation determine how many DSP cards must be

fitted to support each configuration. Regardless of

sample rate, the console’s mix capacity remains

fully featured with no loss of functionality.

Both faders may feed the 12 main busses

simultaneously, effectively doubling the mix

capacity of the console. The 48 multitrack busses

may also be fed by either or both faders, or can be

employed as additional aux or main busses.

A full set of High and Low Pass Filters, 4–band

band parametric EQ, Compressor/Limiter,

Gate/Expander and external Insert point are

available for each in-line channel, and may be

switched between the large and small faders as

required.

12 Stereo FX Returns

12 stereo FX returns are provided for assigning

effects devices or external feeds to any of the 12

Main busses. They may be linked for multichannel

use as required.

12 Main Busses

Programmable main busses provide multiple

stereo and 5.1 audio sub group outputs, with

assignable level control, delay and insert points.

Simultaneous 5.1 and Stereo Programme Outputs

The 12 main busses combine to form simultaneous

5.1 and Stereo programme outputs. A master 5.1

compressor, dedicated master fader and 8-channel

insert point may all be applied to the programme

outputs, with presets for easy recall of different

format setups.

48 Multitrack (MT) Busses

48 MT busses may be used to feed recorders,

generate mix minuses, N-1s, and ancillary outputs.

Busses may be fed from the large or small fader, or

both. They can also be fed from a spare aux send

(EFX, Extra FX send) which is floated away from

the main aux bus to generate a dedicated level

control to the MT busses, leaving both fader paths

free to handle primary mix sources.

MT busses can also be employed as additional

main busses (creating a 256 into 60 bussing

structure, ideal for multiple stems), or additional

auxes (using either fader). Each MT bus has an

independent level trim, and AFL monitoring

access is available from the centre section.

12 Aux Busses

The aux busses may be configured for mono or

stereo operation, and are fed from both fader paths

with independent send levels from large and small

faders. Aux balances may be set quickly and easily

using the ‘Set Aux to LF’ or ‘Aux Flip to Faders’

functions.

Pre and Post Fader Direct Outputs

Three direct outputs per channel strip are

provided, with post fader Channel and Monitor

paths, plus the pre fader insert send (Channel or

Monitor path) available simultaneously for

maximum flexibility.

UNIQUe CONTROL feaTUReS

C200 Product Overview Page 6 of 16

Channel Banking

The C200 may access up to two banks of

processing channels providing lots of mixing

capacity from a compact control surface. Channel

strips can be flipped individually, or with master

buttons, and all control settings and displays

update instantly without any affect on the audio.

Bay Swapping

Bay swapping allows the operator to adjust any

bay of 8 channels from the optimum ‘sweet spot’

listening position. Simply press any of the

dedicated bay swap buttons and that group of 8

channels is instantly swapped into the master

section.

Virtual Bays

For smaller control surface configurations, ‘Virtual

Bays’ provide access to all processing channels. For

example, a 32 channel strip control surface,

configured with an additional 2 virtual bays can

access 96 in-line channels by swapping any

physical or virtual bay into the master sweet spot

position.

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Freely Assignable Mono and Stereo Channels

Stereo channels can be freely assigned at any

physical channel position by linking the upper (A)

and lower (B) layers of banked channels. Both

large and small fader paths are linked, enabling

two stereo sources to be controlled from a single

in-line channel.

When linked, the Channel

Information Display will

automatically update to stereo

input metering. Stereo channels

offer all the facilities of mono

channels, with the addition of

independent Left and Right

input routing, Left/Right input

balance control and stereo

panning options.

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Width – press the

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stereo width for large and

small fader paths.

ROUTINg aND MIC CONTROL

Page 7 of 16 C200 Product Overview

Input Source

Centrally controlled input routing enables any

source within the facility (Mic, Line or Digital) to

be routed quickly and easily to any large or small

fader path.

Bus Routing

The same central control panel is used to assign

channels onto the console’s main and multitrack

busses, and channels may be assigned using a

variety of pan formats to enable mono, stereo or

surround operation.

Routing Arrays

For both input and bus routing actions,

assignments may be made to individual channels

or across ranges. This can be used to route a range

of microphones or assign multiple mix minuses.

For example, with channels 1-48 routed to all of

busses 1-48, use the INC routing action to

incrementally deselect channel 1 from bus 1,

channel 2 from bus 2, etc. The result is 48 mix

minus assignments in a couple of button presses!

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Source Groups and Pan Formats

These buttons are dual function with red

engravings selecting a source group and

black engravings selecting a pan format.

Sources are arranged into 9 logical groups

depending on the number and type

within the installation, for example MIC,

MTrk, FX, etc. Each group contains up to

5 banks of 32 sources.

When assigning busses, channels may be

routed in MONO, STEREO, LCR, etc.

Routing Action

Selects channel input (SOURCE) or output

(BUS) routing actions. INC will assign sources

or busses incrementally when working on a

range of channels.

Path Selection

Selects whether the route acts on the large

fader (LF), small fader (SF), insert return

(INSERT) or GROUP MONITOR

INPUT.

Channel Selection

Selects the channel(s) for assignment.

Channel numbers can be modified using

the arrow buttons, or by pressing a SEL

button on the desired channel’s fader

cassette.

Mic Amp Settings

Parameters are set within the stagebox but

are remotely controlled from the console.

They include phantom power (48V) and a

20dB attenuator (PAD), with C-SB

stageboxes also offering a high pass filter

(HPF) and a protection limiter (LIM).

Mic Amp Gain

Gain may be controlled from the channel or

centrally, using the SET GAIN button and

MISC level control. For example, trimming the

levels for a range of audience microphones but

keeping any individual offsets intact.

THe CHaNNeL STRIP

C200 Product Overview Page 8 of 16

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THe CHaNNeL STRIP

Page 9 of 16 C200 Product Overview

Guest 1

SF ST SF PAN

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Oscillator and Talkback Control

Integrated oscillator, with calibrated level and frequency control, switchable to

Main and Multitrack outputs, plus master analogue talkback level control.

5.1 Compressor and Main Output Control

Dedicated master fader, plus 5.1 main output compressor with a choice of

dynamics profiles including the SSL ‘Quad Bus’ analogue emulation.

Alternatively, use the 8-channel mix insert to apply external processing.

Master Metering Display

Displays the 12 Main Busses, 5.1 and stereo Programme, Follow and AFL

Monitor, and the 12 Aux outputs. 24 user-selectable meters are controlled from a

10-way programmable selector.

CeNTRe SeCTION aUDIO

C200 Product Overview Page 10 of 16

0 0 .0

MTrkSTEREO

FX LCR

EXTLCRS

INS5.1

25-48 MAIN

1

9

17

2 3 4 5 6 7 8

10 11 12 13 14 15 16

18 19 20 21 22 23 24

1 2 3 4 5 6 7 8

9 10 11 12 13 14 15 16

17 18 19 20 21 22 23 24

25 26 27 28 29 30 31 32

33 34 35 36 37 38 39 40

41 42 43 44 45 46 47 48

LF

SF

LF

SF

48V PAD

HPF LIM

FLIPALL

SWAP1-8

SWAP9-16

SWAP25-32

SWAP33-40

SWAP41-48

SWAP49-56

SWAP57-64

SWAP65-72

SWAP73-80

SWAP81-88

SELECTALL TO

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FROM TO

SWAP89-96

MICSMONO

BUSES5-CHAN

PRE5.1/M

CHAN5.1/ST

MISC

GROUPMONITOR

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INSERT

LOADEQ

LOADDYN

SHOWEQ

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SF

LF

CLEAR

INC BUS

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3K

CUT

REPLAY MIX

MASTERREADYGROUP

RECORD TAPE1

DAT1

TAPE2

DAT2

TAPE3CD

TAPE4

6 TRK1

EXT9

EXT2

EXT10

EXT3

EXT11

EXT4

EXT12

EXT5

EXT13

EXT6

EXT14

EXT7

EXT15

EXT8

EXT16

DISPLAYPEAK

STOREPEAKVU

CLEARPEAK

SUM

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EXT 1 EXT 2

FX RET5-8

AUX5-8

FX RET9-12

AUX9-12

AUX1-4

FX RET1-4

GRPA-D

F/BSLS

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PMREC

FBA

FBB

AUTOCUE

FBC

SLS

REDLIGHT

DIM CUT

MINIBOMNI

ALT

LFPFL

SFPFL

SOLOCLEAR

FLEETAFLTO

MINIS

PFLTOEXT

PFLTO

MAINS

SETSOLO

ISOLATE

trim

abs

0

5

10

20

30

40

50

•

15

60

0

5

10

20

30

40

50

•

15

60

ST

5.1MONITORINSERT

LRMONITORINSERT

MONO

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CUTL

CUTC

CUTR

CUTLS

CUTSUB

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MINIA

TB

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RETURNTB

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TALK TO FB

•

0

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MIXINSERT

20

15

10

5

1

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RATIO

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1:1 •

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MAINDELAY

MIDIFX

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STEREOPAN

MONDIM

SHOWAUX7-12

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MASTERSETPRE

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SHOWMONITOR

MICS

SETGAIN

MODE

OSCILLATOR TALKBACK USER

CHANNEL M ETERS

M AIN M ETERS

CENTRE COM PRESSOR

STATUS

M ASTER AUDIO DISPLAY

M ASTER CONTROLS

M ASTER CONTROL M ODES

0 0 .0

M ISC LEVELS

SOLO M ODE

COM M UNICATIONS

M ONITOR LEVEL

M ONITOR M ODE

BUS 1-48

M AIN

M IC AM P SETTINGS

SOURCE/BUS

BAY SW APPING EQ/DYN

PATH CHANNEL SELECTION ROUTING ACTION

10 •

5 •

0 •

5 •

10 •

20 •

30 •

40 •

50 •

• •

Protect

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trim

abs

FaderStatus

prot

man

-1 •

-2 •

-3 •

-6 •

-9 •

-12 •

-18 •

-20 •

-30 •

-42 •

SIG •

sel

10 •

5 •

0 •

5 •

10 •

20 •

30 •

40 •

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-1 •

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5 •

10 •

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20 •

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10 •

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DCBA

STATUSLOCK

AFL SETdB

PFL

SOLOIN

PLACE

FADERSTO

METERS AFL

AFL

AFL

AFL

BUSSES1-24

BUSSES25-48

EXT1

EXT2 COMMS

USER1

USER2

USER3

USER4

USER 5

AUXTO

FADER

S-PRELo-Z

S-PREINSERT

S-PREHPF

SHOWDYN

PROFILE

AUX 1 4.0dB M6000 1 M6000 2

SET

DO

AUX 3 0.0dB Lex 960

AUX 2 -1.9dB FWorx

SET

DO

SETDO

*

*

SET OUTPUT

Vocals HarryGuests

Console Statuses

• Global console statuses (RECORD, REPLAY and MIX) provide fast

reconfiguration of signal flow for different applications.

• Global pan statuses (SURR PAN and STEREO PAN) switch between

simplified channel panning for stereo work, and full 5.1 surround operation.

• MIX ALIGN automatically compensates for external processing latency when

working in MIX status.

• STATUS LOCK locks out certain console functions, such as Solo-in-Place,

automation replay and master Status, Oscillator and Talkback switching.

Master Audio Control

Master level, AFL and routing control for the Audio Sub Groups, Aux Masters,

FX Returns, Foldback and SLS Outputs, plus control of the 12 Main Bus Delays

and external MIDI FX devices. Controls are assigned in banks of four at a time,

with the ability to change input and output routing for Aux and FX Return

masters.

Main, Mini and PFL Monitoring

• Two 5.1 Main, two stereo Mini, and an independent PFL monitor output.

• Optional simultaneous Mains and Minis monitoring enables the mixer to

monitor Programme continuously, whist auditioning sources on the Minis.

• Features include master level control in the analogue domain; two 12-way

programmable external source selectors; Mono folddown for compatibility

checking; separate 6-channel and 2-channel Insert points for 5.1 and LtRt

matrix insertion.

AFL, PFL and Solo Modes

• The default Solo mode is non-destructive AFL.

• PFL may be actioned either from the fader backstop on large faders, or from

the channel Solo buttons by changing the global Solo mode.

• AFL signals usually feed the Main speakers, with PFL feeding Minis; options

are provided to reverse these selections or feed the dedicated PFL output.

• The third Solo option is for destructive Solo-in-Place, ideal for mixing off-line,

and disabled by Status Lock for on-air applications.

Communications and Signalling

• Three stereo foldback and stereo SLS outputs with source selection, level

controls and individual or ‘Talk to All’ (OMNI) facilities.

• Mono talkback output, for integration with external communication systems.

• Return talkback switched into the Mini monitor path.

• Red Light switching.

• Any large fader, channel GPI button or central macro may be programmed to

activate machine starts, cue lights, cough switches, etc. via the Centuri’s

60 channel GPI card.

-2-3-5

-7

-10

-20

-1 0+1

+2

+3

VUVU

-2-3-5

-7

-10

-20

-1 0+1

+2

+3

VUVU -2-3-5

-7

-10

-20

-1 0+1

+2

+3

VUVU

LEFT

M

RIGHT

Ø

0

- +

DISPLAY

MACHINE CONTROL

AUTOMATION

MOTION

GROUPS/PROTECTION

PROJECT

MACROS KEYPAD

MENUSTRANSPORT

COMPUTER SELECTOR

LINK

VIDEOKEYBOARD/

TABLET

PROJECT

00:00:00.00

Solid State LogicBegbroke Oxford England

C200

PROTECTALL

ALLMANUAL

FADERGROUPSETUP

REC1

REC2

REC3

REC4

SERIALREC

ENABLE

ENABLE1

ENABLE2

ENABLE3

ENABLE4

SERIALM/CARM

TAKE

SNAPSHOT

LOADSELECTIVE

LOADPROJECT

CLEARAUTO

AUTOON

AUTOT/OVER

SNAP(IP)

A/GLIDESEND

TRIMLOCK

USETRIM

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LEVELMATCH

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OFF TOUCH

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WRITE TRIM

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TC1 TC2 TC3 TC5TC4

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CeNTRe SeCTION CONTROL

Page 11 of 16 C200 Product Overview

Custom Meter Options

Variants include analogue VU or PPM and digital DK Audio and RTW

phase scopes.

Master Control

The Master Control section consists of the Central Control Screen, track

ball and Master Control panel. A wide range of information may be

displayed, with ultra-wide viewing angles providing feedback from any

console position. Primary screen displays and console functions are

driven from dedicated buttons on the Master Control panel. The track

ball interface provides access to other setups, and is used for more

advanced console features.

Group Master Faders

Eight dedicated master faders may control any number of large or small

faders, or be assigned to control Audio Sub Group levels, Cut and AFL.

Operators may choose between working in ‘Servo’ (moving fader) or

‘VCA’-style mode, according to the type of control they are most

comfortable with.

• In Servo mode, the physical position of the fader always corresponds

to the actual level, and when faders are grouped, moving the master

moves the slaves. Features include ‘group lockout’, where the master

and slave balance is protected when the master is below a certain

threshold. This prevents accidental changes to the master/slave

relationships when a master is closed.

• Alternatively, SSL’s unique emulation of VCA fader grouping allows

the mixer to work with master faders, whilst the physical position of

the slave faders remain unchanged. This allows the balance between

slaves to be viewed and adjusted prior to opening the master.

Macros

20 user-programmable macro buttons may be used for a variety of

functions, including advanced mixing functions, GPI control, etc.

Project Recall

The Project management system stores and recalls not only channel

settings, but everything required to reconfigure the console for different

types of production. Each Project is a directory in which individual files

are stored for every element of the system. Elements, such as input

routing, may be saved and loaded individually saving setup time for

shows with common settings. For speed of access, Projects are stored on

the processor’s internal hard disk. They may be copied onto an external

Magneto Optical disk for long term archiving or transfers.

Snapshot Reset

Up to 62 Snapshots per Project version may be used to reset console

parameters instantly. Recall may be global or selective, providing the

ability to isolate areas of the console, such as presenter or audience

microphones, from the reset.

Dynamic Automation and Machine Control

Up to four external machines may be synchronised from the console’s

integrated machine control system, with dedicated buttons for transport

control and autolocation. The C200’s automation system is based on

familiar SSL session tools with dedicated buttons for selecting statuses

and automation modes. The system is non-linear enabling updates to be

written at any speed, and includes optional MOTORS OFF operation.

SySTeM BLOCK DIagRaM

C200 Product Overview Page 12 of 16

HaRDwaRe OPTIONS

Page 13 of 16 C200 Product Overview

Console

The C200 console front panel provides operational

controls and indicators, and communicates with

the Centuri core via dedicated high-speed data

links.

Centuri Core

The Centuri core provides a compact ‘all-in-one’

solution, with access to Audio DSP cards from the

front of the unit, and other Audio I/O, Fibre Link

and GPI cards from the rear.

Remote Diagnostics

The Centuri core includes a RS232 terminal port for

local processor diagnostics.

Alternatively, diagnostics may be accessed using

NetBridge, SSL’s secure interface into standard IT

networks. NetBridge provides secure log-in

facilities enabling trained staff or SSL engineers to

remotely access diagnostic functions from any

location worldwide.

C-SB Remote Mic Stagebox

Purpose-designed C-SB Stageboxes provide cost

effective remotely-controlled mic resource. Each

Stagebox may be fitted with up to 48 mic inputs.

The unit may be fan-less for location within the

live production area, and the standard multimode

fibre optic connection allows each Stagebox to be

sited up to 550m from the Centuri core. With

dedicated split outputs and remarkable resilience

to common mode voltages, the C-SB addresses the

challenges of even the harshest environment.

C-SB Stagebox Options

8-channel Mic Card max. 6 cards (48 mics)

8-channel FB & GPI max. 1 card (in addition to 4

internal DACs)

Redundant PSU 1 (2 PSUs total)

Redundant Fibre 1 (2 Fibre Links total)

3U Remote Stagebox

Providing highly configurable, high quality audio

acquisition, C200’s 3U stagebox offers 56 channels

of MADI IO. Each of the 14 card slots can accept a

wide range of cards, including the following:

- 4 balanced XLR mic/line inputs with remote

pre-amp control

- 4 balanced XLR line outputs

- 4 balanced inputs and outputs over 5-pin XLRs

Analogue cards come in a range of maximuminput/output levels, including headphone level. - AES/EBU or SPDIF XLR I/O with converters

and SRC options

- HD-SDI – 1 Input and 4 Output HD/SD-SDI

BNCs, offering 8ch embedder or de-embedder,

or 4+4ch embedder/de-embedder.

Channel Options

At 48kHz, each Channel DSP card provides 32 in-

line channels of processing. At 96kHz, the number

of cards is doubled to support similar channel

configurations without loss of functionality.

Audio I/O Options

Up to eight audio Input/Output cards of any type

may be fitted in the Centuri core:

24-channel ADC/DAC card:High quality 24-bit conversion for line level

analogue inputs and outputs, supporting a range

of line-up levels for different broadcast

environments.

64-channel (32 AES/EBU) DIO card:AES/EBU inputs and outputs with 24-bit SRCs on

every input and output pair as standard.

64-channel MADI card:Convenient and cost effective multichannel

interfacing to existing plant infrastructure, with

full SRC.

Fibre Link and GPI Options

Two card slots hold routing and GPI cards:

Routing and Fibre Link expansion cards:The Centuri’s internal routing card may be fitted

with up to 4 fibre expansion cards; each daughter

card handling up to 2 fibre links. This provides

capacity for 8 (4x2) C-SB or 3U Stagebox fibre links.

(Redundant connections use 2 links).

60-channel GPI (General Purpose Interface) card:60 relay closures and opto-isolated inputs for

machine starts, cue lights, cough switches, etc.

96kHz Operation

At 48KHz, the Centuri core handles up to 512

inputs and outputs. For 96kHz operation, this

number is halved to 256.

PSU Redundancy

Optional dual redundant PSUs may be fitted for

added resilience.

HaRDwaRe DeSIgN

C200 Product Overview Page 14 of 16

Proprietary Design

SSL’s proprietary technology is used in all aspects

of hardware and software design. Freedom from

reliance upon third party materials and complete

control over all elements of the system, guarantees

robust and reliable performance.

Fault Tolerant Control Surface Connections

Each bay of 8 channels connects separately into the

master front panel interface card. This reduces the

impact of a control surface failure such that a fault

is localised; the remainder of the console continues

to function, and with the ability to bay swap any

bay into the sweet spot, full operation of all

channels can continue.

Power Supply Redundancy

Optional dual redundant PSUs may fitted to both

the Centuri core and front panel. If the main supply

fails, the system automatically changes over to the

backup supply without interruption. LED displays

on the control surface give continuous status

feedback of all PSUs.

Self Healing DSP

SSL’s ‘self healing’ DSP provides fault tolerance

without the need for additional hardware. On

board diagnostics software constantly monitors

and repairs any DSP failure, providing near

instantaneous and automatic recovery from a DSP

error.

Airflow Mapped Chassis Design

Cooling within the Centuri core is designed with

optimum air flow characteristics, enabling all

components to run well below their specified

temperatures. This ensures minimal thermal stress

and results in long term reliability for internal

components.

Quick Fit Assemblies

All C200 assemblies are serviced from the front of

the console providing fast, simple replacement

access. Dual redundant power supplies are

accessed from beneath the console, whilst the flip-

up top trim provides fast access to the TFT

Channel Information displays.

Easy access is also provided for all Centuri core

assemblies. Power supply units are fitted to the

front of the Centuri core and may be replaced

quickly by ejecting the unit.

All processing and utility cards fitted in the core

can be replaced quickly and easily using the robust

Telecomms card ejector mechanism.

Hot Swappable Spares

Each fader cassette is an independent, ‘hot

swappable’ unit which may be exchanged without

interruption to the channel’s audio. Simply remove

the existing fader, fit the spare, and the new fader

automatically resets to the correct level for that

channel.

CeNTURI aND STageBOX SPeCIfICaTIONS

Page 15 of 16 C200 Product Overview

C-SB Remote Mic StageboxPhysical and Environmental Specification:

Height 14U

Max Depth (no cables) 460mm (18.1")

Mounting 19" rack mount

Weight (48 Mics fitted) ~27kg (~59lbs)

Technical Specification:

Impedance 1.2kΩ

Phantom Power 48V

PAD +20dB

High Pass Filter –3dB at 30Hz

Protection Limiter Threshold –2dB FS, Headroom 17dB

Input Range, 0dB FS = –60dBu to +23dBu (with PAD & Lim)

Mic Split Outputs prior to the variable-gain stage

Resolution 24-bit

Audio Breakouts XLR (Mics), D-type (Splits)

& 25-way D-type (DACs)

Fibre Breakouts see Centuri Fibre Link Specification

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Centuri CorePhysical and Environmental Specification:

Height 15U

Max Depth (no cables) 635mm (25")

Mounting 19" rack mount

Weight (8 cards fitted) ~40kg (~88lbs)

Power (100-240V AC) 300W – 1kW dependent on options

Cooling Method Front-to-back fan assisted

Timing Reference Black & Burst/Composite Video

Technical Specification:

24-channel ADC/DAC card

Input impedance >10kΩ

Max input +24dBu

Input trim, 0dBFS adjustable in 0.5dB steps

Output impedance <30Ω

Max output +24dBu

Output trim, 0dBFS adjustable in 0.5dB steps

Resolution 24-bit

Breakouts DL

64-channel MADI card

Input sample rate 64-ch: 48kHz fixed, with 24-bit SRC

56-ch: 48kHz ±12.5% with 24-bit SRC

Output sample rate 32, 44.1, 48, 96kHz, or clocked from input

Sync input Wordclock, AES (75Ω), int. or MADI

Resolution 24-bit

MADI breakout BNC, coaxial

64-channel (32-pair AES/EBU) DIO card

Impedance 110Ω

Input sample rate Variable with 24-bit SRC

Output sample rate 32, 44.1, 48, 96kHz, or clocked from input

Resolution 24-bit

Breakouts 25-way D-type

Fibre Link expansion card

Fibre connections Multimode (up to 550m)

Single mode on request

Breakout options Fischer/Lemo connector panel

60-channel GPI card

Breakouts 50-way D-type

3U Remote StageboxPhysical and Environmental Specification:

Height 3U

Max Depth (no cables) 375mm (14.76")

Mounting 19" rack mount

Weight (card-dependent) ~5.5kg (~12lbs)

Technical Specification: (card dependent)

Mic Phantom Power 48V

Mic PAD +12dB

Input Range, 0dB FS = –60dBu to +18, 24 or 26dBu,

depending on card.

Resolution 24-bit, up to 96kHz

Fibre Breakouts see Centuri Fibre Link Specification

For full 3U Stagebox card specifications, please see the MORSE

specification guide.

CONSOLe SPeCIfICaTION

C200 Product Overview Page 16 of 16

Notes: Legs may be located at any position along console beam.Maximum dimension L=1389mm (or 4 console bays)Dimensions in mm (1" = 25.4mm)

1 8 9 16 17 24 25 32 33 40 41 48

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The C200 console is constructed in bays of 8

channel strips, providing flexible frame options.

The position of the centre section may be located at

any bay boundary, and a variety of frame options,

including producer sections, angles, split points

for shipping and installation, and a script tray, may

also be specified.

Physical and Environmental Specification

Max Height 1124mm (44.25")

Max Width (see diagram above)

Dual width centre section 721mm (28.39")

Each channel bay adds 334mm (13.15")

End trim adds 128mm (5.04")

Max Depth 1144mm (45.04")

Height Adjustment ±22.5mm(±0.9")

Weight (48 channels) ~354kg (~780lbs)

Each bay (inc centre) adds ~40kg (~88lbs)

Legs add ~33kg (~73lbs)

Power (40ch with 100-240V AC) <1.2kW continuous

(dependent on frame size)

Cooling Method Convection

The C200 ‘Mobile’ Configuration

Where space and weight restrictions apply, an

alternative version of the console frame is

available. The single width centre section of the

C200 Mobile configuration enables a 48 channel

strip (105 fader) console to fit across a width of

2.34m (92"). Please refer to the C200 Mobile

specification sheet for full details.

Solid State Logic www.solidstatelogic.com

International HQ Begbroke, Oxford, England OX5 1RU Tel +44 (0)1865 842300 Email sales@solidstatelogic.com

france 7 bis, rue de la Victoire, le Blanc Mesnil, Paris 93150 Tel +33 (0)1 48 67 84 85 Email frsales@solidstatelogic.com

Italy Via Timavo 34, 20124 Milano, Italy Tel +39 (0)39 2328 094 Email itasales@solidstatelogic.com

New york 320 West 46th Street, New York, NY 10036 Tel +1 212 315 1111 Email nysales@solidstatelogic.com

Los angeles 3700 Wilshire Blvd, Suite 720, Los Angeles, CA 900310 Tel +1 323 549 9090 Email lasales@solidstatelogic.com

Japan 3-55-14 Sendagaya, Shibuya-Ku, Tokyo 151-0051 Tel +81 (0)3 5474 1144 Email jpsales@solidstatelogic.com

© 2011 by Solid State Logic Limited. All Rights reserved under International and Pan-American Copyright Conventions. Solid State Logic,

SSL, C200, C200 HD, Centuri, C-SB, MORSe, and NetBridge are trademarks of Solid State Logic Ltd. All other trademarks are the property

of their respective owners. No part of this publication may be reproduced in any form or by any means, whether mechanical or electronic,

without the written permission of Solid State Logic Ltd., Oxford, England. Solid State Logic has a policy of continual product enhancement

and reserves the right to alter specifications without notice. E&OE.

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