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Sesshu Toyo 1420 to 1506, foremost Japanese master of ink painting (suiboku) and Zen Buddhist priest, also known as Sesshu Toyo. He may have studied under

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Page 1: Sesshu Toyo 1420 to 1506, foremost Japanese master of ink painting (suiboku) and Zen Buddhist priest, also known as Sesshu Toyo. He may have studied under
Page 2: Sesshu Toyo 1420 to 1506, foremost Japanese master of ink painting (suiboku) and Zen Buddhist priest, also known as Sesshu Toyo. He may have studied under

Sesshu Toyo1420 to 1506, foremost Japanese

master of ink painting (suiboku) and Zen Buddhist priest, also known as Sesshu Toyo. He may have studied under Shubun in Kyoto. He made a trip to China (c.1467), visiting many Zen monasteries and studying the works of old masters. Adapting the Chinese style of landscape painting, he set the standard in ink painting for later Japanese artists. His brilliant, abstract interpretations of nature include the ink-splash landscape (1495) in the National Museum of Tokyo. Two sets of screens attributed to him are in the Museum of Fine Arts, Boston, and the Freer Gallery, Washington, D.C.

Page 3: Sesshu Toyo 1420 to 1506, foremost Japanese master of ink painting (suiboku) and Zen Buddhist priest, also known as Sesshu Toyo. He may have studied under
Page 4: Sesshu Toyo 1420 to 1506, foremost Japanese master of ink painting (suiboku) and Zen Buddhist priest, also known as Sesshu Toyo. He may have studied under
Page 5: Sesshu Toyo 1420 to 1506, foremost Japanese master of ink painting (suiboku) and Zen Buddhist priest, also known as Sesshu Toyo. He may have studied under
Page 6: Sesshu Toyo 1420 to 1506, foremost Japanese master of ink painting (suiboku) and Zen Buddhist priest, also known as Sesshu Toyo. He may have studied under
Page 7: Sesshu Toyo 1420 to 1506, foremost Japanese master of ink painting (suiboku) and Zen Buddhist priest, also known as Sesshu Toyo. He may have studied under
Page 8: Sesshu Toyo 1420 to 1506, foremost Japanese master of ink painting (suiboku) and Zen Buddhist priest, also known as Sesshu Toyo. He may have studied under
Page 9: Sesshu Toyo 1420 to 1506, foremost Japanese master of ink painting (suiboku) and Zen Buddhist priest, also known as Sesshu Toyo. He may have studied under
Page 10: Sesshu Toyo 1420 to 1506, foremost Japanese master of ink painting (suiboku) and Zen Buddhist priest, also known as Sesshu Toyo. He may have studied under
Page 11: Sesshu Toyo 1420 to 1506, foremost Japanese master of ink painting (suiboku) and Zen Buddhist priest, also known as Sesshu Toyo. He may have studied under
Page 12: Sesshu Toyo 1420 to 1506, foremost Japanese master of ink painting (suiboku) and Zen Buddhist priest, also known as Sesshu Toyo. He may have studied under
Page 13: Sesshu Toyo 1420 to 1506, foremost Japanese master of ink painting (suiboku) and Zen Buddhist priest, also known as Sesshu Toyo. He may have studied under
Page 14: Sesshu Toyo 1420 to 1506, foremost Japanese master of ink painting (suiboku) and Zen Buddhist priest, also known as Sesshu Toyo. He may have studied under
Page 15: Sesshu Toyo 1420 to 1506, foremost Japanese master of ink painting (suiboku) and Zen Buddhist priest, also known as Sesshu Toyo. He may have studied under
Page 16: Sesshu Toyo 1420 to 1506, foremost Japanese master of ink painting (suiboku) and Zen Buddhist priest, also known as Sesshu Toyo. He may have studied under
Page 17: Sesshu Toyo 1420 to 1506, foremost Japanese master of ink painting (suiboku) and Zen Buddhist priest, also known as Sesshu Toyo. He may have studied under