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PROGRESSIVE DAILY STUDIES BY FRITZ KROEPSCH - PART 1 Arranged for Alto Recorder by Paolo Cortelli, Italy Although composed for the clarinet, these studies can be very useful in developing good technique on the recorder in a high enjoyable way,thanks to their classic melodic lines. Inevitably, it was necessary to reduce to two octaves passages that spanned three in the original; and, sometimes, where transposition was not enough, the melodic line had to be slightly altered. In general, slurs have been retained as in the original, as an aid to interpretation. This transcription is in the public domain job and can be copied to any freely accessible web site, provided no registration or fees are required. 1. 4 4 2. 4 4 3. 4 4 4. 4 4 5. 4 4 6. 4 2 7. 4 2

PROGRESSIVE DAILY STUDIES BY FRITZ … · PROGRESSIVE DAILY STUDIES BY FRITZ KROEPSCH − PART 1 Arranged for Alto Recorder by Paolo Cortelli, Italy Although composed for the clarinet,

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Page 1: PROGRESSIVE DAILY STUDIES BY FRITZ … · PROGRESSIVE DAILY STUDIES BY FRITZ KROEPSCH − PART 1 Arranged for Alto Recorder by Paolo Cortelli, Italy Although composed for the clarinet,

PROGRESSIVE DAILY STUDIES BY FRITZ KROEPSCH − PART 1 Arranged for Alto Recorder by Paolo Cortelli, Italy

Although composed for the clarinet, these studies can be very useful in developing good technique on the recorder in a high enjoyable way,thanks to their classic melodic lines.

Inevitably, it was necessary to reduce to two octaves passages that spanned three in the original; and,sometimes, where transposition was not enough, the melodic line had to be slightly altered. In general,slurs have been retained as in the original, as an aid to interpretation.

This transcription is in the public domain job and can be copied to any freely accessible web site, provided no registration or fees are required.

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PROGRESSIVE DAILY STUDIES BY FRITZ KROEPSCH − PART 2

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