Amateur Oberatic Versiona -

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KINNEY MUSIC, ,',: -, Sole.selfing 6gents:

ffiUS|G SALES *f'b ., |9,NdwmsnI

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MIIT JAH(Opere&a,in Tryo Ac:*)

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MUSIC BY ]' t

SA}I*TY FAIN

j

Vocal Score

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. :1. ' 1 , ' € '

. - ' . . !

CALAMITY JANE

MUSICAL NUMBERS

No.

OvrnrrnrACT I

l. " Tlfi DEADwooo SucE " (Calamity and Enscmblc) ;2. " CAREESs wm{ fiIE Tntmr " (Calamity, Bill and Mcn)

3. " ADELAIDE " (Bill and Mcn)4. " Ev'RyoNE Conplrnls Asour rnr Wrlrrnen " (Frycr)

5. '" MEN ! " (Calamity)

6. CIN-Crx @anccrs)7. "HrvE Fwr. or HoxE'Y" (Fryer)

8. " I CAN oo Wmrow You " (Calamity and Bill)

9. OpsNrNc ScnNn 2{rchestra10. " Ir's HARRY I'ru PuNNrNc ro Mlnnv " (Adelaide and Stage'Door-

Jshnniss)l0a. Rrpruse oF " fT's HARRY I'u PuNNrNc ro Mmnv " (Katie)

ll. OprNrNc SceNE 3-RnPRrsE oF "ADELAIDE" (Men)"12. " WINDY CnY " (Calamity and Chorus) . '

13. * KEEP Ir Uxpnn Youn Hlr " (Katie)

14. Rrpnlss oF " KEEn Ir UNorn Youn Hnr " (Katie and Chorus)

15. Frxeu Ac"r OwE : Rrpnrsn oF " CARELESS Wmr THs TR'tm{ "

(Ensemble and Chorus)16. ENTR'IcIB

AciT 2'17. OpBNrNc Act Two : " A WoMAN's Touclt' (Calamity and Katie)18. " HIcIsR TtnN I Hawr " (Bill)19. " THB BLAcr Hrrrs or Dnott " (Chorus)'19a. Opnr.nNc ScrNn 3 : Rrpruse oF " BLAcK HIr.rs or Dlrotl " (Calanity,

I(atie, Bill, Danny and Chorus) \u.-n. " IrvE vou DslRLv " (Katie and Danny)21. Frt.nr"erro (Calamity and Bill)22. OpnmNc ScsNB 4-Orchestra23. " My Sncnrr LovE " (Calamity) "

'23a. MeIos lxp Rrprusn or " MY SscREr I.ovE " (Calamity and Bill)

U. RepRIse oF " WrNDy Cny " (Chorus)25. Flxer,E (Full Company)26. CunrHN Clr.r: "Ttte BIAcx Httts oF DAKoTA"n. h.rv-Our

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CALAMITY JANELYrics bY

PALIL FRANCIS WEBS'TER

OVERTU RE

El n.Ent 2 (J=rn)

L J "

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O Copyright MCMLXII by Remick Music Corporation, New york.KINNEY MUSIC LTD., 69 New O>idordStreet, London, W.C.1for United Kingdom & Eire.

Music bvSAMMY FAIN

Music adaptedarxl arrangcd by

RONALD HANMER

Broadly in 2 (l = m)

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lt\, rq\ e\, l$ :e

T. ,=t, r 7| -\--'P l\--f

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tr l\{oderato 2 (a =$)

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El Steady 4 (r -ns)

r i f r f i f r f i F t r i f i r t r t

T r F i T t F I r i i F i

{-1

TI

Vlns.

t r t

f r F i r r f i r r r t F t r I r i F i

7 t f t r t f t

" 'F I F 3

@Trcm Sob

i 7 r r r r r r r r r t r rmAttegT vivo (J=125)

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N9 I

ACT I

THE DEADWOOD STAGE(CALAMITY Md ENSEMBLE)

It'll be here, Uncle. No need to worry. MILLER: Wro's worried? Ever sce re worrredl

Bright 2 (J'ros)

the Ded-nood S@is a

cur- tains flappin'andthedriver a - slmiri the

Whipcrdauay,wtripcra&a*ay,uttipcrad a- uay ! -

t

Oh, theDeadwood Stage

In - jun :uro\&s are a - thicker than porterpine

ti5te 3r de - lay- Whbcrack a-way,whip crack a-way,

THREE OR FOUR i.IEN

Thev'rehead-irf straieht for town load- ed down with a fan - cv

I

t

Dad-v'md Stage is a - comin on

af-ter is nest, Tv,enty-tlrcemiles, t lreyr.e orveredodry--4-J' t .rrr

Whipcr*a-way, wfrip cnrk a-uay,

Itr

she might have

l0

anothcr Indim fight

BILL: Quit boil in' mr,

MILLER: Tha l

rrnless she sn c v e f h a p p )

( 'a la rn 'sncvc : la i led tohr rngrn th€s tageye l -h r iunsormh, iuns l MILLER: Drdnt$mtany th ingrohappentcher th is t r ip -she 'sgotmyr t ressaboard--, -T--l

tL-

Thewheels go turnin lnmervard txutid. em hum-min?

I{ap - py tinrs br to sta.v Hey! Tlq'1lbe hrne to- niglr by thc

Tlrcy'll be horne to - niglrt by fre

Ttrtll be fix-in' to stiry-

/ - 1 .=--l

r-rl

Wlrcnthey get home,

ardteir lrara a- thunninlilaa mardolin plunkin'a

rl2

Whipcnrck a-way, whip cnck a-waY,

sort of werlcrtmc fol thcFkre they be! Fbre they be! How's a-bout a

CALAMITY JANE cntcrs followcd RATTLESNAKE and passcngers from thc stage - coach

I a t * i r S If l - i [ l t r .

t - l r

ls tLocal

2tdlocal

LOCAL CHARACTER

( high pitclad voice)

A

New rubber hoots Things to cro-drct

' vbrine us tcrdrv l- Ten dollar suits

! ! v n s .

r

Beadsthat spark-le like a Prls-m Snake oil fer Yer rheuma - tis - m;

gin-e-ham for the girls; ,' l l l r) + + )

Gum drops nmde uP

sog-gy, and a gen-u-wine string of

+---..-____=--

Cir^st yer eye onwore in ev' - ry fam- ous con - cert ltnll --=----r-;--, t + l

l + +

Lkr- tor Borah's pa-tent pending hair re - stor- er, grur-run - teed- to grow har on a bill- iard

ballt-|

=t

L t l I I

- tro - du- cing Hen-ryFl &Clar col rc ice

Ain't a showman an - v srart-er. op - er ates the Go[- den- rill---J-

Gar- ter. where the cream of Deadwood Ci - ty connsto dineIJ

r6

Cal.

It

a-----/glad to say he's a \€ - ry epod ftiend of mine!

told he pam'd for gold but ne - \€r

scort for Gen'- ral

Fron-tier man and bron-cho1 w .

back in Yel - low -storc in eigheen - six-ty -

q----/

But I m glad to say heb a rie - ry good frierd of mire ! -

Cal.

I(

whre dla get tlrrn fiur - try ckflrcs ?

---------*Flere\ a mnn the sher-iff wat -ches---=*.-

lrtrn therebmorctkrn twen-ty sev - en not 'ches On firc

smel- liri like

On his

l8

Cal.

draw theres no one fas - ter, and yr:u're flirt - in with dis as - ter wtren Bill Hbk- ock s re - Pu -

-ta - tlon )ou ma But I'm gbd to say he's a ve-ry goodfricndof a

ftroat is drv as a des- ert thistle in May- ln the Gold-en (iarter gmna

116lr,r, so.,

l9

I

Ltst to thc bar's-wet my uiristle to - day

three legged crow- Set'em up Jce. set 'em uP Joe.

r-:-1

rFglg1l.'o*

Drink on the Housc

Make mine sas-par - il - lY

Set 'em up Joe, set 'em up Joe, set 'em lp

S€t 'em up Joe !

> > >

t: - : . 8 - r

> > > ?A€>

2 l

N 9 2-

Cre: CALAMITY: You ca l l in 'me a l ia r aga in B i l l H ickock?AD LIBS: Tell us arcthcr erc.

CARF,LESS WITH TH E TRUTH(CALAMITY BILL & MEN)

Andante misterioso (l =u;*C,{[.AMITY:

All r ighr tcllers. . .

tr Bright2, with a steady beat (J =roo)

tell p'boutthe I was cap-tured by a score or more of

for to scalp me just fer play.

I ltst junpedLpon a buf -fa - lq pulled otr his s o a

and

Well,Stlr Cl.rs

horn and blew

I22

Cal

I - d a - h o c o m e to save the day

L'btesso tempo (J =J)

buf-fa-lo on the nidt- el and an 6'- jun on ttrc cent-

Tell us another one. tell tn uncther one, oh,my ach-in'

tooth. She's not lv - in'. but slre's t:are -less with the

lnnour of me the

B

Care

Care-less witlr the

C-areless wift the

Stgr. W.W

Sheb not ex- act - ly

She\ mt ex - act - ly

E Brisht 2 (J roo)

Did I tell ya bcut tlrc time last week, lln

A

Cal.

Crip - ple Cre*. when all at once I see two

on each side of I just was-n't in tltc mtxrd to

grab- bin' up mv gcl with

L'istesso Tempo {J.=J)

orrc of 'em through tlre tail atd shot tlre oth ' er through- :\._/

the mouth l-

f>

me-

grizz - lies

the bar - rels.rif

tul-let went North the oth-er Souh.shot

Oh. my

Ha. ha, ha, ha, ha. lu, ha,

us an-oth - er orn, tell lls ar-oth- er orp.

rnt ex- act -ly but she's carebss wilh th€tooth, Shei

-{--

Br. <- >>

Careless with the

LU Andante misterioso (J = ss;

Did I tell ya 'boutthe time last fall, I'm

irak so tall, t'would take a bird a day to reach the tc{r

Lake St. Paul; And

27

I start swingin'withmy trusty axe and sudden - ly that oak tree cracks and up

-oth-er snracksand d<lwntlrevcame ker - flool Be - lieve me or not I

tell you pards.tl.re Lest of thefor-esi foid-ed up just l ike a deck

Tell us anoth - er one, tell us Oh, my

Mei Ha, ha, ha. ha.

L'istesso tempo(J. = J

28

l ] t i

the- l v t v - brrt shc\

Care tnlth, Shes not ly - in' but $e\

ly - in but slr's(lareless with t|r

29

N 9 3-

Gc. BlLl. : You see ttr carved on the [m,rf an ancicnt slrip. . r n a g a m b l e r ' s c a t m . . . .in the dyin' enfun of a crrnplirc .

A D E L A I D E( B I L L & M E N )

Moderato in 4 (t=122)In thrs ca*,shc lust happcns to be th€ lowlint singin darcin' star of thcm all

-laide,Adelaitle,Ad-el - aide, dr,how lovely you are!

TENOFS

BARITOiI€S

BARITONES

\tlelaidc Adarns!

Mrn- bve- ly!

J . -

If pu garcamanadream,tsn ic

e- laide

Ewe a rnar awish,ten to orc heuruhwish br thu one

t . T i r

-10

c { >toc)

one rn hisdmmshcwuld lrrld on - lv \ou: Ad- e -lakle. Ad-clride.Ad-c-Lridc wu'rcourfarour - i1c

e - laide y€s

Youle hcard of FIcl - en of Trov. of

You are our star

Bcru - ti-lirl dolls. tut boy oh boy, They ain't jusl lf vou

Spoken ad l ibn:-"\\ 'evc heard

of all thce gals""&rme dolls'etc

t F t q F

3l

r. --:r

ev-er came t() t(unfrstiriout in fiat gown nlde of silk rurd broca&_ t|tcy wouU hrwtohire a hall .irst ttt---i---;

r-r-r

hirb the gu6u,lrcklfall for Adclaide I Wth tlr bu;tb thrr Nuucar I

the bustle that yru wdrr I dc- clrrc il's rro wcnl.r rvcrc

[l stres ww.

un der pur thimb. Adehide. Ad -c -laide,whafa bclur-rv vou

der lrour thumb- 0tt, whirl

der ''rur thwnb _

Ad-elaide Ad-e-laide

-1-;i\ ^ ,?

32

beau - ty!

eye-

eye_

a t . t ' a J . J ' a

with the wqy ltufillyarclothes,arrdyour hose, and thatccrne hith-er look

e -laide

with the wav 1ru fill ytrrrclothes,and your hose and that cune hith er

ffi

you that $'€ think witheadr udris - ky we drink at the bar

The Queen of She-ba,andCle - o - pat - ra, just t)

Ad

In ycur

Flere's to yor

33

tley wouldn't rate a scc- orrl lor* com - Fred

yes, he's played-

e - laide yeq heis prayed-

I rcck-on he's p'ayed *: * prayedpl_.,

bhrd in his

e -hde

If a manhasan-y bbod in his

T'lrat e -wn-tually he ges, in hb

l}at e - rcn-tuallv he eets.. t

,h.N .D r r \Jin hb,bJ

34

N 9 4 EV'RYONE COMPLAINS ABOUT THE WEATHER( FRYER I

Cac. FRYER: But yrucm at lcast letme s/ror youl

"HowcrxldXu sell rain?" My>>

if a n - y friends. it all de-Vl6

Why&rn't thw sim - ply

-perds on Moth-er Na -ture

you still com- plain a-bort the weather

The laws of corn- pen - sa - tion still ap-

The wea - ther mry be fright . ful to nrcnt ev 'ry one, but,

Then flr dev-il dont

coubnt be nore de - light - ful point of view of

loptrorut cil b A

.15

eV . fV-One5tqs, VlrW. com - plains a - bor.rt the weat-heX

- lise a ve - ry stm

wnnt til have a

Why dcrnt they re

You gotta have a win - ter if

bo- dy

spriryl friends, it allVlnr

bout it-

de - pends on Moth - er_

\--l

M-ture-

3t

Fry.

beef -

Th hws of ccm-pen - sa - tion still

the show - ers on a cloud ' Y day- jtst lhinkof the fiekb of

Fry.

I(

if yru still com -platn

why the devil don't pu do sornethltitlrn why the devil don'tweather,

tou do sonrthirg,then wtry the devil donl )otl do scnBttrirU a - bout

39

N 9 s-

Cr: BILL: Likc r tcrchyolduunm. . . .Hh. . . M4/be hcsgot romrhing thrc. . . .

CALAMII 'Y: Why, pr . . .yo, . . !(Slc rwlvr lor smrling ro lnn, .d hin)M m . . . I

M E N !

think of rnen you can't print in a

- \ - - l

been took!-\..--l

. :

Lnck-y t|le girl who has

Bright Waltz (J -60)

chance, they'll strfu€you a - longwith a scng and a dance, They'll

slipyou a wink with the pink lem-on - ade- But leave yon as soon as the nDonl A t t

- |

of bur- ber - ry And I dont pro- po6e

- you can call otr the I'n be a spin- is - ter

trin - kets ard prom- ise you pearls re - gard-ing their pnrm-is - es; Do just as

be doubting Thomas - es,.

Show me the dora and I'll

mischiev-ous men! Be on your gu,ard u4rn yor-r stroll in tk

mcn-tion "l 'a - mour'l---a quickJike a flash,I will

the

They'll ply you with

Fbr- ri- ble

Just let a ten - der- foot

Cal.

4 2

('al

Fris-ky from whis-key and jaib,

ien-----------6 no Deadwrnd coy - o - te will hog -

S() I\'e come

dol - lar wa - ger, will get You a

henl- Men aretie

con - clu - sion - I don l uan t an ' v part of 'em

oh! Tlrct'rkrck ilt:rrtrf tntl Down. downwiththcm all .

type or the

plugg- ab - le,

mub head-ed rnen who are

nose fer

love- ab - le . lynch - ab - le , menl

An- y drrck-en wlrob kick-

Song and rlup to trc

drnce.

_wv[__,---

Trou - ble cones tbu - ble in htrck -skin iuri piurts! Ad- am be-

trou-ble be - - gan- So now that welrn: fin - al ly holl - ered our

herls off ant dish'd all the dirt that we czul for

45

N 9 6E

Cre: MILLER

CAN - CAN

. the Golden Gartcr Show!

Furirno(l=rs:)

47

48

N g 7-

Cre; MILLER:

HIVE FULL OF HONEY(FRYER)

the toast of Ncw York.... Miss Frrrrccs Frverl

.i (FRYER earzn) Moderate 4

I'\egot two rrcnderlirl arms,Vlns,

twen- ty one- and I'm free I've got a hiw full of lron-e1'

- - ' -

I ve got twu worderful liPs.

For tlle

(FRyER earzn) Moderate 4 ()=tlz)

+'ghm-cr-ans type.

i'{Bp*ar;ous type, Yotlll lor,cdrc way I fit_ on }our

on - ly child. Do tou think you ctxlH leam to care ?_ If Im ttre one you a-dore comeonand

Vln!. W!!i

I'vc got a hivc full of

right kind of honey

get me before Somebody shrkes it down- from tlrc

\---l

ho-nry- lor the riglrt kiud of honey bcc-

- .won - der-ful lips, I'rrr ov - er

rir, I'vc got a hirc ftrll ol

tr

lve got tu,o u,onderflrl arms, I regrrt twt'l

Vlns. W.w.

IVe eot a hive full of honev

one- ancl Iltt

IFor the right kirrd of hort-n"

FRYERSrr.econ(\ tLt.

bee.-

5l

N98I

Cre CALAMITY; ain't nuthir' you say mm mything to me! . . . .

Moderate 2 (J = ss )le CALAMITY

nt*P ,1,#T,, ]"-$n\ Vlns

_ . a l

ylure thd

I

ard the

T CAN DO WITHOUT YOU(CALAMITYand BILL)

F-I , t J

w1n-ter

r - r I

banquet

ther-1onn.rltle

Fnet - - dew

CI ;- ,uh.o t -Like an

. s " . l -can cn wthou

Qr€s- Yute tftF i, +.^ '\ 'F

the ointmefit pure tlrc

A A A A F T * - Dyell fer yt- t0 oonr birck !

L (,t:r fi i:rTho' I know sonr

h {E r '- r .-rE'' I can do withcltt i';';t';ililt 1 1 / \ . , 1 ! ,

pe'nsable like a brrck or

t'il ti" *\oi# S,"

rf.n.6, ""9

In*- {rel

t't:

bar -ta 0t4

tne

t r ' . i t 4\6.rte tfu tack

J",_-,-

r*,ri €

53

i .ioa,yw,'fr,,,

Ki. ,qtcf

' be

! F l- er youwhe

; n -the croak.

L { ? \for'951, psl -

'eson

54

E *or..rr*o*,

I c a n d o w

Cahm! CALAMTY: Then lets get the old tch;orer rollinl N{ILLER: Pronrise lrr anything -orh trirgler k^-! CALWIT\: I lt

It4ore's the pi - tyl

s5

N 9 9- OPENING SCENE N

Broadly (i = r,l.o, 1.,

* - - _ . . . _ - *

..-__//' ---_--l \-_/

Nltrsb hdcsot errhully rndsr q^-111n-q acti.rr and diakrgue

o- -+--'----------/

^ l - \l - i

' , . r - . r

El CURTAIN- UP n, ̂ yun .rs prcrrc,rt,

5t)

N9l0-

Crc . {DEI \ lDE

..IT'S HARRY I'M PLANNING TO MARRY''( A I ) E L A I I ) t r n d t h c J O I I N \ l E S )

rtl fareucll pcrlorm.rnce I

Valse moderato in I (J = oo)

-\---l

diff - 'rent sa - fa - ri He can box like a Hes m

mar - rv-Har - ry ['m.-t** 1 !- l-

built like tlrc bust of re - mem -ber

Plrys - ic - 'ly he's de - lish Men-td -

Har - ry I'm plan- ning mar - ry-

-t----/

sta - tue hol - louBr

su- per - f ish- l y

lrtrt's wined a -

Yes,, it's lfu - ry she's planning to mar - ry-

-bout his sus - pcn-dcrs -�

He's tlrc orB that I tru - ly

numb; I suc - cwnb,whentrc ren-ders- 'TtE fre on the Bar

- Wlrn he flex-es his muscles I n-ut-#- -

Like a but- ter - fly ca4l* in a

l.Ia c

\--_-/shut -ter- When he calls nrc hb nute,

Br.

phn-ning to mar - ry- Sirce the uorld first be - gan

I just dis- in-ter - grale. So it's lfar-r! lhrri

Ne-wr

Sirre tlr u,rrrld fint be - ean

Wln cqrld tove like tE qnr so

trlr|r w.W

been srch a

been srch a

60

Adel.

plan- ning ttt

N9lOaG

REPRTSE: ..IT'S HARRY I'M PLANNING TO MARRY,

( K \ I t L )

Cs; KATf E srrrlLes au'4ttclaidc Athms nose in front of mirnr

Valse moderato in I (*eo)ft KATIE (/zurrtrq ;\delaide)

When you turn tc) the sub- jcct of Har - rY

tle's as dunrb as an But it 's Har - rv Ihr plan to

I

- rungt4

t !

ox,

A-lw w j + 1| - , - -

mar - ry-- Though he's buih like the bust of A

-rnem{er sta - tue is hol - low

CAL.{MITY arcn

Men-tal - Iy sup- er fislr. But

a

ry

l =

planning .-'*,r'#,,:{

Ju51 rc -

- 'llYl he's & -

KATIE sesCALAMITY'SrcJbct&n in the

,nvrcl

- lish I'm

II{ar -

62

N9 t l

Cue C\LAl \1 l l -Y l

OPEN ING SCEN E I I IRePrise. ADELAIDE

( r 4FN )

. . wmchrdy s being hutled. ( Illack -out)

Bright 2 (J=108) <

E Moderato(J = toa)> ,.--

CURTAIN'>- , b4:)

P >

SOLO TENOR Slowly and sadly

If you give a man a wish, ten to cxre hewouldwishfor that one per - fect girl,

z--..

Mm IVIm-

-laide. Adelaide. Adet -ride, oh. howlorcly you are- If ytu girre a mar a drca[trYlto

r--T-l

orrc. in his dreanrs l*- wtluld hold on - ly Ad-el - aide. Adelaide \d - el- aije,)otr're our lav-our- itet--f-l

Mm_--

+--___-/p

DANNY: Tcmpting provirJcnctMill ie - That s what tt

65

land it rculdnl surpri* me rcne ;f

I

Affegro vivo (J =l4/-)

gave a man a wish, ten to

she walkcd in nsht this Iminute and said--

|

\c4

CALAM: \tWll bovs!I ve bruns 'er!

MEN: '14lta,

???/i.\ ",r* ir,:.Aftt Vlor. Col Voc

hrngo

ri

6

you trae come to tovvn )ot-t €n bet all the tovm will ber----3------]

68

N9 12-

t. 'a.. (-ALAMI'tY . . tbe biggct noise in I llimis t

Allegro ( J= loo )

Thcy got shacks up toStAs piu z

WINDY CITY(CALAMITY & CHORUS)

trCALAMITY

Afrom the Win - dy Ci - tv, The

A 4 f

Ttey

- - r a E + .rom - ing glories But a step fiun- our

J

min - strel shoun

se - ven storeyi, They ne-rer see an-y' r l l r r t

thcer B r

gotWeway-J

door got-'em)

f -j- j-

l# *. ,J-^,Pnb -lic parks. For the sake of

from the Win- dy Ci - tX TlrThey'regot foun-taim there to

might - y prettybut they ain't got_what we

you I Just blew in

8r

squirt- l a

got.- I 'mtel-l in you

t ^,-'1

We\e got rmre life in Dead- \rood Ci - ty than in all of Il -

I

Just

BOYS

blew in from the Win- dy Ci - ty, TIle Win-dy Ci-ty is

= e - L

v pretty But they

They got shacksup o

- / - , \

ainl got- uhat o n f

--,_:1

Cho.

I r r - v a 4 . . I

se -ven storeys,Thy ne-ver see iu1-y mom - ing glories.But a stcp from our

o7 - ) 'a

J :

> > > >

> > > >

we got_ 'em fer free. They got those

la- dies in their bls chap -eaux Pri -mte lawns,

V16. sxs.

Fer ttrc sake of Theyle got forn - tr.irs ttpre to

min - strel shows

squirt 1,ou !

r:\

- ty pretty but thel,

ain't got- what we got- We've got more life

1-T=.1

a^*",rrE optiwt art nfl y don"" nat rcquired

On the sfieetuasa dan- cin' feller.

l-il *.ws.r,.- r

f i1 ' t -

ofyellerand the dance he

Schottische Geft shre styte ) =tZo)

74

Shou l i l a - seen me a -w in -de r shop -p rn ' ,a - win - der shoPPin'with eyes the

e - vl-tcn Jusf as

I heard claim. hun - dreds came a thing they call a

76

Cal.

gar stores, rc - vol - ving doors. ven - ttons com - ln'-

'stead of

Win - dy

Stgr. Suer

-in'! Just blew in from the Win - dy

Win - dy Ci

El *'.,. rr.rn.

migh - ty pret-ty butJ .

they ain't got.-

I'm tell - in' ya

I'm tell_ - i4' ya

I ainr a - swap - pin' half of Dead_unodforthe

I ain't a - swap - pin' haJf of Di:adlwood for the

*f r

the one and only Adclalic Adanr!

lModerato 4()=tzo)

7E

N9 13-

Cac: l\{[LLER

KEEP IT UNDER YOUR HAT( KAT IE )

KATIE (vcr-r rctvus onl lr\irut)

Well, norv if yru've got real sweet patootie, bet-ter keep it ruder yo-uhiI-

\.-i__l__---/

Just re-memder cu-ri-os-i -ty in fa-bhsofdd- killed the cur- i -ous cnt-

(crtwd truls b mum,wrtfully)

you have a laddie *4ro's a teal qg -ar daddy, Bet-ter take in the welcomirg rnat.-

Re - mern-ber there's a do- zen dolls for ev - ry Dan- Ycu're rrrt the on-ly sveet pea

in the if Ku wanna kncrwtrwayto keep yrur man,-

hat. Hat-tie, Keep it underpur hat, lbt-tie, Keep it under your

REPRTSE: KEEP IT UNDER YOUR HAT(KATIE & CHORI.JS)

My cn uy? Okay - I will!

Moderato 4 U rzo)KATIE t ryui snle & cu{i&te)

ltblt,rnwif yurle got a cu-tiewho's a real svreetpatootie,Better

Keep it un-do your

N914

OTa KATIE

V

keep it un &r ]our hat-

Vln..

Jrst rc-nrrr$ercu-ric - i-ty, in fa-blesof old_

t0

the cur j i.oir ",tY Supposin' ].ru love lt laddie Whma real -ar daddv:Bet

trke in the welconirg mat;- Re - mernber ther€is a dozen dolls for ev -'rv Darl-

not the on-ly su,tet peat t ) - . - - - | r Iif yruwanna krurvtlrewayto keep yoql nnn-

un-del y'our Hat - tie. Keep it urrder your hat."

Keep it un-der your hatl Sbll,nowif youlegot a cu-tie who's a rcal sweet patootie, Better

Well,now if ydve got a cu -tie who\ a real swcet patoo-tie, Better

q",

keep it un-der your hat_

v

keep it un-dcr your hat_

Ki l ledt l rc cr r - r ' i . { }u\ cAt ._

aqt

in fa-blesof

Just re -member cu-ri-os - it-y, in fa-bles of oH_

Supposin' you love a lad-die v,lxr'sa rcal sug - ar daddy, Better

Supposin' ytrr lole a lad-die who's a re.rl sug - ar daddy, Bet_terKil ledthecu - ri-

take in the welcomirg ma[_

take in the welcorning mat_

Re - nretnoer there's a doz-cn cblls for ev' - ry Dan- Yru're

there's a doz-endolls for ev' - rv Dan_ You'rc

t2

not the on- ly sweet per in the can;-

nol the m-ly swect pea in tlr can;-

Keep it under your hat,

Keep it under your

if yx wuuu kuu theuayto keep ytur nran,-

if 1u-rwanna krnrvtkwayo keep yrur man-

Keep it under yur lnt,

Hattie. Keep it under yorr hat, Hattie,

Keep

Keep it uder your

83

N9 15- REPRTsE , F[NSlEs Aqr t(ENSET\4BLE *

*lIKruJE TRUTH

Crc' CALAMITY . . . .the only girl for rhe Golden Gurrer was Kdtie gtnn!( Big laryh froot everyho,ly)

Steady 2 (.t=roo)

FULL COMPANY EXCEPT CALAMITY us an.oth-er-otre. an- oth- cr orrc,

t4

Cho. rlrt ex - act - ly ly - in', But she:s cure - less. cilre - less. qlre - less,

CURTAIN

> > > > :> > :-,- >

END OF ACT I

85

N9 16 ENTR'ACTE

-:t-^

=; -i >f-'1-

J A + =

_ Steady 4 (l= tos;A 4---\ , -

a---\

A little fasterI p t r

- . 1> tI f \+ '

1 . - -I

+

f t r t F t F t

Broadly in 2 (t=so1

f r f r t r i

86

i i r ? t - rr r l F ah t r t

T t r t a

Vlnr. F-r J ' 7

TI

I

tF

1 7 r

r 7 t

T t r t1^\ ^.-\

7I

7 rI

=Eocr I

t:l

r r 7 r r t r t r r f t f i f i T i F i

n

7I

Vlnr. Sxi .

t r t

T i r i

Vrr:. J J _-J

T r = a ' P t ? ll c + n l i l F' l r r r i

Vlns Sxs

r i r i 7 r r r r { r { F r r r

r t r t

r

8E

N9 17-

ACT TIOPENING ACT IIA WOMAN'S TOUCH

(C{LAMITY & KATIE)

KNIIE', hqmren oil ttuge., i ^ ' i ' t " - ' - " r ' ' l ' - " " , , l ' , r r . l t , r , \ , , \ , | S I J E . S S ' , - y w . s . s r p i , , . G r o . k

Bright and lively (J = t:o)

E9

CALAMI'fY: NGtie,thiscrbin o'mine wufl ole rats'nest - tillyou got wo*in on it.Nx its realpurty -

A woman's touch.

KAf IE:liothing tort - ib1 a cal otparfa few frills,andaremrn! t(Mh!

The magic of Al - ad-din ouldrft

l 1 - v

LJ-I I

do as much. Shds a wizard sh's a champ.

And she doesnt rrced a hnp!

T- ? e - q, L ' T I 7 T 7 7

q)

wonmn'stouch Cur uea'ta spell

pocus tkfshe dtrs mwell; Wfittre of a bruom, $rccan mesmertze a

Br.A

Tlr kird of trocts -

maglc

1 + ' t - ' 1' t ' r

With a whisk-whiskhrcarda ufrisk-u,hiskthr€arda dust nan for tp cin&rs.

H \

9l

rub-r'ub hcrqard a rLrb-rub tlrre sheciur pttlish up thc win-&ru. pre -st() clrange-o .sud-den-ly, thc

sun conrspeeping tluo€h

Ard wtut does Mister Sunshine say to

nukes Wu blink To stop and think A woman and a rvhisk-broomeanac-

j t 1 - . 1 - + er _ , - , ( = ,

92

-complish r diur mrnh -

a

So ne - ver un-der - cst

4\

Srr 119 - vcf urt-r-br - est

womaris touch

wonl iilt s

t

can quickly fill

Orre snrile frrxn her and 'ztxrm'.

f i lt_= t'

- - n - s l q - e + e - e

t - r ' | - - l l I l t r t

enrpty fl()wcr boxes ort a winder sill .

r 1 = 7\i

92

So rre - ver un-der - est - i -nfle a

A

Srr lle - ver un-&r - est

woman's ttluch

4 d . >

touch!

-complish yr diun mtrJh -

a

wonl

can quickly fill

iill s

One snrib fiun her and 'ztxrm'.

F t 'L2 I'

C - - q C e - r + q - e

t { , t - t r ' l ' 7 t

cnrpty fltrrvcr boxes ou a winder sill .

r 7 = 7- I

93

Cr l .

Katr

Al

t ) 1

touchof paint

t vL _ ' T '

_ , | t . 1 _ 1

T I ' ? 'J -r.J

ch.rir in - to rr Chippendale Ev-en makea lampap-pear like a cry- stal chrn1el - ier

chair in- to a Chippendale

(F' {:_f-' a ? l

tr

Wift a tack, urk.here ardaStgs W.W.

tack, tack;trre,Anda

hand around a hammer, With a mop,nrcp,hereanda nrop.mop,therefoucangivea ca - bil glammer.

e'rur tum a kit-ch!-tl

CAI."AMITY:l&l$/ha6 this?

e\

Sl85 ptrz CALAIv{ITY: rr\rhv. itsa pitcher of pu!

-

W.W. Glck

nf

Cello Vla Hn

96K, \T IE:Not tww goo.l onei s i t ?

/i

On the mant- Ic - Piccc'J

With a plrc- to - grryh

K ATIE

in with nre, this ca - bin tlnt I

ix.l- y room looks kind-a rromeyl

has be - come an el - e -gant man-siott miv* lor

\r,

pizz W w. lriantle

97

two - me anr.l 1,ou I

Thc pies umlcakes wonran bakes

r ? 7 7 r 7 i 7 l z = 7 f t = z

So nc - vel under - esti - mate

So ne - ver under - esti - mate a wo - rrran'.s trruch. No.

touch

tcll her that hc lovesherre.n

\-/

t-rrt-tch.

/e

ne-ver r rn-der-es - t i -mate a

9E

N9 l8

Cre . BfLL: (kxtl i iug ttt t i l tnl Whrr u gal. . . .

HIGHER THAN A HAWK( r l t L t . )

My heart

Moderate 4 (RrbatoJ=loo) BrLL

J +

W bve is deeper than a well

J t ' '

_ My love and ['ll

Her per - fume blowin' me a kiss

well-

a luwk-

giv - in' nre tl"p eyc-

St8!

be at rrll sur-plised

F z---- - +tnlpsrs, | --

lf I werc r.n - ly dcamirg all And wlrcn I a - hrut like

red,Jirn/,--a'\--

look al

And here ['nA

Highe r

o ---------------- f

Dnssed in pl- l ^

I laughd at oth-ers whenthevfi:ll

Rjks will shout "Take a

the head !'l-A

I said that I would ne-,'er f;tll -Stgs .W.w

Ftrlks will shrut:''Dott't you

E conre prima

think they rnakc a won - der-firl pair?" I ctid that I would ne-ver fall-

hawk. and deepet ttnn a well

hauik, and deepcr tlun a

My love, nry love is higlter thm ar:\

I

:h"€'

> > > > > >

()l

N9 19

Cra,. C.{tAMITYrunrrira Bll.LS unrr. Blal;rnt. Taht

BLACK HILLS OF DAKOTA( ( ' l l oRL rs )

L'istesso tempo (J= J)()nt tub; - Clawt ett.

r r r

Hills. The Black Hills of

Take me back to the

i r r t r t

Tb the bcar - ti-ful ln - di- an qJun trv that I

f t t - t f t f f t f t

l-ost mv hart in tlrc Bl.ick Hills. Thc Black Hills ol Da -

l = l" l F

rr.&

- . _ a _ _ = r _ _

\Mrre tlre pines are sohigh tlrat they kiss the slry a - bove !-- And when I

r t r r r t r r r t r i t r t

Cho.

- y- - + . +I+get that lone-some ftel-irg, And Ih miles a-way

my- sttc mountains call - irg me tnck lrcme

I hear the robe of thc

iake nre brk to tlre Black Hills. The

Take np back, The

Take ne back to the Black Hills, The

Take rne bsck, Tlrc

Black Hills ol Da - ko - ta, to the bcar-ti -ful In-di-an qun-lry that I

r t r i r t r t r t r t

*5-

Crp Br

Black Hills, Black Hills,

V l n i . ,

J^J ,{-J

Tkx€h I've wandered fa a - lvay

Tt

Where the deer and the{ta-'--..''.-->

Black Hills, Black Hills,

!-t J..:l

I'll comebadito yru som day!

-*,-

htr-fa-lo roam Ardth red wing feathersher nest,

Take me birck,

Thr's tE pbce tts I1l cdl n1 lunc, TIE

Take me back, - Black Hills of Da-

Black Hills. The Bld Hills of

Take me back,- Black Fflls

Thc Black Hills of Da-

Tklt I

Bn opcn

f,,----

rlard that I lorre tlre best.

Take me back to

Take me back -

Take nr back to

Sttr prrr w.w'

ttrc Black

Take me back T*e nre back_

To the beau - ti-ful In-di - an coun-try tlnt I

Take nre back Take me back-

To the beiu - ti - ful In-di - an ccun-try thal

i r t

love

4

r r t

l , I I y vLbst rnv lrcurt in the

I-ixt rrrl hatt -

Black Hills, The

Lmt my heart-BlackHillsol Da - ko - ta-Where the pines are rirrlighthattlq

Losi nry lrcart in the Black

StSs pizz W.W.

sky a - bor.el

Hills. Thc

t r i

!

iII

.

T-And when I

I hear the wice <f the

thal lone- some

mtlurtait.ts cnll - irg me bltck

Cho.

| -,-_-_/

home-

ETake me back to tie Black l{ills.

Take nre back to the Black Hills.

Thke me back,

Black Hills.. The BlackHilbof

The Black Hitls of

To the beau-ti-ful In-di-an coun-lry that I

r 3

beau-ti-ful In-di-an country that Take me back to tle

So trtkc nle, Tirkc to thc Bltck

Black Hills of Da- ko - ta- To the beau-ti-ful In-di-an com-try that I Iore. Blrck

4

109

N9 l9a- OPENING SCENE II IREPRISE: BLACK HILLS oF DAKOTA(CALAMITY, KATIE, BILL, DANN\ & ( ]HORUS. )

Be-cause I lost my heart

JHills, The Black Flills of Da-

)

Steady4(J=108)

Black Hills

- ko - tr, - Wlrere the pirrs are so high 0tnt dtqv hs tlrc

: 1 ? F r

BILL: Dida hafta wr that ol' cmt?

Errrr CALAMITYrmd tsll-l, KATIEad DANNY.

CALAMITY It wuz Custs\ Bill. ICac it t'm hilsclf .

l.urrat"s""a

IIBILI- This ain't m outing expeditim 4ainst

forbnScullyl Weie going to r Ball!We're going to a Ball!

lTl CaUtUtrV: I krw. . . . An're $Egota nightfer it.ain't we, uitP lponr it thrill yrh, jcsr tolcnk^ut 1,,l:, them hrlls? | M rcnder ttrm Iniuns ficht so

f icrcc - t 'hang onto this comtrY !

lil

CALAI'IITY

Take me back to t

Take me back The BlackHills ofKATIE

BI LLTake me back to the Black Hills, The

r | | 7 | | |Take nre back The Black Hills of

t r i i r t

coun - try fi.1t I love

ccmn - try that I love

. cHoRt_6I Minltle nrk ) That I love-

D a - k o - t a To the heau - ti-firl In - di - an

To the beau-ti-ful In -di-an

r - i r i f i r - r

Take nre back to the Black Hills. The

TOGETFf,R

Thke rne back to the Black Hills. The

l-

e . / -

r i r r i r i i r t t r t

Black Hills of

Black l-lills of

To the beau-ti-ful In - di -an coun - trv rht l

To the beau-ti-ful h - di-ar coun - trvp

that I

--

IF

tr1 t t t f t

Tempo di Polka e.renr pRlNCrpA.LSc'.rJ.l lndKrte.

BilIiutdDan.

Iovc---

-€>-

love

E T.*po di Polka

ll3

t-dtI ' C O L O N T L : N i e c r . , 5 c e

KATIE and folkrwed by CALAMI1 Y and BIL L.

Itfusic contiues ad .fades wr{er ewvhg diulogn aru! octinn.

114

N9 20-Crc.'DANNY: ('alamity can be lour bridesmail. . .

LOVE YOU DEARLY(KATIE & DANNY)

,r\ D\NNv Modcrate 4 (tWt rhvthmJ=I}8)

Love

6, cl..

you darr- ly,

More than I corrld ev - er kpe to say;Ft . r{- --:.

! ! ) jTp..8r"

words cant

Ir,lore than iust

Yrlu .sc--m to tltke' my

Lrxrks likc I likc vtrtrr hrrkrVl::,...-------------'.t *

Cup mure TP'I.

ve- ry breath a

flr-)-

tr

.ike ttu way yru're fashitrned;Z-__-____ |

+ _ + Z

If I sourd irn -passioned. dar- ling,

: - / - l +say

.L

Mayq + .

you dear-ly,

you dear-ly,

More than just sin - cere -ly

Morc ttnn just sin - cere - lv More than there are

Need I say rrced vou more and

Need I say need you nrrrr ard

Kate.

Dan.

rose-buds in a spring bou

rE

Kate

Dan

more sm, Kate

l r

KATIEa

. E v e r s i n c e y d g o t h e r e - c v e r s i r c t l 8 t f i 6 t m o m e n t l s a w y [ , ] ' w k m m y o u ' r e t h e o n l y o r e f o r m e ' . ' . ,

Morc than just cere - ly

you dear- ly, More than just

Necl I say need yor morc and

Need I say need lou more atd

More than there are

rose-buds spil€

F\

f i1

N9 2l

(lrc..BILL: .. . .disrupt th€ whdeftrt if ttrey w.p, l ikethat ! (fxrf )

Bright lValtz (t. = oo)O\LAMITY. , .(yelb to Btr.L) Let 'em

*e me:

TJ,er face the mean

back - tlq'll spit rbht

be - hara nice as ple, _

FINALETTO(CALAMITY & BILL)

things they get

just don't

f\

Cal.&BiII

Cal.&Bill

F fuoo.rato(J=72)BII-L: I take bmk *rythirgl sil okn,r-dtr oi'-at. ].youis srcgma red it. . . CALAMITY: H!.y -ywain'r cmirr'with mc! I hn,

Cal.&BilI

r20

BILL: I 'm takin' yu homc whether you

like it or not - so c'mon -CALAMITY: Now sce hcre, Bil l

trbe the same again! Exernt. CURTAIN

\U

If anyone catchcs you an' me this way, Deadwood City' l l nevcr

&grc tts ute

OPENTNG SCENE IVN9 22

Broadly(J =ao)

k

CURTAIN UP Eurer CALAMITY und B lL l .

,'.u,".. J^l J___. t ^ lL +

lE{

t22

N9 23 MY SECRET LOVE( CALAMITY )

Cue; B ILL : You ' l l ge t over Danny, too . .

Moderato (J = se)Dialozue over ntusic

CALAMITY: No. I won' t Al l I ' ve donefer months is d ream about ' im. . .

about g i t t in ' mar r ied '

an ' b r r i ld ing a l i t t le cab in . a r ' hav in ' k ids , an ' . I r€ally wanted all them things.... BILL: I was kinda hankerin' fc'em myself

EBroad 2(1 = n)BILL: l t a in t gonnabeeasy g i t t in 'her u ta my sys ten ,e i ther . . . She was mCAI .AMITY: Therc ' l l ncver he anothcr l i ke h im B i l l . . . no t fc r me. . . no t ever

bqut i fu f . . .and . . . so beaut i fu l . . .and . . . (k lss )so heaut i fu l . . .and female . . .and ( t i sses her pas t ionate l .v \ CALAMITY: B i l l

CA LA M ITY

c ----.-

lr*._

. t .

+The wav that dreamers of- ten

5-----how wonder-ftrt you are :

{>

C a l

i l t t '

And why I'm so in love with

shcut it from the hish - eit

lu

( 'al.

Moderate rhythm

And rnv secret love's rn secret, an - y

E .

a wh i le back? CALAMITY: Never heard o f im

J-)

over t l€ mounta ins . . . . CALAMITY: The way i t ' l l l ook , I shan ' t ever havc scn i t be fore ' ' .

told the gol -den last my heartb an op - en

Cup Br. W.W

*'------

;-_- r------->\3111; Who was tha t loo tenant yor t were te l l in ' me a lx ru t

BII-L: What yor say to us takin' a ride iust the trvo of us?

We ould watch the moon hangin' high

k

125

Come Prim

my secret love'.s no secret an- y - more

vin!. Fl

u----/u

MELOS er.ro REPRISE: MY SECRET LOVE(CALAMITY & BrLL)

z:--

NP 23a

Cw.'DANNY.' This me she loft m sa;n errything. Lisr,il. . . .

Moderate(J = t2o)in brc with pr. mtl ltlaytrc | m. but I'm not -not Jrn' morc

DANNY: Shut up and listen!"Crlamity's in krc with yu.

JfTurtt (Br cupr)

126

md lexp€t y)u're in

love with her, too, I ir trutn ue ouriglrt to mme betwen

Iyur tuo.Prctend it , I

rru A&hide Adams I Katic Bm rcwr ;w...GoodbyeDany'who srnc to Deduood-l existed. . .Sledoesn't l. .. .(He otnfus tle ma)

eI

J

"Never existcd".... Shc was the most real Derson in Deadwood.

(with sudden resolution) I've Fotta bring her back.... Thcre's nothin'elsc for it- I've gotta bring her back!

But shc's on her way to Valley Falls -

But she ain't gonna catch no stage - not while I can ride faster'n anywoman alive! I'm gittin' back to the cabin. quick! Bill. you cansaddle up fer me, while I get m'deerskins on.... While Im gone, finda preacher ro do the splicin'! .... Dannv, you git back to thehrt an'invitc the folks to a weddin' a double weddin'- you and Katie, 'n

me and Bill.

(after a stunned pause) Did- did you say you-and-- Bill?

Thafs right!

Sure is.

Well I'l l be! .... Bill, I don't know what kind of alife vou'llhavcwith this catamount. .. ,. .

E o*",r,

BILL

CALAMIry

DANNY

CALAMITY

DANNY

CALAMITY

BILL

DANNY

E g.ro 2 (s = tz)

. , . b u t i t a i n ' t g o n n a b e d u l l l

Timp. rol l .

l|---

127

- d i ls ! last

St3s y1.yY

our sec- ret love's no

our sec - rct lovels no

-

h; bi

my heart's an op - en door,

my heartban op- en door.

a n - y

tPn. ten

a n - y - m o r e !

6 Con motoI e n . - > >

t ? lE Con moto

t28

N9 24-

Bright 2 ( J = r o s )=\

REPRTSE: WINDY CITY( CHORUS )

> > >

. f l ,u. c ' t to '

IL

NOTS: If shmter scene-change music is requirc<l,thc first rLpcat may hc rmittcd,or a start mrd€atcithe.@ot @

u)

s

Just blew in fromthe win-dy ci-ty, The win-dy Ci-ty is migh - ty prett%But tlrey aint got whatI''EN

/--------\ |o - - A ,

l

G

No, sir - reel Theygot shackstpto sev-en storeys, They rt-\€r see any

o,,--\i4---4 .E

morning glories, But a S from our door - way We got 'em for free!

4 F

het - ty la-dies in their big chapeaux.

minstrel shows

l .

tep

tJ

lawns, public parls, Ah

Stt! . Sxs Stt. W.W.

L

civ-ic virtug Thdw got fountains ttrcre to squirt yan!

--.3r

migh - ty pretty,But they ain't got what we

t?ta l a

Jus blew in from the Windy Ci- ty, The Win-dy Ci- ty is

Iln tel - lin' pu boys!

{_---1 4-T.e

------c -

Deadumod Ci - tv than in all

132

N9 2s- FINALE(FULL COMPANY)

C r r e : R \ T f I . F S N A K F : D e a d r v o o d S t a s e a l l r t , a d v f e r t h c r v e d d i n . p a r t y !

Bright (J = ros)

Beauti - ful

r-- .'----1

Oh. the Deadwoodstase is a- rol-l in'on ov-er the

With the cur-tains flappirlzurdthe driver a - slappin'the reins

)-->).Whip crack a -way, whip

\

crack a-way,\44tipcrack a - wayl-__.-___.- Oh, tlre Deadvrood Stage is a heidin' on ov_cr the-_-.*--

In - jun arrc^ 5 are a - dricker thrn porkcrpine quills

*ft-

F,t- a

lq--.+ a ts\.+ ltq\.r d

'---___i_---

A,-'---,).Dangerous land

r----r

ls\2 J

Whipcracka-way,Whip cru* a-waSt Whip crrck a - wa1,!

and she das- nt need a

tr

l3tt

CIORUS GIRLS

a'charming wed-ding

2rcO

kind of ho- cus p,r- cus that she &ps so welli

EJsbr*

Hey pres - to. change-q std-den - ly the sun corres pop-pirrgW.W. (Sx)

lx

Fry.

Tempo primo

What does mb - trr Sun - shine sav to

E nn*, ^te 4 ()= n2)

+ " - J - t -

wonderful arms. Yan'vept twot . - -

vorderful lbs,

one I a-dore.

Ile gm tu'o

Tell us

twen-ty one- and I'm free- You're>

gpt you bfol€ smEbody shook you do"m fmm the tree;

s-

137

Frv

sweet as a hive full of hon - e1i- So let me be ycur honev

- -= :b -= tt----------=--

vou darr-ly,

LoveStgs

More tkrn there are rmc-buds in a

ECon motoEttter K.\fIE aari DANNY

>

u-r-------u

More than iust

More than jrrst sin - cere - ly.

138

Kate.

Need I say need you mcrc and more

Need I say need rru ntorc and ITIore day?

E Moderate 4

I wculdneverfall- But rnw Im not a-fraidtotell:- My br'e,rny love is higherthm a

StSs W.W

* - - - - * +---=..- /

haq&., and deeper than a Brter CALAMITY

S

last my heart's an op - en

told the gol - den

Sttr W.W.(Srt

my sec- ret lor,eb no sec- ret

tbr heart's an op - en door, And her sec-ret loveb no sec-ret

\l/

Dead-wo<xl Stage is a rol-l in'on or.er the plains.

flap-pin'and the dri-ver a - slappin' the

wrh the

-f,.'t

t4l

'-\-___L-----l-

skies won-der-ful day Whip crack away, Whip

Oh. the Dead-wood stage is a-

Where the In - iun ar-rou,s are a -

)-).

crrck a-way. Whip crack a - wayl

hea-din'on ov-er the

IT\- - a €-1 )

t+.+ l fq\e a f5\e as

1 A

- thicker than porkerpine quil ls.

l----;-----

Fr+ arS\

f,--- IJ i

Whip crack a -wdy, whip cracl< a'way, whip crack a-

J J tt

> > > > > >

c----T---c---T-

crack

1' +

'WhipI

4+

ENDOF PLAY

143

N9 26-

Take me back- Take

CURTAIN CALL(THE BLACK HILIS OF DAKOTA)

Hills, The

me back-

EJ FULL CoMPANY

, Take nre back- Take me

? | | y p ITidke me badr to the Black

To the

Take me back to the Black

Stgs ptzr W.W.

t r tTake me back._ Take me

Hills, Ttre

?G

back. -

I r v r v ' 7 r rbeau - ti - ful In - di - an ioun - try that I love

I

That I love-Take me back. - Take nre back.

beau - ti - ful In - di - an coun - trv that I

Steady4(J= tos )

I-ost my heart - Lost my heart-

lnst my hart - lost mY heart-

? | | r 7 | | rLixt my heart in the Black Hills, The

BlackHillsof Da - ko - fa-Where the pines are stthigfrtkttlq

Lost my heart in th Black Hills, The

Stts pizz W.W.

kiss the sky a - that lone - some feeling, and I'm

b

I hear the roice of the nly-stlc lrlountalns

\.

Take me back to th

Cho

---i_--

home-

i r i

r l lTake me back,

Take nre back to the Black Hills,

Thke me back.

Hills, The BlackHilhof

Tlrc Black Hills of

To the beau-ti-ful In-di-an coun-trv that I

Take me back to tlre

me brck to the Bhck

lore. Bltck

hdBlack Hil ls of Da- ko - ta- To the belu-ti-ftr l In-di-an coun-try tltru I

J J

I

t--7--- g

Hills,

K..-

141

\9 '27

- PLAY. OUT

Moderate2 (J=88)

- - * 1

148

t lr ' l l -

-r-

-- I

a | | n 4r I I I O C -

==-

/T-t -

- l

'---i) '{>

T'

R-_ .

> { >