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ICADUPSTARTSWINNER2008

General Information. >>

Name Emmett Robert OMalley

Address Louisburgh, Co. Mayo

Date of Birth 2nd of April 1984

Mobile 087 7741212

Email [email protected]

Degrees. >>

06/07Athlone Institute of Technology, BA (Hons)in Design in Visual Communications; Second Class

Honours Grade One.

07/08 Athlone Institute of Tecnology, BA (hons)in Design in Visual Communications; Second ClassHonours Grade One.

Software skills. >>

Adobe Photoshop; my abilities are excellent.Adobe Illustrator; extremely competent.Adobe Indesign; my general use is excellent.Adobe flash; my capabilties are Very Good.Adobe Dreamweaver; A good working knowledge.Quark; my general use is excellent.Microsoft Office; Excellent.

Operating Systems; I am highly competentin the use of both OSX and Windows.I have also knowledge of html and css.

Recent Achievements. >>

Awarded a place on the ICAD Upstarts programme 2008.

Cv

Mission Statement.

I have an intense desire to be the best ican amongst my field. I strive to innovateand approach a problem from a highlycreative and informed angle.

Career Objective.To find a position where i can develop mydesign skills while simultaneously being aneffective team member. I am extremely eagerto contribute positively and effectively in thesphere of design communications.


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I ri ; c ll ct l u lic ti n n th li n r Liv r l t r c u h.

ISTDSubmission

07A booklet produced in response to an ISTD brief charting the lifeand works of liverpool poet Roger Mcgough.. The booklet was

entitled Less Space reflecting on the nature of it as a collectable.


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I ri ; c ll ct l u lic ti n n th li n rk Liv r l t r c u h.

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I ri ; c ll ct l u lic ti n n th li n rk L iv r l t r c u h.


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r n l r l n h h n r , h r n h r n l r .

PersonalProject

A project undertaken in 4th year exploring the meaning of the wordstereotype. Two stereotypes from modern society were also examined- the Chav and Emo. A poster was also produced based on the notionof common typographical errors that are commited by young designers,entitled 13 Stereotype Sins.


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Printedin the Republicof IrelandNo partof thispublicationmay be copied

withoutthe permission of the publisher

MidlandsArt sand Culture Magazine

ssue one Winter2007

9 780907 328636

//////////////////////////////////////////////////////////////////////

//////////////////////////////////////////////////////////////////////

//////////////////////////////////////////////////////////////////////

//////////////////////////////////////////////////////////////////////

L c l i l n Cultur n rt in ri .

{Contents}

{2} 4 play.

{4} Electric Art.

{6} Cultural Glue.

{10} It Was Pure Mule in the Midlands.

{14} Whats Going on Here?

///////////////////////////////////////////////////////////////////////////////

LocalMagazine

A project undertaken in 4th year the aim of which was to producea local Arts and culture magazine for the midlands region. The primary focusof the magazine was to highlight the variety of cultural events and activitiestaking place while giving the region a sence of community.


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2016.

;.

,

.

h n n h .

2016

h n n h .

ICADUpstarts

08A winning entry solution for the 2008 ICADUpstarts exhibition. The brief was to create a visualidentity for the Irish Olympics in 2016.

The Rationale.

The logo which i have devised is a

strong, bold and energetic statement

which i believe in turn reects the cityand people of Dublin. Ireland in the

21st century is a nation in a constant

state of Flux. We are embracing newnationalities while still being proud of

our own heritage.

The logo consists of strong geometric shapes, from these shapes

Dublin emerges. The white space within the logo creates a

dynamic effect and along with the somewhat abstract lettering

should insure the logos longevity. The white space in turnconveys a feeling of the city on a physical level in terms of its

compact size and planning. In essence the logo represents the

coming together inharmony of many different elements. Just

like the city itself is divided by the river liffey, so to is this

division apparent within the logo. But divisions are made to be

broken! The Olympic rings stands at the centre of the logo,

breaching the gap, a unifying symbol bringing people together

on a level playing eld. The division among the letters becomes

more about an out strethed arm which unites all the letters of

the word Dublin.

The strong geometric feel is counter balanced by the curved

lettering while a playful notion is represented in the letter

D. This mouth like shape symbolises the Irish and our love of

talking and getting to know one another. While the lettering

may seem abstract at rst, 2016 is unmistakabley identifyable.

Numbers are a universal language and for this reason i decidedto place the year below the logo in a prominent position while

still working in harmony with the logo above. I feel this logo is

highly compact and versatile identity and could be implemented

in many ways through out the Olympic games. For example the

pattern of the logo creates a highly seductive and enegetic feel

which could be applied to hoardings whether it be around the

olympic stadium or at press conferences. The colour scheme i

used for the logo is an eye catching yellow reecting the energy

and vitality of the Games. I feel this solution is a courageous

and striking design which would symbolise a new Ireland to

the rest of the world.


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347

VOODOO isthefolk religion of haitiwhich hasafrircan

androman catholicelements.Theword voodoo meansGod

orSpirit .Drumminganddancingareusedin Voodoo

ceremoniesto evokethespirits known asLoa.During

theceremony theLoaenterstheworshiper.TheLoamay

s ing,dance,g iveadiceandpreformcures.

Thetraditional art of themagician isdissapearing.

Voodoo isan excit ingnewmagicsociety andyoucan

bepart of it .Ouraimis to inspireanewgeneration

to becomemagicians. to learn theart of illusion

andhelp ensurethe survival of magic.

Voodoo mixesthe oldwith thenew,the known with

theunknown,wisdom with skill.Through determination

andpracticeyouw ill amazeyourfriendsandearn the

respect youdeserveasamagican.Voodoosvast

knowledgeandi tslinks with otherwell known and

establishedmagicans meansyou haveaccess to a

wealth of knowledge.

635

Therearethree stagesthroughwhicha Voodoomember

willgothrew. You arecurrentlya guestof theVoodoo

society,afterwhich you becomean officialmember.

Duringthethird stageyou willhaveac cesstomany of

Voodoossecrets.You willreceiveexclusivepublications

fromVoodooalong witha Voodoopackcontaining

informationonthe artof illusion,mindcontrola nd

hypnosis.Inorder tobecome anofficialmember of the

Voodoosociety,pleasevisit ourwebsite.There You will

beaskedto enteryourown personalmembershipnumber

whichis containedwithinthis pack!

The VoodooSociety

Publicrelations-wise,Vodouhascome tobe

associatedinthepopular mindwith theloreabout

Satanism,zombiesand"voodoo dolls."Whilethereis

evidenceofzombie. itisa minorphenomenonwithinrural

Haitiancultureandnot apartof theVodoureligionas

such.Suchthingsfallunder theauspicesofthe bokor

orsorcererrather thanthepriestof theLoa.

Thepracticeof stickingpinsin dollshashistoryin

Europeanfolkmagic, butitsexact originsareunclear.

Howitbecameknownasamethodofcurs ingan

individualbysome followersofwhathas cometobe

calledNewOrleansVoodoo, whichisa localvariantof

hoodoo,isa mystery.Somespeculatethatit wasused

asameans ofselfdefenseto intimidatesuperstitious

slaveowners.Thispractice isnotuniqueto New

Orleansvoodoo,however,and hasasmuch basisin

European-basedmagicaldevicessuch asthepoppet

andthenkisi orbocioof WestandCentralAfrica.

Thesearein factpowerobjects,what inHaiti wouldbe

referredtoas pwen,ratherthan magicalsurrogates

foranintended targetofsorcerywhetherfor boonor

forbane.Such voodoodollsarenot afeatureof

Haitianreligion,althoughdollsintendedfor tourists

maybefoundintheIronMarket inPortauPrince.The

practicebecamecloselyassociatedwith theVodou

religionsinthepublic mindthroughthevehicle of

horrormoviesand popularnovels.Thereisa practice

inHaiti ofnailingcrude poppetswitha discardedshoe

ontreesnear thecemeterytoact asmessengerstothe

otherworld,whichis verydifferentinfunctionfrom

howpoppetsare portrayedasbeing usedbyvoodoo

worshippersinpopularmedia andimagination,

Myth andMisconception

WITH ALL

POWER COMES

RESPONSIBILITY YOUBELONG

TO VOODOO

MEMBERSHIPCARD

0347635901

EmmettOMalleyNAME

MEMBERSHIPNUMBER

SIGNATURE

07/08

(TheVoodoosociety) usesmagicfor theforcesof goodand

positivity,tobring enjoymenttoothers, toentertainand mystify,

andultimatelytocarry theartof magicintothe futureinorder

tosustainitssurvival. TheVoodoosociety alsostronglybelieves

intheuseof spellsandthepowerof thehumanmindinorderto

positivelyinfluenceothers.Voodoodose notuseincantationsfor

negativeorharmful purposes!Any spellsyou receivefrom

Voodoowillbe basedonachieving a positiveoutcome.

ubl icrelat ions -wis e,V m

associatedinthepopul min wi

S at an is m, z om bi es a nd " v " i i

e v id e nc e o f z omb i e. i t i s m i n n m n n w i i n

ait iancultureandnot i in

u ch . u c h th in gs f al l n i k

orsorcererratherthan i

T h e pr act i ce o f s ti c ki n g i n i n i y i n

ni m m i n "v " i ini m m i n "v " i i

n n n k n k h .

ISTDSubmission

06A package i developed in response to an ISTD brief whereby one was asked to create a magic society to bring about arenewed interest in the art of magic. An identity and namealong with various stationary was also produced.


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