MIROSLAV NEMETH - culturenet.hr att... · 2010-09-22 · nog života, igre i druženja s vršnjacima, te posebno likove iz stripova koje pasionirano kupuje. Želi nastaviti školovanje

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MIROSLAV NEMETH

REPUBLIKA HRVATSKAMINISTARSTVO FINANCIJA

POREZNA UPRAVA

IZLOŽBENI PROSTOR POREZNE UPRAVEZAGREB, AVENIJA DUBROVNIK 32

CIP zapis dostupan u računalnom katalogu Nacionalne i sveučilišne knjižnice u Zagrebu pod brojem 743316 ISBN 978-953-6758-90-6

SLIKA NA NASLOVNOJ STRANI: BEZ NASLOVA, 1996.

CRTEŽIDRAwINgS

ZAGREB, 23. IX. – 2. XI. 2010.

MIROSLAV NEMETH

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CRTEŽI MIROSLAVA NEMETHA

Osnovno Nemethovo likovno opredjeljenje za grafiku razvilo se u dvije prividno različite grane. S jedne stra-ne u gestualni crtež, a s druge u svojevrsne likovne poliptihe u kojima osnovna forma preoblikovanjima i otis-cima stvara složene scene intrigantnoga likovnog scenarija. Nemeth u crtežima, često i neuobičajeno velikih formata, osmišljenih masama crnila, oblikuje ekspresio nističkom pokrenutošću površinu bogate sadržajnosti. Trovrsnošću akromatskog, crnog, sivog, bijelog, nastaju plohe oblikovne slojevitosti, sklada i sraza masa kompo-zicijskog jedinstva, formi proizišlih iz neposrednosti iskaza, osvojene slobode poteza unutar kojeg prepoznaje-mo Nemethove rukopisne značajke, dinamiku (čak vid agresivnosti) slikarske emotivnosti opredmećenoj u ener-giji polja. Na prvi pogled apstraktnog izričaja, slikarske nepredmetnosti koja ipak otkriva motiviku asocijativ-nog karaktera. Nemeth, iako imenuje slike “Bez naziva”, slika dramu čovjeka, smisao postojanja, njegovo fizičko i duhovno razaranje, potaknuto konkretnim situacijama, ali i onim kontinuiranim egzistencijalnim i esencijal-nim pitanjima i sumnjama. Ciklus, nastao 1995. godine, realiziran u zgusnutosti vremena, odraz je razmišljanja i senzibilnog doživljavanja stvarnosti, prepunoj paradoksa, strahova, ali i traga nade. Udaljavajući se od klasič-no lijepog, Nemeth nije izgubio osjećaj za red, odmjerenost fragmenata u prožetosti “pozitiva” i “negativa”, posti-žući i slutnju dubine prostora te uzdižući bjeline do blistavosti svjetla. U kompozicijama naznačene simetrično-sti i pomaknutih akcenata zbivanja, zgušnjavanja u jednom polu slike i otvaranja na drugom, razvijaju se stanja psihogramske ispovjednosti. Ono racionalno u pristupu podržava likovnu i sadržajnu ideju, no u stvaralačkom procesu uzbudljivost čina prihvaća i kontroliranu slučajnost, razvijanje mrlje do nepredvidivosti obrisa, preplete crtačkog tkiva dovedene do probijanja zadanih koridora. Oblikovni krateri živi su organizmi, sukladni autentič-nosti umjetnikova unutrašnjeg svijeta i traženje su istine snagom uvjerenja, putem relativno reduciranih likov-nih sredstava. Nemeth je shvatio da neboje, crno i bijelo, predstavljaju i sve boje, početak su i kraj, sukus kromat-ske raskoši, dostatne za razumijevanje odnosa, za tankoćutnost dijaloga i udare do bola, za sav repertoar ljudskih raspoloženja. Slike su preslik Nemethovih treptaja trenutka, ali i kumuliranja iskustva, koje u njegovu predanju likovnom svježinom i kreativnom uvjerljivošću postaju djelo.U drugom segmentu izložbe, u stripovskom slijedu crteža, suodnosa bliskih animiranom filmu, Nemeth oblicima geometrijske čistoće sklada likovne priče, s nenametljivim provlačenjem note humornog. Figurativno je pribli-žio znaku primjenjujući oblike čitke siluete, s promjenjivošću elemenata kroz postavljene kadrove. Četiri isječka postavljena u dva para, jedni ispod drugih, sugeriraju kretanje u mijeni oblikovne činjeničnosti. Nemeth preti-skom i kolažiranjem postiže zanimljive pomake izmaštanih likova. Osim toga, Miroslav Nemeth transparentno-šću papira, s izvorom svjetla u konstrukciji slike dobiva novu dimenziju u izražajnosti linija, tretmana prostora i jasnoću u praćenju tematskih varijacija.Vidljivo je da je Nemeth umjetnik sklon izazovima, s ravnopravnim prepuštanjem crtačkoj bujnosti, ali i minuci-oznoj razradi likovnog koncepta. Ostajući svoj, s poveznim nitima unutar različitosti izgrađenog opusa.

Stanko Špoljarić

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DRAWINGS BY MIROSLAV NEMETH

Nemeth’s fundamental artistic commitment to graphics has developed into two seemingly different branches. On one hand there is the gestural drawing, and on the other there are certain fine art poliptychs where the reshap-ing and printing of the basic form creates complex scenes and thus an intriguing artistic scenario. In his most-ly large-format paintings Nemeth with the thought-through black masses and with expressionistic skill shapes a surface of a full content. Three types of achromatic colours, black, grey and white result in surfaces which are layered in its shapes, where harmony and collision take place between the masses of compositional unity, where forms evolve out of the immediacy of presentation, where the mastered freedom of brush which defines Nemeth’s signature is shown in characteristics such as dynamics (even a hint of aggression) in the painting sensitivity, as realised in the energy of the field. At a first glance his expression is abstract but the non objectivity of his paint-ing still reveals motifs of associative character. Even if Nemeth titles his paintings ‘Untitled’, he presents human drama, the meaning of existence, its physical and spiritual destruction, initiated by concrete situations and also by those continuous existential and essential questions and doubts. The cycle from 1995, realised in a short peri-od of time, is a reflection of thought and sensibility towards the experience of reality which is full of paradox, fear, but which also contains a streak of hope. When distancing himself from what is classically beautiful Nemeth does not lose touch with order, steadiness of fragments in the imbuement of ‘positives’ and ‘negatives’, thus also achieving the premonition of the depth of space and lifting the whiteness to the brilliance of light. The compo-sitions of designated symmetry and removed accents of events, of density on one pole of the painting and open-ing on the other, develop states of psychogramic confession. What is rational in the approach supports the artis-tic and contextual idea, but in the process of creation the thrill of the act accepts controlled coincidence as well, the development of a smear into unexpected contours, intertwined artistic tissue brought to the breach of the set corridors. The shaping craters are live organisms, in accordance with the authenticity of the author’s internal world and they represent the search for truth powered by belief, on the path of relatively reduced artistic means. Nemeth realised that the non colours, the black and the white, also represent all colours, that they are the begin-ning and the end, the essence of chromatic wealth worthy of the understanding of relationships, for insensitive-ness of dialogue and painful blows, for the entire repertoire of human moods. The paintings show Nemeth’s copy of the blink of a moment, but also the accumulation of experience, which because of his devotion to artistic fresh-ness and creative credibility become a work of art. With regard to the other segment of the exhibition, in the strip-like succession of drawings, where relationships are similar to those of an animated film, Nemeth uses forms of geometrical purity to compose artistic stories, while unobtrusively inserting notes of humour. He brought the figurative nearer to the sign while applying clear silhouette forms with interchanging of elements through the set scenes. Four extracts set in two pairs, one under the other, suggest movement in the exchange of formative factuality. With double press and collage Nemeth achieves interesting moves of the imagined characters. Furthermore, with the transparency of paper and the source of light inside the construction of the painting Miroslav Nemeth achieves a new dimension in the expres-siveness of lines, treatment of space and a clarity in following thematic variations.It is obvious that Nemeth is an artist prone to challenges; he gives over to the exuberance of painting equally, but carefully contemplates the artistic concept. He remains true to himself and while his opus is diverse there are threads inside it which bind it together. Stanko Špoljarić

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BRNJICA 2, 1995.MUZZLE 2, 1995

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USPOMENA NA JEDNOG PSA, 1995.

MEMORY OF A DOG, 1995

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BEZ NASLOVA, 1996.UNTITLED, 1996


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POVEZANOST, 1995.BOND, 1995

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TRIPTIH 1, 1997.TRIPTICH 1, 1997

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TRIPTIH 2, 1997.TRIPTICH 2, 1997

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DASKANJE 3, 1994.SURFING 3, 1994

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DASKANJE 1, 1994.SURFING 1, 1994

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ŽIVOTOPIS

Miroslav Nemeth rođen je 8. kolovoza 1968. godine u Zagrebu. Vrijeme ranog djetinjstva provodi u bezbrižnom odrastanju u obitelji, gdje uz oca, već poznatog arhitekta, počinje crtati motive iz svakodnev-nog života, igre i druženja s vršnjacima, te posebno likove iz stripova koje pasionirano kupuje. Želi nastaviti školovanje na Školi za primijenjenu umjetnosti, no upisuje se na Građevinsku školu u Novom Zagrebu, u kojoj, tijekom školovanja, sve više vremena provodi uz crtaći blok i svakodnevno crtanje, sa željom da liko-vno usavršavanje nastavi na Akademiji likovnih umjetnosti. Konačno 1987. upisuje se na pedagoški smjer Akademije likovnih umjetnosti u Zagrebu. U likovnom sazrijevanju Miroslava Nemetha važan su doprinos dali već afirmirani profesori na Akademiji likovnih umjetnosti: Dubravka Babić, Zlatko Keser, Rudi Labaš i Ivica Šiško, nudeći svojim studentima svu raskoš mogućnostî koje je pružala moderna umjetnost. Nakon druge godine studija, tijekom 1990. i 1991., Nemeth se s posebnim žarom uključio u grafičku klasu prof. Ivice Šiška. Kreativna atmosfera bila je vrlo poticajna. Počinje stvarati svoj likovni jezik pod utjecajima povijesnih avangardi i novih trendova u umjetnosti. Sudjeluje na izložbi studenata grafike u Malom salonu Moderne galerije u Rijeci. U Zagrebu sudjeluje na apsolventskoj izložbi te 1992. godine na XXIII. salo-nu mladih. S grupom umjetnika, kolega s Akademije, 1993. godine sudjeluje na izložbi u Kopenhagenu “Crosing over-Zagreb-Kobenhavn”, u organizaciji Željka Zorice i Muzeja suvremene umjetnosti i kustosa Tihomira Milovca, te na izložbi “container art”, priređenoj na jednom trgu u danskome glavnom gradu. Prvu samostalnu izložbu priređuje u Galeriji CEKAO pod nazivom “Rekonstrukcije”. Kao diplomski rad ručno je otisnuo seriju grafičkih otisaka na medijapanu te bio jedan od nagrađenih diplomanata. Diplomirao je 1995. godine u grafičkoj klasi prof. Ivice Šiška. Iste godine radi strip seriju radova “Izvan igre”, koju je realizirao u tehnici linoreza, na više od 150 listova po 5 primjeraka. Sa serijom od dvadesetak crteža velikog formata, snažne ekspresivne crno-bijele geste, Nemeth odgovara na rat i stradanja u Domovinskom ratu. Povremeno izlaže na kolektivnim izložbama poput Salona mladih i na strip festivalima. Godine 1999., na Salonu stripa u Vinkovcima, dobio je treću nagradu za duži strip, a 2001. postaje članom multimedijalne strip grupe “Divlje oko”, s kojima je imao vrlo zapažene strip izložbe. U najnovije stripove unosi svjetlosni okvir, pa nastaje serija radova strip objekata pod nazivom “Xeroxarium”, čija je glavna karakteristika moder-ni likovni rukopis i transparentnost. U tim radovima zastupa multime dijalni pristup stripu, što njegove radovi čini manje ilustrativnim, ali likovno potpuno novim u suvremenome likovnom izričaju. Paralelno s “Divljim okom” nastajali su kontakti sa slovenskim strip entuzijastima i izdavačima svjetski poznatog fan-zina “Stripburger”, koji su mu objavili stripove u nekoliko svojih edicija, a 2003. pozvan je da s njima ide na veliki strip festival u Berlin i da sudjeluje na izložbi u sklopu festivala “Warburger”, nazvanom prema strip antologiji, ediciji koju su naši susjedi Slovenci posvetili besmislu rata i objavili s autorima stripova selekti-ranih iz čitavog svijeta. U toj ediciji Miroslav Nemeth bio je jedan od sedam jednakovrijedno nagrađenih autora sa serijom svojih radova u linorezu pod nazivom “Pad armije” (The fall of the army). Posljednji uradak stripa “stereostrip” izložio je na izložbi natječajnih radova 2010. u Studentskom centru u Zagrebu. Živi i radi u Zagrebu. Adresa: Aleja Hermana Bolléa 3, tel./fax: 01/462 4502, mob.: 098 906 64 09 i 049 468 3444, e-mail: [email protected]

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BIOGRAPHYMiroslav Nemeth was born on 8th August 1968 in Zagreb. He spent his early childhood growing up in a carefree family environment where the father was a well-known architect, so he began drawing motifs from everyday life, from playing and socialising with friends, and especially from the characters of the comic books he read passionately. He wanted to continue his education at the School of Applied Arts but he enrolled in the School of Construction in Novi Zagreb, where he started spending more and more time drawing because he wished to continue his artistic education at the Academy of Fine Arts. Finally, in 1987 he started studying there at the department of pedagogy. Among the already well known professors at the Academy a considerable contribution to Miroslav Nemeth’s artistic growth came from Dubravka Babić, Zlatko Keser, Rudi Labaš and Ivica Šiško, who all introduced their students to an abundance of possibili-ties modern art had to offer. After his second year, during 1990 and 1991, with special enthusiasm Nemeth joined the graphic class of professor Ivica Šiško, where the creative atmosphere proved to be very encourag-ing. Nemeth began creating his own artistic language, either influenced by historical avant-gardes or new trends in art. He took part in the exhibition given by graphics students at Mali salon of Moderna galerija in Rijeka. In Zagreb he took part in the graduation exhibit and in 1992 at the XXIII Youth Exhibition. In 1993, together with a group of friends from the Academy he took part in the Copenhagen exhibition ‘Crossing over – Zagreb-Kobenhavn’, which was organised by Željko Zorica and the Museum of Contemporary Art and curator Tihomir Milovac, as well as in exhibition ‘container art’ which took place on one of the squares in the Danish capital. His first solo exhibition took place at CEKAO gallery and was titled ‘Reconstructions’. For his diploma work he manually pressed a serial of graphic prints on mediapan and was therefore award-ed. He graduated in 1995 in the graphic class of professor Ivica Šiško. In the same year he made a comic strip serial ‘Outside the game’, realised in the linocut technique on over 150 sheets and in 5 copies. His serial of around twenty large format drawings, of powerful and expressive black and white gesture, was a reaction to war and the victims of the Croatian War of Independence. Occasionally Nemeth took part in collective exhibitions such as the Youth Exhibition and comic book festivals. In 1999 at the Comics Exhibition in Vinkovci he was awarded third place for longer comic strip, and in 2001 he became a member of a multi-media comics group called ‘Wild Eye’, in the association of which he had some very successful exhibitions. His most recent comic strips feature a light frame, which led to a serial of comic strip objects ‘Xeroxarium’, the main characteristic of which is a modern fine art signature and transparency. These works show his multimedia approach to comics, which make them look less illustrational but artistically completely new in the contemporary artistic expression. In parallel with ‘Wild Eye’ he made contacts with Slovenian comics enthusiasts and publishers of the world known fanzine ‘Stripburger’, who published his comics in several editions. In 2003 he was invited to join them on the big comics festival in Berlin as well as to take part in the exhibition at ‘Warburger’ festival, named after a comics anthology, an edition our neighbours, the Slovenes, published as a dedication to nonsense of war and the authors of which were selected from all around the world. In this edition Miroslav Nemeth was one of the seven equally awarded authors with his linocut serial ‘The Fall of the Army’. His most recent comic strip ‘stereostrip’ was shown at the tender exhibition 2010 at the Student Centre in Zagreb. He lives and works in Zagreb, his address is Aleja Hermana Bolléa 3, tel/fax: 01/462 4502, mob: +385 98 906 64 09 and +385 49 468 3444, e-mail: [email protected].

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SAMOSTALNE I SKUPNE IZLOŽBE (od 1992. godine)SOLO AND GROUP ExHIBITIONS (since 1992)

IZLOŽBE VEZANE UZ STRIP (od 1995. godine)COMIC STRIP ExHIBITIONS (since 1995)

1992. ZAGREB, MGC Gradec, izložba studenata ALU “Rat u Hrvatskoj”

RIJEKA, Mali salon Moderne galerije, izložba studentske grafike

ZAGREB, Galerija “Vladimir Nazor”, izložba apsolvenata ALU

ZAGREB, Galerija Studentskog centra, izložba apsolvenata ALU

BRATISLAVA, “Istropolitana project” NOVA KRALJEVICA, Galerija “Ana Katarina”,

izložba grafike ZAGREB, Klub Arabesca, Daniel Kovač -

Miroslav Nemeth POREČ, Romanička kuća, Daniel Kovač -

Miroslav Nemeth ZAGREB, XXIII. salon mladih

ZAGREB, “Klub Gjuro II”, Daniel Kovač - Miroslav Nemeth

ZAGREB, “Crosing over-Zagreb- Kobenhavn”1993. KOPENHAGEN, container art ZAGREB, Galerija CEKAO,

“Rekonstrukcije”1995. NOVO MESTO, Dolenjski muzej, izložba grupe

autora ZAGREB, Zagrebačka banka, izložba

nagrađenih diplomanata ALU1996. ZAGREB, I. hrvatski trijenale crteža1998. POREČ, Mala galerija Otvorenoga pučkog

učilišta, izložba radova autorâ XV. slikarske kolonije “Riviera” Poreč

2010. ZAGREB, Ministarstvo financija, izložbeni prostor Porezne uprave

1995. ZAGREB, “Gjuro II”, samostalna izložba stripova “Izvan igre”

1996. ZAGREB, XXIV. salon mladih, izložba grupe autora u koncepciji “Ironija i cinizam”

1998. ZAGREB, XXV. salon mladih, izložba stripa u Galeriji “Vladimir Nazor”

ZAGREB, Strip festival “Crtani romani šou” ZAGREB, Galerija “Vladimir Nazor”, Promocija

4. broja strip fanzina “Katakomba” i izložba autora

1999. VINKOVCI, Salon stripa Vinkovci, izložba natječajnih radova

ZAGREB, Strip festival “Crtani romani šou”2000. ZAGREB, XXVI. salon mladih, izložba stripa

grupe autora “Strip Strip hura” ZAGREB, Strip festival “Crtani romani šou” 2001. ZAGREB, Galerija primijenjenih umjetnosti

Studentski centar, izložba multimedijalne strip grupe “Divlje oko”

BJELOVAR, Gradski muzej, izložba multimedijalne strip grupe “Divlje oko”

ZAPREŠIć, Gradska knjižnica, izložba multimedijalne strip grupe “Divlje oko”

2002. ZAGREB, Galerija “Vladimir Nazor”, izložba multimedijalne strip grupe “Divlje oko” PULA, Multimedijalni centar Luka, izložba

multimedijalne strip grupe “Divlje oko” LJUBLJANA, BREAK 21, V. međunarodni

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NAGRADE ZA STRIP COMIC STRIP AWARDS1999. VINKOVCI, Salon stripa Vinkovci,

treća nagrada za duži strip2003. LJUBLJANA, Edicija “Warburger” (Stripburger,

Forum Ljubljana), jedna od sedam jednakovrijednih nagrada za strip u okviru edicije

2003. ZAGREB, Crtani romani šou, treća nagrada natječaja na temu “Zločin i kazna”

festival mladih neovisnih stvaralaca (strip sekcija) “Kapelica”

ZAGREB, Animafest, izložba multimedijalne strip grupe “Divlje oko”

ZAGREB, XXVII. zagrebački salon, Primijenjena umjetnost i dizajn, izložba multimedijalne strip grupe “Divlje oko”

UMAG, Galerija “Marin”, izložba stripa i multimedije “Nuclear Age Nomad” & “Divlje oko”

ZAGREB, Strip festival “Crtani romani šou”, Promocija CD-a strip grupe “Divlje oko”

2003. BEOGRAD, “Novi hrvatski strip” BERLIN, Comic festival, izložba “Warburger” u

okviru festivala ZAGREB, Crtani romani šou, izložba

natječajnih radova

2004. BARCELONA, XXII. internacionalni salon stripa, izložba “Warburger”

BJELOVAR, Gradski muzej, Mala galerija, samostalna izložba stripova

2005. VINKOVCI, Gradski muzej Vinkovci, Galerija likovnih umjetnosti “Stanko Kopač”, izložba multimedijalne strip grupe “Divlje oko”

2006. ZAGREB, Galerija Modulor Centra za kulturu Trešnjevka, samostalna izložba stripova “Xerox creatures”

2007. VINKOVCI, Gradski muzej Vinkovci, Galerija likovnih umjetnosti “Stanko Kopač”, samostalna izložba stripova

2009. BJELOVAR, Gradsko kazalište, izložba stripova grupe autora u sklopu kazališnog festivala “BOK”

2010. ZAGREB, “Stereostrip”, Studentski centar, izložba natječajnih radova

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POPIS IZLOŽENIH DJELA / LIST Of ExHIBITED WORKS

1. BEZ NASLOVA, 1994., medijapan, monotipija, 100 × 70 cmUNTITLED, 1994, mediapan, monotype, 100 × 70 cm



4. BEZ NASLOVA, 1994., drvorez u boji, 50 × 70 cmUNTITLED, 1994, colour woodcut, 50 × 70 cm

5. BEZ NASLOVA, 1994., kombinirana tehnika, 70 × 50 cmUNTITLED, 1994, combination technique, 70 × 50 cm

6. DASKANJE 1, 1994.,kombinirana tehnika, 70 × 50 cmSURFING 1, 1994,combination technique, 70 × 50 cm



9. DASKANJE 6, 1995.,ugljen i tuš na papiru, 50 × 35 cmSURFING 6, 1995,charcoal and Indian ink on paper, 50 × 35 cm

10. POVEZANOST, 1995.,tuš na papiru, 65 × 50 cmBOND, 1995,Indian ink on paper, 65 × 50 cm

11. ISCJEđIVANJE, 1995., tuš, 65 × 50 cmEXTRACTION, 1995, Indian ink, 65 × 50 cm

12. SPIRALNI LIK, 1995.,ugljen i tuš na papiru, 70 × 50 cmSPIRAL FORM, 1995,charcoal and Indian ink on paper, 70 × 50 cm

13. USPOMENA NA JEDNOG PSA, 1995.,ugljen i tuš na papiru, 70 × 50 cmMEMORY OF A DOG, 1995,charcoal and Indian ink on paper, 70 × 50 cm

14. USPOMENA NA JEDNOG PSA 2, 1995.,ugljen i tuš na papiru, 100 × 70 cmMEMORY OF A DOG 2, 1995,charcoal and Indian ink on paper, 100 × 70 cm

15. BRNJICA 2, 1995.,tuš i ugljen, fotokopija na papiru, 35 × 50 cmMUZZLE 2, 1995,Indian ink and charcoal, photocopy on paper, 35 × 50 cm

16. BEZ NASLOVA, 1995., lavirani tuš na papiru, 38 × 28 cmUNTITLED, 1995, Indian ink wash on paper, 38 × 28 cm

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17. BEZ NASLOVA, 1996., tuš na natron papiru, 89 × 63 cmUNTITLED, 1996, Indian ink on natron paper, 89 × 63 cm

18. BEZ NASLOVA, 1996., tuš i akrilik na natron papiru, 89 × 63 cmUNTITLED, 1996, Indian ink and acrylic on natron paper, 89 × 63 cm

19. BEZ NASLOVA, 1996., tuš i akrilik na papiru, 89 × 63 cmUNTITLED, 1996, Indian ink and acrylic on paper, 89 × 63 cm



22. BEZ NASLOVA, 1996.,tuš i akrilik na papiru, 146 × 218 cmUNTITLED, 1996,Indian ink and acrylic on paper, 146 × 218 cm








30. BEZ NASLOVA, 1996., tuš na papiru, 100 × 137 cmUNTITLED, 1996, Indian ink on paper, 100 × 137 cm

31. BEZ NASLOVA, 1996., tuš, akrilik i flomaster na papiru, 35 × 50 cmUNTITLED, 1996, Indian ink, acrylic and marker pen on paper, 35 × 50 cm

32. BEZ NASLOVA, 1996., tuš, akrilik i flomaster na papiru, 35 × 50 cmUNTITLED, 1996, Indian ink, acrylic and marker pen on paper, 35 × 50 cm


34. BEZ NASLOVA, 1996., tuš i flomaster na papiru, 70 × 100 cm

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UNTITLED, 1996, Indian ink and marker pen on paper, 70 × 100 cm

35. TRIPTIH 1, 1997.,linorez, 40 × 55 cmTRIPTICH 1, 1997,linocut, 40 × 55 cm








43. BEZ NASLOVA, 2001.,linorez, 70 × 50 cmUNTITLED, 2001,linocut, 70 × 50 cm

44. BEZ NASLOVA, 2001.,linorez, 70 × 50 cmUNTITLED, 2001,linocut, 70 × 50 cm

45. XEROXARIUM #7, 2001.,lumino strip objekt, 74 × 56 × 7 cmXEROXARIUM #7, 2001,lumino strip object, 74 × 56 × 7 cm

46. XEROXARIUM #8, 2001., lumino strip objekt, 74 × 56 × 7 cmXEROXARIUM #8, 2001, lumino strip object, 74 × 56 × 7 cm





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REPUBLIKA HRVATSKAMINISTARSTVO FINANCIJAPOREZNA UPRAVA, ZAGREB

Za izdavačaIVICA MLADINEOravnatelj Porezne uprave

Odgovorni urednikŽELJKO GLAVAŠ

Urednik katalogaSREćKO PLANINIć

Koncepcija izložbeMIROSLAV NEMETH STANKO ŠPOLJARIćSREćKO PLANINIć

Autor predgovoraSTANKO ŠPOLJARIć

Autor životopisaSREćKO PLANINIć

Lektorica i korektoricaKATA MAJDANDŽIć-STUPAC

Prijevod na engleski jezikSANJA PEHNEC

Oblikovanje pozivnice, kataloga i plakataSREćKO PLANINIć

Likovni postavSREćKO PLANINIćMARIJA GRUBIŠIć

Dijakolori i digitalno snimanje radovaSTUDIO PLAVI, ZAGREB IGOR ŠALER

Priprema za tisak ART STUDIO AZINOVIć

TisakART STUDIO AZINOVIć

Naklada600 primjeraka

U IZLOŽBENOM PROSTORU POREZNE UPRAVE ZAGREB, AVENIJA DUBROVNIK 32

DOSAD SU IZLAGALI:GODINE 1999.

VESNA SOKOLIć, VINKO FIŠTER, RUŽICA DEŠKOVIć, DANIEL BUTALA, BORIS DEMUR, JURE LABAŠ, BORIS BUČAN, IVAN TUNA JAKIć

GODINE 2000.GORAN PETRAČ, KREŠIMIR NIKŠIć, FRANE RADAK, VLADIMIR MEGLIć,

LATICA IVANIŠEVIć, ALBINA JAKIć, ŽELJKO KROPF, EUGEN KOKOTGODINE 2001.

MARKO ŽIVKOVIć, ŽELJKO UREMOVIć, JOSIP ŠKERLJ, MIRJANA KAROLINA KOREN,MARIJAN RICHTER, SANJA GAŠPARAC, KARINA SLADOVIć, VLADIMIR VRLJIć-ANKIN

GODINE 2002.ŽELJKO MUCKO, ZLATKO KOKANOVIć, JOŠKO ETEROVIć,

PREDRAG LEŠIć, ŽELJKO HEGEDUŠIć, VESNA PAVLAKOVIć, ZDRAVKO ćOSIćGODINE 2003.

MATO LOVRIć, MLADEN VEŽA, BRANKO BAZINA, ALBERT KINERT,TONI FRANOVIć, ANTON CETÍN, ZVJEZDANA MARGUŠ-PROHASKA

GODINE 2004.IVAN LOVRENČIć, MATO JURKOVIć, JAGOR BUČAN, TOMISLAV BUNTAK,

KIRO VINOKIć-VIKI, ZLATKO KAUZLARIć ATAČ, VASKO LIPOVACGODINE 2005.

ZDENKO BUŽEK, ROKO ŠTOKIć, ANA GUBERINA, IVAN ANDRIJANIć, MILE SKRAČIć, MAJA ARČANIN, SREćKO PLANINIć

GODINE 2006.JURICA PUHALOVIć, KRUNISLAV STOJANOVSKI, ANTE KUDUZ, LJUBOMIR PERČINLIć,

IVAN LOČAR – ŽAN, NEVENKA ARBANAS, STIPE GOLACGODINA 2007.

MARCELA MUNGER, INGRID RUNTIć, MAURO STIPANOV, FLORIAN LANG, SÜLEYMAN GÜNDÜZ, GORAN ŠTIMAC, DAFNE PERKOVIć

GODINA 2008.ROBERT PAULETTA, SANELA đURINEC, DANKO FRIŠČIć, PAULINA JAZVIć,

TOMISLAV OSTOJA, DUŠKO ŠIBL, IVAN OBSIEGERGODINA 2009.

JOSIP ŠARIć, DANIJEL ŽABČIć, DANIELA PAL BUČAN, BOJAN ŠUMONJA, fra PETAR PERICA VIDIć, FADIL HADŽIć, IVO ŠEBALJ

GODINA 2010.STIPE NOBILO, MARC PIO MAXIMILIEN SALVELLI, SANJA IPŠIć RANDIć, DUŠANKA JABLANOVIć,

MIROSLAV NEMETH

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MIROSLAV NEMETH - culturenet.hr att... · 2010-09-22 · nog života, igre i druženja s vršnjacima, te posebno likove iz stripova koje pasionirano kupuje. Želi nastaviti školovanje