Love Never Dies (London)

(OCTVOCA

TOBE

AL SCR 201

CORE 10 verssion)

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Act One Prologue

Darkness. A projection showing a mock-uf! of the New York Times dated 1897 bearing the headline: 'Paris Opera House Burns; Masked Fugttive Presumed Losl In Flames .

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An image appears alone. It is a FIGURII; the figure of a beautiful WOM4N: CliRISTINE. For a moment, perhaps, we believe -her real -- lhat she will sing. But no, sne is a ilummy -- a mannequin, a cold dead memory.

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From out of the darkness, a VOICE:

26 Agitato 1 PHAt~TOM 1

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~ade of life. Ten long years,

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y• wast-ing my time on

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Prologue (Oct 10) 35

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smoke and noise. In my mind, I hear

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But find I can't give them a voice with -out

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you! My Chris - tine, My Chris- tine ... Lost and gone, Lost and gone ...

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Now, like a stalker, a predator, there appears the PHANTOM. Alone with his strange perverse creation he serenades the puppet that was once his in flesh.

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Prologue (Oct 10) 52 ,-

40 .. ..z_ -e- • ----day starts, The day ends, Time crawls by. __ Night steals in, pac-ing the floor.

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- The mo-ments creep, yet I can't bear to sleep 'Til I hearyou sing ... And weeks pass, And

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months pass,

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in a

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• Still you don't walk through my door. ___ _ And

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• • - lent days 'Til I hear you sing once more. And

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Prologue (Oct 10)

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.. some- times, in dark -ness I dream that you are there But wake

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.. .. ~ -e- • -----air. And years come, And years go, Time runs dry. __ Still I ache, deep in my

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core. My brok - en soul won't be a - live or whole,

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~ . • 'Til I hear you sing once more. And mu - sic, your mu - sic, It teas-es at my

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ear. I turn, and it fades a-way and you're not here. Let hopes pass, let

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u • dreams pass. Let them die! With -out you here, what are they

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u for? I'll a1 - ways feel no more than

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~ half - way real, 'Til I hear you sing once

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Prologue (Oct 10)

126

In his agony, the PHANTOM embraces his mannequin, believing for a mom~nt !hat it is real. Grandioso The Dummy breaks m hts grasp. H d' e tsappears.

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TI'"--------u-· (8) _____________________________ _1 #-e-\ ____ __.,-e-·~ Grainy black and white shots of the Statue of Liberty; Immigrants arriving in Ellis Island.

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_-e-·~-e-· #y~u-~u-------Another newspaper headline: 'Coney Isle Breaks Records. Crowds Flock To Rides, Freak Shows'. Old footal!;e of Conel

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From out of the gloom emer~es the figure of a WOMAN: upright, stiff, mirthless, lifeless except for her piercing eyes.

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157 The strange figures of SQUELCH, FLECK and GANGLE, fairground performers, join GIRY.

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See it smile beck - on- ing and shim-mer- ing! All a- gleam, like a dream! fl I ·----===---- ,-,. - -(!)

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~ - r· - r· r r We are transported to Con~ Island, 1907: a weird ana wonderful kaleidoscope of thrills and horrors.

Ev- ecy fan - ta- sy set free! Sod-om ris-ing by the sea! Won-ders and as-ton-ish-ments I FLECK and SQUELCH I

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For your de -lee - ta - tion. Phan-tomsand au-to-ma-tions for your fas - ci - na - tion!

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~ .~· ...... Mar-vels un-dreamt since the dawn of ere-a- tion!

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Prologue

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r· r· GIRY and the TRIO take us on a tour of the wonders and horrors of Coney Island ------

218

5th November 2010

Prologue (Oct 10)

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16 275

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Prologue

A sign becomes prominent, inviting us to step inside Pbantasma STREET-URCHINS and CARNIES distribute leapts to a cunous gaggle ofONLaOKER, shOuting as they do so:

PAMPHLETEERS (severaUy) Step right up -Mr Y welcomes you to Phantasma- starts today- only ten cents admission.

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Thrill on thrill, nev - er till' s . I I

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Wel-comeone andwel-come all! Wel-cometo th61lon-ster's ball. Wel-come one andwel-come aU!

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Prologue

~~~~W~el~-c~om~e ~togth~e~W~el~-c~o~m~e ~togt~h~e IWte~lc~o~m~e~togt~h~e ~WEe~l-c~o~m~e~to~~th~e IW~e~lc~o~m~e ~to~~th~e~Wte~l-~co~m~e~t~ogth~e~ subp

the Wel-come to the Welcome to the Wel-come to the Welcome to the Wel-come to the

the Wel-come to the Welcome to the Wel-come to the Welcome to the Wel-come to the

Wel-come to the Wel-come to the Welcome to the Wel-come to the Welcome to the Wel-come to the

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4

Love Never Dies

Scene 1 - Outside Phantasma The entrance to PHANTASMA. SQUELCH, FLECK & GANGLE step fotward, once again, to address the ONLOOKERS.

3. Only For You

Moderato (l .. -~

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FLECK Featuring Dr Gangle, master of ceremonies!

.. .. SQUELCH Mr Y welcomes you to Phantasmal

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SQUELCH Miss Fleck, aerialist extraordinaire ...

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RECK The amazing Squelch,

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GANGLE FLECK 12 And direct from Paris, France-- It's Coney Island's Ooh La La Girl--

ALLffiREE: Miss Meg Giry! A flock of showgirls runs out, flanking the STAR of the show.

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Wei - come each and ev' - ry - one to our

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Act I -3. Only For You 5th November 2010

Love Never Dies 18 I MEG+ TRIO I ~ ') ""' I I

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fes - ti -val of fun! Some-thing no - ta - ble and new! We bring

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gla-mour from a- far, plus a touch of the bi-zarre! And it's on-ly for you! See the

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.u See the

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u won-ders of our age all a-ssem-bledonour stage, Toofan-tas-tic to be true! What sen-

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.u .. won-ders of our age all a-ssem-bled on our stage,

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v ···~~ sa-tion seek-ers seek! Ev-ery kind of liv-ing freak! And they're on-ly for you! If it's

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Act 1 -3. Only For You 5th November 2010

Love Never Dies 33 .-A jf +I

-~ lf• .. lf_• f!_• • mar - vel and il - lu - sion that your soul and bo - dy crave, you'll be

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I-~ ~· .. lea - ving here con - tent, be in no doubt! All you

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I-~ -need to be is will - ing and per - haps a lit - tie brave! There's an

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' 40

....__._.. , .. .. .. , .. l ~ :

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45 "A jf +I ~

I -~ -oh so sim - pie way of fin - ding out! Is your

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a lit - tie hum- drum, IS your wife a lit - tie glum? We've the

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I~ f!•~ L.__f ~ r f!• v '------ ---I :

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Act 1 - 3. Only For You 5th November 2010

Love Never Dies 53 ;(l .. 1'1: - I -I .~ +r· ..

re - me - dy for all who wear a frown! We won't

r"\.,+1' II ~ ~ ... 1'- 1'- h .. .. 1"""""""'1 I -~~ +t•'--" L_J ...........

I :

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57

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bite you, we'll de - light you! We in - vite you to sue - cumb to this

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61 ,(l .. -1±

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sing - u - lar att - rae - tion, which is off - ered at a frac - tion of the

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65 Ancora pin mosso

( ') .. 1'1: - .. u -price of an - y o - ther show in town! We've got

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> > Act 1 -3. Only For You 5th November 2010

Love Never Dies 69 I SQUELCH I I MEG+ TRIO I ,; (\ ... I

~ I jug-glers from the east we've got bird and we've got beast! It's a pret-ty hea-dy brew

(\ ... I~

-~ It's a pret-ty hea-dy brew

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~ • ~~--- ~~· ~~· q~7 • ~~--- ~~. ~7. :j :j "--"' '-._/

:

7 71 71 ~I 71 7 71 ~I 71 71 7 ~-,j

72 I MEG+ TRIO I ,; (\ ... I - -~ I .. ·---------

- We've a fidd-ler from the west with a self -ig-ni-ting vest and it's on-ly for you

() .~o~o ~I

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IMEG TRIOI + -- We bring ma-gic we bring mirth! FromTi- ree toTun-buk tu

IGANGLE SQUELCH 1-

......_,. L l I r j We've been half-wayroundtheearth FromTi- ree toTim-buk tu

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Act I - 3- Only For You 5th November 2010

80 ~ (l I<

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-Love Never Dies

!MEG! -- To pre - sent to you to-day This de - lee-ta-ble dis-play

-

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-· - Wel-come one and wel-come all! We've got

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Wel-come one and wel-come all! We've got I I I I ~ ~ ~ ~

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day's our grand de - but! Prince and

~

day's our grand de - but! Prince and

~ ~ ~ ~ I I

• • • .. Act 1 -3. Only For You

!MEG+ TRIO! I -

w • • •-u___.-

Which is on-ly for you

~

-~ ~ ~ ~

~I '111

won-ders wall to wall! And to-

won-ders wall to wall! And to -~ ~ ~ ~

~ ~

• :; • :;

pau-per come on in, let the

pau-per come on in, let the

I

•

~ ~ • • 5th November 2010

Love Never Dies

90 Molto allarg

"' ') I • .I I I I I I ~ ~

')

'ca~t's '--''--_..-' \;..I \;..I

spec - ta - de begin, on - ly for you! Such a I":\ I":\

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spec - ta - de begin, 'cause It's on - ly for you! Such a I":\

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:wt .. :wt .. :wt .. .... ~ ~ :wt

93 Tempo 1

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showyou'vene-ver seen! Such a show there's ne-ver been! Step right up and join the queue!

r I j I T l I 11 J~

.~ I - r show you've ne-ver seen! Such a show there's ne-ver been! Step right up and join the queue!

I I • !'- I • • .. ... • $

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96 .-'( I I • ~

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- Mis - ter y has all you need, sa - tis - fac-tion gua-ran-teed! And it's

1 _L ~J • -

.~ ~ - Mis - ter y has all you need, sa - tis - fac-tion gua-ran-teed! And It's

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~n - ly for

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bn - ly for

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you!

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you! I SHOWGIRLS + TRIO I

Love Never Dies

Hur-ry up,you'vegot- ta see! ~

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P""-"'"1

Get your tick-ets at the gate! Step right ~ ~ 1 I I I ~ .. 1: :J • -a- • • 1.- .. 1: :J • -a- • • • •

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up for Con-ey's lat - est wonder! Ri (l I b# IlL .,. IlL ~ 1"- .,. IlL 1':'1

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Love Never Dies

Backstage

The entire company strikes a tableau, to thunderous applause. Then, as they break pose and run off, the stage revolves again so that we're backstage. Upstage, we see GANGLE still addressing the audience ...

GANGLE: Ladies and Gentlemen, Miss Meg Giry, the Ooh La La Girl! Five shows daily, only here at Phantasma. We begin to cross fade to MEG, backstage.

And now, the aerial exoticism of the fabulous Miss Fleck - half bird, half woman, all for only 10 cents a ticket...

104 Playout > >

> >

In the corridor backstage, showgirls and freaks rush back and forth, finding their places for the upcoming peiformances. MADAME GIRY enters. She is clearly in charge: a stony, commanding presence.

GIRY: Hurry up people! You have four more shows today!

107 J"t _[ .. ~ ... ~:

~ ---= ---: ... .. .. ~I .. .. ..

GIRY No time to dawdle!

.. IIO MEG runs in and makes a beeline straight for her.

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Agitato

I MEG I

T' .. Love Never Dies

• • Mo-ther did you see? Was it all alright? Mo-ther, was he watch-ing was he keep-ing out of sight?

".P ~-..- -eu:::::::- -::~

11!1

~ ~

- - • fright-ened half to death, and I had to catch my breath when thelights be-gan to dim!

~ ~ ~ ~ .. .. ..

sim.

...... .. .. .. •••s Ossia

sud-den-ly a-ware of a pre-sence in the air, and I knew it was him!

-• .. .. .. ..

.. • ..

I - - ..

I was

I was

..

I I

Yes I

I

know there were some snags, there are mo-mentswhereit sags, there are num-bers wecould trim.

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:


Love Never Dies 129 ,-()

'-' v - .. ..

- But at least I know he'll see what an as-set I could be for the

(\'""'"\ J

I ~ I I i I I I i I

.. •

I : .. .. Brooding, GIRY slaps down a newspaper in front of her DAUGin'ER. GIRY: Foolish child. Look. She arrives in New York tomorrow. (She turns away bitterly.) Christine Daae! MEG (looking at the article) Christine! GIRY: As for the master -- who knows where he is?

133 Meno Mosso (Misterioso) tJ

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p

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137 tJ

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141 IGIRYI (tight seething) -'tl ~+I '

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........... show and for him!

..........

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Ten long years not a sign, not a word. Ten long years, now she swims to our shores. jf +I

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145 ,. () jf +! jf

. ~ y• • • y• .. .. .. ~· q• • .. ... ~· q• ~ -::;. Let's just pray she keeps a - way from us, andfromhim,andhis dreams;tndhis scores ...

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Love Never Dies

She drifts away into a sullen reverie, while MEG hurries away to share with her FEUOfV DANCERS the news of CHRISTINE's return.

149 rl'( If

I .~ ~· :61: ~..- ~ ~ • q•· ~..-! ~

In Pa-ree whenthemobsurround edhim Who was there?

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153 ~(I If

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Where was~? When the law-men hound-ed him? Gone, long gone

17..-? ~~~-!-:

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157 rl' If

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Who con- cealed you safe a - way? Smug-gled him up

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We were there?

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q• • We stayed on.

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. to Ca - lais?

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MEG, who has been oblivious to all this, now muses to herself:

159 Allegretto {Tenderly) ,r If ~ I I ~ ~

... !..l • Found a freight - er out of France It seems a hun - dred

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Love Never Dies 162 ~A I

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years a-go when she and I were both on show. Dan - cing side by side, (l J

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167 ~A I f.. I f.. f..

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shy and star - ry eyed .. The waves now bring her back to me, and A I

!.)

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171 ~A I

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a - ny day we two will be side by side a - gain. l I

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175 ~A I

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,!.) , ... .,., ... ~u ... ... -61- ... ... 4 ...... Just the same as then ... Oh Chris tine! Long a - go, how I

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~· ~ • . ~ ......... -..... -.....

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I I I I I ~ .. ~ .. 179 ~ ') I

t> •• - .. - .. 4 ... ... 4 ...... watched as_ you rose like_ a star! Ah,Chris-tine We have

~· ::;:::: .,!- i; :~: .,!- fr • • fr • • : - ........ ........

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183 tl' (\ I

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both tra - velled long,

~· :::=:::: -!-

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"--... --Tempo I (poco meno)

187 , I ~ ~

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seem a thou - sand miles

(\I~

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191 tl'( I

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sails ac-ross the sea,

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195 , (\ I ~ ~

.. u I will show you

I~

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Love Never Dies rall.

_...., I

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tra - velled far! Ah Chris- tine, You

} ~

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a- way, and yet your ship ar - rives today,

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bring - ing you to me. And

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all the sights, Man - hat - tan's noise and

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Love Never Dies 198

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If•• _,., .. ..,., ~'-: v , v

Co - ney's lights! Friends at last a - gam,

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202 ((\ I

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then. Just like

I

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GIRY: Dream your dreams of Christine, little Meg. But believe me, the grandeur of the Manhattan Opera House is closer to the champs-Elysees ... (scornfully)

206 ••• than it is to the squalor of Coney Island. ~ ~ I

I v 3Y

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Act 1 - 3. Only For You

~ way

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just the same as

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back when

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MEG turns to the group waiting stage right. She exits as the stage darkens.

5th November 2010

Love Never Dies

Act One - Scene 2 4. Christine Disembarks (Oct 2010) I

MANHATTAN. OUTSIDE THE CUSTOM-HOUSE GATES.

Dockside at the disembarking of a massive ocean liner.

Reporters, photographers, well-wishers and gawkers form an aisle to greet the disembarking passengers.

I CROWD & PASSENGERS I

f'(\ f

u friend! c;.;:;be-lieve you're My dear old

r f

u friend! C;:;-be-lieveyou're My dear old

r f

~ My dear old friend! C~e-lieveyou're

f ,9- ~ ~ ~ .,_ ~ : -

My dear old friend! Can't be-lieve you're

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u \,.ooo"' --here, old friend! Is it real-ly true? My

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u .. .... , here, old friend! And so are you! My

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~here, old friend! [!]

Was Par-is hell? My

• :

here, old friend! You'relook-ing well! My

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C:• ~· C:•

Act 1 - 4. Christine Disembarks

Love Never Dies 12 ,(I

u ... .. sweet old friend! Is - n't this a treat, old friend?

(I

u ... .. sweet old friend! Is - n't this a treat, old friend? The day I

1 n

v ... sweet old friend! Is - n't this a treat, old friend?

I .,_ ~ .,. .,_ ~ .,. :

sweet old friend! Is - n't this a treat, old friend? The day I

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u And I'll get some brief time to spend

(I

'-.) ... ll .. dreamed at last has come!

1 I

v And I'll get some brief time to spend

I I I SOLO I

:

dreamed at last has come! With my es -

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I I ~ -Act I - 4. Christine Disembarks

Love Never Dies 20 ~A

~

And ver - y dear old friend!

r I I .u.

~ And ver - y dear old friend!

t • .. ------

II----..

1 And dear old ver - y friend!

I #-P- ~ 19-~---:

teemed and ver - y dear old friend!

STAGE BAND A late comer rushes in. A I I I ..

( ~ ~ ~ [iF T ~ y•

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24 11_<1- I I I I t"J

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33

LATECOMER Has she disembarked yet? REPORTER 1 Who? LATECOMER Christine Daae PHOTOGRAPHER 1 Just coming through customs now.

~ l .U. I I I ~

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Act 1 - 4. Christine Disembarks

Further passengers come through the gate: A portly lady wearing an enormous prumed bat, escorted by a dapper gentleman.

• ;or

.. .. I

Love Never Dies

REPORTER2 PHOTOGRAPHER 1 It's Mrs. Astor! PHOTOGRAPHER 2 Hey, Mrs, Astor! Over here! MRS ASTOR turns and flashbulbs go off

REPORTER 1

Is that the latest Paris style? She blows them a kiss and is escorted to her waiting carriage. The crowd is already looking past her.

PHOTOGRAPHER 1

40 r .10

~

:

How was your trip? MRS ASTOR Over there, Lucille!

I

I I

I

I

I I

Look, there's Colonel Vanderbilt! Hey Colonel, can I get a picture?

• • • -R-

I

THE COLONEL smiles indulgently, as the flashbulbs go off

PHOTOGRAPHER 1 Thanks, Colonel!

47 (\ "' 0

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:

51 r .10

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LATECOMER Hey, Colonel! Is Christine Daae still on board? VANDERBILDT Believe so, young man.

(He moves off)

I I I .. -(ir

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ONLOOKER 1 I bet she ain't got it no more, not like the old days. ONLOOKER2

.... 4 4

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REPORTER 1

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They say she's still pitch perfect, but it's like the flame went out or sometliing. He~ there she is' (cue to cut to bar 44)

57 "' ,J j j 1~1

C) I I I I I I r I r r r <Y

-:

I I I I I I ......_____.,-

Act 1- 4. Christine Disembarks 20th October 2010

Love Never Dies

All eyes turn. Suddenly, framed in the gateway, clutching the hand of a young boy, stands CHRISTINE DME. She is nearly obscured by veils and a clOche hat, but sfJe is gorgeous, iconic - every inch a star.

There is a moment of awed silence as the onlookers take in this vision, then pandemonium.

Flashbulbs explode, as the crowd surges around her.

Moderato, wann and romantic

attacca

REPORTERS AND PHOTOGRAPHERS RAOUL Christine Daae! Christine Daae! Over here! This way!

CHRISTINE, still silent, pulls the boy closer, protectively, then --

STAGE BAND

Her name is-Her name is Madame de Chagny! Stand aside! Stand aside! Her husband appears. Dapper and handsome, brusque, irate

69 (\ .. I":\ ]\ J ~ .~ I I ~ I 1-i .J\ I

I~ I .,. I .,. I .,. l I ~ I ~ I ~ I ~ I 'r' I 'r' I 'r' l I 'r' I 'r' I 'r' l

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RAOUL (cont.) No pictures, do you hear? No pictures of my wife, no pictures of the boy! But he is ignored in the frenzy.

74 ]\ J ~ d ~ (\ ..

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r1

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80

I I I

AUTOGRAPH HOUND Hey, Christine, sing something! REPORTER2

I

Your first performance in years! Why ain't ya singin' at the Met?

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RAOUL The Vicomtesse has been eng~ed by the well-known impresario, Mr Oscar Hammerstein, for his new Manhattan Opera House.

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Act 1 - 4. Christine Disembarks 20th October 2010

Love Never Dies

REPORTER 1 How' d he lure the great Christine Daae over here anyways? REPORTER2 It's the money, right? All that American Moolah! REPORTER 1 Hey, that's what she should sing: "Yankee Doodle Moolah"!

The crowd guffaws.

86 (\ .10

v

:

r • r r I

RAOUL (heatedly) My wife is an artist. REPORTER2

!

i I,......_ i

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Yeah, and her art is payin' off your gambling debts, is what they're sayin in France.

92(\ .10 ~

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I

REPORTER 1 Is it true_ you left your entire fortune on a roulette table in Monte Carlo?

9~ .10 Jrj i j -A- J. ~

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105 (', .10

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I

RAOUL Why~.,you insolent jackal! How dare you! GUS'11\.VE Father-

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PHOTOGRAPHER 1 This your first time in America? PHOTOGRAPHER 2 What you gonna do here in America?

> > 112 -r.. .10 j j >

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RAOUL (snappmg) Not no'YI Gustave! REPOR1ERZ Hey kid, how does it feel to have a famous mother?

>

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I I

GUSTAVE (shyly) I.. .I want to go to Coney Island.

(Amusement amongst the CROWD.) And learn bow to swim. (~ue to crossfade to bar 107)

The crowd hoots and laughs, and the boy shrinks back against CHRISTINE I

r r r r ~n -

I I ----....-

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Act 1 - 4. Christine Disembarks 20th October 2010

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love Never Dies

RAOUL 5. Arrival Of The Trio

I said, leave the child alone He looks around anxiously.

(cue for music)

Suddenly animated, the boy steps forward.

Parlando (freely) "'I G""US""TA:"'""YE""I

-Moth-er look! Right

(wind effect)

~;:(. 17'?

ov - er there, a - cross the square.

17'? t11'C

All ryes turn as a strange carriage appears, fancifully designed. The horses appear to be mechanical and the driver's face seems to '6e completely obscured.

ONLOOKER 1: What on Earth could it be? ONLOOKER 2: That's the damnedest thing I ever saw. ONLOOKER 3: It's empty! ONLOOKER 4: How does it work? REPORTER 1: Is it made of glass? REPORTER 2: It's a machine!

Suddenly the doors of the carriage open, revealing ... a completely empty interior.

What is

tl;'.,.

And then, three figures extricate themselves from the empty space. They bow in unison at the crowd, then approach CHRISTINE and family with 6izarre yet oddly beautiful motions.

~~ f:. .,.. ~ ~ -tt .. • fl.- ~~~.,..~~ -tt ..

I - I -(1) (2)

~-~--l'o. ~ ~-

~-- -o.

ONLOOKER 1: Look, there's someone in it!

poco rall. 1':"1

~.,.. ~ ~ ~ ~ tt. • b. ~~ . ~ .,.. ~ .,.. tt. . ~-I - I -(3) (4)

~- fl..--n. ~ ~- fl.- --n. 1':"1

U'

Act 1 -5, Arrival Of The Trio

it?

• fl.-

f:

I SQUELCH I

Are you 1':"1

20th October 2010

15 (\

u

r lu <

I :

19 (\

Love Never Dies

"""""' -read-y to begin? Are you read-y to get on? You're a - bout to start out on the jour-ney of your lives.

-ou~ou'--- _-''L.J~'L.J

,.,

With a flourish he reaches behind GUSTAVE's ear and pulls out a colored handkerchief, which he then lets go.

RAOUL: (bewildered, outraged) Is this some kind of joke? REPORTER 1: No, it's a publicity stunt for Hammerstein's new opera-house.

(x2) .....

u ...... ,.. Last x Mis-ter

~ ~~~~~~ +1: .. .. ~ .. "

' ~0 I -) lf=· h..-['...,. ~ ~ :

' "

21 ,..__ ,........

~0 -Ham- mer- stein aw-aits. Mis-ter Ham-mer-steinin- sists.And we'll see what you'll see, once your char-i- ot ar-

r I u

I :

'L.J"-- _-''L.J 'L.J~<-'

Act 1 -5. Arrival Of The Trio 20th October 2010

Love Never Dies

RAOUL :Just one minute Sir!

With one fluid motion, he removes RAOUL's top hat ... and suddenly make it vanish into thin air.

RAOUL: This is an outrage! ONLOOKER 1: It's amazing! REPORTER 2: It's a front page feature, is what it is! (to PHOTOGRAPHER 2) Did you get that, Smitty?

GANGLE and SQUELCH flank the family, and walk them towards the carriage as the bird-like FLECK beckons them forward.

25 (x2) ('\ ·_,-

"' ~ ' ""' (1st time) rives.

") " ~~~~~~ +t. • n. ' I

C) I -t,~:

I :

' "T ~ ... , or ... ~==== =====---

27 !FLECK! ('\ -~ -61- -6- ., ......... .,. -6-

Mis - ter 'If wei - comes you to Won-der-land! Take your seat!

('\ I I I I I I - I - -I ~ ~ tf~ tf~ q~ "~ ~ ~ ~

,. - , q-.rq• ) .. ~ :

~ ~ ~ ~ ~ ~

33 t -~ v• .e-· -61- -6- .. ., ... .. ....

Come and meet Mis - ter 'H', who ush - ers you to

('\ I I I I I

I ~ ;-.r .. .... .. ~ ~ ~ <~: ~ ~'!" ~~ q~ II"!' ~

RH~ ( )

I :

- .. • • r Act 1 -5. Arrival Of The Trio 20th October 2010

Love Never Dies

38 I)

!) , A-va-lon! Step in - side! Take a ride!

i I - / -')

~ ~ - , q.t' ... - - , ... -.. • :

~ ~ ~ ~

The group is now at the door of the carriage. CHRISTINE is led inside, then RAOUL, protesting.

RAOUL : This is unacceptable, do you hear me? I will be taking this up with your employer, Mr Hammerstein!

43 (\

~

(\ - po-.._ I po-.._ po-.._ I

I ~

~ ~ n.o. .. -~ .. h -'\ ~ ~ n.o. I .. :

Only GUSTAVE, the BOY, remains outside the carriage.

47 !GUSTAVE (entranced)! !TRIO (helping him aboard) I (1 I

~ ........ ~ Here my dreams can wan-der free ... Tell me what we'regoingto see! Won-ders and as-ton-ish-ments

(\ I I I I I I I I I

~ -~

q~q·. 4 4 • :

I I

52

for your del - ec - ta - tion Phan-toms and au - to - ma-tions for your fas - ci - na - tion!

Act I -5. Arrival Of The Trio 20th October 2010

Love Never Dies

55 Rail. (l

u Mar-vels un-dreamt since the

(l

u .,, .._.. ::--

:

57 !GUSTAVE! I) .10 I

!)

Mys - te - ries n J\q[l I (l .10

u !::>"·

:

61 (l .10 I

u Fai - ry - tale and

I) .10 I J\[l n u p-. -

:

65 !TRIO (as the coach disappears)! I) .10 r---

!)

Far be - yond the realm

(l .10 ~:----

u pp

:

= C::•

1":'\ .10

.,. • dawn of ere - a - tion!

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( ..... -

1":'\

mel - o -dies play

[l J 1 - I -- -

P"· vF·

fan-ta-sy si

[l J 1 - I -- -

P"· P"·

of fear ... An -

The BOY climbs in. Silently, the carriage rolls off as ONLOOKERS watch, speechless.

I

inside my mind ...

J\ n n· [l J 1 -- -

P"·

I

- lent - ly un- wind ...

J\[l n [l J _J_ --- -

!::>"• -

r---

y - thing can hap - pen here ...

-------P.,-~2-~ ~1'7-~.,-.~

-..... 2• ~.,...

= = = --------c:: ·------<:: . ---------<:: .

Act 1 -5. Arrival Of The Trio 20th October 2010

69

Love Never Dies

The CROWD gawps as it vanishes. Suddenly ... A flustered and bewildered top hatted GENTLEMAN rushes in: OSCAR 1/AMMERSTEIN. He stands for a moment, watching in amazement the departing coach. HAMMERSTEIN: What the devil's going on? Where is Christine Daae? ONLOOKER 3: Say, you're Oscar Hammerstein! HAMMERSTEIN: Damn right, I am. And I am here to meet Christine Daae. REPORTER 1:Well, you're too late, sir. HAMMERSTEIN: Late? Late? Of course I'm late! Ever since I announced Miss Daae's engagement, I've been plagued with the strangest and most devilish ill luck. REPORTER 2: What gives, Mister H? HAMMERSTEIN: First, the score for my Wagner season was mysteriously converted into ragtime on opening night! REPORTER 1: I heard it was an improvement. Amusement from the CROWD HAMMERSTEIN: And to top it all, as I left my office this morning I was very nearly crushed. REPORTER 2: What happened Mister H? Did the prima donna sit on you? HAMMERSTEIN: Don't be impertinent! A light fitting fell on my head. An ornate glass one. REPORTER 1: An accident with an ornate glass light fitting in an Opera House? Who ever heard of such a thing?

The CROWD breaks up in consternation.

STAGE BAND .~<I":\ "' I I I I

' 40

. -,J____J ~ ~ ~ -,J "'.___,! I I I

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82 Till directed f .If n I. '

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" Act 1 -5. Arrival Of The Trio 20th October 2010

Love Never Dies

6. Journey to Coney Island

150 Allegro ~=146ish

154

·~

162 l1 I > > > > ri ~ .. ~- > I .~o~o>~ .lolo -H'

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:

• .. .. ..

167 (\ .lolo it > I I .lolo > > I I .lolo ~

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- - - -: .. • • • I I I I

Act 1- 6. journey to Coney Island 19th October 2010

Love Never Dies

Menomosso 181

f'l " I ~ • ~ 1fL t~ fL t~ 1fL ~

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f I ~ I • .~

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attacca

Act 1- 6 journey to Coney Island 19th October 2010

A spacious hotel suite. Evening ..

Love Never Dies

Scene Four - The Hotel 7. What A Dreadful Town!

There is a huge window with ornate drapes, a chaise, some chairs and tables, a piano upon which rests some sheet music.

As RAOUL, CHRISTINE and GUSTAVE enter, the BOY runs to the piano and snatches an object from it. He sits with his back to us, preoccupied with his find.

RAOUL immediately goes to the table and pours himself a brandy.

Steady (} Of i± --4!) ... •

~

What a dreadful town! What a vul - gar place! What an aw-ful mis take to have

(} Of i± ~ ~ ~ ~

14!) ~~ l+~ ~~ l+~ ~~ l+~ ~~ l+~ q~ ~ ~ ~

f t '"' :

• • ~ ~· ~ ~: ~ r ~ = ~ ~ ""il·

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come here! To be on dis- play in that shame~ less way For the crude, com-mon low-er class scum here. (\ Of 1+ , .... , J""""\

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:

r r ~ ~· ~ ~· ~ r r ~ = ~ = ~ .... ....

(\ Of +I I GUSTAVE I 11

4!) --. Fa- ther dear, Come play with me, Come and see this

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~

How does he dare to treat us so?

() Of i± ~ I I

4!)

~-b~ ~ ~~· .p.· :

Act 1- 7. What A Dreadful Town! 5th November 2010

Love Never Dies 07 What a Dreadful Town

16 RAOUL takes a slug of brandy, slams down his glass. (l

" tt

~

toy I've got.

1 I RAOUL I " tt

r--~~ r""'-'"1

0 .. ... What a snub, at most, from our so - called host, Did he think send - ingfreaks would be

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20 (\ J,l. +t ~ r---3~ ~

~ ... .. -fun-ny? Could the fool have thought that our pride was bought by his filth-y A-mer-i-can mon-ey?

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25 J,l. -It I I I I I I I

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What a farce! What an out - right slap in the face, It's an ut - ter dis- grace.

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Act 1- 7. What A Dreatiful Town! 5th November 2010

A spacious hotel suite. Evening ..

Love Never Dies

Scene Four - The Hotel 7. What A Dreadful Town!

There is a huge window with ornate drapes, a chaise, some chairs and tables, a piano upon which rests some sheet music.

As RAOUL, CHRISTINE and GUS'£4VE enter, the BOY runs to the piano and snatches an object from it. He sits with his back to us, preoccupied with his find.

RAOUL immediately goes to the table and pours himself a brandy.

Steady r 11 -1± --I!) ... ..

~

What a dreadful town! What a vu1 - gar place! What an aw-ful mis take to have

() II -!± -~ ~ ~ ~

lu -4!- -4!- +I~ -4!--4!- +I~ -4!--4!- +I~ -4!--4!- +I~ lq~ ~ ~ ~ f

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6 f'l11+! I ....., ....., ,...., I

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come here! To be on dis- play in that shame~ less way For the crude, com-mon low-er class scum here. tl !I +I ~ ~

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:

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() !I +t I GUSTAVE I 11

I!) -Fa- ther dear, Come play with me, Come and see this

!I +t ~

40 How does he dare to treat us so?

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~ b· ~~· " b~ .p..·

:



29 sjlrecht I) jO. +t h>< u. ~

r---3 ------, fix ' I X• ~ r---3------,

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I've got a mind to pack and go, Nev - er you mind the debts we owe

(') jO. l±

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31 I GUSTAVE I 1 jO. l± jO. I /":"\ '

@

Fa-ther please come play with me

l'L~< l± jO.

I RAOUL I X '

I ~ /":"\ ' ~ *" x ~ q;t q~

Who would be-lieve we've sunk this low? Please tell the boy the an-swer's no!

jO. +t jO. /":"\ " ' ~~ I :

35 r

~

(')

~

:

A

:: RAOUL: (Through gritted teeth) Must you make that racket? GUSTAVE: I think it's beautiful. RAOUL: What is it anyway? GUSTAVE: I don't know. I found it. RAOUL: It hurts my head. (cue for music)

In the moment of silence that follows, GUSTAVE idly plays a few notes from fhe sheet mustc on the piano

~! ~- . ~I ~ -,J_J-.

Act 1- 7. What A Dreadful Town!

/":"\

5th November 2010

I

I

I

39 r

~

Cahno (freely)

I CHRISTINE I r---3---,

u


,-----3 -----, 3 ,----- -----, r--3~ r--3~

• Please let's not fight,dear. I'm sure Mis-ter Ham-mer-stein nev-er in-tended a slight, dear. How

r

~

p ..0..• ~_o_ _o_

:

Agitato ritmico Cahno (freely)

42 I CHRISTINE I

() ' r--3~ ,---3--,

~ - 0

dare he pa-tro-nise us. You should nev-er have ac-cept-ed. We need the mon-ey, that's all.

r ~ '

u f~ ~ p

' _o_ _o_.

:

Agitato ritmico 46 I RAOUL I r 3-----, r--3~ ~ '

u • That's why things have-n't been right, dear Why does-n't it sur-prise me that I get the blame here?

() ~ '

u f~ ~

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Cabno (freely) 49 I CHRISTINE I

(\ r--3~

~ • Let's leave to - night, dear.

(I 1':'1

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53 (I

~ -& Leave the hurt be -

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58 r ~

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look at what they gave to me.

-p.·~f2.· r- r-

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63 r

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1':'1 I

... ... ... ... If that would serve to ease your trou -bled mind.

L ..o..:

CHRISTINE: Whatever you ask of me, you know I will never refuse you.

u

hind.

;::::

-

~"U"

His anger subsides as she soothes him. Then:

!GUSTAVE! I

Fa-ther, dear, come o- verhere and

:f•~f2.~ - -

.;._ .;._ .;._ .;._

- -Wind it up, and Fa- ther, see... Look, it plays a mel- o- dy! __

The windup toy plays

.. ..

j: j:


I

I


Suddenly, RAOUL, unable to bear it, smashes it down.

Stop on visual cue 67

~ (l ~ •· • ~_,_ ~ • -

~ I

j: li,-i- • .10 h..O- )., :

A BELLBOY knocks and brings in an envelope on a tray.

RAOUL: What's this? (He opens it and reads) It's from Hammerstein. Can I meet him now? In the hotel bar. Alone.

CHRISTINE: Alone?

RAOUL: (dryly) Well, he may lack courtesy- but he does show a certain savoir-faire in choosing a business rendez-vous.

(He heads for the door)

CHRISTINE: Raoul, please ....

RAOUL: (turning at the door) Please what?

CHRISTINE: Nothing. Only Raoul- don't drink any more.

(He hesitates a moment, then leaves slamming the door behind him)

71 fGUSTAVEf (l 1":'1 I

~

Fa- ther nev - er plays with

(\ 1":'1 1":'1

~

1":'1 :

me

Act 1- 7. What A Dreadful Town!

'

Does - n't he love me?

5th November 2010

I

Love Never Dies

08. Look With Your Heart

Colla voce, con moto

I) "' +t I I I CHRISTINE I

!) -61- .. .. " -d_ Love is not as they show in pic - ture books and songs. __

(l "' +! I I

~

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mp I J J. I I ,.,.__.- ,,.,.

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9

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~ -& .. .. -,1 c:1 Though the heart may not know, it goes where it be - longs ...

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17 rit Poco a tempo

(\ "' l+ I I I

~ ... .. ... .. ... ....... So look with your heart, and not with your eyes. The heart un-der- stands. The heart ne -ver

I) "' +t I

~ :;st. ~ . ..... 'i>-:::::= :::il'- ~ .. 4·

I I :

'-" -&" ,-&" -&" ,. (;I•

Act 1- 08 Look With Your Heart/09 Beneath a Moonless Sky 5th November 2010

Love Never Dies 08 Look With Your Heart/09 Beneath a Moonless Sky

25 (\ .10 +1: I I

~ "" -,;- . -,;- . -,;- . -,;- . lies. Be - lieve what it feels, and trustwhat it shows. Look with your heart. The heart al-ways

(\ .10 +1: 3 3 I I I

l ~ r:--- ~: ~-,;- ...... -,;- I ~~ f r: 0-pocopiuf -

1---- ""' I/'"' ""' :

- -e- &- &-

33 (\ .10 +1: I I

~

knows. __ Love should ne-ver be ques - tion- ing--- that's

(\ .10 +1: I I r,, 0 -I I

t~ .... ~-- ---~: ruu o...,Jlr ~ qeru I ~ qeru n!f

f u. I I r"1 b~L

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40 Rit. (\ .10 +I I I

~ I 0 ...... -,; ... -,; ... half the art ... So o-penyour anns, and close your eyes tight, look with your heart, and

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I I r~r r~r· r Act 1- 08 Look With Your Heart/09 Beneath a Moonless Sky 5th November 2010

48 () "' +1:

v

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57 () "' +I

~

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65 () "' +I

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Poco pin mosso (Suddenly serious)

____. 4 .. .. .-d • .. when it finds love, your heart will be right. Learn from some-one who knows ... __ Who's

• I

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11!1 J. I I

r· I ~- ~· ~

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• -d 4 .. .. loved so hard it aches. Learn to sof-ten love's blows--__ a

... ... ... -i- -i- #$=$= #$= $= $= :: :: : :t:t :t:t:t

I

.e.·

I

heart

~ "W

.g•

I

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I

"W -d which bar - dens

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breaks ... __

She trails off .. lost, perhaps, in memory. After a long moment:

~

I GUSTAVE I (prompting her) Meno mosso- poco accel. rall

.. -,j .. !ct * "W * Look with your heart, not with your

3

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Love Never Dies 08 Look With Your HearV09 Beneath a Moonless Sky

73 (A Tempo) I CHRISTINE I I GUSTAVE I () .. l+ I I I

u -d -,1 .. -,1 ..

eyes. The heart can't be fooled. The heart is too wise. For - get what you

(\ J,l. l+ 3 I I 1~1 I I I I

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mp

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79 I CHRISTINE I () ,J.Io -tt I 'I I I

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think. .. I - gnore what you hear ... look with your heart, It al-ways sees clear.

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87 I GUSTAVE I (\ J,l. -It

u "" Love is not al - ways beau - ti - ful, Not at the start ...

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95 I CHRISTINE I r .,. +± I I

~ .... ... ..... .... ... ....... But op-enyour arms ... and close you eyes tight... look with your heart ... and when it finds

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GUSTA TP exits. 103 rail r .,. +±

~ . cf .... • ~ love ... your heart will be right.

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like a music box


rit.

"'----~~:::- ~:

As the music continues under, CHRISTINE hums the melody to herself as she _picks the toy up o/J the floor where the BOP has lejt it. She winils zt and1ets it play. Instead of the marching band music, the toy plays a different melody.

~ / - ~"~ / - ----._

I I I I I ""

140 Little by little, we see that the PHANTOM has materialised behind the window.

(l I I I q f f f ~~ I I= I=~~· 1= ~~ I I c: f f f ~~ I= I=~~~:

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11if niente

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09. Beneath a Moonless Sky CHRISTINE freezes. Then whirls around. And CHRIStiNE and the PHANTOM gaze at one another for the first time in ten years.

1 44 (\

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164 t

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173 t

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Moderato intenso

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A long lingering gaze. Then ...

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I should haveguessed that it

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was you. I should have known it all

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long.

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Love Never Dies 08 Look With Your Heart/09 Beneath a Moonless Sky !PHANTOM!

(quietly at first, . . . t ity) growtng tn tn ens

Gl • • • I should have sensed you in this dark, Ishouldhaveheard you in that song ... Ifyoucould

I I

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.. .. .. .. the years I lost when all I dreamed of was your voice, If you could

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.. " the pain I've known, Then you would know I had no choice ...

~

.~

I PHA.'lTOM I (advancing)

Ten longyears of

.. .. ... ...

...

II +t

I"~ 1~:::;: I"~

J I J j I u.

'U" ti-e- -d

(putting his hands around her throat) I

I

yearn-ing, years of dream-ing of this mo-ment, when this mi- ra- de,

I I

.. .. _, .. I I I I I I ,.._ ..

q-i- '

.... ,., .. .. Act 1- 08 Look With Your Heart/09 Beneath a Moonless Sky 5th November 2010


196 (\ JO +r I I

~ • • • • .. .. • this peer-less in - stru-ment plays for me, just fleet - ing - ly, lays the ghost, which

( JO +t I I I I

I ~

·~ .. q-w ' :J :J :J :J X~ ~ ~ ""* .. ::

I :

" .. .. -u- -,; ..

201 menomosso a tempo JO +r

~0 .. .. .. .. .. .. .. .. .. tor-tures me, tor-tures me, Ah, Christ-ine. Help me through this sad- ness,do this kind-ness for your

(\ JO +r

I~ f~ X~~ .. .. ... ... ........ I I I I

I :

" -,; -,J I ... -,J .....

207 (suddenly switching mood) ( JO +t I I

~ .. .. .. .. .. .. .. men-tor, or your pro-gen-y, that per-feet spe-ci-men stays with me e - ter - nal - ly,

(\ JO +r I I I I

~~ I I "*~ q-w ' • • • q..- ' :J :J:JJ X~~~

<

' :

" .. .. .. -u- -,J

213 menomosso (\ JO +r I ~ b.

~ • • • • • .. .~

pays your debt e - ter - nal - ly, my Christ-ine Does he

(\ JO +t I I 11.

' ~ ""*~ <

: X~

( : .. I



217 (} -~ ----- -6- 174- ~-..

stay? Does he go? Do you sing? Yes or (}

I ~

I : '-....._ ___../

220 r II I

~ ~~-no?

r II I

' ~ l II

~ :


Love Never Dies

Piumosso 09. Beneath A Moonless Sky ( Cont' d) (Oct 10)

.J = 170 approx

r I I CHRISTINE I

I I

~

Once, there was a night, be ileath a moon -less sky, too

~;~t; .i:~f: ~:::::::===::::::~: (\ I .~. ~=~~= . . . . I~

mp . /"' ~I I~""' r-J . /'1 ""':J. --I

I /

:

9 r I I I I I

4!) ~0

dark to see a thing, Too dark to ev - en try.

(\ I .~. L--====--J. ~~ I I I' I~ 'I ~v· .. -,J ~ -,J I

q~ ... q~: ! J~ J I I ~ J I

-:

I I I

17 r I I I

~

Drawn still to your side, tor- men - ted by my choice. I

(\ I .. ~. .. ~ . ...~ . • ~I

I~ I I I I I I I

J. .J J ~ j.- J .J J ~ J _J_ I. I

I :

25 Rall I I I

C) ~v

could - n't see your face, but trem - bled at your voice.

( I ~I ,.......,

I 4!) ~~:--- ~:&7: I ~:&7:--- ~: ~

7 7

/ -~ ---- -..__ 'r-1

I :

I I .. Act 1-09. Beneath A Moonless Sky (Cont'd) 19th October 2010

Love Never Dies 09 Beneath a Moonless Sky (Cont'd) (Oct 10)

Piumosso 32 d = 110 approx rubato r I _._ I I

~

I PHANTOM I And I heard those rav-ish-ing re-

fl I n I I .. _l _l Jfl_ _l I

~

those rav-ish-ing re-And I touched you __ And I felt you And I heard

( I lf f2-~-e-

f2-0 . -

~ I I I I -"----- -v

~ p still tender

~ h I? I? I~ 0· 0 0 : .. .. ..

39 fl I _l

~

frains! The mu - sic of your pulse

fl I I PHANTOM I

~ ~~· frains! The smg - ing

(I I ~~~ 1~1 _l I I ~

! ~ • I I -I I I

qJ j 1 j ~!'- q.,_ ~~- J I J I J I J ~ I ~ J ~ I j :

-61-

46 I CHRISTINE I fl I 0 .l Jfl_ .l .. ~

And I held you and em braced you And with (I I IPHANTOMI. I • I •

~

in your veins. And I touched you and I feltyouAndwith

~!'- ~ ~ sm---------------------------------------------------1

(I I ~ .:B:~£-: h .:B::~~ ·c.-.. ~~ I I I I I

I ql ~ 1 1~11

n I? /(j J~ ~J J ~

: ~

I I -e- -e- -e- -e-

Act 1-09. Beneath A Moonless Sky (Cont'd) 19th October 2010


53 () I I I

@)

ev - ery breathand ev-ery sigh! I felt no long - er scared.

() I I I

@)

ev - ery breath and ev-ery sigh!

() I ~0 :!~ I I •,-..._,n

~ I "-.:.-/ -w I I I

.~J ~.J ;J, (_;) q1~1 J J :

-e- -e- -e- -e- 7J. .e.·

60 I CHRISTINE I () I I

@) ~0·

At last, our

') I IPHANTOMI

I

') ~c.;· --qu· I felt no long - er shy. At last, our

() I .fL~ I .. .,._ .. I

~

~ I '11__!.}' -~ T 1 ['llf~ ~

J~ I :

-e- -e-

Piumosso

66 Rail. J = 180 approx () I I

~ ~u· ~

feel - ings bared, beneath the moon - less sky.

_t.,_ _L I

~ ~o· ~

feel - ings bared, beneath the moon - less sky.

() I I • I

-----I ~

@) ::tt T~ I I T ~~:err:::. F mp ~ 71 I I

'-'

~I ~ I I I :

I - - -.G).· ,;<;~.•

'U' 'U' ~

Act 1-09. BeneathAMoonlessSky (Cont'd) 19th October 2010


73 I CHRISTINE I I) I I I

!)

And, blind in the dark, As soul gazed in - to soul, I

(I I ~- J~J. J~J. ~_d. - -

'~ ("-- - I (" ("-- - I (" - - - I

J~ J_. J~ :d. ! 1~ :d.

! J~ J_.

I ! - - ! - -

:

81 (I I I I I I

~ Y"" looked in - to your heart, And saw you pure and whole.

(I I .~. ~:~~: I I a. ...., .. !'-

t ~ I I I 11!1 ~

I ~ ~ J. ~ ~nn f

} J ~ J I I J I I I I I IJ -:

I I

89 I PHANTOM I (I I I 1

~

Cloaked un-der the night, with noth - ing to sup - press, A

~-~~· ( I ~:~~: f:~f: r?-:~r?-: ~:~~: ~:~~:

~ submp

~~ ~: J~ ~: ~~ ~: ~~ ~: :

97 rall ten. (\ I I I ;,

~ ~"" wo - man and a man, no more, and yet no less. And I

(I I -~~~ .~I I I ~ I":\

I~ I I I I I I I I I IY"" . """" . If I

11 1q1 1 JJ ~ J ~ - - ~ """ I":\ I":\ - - - -I :

- - - - -6" 7) 7) r~r Act 1- 09. Beneath A Moonless Sky ( Cont'd) 19th October 2010


Piumosso 105 d - 110 approx I CHRISTINE I

(\ I - • I I • I I

~

And car-essed you __ And the world a- round us fell a - way!

') I I I I PHANTOM I

I I • !)

kissed you And the world a - round us fell a - way!

(l I

J~ _d~ n -R- I I 0 ~: .,..,......,

~

11!1 -~ I I __!...------'

1/(j ~J ~ bJq:J I I I ~ J J J I I ~ -e- J0 -:

-e- ~ -e- ~ -e- -e- -e-

ii

II2 (l I I

'-" ~ ~v·

dark - We said things in the we nev - er dared to

') I I

'-" !) ~c;;·

dark - We said things in the we nev - er dared to

(l I ~ 0 .~

' ~ -e- <Y -e-

~ aT}\J /'II J ~I ./1 J ~~I .~I J "'I :

_-e- il<Y <Y -e- -e- - -

ll9 I CHRISTINE I ('} I • I • I •

~

say. I PHANTOM I

And I kissed you And I begged you with a

I C) I • I • !)

say. And I caught you And I took you with a

(\ I C) ~

' ~ <Y I I '"!II I I 'I 'I I 'I I I I I I

f ~J ~ bJ ql J I~ J ~ bJ ql I I J I I ~ j ~ :

=d :d -e- (' -- -e- (' ~ '-_-'

> > i i i i rr Act 1-09. Beneath A Moonless Sky (Cont'd) 19th October 2010

Love Never Dies 09 Beneath a Moonless Sky ( Cont' d) (Oct 10)

125 tl I I I

(!)

need too ur-gent to de - ny. And noth - ing mat - tered then,

r 1 I I

(!) need too ur-gent to de - ny. And noth - ing mat - tered then,

i~-s- ~ r L ~ t q~ f: IL !: ~ ~~

(!)

11!f

~ .J f

I J I .J Jq.J J ~ ~ I I -e--:

-e- -e- ------ I .. .. 132 r I I I

(!) ~0·

for A ~~ and - ex - cept you and I - gam

r I I I

(!) ~c.;·

- ex - cept for you and I A - gain and

t'\ I -o g. I I • I I

lu :::: I 4 -d I I I ~· ... ~ -- . ~ ~ r;.. ;. q,-- ~

I :

I .. ... I

138 rail. rail.

I ~ ~ 21 ~. 12 l 11 J r le--=- ±Z. :J lqJ :J IJ J 12:[_l) ~ II

then a - gain, beneath the moon - less sky.

(L I I I I I .lolo

(!) ~

then a - gain, be-neath the moon - less sky.

ti I I I • ..n..::::::======:::..n.. ~=~~= .lolo

t(!) ~~· ... ~ .... .... I I I

11!f I

====-

I I I I • . ~ } 1fT\ I I I .J ~ :

I I • I

Act 1-09. BeneathAMoonlessSky (Cont'd) 19th October 2010

Love Never Dies More Intense 09 Beneath a Moonless Sky (Cont'd) (Oct 10)

145 IPHANTOMI J,l. I I

40 p And whenit was done, before the sun could rise, a-shamed of what I

(q)~·-----~·-----~·-----~· r .~o~o I= I= I= I= ~·------~·-----~·-----~· I= = = = 1~1

I~ p

ll+ ...... .If"' .

1,---:J. Jr; J_. 1/'j --:J. lrl 'd. mp

I :

w- -&·._-&-·

155 Joi. I I I I I

.If'-' was, a - fraid to see your eyes, I stood while you slept_

(l Joi. I I 1~1 I . {"- t::~t:: .~. ~:~ ~ . .

I ~ -z:!-• .._ ~-z:!-. ll+.. ., ., .If"' . _, I_.!/

1 J ~ J I J J ~ --I :

164 (l J,l. I I I

""'

~ .If"' - and whisp - ered a good- bye. And slipped in - to the dark beneath the

(\ J,l.~: p..·-----p..·

~ ::;:::::::=:::::~: ~=~~: 1~1 __........ -.....

t ~ I I i.f+• ., ., ll+"' . _,..,.., #-~+:: ... :: #qt~~

f J. I J. I J 111 i. I

mp :

-r r--r t---r· I I ~ I ~ Act 1-09. Beneath A Moonless Sky (Cont'd) 19th October 2010


Tempo 174 "'I C""'HRI""'S""'TINE~I r .. n I I • ~ I I •

~

And I loved you! __ Yes, I loved you! I'd have

r .,

~

moon -less sky.

r .. - n

I

~ ~f~ ~:;t--- I I I' r: r ~r __.. vi r:!)r ~ i: r ~~ vi i:!Jr - . f 11!1 I I I I I I I I I I

I :

?}. ... ............... ~ ~

-e- -e-~ ~ r r

181 r ., I I

~

foil - owed an - y-where you led. I woke to swear my

r ., I f2- ? ~ ~

I ~

---~- / :J I __..--/1 flo~'- f.-'" - - 11!1 i1JJJ.J _Jn J-J n J I I I I I I

I :

187 () jj I

~ _flo"'" love, and found you gone in - stead. [PHANTOM[

jj ft;; I':\

~C)

And I

tl .. _o_~_o_ I I I ~ I':\

'~ I*"' I #"' .,. I I I

I J jj 1~. r f I':\ I':\ • I :

-e- ?} ?}

Act 1- 09. Beneath A Moonless Sky ( Cont'd) 19th October 2010

Love Never Dies

I CHRISTINE I 09 Beneath a Moonless Sky (Cont'd) (Oct 10)

193 f (\ "' -• I .. I

~

Oh, I loved you! How I loved you!

t\ .10 I .. I .. I I

~

loved you! And I left you! And I had to: Both of us knew

~~ .. ~~ .. ~~- -e-') .10 .. I~ 0 P- :n:

') I

~1 -I J .!OJ j ~J nJ~ -e-

I - --:

199 'l .10 I I I

~ -It""" We both knew why And yet I won't re - gret, from now un - til I

'l "' I

~ I fioO• why. And yet I won't re - gret, from now un - til I

soo--------------------1

~· p.~f: I I J J (\ "' ..a. -e- t.

~ I I I I I

l ~ r::: l ~: I I J J 11!f .. 0 ·-- ~""--• 0· J ~ J I I

:

207 Rail. 'l "' I I

~ -It""" p fio0" die, The night I can't for - get beneath the moon - less

r "' I I

~ fio0" for - get p -It"'"

die, The night I can't beneath the moon - less

.,..a.~p. ~ ..a.~p.. ~ ..a.~p. ~ ..a.~ ..a.

t ~0 I

~4 4- ~ d d c mp :a::: I d -e- ft -e-

'7T: AT

f :

'U' 'U' -----Act 1- 09. Beneath A Moonless Sky ( Cont'd) 19th October 2010

215

1 " r... " +I

!) ----sky. (\ " r... " +1:

u ----sky. And r...~

(\ -6' ~ " +I

,Mo- r-

I u p mpl I

r...~ ~ :::1: ";: ;: -

I :


Half tempo J = 112 approx

I CHRISTINE I

How can you talk of now? For

now?

" . n I u I

~#~: ";: ;: ~= •• ......

Act 1-09. Beneath A Moonless Sky (Cont'd)

menomosso She breaks off e allarg.

I I

us there is no now.

OJ-._: I-' 'OJ

o_.- ~.,

19th October 2010

Love Never Dies

10. Once Upon Another Time (Oct 10) She sweeps out onto the balcony and he follows. Together, against the night sky, with the world at their foet ... and yet irreparably apart.

Appassionato >

~ f: f: qJ: :! > rall

(l .!of 1t ~ ~ ..-: • u.a i? I I r.\

I ~ f "'[:._j../ I ,.. I I ::; ~ .... ..s...L

:3:

~ r'JqiJ.J)- <#J.)q_l)~ J I J I r.\

:

-e- ::; ~-- u ..t...L

- -u- -u--

Moderato~= 110 approx

7 I CHRISTINE I ,;().!of 1±. I I

-~ .. Once up - on an - oth - er time, our sto - ry had on - ly be- gun. You chose to turn the

(l .!of 1t -~ -:;jhJ ~~~ .. -:Jhl I 1 r '1 ..

"'=== ~ === mp .q~~

I : -

13 rit. A Tempo .,; .!of 1t I I I

.. • 401 ou ... page, and I made choic-es too. Once up - on that oth - er time, we did what we

r .!of 1t ~

~~ iT'~: rr r i "'1: .. Lf"-. -:JI-,1 ~~ .. -:JI-,1

r"'"'1j r:JJ r1~ I

mp :

u -

Act 1- 10. Once Upon Another Time 19th October 2010

Love Never Dies

10 Once Upon (Oct 10)

19 rit. ten. ~()~if I I -

... ~ thought must be done. And now we have no choice, we do what we must do. We

( ~ tt .-"1 ~ t~ ~· ~~ ~ :: if: ~ ~ frrr ~~I ten.

j_ J 1 ~ ;:1 j_ ~I1 f

-:

_-e- u

25 ATempo "tl J,l. -1+ I

I .~

love, We live, We give what we can give, And

tl J,l. -1+ ~: ~ ~- J -~~ - t.J I r~ I I v

f v r-i j nJ 11!1 ~n J I

~ -e- ... :

29 -'( J,l. +I

I .~ ..

~ take what lit - tie we de - serve.

tl J,l. +I

~ I I I mp -e- ~ I I I I I --

:

33 I PHANTOM I -'( ~ tt I I

1.~ ... Once up - on an - oth - er time, I knew how our sto - ry would end, And

( J,l. +I

~

~~r ~~r ~v-ur r I r i ~~ U' I

-I ~I -I -I I ~ J'i j :

Act 1-10. Once UponAnother Time 19th October 2010

Love Never Dies 38

10 0 u (0 t 10) , A ~ +1: I nee pon c

I .~

may - be I was wrong, but

A ~ +1:

I~ r - -~ql! n .[ J J J ~ JJ~D J J J J

I :

42 A Tempo

, A ~ +1: I I

. ~ • Were it still that oth - er time, I'd make

I) ~ +1: I I I I

I !) if'fU I I I I "lfltll

I " J ~ I I I I :

46 , A ~ +1:

~

') ~ +1: I

u bend! But now I'm not that strong,

(l jf 1± .fi. .~ .o

I ~ I Ill.._._

poco allarg I

u

now the mo-ment's gone.

I I ,,

_r--, J.

'-"

time it - self

J

'fUj r r-1 11 I

I

I :J ,._

• ·~ -==== ====-

._J I JJ -

some- how

j

"tJ I I I I

r-1.t"il

rit. I CHRISTINE I

ten -

We

ten. ~

and time keeps mov-ing on. We

I 1 ten.

I I ,, r r r 1 r c --==== ====-

m~~nnd j)~aHd '»!! -·- ten. 1""'1J I r T I ..Jq.JJ n r T I J -

:

- I I '-" - -

r Act 1-10. Once Upon Another Time 19th October 2010

Love Never Dies

10 Once Upon (Oct 10) A Tempo

51 tl'(l" !t I

~


('\ " +I' n. I

,4!)


('\ J,l. +I' I

I ~ "1Y -e- -e- -e-

f u. I I I I I

I :

-e- - I I

55 poco rail ten. f'( J,l. +I' ~

4!) • take what lit - tle we de - serve. We

ten. ('\ J,l. +I' -

,4!) • take what lit - tle we de - serve. We

ten.

(l " +I' • • • • n - • ... I

4!) ~ ... ~

mp

I u.

:

-e-

58 A little broader rail f' (l J,l. +t I"J• I

v . love, We live, We give what we can give, And take what lit - tle we de-

('\ J,l. +I' I

,4!) • love, We live, We give what we can give, And take what lit - tle we de-

('\ J,l. +I' ... ~= ! ~: .,.._ f2-• ! f: 4!) I I I I I I I

f '"!I p -e- 1: --e- -:

Act 1- I 0. Once Upon Another Time 19th October 2010

Love Never Dies

10 Once Upon (Oct 10)

64 A Tempo rail Colla voce

pp (in reverie) ,. r') "" +I I I fr ·~·

~

serve. Once upon an - oth - er time.

(} "" -1± pp I I !"':'.

.~

serve. Once upon an - oth - er time.

"" -1± 0 J.-.1\ fl. ~ ~

t 01 ~~ I I r mp pp p

' ..... fr'~ !"':'. i

: :

OJ

Act 1-10. Once Upon Another Time 19th October 2010

1 ~()

,!)

I)

I !)

I :

8 ~(\

,!)

()

!)

:

14

Love Never Dies

11. Mother Please, I'm Scared! GUSTAfP runs in wildly, breaking the mood, and buries his face in his MOTHER'S dress.

Agitato

I GUSTAVE I I ~

_,, -,J ~

Moth-er, please I'm scared! What a dream, an aw ful dream! Some-one strange and mad, seiz-ing me, and

I

~: ltf! r· 4 ;. v• tf~

mp-=:::: f f > >

I -zf. I

GUSTAfP, sensing another presence in the room turns from his mother to see for the first time ihe PHANTOM.

CHRISTINE: Shh, Gustave, it's all right.

Colla voce I CHRISTINE I I PHANTOM (dark yet charming) I

1':'\ ... I ,....._

drown-ing me. Come and meet a friend of mine. Wel-cometo my world, young friend

1':'\ ..

1 I I r' :; v:;_

1':'\ J j~~

"i 11~

GUSTAVE: (cautiou#y) Your world? Where are we? PHANTOM: The world of Phantasma, little Vicomte. A world of fantasy -- where illusion is emperor.

The chill in the atmosphere is palpable, but GUSTAVE is oblivious to it. The PHANTOM leans aose, consptratorially

I PHANTOM I

Tell me

f

8'!.;,_- ~- _·_-~- ~- _· __ ~- ~--- ~- ~- _·_- ~- _·_- ~- ~- _·_-- ~- _·_- ~- _·_-~- ~- _·_- ~-- _·_- ~- ~- _·_- ~- _·_- ~- ~--- ~- ~- _·_- ~- ~- _·_- ~-- ~-(Phantom Bass) Act 1- 11. Mother Please, I'm Scared! 5th November 2010

19 .-r I . u

t

~

:

22

(A ,u

'\

~ ",

26 .;('I

I ,u

('I

~u

:

• • • • whereyou'dlike to go, Tell me

~ I

Love Never Dies 11 Mother Please I' rn Scared

CHRISTINE steps fr!rward to interrupt ana decline the offer.

(to CHRISTINE) l

• • • • what you want to see, Mad-arne please,

~ I J

~

I ins - ist.

n J

• • 0 0 • • • • • • • • • • 0 • • • • • • • • •

(8)------------------------------------------------------------------------------------------------------

l GUSTAVE I (shyly)

I

Could you show me, if you please, All Phan - tas - rna's my - ste - ries? ~~~- ~~

n-1 n-1 I

/l~ - /l~ -

rrrrrrrr rrrrrrrr rrrrrrrr rrrrrrrr • 0 0 • • • • • • 0 • • • • • •

(8)-------------------------------------------------------------------------------------------------------PHANTOM: Yes!

!(GUSTAVE)! rail. I I

• .. All that's strange and wild and dark In the shad-ows of

q..a: :.0..

r qr ~r- r " q!: ~ ~ f.. Jh.j

- -- ----- - --- -;j qr r r r r r r r qr r r r r r r r qv 7 t . . . . . . . . (8) __________________________________________________________________________________ _1

PHANTOM: You shall see it all tomorrow, I myself will show you. (cuefor chord)

1':"1

the park?

q$

~-;j

I promise. (cue for melody] CHRISTINE: Back to sleep now

1 Gustave

GUSTAVE: Yes, Mother. (He extts to the bedroom.)

30 Freely ~ rail. ,-(', 1':"1 I

.u

I 1':"1 1':"1 1':"1 I

') .. .. .. p

L~ ."::':::-- .:::-::::; ..o_

:

Act 1- 11. Mother Please, I'm Scared! 5th November 2010

32 ~ "} I

!.)

(\ I

I u

I :

36 ~r I

u

I

'4')

(l I

I u

I :

40 ~r I

u

r I

.u

(\ I

lu

I :

The PHANTOM turns to CHRISTINE

PHANTOM: And so ... 1":'1

~ Does he

1":'1

1":'1

Love Never Dies II Mother Please I'm Scared

-,-___. 4 ~''* -.J

stay? __ Does he go? Do you sing? Yes or

PHANTOM: (simply) You sing: you leave with the boy~ Pockets full. Debts paid. You refuse: you leave alone. A man as ugly as tliis, believe me, is capable of anytliing. all

r · I CHRISTINE I

And

~4· no?

bo ~ '-'bo :

~

E/AI> Al>m E/AI>

" , ~~?

,. what am I to smg. And then we're free to

I ~

Just one a-mus-ing thing de-vised by me.

Em F#m Em Dm Em F# D E

" ,u.

q-6 +I'"' q-e- <:: q'6 +1'.., <:: q-6

Act I- II. Mother Please, I'm Scared! 5th November 2010

Love Never Dies 11 Mother Please I'm Scared

45 Slower _, (\ I

~ ;!"* leave?

(\ I (nods)

-~ fee. ;=. And will, of course, re - ceive a prince - ly s tt

(\ I

~

F# D c F#m 01.

:

lfU c: 1:6 l+ 'U

48

( ") I - 01 it

~·------6- 17-* -,1 !)

on with the show? Does he stay? Does he

") I 01 olf

~

tacet

:

51 Eventually, she nods PHANTOM: The Manhattan Opera House will receive a message explaining that you have been unavoidably delayed.

((\ 01 1t

.~ ~~· go?

r 01 1t

'~ ... ... • '< ~ -.J -,jl -e-

I u.

: U• u~u...__ ......--''U~

In America you will sing for me, and only for me. Have no concern for your contractual obligations 55 to Mr Hammerstein. He will be paid off in full.

(\ .. olf

I ~ ... ... • ""'..__ ..J' -,1 -.1' -e-

'~ :

-'U u..__ ___ y....___

_........--'ou....._-

Act 1- 11. Mother Please, I'm Scared! 5th November 2010

Love Never Dies 11 Mother Please I'm Scared

59 rall r .. +t

u

:

63 ..

* r I I I r

u

He bows, steps out of the window and vanishes. Alone for a moment CHRISTINE begins to undress in front of the mirror. "She gazes at her own reflection, seeing herself as she was ten years ago.

..

u

- ~

' 40 I

<

(

l

~ ~ r---..:::- h. :

(After a moment RAOUL re-enters) RAOUL: He's nowhere to be found. The insolence.

CHRISTINE: (distracted) Who?

RAOUL: Hammerstein. What the devil is going on? That's what I'd like to know. 67

CHRISTINE: (quietfy) I know what's going on, Raoul. 68 RAOUL: (unsettled) What?

CHRISTINE: (quieter still) Things have changed Raoul. (A beat. They look at ONE ANOTHER).

()

u

I :

rrrrrrrr rrrrrrrr rrrrrrrr tttrtttr Act I- II. Mother Please, I'm Scared! 5th November 2010

I

I

I

I

I

Love Never Dies

70 A Tempo "(\ ~ ~

u are to sing. MEG: ~n aback) To sinf But surely not here? Not on Coney?

CHRIS : Yes Meg. It's al been ~eed. Me~this is Gustave ... MEG: (ignoring the boy) Agreed? o with? o hired you to sing her e?

(\ ~

.u ... why are you here?

(\ ~ ~

u :J ~! -uq~ ~I ---~q~ ~I ---~q~ ~I ---~q~ mp p

I :

... I I

RAOUL enters and walks, stunned, towards MEG ... A Tempo .. . and right past her, astonished at another figure who has just appeared

I GIRY I (stunned) 77 ,; (\ .lol- I

u .. ... I RAOUL I It can't be you!

(\ .. t'

. u ... You! Is this a

(\ .. - - - I_

u f ~

I :

I I r I

82 .-(\ I

u .. .. ... ., .. .. How can this be? At whose be- best? Andmay I

I) I I (producing an envelope)

I ~

~ ... .. .. jest? We're here to work The con-tract's here.

(\ I

u q~ ~ $": '-6'-": 11"#':

:

I I

Act 1 - 12. Dear Old Friend 5th November 2010

Love Never Dies 87 (she takes the contract and reads) _, (\ I 1":'1

~ ... • .. . . .. see. Dear God, the price! This is ab surd!

(\ I II (suavely)

1":'1 I

. ~ ~· .. .._, .. .. Why,bemy guest. It's on-ly fair. And may I ask, why you should

II .. ~ .. ~~ -~ I I

I 0 q~ mp

~~~ ~~ II i== i== .~

I :

~ ~

93 Viennese _, (\ I - I

~

and will she sing? My dear old friend, let's get one thing (\ I

.~ .. .. ... friend,l~et one thing care? He has our word. My dear old

I I ~ _l I ~

~~ I

~ ~ .

;:~ It 11!/t......./

. I :

~

98 .-r

~ ~·

clear, old friend. When you say "He" ... that "He" might be? My

I I

-~ ~ ..... .. I ~

clear, old friend.Am I to as sume ... we both know whom ... that "He" might be? My

(\ I I ~ I _l _l 2 ~~ I~ •! • • ~ i ~ ~ i ~ ~

f t....J ·r ~. u I - - ....-!

:

I ~ . .. Act 1 - 12. Dear Old Friend 5th November 2010

Love Never Dies

104 (archly) ,;(I

I!') ... .. ... sweet old friend, we must be dis - creet, old friend.Still Imustcon-fess

(I

,(!) ... .. sweet old friend, we must be dis - creet, old friend.

(I o--._•

(!) ~ -........:.._ '"" ~ -¥1 I ~ ~ ,/ r-... '--I

:

-,j ......

110 Rall. ,;(I

(!) ~· .. bought ... You did say yes?

(I (riled)

I frowns

I

.u Please un-der stand ... He ra-therforced

'\ I

~ ~: ~

~~ .,:

:

~ c: = ...

115

The focus turns back to MEG and CHRISTINE

A Tempo I CHRISTINE I

"f't ol.f

(!)

To-morr-ow

(I .It I MEG I _....,

~

.u - ---Sor - ry did I hear you right? Here to sing?

tl.~t :r= I

(!)

11!1 ~ q~

~ :

I I

Act 1 - 12. Dear Old Friend

I ne-ver thoughtyou could be

~ #~ ~

ol.f

ol.f

our hand ...

ol.f

I

night.

- -v•

That seems odd--there

I

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~ .. I

5th November 2010

Love Never Dies 118 ~ () If _j_

u No,sure ly not.

() If .........--! - ,......, .........,

,u ~· - -- II•

must be some mis-take. That's thelead-ing la-dy's slot. I've been booked This was meantto

If q-e- ~-!-

I 0 ·~

<

J~i ~ (q)q, i I :

I ! r

122 ~ (\ J.l, l

u ....... -Look,I hard-ly sing-- just one sil-ly thing:an ar-i-a. (smiling through her (\ J.l,

disappointment)

,u ~· be my luc-ky break ... Oh ...

I ~< I I .~ lu ..._ v ... I ..

11!1 > > ~ . ~ • ~ I :

v r I ~ ~

Back to GIRY and RAOUL 127

~ ~r J.l, I

u .. .. .. He? Who doyoumean?

(\ J.l, I I I RAOUL I

v -Chris- tine, it's a thrill justto share the bill with you ... Ithinkyou

If I I I :

I 0 if. v•

·~ I I

f 11!1 ~

------I :

~ I ~..,; ~..,; > >


Love Never Dies

132 (urgently) (darkly) ""1'j I

~ .. .. .. .. , .. .. I think I do ... You both should go. Now you do

1 I I ___, I

') .. .. ... know. Mywifein- sists. You work for h. ? un.

I :

I I ._,

~ ~ ~ >

~'-"-'! ~'-"-'! :::;-:

~--,/ ~--,/ > r > > >

RAOUL sidles over to CHRISTINE.

137 rail. I CHRISTINE I ~ () I ~

.~ 4 too. Do they know? Or have they

~ ::L: ~: ~i ! () I ~~= ~.

~

p ~.

j fr. ~~ ~

:

141 I CHRISTINE I ~() I I

~

guessed? And, if so, then why pro

rl I RAOUL {sottovoceJI

I

,'-.)

Dar-ling wife,justchann them. All the while, trust no- one. q~~: ~i 1'j ~~= ~= ! P,..

~ "'!'" "'!'" "'!"' "!'I

11ff mp -~ _;t: h~ :

~ ~ ~ ~

Act I - 12. Dear Old Friend 5th November 2010

Love Never Dies

146 ~r

~

test?

r

~

()

~

!RAOUL! I

. ~0

As they confor, MEG and MADAME GIRY have their own whispered colloquy:

!MEG! (sotto voce)

~I lrif- ~ "* ~I

This can'tberight. I GIRY I (sotto voce) What's

~~~--- ~ ... It can'tbetrue.

Dar- ling wife, smile nice - ly. Haveno fear-.J'llstall them.

r I b~ r-, .,_~

~ '!" !" ~---J ... ~I ~~--- ~ ... ~I \.._../

11!1 ~

~ . ~4=~· / 1"---. :

r' r' - I I 6

All four catch each others' eyes and immediately regain their social graces. 150 rail. I CHRISTINE I ~r .. ~ -

!MEG! My dear old friend,would n't it ap-pear old .. ~ ~

0 ~--- .~ ...

go-ing on? !GIRY! My dear old friend,would n't it ap -pear old (\ .. ~ ~· ~--- ~ .... ..

I wish I knew... My dear old friend,would n 't it ap-pear old (\ !RAOUL! .. ~~ -My dear old friend,would n't it ap-pear old

(\ II

~ ~--- ~ ... ~I ~~---J .. f~ :: :: ~ :: :f :f ~

I :

C::• ~· .e-·


Love Never Dies

155 ICHRISTINEI ~ (l ~

u friend ... as it should be ... My

( IMEGI ) ~

u ...... friend.Some-thingis- n't right? My

( ~ IGIRYI i. -u ...

friend. I do ag-ree. My ~ IRAOULI

i.

• ~C) .. " friend ... Atleast not quite ... My

(l ~

lu :@: :f ~ ~ ~ ~ -z:f. ;:t: .....

I I I I

:

- ?;. - -~~· ~· ~·

160 ~r ~ I - ~ ~

u good old friend, if I've un - der- stood, old friend, some-one's dou-ble booked his star-ring

( ~ I - ~ ~

u good old friend, if I've un - der- stood, old friend, some-one's dou-ble booked his star-ring

'l ~ - ~ ~

u .. good old friend, if I've un - der- stood, old friend, some-one's dou-ble booked his star-ring

~ I - ~ ~

C)

good old friend, if I've un - der- stood, old friend,some-one's dou-ble booked his star-ring

( ~ ~I ~~ ~

u ~ , r 1 v•, "'! .. r f r ~ ..

:

-6 -.. ~


Love Never Dies

: ~ .. I CHRISTINE I

act. Afact'sa fact, let's not pre tend: he's o-ver looked a ve-ry dear old friend.

act. .. IGIRYI

A fact's a fact, ,......,

let'snotpre tend: he's o-ver looked a ve-ry dear old friend.

act. Afact'sa fact, let's not pre tend: he's o-ver looked a ve-ry dear old friend.

act. A fact's a fact, let's not pre tend: he's o-ver looked a ve-ry dear old friend.

j·

f : • • -I <f.

171 ,... ') .. ~ ~! ~...- ~ q•

And you as well? (l ..

~ ~--- ~ q• sing your song?

(l ..

~ ~I ~--- ~. q• And right andwrong?

(dryly) (\ .10

.~ ~ q•

~I

You'll

My

My

My

-~1 ~---Can go to hell ... My

r ..

~

~--- ~ q• ~I ~...- ~ q• ~I ~...- ~ q• ~I ~~...- ~ q• f

:

I I


Love Never Dies

175 I CHRISTINE I ~ () .. ~ - ~

~ - - .. dear old friendJf it's as I fear, old friendSome one'sha -ving fun at our expense, thoughl'mnot

() .. I MEG I ~ ~ ~- ~

~ - .. dear old friendJf it's as I fear, old friendSome one'sha -ving fun at our expense, thoughl'mnot

I} .. IGIRYI

~- ~

u .. ... - .. dear old friendJf it's as I fear, old friendSomeone'sha-ving fun at our expense, thoughl'mnot

() .. I RAOUL I ~- ~

,u - - .. dear old friend# it's as I fear, old friendSomeone'sha-ving fun at our expense, thoughl'mnot

I} ..

~ :: ::: ~ ::: :f :f ~ :f ~ ~ ~ ~ :

I

181 ~ () .. I

u .. u

one to take of- fence ... My true oldfriend, whatare we to do, old

() .. I

u .. u

one to take of- fence ... My true oldfriend, whatare we to do, old () ..

u .. u

one to take of- fence ... My true oldfriend, whatare we to do, old () .. I

~ .. v

one to take of- fence ... My true oldfriend, whatare we to do, old

( .. ,~., . ~I I ~ I #:f ..... " .. ~ 1 r 1 v·~

I I I :

f!• -6 "'--.1


Love Never Dies

186 I CHRISTINE I , r "" - ~ ~ ~ ~

~

friend?Some-one real-ly should stop play-ing games, thoughwhat his aims are in the

() .. I MEG I

~ ~ ~ ~ -u


r "' IGIRYI - ~ ~ ~ ~

u friend?Some-one real-ly should stop play-ing games, thoughwhat his aims are in the

(\ "" IRAOULI -

~ ~ ~ ~

.~


lj .. ~ ~ ~ ~

~ -· "f ~- r= ~: i" 'f r· r ~ • • __., • :

I ~ ~ -,J

190 ,r .. .. u - -end So dear old friend, let's be of good cheer, old friend. We will sort this

r "' -u --end So dear old Dear oldfriend cheer, old friend. We will sort this

(\ "" ~

~ -6}-

end So dear old Dear oldfriend cheer, old friend. We will sort this

1 ..

0 - -end So dear old friend, let's be of good cheer, old friend. We will sort this

(\ .. I ~ ==

!: ~ ~ -=- ~ ~ ~ s: ~ ~ ~ ~ ~

~ u:

(~)· I - I -~ B- -8- I ~ ~

ll ::; ... ::; .. .. Act 1 - 12. Dear Old Friend 5th November 2010

Love Never Dies

195 I CHRISTINE I ~ (\ .II ~ -~

out, this ti - ny hitch. it's just a glitch. My true old friend,

I MEG I (\ .II ~ I ~

~ • Sort this out. With-out a doubt, Just aglitch.My true old friend,

(\ "' IGIRYI ...

~ • • .. -,J. .. Sort this out. With-out a doubt, Just aglitch.My true old friend,

(\ "' I RAOUL I ... .- I

.~

out, this ti - ny hitch. it's just a glitch. My true old friend, ~

(\ .II ~'~~ ~ jL ,.....--.._ 1~1 • I ~ 3 -;- I 'I I 'f I

_!_ -i- ~· -i- ..- 0 ..- . I .~ I :

~ • ...

200 ~_[} "' I ~ ~

~

I can count on you, old friend! I can't tell a lie ...

(\ .II I ~

~

I can count on you, old friend! I smell a

() "' ~

~ r .. can count on you, old friend! I smell a

(l "' I ~""""""""\ ~

.~

I can count on you, old friend! I can'ttell a lie ...

(\ .II 1- I -§-:~ .. .. ~, ---~ ~ ~ I

~ I 'f ~ 'f ~

~n ~· J ~ -------..__ • : -- --- f. ! ~ ~

~ Act 1 - 12. Dear Old Friend 5th November 2010

Love Never Dies

204 I CHRISTINE I allarg

poco meno mosso ,.. I') ~ ~ ~

II ,r.-.. £'

!)

old I MEG I

Oh yes,on that you may de - pend! My ve-ry dear

t\ ~ II !':"\ !':"\ ~ ~

I!)

rat. .. Oh yes,on that you may de - pend! My ve-ry dear old t\ ~ IGIRYI

~ II !':"\ !':"\

~

I!)

rat. .. Oh yes,on that you may de - pend! My ve-ry dear old

(l ~ I RAOUL I II

(icily) ~ ~

- -~ !':"\ !':"\

,I!)

Oh yes,on that you may de - pend! And now good - bye ... My ve-ry dear old

tl~"'. ... !'- .,. /~\ ~ l !':"\ !':"\

I!) 'I ,.. o....J 'I • • • ~: ~ "~

.,. --= ., b#- !':"\ !':"\ :

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~ ~ ~ = -6 ~

209 Vivo rail. Molto rail. ,.. t\ ~

I!)

friend! old

t\ ~

I!)

friend! old

(l ~

. . I!) ~----- ---~ friend! old

t\ ~

.~

friend! old

(\~~.,.~ ~q~ !'- q~ ., ~ ~!'- .,. ~!'- ' !'- ~.,. ., ~#- I .,. ., ' I!) - - - -

ff :

I. , , ~

, ... ~ 7 7 I. I' ~ ~ - .. ..

f----- f ----~ r~r Act 1 - 12. Dear Old Friend 5th November 2010

213 ,; ') .. ~

') ..

~

1 ..

40

(\ .. .~

1 ..

!)

:

I CHRISTINE I fr. -(9-•

friends I MEG I

/":"\

friends IGIRYI /":"\

friends I RAOUL I

Love Never Dies

As CHRISTINE and RAOUL turn to leave, she calls out to her child:

* /":"\

Gus-tave?

> /":"\

> /":"\

~/":"\~ /":"\

friends >

! /":"\

q":&:: I

-I -I /":"\

-o-. -o-. 111 >

The boy has vanished.

(puzzled) (a bit more insistently)

I

v•

Gus-tave? Gus-tave?

RAOUL: (irritated) Must we always be chasing after the boy? I promise you, when I find him ...

CHRISTINE: (Too quickly) No!

They all tum to look at her.

CHRISTINE (cont) I'll look for him.

RAOUL and GIRY exit. CHRISTINE waits until they are gone, then wordlessly races off in the other direction.

Only MEG is left. The S1ll.GE MANAGER enters and rushes past her, followed by a gaggle of girls.

STAGE MANAGER: All right, break's over Meg. Back to work

/":"\

/":"\

/":"\

/":"\

/":"\

/":"\


Love Never Dies

Bathing Beauty Rehearsal continues DANCE CAPTAIN: And 5, 6, 7, 8! (cue for music)

220 I MEG & SHOWGIRLS I ~r J,l.

I .~ •J - •J q• ~·· •J

Bath-ing beau-ty,_ on the beach, Bath-ing beau-ty,_ say hel - loL (\ J,l. ... • ... • -. ... • I I r--'1 1""'-oo. -. ~ I I r 1 I ........ ~ - I I r 1'1" ~

'"!! .....-!

:

I I I I

For a long moment, MEG doesn't move. We see her mind working. Finally, she turns and exits as we dissolve ...

Cross fade to part 16

~ 224 ~ '\ J,l.

I !) .. .. -

What a cut- ie!_ What a peach! '\ J,l. ... fl. ... • --. ... • I I r--'1 --. -!) I I r 1 I ......... ~ - I I r 1'1" .. ..

_., :

I I I I

Act 1-12. Dear Old Friend 5th November 2010

Love Never Dies

Scene 6 - The Aerie 13. Beautiful

The Aerie. Behind a scrim we are aware of the TRIO of FLECK, SQUELCH, and GANGLE, leading the bOJI. GUSTAVE in a circular pattern as they appear to be climbing up, up, up through an impossibly high series of staircases until they arrive at the AERIE.

The TRIO leads GUSTAVE high above.

1 r ~~~~~~~ ~~ ~ !'- b~ ~ ~~1~~~~1 ~~ ~ !'- b~ ~

~

p (weird)

:

5 IGANGLEI I SQUELCH I ~tl

I~ Cornea longandfoll-ow us,

f) 1*- ~q~ ~ F ~I ~

:

9 ~

I '~C)

Hurr-y upandfoll-ow us,

~ ~q~ ~ ~ ~I

' ~C) <

~ :

Comeandfoll-owfast- er. Cornea longandfoll-ow us, Come and meet the master.

~~ ~ !'-b~ ~ ~ ~q~ ~ ~ ~I ~~ ~ !'- b~ ~

They arrive now at the top of the park in a place of mannequins.; masks, and where, in a corner, the PHANTOM is at work on a bizarre taole, out of which seems to grow half a human being with five arms. This is a magical construct of the PHANTOM's, designed to produce his music.

Rail. sotto voce II 1"':\

Hurr-y if you care to. Soon the dark will swall-ow us, Foll-ow if you dare to.

~~ ~ !'- b~ ~ ~ ~ q~ ~ ~ ~I II ~~ ~ !'- b~ ~ 1"':\

II

Act 1 - 13. Beautiful 19th October 2010

Love Never Dies

13 I GUSTAVE I (gazing about, enchanted) ~ rt I~

What is this place?

() .0• I I 0 • I I I

~ lp I v• I I I I I v•

b~: q:t: ~~: bn. lb-1- • • b:t: ~~~: bn. :

I I

The PHANTOM ceases working on one of the musical contraptions.

17 IPHANTOMI ~() I I !":'.

I .u • • • ...... ~<7

This is my realm, il - lu-sion's do-main where mu-sic and beau-ty and art - i - fice reign.

() I I I I I I I !":'.

~ ~, ": q-e-· ~~- u• .,. q-e-· ~i.

PHANTOM: Go, little Vicomte, look around while I finish my work

GUSTA l1i' is drawn, as if by some mysterious yearning, to a piano nearby.

GUSTAVE: May I?

PHANTOM: Does the young Vicomte play? PHANTOM: Go on ...

GUSTAJE begins to play: a simple yet eerie tune. (cue for music) PHANTOM· (intrigued) What's this? 21 I GUSTAVE I

(() !":'.

.u

(Gustave plays the piano) Just a song in my head.

() !":'.

u <Y u

DP+ !":'.

:

~<Y

28 GUSTA l1i' begins the tune again I GUSTAVE I ~() I I

I~ I thinkit's beau - ti- ful. Hear how each note seems to float?

I I I I I I

~ ~ J 1 J JJ J ~ J 1 J 1J J ~ .J ~J .J ~J .J J ~ J 1 J

:


Love Never Dies 35 ~(l I I I r---3------,

.~ ~ Hear how they all die and fall? Just like the night...

(l I I I I I I I

I ~

~ J ~J J ~1 J _J_ J "(?- ~ft I :

39 ;(l

~

It's beau - ti - ful. So ve - ry beau - ti - ful!

(\ IPHANfOMI

.~ (mesmerised) This boy! This music ...

() I f...

I~ .. .. .. "i / .. "--------.. .. , .. /

I I

: ~ 0 Go ..... t.o ""

43 .-I I I I

~

Mu - sic that comes un - con - trolled. Haunt - ing and I

.~ He plays like me ...

I

I ~ r "i i < r i "[_____ ~ r~

I :

11. • 11•

47 ;() I

~

love - ly and bold. I PHANTOM I I I

. ~0

He's just ten years old,

r I I

I~ L____!:/i -61-

~-R-I

~ :

11-e- 11-e- ~


52

Love Never Dies

The PHANTOM listens, enraptured, as the boy's melody becomes richer and more impassioned and then, suddenly:

rail. Broader ~

ten years old! __________________ _

I mp

PHANTOM: (thunderstruck) My God! Menomosso

_Q_

PHANTOM: (with mounting excitement) My God! Come here! Come with me! I need to show you something. Follow me! I want to know what you think!

63 (l I

- - -- = = ~ qf ~~ f I I I I. " I I

! I ~J- J J. 6 -: ~

-c:: ...-""ill ~ ._..-JJ 3

a ~-"

~~ ~ ~~ a rit.

66 ~ ~ ~~ ~ ,--3-----, (\ I :;; lt. I • I

t u r I I ~r r I I I I , I cresc.

~-a' ! J q"4 I '6-

:

r Act 1 - 13. Beautiful 19th October 2010

Love Never Dies

14. The Beauty Underneath (Oct 2010) During the song, the PHANTOM leads the BOY down from the aerie, and -- like GIRY and the TRIO before -conducts him on a tour of the wonders and horrors of Coney Island.

After they descend, the stage is suddenly filled with the PEOPLE of Coney: VISITORS and ARTISTS mix in an ANGRY CROWD. Bubbling, sensuous, drunken, lecherous. The PHANTOM pulls the fascinated BOY along. As they approach the Hall of Mirrors, FREAKS and illusions appear: in the CROWD is a HEADLESS MAN? Or a GIRL who becomes a bird?

70 () I

I ~ ~~~~~~~~~ A ~ A ~ A A A A

I r-4 A ...4 A

: o--__.-• • •'-'o--__.-• • •'-'o--__.-• -# ~ •-.-o--__.-• • •'-'o._.-• • ·--

83 86 !PHANTOM! 89

Have you ev-er yearned to go Pastthe

90 ~ () I ~

I .~ -world you think you know? Beenin thrall to thecall of the beau-ty un-der- neath? Have you let it draw you in, past the

I i

l :

> :

--- . • • • • • • --- ........... --- ...... ·~ .. .. _._ .... .........

- - - ~ --e- -e- -e- -e-

Act 1 -14. The Beauty Underneath 19th October 2010

94 ~)

I I

... 4~

~ :

:

97 ~-ft L

-.~

(\ I

~

:

101 , ) I

0

lj I

!)

(\ I

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:

106

"' I

I ~

r I

I ~

<

I :

Love Never Dies

~

---place where dreams begin? Felt the full breath-less pull of the beau ty un-der- neath?

~ .. ~ -.._ ~q:F~:Fq~~~~~~~~~~---.J, .. I

.._, 3 3 3 3

--- .. .. ... ., ........ _.__., ... ... ... ... ... .. ----· ..... .. .. .. •

I I

When the dark un - folds its wings, Do you sense the strang - est things?

I

I I I I

----., ................ ..JilL.. .. ............... ---- ............... --- ........... -e-1 GUSTAVE 1 (hypnotized)

Yes!!

I PHANTOM I

Things no - one would ev - er guess? Things mere words can - not ex - press Do you

I I I I :::; i q,#~ .-i: ~ -

_._ ............. _._ ........... _._ .............. ~ ~ ~~~~ -e-- - --e- -e- -e- • ... ----<Y

Strange and phantasmagoric visions confront the BOY; but he continues to be both brave and utterly enchanted by the FABULOUS CREATURES everywhere.

1""--1

-find your-self be-guiled by the dan - ger - ous and wild? Do you feed on the need for the

~ ~- -4!- ~- ~ ~

f

--- . • • .. .. .. .. --- . • • • • • .. --- . • • • • .. .. Act 1 - 14. The Beauty Underneath 19th October 2010

Love Never Dies

109 ~(I I

I .~

beau-ty un - der- neath? Have you felt your sens - es surge and sur - ren-dered to the urge? And been

(I I

~ ~- ~ ~· ~ ~'

: ..._ . • • • .. • • ..._ . • • .. .. • .. ..._ . .. .. • .. .. ..

112 ~I) I ~ I

v -hooked as you looked at the beau-ty un-der- neath? When you stare be - hind the night,

(\

OJ

MEN ~~ I J ~:;l :

mf

r I - ~ I

I ~ ~- ~ ··~· =;-r-. 3

I : ..._ ... .... ..._ ... • • • • _._ ....... ..._ .......

116 f"() I I

~

Can you glimpse its prim- al might, might you hun-ger to pos- sess? Hun - ger that you

(\ ALTOs

------ ---------0)

Ah

~~J q_n_ _n_ :

"--- ~

(I I

~ u:

I I I I

_._ ....... ..._ ....... ~ ............................ ~ ............................ ~ ............................ Act 1 - 14. The Beauty Underneath 19th October 2010

121 ~r L

u

r I

u

(\

"-'

:

r I

~ u:

126 ~ (\ .10 .fl

I .u

r "' o~±

lu

<

I :

can't

>f..

>

A

I

A

~

•

I

re -

>1\

>

~

I

A

press.

>

>

Love Never Dies

I GUSTAVE I (in ecstasy) .10 .fl

Yes!

.10 +1:

l!

-H:o~o ""' -H:.

::::: :::::

I ~

It seems so beau - ti- full

I ~~0 ~· I r 1

mp

~ q:e' 'a-

~······· ~······· -- - -

~ I ~ I I

So strange yet beau - ti- full Ev - ery - thing's just as_ you say!

~~0 #.10:: q~--~ IlL . -a-: IlL--,_ q ~ -&

r I I

~ ..................... ~······· ~ -,1-,f-,J -,J-,J-,1-,J ~· •• .... .... .... .... - , .........

131 I PHANTOM I

And he's so beau - ti-ful What sus-

~

Act 1 - 14. The Beauty Underneath 19th October 2010

I

I

Love Never Dies 136

be. And some- how

Now GUSTAVE takes the lead, pulling the PHANTOM to him in excitement. 141 I GUSTAVE I ~ Of +I I

C)

we_ see

r

~3__j

theve-rysame

Is there mu-sic in your head? Have you foll-owed where it led? And been () Of +I I

~

way!

(\ jf l! 1

'"' T

ff B div ~----::3: MEN ~ ~

:

_/ ~ f qJ j~~j~·~~~.Jk] ~ () Of 1'1: I

u qq:g::::: ,-6-;u-

A A A A

: ---- ., .. ., . ., .. ., --- .. ., ., ., .. .. .,

145 ~r I ~

u ........ graced with a taste of the beau-ty un-der- neath? Does it fill your ev-ery sense? Is it terr-i - bly intense? Tell me

(\ LADIES

'"' f- /

~ c- ............___ ~ ~ ,......_ :

-(l L A A A

! u:

= ~ ~ ~ ... A A A A

..IlL.. • • • • • • ..IlL. ••• • • • • ..IlL. ••• •••• ..IlL. •••••••


149 ,. 1'\ I

u

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u

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0)

:

(\ I

~

:

153 ,. '\ I

u

A

0)

:

(\ I

t u

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f :

~

-

Love Never Dies

Ecstatic, the BOY and the PHANTOM look with amazement at the APPARITIONS around them - and at EACH OTHER, as they sing together:

you need it too, needthe beau-ty un-der-neath! I PHANTOM & GUSTAVE I

I 1

When it lifts its voice and sings,

~ ~

- .----'

~ ~ --~ -

i\ i\ i\ ~ I

:::.:: :::.:: :::.:: ··~· =;= 3 I I I I I I ... ... ...

..._ ................ ---- ........ .. .. .. .. --- ................... ----· ..............

I

Don't you feel a - maz - ing things? Things you know you can't con - fess? Things you thirst for

..c-:: --;-.,..

- .----' ---- I -----

--------k: I~

---------

I I J I I I I I I

I I I I I I ~~· .. .. .. I I I ~~·

.. .. ..

_._ .. .. .. .. .. .. .. _._.. .. .. .. .. .. .. tt£ _,. _, _, 71 _,. 71 _,. q::£-,1 _,. _,. _,. _,. _,. _,. q:I:T -w ...- _,. _,. 71 _,.

q-e- -e-~


(l I

(\

(l I

none - the - less?

~ t. A,._

>

Love Never Dies

Now the CROWD is thinning. The PHANTOM is taking the BOY somewhere darker and stranger still, to be alone. They arrive in Phantasma 's most famous attraction: the Maze of Mirrors. The PHANTOM stares at GUSTAVE in disbelief.)

I GUSTAVE I I I I I I L

It's all so beau - ti- ful! ___ _

I

PHANTOM: Can it be?

=--

I I I

AI - most too

> >

l! }! r~.d.-..o.. - - Bl,=

> > >

r

--

I

mp I

(The mirrors weirdly distort and confuse the TWO of them.)

163 IGUSTAVEI ~(l L I II .-- II

u I

beau - ti- ful! Do_ you see whaL I see? (spoken) Heavenly!

(l I I PHANTOM I --- II

,u Do_ you see what_ I see?

(\ I ~P- ~.~ w~-~ ~ .:r: ~-~

w. fl: II f= = II=

! u:

"-"

I

- V.....llf.- _.. ., _. .,- _.. _.. .,- V.....lllf- _. .,- _. _. .,- .,- .,- -


Love Never Dies

167 I GUSTAVE I ~ () L l . II~

~

I PHANTOM I How can_ this

t\ I I I I I I I I I I

'~ To him it's beau ti - ful! My world is beau ti - ful - -

~~ ~dJ ~~: bl,~-~ ~~~-t\ I ) 1: II= = t-

I I!) r I ~~r r I ~qf~rv~f - -v v ~3__j

I :

- - - - V..IIL• • • • • • •

172

" l I II ~ II "'"'

!)

be what_ it seems? All oL my most se - cret dreams,

() I ~ . IJ "'"'

'~

~d~~ d· All oL my most se - cret dreams,

t\ I A A

I I!) I ~~~ ~ ~~ ,e- .!o.L .... ,e- -u-

v I :

V..IIL• • • ........ - V..IIL • • • • • • • V..IIL• • • • • • • -

177 ~t\ I jj.------ I

~

- Some-how set free!

t\ I ,----3~

jj.------ I

I!)

- Some-how set free!

()

0)

f.f Ah #_a_ ____ _a_

_a_ ~

-e- -e-:

Ah

(\ I I I jj._ ~ (creep in) I

~ ~· q~ -* " :5 ::: :5 L_3__j

... ,----3~

(creep in)

:

- #~ ~~ . q-u-._...-u- _.._ .............. _.._ .............. - - --e- -e-

~

Act I -14. The Beauty Underneath 19th October 2010

Love Never Dies

182 T !GUSTAVE! ~ ('\ I

GUSTAVE: Yes ... GUS 1\VE: Yes! ~ ~

~ Ah_

(l I I PHANTOM I

~

~ -You can feel it. come clos - er You've no fear of the beau-ty un-der-neath LADIES

(\ }, }, }, }, }, }, }, }, }, }, }, }, J J J

~

A • mor num -quam a mor num -quam a - mor num -quam mo - ri - tur

(\ LADIES

:> :> :> :> :> :> :> :> :> :> :> :>

0)

p Ah ah ah ah ah

MEN ; ; ; ~ ~ ; ; ; ; ; ~ ~ :

Ah ah ah ah ah

(l I I ~ I r--

~ q~~~~~~ :::: :::: ~~~ ~~ ~ = :::: .. ......... .... ~ q• ~~ = = ~ ~ ~ • • ~ ... f

: ---- .............. ----.. .. .. .. .. .. .. ----.. .. .. ........ ---- ...... .. .. .. ..

186 GUSTAVE· Yes' GUSTAVE· Yes ~('\ I ...

~

-

(l I I PHANTOM I

~

~ -You can face it You can take it! You see through to the beau-ty un-der- neath! f\ LADIES }, }, }, }, }, }, }, }, }, }, }, }, J J J

0)

A - mor num -quam a - mor num -quam a - mor num -quam mo ri tur MEN

(\ }, }, }, }, }, }, }, }, }, }, }, }, J J J

~

A mor num -quam a - mor num -quam a - mor num -quam mo ri tur

LADIES (\ :> :> :> :> :> :> :> :> :> > > > >

0)

MEN ; ; ; ; ~ ~ ; ; ; ; ; ~ ~ :

~

('\ I I ~ I ~

~ ~~~ ~ ~ . :::: :::: ~~~ ~ ~ . :::: ::::: .. ...... ... ....~ q• ~· :::: = ~ • • •• . ...

I : ................ .. .. ... ... ... .. ... ... ... ....... .. .. .. .. ... ... ... ... ... ... ... .. Act 1 - 14. The Beauty Underneath 19th October 2010

Love Never Dies

190 I GUSTAVE I

"' I

~0

and the splen - dour! Glor - y! The beau-ty un-der

I I PHANTOM I

~

~0 -To the splen - dour! And the glor - y! To thetruth of the beaut-y un-der- neath!

LADIES (\ }, }, }, }, }, }, }, }, }, }, }, }, J J J

~

A - mor num -quam a - mor num -quam a - mor num -quam mo - ri tur

MEN ~ ~ ~ ~ li li ~ ~ li ~ ~ ~ J .J 1 (\

,~

A mor num -quam a - mor num -quam a - mor num -quam mo - ri tur

() I I ~ I I"'-

v ~::~ ~~ :4j = = ~::~ ~~ :4j ::::: ::::: .. _, .... fi:4j q:4j ~:4j ::; = ~ ~ ~ ~ ~ ... ""i

ad lib. :

., .. ., . .. .. .. .. ............. ... ., . ., .......... ., ., ., ., ... ., ., ...

The PHANTOM spreads his arms to embrace the child

194 GUSTAVE: Yes! GUSTAVE: Yes!

"' '\ I ~ .. !)

neath! the beaut-y un-der

() I IPHANTOMI wailing ~

~ -You'll ac-cept it! You'll em-brace it! Let me show youthe beau-ty un-der-neath

(\ }, }, }, }, }, }, }, }, }, }, }, .b._ l l l <>!

A - mor num -quam a - mor num - quam a - mor num - quam mo ri - tur

(\ ~ ~ ~ ~ li li ~ ~ l! ~ ~ ~ J .J 1 .~

A - mor num -quam a - mor num - quam a - mor nnm -quam mo - ri - tur

') I I 1"""'1 I ~

u ~::~~~ ~ ::::: ::::: ~:: ~ ~ ~ :4j ::::: :::::

.. ........ -.f:4j q:4t ~:4t ::::: = ~ ~ ~ .. .. 1111 ""i

: . . .. . . . . . .. .. .. .. ........ .. ...... - - - - - - - - - ...... Act 1 - 14. The Beauty Underneath 19th October 2010

198 !GUSTAVE! Love Never Dies

-'(} I ~ ~ ~ .. ~

neath! I PHANTOM I Splen- dour! And the glo - ry! the beaut-y un-der

() I ~~ ~

~

To the splen - dour! Andtheglor - y! To thetruth of the beaut-y un-der- neath!

() lADIES /1 /1 ~ ~ 11 11 ~ ~ /1 /1 }1 ~ J 1 J OJ

A - mor num -quam a - mor num -quam a - mor num -quam mo - ri tur

()MEN /1 /1 ~ ~ 11 11 ~ ~ /1 ..t, ~ }1 J 1 J ,OJ

A - mor num -quam a - mor num -quam a - mor num -quam mo - ri - tur

(} I I ~ I ,._

I q~~~ ~ = ~ ~:~ ~~ ~ ~~ ~:~ ~~ ~ ~ ~

.. ........ ·~ ~

~ ~ ... ... ad lib.

I :

~ ~ ......... ........ ~ ~ ...... .. .. . . . .... ~ ~ ~

As GUS'£4 fP comes face to face with him, the PHANTOM pulls away the mask.

202 GUSTAVE: Yes! GUSTAVE: Yes! !GUSTAVE! 1":"1 -' (} I I

~

neath! IPHANTOMI

(screams)

() I ~~~ ~ ~~~ ~ ~~ ~ .,._ ~ b~~~ I":'\

~

You'll ac-cept it! You'll em-brace it! Let me show you the beau-ty un-der SOPRANO

() ~ f2- ? f2- ~ f2- ~ ~ !"':\

~

Ah

() lADIES 11 ~ ~ ~ 11 ..t, ~ ~ /1 /1 }1 }1 11 l! !"':\

~

A - mor num -quam a - mor num -quam a - mor num -quam mo - ri

()MEN /1 /1 ~ }1 ..t, 11 ~ ~ /1 /1 ~ }1 11 }1 !"':\

.~ A - mor num -quam a mor num -quam a - mor num -quam mo - ri

(} I I ~ I ~ I":'\

~ ~:~ ~ ~ ~ ~~ ~: ~ ~ ~ ~ ~~ • ....... ·~ q~~~ ~ =

~ ... I":'\

:

~ ~ ............ .. .. .. .. .. .. . . ~ ~ • • • • • • •••• ~ ~ ~ ~

GUSTAfP beholds the PHANTOM's face, and screams in terror. The moment is shattered. The PHANTOM turns quickly away, hiding his face. GUS'£4fP turns and runs ...... straight into the arms of CHRISTINE.


Love Never Dies

15. The Phantom Confronts Christine (Oct 2010)

CHRISTINE: Gustave! It's alright! It's me! (horrified) Gustave!

GUSTAVE: It's horrible! Horrible!

GUSTAVE pulls away, and we can see that he is petrified.

CHRISTINE: (cont'd)Gustave! (To Trio) Please, take him away.

FLECK takes the boy by the hand and, with the other two, leads GUSTAVE away. Now the PHANTOM and CHRISTINE are alone. He has put his mask back on.

CHRISTINE: Agitato 1 1 PHANTOM 1 (stepping towards her. intense) What do you mean ... ?

~r '

l.u r

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f :

5 ~

C)

()

lu

I :

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I .u

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I C)

:

CHRISTINE: (Danicked) Ohno ... !

How could you

(pressing her)

think

mp

I

know? Do you have some - thing to '"'Pi I I

(./

- 11!1 -I') 19-

-u-

, I would - n't guess? How could you

I

CHRISTINE: (backing away) Please, don't make me ...

Meno (grabbing her, brutal)

oM- ~ .. I

con-fess? I want the truth right now

''U

q~ ~~~~

J ff

r ~~ ~~~

CHRISTINE pulls away, looks him full in the face.

Moderato I CHRISTINE I

I') I

..

think I would - n't

Jp ,J

I I

if so!

#qr

~.

I

Once upon an - oth-er time you loved me, yet left me a - lone. But that's not all you did, you

p -e- -u- "!::

'U -

Act 1 - 15. The Phantom Confronts Christine 5th November 2010

Love Never Dies 17 ~) I 1":\ ' 0 I

... ~') .. left mewith a son. Ev - er since that oth-er time I've wished you could some - how have known ... I

(\ 1":\ I

t~ ttr rP" -e- '-" -e- r r I I I 1- ff qr -u-

f 1":\ 0

:

- ., ., I ., I u

24 ~() I I 1,---. i I

... ~ kept the se - cret hid, the se-cret my mar-riage for - bid. What else could I have

()

I~ '-6- 1"-el--' 'W -===:::::: ,_, -do':

mp r--3----, • 0 • ,---3---, 0

I :

I ~ I I

rit. ten . A Tempo

f'(\ .,_ fr. • •

~

done? Just love .... Just live ... Just (In wonder)

(\ I PHANTOM I .,_ fr. •

.~

A son! sva----1 My son! sva--- -1

(\ I J J J J ~~ .._,.- -e- v-e- ~~ "':~ v

mp

I 0 ..:- ~£ :

~ I r I r r r· -,J c:f -,J -,J c:f.

34 rit ~()

.~ ~ give what I could give, and take what lit - tle I de- serve.

() I J J ~ =· r r -e-

fU -e-, "CO'" f..--6-r I I I ,......., ~-R- p

: -.,


Love Never Dies

40 I PHANTOM I ~() I

,u j_~j_~j_~j_. ~.re

() - - - - I

I ~ ----- I I

----'I '------ I - _.-/

I :

Andante ~ I

.. !) .... ?f sees me and shuns me As you did once ...

t\ I

I u :n: II" - :eg: :8: -e--~r r

I :

51 ~t\ I ,-3----, I I

.. ,~ u ... Take him now Take him and go! Go

I

I !) :n: :g: ~ :tf #qf r -e- -e-

I :

55 ~ 1 I I I

!)

now, Be free! but swear one thing to

t\ I I

I ~ ~.,~-'---- -~::- -¥ v -

I I :

-e-


58 , I

I 0 ..

me. He will r I I

I ~ #

I :

~· ._.

62

(!'\ I

~ .. swear it, be - lieve

Love Never Dies

.. ne - ver e - ver

-e-

.. .. me, you know you have

know!

r -..

I

my word.

I Christine I (very moved)

.. I

r Ur ~

Now

r 1b~~ b~t: b~~ .. -------

b,.. ----.

~ I I I

'j 1 ... ~ "J~ i J ~Jl' ~ 1 l\1 \I r 1 kJ ~ I I :

66

(!'\ I

.~ --: }'illl swear this mu - sic won't re - main un - heard. Thts

r'\ I -t

~ -e-

t $ .. -,1 .. - I t~,__~ r J~ I~ ) 1

:

" • .. '-' .. In::> -

70 ,- I) I

I !) -,1 ~ p-. -------mu - sic, your mu - sic will live a - gain!

r'\ I J I I J I .. ~I ... I

t ~ ~ .... , ___./ I ~ if I ~ -d

t :


Love Never Dies

74 ~ (l 1 ,---3---, I I

.u 0 • One last time, just as I swore! And3

(l I I I ,-3-----"] m t u I I <.; I -61 r qr r_r J ~I CJ....J

motto cresc. --f

J I ~J I :

-e- -e- I 78 ~ (l I I I

.u soul to soul we will once more be whole,

r 1

~~ ~ I ~~ ~I ,--7~ -

lu I I .... ' ~ ~ ~1 ~ J 1 J n

I _l I r TU ~ ~ I T l

: -r r

82 Rail. Allarg. ~r I ~

u When I hear you sing once more! (She turns and is ~one. The PHANTOM

You Me watches her vanis . Then, lost in thought.)

r !PHANTOM!

I -.u

~~ ~ ~ i ~~= From out of

(l I $ t lu

ff

I :

:

r r r ?; -6.

?;.

~r'l Andante (colla voce) -I .u ~· ...... q•: ... ... ..

ug - li- ness, such light! From out of dark - ness, such a flame! In him my

' •0 < J hj cJ J

~ ~~

:

r r I r Act 1 - 15. The Phantom Confronts Christine 5th November 2010

Love Never Dies 90 ,-f) 1"'"'"""'1

.. ,~ .._- ~--- ...... q•· ... -,; . -,jl :;t wrong - ness is made right And yet he loathes me, just the same. So let him

f) I

I !) ~ q~ 1~-e- q-e. c:: 1~,-e-

I I

: 0 I

poco accel ~f) I ~ -.. ,!)

shun me in dis - gust! Let him flee this curs - ed face! If I must f) I

I !) q-e. '-' <.J

J bd ~~ l~u.:g: 1~=3: :

r F r r r r ~# • r q-e- - r r r - q-rr

98 Menomosso ~(\ I ~ I':'\ I':'\ .. +I

'~ hide from him I must Yet shall he be my sav - ing grace. __ For Christ

I':'\ (\ I I I':'\ .. +I

I ~ q$ q~ l:ff-e- '-"

J bd ~~~ I .,j bJ 1 I':'\ I':'\ u. I :

~ r r r r r .. # ~ r q:n:: -

~ - ~· --e-

Moderato ~(\ .. i±. ~ I

'~ I

ine, my Christ- ine If it's true He's_ my reas - on_ to

(\ .. i±. r1 I ~--~ • ::: -!-::=::-!- • '-"

!) I I I '( I I r I I

mp p

'" : ... ... ... ... ... ... ... ... ........................


Love Never Dies

106 ~(\ .10 -It ~ I I

I ~

live! Ah,Christ- ine, Then our son shalL have all I_ can

(\ .10 -i't 11 I ~-~ • ~· ... ~;:::~ :: I --~ I I '( I I

: .............. .. ................................................

110 ~ (\ I 1.. ~ .. l- ~ 1..

I ~

give. Ah Christ - ine! All I_ ere - ate on_ this

() I *: ~· :§: ~ .. l - I ~ I 1.. - -- -~ I V I I .. - I

f marc.

:

114 poco rit

~I') I ~ .. I 1.. ,...- ---,

.10 3

I ~

earth, All thaL I'll nev - er __ be worth, All shall be

I ~ .. 1.. .10 ---v I f' I I :j I

~$ :

- - -~ - - --e- -u- -6


I

Love Never Dies

Now GIRY's face appears in the mirrors that surround her like the gorgon heads of Medusa. The furious figure ofGIRYissurrounded by numerous identical images of her fury, reflected inthe glass. Behind her stands MEG, confused and frightened by her MOTHER's rage.

118 ~ .. 4~

I') ..

.!..!

r "' ~

:

123 ~ () ..

!)

:

:

127

*;:

hi' s.

I":\

I":\

-e-

I":\

GIRY: (halftoMEG) Shall... be ... his ... !

I":\

I":\

I":\

pp I":\

Piu mosso (colla voce) I GIRY I (freely)

.... .... .... ........ q• ...... v .................... Ten long years and he casts us a- side! Ten whole years, this is

-:

I

/?; :n ~ ~ ~ -u; -rr----- '-_..-' ~ ~ >~ b -==== ===-

8~---------------------------------------------------------------------------------------------------

I I

q• ...... v

how we'rere- paid! Ten dark years of toil and tears And now whatwe'veworkedfor will ,- -

I ~ •ouo- :::- ~'LI' •ouo·~ mp

f === ,bne:- toe- "bne:.~

-- __ ?;

_-u; ~

(8)_- ----------------------- j -===== ===-

( I) .. I

!) .. -d ~q)* * * * * v• * • ...... * * v• * • go to that child! All our hopes were at last in our grasp! All the dreams and the plansthat we laid!

(l .. :

~ ~u· I I OJ

:ne- f : -

q-e-~-e- -e-~-e-8~~----------------------------------------------------------------------1

Act I - 15. The Phantom Confronts Christine 5th November 201 o

Love Never Dies

132 ~ ') I

0 , Ev - ery - thing is van - ish - ing and we get dis-card - - ed re -

() I i-.1~0-~ ~

I ~ ., u· :--- r:u· ,W:. ~ ~r----11!1 --

I ~ ~"~

:

135 ( () L

>

.~ ,. • 4 , 1 .. 19-

ject - ed, re-viled! All of the bonds in be - tween us now tom!

r I ;::_"' ~ ..... -~ ~0-

~ _-u- ,~-~ ~r ...---u--

:

:n: q:e- --

138 molto rall.

3 3 ~ () I > ,--- ---, ,--- ---, 1':\

I .~ ,

All would be ours if that bas-tard had nev - er been born!

() I L ~ ..... I ~I~ ..0 1':\

I ~ ,~ ~r - f

1':\ : :

- '"' v~~ -


Love Never Dies

(At the climax, the mirrors crack and GIRY disappears. Darkness.)

Moderato intenso

141 ~ I : ..- d:~ d' ~ ~ J.~ J,......_ (I ,., ~

l 4!) I ~

~ ' 1:5-: I I I f f f"'

ff :

~ .--..:z; • ~:z; .~:z; .~:z; .~:z; .~:z: .~:z; •

- - - - - - -~ . -~ . -~ . -~ . -~ . -~ . /~ . /~·

149 I IlL J:~ I I II r n I

4!) I I ~ l~' Ji:J ."---.. ~-&-.. -I r -

~= -II .Iff

: - - :z;.~:z:. - ::::; ::::; ::::; :z;.--..:z:. ~-~~· - - ~· :.j :.j :.j - -

~· /~· ~· /~·

CURTAIN

Act 1 - 15 The Phantom Confronts Christine 5th November 2010

l

! I

Diet. > i2-·

"' .II !-

!)

f tl .II

~ I== I

15 >

tl.~~o ~ ~ * ~

:

19 r .~~

~

:

28 .II

v

:

I I I

Waltz con moto molto cantabile

'--..... I

J

r~r

~

•::• I

J

- r r

Love Never Dies

ACT TWO 1. Entr'acte

Molto Vivace > f2.· t:~~. ~~ i~~. ~~

-I- r JJ-; ~

>

.. .. .. .. :

I== I I I I I I I I I

> >

.. ~ ~ ~ * .. ~ I

- f'-- ~ .!.._..........-

~ ~

I v 1

-(9- *- ~ ~ .,._ 0 I"'

1_.......- ~ ~ #-~7 I ~

J J J j j I. I J

I r~r I r r I r i r ... ~ ... ~ ;., fr ~ .. ~ ~ I

I T I I I I • I • I ...._ ..... - •

J J j j ~~ I . r--1 J

- r r ~ 8 f. r· r Act 2 - 1. Entr'acte 26th August 2010

Love Never Dies 36 ~

(l ""' I I ' I ~I k '\.,1: ,I

~ v .. 'I v• 'I I I I I ,., ~ ~ -r~p

) Jll ) ~J b. ~j ~j I. :

r· I r. r:: f. I

43 -(l ""' / ~

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:

f' -

f' -

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Conmoto 51

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u u r· - u -.e-i Act 2 - I Entr'acte 26th August 2010

Love Never Dies poco rit

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Act 2 - 1. Entr'acte 26th August 2010

Love Never Dies

Grandly~----------

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Subito molto vivace

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Act 2 - 1. Entr'acte 26th August 2010

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Love Never Dies

Scene 1- The Bar 2. Why Does She Love Me? (Oct 2010)

Inside a desolate and decrepit bar at the end of the Coney Island Pier. A long grimy mirror runs along the wall behind the bar, reflecting the empty room.

RAOUL st'ts alone on a bar stool1 still in his rumpled clothes from the night before, several empty glasses in front of him. He has evidentty been there all night.

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RAOUL: One more.

Moderato BARMAN: Aww, buddy, don'tcha think you had enough? It's practically morning already. RAOUL: One more, I said!

Sad, bleak, lonely

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BARMAN: All right, all right. (pourin!{ a drink) My shift is over anyway, so let's settle the oill, ok?

22 RAOUL dumps a handful of change on the bar.

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BARMAN: ]eez, you're in a bad way, ain'tcha Worse than most that wind up here.

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u - - .. - - ~,. .... ~~ -e- - -r r Act 2 - 2. Wby Does She Love Me 4th November 2010

27

A door behind the bar opens.

BARMAN: Here's the morning shift. Maybe he'll know what to do with you.

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32 [RAOULf (J L

u -She looks for sym-pa-thy,_

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u I've none to bor-row.

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Love Never Dies

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I give

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He grabs his coat and exits as another bartender enters; the new bartender immediately turns his back on RAOUL.

RAOUL: Yes, what to do with me. That's the question, isn't it. That's always been the question ... ever since the beginning.

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-her sor-row. She asks for hon- es- ty,_

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She needs my ten - der kiss, She begs it of me!

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li- ness. Why does she love me?

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Act 2 - 2. Why Does She Love Me 4th November 2010

48 Love Never Dies

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~ - -She yearns for high er things, Things I can't give her. The rush that mu - sic brings,

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I can't de-liv- er. And ev-en when she sings, And soars a-

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Turns to the figure behind the bar Turns away 64 Poco piu mosso Meno A Tempo

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40 •• •• .. ,;. ., . 4.:._.:!'-' One more drink, sir. That's what I need, don't you think, sir? Leave the hurt be - hind

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Act 2 - 2. Wby Does She Love Me 4th November 2010

Love Never Dies The bartender lifts his head, and for the first time we see his face, reflected in the mirror. It's the PHANTOM.

RAOUL: (roughly) Didn't you hear me? Another drink!

Without a word, he pours a glass and shoves it in front of RAOUL. RAOUL, oblivious, reaches for the glass, and drinks.

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~ --She wants the man I was,

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u -hus - band and fath - er. At least, she thinks she does. She need - n't

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u both - er. Be-neath this mask I wear, There's noth - ing

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~ ....... of me. Justhor - ror, shame, des-pair._ Why does she love me?

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Act 2 -2. W1.ry Does She Love Me 4th November 2010

92

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Love Newr Dies

Poco piu mosso Me no I

.... .... How 'bout you, sir? Tell me, what am I to do sir? Leave

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Suddenly, the door flies open. MEG enters in a bathing costume. Her hair is wet, ana she ts wrapped in a towel; clearly, she has been swimming.

101 I

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She stops dead in her tracks. RAOUL, startled, turns. The PHANTOM also startled, whirls around to hide his face. During the following exchange he takes the opportunzty to vanish.

MEG: Mother said I'd find you here. RAOUL: (stands, with an attempt at dignity) Miss Giry. MEG: Do you know where we are?

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RAOUL: He!] I imagine? (cue for music) MEG: Around here, thev call it "Suicide Hall". It's where people end up when they don't know where else to go. The hopeless ... the desperate. A good place to step off tlie s1de of the pier and quietly vanish. RAOUL: (drily) You seem to be a regular. MEG: (simply) Me? I come here to .sWm. (cue for MEG to continue)

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Act 2 - 2. Why Does She Love 1lie 5th November 2010

'

Love Never Dies

116 r .u. f.. I f.. f..

~ I .,. This town is coarse, and cold, and mean. It's hard to keep your

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con - science clean. Face - less in the crowd, an - y- thing's al-(\ I I~ I

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Let it set me free. Let the past un-wind.

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MEG: You should never have come here. It's not a place for people like you and Christine. It's too easy to forget who you are and where you belong. That's why Mother says you must leave here. Now. Take your wife and tlie boy and go.

I I

RAOUL: Leave? But what about tonight?

MEG: If he hears her sing once, there's every chance he'll want more. ~aybe he'll never let her leave. RAOUL: I decide who leaves, Miss Giry.

147 --

Act 2 - 2. Why Does She Love Me 4th November 2010

I

I

152

156

161 (\ I

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Love Never Dies

MEG: Or maybe Christine will choose to stay. RAOUL: I have a good and loyal wife. Where I go, she goes.

MEG: Then take her. Take her away. RAOUL: But the concert? The money? Am I to just run away? From him? MEG: Yes, and when the sun rises tomorrow, we can all start again. Clean.

5 5 5

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MEG (cont): I'll be as sad as anyone, never to hear that voice again. But it's what you have to do. She turns, and runs off

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RAOUL (half to himself): Maybe you're right. Maybe we should leave. Leave now -- before I have to see that monstrosity of a face ever again ...

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:;t ~ :;t ~ q-.J #~ 8~-----------------------------------------------l

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Love Never Dies

3. Devil Take The Hindmost (Oct 2010)

He turns to re-enter the bar. .. only to find himself face-tojace with the PHANTOM

RAOUL: No ... it can't be! PHANTOM: Frightened of my face, are you? RAOUL: (staggering a bit) What are you doing here? PHANTOM: Olik.I am always to be found where my interests are at stake. RAOUL: Stay bac ! Or I'll kill you, I promise you. PHANTOM: So, you hope to make Christme return to France? Make her break her vow to me? RAOUL: Hope doesn't come into it. She is my wife and she will follow me. PHANTOM: "You think so? You really think so? Foil ow you? With all your charms ...

Til Ready Very Steady [Heartbeat]

169 JPHANTOMJ ~ ') I I

0 , Look at you, deep in debt, stink-ing drunk,

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174 ~ ') I I

0 , Shall we two make a bet, dev-il take the hind - most?

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Act 2 -3. Devil Take The Hindmost

pi - ti- ful.

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foul as sin.

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19th October 2010

180 Love Never Dies

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Hid-e-ous! Hor-ri-ble! Call the stakes, dealme in, dev-il take the hindmost!

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186 I PHANTOM I ~ () I 1""""""""1 I

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Our Christ-ine shall choose to -night, Is she yours or mine? If she sings, you

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Let her choose. Draw the line.

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191 ~I') I ~

v , lose to -night. You leave from here, dis- ap- pear!

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I won't lose! Fine! Fine! And if she won't. If I win?

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Act 2 -3. Devil Take The Hindmost 19th October 2010

196 I PHANTOM I Love Never Dies

(shaking hands) ~ I) I

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All your debts wiped a - way. I RAOUL I

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hind most. Our old game, It's been changed. Ev - 'ry throw

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hind most. You think you have the odds. You think you're in con-troL You think you've fixed the dice. Well

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risk - i - er, All the rules, Re - ar-ranged, Fate has re - de -

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209 I PHANTOM I Love Never Dies

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signed most. Cut the deck, Let us play. You and I,

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For-tune's on my side. I won her long a - go, I won her from you then, I wag-er ev - en now, I'll

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Once a- gain. In the end, Ei-ther way. Dev-il take the hindmost.

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. ~ -win her back a- gain. And when the game is done. Dev-il take the hindmost.

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218

Now Christ-ine shall choose at last, Is she yours or mine?

We've a son, our


223 Love Never Dies

~ f) I I I r----1.

~ , Are you sure? Are you so sure? Such a child strange to see,

RAOUL: (jalteriniJ Wh ... ... what do you mean? A I ~ I

-~ bond's secure.

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228 ;A I ~ I ~ I

-~ " tal-en-ted, mu-si-cal. Is he more you or me? Which one do you

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233 ;A I I ,....._

~ " find most? Yet you doubt, Doubt your wife, Doubtyour son,

A I (blanching)

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-~ You lie! No worn- an could or ev- erwould Love such a man!

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Love Never Dies

237 IPHANTOMI ~(\ I ~ I - I

!.)

Ev ery thing. Nowwe play, foryour life ... Dev- il take the hindmost!

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You'rein- sane! So nowweplay for my life ... Dev- il take the hindmost!

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!) " Deal the cards. Let them fall. Choose your hand. Try your best.

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,!.) " I call your bluff! Tbe game is on! And we will see who wins out

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!.) " He who wins wins it all Dev - il take the hindmost.

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once and for all wins it all Dev- il take the hindmost.

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PHANTOM: She walks--251

255 ~ (l I

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She sings,

Love Never Dies

--you leave together.

Pockets full.

He pushes RAOUL away ... and vanishes. From the empty air, a whisper:

11 (menacing) _l

"

Debts paid.

you leave alone. Dev - il take the hindmost.

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RAOUL stares at the empty place where a man had just stood. Then, realising the enormtty of the bet he has just made:

II

RAOUL: My God ... what have I done? Look at me ... and the concert is only hours away ...

He stumbles off the pier towards the beach, as the first beachgoers of the day begin arriving on the sand.


19 r ""' ~t

Slower I MADAME GIRY I

Love Never Dies

MEG: (panicking) Wh-wliat do you mean--

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Meg, sweet fool, You did all that you could. Chann-ing, bright, and yet still not en-ough ...

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23 MEG: He wasn't there--? II (\ ""' II I .~+Ji

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How you danced!They're all entranced! Yes, all but the one whose entrance-ment we sought.

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~ ... ... ... ... ... ~· ... .. ... ... ... ... ... Where, poor girl, do you think that he was? Yes, that's right, in with

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Act 2 - 6. Mother, Did You Watch? 26th August 2010

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30 (\ .10 ft

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Love Never Dies

MEG: With Christine ' ....

~· ... .. her all a-long! Dream-ing of

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mom - ent

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MEG: (almost hysterically) But you said ...

of thought. All that

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their son, their love, Too

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smit - ten to spare you one

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MEG: You're wrong ...

been a waste.

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All that you've done, it has all been e- rased ... Now he has them .. Asfor us .. We have both been re-placed.

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MADAME GIRY exits, with an air of finality.

MEG: Nillilll (cue for music) See MEG through mirror (cue for music)

42

~ q-r ~ -iJ' "* ~ -iJ' ~ -iJ' ~· "* 8~~------------------------------------------------J

Act 2 - 6. Mother, Did You Watch? 26th August 2010

Love Never Dies

Scene 5 - Christine's Dressing Room 7. Before The Performance (Oct 2010)

She too sits at her dressing table, getting ready for her peiformance. GUSTAVE stands at her sirle,fascinatedby her dressing routine. She gives herself one last pat of powder.

IN .B. PITCH PIPE I

I GUSTAVE I (wordless - Vocalise)

Oo_ etc

CHRISTINE: Gustave, could you hand me those earrings? The diamond ones on the left ... ~

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GUSTAVE obediently passes the earrings to her, and she puts them on. The finishing touch.

CHRISTINE: There! How do I 1ookl (cue for music)

13 I GUSTAVE I (in awe) ~ () .. I I

'~ You look so beau - ti - full So ve - ry beau - ti- full Like a

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18 I CHRISTINE 1 (affectionately) ~ (\ ... I I

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queen in a book. .. You, too, are beau - ti - full So ve - ry beau - ti- full

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Act 2 - 7. Before The Performance 19th October 2010

24 Love Never Dies

((\" I I I ,-~

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I I ~ ~-6'-Once this per- fonn-ance is through, We'll spend some tune, just us two. Won't that be

8

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30 GUSTAVE: Father! Doesn't Mother look lovely tonight? "'r I

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fun?

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RAOUL enters. He seems to have undergone a transformation. Impeccably dressed, dapper and handsome, RAOUl's visage bears no trace of his customary scowl.

RAOUL: Indeed she does. As lovely as she looked the very first time I came to her dressing-room door.

CHRISTINE (clearly touched): And look at you, Raoul. You look just like that handsome boy in the Opera box, the one who would always toss me a single red rose ...

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40 I RAOUL I (kneeling down to face GUSTAVE. Kindly)

"'r GUSTAVE: May I go exploring? By myself? .. I ,...._

I .~

Please, Gus-tave, if you don't mind, would you wait out - side a while ... ?

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45 I CHRISTINE I ~ " -I

~

Yes, but stay backstage,

r " I ~ p

I I :

=-·-----;:.

He exits.

49 Meno mosso "(\ ...

pp

51 Colla voce ((\ ... +1. I

.. !!)

•

I

Love Never Dies

-my dear. When I'm fin - ished, meet

I I

--=·~ r-·----I 17·-----~-

Since our

CHRISTINE: Raoul ...

(over her objections but gently) I '

.. -....-wed- ding day, things have gone a - stray. I'm not proudof the way_ that I've

(\ ... +1:

~ ~ '""~ ~ '""~ ~ '""~

:

" I I

55 (not letting himself be interrupted) ;' (\ ... +1: I I

I .~ .. .. --....

mands I've made, all the hopes mis - laid, I'm a - ware of the price_ they've ex

r " +~ I~ ~ '""~ ~ '""~ ~ '""~

I :

" I

Act 2 - 7. Before The Performance

GUSTAVE: [~~out the door)

me here.

I

----- F-"

----· r;.

CHRISTINE: We've both been ...

I

act - ed. The de-

~ '""~

I

- act - ed.

~

19th October 2010

Love Never Dies

59 ~r

I .u -- " .. .. - " .. ...

Though I've no right to ask you to, There's one thing more I'd have you do, If you love me as

_o_~i· 1±~::::-:::::::::= . +!~~~ I~

' !) ._.~r· OLJ'-- 1---0LJ

~ :

I I

63

CHRISTINE: CHRISTINE: Anything, darling . . . What? But, Raoul!

(collecting himself) 3 , I r-- ---, I

----, r--a-----,

!)

I love you. Don'tsing the song, dear. You have to know some-thing's ter-ri - bly

1\ ~ I

u

~ J p I ..-. i u i j

I . -

'U'~'U' 'U'·

67 I CHRISTINE 1 (taken aback) f'l\ - -.u

wrong, dear But I have to do this. It's what we a-greed to. That hell-spawned

')

!)

:

-c: -o:

71 I CHRISTINE I f'l\ I ----, -I .u

de-mon he's had us play-ing his game all a - long, dear. Let me just get through this,

1\

u ~~ ~

:

-TI"' 'U'· c:


Love Never Dies 75 ../(spoken) I RAOUL I ,r(l ..;,....,

,4!)

List - en, please I need to. You need so much, it's true, and I've de-

(I

4!) ~~ ~ ..,

0

:

79 ~ l I

I u

nied you. You need the man you knew back here be - side you.

I} -..._

4!) l'---"1 :!::: ,.., ·r ~r i r== .t r

J ~

-e- I ~ I I I :

r ""

84 , ~ I I

I '40

You'll have him back, I vow! Just ask it of me!

r ,9- I ~ .p. fr I ~ ~·

IV I v I I v

< - .. .. I

~ i.j.JJ Tl ~ r1 J .J Tl ~ n ~ J n ~n.J_Jo :

jfU flU

88 ~(I r; I

,4!)

But we must leave here now, If you still love me ...

(I 0------.0

v I I I I cresc.

~b~ J ~ m- f :

Act 2 - 7. Before The Peiformance 19th October 2010

I

Love Never Dies

CHRISTINE: (Swayed, despite herself) Do you mean it, Raoul? Truly? RAOUL: I have a passage for three to~Cherbourg on the Atlantic Queen. It leaves tonight. I beg you,. let's oe on tt, for both of our sakes ... and the child's.

92 Meno mosso (l 3 ,- --,

u u L__3____j

u

:

0

tt 'IT-& tt 'IT-& tt 'IT-&

98 jRAOULj ""~'~

.u 4

Leave this place be -

(l

u -d- ~ $ ~

:

104 ~ r

Moderato Doloroso

'U'

hind.

11ff~ ~ ~

/(

He withdraws, closing the door behind him. CHRISTINE gazes at the spot where he stood.

~· ~'?} ~ ... ~I

-

~ ~..- ...... ;::

~ ~·

..LL

·~ lu

:4j ~ ~ ~· ~~ + ... ~ -,j :ec· I I I r ~ f con passione

I I I I

:

:n: ..LL - -':'- -If~ .ftU • --

110 rail d- i=: ... ;: ~: +tq I I t #J: ~t

40 I r ~las . d,~

~,.d d f motto intensivo rz czan o

I I I I J J -~ ~ :

#~#"" • -e- --- I ..----'1 - - -- --u-

I

II

II

att~cc


~

.. ,40

A

I~

I tJ

u

120 ~(}

,u

A

~

A

~

124

(A ,U

I')

~

:

Love Never Dies

Suddenly, the PHANTOM materialises from the shadows behind her. He places his hands on her throat, and she-' freezes in sudden fear - he could snap her neck in an instant. Instead, he places a jewelled necklace on her, ihe same jewelled necklace we saw on the throat of that automaton.

:::; ~

_;;_~ :::; :::: _;;_~~

-e-~ -e-~~

mp

~ --._ ~

I I

[PHANTOM[ 1':'1 ,........,

~~ ...... q•· ... .. • mp He knows his love is not e - nough He knows he is - n't what you

1':'1

-~· -. -_,I J f,j ~~ led J

: - I I r I r

~ ~

~ ... , ...... q•· ........ -,jl ~

need. He knows you'remade of fin - er stuff I thinkon that, we're all a- greed. It's time to

I I I

$ q~ ~.e. lq-e- if pe-

I

C/

Act 2 - 7. Before The Peiformance 19th October 2010

Love Never Dies 129 ~() I f. -".U

leave him in the dust, It's time to be who you should be. It's time to

() I

I u q-e- '-' 'U

J bd t~ ll'lu.:g: lt=B= I :

r r r r r r ~# • F q~ - r r r q-o-

133 ~() I f. r.-..

. u ... do now as you must and set the mu - sic in you free! In

r.-.. () I

I u q~ q~ ~.e. 'lJ

J hj ~~ I Jolo J cJ .J r.-.. I :

~ r r f r r I"' ~# ~ F q:n: -1-= ... ~·

--e-

137 Still subdued ~(\

. u ... -e-~

mo - ments,mere mo - ments, lights will dim ... __ Hearts will

')

~

II m II n1 I I m II m II n1 J J JJ J..J J..J JJ

: 'lJ

142 ~(\ ,_-3 I

,u • stop, just as be - fore. The world will

'l I I I I I ,-_

~ lirirrrl l.tqr rrri r r -I J b~ j J h~ J I I

: ~'lJ '-- --'I


146 _,r I I

... ~ hush, and then in one sweet rush,

(\ I I

I~

J~ .. ? ~

I :

I --==== 152 More Intense ~ I I

I . •0 Gust - tave, our Gus - tave

(\ q.p.~ q~t: ~~ I I I

Love Never Dies Broader

I

• I willhear

'-"

you sing

li~ ~ • I I

I

will mar - vel at the

Piumosso

• once more! And

I

I

~ i1~ J~J Jb.J

I I

sound, which

~~ Iffi ~rz· -----

I fl.J J .J#J - J J J lfl.J Jq.J#.J - J J J ln.J JqJ#J J 1 J#J

:

I I I I I I i

156 allarg. ~(\ I I 0 0 0•

I .~

tells of the fa - ther that he nev - er found. While

:?:: :?::~J I ~ In

' .0 l l I i I I u '-"

l I~ ..... J ..J I I )

~ :

I I I ~'* -e- ... --e-

160 A tempo ~ n n ~· .. I . •0

mu - sic, our mu - sic will live again,

-e-~~ ~

(\ ~ ~ .. .,.. . - F- F- • •

' ~ f ~ ~n=~IJ ~ ~n=~JJ

f :

• I I • I I '-" -


164 ~r

I .~

one last time

t j t: f ~

: .. I I .. I

169 ~I') I I

I .~

son we will at

tl I I I I

~ .. _, .. I I

:

173 ~r 0•

I.~ sing

! ", 1:9-~·= -~ ~ ~ --::

Love Never Dies

,--a----, I

.. out it will pour! And with our

f: ~ e .ll.~!'l- ~f=F == ~ I -&:~~ f:: = ~ ~ I

L--a____J '""

I ~ -t I h .. ~ I I I

I

Rail. !'- ..

last be one, when I hear you

-e- r ~i tt-

I/" I 1-.....

"-"

Molto rit.

once more!

j i f

ff

:: ~ ~ :ti ~ ~

Act 2 - 7. Before The Performance

-

He disappears into the shadows, leaving her shaken. The S1JJ.GE MANAGER knocks on the door, opens it.

STAGE MANAGER: 1\vo minutes, Miss Daae.

!":\ II I

!":\

~ l:g: II I

ifzp !":\ II

~

:

19th October 2010

Love Never Dies 177 I CHRISTINE I ~('] I 1"""'1

'~ .. Twist-ed ev-ery way, what an-swer can I give?

('] I ~ ; ~ ~ ~:~4: I I J J I ~

P[ - -I...Ju CJUU u .....

i ~. i ii" 19-"

~ :> ~: 0 • -f3- t I :

183

I knowican'tre-fuseand yet I wish I could.Oh

189 ,;(l. _I ~ I

'~ God ... Chris - tine,

(l I ~ ~ ~ - ~-:

I ~ r ~ r r _, ~r .. r (q)': 4

I I subpp

I :

-& ... ?:f _, ~! l 1 - I I ~. r

194 I PHANTOM I ,;('] I I I I

'~ <! • . ... .. .. ..... _, .. Chris- tine don't think that I don't care, but ev- ery hope and ev- ery prayer rests on you now_

~- .p..· .p..· n. ~ 0· :

I __. I __. 1-

I :

I I r I I I I I I I' I' r r r i Act 2 - 7. Before The Peiformance 19th October 2010

I

Love Never Dies

200 ~ ") I I

~

-~ !:: 5

~ ~ !:: •

_.,..,_ - i= ;: :

"'-.1 ..... G

I I I : ,-.._

... -,J ~· r·

As if in a trance, CHRISTINE steps out onto the staf{e. The curtain is drawn, but she can feel the electric presence of {he audience on the other siile. Stage hands are -busy around her, but she is oblivious to them.

The orchestra is tuning up. We can feel her tension.

~

•

I

if.fz p<

attacca


Love Never Dies

Scene 6- Backstage 8. Devil Take The Hindmost (Quartet)

In the winf!..s, GUSTAVE appears, wandering carelesslY., oblivious to the drama unfolding around him, watching the backstage action. As he wallis, he vocdlises wordlessly to himself.

IN.B. PITCH PIPEI

I GUSTAVE I (wordless- Vocalise)

,~~'~,~~ w- 1 ~ 1 EJmr- I~~ F = 11~ 1'1f4 ~F rnr //?i

9 ~ (\ I

I .~

(\ .u.

~~

I :

14 -' (\ I

-.~

(\ .. ~

:

P Oo_ etc

STAGE MANAGER: Ready on the rail? STAGE HAND 1: Ready on the rail!!

~ ~ ~

~- ~ 1~7 ~ ~ ..

--- -......__I I ~ I GUSTAVE I

-lq•· 1;>71~ lq•· 1;>71~

"-"--------'-- ----~

He wanders past, RAOUL, who waits in the wings, watching CHRISTINE intently.

/ -.... ~ -.... / ~ I

.. .... ......

I

~· ~ ~7~~ .. lq•· lt* u lq•· u

nif ...:.::- !), .

'1 .. .. '! .. ' .. ,. ::±'1 .. 8'!.b_-------- --------------------------_I qLJ

Act 2 - 8. Devil Take The Hindmost (Quartet) 26th August 2010

18 Steady 3 "" I) I

'""""

!.)

(l I

.!.!

(l I

~ q-:

l~

23 "" I) I

,._. !.) -(l I

.~

Is it him?

(\ I

~ -:

~

Love Never Dies

I GUSTAVE I (wordlessly)

~ --------1 --I RAOUL I

I

Will she sing? Will she flee?

- ~

~~· ~ ~· ~

~ ~ ~

J

~·

Is it me? Dev-il take the hindmost.

• q~ ~ * ~· ~ :et· ..

I"

.. .. ...

, Whatis she think-ing now?

qr -~· ~ ~· ~

:

STAGE MANAGER: Ready on the floor? STAGEHAND 2: Ready on the floor!

~

~=

I

------

~ I?·

I

~I ~ ., ~ ., ~ ·~ ~ ., ~ ., ~ ._-

~·

u


Love Never Dies

GUSTAVE passes the PHANTOM, waiting in the opposite wing, ready to savour his triumph.

I GUSTAVE I (wordlessly) 29 ------,...1'\ I --- ~I ~

~ - I • . ... I RAOUL I

I I

40 ~·

Will she stay? Will she go? Does she know ev-en now?

r I I PHANTOM I

I ~A ,.--3---, ~ . .~ - r

0- bey your heart, and sing for me! You want it so, Stay and be

(\ I } ) } !

~ ~, ~ ~ , ... ~

~ ~. ~ ~. ~ ~. ~ ~-

Decisive 33 ,....-(\ I --- ~ ~ ~ ~

u ---...

I) I I

~ ~·

Please, Christ-ine, stop the show, Dev-il take the hindmost. Nowit's time, so

(l I

.u , mine e - ter-nal-ly Dev-il take the hindmost. Now it's time, so

r I } } I ...:?: ... ... I

~ ~, :

... • "-' -61-

~ ~· ~ 4· • ~~ ·~


I

I

Love Never Dies

I GUSTAVE I 38 ~r I / --......_ ~ ----....._ ~

--------~

I RAOUL I (l I ~ I ~

~

(l I

-~

() I

~

:

44 ~ ') I

!)

() I

~

(l I

~

') I

!)

(l I

~

:

"I

make your choice! Do it for our son! No time to wait! Hes-i-tate, we're

I PHANTOM I ~ I

~-

make your choice! Do it for our son! Use your head! Hes-i-tate, we're

I I I I I

C/• -6- c;• -6- c;• tt r ~ -r! . '!' . -r! ~~ . . ~ ~-.! . '!' . -r! ~ ~ -~ ~-r! . '!' . -r! ~ ~

~

all un-done!

~

all un-done!

$: ~

STAGE MANAGER: Ready in the pit? STAGEHAND 3: Ready in the pit!

~

s:

GUSTAVE weaves past MADAME GIRY, who paces nervously.

..__._

-----~I

......... mp

I

Will she stay? Will she go? mp

I

-0-beyyour heart, and sing for I MADAME GIRY I mp

................. Per - hapsshewon'tgo on, per- hapsshe'llloseher nerve,per-

I I

qi~ --!" '!' mp

~ .. ~ . ~ . ~ .. ~ .. ~ ·~ ~ . ~ . ~ .. ~ ~· ~ ~· Act 2 - 8. Devil Take The Hindmost (Quartet) 26th August 2010

Love Never Dies

I GUSTAVE I 49

-------,- 1'\ I ~ ----- ~

u .. .. .. -r I I RAOUL I I

u , Doesshe know ev-en now? Please, Christ-ine, stop the show,

r I I PHANTOM I

~A r-3---, ~ . ~ r

me! And sing for me! You, me, the child, e - ter- nal - ly.

r'J L I MADAME GIRY I

. u , - ........ ........ haps her voice won't serve and she will fail him nowAnd then my childand I we'll get what we de- serve,

r'J I I I I I I

' u , .. '!' ~ ~ '!'

J ri H) ~ :

~ ~· - f'

I u ~ ~ .. ~ --r

53 ~ r'J I

u

() I

u ,. Dev-il take the hindmost.

() I

u ,. Dev-il take the hindmost.

') I

') , Dev-il take the hindmost.

t Vlns Svb ~n r'J I ~ r"""1r--.

~ q1": ~- ~~~ pp

.. '!' '!' P'r f'

q~ f'

:

~· '!' '!' ....... I

Act 2-8. Devil Take The Hindmost (Quartet) 26th August 2010

Love Never Dies

59 I GUSTAVE I "" I') I ----- --------1 ~ f-() I

I RAOUL I I

~

Will she stay? Will she go?

r I f I PHA!'{i'OM I I

~ f -0- bey your heart, and sing for

r I I MADAME GIRY I

.~

f ........ • • • • •

Per - haps she won't go on, per - haps she'lllose her nerve, per -

r roqn n ~ _J_ J I L I - - - -

I~ e-rr f' r.._rp f' ~ ~

I : - I

~ ~ .. ~ ~·

63 ------~ () I .~ ----- ~

~ • . .. ---..

() I I

~ .,. Does she know ev-en now? Please, Christ-ine, stop the show,

() I ~~I r-3-, 1*- •

I!) r me! And sing for me! You,me, the child, e - ter- nal - ly.

') I

') ., - ............ ........ haps her voice won't serve and she will fail him now And then my childand I we'll get what we de- serve,

() I I I I I I

! ~, .,., "!' ~ ~ "!'

ri H)

~ ~· - ('

u~ ~ .. ~ --i

·------ Act 2 - 8. Devil Take The Hindmost (Quartet) 26th August 2010

Love Never Dies

67 I GUSTAVE I ~ ~ I

0

(\ I I RAOUL I

~

~ , Dev-il take the hind - most. Now it's time! No turn-ing back! All is on the

(\ I I PHANTOM I ~

u , Dev-il take the hind - most. Now it's time! No turn-ing back! All is on the

(\ I I MADAME GIRY I ~

.~ , Dev-il take the hind - most. Now it's time! No turn-ing back! All is on the

I I I l

' 40 4 v• 4

J ( :

~~ -~ ~ ~ ~ -~ ~~ -~

72 I(RAOUL)I .-(1 I ~

~ , line! Here it is, the fin-al dance! One last chance to get what's mine!

() I I (PHANTOM) I

~

~ , line! Here it is, the fin- al dance! One last chance to get what's mine!

I (MADAME GIRY) I I ~

'40 , line! Here it is, the fin- al dance! One last chance to get what's mine!

I I I I

40 v• 4 v • tr -r ~ t

~ :

~~-~ -~ ~~- . ~ ~~ . ~ -~ ~ ~ ~ ~

~ ~


77

81 ~r I

I .~

( I

~

I :

Love Never Dies

GUSTAVE circles around backstage, past GIRY, past the PHANTOM, past RAOUL... coming to a stop when a familiar face steps into fhe wings. MEG.

GIRY slides next to the PHANTOM

GIRY: (in a low voice) I hope Christine is worthy of you. I hope her singing mikes up for what your blindness has done to Meg and me.

In the opposite wing, MEG smiles and puts an arm around the boy.

~

h.~ Dev-il take

.. -t ~

......... f' 17-.... ~c:

! ===-

~ ~ ~ ~~~ ~ ~ :4j

the hind-most.

The orchestra quiets, then is silent.

I':'\

I':'\

I':'\

STAGE MANAGER (offitage): And ... curtain.

I

I

Act 2- 8. Devil Take The Hindmost (Quartet) 26th August 2010

Love Never Dies

Onstage at Phantasma 09. Love Never Dies (Oct 2010)

The curtain opens, and CHRISTINE steps out and faces the audience.

Silence. The orchestra plays CHRISTINE's cue ... and she falters, torn.

Then, decisively, she steps forward ... and sings the song the PHANTOM has written for her.

87 Romantic and rubato tl I I I

u p I ~: I - n J J J -r1 J J I ., ., n- Jl

:

I r . I

91 ( I I ~

' u r· f'

.... - .. < -(

i""1 J Jl r--1 ;- Jl L r--"'1 Ji :

I r· I i'

95 tJ I I ..

I u I ~: I I - -i""1 l Jl rJ J ~ l n - 1"1 "' I :

I r. I

99 tl I I ~

u r· f' .... --,.

- r--1 ;-"'

r1 J J l ] ..., r--"'1 _r-"1 :

I I I i' Act 2 -9. Love Never Dies

.. r-'1 - Jl

r·

0•

-r-:l J .JI I

19-.

r--1 J 1 J r·

rit.

r-:l 1 -J l

I

19th October 2010

Love Never Dies 103 ATempo Rall. A I I ~

e.! r· I . ::: ::: -mp ~ J J l .r-:J _J J l :

I I I I

106 G.P. I CHRISTINE I ~ r 1 I":\ ~

1. e.! • • .. -,jl Who knows when love begins? Who knows what makes it start? One day it's simp-ly there, a-

G.P. J. lJj A I I":\ I

le.J I I I I I

I":\ {2- n ~ .£)_ I~ I :

I I

110 ~A I ~

,e_) .. .. .. -,J .. • live in - side your heart. It slips in - side your thoughts, it in - fil- trates your soul, It

A I I "7 ,......, n I

e.! r I I I

~I f2- ~ (';)

:

I

Act 2 -9. Love Never Dies 19th October 2010

Love Never Dies 113 ~ (l I ~

__.,

,!..) ... -,j! ... ... ... -u. takes you by sur- prise, then seiz - es full con-trol. Try to de - ny it, and

(\ I I I }\ I ~ I ~

!..) I I r .. .,; .. .. ... .,;

I J j J ~I :

I I

116 rail._ - - - - - - -~ (\ I

I ,!..) .. ... -6-

try to pro- test, but love won't let you go once you've been po-ssessed.

(l I ,._, 1":\

!..) ... ~ ... .. .,; 3 ~~ ' ~ j ~

I - - / -: C/ I I C/

119

Love nev - er dies, love nev - er falt - ers. Once it has

124 .; (l I

,!..) .... ... spok - en, love is yours. Love nev - er fades.

(l I I

!..) r .... ... '"". I ~:

n_l:'l:1 ., r---, J:'1 r-:J.)ll _dr:n r:J.J""TJ :

r· I r· I I r. Act 2 - 9. Love Never Dies 19th October 2010

Love Never Dies 129 ~('\ I • I l

. ~ ... ... Love nev - er al - ters Hearts may get brok - en, love en -

') I .. I

~ I I !9-. ~· r .... ... ~Fn r"""jl'D ... i1r:JI r"""j rJI r-, II

:

I ~· I I I r·

134 ~('\ I I ~ ~

I ,4!) .... ...

~· Jil ----dures. Hearts may get brok - en, love en - dures. __ And

() I I

4!) r· r ::: ~: ""lf.

r1_1] l r-JI11 -.., n-n d 1. :

I I r· I I I

139 ~('\ I l

I 4!) .. .. ..,jl... .. .. ....

soonas yousub-mit sur- rend-er flesh and bone. That love takes on a life far great-erthanyour own. It

() I 1"'"""'1

~~ ~ ~ ~ ~ r i r r I

I I I

:

I 0 I

143 ~ () I

... 4!) .. .. ... ..... .. .. .. c:f us-es you at whim it drives you to des- pair, it forc-es you to feel more joythanyoucan bear.

r I Y--1 j_ J~ --I p

'~ ~r1 j l....! t I i"-'r f r j_

~.fL ~ - I I ~I - 77

I :

I ~ .__

I I ~

Act 2 - 9. Love Never Dies 19th October 2010

Love Never Dies 147 rail. ~ (l I ~ ~

-~ • ... -&-

Love gives you pleas- ure,and love brings you pain! And yet, when bothare gone, love will still re-main.

f'll~ ~ ~~r ~ ! ' :: I

(~r=JT:J J 1 I :

,_; I -&- ;;: ~ til v

Tenderezza 151

~- ~ ~· ~ -('} I

0• = • • ~---~·

~

"' I ,... I 'f I

.;--, 1. n;; 1 I n_J. .., ... _....,

:

I I . I r·

155 ~fl L I ~

I .~ .... ..

Once it has spok - en, love is yours.

I') I ,._. • .,_ ~· I l

~ I r I I .... .. I c.... l...J - iJ .;-~ J Jl .., Jl .., r-, n ~

:

I I I r· I

With great dignity, RAOUL turns and exits. CHRISTINE sees him leave, and breaks off, wanting to reach out to him, unable to do so. She turns back to the audience - an audience that has no idea of what has just transpired.

With great difficulty, she gathers herself and continues.

159

nev - er dies, Love ne -ver al - ters Hearts may get brok - en


Love Never Dies 165 ,...1') I I ~ _j_

I .. ~ ...

love en - dures, Hearts may get brok - en

() I I ~

~~ ... ... t! f f f ~ ur rr l ;: ~rn "'

r-"1., n il 1'""1 :

I r· I I I I

Then, finding courage in the decision she has made, she gathers her all and sings with every fiber of her body. 170 ten.

nev - er dies! love will con - ti - nue! Love keeps on beat - ing

176 Rail. A Tempo _....r I

-.~ .... .. when you're gone! Love nev - er dies

(\ I I I -f': ~ !: - • • .. .,_ ~ !:

v ... I

.. Ji n JJ (f) -Jl r:J .J .J .J rJ l Jl :

I r· I I ~ I I .

180

is in youL Life may be fleet ing,

Act 2 - 9. Love Never Dies 19th October 2010

184 ~A I

. ~ love lives on.

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188 ~A I 1":"1

.~

love lives

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Love Never Dies Tempo -fL•

Life

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may be

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port I

on.

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fleet - ing, .,.. . 1":"1.

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r·

Alone on stage, drained, CHRISTINE accepts the tumultuous applause, the rain of garlands, the shouts and the whoops.


Love Never Dies

Scene 7- Christine's Dressing Room 10. Ah Christine! (Oct 2010)

CHRISTINE rushes into her dressing room. The PHANTOM is there, waiting for her.

Con moto, con amore

!PHANTOM!

~~ ~ I

.~

Ah Christ - ine! My Christ - ine! What a tri - umplL you

r I

~ 1 ~= 1 t: 1 1 :J: "I :::::::::"1 :1 p

: ..... ..... ..... .. .. .. ..

6 ,-() ~ I

I .~

night! My Christ - ine! All the dark, sil - ent years now_ put right!

r ~ I ~ I I I --I ~ ---~ 1 1 ~= 1 1 J: -~~-~ :t ... ~:::=:::~ ..

f

I : .. .. .. .. .. .. ., ., .. .. .. .. .. .. .. ..

11 I CHRISTINE I d

~

The song was beau - ti-ful. It sound-ed beau - ti- ful!

()

.~

ine! -() .I r-1

t~ If- I r I I ~[q .. ... ... ... p legato

gave me_ to -

I ~ I

---... ~~~ :t

.. .. .. ..

Ah, Christ

-~ n~nJ

Ev - 'ry

~· ... ~

.... l J- J j J-r--J ~1 J- J j. f

'19-:

Act 2 - 10. Ah Christine! 19th October 2010

Love Never Dies

16 ~(I

I -~

note, Ev - 'ry word. And it felt beau - ti- ful, And I felt

(I

~ -,f I'• -,f -,f ~I'· ~· ~· ... ~· ... ... 1 d J-~~ J J-r--J J J- J J J- J J J-

: u u

21 I CHRISTINE I tl'(\ _L I I ~ I ,.--_

~

beau - ti- ful! Lost in_ the mu- sic_ once more, Feel - ing_ it

(I I PHANTOM I

I ~ I I ,.--_

-~ Lost in_ the mu- sic_ once more, Feel - ing_ it

r lo~o •In~

~ ~~

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- -e-

26 Rail. A tempo ~ I

,---3----, I .::- ~~

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rise up and soar, a -live once a - gain

(I I ,---3----,

I ~~

.~

rise up and soar, a -live once a - gain

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~~ ::: -8- f~l I

~~~ ~ ~ ~J .J I I J~ J J l I

J I T i k.l!.. J I I r T I J :

_-a- r r :n:~ -e- ,e-

Act2-JO.AhChristine! >~ 19th October 2010

Love Never Dies

30 rail. ~fl I -~

u

fl I -~

.u

fl I ~ ~~ ~Ill. ~ .. ~,_...._~ ~Ill. -e-

t u I I I I I I r 1

f

I

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39 -fl I

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>

I J J J J. 11 J I J

I I m:p dolce

>

On the dressing table she sees a single red rose ... and a letter. She opens the Tetter and reads. ----------------------

':C:: ----!R- ~ •· ~-~

I I I r' I

~-e- "e-

~~~~ I ~® -

J J (b)J· ~];j

I I

CHRISTINE: My dearest wife... (cue for music)

~ Ill. II

II

~

RAOUL appears upstage, in a pool of light, and sings the words she is reading .... Cahnato

I RAOUL I CHRISTINE: Raoul, no! 41

~ ')

~

Lit-tle Lot- te, I beg you, forgive me ... Lit-tle Lot- te, Ah, what fools we once were, Long a-go in our

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52 ,..'l

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v

:

56 -'tl

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:

Love Never Dies

I CHRISTINE I RAOUL: Romantic idiots! She continues reading the letter !RAOUL& I CHRISTINE

youth in Pa-ris at the op-e-ra. Those two peo pie are gone. Now I must go, our

I J~.

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,+f .... (~= r:~ rr:~ rr: ~~~·= l.~!: I I I

I if C/" .e.· ..-.e.· ..-.e.·

choic-es are made. The op-e-ra is done, the last notes have been played. May your an- gel of mu-sic watch

I

I I

~~.: ~h -a-:

v• ., ., .. .. ov-er you now And

I r-r-'1

,

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I ~

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~~~·= l.~!:

give you what I wish I

I k •

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I I

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~~ ... : ~l. -t: ~l.-a-: ~~ ... :

RAOUL turns and begins to exit. I CHRISTINE I

1":'\ I

+f* .......... gave you some- how. Yours in re-gret Raoul.

I I I

,

~J. Timp

r q r- -ii"·~C:· She breaks off, and RAOUL vanis hes.

ht. CHRISTINE remains lost in thou& 1!PP Act 2 - 10. Ah Chrzstme!

~ 19th October 2010

61 ~() I

v

1 I

~

I':'. :

Love Never Dies

The PHANTOM switches ofthe dressing room lights (cue for music) Then, with a start: CHRISTINE: Gustave. PHANTOM: (tensing) What is it? CHRISTINE: {suddenly anxious) Gustave ... PHANTOM: What's wrong? CHRISTINE: He should be here. He was meant to be here!

64 I PHANTOM I (Intense) I':'.

It's that

I':'.

I

I

65 Freely ~ (l I

I id - - ot Ra - oul! I will kill that drunk - en fool! That he'd

l1l~~

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67 !SQUELCH!

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.~ -dare take this child A child that is - n't hi' s. The (spoken) Mr Squelch!

(l I

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75 ~(\ I

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81 ~(\ I

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85 ~r I

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90

Love Never Dies

Meno mosso. Colla voce 1""""""""1// ,........,

- -Vi- comte de Chag- ny left here in a car - riage. Saw with my own eyes, sir, there was no-one with him.

!":'\

I I I I I I II I

·---- - I-' ·--- 1 ·--_...- 1

ppp ~~:::::=:::: ~ F:::~:~~ ~~::::=::~ II ~~

- ,..._

Was there a - ny-one

..a:

I ~o

II• #., ... ...... vic-ious lit - tie sneer, and that

I

--e-

Go now, quick - ly,

I PHANTOM I 84 A Tempo I I >

1 ...... v• • • "* ...... else here backstage? Mad arne Gi - ry, she was here! With her

:.0..

:

I

1ik .o

X X "' com ment she made the un -grate-ful, back - bit-ing snake!

I ~ ~~~:

- ~· -e-.

bring her round! Bring the boy back safe

~~ Act 2 - 10. Ah Christine!

.. .If

.lolo +t

'"

and sound,

19th October 2010

I

I

I

92 ~(\ jj tt

.~

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94

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:

Love Never Dies

rail.

then I'll make that vix

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> ~ -------- i~J I I .J .~~J .J b.J

q-a, ,e-

q-u: :rr >

GANGLE appears in the doorway pushing GIRY in front of him.

GIRY: (outraged) What is the meaning of this? How dare your circus ghouls manhandle me in this fashion? I demand an answer!

---

X

en pay!

1":\ >

> > > ~ > > > >

qd 1 #1 J

PHANTOM: (seizing her roughlJ!) The boy, woman! What have you done with him?

q~~--- ~ 717-* 1

--- l~~--- ~ ---~·1 ' 8~~-----------------------------------------------------------------~--------------------------------

GIRY: The boy? You think I took the boy? Why would I ao such a thing? (scathin!!) Do you think I don't know who he iS?

q~~--- ~ -..q·~·

(8)_---- --------------------_I

FLECK: (materia/ising in the shadows) (quietly) Sir. .. ? (cue)

~ IFLECKI

II

II

- "" 8~~-------------------------------------------l

I

I

I


Love Never Dies

99 Slowly (A 1

.~ 174- -,J ... -,J ,,. .... -,J 174- .... ... .... ,,. -,J -,J , .. passed Meg's dress-ing room, it was sil-ent as a tomb But her mirror was smashed, all in

A I ~_a.. _a..

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l._.o~ :

u 17 .... ":::: 17 .... "::::

102 130 IGIRYI

( () I I I

v ~· ,,. .... ~~ 71

piec - es on the floor. God, I left her so dis - traught!

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131 (panicked, to the PHANTOM) (half spoken) .,. I I I I

l.,0 .... .. God, knows what she must have thought? Fool - ish child, she must be caught! But

I


I

I

Love Never Dies

134 "' I) I

~ , .. she won't hurt him

' Meg would nev - er hurt him.

(\ I -u ~r~r'·1 J ~· .......---- r~r_l J ~~\'/-¥ ...

- - --r T I .J ~ J T 1 r 1 I .J :

-

PHANTOM: (suddenly,. decisively). I know where she's gone But we must hurry! (cue to start Nightmare click track) GIRY: In that crowd? There are riilllions of people out there! CHRISTINE: My p()or Gustave! PHANTOM: (suddenly decisive) There's no time to waste!

The theatre dissolves into the madhouse that is Coney Island at night ...

Act 2-10. Ah Christine! 19th October 2010

I

love Never Dies

Scene 8 - The Streets of Coney Island 11. Gustave! Gustave!

Mobs of people everywhere, a vast hallucinatory circus.

The PHANTOM, CHRISTINE, GIRY and the rest whirl about as if in a fog, lost in the crush of humanity

(\ 1":'1

@) ·u~ /u----=:: ~

Synth pad continues und r entire scene 1":'1

:

<::J; <::J;

------1":'1

:

~~ .... ~ -.rq•l1• 8~~---------------------J

CHRISTINE: Gustave! Gustave! Gustave!

GUSTAVE: Mother?

CHRISTINE: Gus1aYcl

PHANTOM: To the pier now, lmi:cy!

3 (\ 1":'1

--~ _...,"-.......: - ,...,

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~~7 ~ 7q*P* S~b- __________________ J attacca

Act 2- 11. Gustave, Gustave 26th August 2010

Love Never Dies

Scene 9 - The Pier 12 0 Please Miss Giryo 0 0

Dissolve to the desolate pier. MEG enters, pulling GUS'£4VE along. He squirms but she holds him in a vise-like grip.

Colla voce I GUSTAVE I "'~'~

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12

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17

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... .. .. Please, Miss Gi - ry I want to go back I wantmymoth-er. The

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p

- - - - - /:;;s. -e- - - - -vb------~ '--_.-' '-_.-' ~ 8 _____________________________________________________________________________________________ ]

GUSTAVE: Please, you're hurting me. I can't swim.

(ignoring him) ~ ~

sea is calm, the sea is grey, it

svu-----------------------------1 ~

"-'

~

She bas brought him to the very_ edge of the pier. Dark water churns below.

1 ~

wash-es ev - ery thing a-way.

q~~~

,----5----, f:. .10 ~.

iiiiiiiiliiil l-5 _..J

blue and cool and kind.

Act 2 - 12. Please Miss Giry

MEG: Don't worry, it's almost over.

1'7'1

1'7'1

1'7'1 : .. , ...... ~

8':.b_----- ------- _]

Then drift off to

26th August 2010

22 ~A I

... ~ ~v·

sleep, ( I

I~ -tY .... .. -,j

<

I :

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...

Love Never Dies

~

v•• -,jl ... ~v· vv -6- ~:6t -6- -u-8va------

let the past un-wind. Leave the hurt be - hind.~·---

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ppp ~~~ h J 0

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CHRISTINE: (suddenly) Gustave!

The PHANTOM, CHRISTINE and GIRY have arrived. At the sound of his mother's voice GUSTAVE looks up.

GUSTAVE: Mother ... ? MEG: No, I'm not done yet!

The PHANTOM waves the others back, and he strides purposefully towards MEG

PHANTOM: Let go of the boy, now!

-===

He moves closer and closer. Then: MEG pulls out the gun and points it at the PHANTOM. The child wriggles jree and runs lo CHRISTINE.

Act 2 - 12. Please Miss Giry 26th August 2010

I MEG I (wildly)

Not an - oth - er

(\ I

34 -' _f} L

.~

•

Love Never Dies The PHANTOM stops PHANTOM: (through clenched teeth) tet go of him, girl...

32 (wheeling on him, gun pointed)

step Not an - oth - er

' -

AI - ways won-dered how to make you watch, well watch me now!

(\ I

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r r r

36 Rall. ,.I)

!) • ....... • • • .. . .. took a lit-de trip to Co-ney Is-land. I took a lit-de trip,be-causeof you. I

word

I":\

I":\

I":\

The PHANTOM takes a step back

I":\

(plaintive)

I

~

" • did as moth-er said, and

soo-----------------------------------------------------------------------------------------------------.,~., .,~., .<1-. ~ (\

~ I"

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41 ..... ')

!) .. .. .. .... -,j! ~ -,l;f-* ..

fol-lowedwhereyou led and tried to do what lit- de I could do. Well,

(st-1 -e-~~ #!: qt:, !:

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Love Never Dies 44 f'(\

I .~ "* .. "* -.1 "* "* ... .. "* ..

here'sthe way it works on Co-ney Is - land, they makeyou pay for ev-ery lit - de crumb.

q..a:~ -6'

~:a. '6- ~ ~:a.

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~

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48 f'( I":'.

lu .. • ... • -.1 -,f! ~ ---~--- •

TO

gave what theywould take, I gave it foryour sake, Now look at me and see whati've be- come.

(I

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:

52 (with self-loathing) f'(

I .~ .... '-"

Bath-ing beau-ty on the beach

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58 ~(I

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accel.

'-" "* "* "* ~ .... q-.J "*J .... bath-ing beau-ty in her dress-ing room. Bath-ing beau-ty, in the dark,

~ ~ ~ ~

;~

(spoken)

~ ~ ~ .~J.~Jr

~ #r #~

GIRY: (in horror) Meg, my little Meg ...

I":'.

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#~ ~ ~

Sinisterly

.... ~·

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71 On their laps, In their arms, In their beds. Who helped you raise the

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Love Never Dies 63 ~(\ 10 +I

I.~ .. -61-" .... ~· .. -e-mon-ey? Who helped the per-mits come through? Who greased the wheels of your

u. -~<~ _ .. ~ 10-ft- ~~ :

_...., :

- , 'IT - ., 'IT tt .._ .. , ~OJ

67 ~'i~<+t

I .. .. .. 'IT .. .. q-e- ~· .. ~· -,jl .. -61-" !) 'IT

high fly-ing deals, bought you time when the bills came due? Who swayed the lo - cal boss-es? ~

Jl,~ ,.. b -ft-:~- dZ-~cD; " :

1~1 I 1~1 1~1 :

~r # "-d ~ ~ .. v .. -

, 'IT -

~ 'IT -e- -e-r

72 (pointing gun at MADAME GIRY) accel & pathetique ~r 10 +I

I -61- .. ~ ?f . . ~ .. ~· ..

~· Cur-ried fav-ourwith the press? No, not her! And who kept sing-ing,

.o :

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u. 3 3 3 I :

- ~ 'IT ~== 'IT -, .. ~---~---Jt~b~ -e- = - -e- - -- - - - -

rr r~rr r 77 ~ (\ 10 +I

.~ ~· 'IT C/" .. 'IT C/"

des-p'ratefor your fav-our? Who kept dan-cing, hop-ing you would save her?

(l .. +t

~ ~q$' ~ lq,# ~ l~q~ q~ q~ (/

q~ q~ q~ (/

:

-e- - -e- ~-~~ -1.> -~~ -1.>

- - -- -

r r r--r r - ~ r r r---r ~r r Act 2 - 12. Please Miss Giry

r ~r r r---r ~r r 26th August 2010

83 ~(\ jf +I I

... ~ Who kept dy- ing, and

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·~ :

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87 ~(\

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Love Never Dies >

I

this is all you

qq~

q'

Slower I I

- -

6testures with the gun; all flinch, except tfje PHANTOM)

gave

! >

I

'I'""' her!

"! >

"

~

She lowers her gaze, and puts the gun to her own heail

1":'1

-~· .. .. .. .. .. .. Now that I've got your at - ten -tion at last, here's the big finish, and then you can go.

)

0

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92 ~I')

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96 ~I')

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800-----------------------------------l q..o..~..o.. -a' '6-

I PHANTOM I (Softly, with ristng intensity)

r--3----.,

0

1

~~~

3 ,----- -, 3~ r--3----.,

Give me the gun, Meg._ Give me the hurt and the pain and the gun,

~'U'

~

,----3 -----, 3---, r--3---, ,-3----, r--3---,

.. v

Give me the blame for not see-ing the things that you've done, Meg. Give me the gun,

~'U' ~=d. ~'U' ~'U'·

---- 1---

-6-~ -6-~-6- -e-.

Act 2 - 12. Please Miss Giry

... ~~

r:::~-===f====-1":'1

:

0

Meg.

v

Meg._

26th August 2010

Love Never Dies 100 I MEG I (wanting to believe) d) I I

~ ... ... ... See me clear at last.

,------3 ------, I PHANTOM I I

C) ... ... ... ... ... ... Give me the chance to see you clear at last! You feel

(l .!!! ... I :

I ~ '-....

- - ~ ~ I :

104 A tempo -'tl I

. ~ ., ..... .. ... ... ... ., .. ... .. ... ... ... ug - ly, you feel used, you feel brok-en, you feel bruised, Ah, but me, I can see All the

- -: I

inp I "" I I

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:

~· ~· r r r

107 MEG: (wavering) Yes .. (inching closer to her) ~(l I

~~ ~· ... !fl 4 ... ... ., .......... ...... ., ..... .. ... ... ... beau - ty un-der-neath. You've been robbed of love and pride, been ig - no red and pusheda- side, ev-en

(l I I .-- ~ - : -~ ~[ r r r~r

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==- mp ~

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110 MEG: (mesmerised, I PHANTOM I going slack) Yes ... ! (moving still closer) (r 1

I I . ~· ... -,J 4 . ~

so, I still know there is beau - ty un-der- neath ... Dia - monds nev - er spark - le bright

r 1 I ~~

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f" f" f" r


Love Never Dies 114 ~(\ I I I

. u ... .. if they are - n't set just right. Beau - ty some-times goes un - seen,

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:

'--- ...--'

118 I MEG I (suddenly angry) ~ (l I ·~ - 1":'1

lr-u ... .. II X•

we can't all be like Chris - tine. Christ-ine! Christ-ine! Al-ways Christ-ine!

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She /Joints at CHRISTINE with the gun And suddenly -- it goes off, with a shockingly loud crack


121 (\

! ~ :

Love Never Dies

13. Conclusion (Oct 2010)

Everyone freezes. Then CHRISTINE begins to fall

Presto Furioso

.._. ~ r: ~ il. ~ -

ff

>

Mme GIRY stands frozen, in shock.

.. I

MEG: No ... I didn't mean to ... !

~ ,._ ~ ~~

f' I

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~·

128 jGUSTAVEj PHANTOM: Madame Giry! Go get help! Go! ~(\ -I I

... ~ .......... Mo-ther dear __ Say something Say a- ny thing!

~ ~ ~~ ~ ~~ (\ t:~t: ~ ~ (f:·~f:· -=- 1r- 1-. . I~

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~ ~---~ ~ ~. ~. ~. ~. ~ p~p p p i p p ~ ~ ..

MME GIRY jars herself into motion, runs off

THE PHANTOM kneels next to CHRISTINE, who is cradled by her son.

135 jGUSTAVEj ~ 1

!)

Where's Fa - ther he should be here!

~ .... 1 -

I !)

·~· .. .. .. :_y ! =~ /~~ -r"

- J..-- '""J. I :

~j: f f ~~ f f ~~ ~ ~ :<' ,._ - -.. .. > (q)~ -~ . __.:e . > ..._. .____....

Act 2 - 13. Conclusion 19th October 2010

GUSTAVE: Where's Father? 141

4C) ~;__

:

- - - - -- - - - --

Love Never Dies

CHRISTINE (to the PHANTOM, after a beat): Forgive me ...

fi·

- - -- - -(Tim)-Ptrrrrr r r r ~·

PHANTOM (realising): No!

niente

-~·

CHRISTINE: I know. I promised. But you are all he has now. He has to know the truth.

PHANTOM (in agony): Christine ... no ...

His hand darts to his face in terror, as if to cement the mask there for ever.

CHRISTINE: Gustave, your father-- your real father ...

GUSTAVE looks at the PHANTOM, ryes wide.

Tentatively, the PHANTOM reaches out to console him. GUSTAVE instinctively recoils

146 I CHRISTINE I ~ 1

C) .. • • .. •

I':\

I':\

I

*. A:d Look with your heart. not with your eyes. The heart un - der - stands.

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f) ~ ...-~: 4-.._ _.-.e.· Gl• ,~

==-: :

152 I GUSTAVE I ~(\

l ,f) 4 .. • .. • .. • .. •

The

heart nev - er lies. Be - lieve what it feels, and trust what it shows, Look with your

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r~r " r~r "


159 <1'()

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164 ,.(I

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177 ()

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Laue Nez;er Dies

I CHRISTINE I I

heart. The heart al - ways knows.

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I IJ ~ j I

r· r . I

ques - tion - ing, that's

i i I

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lJ- "'J. _}

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She breaks off and swoons. She is fading quickly.

GUSTAVE sobs and the PHANTOM takes her from him.

Broadly with passion

~

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stretto

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Act 2 - 13. Conclusion

Love should ne - ver be

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GUSTAVE: (she falters) No!

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half the art. ..

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r----r r----r 19th October 2010

Love Never Dies

183 rit. I PHANTOM I

(A I 0 I

• I'@) Once up-on an - oth-er time, our sto - cy had on - ly be- gun. I

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190 Rit Colla voce ~A I I

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had a taste of joy, the most I ever knew. Nowthere is - n't an - y time, and

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some - how our sto - cy is done. And what a- bout the boy, what am I to

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Love Never Dies

202 I CHRISTINE I

ten ~() • • •

~

Just love, just live, just give what you can give, and take the love that you de -()

.~

do?

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poco meno A Tempo 209 ten. She breaks off, unable to continue ~'l !'- ?' • ' •

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serve. Just love, just live and give

r I PHANTOM I ten. • •

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Just love just live I'll give all that I have and take what lit-tle I de-

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216 rall. Very restrained ~() jj.

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Come do - ser, I beg you, Clos - er () jj.

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serve.

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Act 2- 13. Conclusion 19th October 2010

Love Never Dies Colla voce 222 ~ (\ .10 I 1":\

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still. Re - mem - ber Love nev - er dies. (\ .10 1":\

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The music swells. They kiss. And then ... the PHANTOM pulls away from Christine's lifeless lips.

The PHANTOM lays her body gently in the sand.

229 A Tempo - passionately (f'\.10 .~ -,J ..

Kiss me one last time.

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p J:'1J -n -~ .1

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Rall. Molto rall.

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252

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260

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Love Never Dies

He looks across her liteless form at GUSTA l'E', who looks back at him. They stare at each other for a long moment.

Then, GUSTAWi' reaches out. He places one hand on the PHANTOM's mask. The PHANTOM stays still.

I I I I

---------- ------------I • ~-& ..

And in a f?esture of tender acceptance the bqy removes the mask and gazes unflinchingly at the PHANTOM's ruinea face. Father and son look into one another's eyes ...

~

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Love Never Dies

284 _t .. ~ ... I~ • .II --=----J. .II _I _I J .~~J

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Documents

Love Never Dies (London)