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    The Weavers

    The Weavers were an Americanfolk music quartet based in the Greenwich Village area ofNew

    York City. They sang traditional folk songs from around the world, as well as blues,gospel

    music, children's songs, labor songs, and Americanballads, and sold millions of records at the

    height of their popularity. Their hard-driving string-band style inspired the commercial " folk

    boom" that followed them in the 1950s and 1960s, including such performing groups as The

    Kingston Trio and Peter, Paul, and Mary.

    History

    The Weavers were formed in November 1948 by Ronnie Gilbert, Lee Hays, Fred Hellerman,

    andPete Seeger. In 1940 and 1941, Hays and Seeger had co-founded a previous group,

    theAlmanac Singers, which disbanded during the war. The new group took its name from a play

    by Gerhart Hauptmann, Die Weber(The Weavers 1892), a powerful play depicting the uprisingof the Silesian weavers in 1844, containing the lines, "I'll stand it no more, come what may".

    After a period of being unable to find much paid work, they landed a steady and successful

    engagement at the Village Vanguard jazz club. This led to their discovery by arranger-

    bandleaderGordon Jenkins and their signing withDecca Records. The group had a big hit in

    1950 with Leadbelly's "Goodnight, Irene", backed with the 1941 Israeli song "Tzena, Tzena,

    Tzena", which in turn became a best seller. The recording stayed at number one on the charts

    for a lengthy 13 weeks. In keeping with the audience expectations of the time, these and other

    early Weavers' releases had violins and orchestration added behind the group's own string-

    band instruments. Because of the deepeningRed Scare of the early 1950s, their manager, Pete

    Cameron, advised them not to sing their most explicitly political songs and to avoid performing

    at "progressive" venues and events. Because of this, some folk song fans criticized them for

    watering down their beliefs and commercializing their singing style. But the Weavers felt it was

    worth it to get their songs before the public.

    The Weavers' successful concerts and hit recordings helped introduce to new audiences such

    folk revival standards as "On Top of Old Smoky" (with guest vocalist Terry Gilkyson), "Follow

    the Drinking Gourd", "Kisses Sweeter than Wine", "The Wreck of the John B" (aka "Sloop John

    B"), "Rock Island Line", "The Midnight Special", "Pay Me My Money Down", and "Darling

    Corey". The Weavers encouraged sing-alongs in their concerts, and Seeger would sometimes

    shout out the lyrics in advance of each line in lining out style.

    Film footage of the Weavers is relatively scarce. The group appeared as a specialty act in a B-

    movie musical, Disc Jockey(1951), and filmed five of their record hits that same year for TV

    producer Lou Snader: "Goodnight, Irene", "Tzena, Tzena, Tzena", "So Long", "Around the

    World", and "The Roving Kind".

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