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A portfolio of relevant work experience in Landscape Architecture.
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ryan waggonerA PORTFOLIO OF EXPERIENCE IN LANDSCAPE ARCHITECTURE
2contents:
SKILLS: hand graphics 3 autoCAD 4 ArcGIS 5 3D modeling 6 horticulture 8 CS Suite 10
PROJECTS:
abu dhabi 12 dubai 14 paradise valley 16 beverly hills 18 santa barbara 22
3Rua de Agusta 1 hour
Pulteney Bridge 1 hour
Alhambra 20 minutes
Prince Albert Memorial 1 hour
Versailles 8 minutes
Arc de la Defense 10 minutes
hand graphicsHand graphics are one of the best tools that a landscape architect has to convey their visions to their clients. Buying into the vision is the first connection a landscape architect can have with a potential client. Whether it is through quick sketches of a potential design, a sketch to another discipline to convey design intents, or a detailed sketch to a client to give the projects goal and direction; hand graphics are the ultimate tool in the landscape architects skill set. At Michigan State University, hand graphics were heavily developed and encouraged. Through training and education, travels and experiences, I have learned and developed the abilities to convey design and direction through hand graphics. Confidence is the key to understanding style, and confidence can only be built through experience.
Birds Eye View of Rooftop Garden
Landscape Section
4autoCADAutoCAD is the quintessential tool of the design and construction industries, and landscape architecture is no exception. No one program offers more benefits to its users in the design and construction fields more than AutoCAD (at this time). In my first position after graduation I was if I had much experience with AutoCAD, which (like many other recent graduates) I thought I had. In the next week I would learn more than all of the classes and sleepless nights I spent teaching myself. I have spent the last few years further developing these skills.
5Traverse Tri-County Watershed Northwestern Michigan
Pinewood PreservationProximity to urban areas
Wetland PreservationProximity to inland lakes Final Preservation Map
This project looked at the development and preservation of the Grand Traverse Tri-County watershed region. This used ArcGIS to locate many different physical and cultural factors in the region. Using nearly 20 different maps, the best areas for preservation and development were located, and then compared the two to find the most suitable areas for development while maintaining ecological sensitivity. As a profession that communicates information through graphics, GIS has become a great tool for Landscape Architects to visually stimulate and convey information to clientele. At Michigan State University, ArcView, ArcInfo, and ArcGIS were a requirement in both geography and landscape architecture curriculums.
ArcGIS Final Development Map
6Three dimensional modeling is not a new idea in landscape architecture, just
merely a new technology for landscape architects to take advantage of its possibilities. Orthographic perspectives have been used for years to convey the ultimate goal of a project. However, with technological advancements, industry standards and client expectations increase exponentially. To stay ahead of the curve, professionals need to learn and experiment with new tools and technologies. From understanding modeling basics, textures, grading, materials, components and layering styles, etc one can begin to use three dimensional modeling to convey design. To fully understand and use these concepts takes hundreds of hours to fully master. In no way would I say that I master any of these elements, however, I have spent the time, energy and enthusiasm to understand and experiment with all of the elements involved in 3-dimensional design. Three dimensional design is a hobby and passion of mine, which I spend nights and weekends experimenting with different modeling programs, tutorials, rendering techniques, etc.
3-D modeling
7When dealing with new technologies, it can be easy to forget good design objectives and principles. Many times, focusing or reverting on these can optimize these new technologies. Understanding color palettes, proportions, focal points, scale, line weight hierarchy, etc. are the basic principles to understanding successful design, and should never be forgotten - especially with new mediums.
8
9horticultureHorticulture is, and will continue to be my focus in design as a landscape architect. I believe that a landscape architect that doesnt understand the use of horticulture in their designs can never truly understand their potential. Horticulture is the most obvious and direct way a landscape architect can speak to the users of the spaces they design and construct. I have spent several years trying to fully understand the uses and abilities of plants to influence and guide design. As a member of the Desert Botanical Garden and Arizona Cacti& Succulent Society, I have tried to appreciate and implement the plant material that can natively adapt best in my designs.
10
photoshopWhether residential or commercial, graphics speak directly to the client. Understanding the uses and abilitys can be very beneficial to the designer. I have spent much time trying to understand these graphic mediums in design, professionally and recreationally. The designs on this page were completed for both. The drawings to the right were completed for Photoshop graphic competitions based on scenes needed for each submission. The drawings on the left and below were developed for residential designs. All take into account balance of color and space, visual interest, conveyance of intent, etc. But most importantly to me, each helped mebetter understand the tools and capabilities of Photoshop in design. Although I would never submit to a client anything like the drawings to the right, the techniques gained in their completion could prove to be very beneficial in the future.
11
All of the designs on this page were submitted for a residential project in Dubai. Villas provide passive shading and ventilation strategies and luxury features such as second floor parking areas accessed via a car elevator Villas are engaged with the site and masterplan by an undulating landscaping system
derived from the fluid dynamics of water flowing around a rock, similarly the landscape flows around the three bars of each villa. I personally worked to develop these graphics with a multicdisciplinary team of graphic designers, architects and landscape architects for Burt, Hill.
12
ABU DHABI AL MAFRAQ HOSPITAL BUMRUNGRAD INTERNATIONAL DUBAI, UAEBuilt in multiple phases; Phase I is currently under development and consists of a 690-bed complex, including specialty programs such as a womens and childrens clinic, trauma, outpatient center and education. Subsequent phases will include additional specialties, inpatient beds, and a mosque. The plan includes a residential neighborhood for physicians and their families with all amenities, including a school. I was involved in many aspects in the front-end design of this project and assisted with overall master plan and circulation patterns to understand flow of emergency, outpatient, inpatient, and royal arrivals. I also assisted with design development of xeriscape softscape plan inspired by Roburto Burle Marx, produced site sections to better understand and graphically communicate overall design, and assisted in overall and plan enlargements of grading.
13
al mafraq hospital
My involvement with this project was mainly in the front-end design. This project consisted mainly of master planning, understanding spatial arrangements, and general flow of movement. Traffic concerns were a main target, as the hospital needed to have easy and usable emergency access, as well as priority access at the rear for royalty treatment. Another main goal of this project put forth by the Project Manager was to begin to develop a more realistic conveyance of landscape to our client for future projects. The American tradition of giving luscious, green landscapes to our clients in the Middle East was growing impractical and developing into using plant material that would not be successful in the desert ecosystem. We looked at the different ribbons of landscape flowing out of the development, and tried to more honestly graphically represent the end result of the project in the front-end design.
14
tatweer towers
15
TATWEER TOWERS MIZIN DUBAILAND, DUBAI, UAETatweer Towers, upon completion would be the tallest twin towers in the world with the construction of two high-rise towers that will be used for a five-star hotel and commercial offices. The total built-up area would surpass 900,000 square meters. The residential and commercial towers are separated by 12 lanes of highway traffic, with a sky bridge linking the two buildings. My personal involvement included being involved in many aspects in the front-end design and had a role in all site designs . I was involved and completed the overall hardscape and softscape plans for four levels. I worked with a senior designer to design the plans for two pool and tennis decks, meditation garden, wellness terrace, water fountain entry, and childrens discovery garden. I also created details for reflecting pools, green arbors, sculptural walls, all childrens play structures, sand pits, amphitheatres, perimeter fencing, shade structures, pools, lap pools, hot tubs, kiddy pools, tennis courts, bike racks, multiple water fountains, living plant wall, and infinity pools.
This project consisted of many details, including; pools, spas, shade structures, playground ammenities, tennis courts, green walls, etc. This project was projected to attain a LEED Platinum status, so many elements had to be designed to meet very high standards. From sustainable materials, local products, transportation elements such as bike racks and available showers, this project needed to be designed to the highest level
of sustainability.
16
peak perfection
Paradise Valley, Arizona is a playground for those that have the money and ambition to experiment and play at the foot of Camelback Mountain, the largest and most picturesque mountain in the Phoenix valley. The owners of this home on Valley Vista Lane are the heirs to the Hormel Foods corporation. Their design goals were to build a vintage, Morrocan-influenced home that took advantage of the views and plant material that the landscape had to offer. The hardscape and landscape were designed to give the owners all of their visions and more. Outdoor spaces were designed to give the family fully functional spaces to enjoy. Phoenix offers nearly ten months of perfect outdoor weather along with two months of intense heat. Gardens, courtyards and patios were designed to take advantage of the entire property year round. Amenities such as living and dining rooms, an outdoor kitchen and ramada, fireplaces, barbeques, tennis courts, in-ground tampolines, a pool pavilion and spa, water features, vegetable gardens, perimeter walking paths, trellised walkways, several outdoor bathrooms and bedroom-attached courtyards, and a rooftop terrace give unlimited uses for the family and guests. Like many properties in Paradise Valley, the site was originally covered with dated and unkept plant material, with a minimalist desert design. All specimen cacti and plant material that could be saved were reused and showcased on-site. But to reach the clients goals for a tropical landscape, a blend of softscape was designed and installed to give a softer feel to the property. This brought interesting and difficult irrigation dilemas in the design and installation, requiring a host of irrigation
designers and manufactures to adequately handle all of the microclimates needed to provide successful environments. The projects irrigation and lighting systems were so complex for a residential project, that they needed to be managed for several months after completion to ensure plant and material success. Irrigation schedules needed to be monitored and adjusted quarterly to give each microclimate the precise amount of water that it needed. Ultimately, the project was a tremendous triump for the client, and was published in Phoenix Home & Garden within a year after construction.
17
The attention to detail is the true prize of design - from paving patterns to product choices to plant placement - nothing can be overlooked. The design is in the details.
18
visionary vista
On the cliffs overlooking Los Angeles, a small lot with spectacular views was impossibly small and unusable. The client was a past patron of Martino & Associates with high expectations, as their first project has recently been awarded with the 2012 ASLA National Honor Award. The project was instantly given a challenge when the client asked to have the house built to appear as if it floated on water like an island. The house was to be completely surrounded by water, with no visual clue of support. The house was to be completely clad in glass exterior, adding thousands of pounds to the exterior of the home. Ultimately, a cantilevered concrete base with a 1 thick x 24 wide plate of steel would be needed to add strength to the cantilever for the weight of the glass. As if this were not complicated enough, the client also wanted to build an infinity edge pool to overlook metro Los Angeles, with the appearance of minimal support from below. What resulted is a pool projecting 56 above the sloping cliff below. This project gives a daily reminder that necessity is the mother of invention - i.e. that difficult situations inspire ingenious solutions. Working with a client that requires and demands acute attention in every aspect of design and construction negates the ability to overlook ANY minute detail of a project, based on the ultimate visual, ease of use, sensory affect, and most importantly the simplistic and sublime beauty of thoughtful and well intended design and construction. Anything less than perfection with this project was deemed to be a failure from the start.
19
Much like Mies van der Rohes German national pavilion at the Barcelona international exhibition of 1929, the Kimridge home revolves around simplicity of form blended with extravagance of materials. The structure is to be surrounded with a 10 masonry wall, allowing the interior home to be clad entirely in glass - linking the interior and exterior spaces. Each element of design is carefully inspected to ensure success; from each transition of material, roof and drainage systems, light and shading patterns, and most importantly all connections between water and structure.
The images on this page show some of the design considerations taken on early in the project. A simple meditation on any element of the project could lead to hours of inspection and contimplation on the element. For example, the wall below was a design idea for a wall outside of the master bedroom and ensuite. A design needed to be reflective and contemplative, stimulating but not jarring, and visually entertaining while passive at the same time. A SketchUp project was completed to give the client many views and color choices.
20
As Frank Lloyd Wright phrased, Modernism is insistence on making the most of contemporary possibilities...straight lines were not the issue, but intellectual elegance, moral integrity,
and practical beauty were.
The Kimridge Road project is so complicated, that it demanded to be modeled 3-dimensionally to begin to understand all of the complexities. Just to visualize the configuration of the pool and water channel to understand the load capacity that would be placed on the supporting structure alone was a benefit. This project is held to the same standards as the Las Palmas project for the same client. The pictures to the left and below show the quality, attention to detail, and simplistic beauty of a project held to such a high standard - one which is deserving of the national ASLA award. Once completed, the Kimridge Rd.
project should be equally stunning.
21
BOTTOM OFCHANNEL
HOUSE
68
BOTTOM OFCHANNELFOOTING
WATER CHANNELBEYOND
14
7
9
3
104
13
16
12
11
17
18
5
1
2
21
15
8
19
2022
PRIVACY WALL
MAX WATERLEVEL
CATCH BASIN
PRECASTCONCRETEHOLDING TANK
MECHANICALROOM
POOLEQUIPMENT
ROOM
DECK ABOVE
SWIMMINGPOOL
RESIDENCE
3 CAR GARAGE
DRIVEWAY
FILTEREDRAINWATERTO HOLDING TANK
UNFILTEREDRAINWATER
TO CATCH BASIN
RAINWATER INFROM ROOF
VARIES
CRUSHED STONE DRY WELL
SEWER & DRAIN PIPE
1/4" LEACH HOLE
COMPACTED TOPSOIL
NDS 1/4 BEND SEWER DRAINELBOW.
NDS POLYOLEFIN POP-UPDRAINAGE EMITTER WITH U.V.INHIBITOR.
NOTES1. MECHANICAL ROOM IS BELOW DECK2. POOL EQUIPMENT IS BELOW POOL3. GATES SHALL ALL MEET POOL SPECS4. SEE IRRIGATION PLAN FOR SWITCHING
1. PIPE FROM ROOF DRAINTHROUGH CHANNELFOOTING
2. WISY ROOFWATER FILTERWITH 9" EXTENSION
3. FILTERED RAINWATER4. UNFILTERED RAINWATER5. HOLDING TANK
OVERFLOW TO CATCHBASIN
6. MANHOLE - ACCESS TOHOLDING TANK
7. ACCESS TO FILTERCLEANOUT
8. AIR VENT - LOCATION TOBE DETERMINED
9. WISY SUBMERSIBLEIRRIGATION PUMP
10. RAINWATER TO MAINLINEFOR IRRIGATION
11. SUMP PUMP TO STREET12. HOLDING TANK
OVERFLOW PIPE TOSTREET
13. FLOW CALMING DEVICE14. WISY FLOATING INTAKE15. ACCESS TO CATCH BASIN16. LADDER TO HOLDING
TANK17. LADDER TO CATCH BASIN18. NDS POP UP DRAINAGE
EMITTER19. J.BOX FOR IRRIGATION
PUMP20. WIRE TO CONTROLS21. J. BOX FOR SUMP PUMP22. CURB23. IRRIGATION CONTROLS24. DOMESTIC WATER25. VACUUM BREAKER26. ROOF DRAIN LOCATION27. ROOF DRAIN IN WALL
DOWNSPOUT28. IRRIGATION VALUES -
SEE IRRIGATION PLAN29. IRRIGATION MAINLINE
30. PRECAST CONCRETEHOLDING TANK - 2,000 GALLON CAPACITY
SEE SHEET L-1.1 FOR LAYOUT PLANSEE SHEET A.6 (VERIFY) FOR ROOF PLANSEE SHEET C-2 FOR GRADING PLAN
POOL BARRIER FENCE
POOL GATE
STAIRS TO MECHANCALROOM AND POOLEQUIPMENT
POOLGATE
SLIDING GATE
IRRIGATIONMAINLINE
CATCHBASIN
9
3
8
11
4
12
18
15
2/7
1
1
WATERMETER
25
28
29
23
24
26
2626
26
27
27
271
6
30
Sheet IndexL -1.0 Overall Site Plan -Rainwater Harvesting PlanL -1.1 Hardscape Layout PlanL -1.2 N-S Section Looking WestL -1.3 N-S Sections Looking EastL -1.4 E-W Section Looking NorthL -1.5 Hardscape Details - Pool Lighting PlanL -1.6 Hardscape Lighting PlanL -1.7 Underground Sleeve PlanL -2.0 Planting PlanL -2.1 Landscape PlanL -2.2 Irrigation PlanL -3.2 Irrigation Details
MARC A. WAREBOSS & AGNEW ARCHITECTS STEVE MARTINO & ASSOCIATESDON BOSS, A.I.A., CALIFORNIA LICENSE #C-7182320 FIRST AVENUE NORTH, #200, KETCHUM, IDAHO 83340T. 208.725.0222 F. 208.725.0333 E. [email protected]
STEVE MARTINO, FASLA, CALIFORNIA LICENSE #43831501 W. LAWRENCE LN. PHOENIX, AZ 85021T. 602.957.6150 E. [email protected]
PROPOSED NEW RESIDENCE2301 KIMRIDGE ROAD
LOS ANGELES, CALIFORNIA 90210
DRAWING DATE 3/14/2012 L-1.0OVERALL SITE PLAN AND RAINWATER COLLECTION PLANSCHEMATIC SECTION OF RAINWATER COLLECTION SYSTEM
1/2" = 1'-0"
SITE PLAN
WISY RAINWATER FILTER1" = 1'-0"
POP-UP DRAINAGE EMITTERNTS
1/8" = 1'-0"
LANDSCAPE DEMO PLAN1/16" = 1'-0"
KEY NOTESRAINWATER COLLECTION SYSTEM
NTS
WISY SUBMURGABLE PUMP
F
F
F
F
F
F
F
F
24'
3'-4
"7'
-4"
EL 485.11DRAIN TOSUMP
POOL SECURITYFENCE ON WALLPOOL SECURITYFENCE ON WALL
+
TW 486.75
+
TW 486.75
RAILINGTS485.25
BS483.75
FG 499.88
TRASH ENCLOSUREWITH SLIDING GATE
11'-0" TALLGLASS FENCE
FG 499.88
7'-4
"
24'
4'-8
"
TILE
2'
2'
2'
CONCRETE
CONCRETE
CONCRETE
TILE
SLIDING GATE
6'-8" CMU WALL
3'-4
"
6"
7'-2
"
2'
MOTOR
1%
FG 499.7
+FG 490.3 1%
FG 499.88FG 499.88
+500.50
8' HIGH WALL(STREET SIDE)
+498.12
+490.5
TW 486.0
+
498.25+
TW 498.45
+
485.8 +
+
TW 500.41
+
++
+
490.54+
+ 485.8+ 485.22
+
+490.5
485.19 (THRESHOLD)
++498.66 BOTTOM OF POOL
+498.66 BOTTOM OF POOL
1R@7"EA.
TW 474.0
500.41+
500.37
500.35
500.37
BRIDGE
ALI
GN
PROP
ERTY
LINE /
LIMIT O
F WOR
K
PRO
PER
TY L
INE
/ LIM
IT O
F W
OR
K
PRO
PERTY LIN
E / LIMIT O
F WO
RK
PROPERTY LINE / LIMIT OF WORK
PLANTING
EL = 500.45'TOP OF FIN FLR.
1%
EL = 485.27'MECH. RM.
FG 499.75
+FG 490.3 1%TW 492.0
TW 500.41TOP OF CHANNEL
EL = 483.75'POOL EQ. RM.
+
FG 499.88
+
SLEEVE (TYP.)
+500.50
TW 508+
+498.12
+490.5
TW 478.0
TW 486.0
+
498.25+
TW 500.41
+
485.8 +
TW 500.60
+
TW 500.41TW 500.41
TW 500.33+
TW 500.41
+
TW 500.41
SETBACK LINE
PROPERTY LINE
490.54+
+ 485.8+ 485.22
FG 500.0
+
+490.5
485.19 (THRESHOLD)
+
11'-0" GLASS POOL GATE -SELF LATCHING
8' HIGHGARDENWALL
RESIDENCE
DETACHEDGARAGE
4 R @7"EA.13 R @7"EA.
8R@7"EA.
TW 51010' HIGH WALL(STREET SIDE)
+
TC 500.75CURB
+
POOLABOVE
TW 486.01R@7"EA.
FACE OF GLASS
EDGE OF FLOOR
EDGE OF FLOOR
PLANTER
PLANTER
4"
4"
24'
14'-8
"
4"
18'-0" 6'-0" 24'-0"
4'-6" 10'-6" 3'-0"
39'
9'-6
"8"
6'-0
"54
'-0"
6'-0
"
8"
8'-4
"
18'-0"
9'-6" 3'-0"
138'-8"
42'-0"48'-0"35'-8"18'-0"
TW 474.0
SKIMMER(TYP.)
ALI
GN
FACE OF HOUSE
PLANTING(ABOVE)
PLANTING(ABOVE)
FACE OF COLUMN
FACE OF HOUSE
2'2'
CONCRETE
4'
CONCRETE SLAB
3'-10"
18'
CLEAR
8'-0" GARDEN WALL
4'
NEW 1 STORY RESIDENCE
ALI
GN
HO
US
E
FAC
E O
F M
EC
H. R
OO
M
CANTILEVEROVER PATIO
OU
TSID
E F
AC
EO
F P
OO
L S
TRU
CTU
RE
ACRYLIC DAM
4'-6" ROOF OVERHANG
PLA
NTE
RC
OLU
MN
4'-0"10'-8"
10'
49'-0" WALL @ 10' HIGH
8"
ALI
GN
ALI
GN
8"
3'-9
"
STA
IRS
INSIDE STAIR WALL
18'-0"
ALI
GN
WIT
H F
AC
E O
F H
OU
SE
8"
14'-8"
4'
21'-4"
8"
8'
8"
19'-4"9'-4"
8"
8"
8"
34'-6
"
8"
SETBACK LINE
3'-9
"
4'-8"
TW 500.12
+
TW 500.12
+
3'-8
"
BRIDGE FOOTING IF TREE ROOTS AREENCOUNTERED - SEE LANDSCAPEARCHITECT FOR DETAIL
SLEEVES FOR IRRIGATION ANDLOW VOLTAGE LIGHTING(2) 1-1/2" WITH SWEEP ELLS.
PLANTING
TW 472.0
3'-4
"
5'-0
"
POOL CHANNELWALL BELOW
POOL CHANNELWALL BELOW
FACE OF POOL CANTILEVER
+500.37
500.35
500.37500.37
SLOPE1/4" SLOPEON TILE
SLOT IN TILE JOINTTO DRAIN WATERTO LANDSCAPE
SLEEVE
6'-8
"
17'-4
"
12'
+
CRUSHEDROCK PATH
4'
CONCRETE
ALI
GN
FA
CE
OF
WA
LLS
2'
TILE
TILE
6'-0
"
FACE OF GARAGE
OVERHANG
SLEEVE
15'
ROOF OPENING
TW 508.0
+
CANTILEVEROVER PATIO
MECHANICAL ROOMWALL BELOW
EDGE OFPAVEMENT
EXISTING FENCE
7'
11'-2"
4'
FG 500.54+
FG 500.60+
FG 496.0+
FG 495.6+
FG 491.6+
FG 485.6+
FG 477.6+
ROOF OPENING
FG 499.83
+
PROPERTY LINE
L-1.3
GATE
TW 478.0 TW 486.0
PLANTER ABOVE
ACRYLIC DAM
L-1.3L-1.3
AL-1.2
9'
GA
RA
GE
POOL STRUCTURE / PATIO
TW 482.0
19'-6
"15
'
ALIGN WITH INSIDE FACEOF STAIR WALL
FACE OF PLANTER WALL
POOL CHANNELWALL BELOW
3R @ 6" EA.
TW 502.0
+
TW 504.0
+ +
TW 506.0
+
TW 508.0
3'3'3'
TW 496
+
6' HIGHWALL
7'-6"9'-0"9'-0"
1'-4"
464 GB
SEE CIVILSHEET C2FOR GRADES 8
'
6" DRAINLINE UNDERSLAB
SECTION LINE JOGS
FG 498.60
+
11'-4"
FG 500.10+
FG 500.54+
L-1.2
SKIMMER(TYP.)
3' 18"
18"
8' WATER CHANNEL
6'
2' CANTILEVER .
8"
TC 499.95
+
TC 499.98
+TC 499.78
+
TC 500.10+
A DD
C
STEEL POST
DYNAMICWATERLEVEL500.16
CALLBOX
6" CONCRETELANDSCAPE CURB
DRIVEWAY CURB5'4'-4
"
8"TW 490.8
+
20'
VOID UNDER POOL
10'
54'
COLUMNBELOWPOOL
COLUMNBELOWPOOL
STAIRS
SEE SHEET # SP-1.0FOR POOL INTERIOR
INFINITY EDGE POOLSEE POOL PLANS
CATCHMENT BASIN
PLANTING
PLANTINGPLANTING
PLANTING
8" 2'-8
"4'
-0"
3'-4
"5'
35'-8"
10'-0
"5'
2'-8" 16'-0" 17'-0"
3'-6" 9'-6" 3'-0" 12'-6" 4'-6"
PATIOPOOL STRUCTURE
SPA
7'-4
"
6'-8
"
CO
LUM
NB
ELO
W P
OO
L
PLA
NTE
RIN
PO
OL
1'-4
"
7'-7"
GASSTUB
GASSTUB
7'-3
"
11'-3"
EL = 500.45TOP OF FIN. FLR.
+
FG 500.20DECK
+
FACE OF HOUSE
FACE OF HOUSE
ACRYLIC DAM
FACE OF GLASS
CANTILEVEROVER PATIO
FG 500.14
POOL CHANNELWALL BELOW
500.41TOP OFPOOL WALL
9'
8'
UNDERWATERPOOL BENCH
9'
9'
2'-8
"
8"
500.14
500.20
3'-0"SPLASH
ZONE
14'-0"DECK LEVEL
3/4" SLOPE
500.41TOP OFCHANNEL
ROOF LINE
36'
DECK ABOVE
SWIMMINGPOOL
8' WALL@ PROPERTY
CMU SCREEN WALL@TRASH CANENCLOSURE
SLIDING GATE(HALF OPEN)
WALL BEYOND
MOTORBEYOND
STACKED SLIDINGGATE
6'-8
"
6"x6"x1/4" STEEL POSTTO CATCH GATE
5'-6
"
4'LIGHTFIXTURE505.5 CENTER LINE
ALIGN LIGHT FIXTURE
WATERCHANNEL
SKIMMER
11'-6" TALL PAINTED STEEL GATE
4 SELF CLOSINGSPRING 'BARREL' HINGES
T.W. 510ALIGN GATE
T.C. 500.755'
11'-6
"
SKIMMERBASIN
SELF CLOSING & LOCKINGLOCKSET (POOL SPECS)
498.25
HOUSERECESS WALLFOR TILE
505.9 FIXTURECENTER LINE
LIGHTFIXTURE
MARC A. WAREBOSS & AGNEW ARCHITECTS STEVE MARTINO & ASSOCIATESDON BOSS, A.I.A., CALIFORNIA LICENSE #C-7182320 FIRST AVENUE NORTH, #200, KETCHUM, IDAHO 83340T. 208.725.0222 F. 208.725.0333 E. [email protected]
STEVE MARTINO, FASLA, CALIFORNIA LICENSE #43831501 W. LAWRENCE LN. PHOENIX, AZ 85021T. 602.957.6150 E. [email protected]
PROPOSED NEW RESIDENCE2301 KIMRIDGE ROAD
LOS ANGELES, CALIFORNIA 90210
POOL DECK PLAN
SITE PLAN
L-1.1HARDSCAPE LAYOUT PLANDRAWING DATE 2/24/2012
POOL GATE ELEVATIONSCALE 1/4" = 1'-0"
TRASH ENCLOSURE WITH SLIDING GATE ELEVATIONSCALE 1/4" = 1'-0"
1/8" = 1' - 0"
1/8" = 1' - 0"
GARAGE BEYOND
(4) OVER LAPPING GATE SECTIONS
11' GLASS FENCE BEYOND
SLIDING
46"
DRIVEWAY ELEVATIONAT GATE: 499.88
MANUALHANDLE
SLIDINGSLIDINGSLIDING
23'-8" DRIVEWAY (OUTSIDE GATE) YARD DRAINUNDER SLABBEYOND
UNDERGROUNDGATE MOTOR BEYOND
498.12LANDING
EL = 492.50 BOTTOM OF POOL STRUCTURE
EL = 500.33 TOP OF STRL. SLAB
500.50
TW 490.8
485.8
LANDING AT MECH. ROOM 485.22
3' GLASS RAILING
GATE - SELF LATCHING(POOL SPECS)
WALL FOOTING -SEE STRUCTURAL PLANS
OPEN
EL = 483.75 TOP OF POOL EQP SLAB
EDGE OF COLUMN(PLANTER ABOVE)
TW 478.00RETAINING WALL/ PLANTER
CATCH BASIN(BEYOND)
11' GLASS FENCE BEYOND
13R @ 7" EA.
PLANTINGFG 498.17
TW 498.45
EL = 513.78' TOP OF ROOF
500.45FINISH FLOOR
DECK LEVEL BEYOND500.20
3'-0"SPLASH
ZONE
14'-0"LEVELDECK
498.25
4R @ 7" EA.
8R @ 7" EA.
490.5490.54
FG 490.5
2:1 SLO
PE
RETAINING WALLBEYOND
SLOPEBEYOND
TW 510.00
500.45'FINISH FLOOR
3:1 SLOPE
OPENFG 484.0
FACE OF GLASS
TW 474.00
FG 470.00
FG 463.00
3/4" SLOPE
17'-0"
10'-0" HIGH GARDEN WALL
TOP OF PLANTER500.66
RESIDENCE BEYOND
3'-0" TALL WALL ATPOOL EQUIP.
ROOM BEYOND
SEE SECTION BELOW
TOP OF CHANNEL 500.41
SECTION LINE JOGS - SEE PLAN
STAIR LANDING
DECK8'-0" HIGHGARDENWALLBEYOND
DOORS TOMECH ROOM
TW 485.53
OPEN TOPOOL EQUIP
ROOM
7'-1
0"
SLOT IN HOUSEHOUSE BEYOND
TOP OF CHANNELBEYOND 500.41
END OF WATERCHANNEL BEYOND
KEYPAD
MECHANICAL ROOM
GUTTER
WATER CHANNEL
FG 499.0
TW 506.0
TW 508.0 WALL RETURN BEYOND
TOP OF ROOF513.78
WATER CHANNEL
LOWER DECK EDGE(STATIC WATER LEVEL)500.14
TOP LEVEL @ DECK500.20
GLASS DOOR
GLASS FRAME
DOOR JAMB
TOP OF POOL WALL500.41
TOP OF WALL500.33
WALL BEYONDAT DRIVEWAY3'-0"
SLOPEDDECK
3'-0"SLOPED
DECK
GAS BBQSTUB UP GAS
TABLE W/ GAS FIRESTUB UP GAS
TW 510.0
TW 508.0
TOP OF STAIRS498.12
TOP OF STAIRS500.5
WALL RETURN BEYOND
LANDING AT GATE498.25
GATE
STAIR LANDING490.54
PROPERTY LINE
GUTTERCATCH BASIN UNDER DECK
FG 500.54
17' - 0"
EL=485.27' TOP OFMECH. SLAB
TW 500.66ISLAND PLANTER
EL=483.75' TOP OFPOOL EQUIP. SLAB
TW 500.66ISLAND PLANTER
500.45FINISH FLOOR
500.20DECK LEVEL
3'-0" 14'-0" LEVEL DECK
8"16' - 0"2'-0"
SPILLWAY 500.14
SLOPE 3/4"TW 500.41TOP OFPOOLWALL
FLOORDRAIN
MECHANICAL ROOM
POOL EQUIPMENT ROOM
2" CONC. PAVERWITH TILE TOPPING
TILEISLAND PLANTERTILE
PIPE TOSUMP
WATERPROOFALL SIDES
STEPS BEYONDTO MECH ROOM
FACE OFHOUSE
2:1 SLO
PE
12' - 6" PLANTER
STEPS
2'-0"
POOL
HANDRAIL BEYOND
3' -
0"
DOOR OPEN FROM MECH ROOM TOSTEP LANDING
OPEN
PLANTER WALL BEYOND
EDGE OF PLANTERWALL BEYOND
BENCH
3' - 4" OPENING
GUTTER -SEE POOL PLANS
DECK 500.14
ADJUSTABLE STANDS
TILE
RESERVOIRSEE POOLDRAWINGS
TILE
STATIC WATER LEVEL
POOL WALLBEYOND
TILE ALLSUFACES
WALL @ END OFPOOL EQUIP ROOM
SLOPE
SEE STRUCTURALFOR FOOTING
DECK 500.20
FLOOR SLAB
MECHANICALROOM WALL
POOL STRUCTURE
3"
8" POOL WALL
12"
SILICONE GLUE@ FLOOR
3"
TOP OF DAM
ACRYLICDAM
POOL
TILE
WATERCHANNEL
500.45FINISH FLOOR
500.20DECK LEVEL
500.14DECK LEVEL
498.66CHANNEL BOTTOM
POOLWALL
NICHE IN FAR WALLFOR ACRYLIC DAM
34"
34"
RESIDENCE
STATIC WATER LEVEL
34"
WATERCHANNELPOOL
SILICONE GLUE @ WALL
TILE
TILE
238"
138"
78"
NICHE IN WALLFOR ACRYLIC DAM
CHANNELWALL
SILICONE JOINT @ FLOOR
78"
POOLWALL
MARC A. WAREBOSS & AGNEW ARCHITECTS
DRAWING DATE 2/23/2012
STEVE MARTINO & ASSOCIATESDON BOSS, A.I.A., CALIFORNIA LICENSE #C-7182320 FIRST AVENUE NORTH, #200, KETCHUM, IDAHO 83340T. 208.725.0222 F. 208.725.0333 E. [email protected]
STEVE MARTINO, FASLA, CALIFORNIA LICENSE #43831501 W. LAWRENCE LN. PHOENIX, AZ 85021T. 602.957.6150 E. [email protected]
PROPOSED NEW RESIDENCE2301 KIMRIDGE ROAD
LOS ANGELES, CALIFORNIA 90210
L-1.2N-S SECTIONS LOOKING WEST
SITE SECTION A - A - THROUGH STAIRS LOOKING WEST
SECTION B - B - THROUGH DECK LOOKING WEST
ACRYLIC DAM PLANSCALE 6" = 1'-0"
ACRYLIC DAM SECTIONSCALE 6" = 1'-0"
1/2" = 1'-0"
1/4" = 1'-0"
500.0GRADE BEYOND
498.25
10'-0
"
FG 500 WALL BEYOND TW 500.67
8'-0
"
FINISH GRADE(BEYOND)
4R @ 7" EA.
500.50LANDING
13R @ 7" EA.
8R @ 7" EA.
POOL SECURITY GATE
GARDEN WALL (10'-0" STREET SIDE)
HANDRAIL
GARDEN WALL (8'-0" STREET SIDE)
WALL RETURN (BEYOND)
FG 491.6
FG 477.6
FG 463.0EXISTING GRADE
2:1 SLOPE
3:1 SLOPE
TW 496.0
FINISH GRADE (BEYOND)
TW 492.0
TW 478.0
TW 508.0
TW 510.0
FG 485.6TW 486.0
(12" TREADS TYP.)
(12" TREADS TYP.)
NOTE: SECTION CUTLINE JOGS AT BOTTOMLANDING
HANDRAIL
WATERPROOFING (TYP.)
4" PERFORATED PIPE IN 12" DIAMGRAVEL BED WRAPPED INSOIL FABRIC
WEEP HOLES IN WALLAS PER STRL DRWGS
SEE STRUCTURALFOR FOOTING
6'-8" 6'-8"2'-8" 2' 7'-3" 7'-3"
CENTER LINE 505.95ALIGN FIXTURES
TYPLIGHTFIXTURE
TW 474.0
FG 470.0
2:1 SLOPE
OPEN
COLUMN BEYOND(PLANTER ABOVE)
CATCH BASIN
EL = 513.78' TOP OF ROOF
500.45'FINISH FLOOR
500.20'DECK LEVEL
PLANTER IN POOL
GARDEN WALL BEYONDSTAIRS(10'-0" STREET SIDE) GARDEN WALL (8'-0" STREET SIDE)
WALL RETURN BEYOND
TW 492.0
TW 478.0FG 477.6 BEYOND
FG 463.0EXISTING GRADE
RETAINING WALL
485.27' TOP OF MECH. SLAB
483.75' TOP OF POOL EQ. SLAB
BOTTOM OF POOL STRUCTURE 492.50'
TOP OF POOL WALL
3' WALL AT EAST SIDE OFPOOL EQUIPMENT ROOM
OPENING BEYONDAT STAIRS
500.14TOP OF SPILLWAY
FG 485.6 BEYOND
3'-0"SPLASH
ZONE
14'-0"LEVELDECK
FACE OF GLASS
3/4" SLOPE
17'-0"
TW 500.66
POOLEQUIP.ROOM PLANTER
BEYOND
TOP OFPOOL WALLBEYOND
TW 486.0
POOL EQUIP.ROOM FLOOR
3'-0
"
TW 508.0
TW 510.0
SPA
BENCHMECHANICAL
ROOM
FACE OF TILE
DECK EDGE500.14
PLANTERTW 500.66
TOP OF STRL. SLAB 500.33
500.41
7'-1
0"
WALK FROMMECH ROOMOVER GRADEBEAM
GUTTER
POOL
SEE STRUCTURALFOR FOOTING
RESIDENCE
TILE PAVERSON JACKS
MARC A. WAREBOSS & AGNEW ARCHITECTS
DRAWING DATE 2/23/2012
STEVE MARTINO & ASSOCIATESDON BOSS, A.I.A., CALIFORNIA LICENSE #C-7182320 FIRST AVENUE NORTH, #200, KETCHUM, IDAHO 83340T. 208.725.0222 F. 208.725.0333 E. [email protected]
STEVE MARTINO, FASLA, CALIFORNIA LICENSE #43831501 W. LAWRENCE LN. PHOENIX, AZ 85021T. 602.957.6150 E. [email protected]
PROPOSED NEW RESIDENCE2301 KIMRIDGE ROAD
LOS ANGELES, CALIFORNIA 90210
L-1.3
SITE SECTION C - C - THROUGH POOL EQUIPMENT ROOM LOOKING EAST
SITE SECTION D - D - THROUGH STAIRS LOOKING EAST
N-S SECTIONS LOOKING EAST
1/4" = 1'-0"
1/4" = 1'-0"
1/4" = 1'-0"
MECHANICAL ROOM
GUTTER
WATER CHANNEL
FG 499.0
TW 506.0
TW 508.0 WALL RETURN BEYOND
TOP OF ROOF513.78
WATER CHANNEL
LOWER DECK EDGE(STATIC WATER LEVEL)500.14
TOP LEVEL @ DECK500.20
GLASS DOOR
GLASS FRAME
DOOR JAMB
TOP OF POOL WALL500.41
TOP OF WALL500.33
WALL BEYONDAT DRIVEWAY3'-0"
SLOPEDDECK
3'-0"SLOPED
DECK
GAS BBQSTUB UP GAS
TABLE W/ GAS FIRESTUB UP GAS
TW 510.0
TW 508.0
TOP OF STAIRS498.12
TOP OF STAIRS500.5
WALL RETURN BEYOND
LANDING AT GATE498.25
GATE
STAIR LANDING490.54
PROPERTY LINE
GUTTERCATCH BASIN UNDER DECK
FG 500.54
TW 510.0
TW 508.0
TOP OF STAIRS498.12
TOP OF STAIRS500.5
TW 510.0
TOP OF WALL500.33
FG 499.0
TW 506.0
TW 508.0 WALL RETURN BEYOND
MECH. ROOM SLAB BEYOND485.27
FG 481.0
TOP OF ROOF513.78
THRESHOLD485.19
TOP OF STAIRS485.25
BOTTOM OF STAIRS483.75
TOP OF WALL486.75
TOP OF PLANTER500.66
LOWER DECK EDGE(STATIC WATER LEVEL)500.14
TOP LEVEL @ DECK500.20
TW 492.0
TOP OF STAIRS BEYOND490.5
TW 496.0
WALL RETURN BEYOND
WALL RETURN BEYOND
COLUMN(PLANTER ABOVE)
COLUMN(PLANTER ABOVE)
SPA
TOP OF PLANTER WALL490.8
BOTTOM OF STAIRS BEYOND490.54
POOL STEPS
FG 488.0
FG 495.0
LANDING AT GATE498.25
BOTTOM OF STAIRS485.8
TOP OFCURB485.53
WALK BEYOND485.22
1'-2
"
GLASS DOOR
GLASS FRAME
DOOR JAMB
TW 504.0
TW 502.0
WALL STEPS @PROPERTY LINE
DOOR TO MECH. ROOM
STAIR RAIL
1'-6
"
1'-2
"
1'-6
"
1'-1
0"
WALL BEYONDAT DRIVEWAY
GATE
TOP OF POOL WALL500.41
PROPERTY LINE
UNDERWATER BENCH
TW 500.68
POOL
TOP OF SLAB483.75
POOL EQUIP. ROOM
HOUSE BEYOND
1" COPING ONCHANNEL WALL
SKIMMER SECTION @ WATER CHANNEL
DOME SCREENOVER DRAIN
1-1/2"X1/8"STAINLESSSTEEL FRAME(POWDERCOATED BLACK)
1/4" X 1/2" X 1/8"STAGGERPERF. METAL(POWDERCOATED BLACK)
SPILLWAY500.14
TW 500.41
TILE
TILE
CROSS BEAM@ 2' O.C.
BLACK THOROSEALPLASTER APPLIED TO
SKIMMER BASIN BEFOREINSTALLATION OF FRAME
DRAIN W/ 6" LINETO SURGE TANK(2) EACH SKIMMER
MARC A. WAREBOSS & AGNEW ARCHITECTS
DRAWING DATE 3/5/2012
STEVE MARTINO & ASSOCIATESDON BOSS, A.I.A., CALIFORNIA LICENSE #C-7182320 FIRST AVENUE NORTH, #200, KETCHUM, IDAHO 83340T. 208.725.0222 F. 208.725.0333 E. [email protected]
STEVE MARTINO, FASLA, CALIFORNIA LICENSE #43831501 W. LAWRENCE LN. PHOENIX, AZ 85021T. 602.957.6150 E. [email protected]
PROPOSED NEW RESIDENCE2301 KIMRIDGE ROAD
LOS ANGELES, CALIFORNIA 90210
L-1.4
SITE SECTION R - R - THROUGH MECHANICAL ROOM LOOKING NORTH
E-W SECTIONS LOOKING NORTH
SITE SECTION J - J - THROUGH POOL EQUIPMENT ROOM LOOKING NORTH
SKIMMER SECTION AT WATER CHANNELSCALE 1" = 1'-0"
GRAPHIC SCALE IN FEET: 1/4" = 1'-0"
GRAPHIC SCALE IN FEET: 1/4" = 1'-0"
RESIDENCE
3 CAR GARAGE
DRIVEWAY
W.P. SWITCH
W.P. SWITCH
MECHANICALROOM
POOLEQUIPMENT
ROOM
ART
SLEEPINGAREA
BATH
MEDIA
DINING
POLIFORMKITCHEN
4'7" X 5'0"SHWR
TABLE4'0" X 9'0"
POLIFORM CLOSET
LAV
POWDER
LAV
LIVING AREA
SHWR
5'-6" x 3'-6"
LAV
21.5' LINEAL FEET
WC
QU
EE
N B
ED
62"X
84"
WC
POOL DECK
COLUMNBELOWPOOL
COLUMNBELOWPOOL
STAIRS
SEE SHEET # SP-1.0FOR POOL INTERIOR
ART
INFINITY EDGE POOLSEE POOL PLANS
CATCHMENT BASIN
SLEEPINGAREA
POLIFORM CLOSET
LAV
LIVING AREA
21.5' LINEAL FEET
PLANTING
ALI
GN
FU
RN
ITU
RE
WIT
H P
LAN
TER
(TY
P.)
PLANTINGPLANTING
PLANTING
SPA
GASSTUB
GASSTUB
ACRYLIC DAM
FACE OF GLASS
CANTILEVEROVER PATIO
POOL CHANNELWALL BELOW
SWIMMINGPOOL
ROOF LINE
500.0GRADE BEYOND
498.25
10'-0
"
FG 500 WALL BEYOND TW 500.67
8'-0
"
FINISH GRADE(BEYOND)
4R @ 7" EA.
500.50LANDING
13R @ 7" EA.
8R @ 7" EA.
POOL SECURITY GATE
GARDEN WALL (10'-0" STREET SIDE)
HANDRAIL
GARDEN WALL (8'-0" STREET SIDE)
WALL RETURN (BEYOND)
FG 491.6
FG 477.6
FG 463.0EXISTING GRADE
2:1 SLOPE
3:1 SLOPE
TW 496.0
FINISH GRADE (BEYOND)
TW 492.0
TW 478.0
TW 508.0
TW 510.0
FG 485.6TW 486.0
(12" TREADS TYP.)
(12" TREADS TYP.)
NOTE: SECTION CUTLINE JOGS AT BOTTOMLANDING
HANDRAIL
WATERPROOFING (TYP.)
4" PERFORATED PIPE IN 12" DIAMGRAVEL BED WRAPPED INSOIL FABRIC
WEEP HOLES IN WALLAS PER STRL DRWGS
SEE STRUCTURALFOR FOOTING
6'-8" 6'-8"2'-8" 2' 7'-3" 7'-3"
CENTER LINE 505.95ALIGN FIXTURES
TYPLIGHTFIXTURE
BURIED AT EACH FIXTURE FOR FIELD ADJUSTMENT.
USE WATER TIGHT SPLICE CONNECTORS (TYPICAL).
MAXIMUM LIGHTS PER HOME RUN TO TRANSFORMER
PROVIDE POWER TO TRANSFORMER & LED
TIME LIGHT AIMING SESSION WITH OWNER ANDCONTRACTOR WILL PROVIDE LABOR FOR NIGHT
PROVIDE DIMMERS AS NOTED
LANDSCAPE ARCHITECT.
16.
18.
17.
IS 13 FOR 4 WATT MR6 ON 250' OF WIRE ON 14 VOLT TAP.
15.
14.
BURIED 12" DEEP. PROVIDE 6'-0" COIL OF WIREINSTALL NEW LOW VOLTAGE WIRING IN CONDUIT OR
FOR ADD-DELETION PURPOSES.CONDUIT / WIRE RUNS, JUNCTION BOXES, WITH BIDALL FIXTURE AND TRANSFORMER TYPES ANDCONTRACTOR SHALL PROVIDE UNIT PRICES FOR
INSTALLATION AS PART OF HIS SCOPE OF WORK.AND ACCESSORIES TO PROVIDE A COMPLETECONTRACTOR SHALL PROVIDE ALL EQUIPMENT
PLACEMENT OF THESE DEVICES WITH THE OWNERMAXIMUM SIZE FUSE TO BE 20 AMP. COORDINATE
WIRING SHALL HAVE SECONDARY OVER CURRENTEQUAL WITH 10 YEAR WARRANTY). ALL 12 VOLTWEATHERPROOF LIGHTING TRANSFORMERS (FX ORFURNISH AND INSTALL THE FOLLOWING 120 / 12 VOLT
PROVIDE TWO SPARE LAMPS OF EACH TYPE USED
OF THE LANDSCAPE ARCHITECT AND OWNER.ALLOWED WITHOUT THE PRIOR WRITTEN APPROVALEQUIPMENT SHOWN ON THIS DRAWING WILL NOT BESUBSTITUTIONS FOR ANY OF THE LIGHTING
10.
PRIOR TO ROUGH-IN.
12.
13.
11.
PROTECTION.
ON THE PROJECT.
9.
8.
7.
EQUIPMENT WITH THE LANDSCAPE ARCHITECTCOORDINATE THE INSTALLATION OF ALL LIGHTINGTHE ELECTRICAL CONTRACTOR SHALL
CURRENT PROTECTION FOR ALL 12 VOLTPROVIDE PRIMARY AND SECONDARY OVER
BY LANDSCAPE ARCHITECT PRIOR TOLIGHTING FIXTURE STAKING SHALL BE APPROVED
COPPER EQUAL TO NIGHTSCAPING #12-2 AWMALL 12 VOLT WIRING SHALL BE 12/2 STRANDED
ALL WIRING SHALL BE COPPER.
APPLICABLE LOCAL CODES AND ORDINANCES.NATIONAL ELECTRICAL CODE AND ALLACCORDANCE WITH THE LATEST EDITION OF THEALL WORK SHALL BE PERFORMED IN
PRIOR TO ROUGH-IN.
TRANSFORMERS.
INSTALLATION.
EXCEPT AS OTHERWISE NOTED.
6.
5.
4.
LIGHTING NOTES
3.
2.
1.
DRIVER LOCATIONS.
ALL 12 VOLT FIXTURES MUST BE PROVIDED A18.MINIMUM OF 10.5 VOLTS PER MANUFACTURE'S SPECIFICATIONS.
LANDSCAPE + LOW VOLTAGE FIXTURES + WALL LIGHT @ 120V (ALL 12V FIXTURES MUST BE PROVIDE A MINIMUM OF 10.5 VOLTS)
FIXTURE
WELL LIGHT
WALL MOUNTED SURFACE LIGHT
PATH LIGHT
BULBMANUFACTURERMODEL COMMENTSMATERIAL
LANDSCAPE SPOT LIGHT
QTY
WALL MOUNTED DOWN LIGHT
DL-30-EC
MASK
SL-20-MDG
5131 P
-
-
-
-
-
-
FOCUS
DELTA LIGHT
FOCUS
BEGA
-
-
AR 111 40
TC-DEL 18 W
FL-LED-MR16-BAB 6 WATT
2-13 W CF QUAD-2P, 120 V
-
-
COPPER
-
BLACK ACID TREATMENT
OPAL GLASS
-
-
-
-
-
MOUNT AT 5'-4" IN UTILITYAREAS
-
-TRANSFORMER
-
-
8' WALL@ PROPERTY
CMU SCREEN WALL@TRASH CANENCLOSURE
SLIDING GATE(HALF OPEN)
WALL BEYOND
MOTORBEYOND
STACKED SLIDINGGATE
6'-8
"
6"x6"x1/4" STEEL POSTTO CATCH GATE
5'-6
"
4'LIGHTFIXTURE505.5 CENTER LINE
ALIGN LIGHT FIXTURE
WATERCHANNEL
SKIMMER
11'-6" TALL PAINTED STEEL GATE
4 SELF CLOSINGSPRING 'BARREL' HINGES
T.W. 510ALIGN GATE
T.C. 500.75
5'11
'-6"
SKIMMERBASIN
SELF CLOSING & LOCKINGLOCKSET (POOL SPECS)
498.25
HOUSERECESS WALLFOR TILE
505.9 FIXTURECENTER LINE
LIGHTFIXTURE
SEE LIGHTING NOTES ON SHEET REV-L-3
GENERAL LIGHTING NOTES
1.
ALL 12V FIXTURES MUST BE PROVIDED A MINIMUM2.OF 10.5 VOLTS
SEE LIGHTING LEGENDS AND TABLES FOR SPECIAL3.INSTRUCTIONS AND GRAPHIC EXPLANATIONS
COORDINATE ALL WELL LIGHTS WITH TREES4.
S = FIXTURE SWITCHED TO HOUSE = DIMMER SWITCH LOCATIONDS
A = LIGHT FIXTURE "A"
A = LED DRIVER #2D2
AT3
= TRANSFORMER #3
ASD
= 12 VOLT FIXTURE SWITCHED TO HOUSE W. DIMMER
A A = LINKED LIGHT FIXTURES
A = FIXTURE CENTER IS LOCATED +12" ABOVE PAVING+12"
LIGHTING LEGEND
DIM = DIMMER
WATTST1T2
TRANSFORMER MODEL SWITCHING
TRANSFORMER "FX" OR AS NOTED
WATTS
D3
D1D2
DRIVER MODEL SWITCHING
LED DRIVERS "BEGA" OR EQUAL
D4
TO LIGHTING SYSTEM
MARC A. WARE
1 2 3 4 5
GRAPHIC SCALE IN FEET: 1/8" = 1'-0"
0 6 7 8 9 10 11 12
BOSS & AGNEW ARCHITECTS STEVE MARTINO & ASSOCIATESDON BOSS, A.I.A., CALIFORNIA LICENSE #C-7182320 FIRST AVENUE NORTH, #200, KETCHUM, IDAHO 83340T. 208.725.0222 F. 208.725.0333 E. [email protected]
STEVE MARTINO, FASLA, CALIFORNIA LICENSE #43831501 W. LAWRENCE LN. PHOENIX, AZ 85021T. 602.957.6150 E. [email protected]
PROPOSED NEW RESIDENCE2301 KIMRIDGE ROAD
LOS ANGELES, CALIFORNIA 90210
2/06/2012 L-1.6LANDSCAPE LIGHTING PLAN
POOL DECK LIGHTING PLAN
SITE LIGHTING PLAN
1/8" = 1'-0"
1/8" = 1'-0"
POOL GATE ELEVATIONSCALE 1/4" = 1'-0"
TRASH ENCLOSURE WITH SLIDING GATE ELEVATIONSCALE 1/4" = 1'-0"
WALL & STAIRS LIGHTING ELEVATIONSCALE 1/8" = 1'-0"
22
manicured missions
Santa Barbara, California has a style and class that is completely unique; one that is so defined and historic that the city takes immense pride and effort to uphold. This client purchased the four highest posted real estates in 5 years in Santa Barbara, and three were located directly next to one another. The projects were a constant cycle of design, redesign, and construction - from one property to the next. However, these were very unique in that the city had such stringent requirements on what could and could not be done to each site. Another property that they owned was a high school that was located directly next to the Santa Barbara Mission. Work on the High School required multiple submissions and approvals through the city - each of which requiring public meetings and acceptance. But the finished product of each project was ultimately benefitted from such strict design requirements.
23