JOYCE SUDESIGN PORTFOLIO

JOYCE YIK PING SU

ACTIVITIES

joyce_melody.55@hotmail.com0403 944 367

EM

EDUCATIONBACKGROUND

2013 - 2015 Bachelor of Design in Interior and Spatial DesignUniversity of Technology, Sydney

Apr - Nov 2012

Jan - Mar 2012

Foundation Year Certi�cate (Standard) Standard B Design University of NSW, Sydney

English language Programs (Beginner to Advanced)Pre-Foundation Year English (University of NSW, Sydney)

2014 EXHIBITION : Design a new playground for Beauty Point school, NSW

LIGHTING PROJECT : Beam Festival 2014 : The workplace lighting project to participate in ANCB the Metropolitan Laboratory & Lighting study in Berlin, Germany. (site: Hassell Ltd. Sydney)

INHABITATION : Biophilic Design at Hibernian House, NSW

CAD Sketchup,Revit, ArchiCAD Photoshope, Illustrator, Indesign

English, Mandarin

Microsoft O�ce

ADOBE

LANGUAGE

SKILL

OTHER

CURRICULUM VITAE

01 Is Inhabitation_Biophilic Design

02 Embassy Of Fundermantal_Pavilion Design

03

04

05

06

Exploration_Beyond the Necropolis

Archive and Laboratory of Architecture (AALFA)

Exhibition_ Lighting Project

Advance CAD Intensive

CONTENT

01STUDIOProject : IS Inhabitation (Biophilic Design)

Tutor : Alexandra Wright

From the outside, it looks like any other inner-city block.Situated in a grungy, gra�ti-laced �ve-storey building, Hibernian House is home to artist studios and accommodation, gallery space, a lo-� theatre space (Old 505) and a dance studio. Over the years it's been home to many a DIY gig, exhibition and party and had many artists call it home. It is important for Sydney to have a community like this.

Studio 401, 342 Elizabeth St, Surry Hills NSW

SITE

Extend the exploration of Hibernian House to encompass a series of spaces which form a path from the threshold of the building’s entrance, to the roof.

Reconcile the inhabitants of the building with nature, whilst creating space for fertile collaborations which strengthen the community of the building.

Visual connection with nature

Prospect and Refuge

Biomorphic Form and Pattern

1 : 200 Plan

Prospect and Refuge

REFUGE can be present as small and dark ; PROSPECT is brighty. They can coexist in the same space. From prospect we must able to retrect to the refuge. From the idea of Green Room by A12, using timber at the entrences, climbing plant surrounding the wall bring people connect to nature sense they step into the building. The design of the entrences is like a Green Room, door as a skylight and a person stand surrounding with plants. People from outside cannot look into the entrence but people inside this building can looks to the outside street. LED light put on the wall make this space more lighten then before.

Visual connection with nature have a function of restorative or reducing e�ects by looking at nature. Mainifedted as a constellation of bene�cial change that include reduce level of NAGATIVELY toned emotions, change in physiological system.The corridor of rooftop change from concealed space to an open space. In addition the new design bring in more sunlight to the space and also improve the air movement in the space.

Visual connection with nature

Biomorphic Form and PatternThe landform when I walk into bush in Ku-Ring Gai National Park is jumping and climbing up and down, and the geography of bush walk was irregularity. Also in the refrences of The Australian Garden got many di�erent kinds of pattern and form. All pattern and form combine together to build out a abstract staircase, and reform in the Hibernian house.

All the way from enterence, a person kind of going to a national park.At the beganing of the journey, a person go to a national park, after enjoying the view of national park, you go into a bush walk (which is the abstract staircase), all the way to the viewing point which is locatedat the roof top.

Life and nature are similar concepts because nature is the study of how life acts and interacts within the circle of existence. When we take the time to examine the beauty of the world around us, we are able to see parallels within our own lives. One who is attuned with nature is attuned with the practice of living. All of nature moves in a spiral as do our personal lives. It is important to spend time in nature because in this way we can become attuned to its wisdom.

02STUDIOProject : Embassy Of Fundermantal (Design a Pavilion)

Tutor : Esteban Insausti

BuildingForm

Changing role of perspective in art and introduce axonometric as a new means to represent space

Physical to Visual

Diagram on the left show the build form surrounding Custom house Sydney.

Old building surrounded bymodern architecture designand close to harbour.

Di�erent kind of materialmake a contrast in that area.

Outline of the surrounding build form

Horizontal and Vertical linet

Sitting

Increase the Public Sitting Place

The location of the Pavilion is at the front of Custom house

The pavilion changes the circulation of people walk in this site. In addition, the shape of pavilion became eye catchingin this space. From the pavilion, touristwill realise about Custom house which can spend time sitting and get into the atmosphere in this space

Visible to OutsideFaintly to saw a Custom house

Concrete

Wood

Wood

Use wood as the materialfor this pavilion because ofthe colour surroundedare quite dark.

The colour of wood give warmfeeling to this space.

Koala became the anamorphicillusion in this space, because koala is one of the landmark in Australia.

1:200 Plan 1:200 Elevation from South Elevation from west

Build form is the �rst impression for people remember a space.

Le Corbusier said that architecture start when you carefully

put two bricks together. Build form changing

role of perspective in art and introduces axonometric,

which is parallel perspective as a new

means to represent and perceive space.

Changing the space where a person standing, the proportion

of the building from the eye levels will be di�erent as well.

So, this is kind of playing with physical things to visual.

03STUDIOProject : Exploration_Beyond The Necropolis

Tutor : Campball Drake

Entry

Entry

O�ce and waiting area

ToiletProgram

Circulation

Dining place

Structure

FRIED PAVILIONDUREN, GERMANY

CEMETERY & CAFE PAVILION

1

23

41

23

4

Chapel

Meditation PlatformTomb of the Brion Couple

Tomb of the Brion’s Family

Grave

PoolGrass

View / Vista

Program

Circulation

Entry

Entry

Brion CemetrySan Vito d’Altivole, Treviso Italy

Cemetery

The enclosure is a private burial ground for the Brion family,commissioned bt Onorina Tomasi Brion, widow of thefounder of the Brionvega Company. The architect, Carlo Scarpa said about this project : “ I would like to explain theTomb Brion. I consider this work,if you premit me, to be rather good and which will get better over time. I have triedto put some poetic imagination into it, though not in order to create poetic architecture but to make a certain kind of architecture that could emanate a sense of formal poetry. The place for the dead is a garden. I wanted to show some ways in which you could approsch death in social and civic way; and further what meaning there was in death,in the ephemerality of life other than these shoe-box.”

The architecture of the pavilion develops on a natural and featureless, square base. Three closed space set up take the service facilities in the morning and meeting place on that structure of space and devide the plan into three areas without sealing o� against each other. The groung plan as well are structure and devided into three area without blocking them o� one another. Each of the areas make by di�erent geometric shapes and di�erent ceilling hights, combining to form one large space.

12

3 4

1

2

3

4

Waiting area

O�ce

Toilet

Male toilet

To Clovelly Boiling Club

Eastern Beach Coastal walk

Housing and Retail AreaAshesSitting

To Bronte BeachThomas st

Boundary St

Trafalgar St

Can see Bronte Beach

Vaguely see the ocean

Sitt

ing

Entry

Vaguely see the ocean and housing area 

View

Program

Circulation

Vehicle

People

Waverley Cemetery

The Waverley Cemetery opened in 1877 and is located on top of a cli� top board walk with fantastic views between Bronte and Clovelly above the Bondi to Coogee walk. It is noted for its largely intact Victorian and Edwardian monuments. Waverley Cemetery had its �rst internment in 1877 now has now grown to over 80,000 interments in 50,000 gravesites and memorials over 40 acres.

The cemetery contains over 200 war graves from various past con�icts, of which there are 129 registered and maintained by the Commonwealth War Graves Commission (over 100 from World War I and nearly 20 from World War II). The front gates are a memorial to the residents of the area who died during World War I and World War II . Inside the main gates is a memorial to the military forces of NSW which houses the remains of several o�cers killed in an 1891 sea mine explosion at Middle Head.

Waverley Cemetery

ENTRY HEARSE FLOWERKIOSK

ACCESS RECEPTION OFFICE

WAITING AREA

CEREMONY AREABALCONY

EXHIBITION AREA

OUTDOOR CEREMONY

ENTRY HEARSE

RECEPTION

OFFICE

WAITING AREA

CEREMONY AREA

BALCONY

OUTDOOR CEREMONY

FLOWERKIOSK STUFF

PATHWAY

PATHWAY

ACCE

SS

EXHIBITION AREA

ENTRY HEARSE

RECEPTION

OFFICE

WAITING AREA

CEREMONY AREA

BALCONY

OUTDOOR CEREMONY

FLOWERKIOSK

PATHWAY

ACCE

SS

CAR PARK

ENTRY

EXH

IBIT

ION

ARE

A

STUFF

ENTRY HEARSE

RECEPTION

WAITING AREA

CEREMONY AREA

BALCONY

OUTDOOR CEREMONY

ACCE

SS

EXHIBITION AREA

FLOWERKIOSKOFFICE

CAR PARK

ENTRY HEARSE

RECEPTION

OFFICE

WAITING AREA

CEREMONY AREA

BALCONY

OUTDOOR CEREMONY

FLOWERKIOSK STUFF

PATHWAY

ACCE

SS

CAR

ENTRY

EXH

IBIT

ION

ARE

A

PATH

Proposol A

Proposol B

Proposol C

Proposol D

Proposol E

Plan View Elevation 1 Elevation 1

Massing Model

Reenactment , the continual overlaying of inevitably di�erent real spaces that aim to evoke the same virtual space.

A memory space which allow people in exchange of feeling through seeing and viewing. The place of death, is where can show some ways in which people could approach death.The past is not dead and that we in the present must engage and intertwine with it.

Concept

Proposition

INDOOR CEREMONY AREA

EXHIBITION SPACE

OUTDOOR CEREMONY AREA

WAITING AREA

RECEPTION AREA

TOILET

OUTDOOR CEREMONY AREA

OFFICESTAFF ROOM

1: 200 Ground Floor1: 200 2nd Ground Floor

1: 200 Section

1: 200 Elevation

Sectional Perspective

Exterior View from the entry

Interior view in the exhibition space

The view from outdoor ceremony spaceto interior ceremony space

Roof Plan

Structure

Circulation

Entry

1. View Point

1

2.Toilet3.Waiting Area4. Reception Area

2

3

4

5. Lift6. Interior ceremony space7. Outdoor Ceremony Space8. Exhibition space

5

6

78

Photo of Model

1:200 Model

1:500 Model

04STUDIOProject : Archive and Laboratory Of Architecture (AALFA)

Tutor : Esteban Insausti

Art Gallery of NSW

St Mary’s Cathedral

St Marys Rd

Yurong Pkwy

N

Entry via St marys Rd

Exit

Eastern Suburbs Line Railway

Colle

ge S

t

Hos

pita

l Rd

Art Galle

ry Rd

Sir John Yo

ung Cres

Cathedral St

Crow

n St

Art Gallery of NSW

St Mary’s Cathedral

 Mac

quar

ie S

t

St Marys Rd

Yurong Pkwy

Bus Stop

Walkway

N

Express Walkway

Hyde Park

Entry via St marys Rd

Exit

Trees

Landscape And Transport

3 minutes walk

Eastern Suburbs Line Railway

Colle

ge S

t

St Albert Rd

St James Rd

Hos

pita

l Rd

Art Galle

ry Rd

Sir John Yo

ung Cres

Cathedral St

Crow

n St

Art Gallery of NSW

St Marry’s Cathedral

St Marys Rd

Yuro

ng P

kwy

Site O

rienta

tion

Wind

Winter Solstice

Summer Solstice

9am

9am

12pm

12pm 3pm

3pm

St Marys Rd

Yuro

ng Pkwy

Hyde Park

Elephant BackpackerTurner Ln

Fauc

ett L

n

Sir J

ohn

Yong

Cre

s

Figure and Ground

St Marys Rd

Yuro

ng P

kwy

People Active space

Inactive space

People play or practice Soccer

Active and Inactive

St Marys Rd

Yuro

ng P

kwy

St Marys Rd

Yuro

ng P

kwy

St Marys Rd

Yuro

ng P

kwy

Eastern Suburbs Line Railway From

Hyde Park

From St Mary’s Rd

Exit fromcar park

Entry toCar park

Car Visitor

St Marys Rd

Yuro

ng P

kwy

Express Walkway

5 minutes walk

Lift to CBDLift to Botanic Gardenand Art Gallery

Exit

Exit

Exit

Entry

Car

Car

Visitor

Visitor

Site Circulation

Circulation Inside The Car park

1

2

THE DOMAIN, SYDNEY

THE DOMAIN, SYDNEY

Section View Circulation

Circulation of the Site forCars and visitors

Circulation of drivers searching forparking space inside the car park

Circulation of drivers searching forparking space inside the car park in section view

2 minutes

The Domain

A A L F A

Entrance

Entrance

Entrance

Laboratory

Laboratory

Archive

Archive

Archive

LaboratoryArchive

Entrance

Entrance

Entrance

Circulation Section View Plan View

Public

Private

Concept Diagram

Iterations

Site Analysis Diagram

Exit

Car Lift to CBDLift to Botanic Gardenand Art Gallery

Exit

Exit

Discovering in design reflects the growing recognition that the design of the everyday world deserves attention not only as a professional practice but as a subject of social, or cultural. After finish analysis two types of circulation at Domain car park,the combine of circulation between cars and visitors create an interesting shape via the movement of each other.

From site analysis, most of the meeting point for people are the walkway between St Mary church and Art Gallery. Therefore, the idea of meeting point become a centre as the main point for people to meet with each other.

Going underground, like drivers searching for a parking space, like visitors searching for the exit or entrance inside the car park. So, this building is designed to encourage visitors to notice or learn something in the building, and enjoy themselves in the slow reveal through lighting and visual experience. People approach light in relationship to architecture. Therefore, the light itself is what informs the architecture by using different illusion. The concealed light sources created a mysterious impression for the intimate space, which can be flexibly by changing their intensity or colour dynamically.

DISCOVERING VISUAL ILLUSION

N

E N T R A N C E R A M P

U P

1. Centre Point2. Reception3. O�ce4. Lab

Ground Floor1: 200

Level 11: 200

Level 21:2005. Meeting Room

6. Classroom7. Toilet8. Hologram Exhibition

Entry from Sir John Young Ores

UP

1

2

2

3

4

5

5

6

7

7

89

DN

UP

Section 11:200

Section 21:200

C A T H E D R A L S T

Y U R O N G P K W Y

E N T R A N C E R A M P D O W N

A A L F A

Roof Plan1: 200

Lookout Plan1:2009. Lighting Exhibition 10. Bridge 11. Viewing tower

12. Sitting / Presentation / Outdoor theatre

10

11 12

Visitor’s circulation Worker’s circulation

C A T H E D R A L S T

Visu

al c

hang

ing

in th

is s

pace

from

nar

row

to s

paci

ous

Entrance

Viewing from le

vel 1 to

other levels

Viewing from exterior to interior

During movie time

Sectional Perspective

Laboratory

Archive + Laboratory

Archive

Rooftop

Structure

Steel Columns

Glass

05EXHIBITIONProject : Lighting , New Material and Form

Tutor : Emrah Ulas

The Workspace Lighting Project

To participate in ANCB The Metropolitan Laboratory And Zumtobel Lighting Study in Berlin, Germany

University of Technology Sydney2nd Year Interior and Spatial Design

21st June 2014 6 p.m

21st June 2014 12 p.m

21st Dec 2014 6.30 p.m.

21st Dec 2014 12 p.m

Sun Light

Working Lighting

Relaxing Lighting

The ‘Golden Ratio’ of the perfect working condition

The proper lighting solution will separate space function

iLAB REF

LUMINAIRE LAMPDESCRIPTION MOUNTING LOCATION MANUFACTURE PRODUCT CODE WATT-AGE EST QTY

R1

R2

R3

R4

R5

R6

R7

R8

Hi-trac Luminaire 1xT16 28W

Hi-trac Luminaire 1xT16 28W

Hi-trac Luminaire 1xT16 28W

Quintessence Double-focusdownlight 1xLED 18W warm whiteCylinder Surface-mounteddownlight 1xLED 24W warm whiteCylinder Surface-mounted directional luminaire 1xLED 18W warm whiteCylinder Floor washlight 1xLED6W neutral whiteCylinder Floor washlight 1xLED12W warm white

Ceiling

Ceiling

Ceiling

Ceiling

Ceiling

Ceiling

Ceiling

Ceiling

ERCO

ERCO

ERCO

ERCO

ERCO

ERCO

ERCO

ERCO

ERCO 13403000

ERCO 13408000

ERCO 13413000

ERCO 40122000

ERCO 85049000

ERCO 85051000

ERCO 85104000

ERCO 85112000

28

28

28

18

24

18

6

12

62

1

36

6

11

47

130

8

Total load

Total area

301

1480

Lighting Equipment ScheduleLuminaire parts list

Light Distribution Display

Reflective Diagram

T1 - T136 Cylinder Floor washlight 1 x LED 6W neutral white

L1 - L11 Cylinder surface-mounted directional luminaire 1 x LED 18 W warm white

P1 - P2 Erco 13408000 Hi-trac Luminaire 1 x T16 28W

M1 - M2 Quintessence Double-focus downlight 1 x LED 18W warm light

A1 Cylinder Floor washlight 1 x LED 12 W warm white

B1 Cylinder Floor washlight 1 x LED 12W warm white

C2 Cylinder Surface-mounted downlight 1 x LED 24W warm white

C1 ERCO 13403000 Hi-trac Luminaire 1 x T16 28W

L1

C1

C1

C2

C2

P1 P2 P1 P2 P1 P2

P1 P2P1 P2P1 P2

T1- T8

M2

M1

C1

C1

T9-T16 T17-T24 T25-T32 T33-T40 T41-T48 T49-T56 T57-T64

T65-T72

T73-T80 T81-T88 T89-T96 T97-T104 T105-T112 T113-T120 T121-T128

T129- T136

L2 L3 L4 L5 L6

L7 L8 L9 L10

L11

A1

B1

Hypothesis

How important the lighting is? What kind of innovation can improve working quality? In this project, we

to separate space function. A lamp itself become an object of interest in the room, changing the quality of a space, brightness and intensity.

Building with abundant daylight keeps o�cer physically and emo onally healthy, which can increase the job performance and sa sfac on. The use of French sash window in the space allow daylight evenly illuminate to the ground, which can merge between ar ficial and the sun light that produce the “Golden Ra o” of the perfect working condi on.

21st June 2014 9 a.m.

21st Dec 2014 9 a.m. Rendering

21st Dec 12 p.m. Rendering

21st Dec 2014 6.30 p.m. Rendering

Shelf & Display Bench

Pin up board

Sun Light

Windows

Nature White for Work

Warm White For Rest

Color Temperature Diagram

Based on our hypothesis and the visualiza on, the use of warm and neutral light becomes another ligh ng scenario, which using warm and neutral two di�erent light colours clearly separated the relaxing areas and the working space.

In the working area light schemes, we a empt to use floor wash down light to illuminate the desks only, and each light which is communicate to each touch panel under the desk. This design will provided a be er eco-aware on the energy loose and avoid destruct to the person next to you. For the pin-up boards we decide to use the Hi-tracs trip luminaire to illuminate the board evenly. The use of spot down-light focus illuminate at the top surface, which provide a pla orm to display the models from the HASSELL o�ce.

To make a dis nc on between the relaxing areas, we have choose large wa s down light and double focus floor wash light to illuminate and decora ng the lounge sofa. In addi on, warm white colour’s laminates are changing the moody and feelings of the space. Also the corridor space are becoming the transforma on between work and relax, so the warm light trac luminaires hiding behind the strip ceiling can perform well on illuminate the corridor so ly and smoothly while do destruc ng the working luminaries schemes. At the centre hollow area, the window railing area are the loca ons allowed to see though the lower level. Concern about the connec on between the two floors, we select so warm white down light install right on the top of the hollow area, which allow the luminaries can illuminate upper floor so ly and illuminated lower floor feature.

A. Combination of working light with sunlight B. Lighting Distribution Display C. The boundry of working and the resting

New lighting design scheme in lounge

New lighting design scheme in working area

New lighting design scheme in working area

New lighting design scheme in corridor

The Beams Arts Festival was a ahirlwind of colour, light and sound. 8 urban backstreets were transformed into an alfresco exhibition spaces.The air was �lled with vibrancy and euphoria as the laneways of Chippendale sprung to ife for one night. Multi-disciplinary arts festival showcase work from the whole spectrum of the arts, with creatives coming together in the hundreds to surge thr voltage of ideas and inspiration.

The Beams Arts Festival was a ahirlwind of colour, light and sound. 8 urban backstreets were transformed into an alfresco exhibition spaces.The air was �lled with vibrancy and euphoria as the laneways of Chippendale sprung to ife for one night. Multi-disciplinary arts festival showcase work from the whole spectrum of the arts, with creatives coming together in the hundreds to surge thr voltage of ideas and inspiration.

Lighting is not just about plan, It can be a 3D art as a pop up sculpture

06CAD INTENSIVETutor : Matt Clarke

Barcelona Pavilion

Barcelona Pavilion

Falling Water

Falling Water

Thank you for your time and consideration