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Jane Austen Pride and Prejudice A study of voice…

Jane Austen Pride and Prejudice

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Jane Austen Pride and Prejudice. A study of voice…. “Follies and nonsense, whims and inconsistencies do divert me, I own, and I laugh at them whenever I can.”. A comedy of manners – money, family background, and personal vanity complicates the course of true love. Highlights of Jane’s Life. - PowerPoint PPT Presentation

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Page 1: Jane Austen Pride and Prejudice

Jane AustenPride and Prejudice

A study of voice…

Page 2: Jane Austen Pride and Prejudice

“Follies and nonsense, whims and inconsistencies do divert me, I own, and I laugh at them whenever I can.”

A comedy of manners – money, family background, and personal vanity complicates the course of true love.

Page 3: Jane Austen Pride and Prejudice

Highlights of Jane’s Life

Born 1775

Died 1817 (age 42)

Daughter of a country minister in Steventon

(small Hampshire town)

Sister – Cassandra (neither married)

Brothers –James, Henry, Francis, and Charles

Educated

Page 4: Jane Austen Pride and Prejudice

Novels

Sense and Sensibility (published 1811) Pride and Prejudice (1813) Mansfield Park (1814) Emma (1816) Northanger Abbey (1817) posthumous Persuasion (1817) posthumous

Page 5: Jane Austen Pride and Prejudice

Shorter works Lady Susan The Watsons (incomplete novel) Sanditon (incomplete novel) Juvenilia The Three Sisters Love and Freindship [sic; the misspelling of

"friendship" in the title is famous] The History of England Catharine, or the Bower The Beautifull Cassandra

Page 6: Jane Austen Pride and Prejudice

Hollywood’s Fascination

Pride and Prejudice (six film versions) Emma (five film versions) Sense and Sensibility (four film versions) Persuasion (three film versions) Mansfield Park Northanger Abbey 2007 Release of Becoming Jane 2007 The Jane Austen Book Club

Page 7: Jane Austen Pride and Prejudice

The Novel

Originally published under a pseudonym Considered most popular of her six novels Original title First Impressions (1797) Redrafted, published under new title in

1813.

Page 8: Jane Austen Pride and Prejudice

Plot

Emphasis on character development Restricted to a sphere of a few families Study of relationships and upper classes Matrimony supplies stability Coincidence main plot device Explores human weaknesses No outright evil

Page 9: Jane Austen Pride and Prejudice

Comedy charged with moral purpose Good-natured irony Narrative voice – amused detachment Highly polished, considered the product of

a perfectionist Masterpiece of verbal and structural irony

Page 10: Jane Austen Pride and Prejudice

Famous opening line sets the exigent and tone: “It is a truth universally acknowledged that a single man in possession of a good fortune must be in want of a wife.”

Exigent: social pressure, not individual choice, determines marriages and relationships.

Satirical tone: It is not that a single man desires a wife, but that everyone finds he lacks one, his good fortune requires it.

Page 11: Jane Austen Pride and Prejudice

Ideal – Polite social behavior Reality – Characters fall short Tone – Politely modulated despite

characters contrasting behavior defects. Result – The follies, self-deception,

vulgarity, and deceit are illuminated by the grace and polish of the narrative tone.

Page 12: Jane Austen Pride and Prejudice

Elizabeth – Protagonist of worth

Intelligent Not frozen in one position – dynamic Sharp wit outshines narrator’s tone Contrasts as well to the flat, polite, self-serving

euphemisms of the rest of the characters. Seeks a firmer grip on reality than the society

that prizes facades.

Page 13: Jane Austen Pride and Prejudice

Realistic – Elizabeth can be deceived. Cinderella Story – Convention is tilted

- wicked step sisters - Bennet sisters

- wicked step mother - Mrs. Bennet

- fairy godmother - Lady Catherine

- handsome Prince - Darcy

Page 14: Jane Austen Pride and Prejudice

Purpose

Austen desired to satirize the traditional Eighteenth Century Romance Genre

*Battling Lovers *The Charming Rake*Obstacles *The Injured Innocence*Blocking Figure *The Jealous Rival*Parallel Romances*Comic Ending

Page 15: Jane Austen Pride and Prejudice

Criticism – Greatest strengths also greatest weaknesses.

No awareness of international upheavalsand turmoil of her day*Napoleonic Wars*Industrial Revolution*Plight of working class*Effects of psychology (Freud)*Effects of science (technology/Darwinism)

Page 16: Jane Austen Pride and Prejudice

Jane wrote what she knew.

*Little insight into male characters.

* Extreme passion avoided.

Page 17: Jane Austen Pride and Prejudice

Point of View

Austen pioneered Free Indirect Discourse

- third-person limited narration.

Is the heroine speaker or the narrator?

This narration is the precursor to stream-of-consciousness.

Page 18: Jane Austen Pride and Prejudice

Romanticism versus Realism

Advocates no restraint

Shows nature as a transcendental power

Reveals man’s plight currently tragic

Celebrates natural beauty

Presents order and discipline

Supports traditional values and norms

Views human condition in comic spirit

Sparse description of nature

Page 19: Jane Austen Pride and Prejudice

Dialogue

Most vivid and important part of the novel Major turning points are verbal Provokes gentle laughter at times Makes bitter observations at times States moral evaluations

Page 20: Jane Austen Pride and Prejudice

Theme

Knowledge comes through careful reasoning and considered experience, unclouded by pride or prejudice based on rank or mere appearances.

Page 21: Jane Austen Pride and Prejudice

Historical Backdrop

Regency Period Industrial Revolution and Social Class

Structure Women’s Rights and Entailment due to

Patriarchy Social Mobility Limits Social Decorum and Reputation

Page 22: Jane Austen Pride and Prejudice

This has been an undocumented Report NOT a Research Project! This is an example of the research you

should do as an initial way of approaching your topic.

Now you are probably ready to create a research question.

What are some possible research questions? Discuss with your partner!

Page 23: Jane Austen Pride and Prejudice

Here is mine -

How does Jane Austen’s use of verbal and situational irony cause her to be categorized as a Realist rather than a Romantic author?

Page 24: Jane Austen Pride and Prejudice

Now I must research to find out what the authorities say… I would not just Google this idea. I need to find authority. I need to use literary texts and internet

sites that are recognized as critical analysis by people in the field.