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Il Combattimento
di
Tancredi e Clorinda
Claudio Monteverdi - Frederik Neyrinck
Characters
Clorinda – Soprano
Tancredi – Baritone
Testo – Tenor
Instruments
Flute
Horn (in F)
Percussion *
Harp
Violin
Cello
(*: Vibraphone, Bass Drum, 5 Temple Blocks)
Duration
Ca.18 min.
Info en vragen: +32 498 47 63 65 of [email protected]
Info and questions: +32 498 47 63 65 or [email protected]
dedicated to Bart Bouckaert
Notatie - NotationAlgemeen - General Remarks
Dynamieken - Dynamics
Dynamieken zijn steeds absoluut genoteerd. Dat betekent dat pp voor harp even luid is als een pp voor hoorn. Op het einde van het werk
wordt veel met sordine gespeeld. De genoteerde dynamiek is ook daar het klinkende resultaat. Dus een hoornist(e) met een "silent brass mute" moet veel luider spelen om zo het gewenste dynamische effect te bekomen.
Dynamics are always notated absolutely. It means that pp for harp is as loud as a pp for horn. At the end of the piece, mutes are used a lot.
The notated dynamics are always the sounding result. For example, a horn player should play much louder with a silent brass mute to obtainthe wished dynamic effect.
Geleidelijke overgangGradual transition
Crescendo uit stilte - Decrescendo tot stilteCrescendo from silence - Decrescendo to silence
Normale trillerNormal trill
Zogenaamde "timbre"triller of ook soms verkeerdelijk "bisbigliando" genaamd. Kleine wijzigingen op vlak van intonatie
zijn mogelijk en worden zelfs aangeraden.So called "timbral trill", "trille de sonorité" or sometimes also called "bisbigliando".Little differences concerning the intonation are possible and are even advised.
"Tremolo", triller tussen grotere toonsafstanden."Tremolo", trill between bigger distances.
Tremolo: steeds zo snel mogelijk (ook in trage tempi)Tremolo: always as fast as possible (also in slow tempi)
flz.
Normale "Flatterzunge"Normal Fluttertonguing
soft flz.
Zachte "Flatterzunge", indien mogelijk enkel met de keel. Soft fluttertonguing, if possible only with the throat.
Dwarsfluit - Flute
Enkel lucht, maar "speel" de genoteerde toonhoogtes ("intonated air")Only breath, but "play" the notated pitch. ("intonated air")
Combinatie van toonhoogte en toegevoegde luchtCombination of pitch and added breath
Normale klank - normal sound
Bisbigliandi: Zie "The Techniques of Flute Playing" van Carine Levine en Christina Mitropoulos-Bott (Bärenreiter) voor alle vingerzettingen.Bisbigliandi: See "The Techniques of Flue Playing" of Carine Levine and Christina Mitropoulos-Bott (Bärenreiter) for all fingerings.
HarmoniekHarmonic
Triller van dezelfde harmoniek maar met andere vingerzetting.Trill with same harmonic with other fingering
Tongue Ram (klinkt een grote septiem lager dan de greep)Tongue Ram (sounds a major 7th lower as the fingering)
Tongue Pizzicato
W.T.
Whistle Tones
con sord. : standaard sordinecon sord.: normal mute
silent brass mute: Silent Brass Mute (Yamaha PM3)silent Brass Mute: Silent Brass Mute (Yamaha PM3)
Hoorn - French Horn
Bouché
2
Slagwerk - Percussion
Gebruikte instrumenten - Used instruments
Vibrafoon/VibraphoneBass Drum5 Temple Blocks
Mallets
Wat de te gebruiken mallets betreft, zijn geen specifieke aanwijzingen gegeven.
De uitvoerder kan zelf beslissen welke mallets het meest geschikt zijn om bepaalde passages te spelen.
Daarvoor moeten de dynamiek en andere aanwijzingen natuurlijk aandachtig gevolgd worden.
There are no specific indications about which mallets should be used.
The performer can decide herself/himself which mallets are the best option to play a certain passage.
Of course, the dynamic and other notations should be followed very attentively.
Arco: Speel met een (contrabas)strijkstok. Play with a bow (double bass bow).
Bass Drum: dead stroke
Bass Drum: met de handen, maak een zeer zachte, continue klank door over het vel te wrijven.
Bass Drum: with hands, make a continuous very soft sound by rubbing very softly over the skin.Bass Drum: met de handen, maak een zeer zachte, continue klank door over het vel te wrijven.Bass Drum: with hands, make a continuous very soft sound by rubbing very softly over the skin.
Vibrafoon: "stick damping": demp de noten met de mallets.Vibraphone: stick damping: mute the notes with the mallets.
p.d.l.t. : près de la tableord.: ord. geeft aan dat de harpiste terug in het midden van de snaren moet spelen.
p.d.l.t. : près de la tableord.: ord. indicates that the harp player should play again in the middle of the strings.
Harp
octaafharmoniek (onderste noot wordt gespeeld, bovenste noot is het klinkend resultaat)octave harmonic (the lower note is played, the top note is the sounding result)
volledig dempenmute completely
Stemming onderste snaren: D§' en C§'
Tuning lowest strings: D§' and C§'
met de vingernagelswith the fingernails
"sons xylophinques"De vingertoppen van de linkerhand drukken de snaren, aangeduid door middel van "vierkante" notenwaarden,helemaal onderaan hard in. De rechterhand speelt in het midden op dezelfde snaren (rol van elk hand kan ook omgekeerd worden).
"sons xylophoniques"Left hand: The fingertips firmly pressed on the lowest extremity of the strings indicated by diamoned-shaped notes.Right hand plays in the centre of the same strings (the role of each hand may be reversed)
gliss.
snelle glissando tussen G' en Cis (speel zeer hard, zodat de snaren tegen elkaar "slaan").fast glissando between G' and Cis (play very hard, so the strings strike against each other).
3
Belangrijk: legatobogen in de partijen van de strijkers zijn niet gelijk aan boogstreken. De muzikant kan zelf de boogstreken kiezen.Important: legato-bowings in the parts of the strings are not the same as bowings. The musician can choose himself/herself the best bowings.
Strijkers - Strings
flautando: De boog beweegt zich sneller en lichter over de snaar. Flautando is hier gelijk aan lichte boogdruk.flautando: The bow moves faster and lighter. Flautando is used as "less bow pressure".
(I) (II) (III) (IV): nummer van de te bespelen snaar (I is bovenste snaar, IV is onderste snaar) -
number of the string which has to be played (I is the upper string, IV is the bottom string)
Hotelsordine: een zogenaamde "oefensordine", zeer stevig en waarvan de klank enorm wordt gedempt.Hotelsordine: so called "exercice mute", very heavy and the sound is damped really a lot.
Gebruikte afkortingen - Used abbreviations:
MST: molto sul tasto
ST: sul tasto
PST: poco sul tasto
ORD: ordinario
PSP: poco sul ponticello
SP: sul ponticello
MSP: molto sul ponticello
Bartokpizzicato
Triller met harmoniekTrill with harmonics
Triller tussen twee harmonieken Trill of two harmonics
Ricochet: Het aantal herhalingen en de snelheid ervan zijn vrij te bepalen,
maar het geheel mag de totale duur van de notengroep niet overschrijden.Ricochet: The number and speed of unforced bounces are free, but are not to exceed the total duration of the note group.
Boogvibrato: "intensiteitstrillingen" (druk + snelheid) die hoorbaar en vlug zijn
(wel minder vlug dan een gewone tremolo) met zeer trage boogwissels;creëer een subtiele golvende sonoriteit.Bow vibrato: Oscillations of intensity (pressure + speed) that are audible and rapid (but less rapid than the normal tremolo) with very slow changes; create a subtly undulating sonority.
4
h = 40-50
h = 40-50
to Bart Bouckaert
Il combattimento di Tancredi e Clorinda
Claudio Monteverdi (1624)/
Frederik Neyrinck (2010 - 2011)
Clorinda
Testo
Tancredi
Flute
Horn in F
Percussion(Vibraphone,Bass Drum,
5 Temple Blocks)
Harp
Violin
Violoncello
Score in C
Tan
cre
- di
- -
Che Clo rin
- da un- ho
mo- sti
ma
- -
D C# BbE F G A
mp l.v., come cembalo,
arpeggio sempre flessibile
mp sim.
mp
(III)MSP
pppp appena udibile
mp l.v.
pizz.
pp l.v.
mp sim.
pp
mp
6
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
vol
ne l'ar
mi- pro var
- la
-
al pa
ra- go
- ne
- - - - - - - - -
p
mf possibile
pp
3
VIBR.Ped.
mp
flessibile
pp
7
mp
mf
F# p
C
F
pp
mp
mf
mp
1
1
10
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
Va
gi
ran
- do- co lei
- l'al
pe
- stre
-
mp tenuto
pp
CON SORD.
pp
Ped.
mp
mp tenuto
ST
mp tenuto
mp tenuto
arco ST
14
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
ci
ma
- - ver l'al
tra
- por
ta
- -
o ve- d'en trar
- di spo
- - - -
p
pp
p
pp
OPEN
p
Ped.
p
mp
mf
BbF# G#
p
mf
pp
mf
p
2
2
2
Trotto del cavallo
Trotto del cavallo
h. = 50
h. = 50
18
q. = 100-110
q. = 100-110
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
ne
pp
mp
pp
(pp)
poco a poco cresc.
p
mp
(Ped.)
pp
CHANGE TO
(5) Temple Blocks (5) TEMPLE BLOCKS
pp
poco a poco cresc.
p
mp
pp
(pp)
poco a poco cresc.
p
mp
(III-IV)SP
pp
poco a poco cresc.
p
mp
pp
(pp)
(III-II)SP
poco a poco cresc.
p
mp
22
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
Se
gue- egli
im pe- tuo
- so-
mf
mf
mf
mf
mf
mf
B
G
mf
mf
mf
PSP(III)
p subito,
wie ein Schatten
(IV)
mf
(III)
p
mf
SP
mf
mf
3
26
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
On de as- sai pri
- - ma- che giun
ga-
f
p leggero
f
ppp leggero
f
p
mf
(mf)
p staccato poss.
p.d.l.t.mute as fast as possible
PSP(III)
mp
(IV) (III)
f
mp
pp
(III)
(mf)
PSP(II)
p
30
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
in gui
sa av- vien
- che d'ar
mi- - suo
ne- che d'ar
mi- che
mf
p mp
mp mf
mf
p
mp
mf
p
mp
mf
6
mf
p
mp
mp
mf
mf
(IV)
mf
p
mp
mp
mf
mf
SP
(III)
mp
p
p
SP
4
3
3
34
q. = q
q. = q
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
O
Tu
che por
te- cor ren
- do-
d'ar mi- che d'ar
mi- suo
ne- ch'el
la- si vol
ge e- gri
da:
-
f
f
p
pp
pp
f
f
p
pp
p
pp
f
CHANGE TO
Vibraphone
Ped.
pp
VIBRAPHONE
p
mf
ord.
mp l.v.
p.d.l.t.
p
pp
F
f
f
(IV)SP
mf
gliss.
p
ST
pp
pp
MSP
p
pp
f
(III)SP
mf
gliss.
p
ST
pp
pp
MSP
tratt.
tratt.
39
A Tempo
A Tempo
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
si?
guer ra e- mort' ha vrai
-
Ri
spo
- se
-
dis se-
E guer ra-
e mor
te
-
p
pp
soft flz.
p vago
ppp
pp
pp
mf
p
(Ped.)
pp
CHANGE TO
(5) Temple Blocks
mf leggero
CHANGE TO
Vibraphone
(pp)
p l.v.
ord.
mf
mute as fast as possible
p
mf
pizz.
p l.v.
mf secco
arcoORD
mf
ST
p
p
pp
mf secco
pizz.
arcoORD
mf
MST
ppp
5
43 tratt.
tratt.
a tempo
a tempo
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
Io non
ri fiu- to- dar
la- ti
- se lei cer
chi- e fer
mo at- ten
- di
- - - - -
Ne
vol
Tan
-
mf
p
CON SORD.
p
mf
p
pp
pp
Ped.
pp vago
VIBRAPHONE
mf
pp
p l.v.
sfz
sfz
p
B#
pp vago
mf
p.d.l.t.
p
(ST)
mf
ORD
ST
p
pp vago
MST
p
ST
mf
ORD
p
ORD MST
pp vago
47
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
cre
di
- - ch'eb be a- piè ve du
- - to il suo ne mi
- co- u sar
- ca val
- lo
-
e
scen
- -
pp vago
soft flz.
p
(pp)
p
(Ped.)
ppp (l.v.)
Fb pp
p.d.l.t.
p
mp
p
pp
SP
mp
6
51
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
de
e im
pu- gna- l'un l'al
tro- il fer ro- a cu
- to-
ed a guz
- za- l'or goglio
- e l'i
ra ac- cen
- de
-
pp
mp
soft flz.
pp
pp
pp
ppp
SENZA SORD.
Ped.
pp
p
pp
CHANGE TO
(5) Temple Blocks
B
F#
p l.v.
p l.v.
p
pp
(ST)
MSTflaut.
pp
p
gliss.
gliss.
pp
molto flaut.
ppp
pp
PSTflaut.
pp
p
pp
4
4
Passaggio bellicoso e grave
h = 60
Passaggio bellicoso e grave
h = 60
55
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
e van si in- con
- tro
-
p ma marcato
mf poco a poco più marcato
p ma marcato
mf poco a poco più marcato
mp leggero
(5) TEMPLE BLOCKS
f
p ma marcato
mf poco a poco più marcato
ORD non flaut.
p ma marcato
mf poco a poco più marcato
ORD non flaut.
p ma marcato
mf poco a poco più marcato
7
61
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
a pas si- tar
di e- len
ti
-
Quai
duo to
ri- ge
-
f
ff
f
ff
mf
ff
mf
fff
f
ff
f
ff
f
ff
(ORD)
SP
mf
67
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
lo
si
- -
e d'i
ra ar- - - den
- ti
- - - - -
ffp
flz.
fff
ffp
(ord.)
fff
ffp
fff
CHANGE TO
Vibraphone
ffp
fff
BbF
ffp
fff
ffp
fff
8
5
5
Sinfonia
(h = 72)
Sinfonia
(h = 72)
70
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
pp
(bisbigliando calmo)
p
pp
pp
p
pp
3
pp
CON SORD
p
pp
pp
p
pp
Ped.
pp
VIBRAPHONE
p
pp
Ped.
pp
p
mf l.v.
mf l.v. (sempre)
pp
ST
p
pp
pp
ST
p
pp
Passaggio più ristretto
Passaggio più ristretto
74
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
p molto leggero
pp
p
pp
p
pp
mf
p
p molto leggero
pp
p
pp
p
pp
mf
p
(Ped.)
pp
Ped.
(stick damping)
mp
pp
Eb F#
mf
p
E F
p secco
pizz. pp
p
pp
p
pp
mf
p
p secco
pizz. pp
p
pp
p
pp
mf
p
9
6
6
h = 40
h = 40
78
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
Not
te
- -
che
nel
pro
fon- do- os cu
- ro- se
no
- - - chiu
- -
p
Ped.
p l.v.
p
Ped.
p l.v.
pp l.v., arpeggio sempre flessibile
colla parte, come cembalo
p l.v.
pp l.v.
pp
p
arco PSP(trillo calmo)
pp
82
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
de
- - - - - - - - - - - ste
e nell' o
-
p
(Ped.)
Ped.
p
p
pp
C# p l.v.
Eb
pp
MSP(III-II)
p
ST
10
85
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
blio
fat
to- - - si gran
de
- - - - - - -
p
(Ped.)
Ped.
p l.v.
p
pp
p
p
PSP(trillo calmo)
pp
88
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
de
gno- - d'un chia
ro- - - sol
de
gno- d'un pie
no- - te a
- - - -
p
(Ped.)
p
p l.v.
Ped.
p l.v.
pp l.v.
p
E
ST
p
mp
11
91
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
tro
o
pre- sa rian
- si
me
mo
- - ran
- - de.
- - - -
pp
pp
(non bisbigliando)
ppp
(Ped.)
p
mp
ppp
Ped.
pp
(l.v.)
mp
p l.v.
ppp l.v.
F#
pppp
pp l.v.
F
p
pp
MSP(IV-III)
7
7
h = 60
h = 60
96
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
pp leggero
da lontano
ppp
pp
ppp
pp
ppp
p
pp
p
CON SORD.
pp
(Ped.)
pp
Ped.
(stick damping)
pp
ppp
CHANGE TO
Bass Drum
mute as fast as possible
pp secco poss.
da lontano
ppp
B
pp
ppp
F#
pp
pp
BbEb
p l.v.
E F
p
pp
pizz.
pp secco,
da lontano
ppp
pp
ppp
pp
ppp
p
pp
pp secco,
da lontano
pizz. ppp
pp
ppp
pp
ppp
p
pp
12
8
8
h = 40
h = 40
100
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
Pia
ci a
- - - ti
- ch'in di il- trag
ga
- - -
e'n
p
soft beaterBASS DRUM
p l.v., profondo
mp l.v.
mp l.v.
pp l.v., arpeggio sempre flessibile,
colla parte, come cembalo
(III)arco PSP
(trillo lento)
mp
SP
104
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
bel
se
re
-
no
- - - - - - - - -
al
le
- fu
tu
- re e- -
-
p
p l.v.
p l.v.
3
mf l.v.
p
C#F#
C
Eb F
p
SP
13
108
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
tà
lo spie
ghi
- - - - - - - - - - e man
de
- - - - vi
va- la
mp l.v.
p l.v.
3
mp l.v.
mp
p
mf l.v.
p
mp
gliss.
p
pp
112
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
fa
ma al- lor
- e tra
lor
glo
ria
- - - splen
de- - dal
p
3
pp
3
p l.v.
p l.v.
3
pp
B
E
mf l.v.
BbF# E#
PSP
(harmonic trill, trillo calmo)
p
pp
14
115
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
fo
sco- - tuo
l'al
ta- - - - - - - - - - me mo
-
- - - - - -
p
3
pp
p
ppp
p l.v.
p l.v.
CHANGE TO
(5) Temple Blocks
B
3
pp
(II)PSP
mp
gliss.
gliss.
pp
9
9
q = 104
q = 104
119
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
ria
Non schi var
-
non pa rar
-
f
SENZA SORD.
f
(5) TEMPLE BLOCKS
f
p
f
f
pppp appena udibile
(IV)arco MSP
SP
f
15
122
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
non piu ri trar
- si- vo
glion- co stor
-
ne qui de strez
- za ha- par
te-
CHANGE TO
Vibraphone
f
E
10
10
h = 72
h = 72
125
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
Non
dan
no i
- -
col
pi hor
- -
fin
ti hor
- -
pie
ni hor
- -
scar
-
Tongue Ram
p ben marcato
pp
BOUCHE SORD
VIBRAPHONE
p secco possibile
senza ped.
sons xylophoniques
p secco possibile
(ord. stacc.)
(ord. stacc.)
16
130
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
si;
to
glie- - l'om
bra e'l- fu ror
- l'u
so- dell' ar
te
- O
(pp)di- le spa
- -
mf
p
f
OPEN
mf
p
Ped.
f
mf
p.d.l.t.
f
mf
p
(ord.)
pp l.v.
ff
ff
ppp da lontano
(III)arco PSP
pizz. SP
f secco
mf
p
arco PSP(III) - (7th harm.)
ppp
134
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
de
o
di- - o
di- le spa
de
-
or ri- bi- men
- te ur- -
-
p ma marcato
p ma marcato
Ped.
mp l.v.
pp
CHANGE TO
(5) Temple Blocks
p l.v.
pp leggero
ORD
p
mp
pp
pp
MSP
17
138
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
tar
si- a mez
zo- fer
ro- e'l pie
d'or ma- non par
te
- - - sem
pre il- piè fer
- -
f
mf
ff
fp
mf
mp
ff
5 5
mf
p
poco a poco cresc.
ff
5 5
fp
ff
MSP
fp
ff
PSP(IV)
p subito
fp
ff
142
11
11
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
mo
e
la
man
sem
pre in
- mo
to
- -
ne
pp
p
pp
ff mf
ff
mf
ff
mf
ff mf
ff
mf
p
pp
p l.v.
ord.
pp
p.d.l.t.
p ff
ff
(harmonic trill)trillo calmo
pp
p
pp
ff
ff
arco MSP
mf
pp
PSP(III)
(II-III)
p
pp
ORD
ff
"détaché"
mf
18
146
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
scen
de
- ta
glio in
- van
- -
ne
pun
ta a- vo
- -
ffp
flz.
ff
ff mf
ff
f
flz.
ff
ff
mf
ff
mf
ff
mf
ff
ffff mf
ff
mf
ff
mf
ff
mf
ff
CHANGE TO
Bass Drum
5
3
5
3
5
ff l.v.
f l.v.
mf l.v.
"détaché"
ORD
ff
ff mf
ff
f
SP
ff
ff
MSP
mf
ORD
ff
mf
ff
ff
12
12
149
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
to
l'on ta- ir ri- ta
- lo sde gno- al
la- ven det- ta
- al la- ven det
- ta-
p
flz.
ff
p
flz.
ff
flz.
p
ff
flz.
p
f
normal beater(s)
p
Edge
Centre
ff
f
p
Edge
D C B
E F# G A
p.d.l.t.
mf
gliss.
ff
(p.d.l.t.)
gliss.
mf
ORD
p
p
PSP
MSP
ff
p
PSP
ff
arcoMSP
PSP
p
ff
ff
arcoMSP
PSP
p
19
152
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
e la ven det
- ta- poi e la
ven det- ta- poi
l'on ta- ri no
- va-
ff
p
flz.
ff
flz.
p
Centre
ff
f
p
Edge
(p.d.l.t.)
mf
gliss.
ff
MSP
ff
p
PSP
ff
ff
arcoMSP
PSP
p
154
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
On
de- sem pre al- fe rir
- sem pre al- fe rir
- sem pre al- la fret
ta-
sti mol no
vo- s'ag giun
- ge a- pia
ga-
ff
flz.
p
ff
ff
flz.
f
p
ff
f
p
5 5
Centre
ff
f
p
Edge
Centre
ff
Edge
p
(p.d.l.t.)
mf
gliss.
(p.d.l.t.)
mf
gliss.
ff
ord.
ff
ff
ord.
ff
MSP
ff
ff
ff
arcoMSP
PSP
p
ff
arcoMSP
ff
p
PSP
PSP
p
MSP
ff
20
157
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
no va-
d'hor in hor
più si me
- - sce e più ri stret
- ta- si fa la pug
na- - e
p
ff
flz.
p
flz.
ff
p
ff
ff
p
ff
ffp
ff
5
f
p
Edge
Centre
ff
Edge
p
f
p
Edge
ff
(p.d.l.t.)
mf
gliss.
(p.d.l.t.)
mf
gliss.
ff
ff
ord.
ff
ff
ord.
ff
ff
arcoMSP
PSP
p
ff
ff
arcoMSP
PSP
p
MSP
ff
PSP
p
MSP
ff
PSP
p
16013
13
h = h. (h.=72)
h = h. (h.=72)
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
spa
da o- - - - - prar
- non gio
va;- dan
si-
con po mi-
e in fe- lo- ni
- ti-
e cru di-
Coz
zan
- con
flz.
ff
p
Tongue Ram
f ben marcato
p
ff
mp secco possibile
5 5
Centre
ff
Edge
p
Centre
ff
CHANGE TO
Vibraphone
mf secco
senza pedale
VIBRAPHONE
(p.d.l.t.)
mf
gliss.
ord.
ff
mf secco
sons xylophoniques
(mf)
ff
PSP
p
ff
MSP
ff
ff
MSP
mf secco
pizz. MSP
ff
21
164
14
14
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
gli el
mi in
- sie me
- e
- con
gli
scu
di
- - - -
Tre
vol
te il- - - ca va-
-
p
pp
ppp appena udibile
mp
pp
Ped.
pp
mp
(ord.)
pp l.v.
pp l.v.
pizz. MSP
f
mf
ppp appena udibile
(IV)arco PSP
pizz. MSP
f
mf
p
pp
169
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
lier
la
don
na
- - strin
ge
- con le ro bu
- ste- brac
cia
-
ed al tre-
mp
flz.
p
p
soft flz.
pp
pp
p
pp
Ped.
p
Ped.
p
mp
p
pp l.v.
p
mp
bow vibrato
pp
pp
PSP
mp
mp
arco PST
p
(III)PSP
pp
(IV)
ppp
22
17415
15
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
tan
te- poi
da
quei no
di- da
quei no
- di
te
- na
ci el
- - -
f tenuto
f tenuto
mf
(Ped.)
pp
Ped.
f
pp
F
F#
f tenuto
p
pp
MSP
p ma molto energico e ben ritmato
p ma molto energico e ben ritmato
MSP
179
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
- la si
scin
ge,
- no
di
- - di
fier
ne
mi
- co e
- non
d'a
-
mf
f
mf
p
f
mp
(Ped.)
mf
Ped.
f
mp
mf
f
(l.v.)
F
mf l.v.
pp
f
f
arcoORD
mp
pp
ff
f
mf
ORD
5
23
18416
16
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
man
te
- - - - - tor na- no al- fer
ro-
tor na- no al- fer
ro-
p
p leggero possibile
p
pp
p leggero possibile
(Ped.)
CHANGE TO
(5) Temple Blocks
p leggero
TEMPLE BLOCKS
p
Cb
p leggero possibile
(ORD)
p
SP
pp
p leggero possibile
(ORD)
p leggero possibile
SP
187 tratt.------------------
tratt.------------------
17
17
h = 50
h = 50
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
tor na- no al- fer
ro- - e l'un e l'al
tro- tin
ge- di mol
to- san
gue
-
(p)
f
(p)
f
(p)
ff
CHANGE TO
Vibraphone
Ped.mp l.v.
VIBRAPHONE
5 5
(p)
ff
Bb C
mp l.v.
come tam-tam
(p)
f
MSTbow vibrato
p
mp
pp
(p)
f
mp
ST
gliss. p
24
191
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
e
stan
co
-
ed
a
ne
- -
p
(bisbigliando tranquillo)
pp
p
CON SORD.
pp
(Ped.)
Ped.
mp l.v.
Ped.
p l.v.
pp mormorando
ppp
mp l.v.
p l.v.
p l.v.
mp
pp
MSTbow vibrato
ppp appena udibile
quasi rumore
mp
ST
gliss. p
19618
18
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
lan
te
- -
e
que
sti e
- que
gli al
- fin
-
pur
si
ri
ti
- ra
- -
pp
ppp possibile
(intonated air)
Ped.
pp l.v.
pp l.v.
pp l.v. sempre flessibile
e colla parte da lontano
PSP
pp
(II)
ppp
25
201
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
e do po- lun
- - go fa ti- car
-
re
spi
- - - - - - - -
p
pp
p
C#F#
3
33 3
3
3
3
205
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
ra
l'un
l'al
tro- guar
da
- -
e del suo cor
po e- san
- gue
- - sul
pp
3
p
3
pp
mp
26
210 tratt.
tratt.
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
po
mo- del la- spa
da- ap pog
- gia il
- - pe
so
- - - - - -
mf
p
3
3
3
3
Più mosso
Più mosso
214
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
già de l'ul
ti- ma- stel
la il- rag
gio- lan
gue- al pri mo al- bor
- che in o rien
- te ac- - ce
- so
-
F mp
(colla parte)
C
Ebmf l.v.
mp p
mf
mp
p
27
217
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
ve de- Tan cre
- di- in mag gior- co
pia il- san
gue- del suo ne mi
- co- e se
non tan
to of-
-
(l.v.)
pp
3
E
p
220 string.--------------------------------------------
string.--------------------------------------------
tratt.--------------------------------------------------------------
tratt.--------------------------------------------------------------
(a tempo)
(a tempo)
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
fe
so- ne go
de
-
e inin su
-- per- bi
- sce- o
no stra- fol
le- men
te- ch'o
-
mp
B
mp
3
p F# G#
p
3
28
224 string. --------------------------------------------------------------------------------
string. --------------------------------------------------------------------------------
tratt.-------------------
tratt.-------------------
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
gni au
ra- di for tu
- na- e stol
- le-
mi se- ro
di che go
di
-
o
C#
mf
mf
(a tempo)
(a tempo)
228
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
quan to- mes
ti- si
a- no
- i tri on
- - fi ed in fe- li
- ce il- - - van
to
-
3
p
5
3
29
231
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
gli oc chi- tuoi
pa ghe- ran
- s'in vi
ta- re
sti
- - - di quel san
gue o- gni-
p
3
C
5
mp
3
234
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
stil
la- - un mar
di pian
to- - -
F
3
C#
3 3
p pp
3
ppp
30
19
19
237
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
co sì ta cen
- do- - e ri mi- ran
- do
-
que
sti
- - - san gui- no
- si- guer
-
Ped.
pp sempre flessibile e colla parte
VIBRAPHONE
3
3
p
3
3
p l.v.
C BbG
241
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
rier
ces sa
- ro al
- quan
- - to
- - - - -
Rup pe il- si len
- zio al- fin
- Tan
(Ped.)
pp
mp
3
p
p
3
5
p l.v.
mp
31
245
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
cre
di- e dis
se
-
per chè il suo no
me- l'un
l'al
tro- sco pris
- se:
-
(Ped.)
3
mf
3
3
p
5
p l.v. sempre
colla parte
249
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
no
stras- ven tu
- ra è- ben
chè- - - qui s'im pie
- ghi
- tan
to- va lor
- do ve- si
-
(Ped.)
3
mp
3
mf
3
3
5
mp
3
mf
mp
3
3
35 5
32
253
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
len
tio il- co
pra
-
Ma
poi
che sor
te- rea
vien
che ci nie
ghi- e lo
de e- te sti-
-
(Ped.)
3
3
mp
3
3
5
mf
3
3
p
3
mf
257 (poco più)
(poco più)
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
mon
de gni- de l'o
pra
-
pre
go- ti
-
se fra l'ar
mi han- - lo
co i- pre
ghi
-
(Ped.)
p
3
pp
arco
Ped.
mp
pp
3
p
B
G#
3
mp
mf
3
33
(a tempo)
(a tempo)
261 tratt.--------------------------------------------------
tratt.--------------------------------------------------
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
ch'el tuo no
me el- tuo sta
to- a me
tu
sco
pra- -
ac ciò- ch'io sap
pia- o
(Ped.)
p
mp
C#F#
p
35 5
p
265
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
vin
to o- vin ci- to
- re
- chi
la mia mor
te
-
o la vit to
- ria ho
- no
- - - - - - -
(Ped.)
C
3
BbF G
C#F# mp
55
3
3 5
3
34
269 string.---------------------------------------------------------
string.---------------------------------------------------------
20
20
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
In dar
no- chie
di- quel ch'ho
per u
- so di non
Ri
spo
- se- la fe ro
- ce
-
re
pp
(Ped.)
p
pp
ppp l.v.
3
(III) PSP
pp
p
gliss.
(II)PSP pp
p
pp
(I)
273
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
far
pa le
- se
-
ma chi un
que io- mi sia
tu in nan
- zi- ve
di- di quei duo
che la gran
pp
pp
(Ped.)
pp
(harmonic trill) trillo lento
(I)
ppp
(II)
(II)
p
pp
ppp
(IV)
(III)
(II)
(III)
3
35
277
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
tor
re ac- ce
- se-
Ar
se- di sde
- gno a quel par lar
- Tan cre
- di
-
E in mal pun
to il- di
-
pp
Ped.
(arco)
p l.v.
B
ppp
3
3
pp l.v.
pp ppp
p l.v.
pp
5
p
(I) 3
pp
p
(IV) (III) (IV)
(III) (IV) (III)
ppp
ppp
p
ppp
3
281
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
ce
sti
-
el tuo dir
el ta cer
- di par
m'al let
- ta
- Bar
ba- ro- di scor- te
- se al- la
- ven det
- ta
-
p
pp
(Ped.)
mp
pp
Change to
(5) Temple Blocks
3
p
pp
pp
5
5
3
p
ppp
(I) (II)(I) (II)
p
3
ppp
pizz.
p l.v.
36
21
21
Guerra
Guerra
285
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
Tor na- l'i
ra- nei co
ri e- li tra spor
- ta
- -
ffp
ff
ffp
5 5
ffp
SENZA SORD.
ff
ffp
5 5
ffp
ff
ffp
5 5
fast glissando between C' and G'(play very hard, so the strings strike against each other)
ff l.v.
gliss.
f l.v.
fff l.v.
gliss.
ffp
MSP
ff
ffp
5 5
ff
p
arco MSP
ff
ffp
5 5
288
22
22
h = q.
h = q.
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
ben chè- de
bo- li in- guer
ra a- fe
ra- pu
gna-
U' l'ar
te in- - -
fff
fff
f
mf
fff
ff ben ritmato e marcato
fff
ff ben ritmato e marcato
ff l.v.
ff l.v.
fff l.v.
gliss.
fff
ff
arco MSP
ff ben ritmato e marcato
fff
ff
f
arco MSP
fff
37
291
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
ban do ù- già la for
za è- - mor
ta- -
o ve in- ve
- ce- d'en tram
- bi il- fu ror-
ff
ff mf
ff
f
mf
ff
f
23
23
q. = h
q. = h
294
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
pu
gna
-
O che san gui
- gna e- - spa zi- o
- sa-
fff
flz.
p
ff
ff
fff p
ff
ffp
fffp
ff
ff mf
ff l.v.
f l.v.
fff l.v.
gliss.
fffp
ff
(sempre MSP)
pp leggero
ff
mf
fffp
ff pp leggero
(sempre MSP)
ff
mf
38
297
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
por ta- fa l'u
na e- l'al tra- spa
da o- vun
- que- giu
gna- nel ar
- - m'e nel le- car
ni
-
f
mf
mf
f
f
mf
f
mf
f
f l.v. f
300
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
e se la vi
ta- non e
sce
- sde gno- tien
la al- pet
to u- - - ni
- ta
- - - -
mf
f
mf
ffp
flz.
ff
mf
mf
f
f
flz.
ffp
ff
ff
CHANGE TO
Bass Drum
5 5 5 5
ff
ff
5 5 5 5
ff
5 5
5
39
24
24
h = 50
h = 50
303
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
ma
ecec
co hor-- mai
- l'ho
ra- fa tal
- è giun
ta
- - ch'el
f l.v.
D#G#
p.d.l.t.
mf secco possibile
sempre flessibile e misteriosomarcato da lontano
3
mf
3
3
f
ord.
f l.v.
f l.v.
mf sempre flessibile e misterioso,
marcato da lontano
pizz. SP
mf
3
f
mf sempre flessibile e misterioso,
marcato da lontano
pizz. SP
3 3
mf
3
f
mf
307
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
vi
ver- - - di Clo rin
- da al- suo
fin de
ve
- - spin
ge e- gli il- fer
- ro nel bel
f
p.d.l.t.
mf
mf
3
f l.v. f l.v.
ord.
mf
p.d.l.t.
mf
3 3
3
3
3
3 3
40
311
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
sen
di pun
ta- che vi s'im mer
- ge- e'l san
gue
- a vi- do
- be
ve
-
e la ve
ste- che
mp secco possibile
soft beater
BASS DRUM
3
mf l.v.
ord.
p.d.l.t.
mp
D
3
mp
3
3
3
3
3
3
mp
3
3 3
3
mp
arco ricochetcol legno
3
315
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
d'or
va
go- tra pun
- ta
- - - le mam mel
- le- stri nge a
- te
- ne re e
- lie
ve
-
3
3
mf l.v.
ord.
mp
p.d.l.t.
G
3
3
mf
mp
3 3
3
3
41
tratt. -----------------------------------------------------------------------------------------------
tratt. -----------------------------------------------------------------------------------------------
319a tempo
a tempo
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
l'em
pie- d'un cal
do- fiu
me
-
el
- la già sen
te- mo rir
- si
-
el
soft beater
p
3
G#
p
3
C
G
mp l.v.
ord.
p
p.d.l.t.
3
3
p
(p)
3
3
3
p
(p)
3
3
323
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
piè
le man
ca
- - -
e
gro- lan guen
-
te
- - - - - -
3
D#G#
mp l.v.
ord.
p.d.l.t.
p
3
3
3
3
3
42
327
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
se
gue e- gli- la vit to
- ria-
e la tra fit
- ta- Ver
gi- ne
- mi nac- cian
- do in- cal
- za e- pre
me-
3
D
G
mp l.v.
ord.
p.d.l.t.
3
pp
p
3
3
3pp
3
3
330
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
el
la
- - - - men
tre- ca de
- a
-
la
vo
ce af- - flit
- ta- mo
-
soft beater
pp
mp l.v.
ord.
BbF
3
3
3
p
p
arco ricochetcol legno
3
3
3
3
3
3
43
334
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
ven
do
- dis
se
- - - le pa ro
- le e- - stre
- me,
- - pa
ro
- le
-
pa
-
pp
soft beater
3
3
mp l.v.
ord.
C# B
pp
p.d.l.t.
3
3
3
pp
3
3
pp
3
3
338
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
ro
le- ch'a lei
no vo un- spir
to a
- di
- ta- -
spir
to- di fè
with hands (make a continious very soft sound by rubbing very softly over the skin)
G#
3
3
p l.v.
ord.
ppp
3
3
3
3
decrescendo al niente
3
44
342
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
di ca ri- tà
- di spe
me
-
vir
tù
- ch'or Dio
l'in fon
- de
-
e se ru bel
- la- in
pppp ppp pppp ppp
F# G
3
decrescendo al niente
3
pppp
3
decrescendo al niente
3
pppp
(almost gestures)
pppp (almost gestures)
3
(III)MSP, non col legno
ppp quasi rumore
347
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
vi
ta- fu
la vol in mor
te an- - cel
- la
- - - - -
Change to VIBR
F
pp l.v.
(III)MSP, non col legno
pppp quasi rumore, appena udibile
45
25
25
h = ca.40
h = ca.40
351
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
A
mi
- co
- -
hai
vin
to
- -
Io
ti
per
-
pp
mf
pp
ppp
flessibile
mf
flz.
soft flz.
pp
3
pp l.v.
f l.v.
f l.v.
Db C Bb
pp
(MSP)
PSP
f
ppp
MSP
PSP
f
MSP
ppp
pp
MSP PSP
f
pp
MSP PSP
f
MSP
pp
356
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
don
per
do
- na- tu an co
- ra
- -
al cor
po- no
che
nul
la-
flz.
f
p
soft flz.
pp
flz.
f
p
soft flz.
pp
mf
ppp
VIBR
senza ped.
ppp
mf
ppp
f l.v.
D C# f l.v.
mf l.v.
PSP
f
MSP
pp
PSP
f
MSP
pp
mf
PSP
MSP
ppp
PSP
f
MSP
pp
PSP
f
MSP
pp
mf
PSP
MSP
ppp
46
361
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
pa
ve
- -
al
l'al
- ma- si
Deh
per lei pre
ga
-
mp
ppp
mp
ppp
p
ppp
mp
ppp
p
mp
ppp
mp
ppp
p
ppp
mf l.v.
mf l.v.
mf l.v.
B
p l.v.
mp l.v.
mp l.v.
mp l.v.
p l.v.
ppp
mp
ppp
mp
ppp
ppp
mp
ppp
mp
ppp
366
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
e
do na- bat tes
- mo a- me
ch'o gni- mia col
pa- la
ve
- -
Change to BASS DRUM
ppp
pp
soft flz.
ppp
ppp
ppp
pp
ppp
pp
p l.v.
C
pp l.v.
pp l.v.
p l.v.
Db
pp l.v.
F
p
ppp
pp
ppp
gliss. gliss.
p
ppp
pp
ppp
gliss. gliss.
47
26
26
370
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
In que
ste- vo
ci- lan
gui- - de
-
ri suo
- na- un non
so che di fle
bi- - le e
- so
-
p
sempre flessibile
mp
ppp
ppp
p
ppp
3
pp possibile
5 3
CON SORD.
ppp possibile
3
pppp possibile
3
mp l.v.
profondo
soft beater
BASS DRUM
pp
with hands (make a continious very soft sound by rubbing very softly over the skin)
p pp
D Bb
mp l.v.
p l.v.
p l.v.
profondo
pp l.v.
mp l.v.
pp l.v.
mp l.v.
p l.v.
pp l.v.
p l.v.
ppp
PSP
(trillo calmo)
3
sempre flessibile
MSP
ppp
PSP
p
ppp
MSP
ppp
MSP
PSP
pp
MSP
ppp
3 3 3
374
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
a
ve- ch'al cor
gli scen
de- e o gni- sde
gno a- - mmor
- za
-
e gli
oc
chi- - - la gri-
ppp
ppp
pp
ppp
ppp
p
ppp
ppp
mp l.v.
profondo
soft beater
ppp
with hands (make a continious very soft sound by rubbing very softly over the skin)
p
sempre flessibile
ppp
pp
ppp
p l.v.
ppp pp
ppp
p l.v.
C#Eb G#
ppp
pp
ppp
F
3
3 33
pp
(III)
p
gliss.
ppp
MSP
pp
gliss.
p
SP
pp
MSP
gliss.
ppp
48
378 (poco più) (h=48)
(poco più) (h=48)
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
mar
l'in vo
- glia e
- sfor
za
- - - - -
po co- quin
di- lon tan
- nel sen
d'un
pp
ppp
pppp possibile
(intonated air)
pppp flessibile, quasi rumore
nervoso da lontano
ppp
5 6 5
SILENT BRASS MUTE al fine
pppp quasi rumore
soft flz.
pp
pppp leggero e flessibile
nervoso da lontano
Edge
with fingertips
5
ppp
pppp
p.d.l.t.
3 3
pp l.v.
pp l.v.
p l.v.
(IV)
pp
(III)
ppp
(II)
gliss.
PRACTISE MUTE al fine
pppp flessibile
nervoso da lontano
MST flaut.
3 6
PRACTISE MUTE al fine
pppp quasi rumore
MSTflaut.(II-I)
382
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
mon
te- sca tu- ria
- mor mo- ran
- do un- pic
ciol- - ri
vo
- e
gli- - - v'ac cor
- se- e
pppp
ppp
pppp
ppp
pppp
5 6 6 5
5 6 6 5 5
ppp
ppp
Center
pp
pppp
Edge
Center
pp
pppp
Edge
6 5 5 6 5 5 6
C B#G A#
p.d.l.t.
ppp
pppp
ppp
pppp
ppp
pppp
ppp
5 66
5 6 5 6
ppp
gliss.
(II)PSP
ppp
pppp
49
385 (h = 40)
(h = 40)
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
l'el
mo em- - - piè- nel fon
te-
e
tor
nò
- me
sto
- - al
gran
de uf- fi
- cio e- -
pp
flz.
pppp
(bisbigliando lento)
pp
6 3
pppp
Center
pp
mp l.v.
profundo
soft beater
Change to VIBRAPHONE
Ped.
arco
pp l.v.
5 6
pppp
mp l.v.
(al niente)
ord.(do notmute)
mf l.v.
E Fb
ppp
p.d.l.t.
pppp
ppp
SP non flaut.(IV)
(trillo lento)
pp
(III)
p
5
SP non flaut.(II) (trillo lento)
pp
(I)
389
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
pi
o
- - -
tre
mar
-
sen
ti
- la
man
men
tre- la
p
(trillo lento)
pp
pppppp
(trillo lento)
p
ppp
(Ped.)
pp l.v.
p l.v.
(arco) pp l.v.
ppp l.v.
p l.v.
Cb BG# A
p
p l.v.
profondo
ord.
p.d.l.t.
ppp
(trillo rapido)
pp
(II)
ppp
ppp
SP (possibile)
(trillo rapido)
p
p
pp
ppp
50
393 stringendo------------------------------------------------------------------------------------------------------------------
stringendo------------------------------------------------------------------------------------------------------------------
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
fron
te- non co
no- sciu- ta an- cor
- sciol
se
-
e sco pri
- o.- La vi
de- la vi
de-
e la co nob
- be-
pp
ppp
soft flz.
pp
flessibile
f
5 6
pp da lontano
flz.cadenza
(Ped.)
ppp l.v.
p l.v.
pp l.v.
p l.v.
p l.v.
Change to
BASS DRUM
pp (l.v.)
ord.p C
F#
mp
p
mp mf
mp
pp
pp
mf poss.
5
ppp
pp
mf poss.
3
G.P.
(Horn Silent Mute "Cadenza")
G.P.
(Horn Silent Mute "Cadenza")
397(h = 40)
(h = 40)
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
e
res
tò
- sen
za
- -
e
vo
ce
-
e
mo
to
-
ppp
(trillo calmo)
pp
ppp
p
ppp
3
ppp da lontano
flz.
cadenza
mp l.v.
profondo
soft beater
pp l.v.
ppp
(IV-III)
pp
ppp
ppp
pp
ppp
ppp
p
51
G.P.
(Horn Silent Mute "Cadenza")
G.P.
(Horn Silent Mute "Cadenza")
402
G.P.
(Horn Silent Mute "Cadenza")
G.P.
(Horn Silent Mute "Cadenza")
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
Ahi
" "f
vis
p
ta
-
ahi
" "f
co
p
no- scen
- za-
non mo ri-
p secco e marcato
T.pizz.
mp secco e marcato
T.pizz.
mp
3
3
pppp da molto lontano
soft flz.
3
pp l.v.
profondo
soft beater p l.v.
profondo
soft beater
with hands (make a continious very soft sound by rubbing very softly over the skin)
ppp
C#G
ppp l.v.
ppp l.v.
BbF
pp l.v.
(SP)(III-IV)
p
ppp
MST
ppp
p
mp
ppp
(SP)(II-I)
p
mp secco e marcato
407
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
già
che sue vir tu
- ti ac- col
- se- tut
te in- quel pun
to e- in guar
dia il- cor
le- mi
se;
- -
p secco e marcato
T.pizz.
ppp
flz.
p
pp ppp
pp l.v.
profondo
soft beater
pp
ppp
pizz.
p secco e marcato
pp quasi rumore
arco SP (poss.)(IV)
ppp
(trillo lento)
52
411
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
e pre men
- do il- suo af fan
- no- a dar
si- - vol
se
- - vi
ta- - con
T.Pizz.
pp
ppp
pp
3
ppp l.v.
profondo
soft beater
CHANGE TO
Vibraphone
p
arco SP (poss.)(II)
pizz.
pp secco e marcato
414
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
l'ac
qua- a chi col fer
ro uc
- ci
- se-
men
tre e- gli il- suon
de Sa
cre
- -
ppp
ppp
soft flz.
senza ped. (or very little pedals)
pppp sempre, almost gestures
molto flessibile
VIBRAPHONE
55 6
ppp
(I)arco SP (poss.)
ppp
53
418
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
det
ti
- - - - sciol
se,- - co lei- di gio
ia- - tras mu- tos
- si e- - ri
- se
pppp
5
6
5
5 6
5 6
E#
pppp
pppp
(III)
(IV)
pppp
422
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
e in
at
to- - - - di mo rir
- lie ta e- vi va
- ce
- dir
pa re
- a:
-
pppp
(no flz.)
pppp
6
CHANGE TO
Bass Drum
5
C B#
pppp
54
27
27
h = 50
h = 50
425
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
S'a
pre il
- - - - ciel
io
va
do
- - - - -
pppp l.v.
profondo
soft beater
BASS DRUM
pp leggero e flessibile
nervoso da lontano
with fingertips
with hands (make a continious very soft sound by rubbing very softly over the skin)
ppppp
5 9
429 morendo
morendo
Clo.
Tes.
Tan.
Fl.
Hn.
Perc.
Hp.
Vln.
Vc.
in
pa
ce
- - - - -
55
