Upload
lisa-lewin
View
223
Download
0
Embed Size (px)
Citation preview
8/4/2019 DWF Teaching Companion for History Courses
http://slidepdf.com/reader/full/dwf-teaching-companion-for-history-courses 1/10
A Guide toUsingDivided We Fall in History Classrooms
Thank you for downloading this
teaching companion for the
documentary film, Divided We
Fall . We are excited to offer you
this resource and hope that you
find it valuable and easy to use.
The activities in this lesson are
guidelines to inspire your
teaching; they may be applied
flexibly. Visit our website http://
www.dwf-film.com/ for more
lesson guides, multimedia, and
supplemental resources. If you
have any questions about this
guide, please contact Jodi Elliott
8/4/2019 DWF Teaching Companion for History Courses
http://slidepdf.com/reader/full/dwf-teaching-companion-for-history-courses 2/10
Intended AudienceThe activities in this guide are designed for college level History courses, but they may be also used in
undergraduate Sociology, Cultural Anthropology, and Communications classes, as well as high school history
and civics classes. Students should have general awareness of the events surrounding the September 11,
2001 attacks on the United States. They should also have a basic understanding of the way societyconstructs its history through stories.
Lesson ObjectivesUpon completion of the lesson, students will be able to:
• Recognize multiple perspectives in historical scholarship.
• Define dominant narrative (also known as grand narrative or master narrative ) and subordinate narrative
and apply these concepts.• Compare and contrast dominant narratives and subordinate narratives as they pertain to September 11th
• Evaluate and discuss new narratives, social memories, and the evolving history of September 11th.
Additionally, the lesson facilitates exploration of these questions: Who participates in creating, telling,
interpreting, and receiving narratives about the collective violence and trauma of September 11th? How do
the dominant and subordinate narratives of September 11th differ? How do people and institutions suppress
the narratives of some individuals and communities? What are the consequences of this?
Teaching Tips As you proceed through the lesson, make sure your students grasp the distinction between dominant
narratives (the most widely represented and pervasive historical records) and subordinate narratives (less
represented or silenced versions of history). If time is short, conduct Activities 1 and 2 in class, and assign
Activity 3 as homework.
8/4/2019 DWF Teaching Companion for History Courses
http://slidepdf.com/reader/full/dwf-teaching-companion-for-history-courses 3/10
3
Written by Irene Yeh and Marisa Jackson Hedges. Produced byMindgate Media
© 2011 New Moon Productions. All rights reserved
Activity 1
20MIN PERSPECTIVE & HISTORIOGRAPHY
1 Ask students to draw a timeline of their lives on a piece of paper.
The starting point should be birth and the ending point should be
the date students are completing this activity.
2 Tell students to fill in their timelines with 5 to 10 significant events in
their lives.
3 When the students are finished, ask them to share their events out
loud. You might choose to keep a list of events on the board. When
a student names something that multiple students have most likely
experienced (i.e. “graduated from high school”) survey the class to
see how many people included that event. For students who did not
include the event, ask why they didn’t. Was it because they didn’t
experience the event or because they didn’t think the event was
important enough to include in their personal history? Eventually
students will recognize that even if they share common experiences,not everyone sees or values these experiences in the same way. It’s
a matter of perspective.
4 Now that students have seen how personal perspectives influence
the way we remember or record events, ask them how history is
written. Who decides what is included? How might personal
perspective influence how history is recorded? What are some
examples in history where important events are quite different
depending on who is telling the story? (Examples might include
British imperialism in India, westward expansion in the United
States, slavery, etc.)
5 Ask students to turn to the part of their textbook that includes
September 11, 2001. If your students do not have access to
textbooks with a section on September 11th, ask students to find a
recorded history of the event and bring this research to class. Read
some of these histories aloud and discuss how the event was
depicted. Questions to ask students might include: Does this seem
like an accurate interpretation? Is this how you remember and/or
understand the events? What has been left out of this history? What
else might you include? What might someone else include? How
might histories written in other countries differ?
6 Show the film Divided We Fall .
8/4/2019 DWF Teaching Companion for History Courses
http://slidepdf.com/reader/full/dwf-teaching-companion-for-history-courses 4/10
Activity 2
30MIN DISCUSSION OF DOMINANT AND SUBORDINATE NARRATIVES
1 Give students a copy of Handout 1 or project it onto a screen for all
to see.
2 Break up the class into small groups (4 to 5 students) and havethem discuss the quote and the questions. After students have
finished discussing, bring the class back together and discuss the
questions as a group.
3 Ask students to think of examples from history that can be
interpreted through the differences between dominant and
subordinate narratives.
4
Written by Irene Yeh and Marisa Jackson Hedges. Produced byMindgate Media
© 2011 New Moon Productions. All rights reserved
8/4/2019 DWF Teaching Companion for History Courses
http://slidepdf.com/reader/full/dwf-teaching-companion-for-history-courses 5/10
Activity 3
60MIN REINFORCING THE CONCEPT OF DOMINANT & SUBORDINATE NARRATIVES
1 Ask students to record their memories of September 11, 2001. Have
them journal privately. Direct them by asking, What do you
remember about this day? (For younger students ask, What do you
know about this day?) Where did you get your information? Afterstudents have finished writing, tell students to save their responses
for later in the lesson.
2 Give Handout 2 (dominant narrative) to half of the class. This half
will be Group A. Give Handout 3 (subordinate narrative) to the other
half. This half will be Group B. Depending on your preference,
students can answer each question individually on paper, or
discuss answers collectively with the rest of their group.
3 Divide students into pairs, one from Group A and one from Group B.
Ask them to compare their answers to the questions they
considered. Give students a copy of Handout 4 (A ComparisonBetween Dominant and Subordinate Narrative) or project it onto a
screen for all to see. Use the questions on the handout to guide the
discussion.
4 Instruct students to take out their written reflections about
September 11th from earlier in class. Ask them to re-read their
responses while considering the dominant and subordinate
narratives of September 11th. Ask, In what ways did the dominant
and subordinate narratives of September 11th impact your own
perspective of that day? Follow-up questions might include, Has
your perspective on the history of September 11th changed?
5
Written by Irene Yeh and Marisa Jackson Hedges. Produced byMindgate Media
© 2011 New Moon Productions. All rights reserved
8/4/2019 DWF Teaching Companion for History Courses
http://slidepdf.com/reader/full/dwf-teaching-companion-for-history-courses 6/10
Optional Assignments
REINFORCING THE CONCEPT OF DOMINANT & SUBORDINATE NARRATIVES
1 Assign students to write a September 11th History Book for
younger children. What details would they include? How would they
illustrate the book?
2 Ask students to write their personal history of September 11, 2001.
6
Written by Irene Yeh and Marisa Jackson Hedges. Produced byMindgate Media
© 2011 New Moon Productions. All rights reserved
8/4/2019 DWF Teaching Companion for History Courses
http://slidepdf.com/reader/full/dwf-teaching-companion-for-history-courses 7/10
Handout 1THE HISTORY OF 9/11: TWO STORYLINES
In the film, Valarie referred to “two storylines of America.” She described the impacts of September 11th and
its aftermath on different communities in the United States:
The whole country came together as one. This was the great American story. But I was hearing a second story,
drowned out by the anthem of national unity. This story traveled by word of mouth, through emails and phone
calls. Americans were being beat up on city streets, Americans who looked like me, or my dad, or my
grandfather. Threatened, chased, stabbed. And then a Sikh man was shot and killed. It felt so close, as if an
uncle had been killed. How could both be the face of America, this unity, and this hatred?
a. What is the “second story” that Valarie refers to?
b. Why are there two stories?
c. Can both stories exist simultaneously? Is it possible for one story to be heard or prioritized over the other?
d. Who are the people and institutions telling each of these stories? Who are the stories about?
e. What other storylines about September 11th and its aftermath are less well represented, but important for
people to know? Describe them.
7
Written by Irene Yeh and Marisa Jackson Hedges. Produced byMindgate Media
© 2011 New Moon Productions. All rights reserved
8/4/2019 DWF Teaching Companion for History Courses
http://slidepdf.com/reader/full/dwf-teaching-companion-for-history-courses 8/10
Handout 2THE HISTORY OF 9/11: TWO STORYLINES
Group A Think about the dominant narrative on September 11th. What do most people, and the media,
generally say about the events and the aftermath of September 11th? Whose stories are central and valued in
this narrative? Refer to the film, other sources, and/or your own experiences to answer these questions:
a. What elements of this narrative are important and valuable to you, your community, to others, and to
society? How can we, as individuals and a society, recognize the suffering and the resilience of the victims,
survivors, and their families and friends?
b. Who are the individuals or institutions promoting this narrative? Who (what individuals, communities, and
social groups) is this narrative about?
c. What makes this the “dominant” narrative? How frequently do you learn about it, and how much
information is commonly shared and in what detail? How does this narrative, by virtue of being the most
widely represented one, affect members of different minority and majority communities?
d. What do you want people to remember about September 11th, its aftermath, and the people whose lives it
impacted?
8
Written by Irene Yeh and Marisa Jackson Hedges. Produced byMindgate Media
© 2011 New Moon Productions. All rights reserved
8/4/2019 DWF Teaching Companion for History Courses
http://slidepdf.com/reader/full/dwf-teaching-companion-for-history-courses 9/10
Handout 3THE HISTORY OF 9/11: TWO STORYLINES
Group B Think about Balbir Singh Sodhi’s story. What do we know about Balbir Singh’s murder and life story?
What do we generally know about the post-September 11th backlash and hate violence? Whose stories are
central and valued in this narrative? Refer to the film, other sources, and/or your own experiences to answerthese questions:
a. What elements of this narrative are important and valuable to you, to others, your community, and society?
How can we, as individuals and a society, recognize the suffering and the resilience of the victims,
survivors, and their families and friends?
b. Who are the individuals or institutions promoting this narrative? Who (what individuals, communities, and
social groups) is this narrative about?
c. What makes this the “subordinate” narrative? How frequently do you learn about it, and how much
information in this narrative is commonly shared and in what detail? How does this narrative, by virtue of
being a less represented one, affect members of different minority and majority communities?
d. What do you want people to remember about September 11th, its aftermath, and the people whose lives it
impacted?
9
Written by Irene Yeh and Marisa Jackson Hedges. Produced byMindgate Media
© 2011 New Moon Productions. All rights reserved
8/4/2019 DWF Teaching Companion for History Courses
http://slidepdf.com/reader/full/dwf-teaching-companion-for-history-courses 10/10
Handout 4 A COMPARISON BETWEEN DOMINANT AND SUBORDINATE NARRATIVE
a. In each narrative, what information was the most accessible and common? What types of sources provided
most of the information that you used? Why do you think some types of information or sources were more
common than others?
b. What are the similarities and differences between these two narratives?
c. What are the common underlying themes in both narratives?
d. How are the people who have been impacted by September 11th and its aftermath from the two narratives
—their communities, their experiences, and their positions in society—particular and different?
e. In what ways can people interpret these narratives as conflicting or opposing? What is the relationship
between the two overarching narratives about September 11th? Are there ways that both narratives inform
and complement the other?
f. What other narratives do you think are important to understanding the events and aftermath of September
11th, and how they shape the ways we can build a just and safe future society?
10
Written by Irene Yeh and Marisa Jackson Hedges. Produced byMindgate Media
© 2011 New Moon Productions. All rights reserved