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Digital Integrated Unit Design Title of Unit Exploring Identity Grade Level High School Accomplished Curriculum Area Art Time Frame 3 Weeks Developed By Ning Zhan (Jenny) National Visual Arts Standards Creating (Anchor Standard 1, 2 and 3) Presenting (Anchor Standard 5) Responding (Anchor Standard 7) Connecting (Standard 11) ISTE Standards Standard 1: Empowered Learner (a, b, and c) Standard 2: Digital Citizen (a, b) Standard 3: Knowledge Constructor (a, d) Standard 6: Creative Communication (a, d) Standard 7: Global Collaborator (a, b, c and d) Rationale and Goal for this Unit: “Living in a world where everybody wears masks due to lack of self-identity, a brave girl encounters the truth that sets her free”. I was impressed by a filmmaker named Kalhil KJ Adames how he employs strong visuals to convey his message clearly. High school is the most important time for students to construct their identity, to be aware of themselves in different lenses. Identities are swapped, sculpted, swept aside and adopted, while art making can be a wonderful opportunity for young students to explore themselves while developing a feel and appreciation for the art world. Additionally, high school students should be aware of how digital technology influence on humans’ life, even affecting their own identity. Moreover, students should notice the physical trauma that “amplifies the psychological shock generated by ever-faster cycles of technological invention, development, and obsolescence (Paul, p. 170)”. This unit is designed to introduce the world of identity and the world of art (traditional and digital forms) as one, and it opens with a unit exploring personal identity hand in hand with storyboard and animation (drawing as well). With the advent of globalization and multiculturalism, many countries and regions focus attention on multicultural and intercultural education in order to address students’ cultural differences and promote their cultural and global awareness. (Larkou, 2014). Moreover, students can get benefit from the knowledge, perspectives and frames of reference by studying and experiencing other cultures and groups. (Manifold, M. C., Willis, S. and Zimmerman, E. 2014). Therefore, this course finishes with the collaboration and communication with Chinese students in many ways. For instance, American students and Chinese students will make animation about their identities, and they will comment on each other’s work and share their thoughts, suggestions and opinion via internet. Hopefully, students could promote self-awareness and cultural, global awareness through this unit. Certainly, the goal is to present opportunities for positive social and individual growth, meanwhile, to nurture artistic growth and exploration. Finally, it is to encourage the development of a personal voice. Enduring Big Idea: Identity The communication Theory of Identity identifies four aspects of identity: personal, relational, enacted, and communal layers. The personal layer of identity is an individual’s self-concepts, which reflects the traditional conceptualization of identity. (Hecht, 1993) Self-concept is “a collection of beliefs about oneself that includes elements such as academic performance gender identity, sexual identity, and racial identity. Generally, self-concept embodies the answer to ‘Who am I?’” Essential Questions Knowledge Base and Key Concepts

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Page 1: Digital Integrated Unit Design

DigitalIntegratedUnitDesign

TitleofUnit ExploringIdentity GradeLevel HighSchoolAccomplishedCurriculumArea Art TimeFrame 3WeeksDevelopedBy NingZhan(Jenny)

NationalVisualArtsStandardsCreating(AnchorStandard1,2and3)Presenting(AnchorStandard5)Responding(AnchorStandard7)Connecting(Standard11)

ISTEStandardsStandard1:EmpoweredLearner(a,b,andc)Standard2:DigitalCitizen(a,b)Standard3:KnowledgeConstructor(a,d)Standard6:CreativeCommunication(a,d)Standard7:GlobalCollaborator(a,b,candd)

RationaleandGoalforthisUnit:“Livinginaworldwhereeverybodywearsmasksduetolackofself-identity,abravegirlencountersthetruththatsetsherfree”.IwasimpressedbyafilmmakernamedKalhilKJAdameshowheemploysstrongvisualstoconveyhismessageclearly.Highschoolisthemostimportanttimeforstudentstoconstructtheiridentity,tobeawareofthemselvesindifferentlenses.Identitiesareswapped,sculpted,sweptasideandadopted,whileartmakingcanbeawonderfulopportunityforyoungstudentstoexplorethemselveswhiledevelopingafeelandappreciationfortheartworld.Additionally,highschoolstudentsshouldbeawareofhowdigitaltechnologyinfluenceonhumans’life,evenaffectingtheirownidentity.Moreover,studentsshouldnoticethephysicaltraumathat“amplifiesthepsychologicalshockgeneratedbyever-fastercyclesoftechnologicalinvention,development,andobsolescence(Paul,p.170)”.Thisunitisdesignedtointroducetheworldofidentityandtheworldofart(traditionaland digital forms) as one, and it openswith a unit exploring personal identity hand in handwith storyboard and animation (drawing aswell).With the advent ofglobalization andmulticulturalism, many countries and regions focus attention onmulticultural and intercultural education in order to address students’ culturaldifferences and promote their cultural and global awareness. (Larkou, 2014).Moreover, students can get benefit from the knowledge, perspectives and frames ofreference by studying and experiencing other cultures and groups. (Manifold,M. C.,Willis, S. and Zimmerman, E. 2014). Therefore, this course finishes with thecollaborationandcommunicationwithChinesestudentsinmanyways.Forinstance,AmericanstudentsandChinesestudentswillmakeanimationabouttheiridentities,andtheywill commentoneachother’sworkandshare their thoughts, suggestionsandopinionvia internet.Hopefully, studentscouldpromoteself-awarenessandcultural,globalawarenessthroughthisunit.Certainly,thegoalistopresentopportunitiesforpositivesocialandindividualgrowth,meanwhile,tonurtureartisticgrowthandexploration.Finally,itistoencouragethedevelopmentofapersonalvoice.

EnduringBigIdea:IdentityThecommunicationTheoryofIdentityidentifiesfouraspectsofidentity:personal,relational,enacted,andcommunallayers.Thepersonallayerofidentityisanindividual’sself-concepts,whichreflectsthetraditionalconceptualizationofidentity.(Hecht,1993)Self-conceptis“acollectionofbeliefsaboutoneselfthatincludeselementssuchasacademicperformancegenderidentity,sexualidentity,andracialidentity.Generally,self-conceptembodiestheanswerto‘WhoamI?’”

EssentialQuestions KnowledgeBaseandKeyConcepts

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1. WhoamI?Whatismyidentity?2. WhatdoesIDENTITYmeantoyou?3. Howdoartistsrepresentthemselves?4. Whatmaterialsandmethodsdoartistsimplement?5. Whatfactorsshapeorinfluenceyouridentity?(Doestechnologyhave

influencedonyouridentity,suchasFacebook?)6. Canyouidentifythedifferencesbetweenidentityinrealityandcyberspace?7. Howcanyoudevelopyouridentityandself-awareness?(Doyouthink

technologydevelopandextendyouridentityandself-awareness?)8. Howdoestechnologyempoweryourpersonalvoice?9. Howcanwefosteroursocialandculturalidentities?

1. Artmakingcanbeameansforexploringidentityandself-awareness.2. Artistsexploreidentitieswithdifferentmethods(traditionalanddigital)to

createdynamicworksofart.3. Anartist’srace,gender,nationality,activities(e.g.,sportsormusic),

religion,socio-economicstatus,culture,keylifeexperiencescaninfluencehis/herworkandprocess.

4. Exploringyouridentityandculturewillbuildconfidence.5. Technology(newmedia)haseffectonyouridentity.6. Personalidentitycanbereawakenedthroughnewmedia,andyour

personalvoicecanbeempoweredvianewmedia.

Objectives PriorKnowledgeStudentswill:o Identifyfacetsoftheirpersonalidentities;o Contemplateonhowartistsdepictstheiridentitiesviatraditionalformsand

digitalforms;o Observeandanalyzehowrace,religion,family,technologyandotherfactors

influencetheidentityofartists,highschoolstudents;o BrainstormtheiridentityandcreateamindmapviaPopplet;o CreateaDropboxaccount;o Createstoryboardsandnarrativesabouttheirstories;o CreateanimationvideosviaAnimationCreatorHDanduploadtoDropbox;o CollaboratewithChinesestudentswhoaretakingthiscourseaswellinChinain

manyways.BothAmericanstudentsandChinesestudentswilluploadtheiranimationstoDropboxandgetfeedbackfromeachother.TheywillbuildupgoodfriendshipwithChinesestudentsandgettoknowChina,Chinesepeople,viseverse;

o Promotetheirculturalandglobalawareness.

Forthisunit,itisimportantforstudentstoknowhowtouseadesktoporiPadpriortotakethiscourse.Itisbetterthattheyhaveexperiencedsocialmediasandsometechnology.Inthisunit,wearegoingtoexploreidentity,sobasically,studentsarebettertobeawareofthemselvesindifferentscopes,includinginclass,school,home,community,city,andevenbigger.

LessonVignettesLesson1:IntroductiontoIdentityDay1 o Demonstratethesignificanceofidentity;

o Asawarm-up,askstudentstorespondforafewminutesinwritingtothequestion“WhoamI?”;o Explainthattheclasswillexamineissuesrelatedtoidentityingreaterdepthbywatchingsomevideos;o WatchTEDTalk:WhoamI?Aphilosophicalinquiry

https://www.youtube.com/watch?v=UHwVyplU3Pg&version=3o WatchRandomTV:WhoamI?

https://www.youtube.com/watch?v=Q93iL-HSiNc&version=3o WatchTheSchoolofLife:WhoamI?

https://www.youtube.com/watch?v=oocunV4JX4w&version=3

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o Teacherleadsstudentstodefineanddiscussidentityinthelensesofpersonal,social,corporate,emotional,physical,national,andfake.

Lesson2:HowArtistsExploreIdentityDay2Artistsexploreidentitywithtraditionalforms

o WatchVideo:Howartistsexploreidentity|ModernArt&Ideashttps://www.youtube.com/watch?v=NICodKeadp0o HavestudentsVTSartworksbyFridaKahlowhowasaMexicanpainter.Shemostlypaintedself-portraitsandwasinspiredbyMexicanpopularculture,andsheemployedanaïvefolkartstyletoexplorequestionsofidentity,postcolonialism,gender,class,andraceinMexicansociety.Shesaid,“I

paintself-portraitsbecauseIamsooftenalone,becauseIamthepersonIknowbest.”o StudentwillalsoviewanddiscussartworksbyAndyWarhol whowasanAmericanartist,directorandproducer.Hewasaleadingfigureinthe visualartmovementknownaspopart.Hisworksexploretherelationship between

artisticexpression,celebrityculture,andadvertisingthatflourishedbythe1960s,and spanavarietyofmedia,includingpainting,silkscreening,photography,film,andsculpture.

Day3Artistsexploreidentitywithdigitalforms

o WatchVideo:IdentitySHORTFILM(AwardWinningInspirationalShort)https://www.youtube.com/watch?v=ikGVWEvUzNMo HavestudentsVTSthisshortfilmbyKalhilKJAdameswhoisafilmmakerandfearlesstruth-seeker,depictsafictionalworldinwhicheveryonewearsmasksastheresultofalackofself-identity.Themaincharacterisahighschoolgirlwhostartsoutvaguelyawareofhowproblematicthismaskedstandardis,butasthefilmprogresses,sheclearlydevelopsastrongerandstrongersenseofindividual

identitythatcauseshertoquestioneverythingaroundher.TheuseofmasksinIdentitystandsasastrongmetaphorforthewaypeoplelearntohidebehindfacadesandaltertheiridentitiestogainacceptancefrompeers-aphenomenonofhumannaturethatisespeciallypresentduringtheyoungeryearsspentinschool.AdamescreatedIdentityspecificallyasamessagetotheyouthoftheworldwhoareinschool;hewantedthisfilmtobeareminderthatsocietydoesnotdefineanindividual,butratheranindividualdefineshimselforherselfbydiscoveringinternaltruth.

o WatchVideo:IdentityandRepresentationhttps://www.youtube.com/watch?v=i4tWZ87AGxs,createdbyTanyaBlaeserwhoisJuniorAnimatorandVideoEditorbasedinJohannesburg,SouthAfrica.Thisvideoisaself-reflectiveexperimentalvideoexploringTanyaBlaeser’sidentity(specificallygenderidentity)duetohercolonialbackgroundandfamilyhistory.Italsoexploresideasofrepresentationbyfilmingandeditingtypically"mundane"tasksorchoresasonewouldrepresentabattle,afightoranadventure.

o Havestudentsdiscusshowsounds,differentshotsizeshaveeffectonLesson3:YourStoryaboutYourIdentityDay4Brainstormyouridentityandmakeamindmap

o Handoutthebrainstormsheet(appendix1)andhavestudentscontemplateoneachquestionsandwriteitdown; o Askvolunteerstosharewhattheyhavewritten.Pointoutthefactorsoftheiridentitiesthatseemtohaveplayedakeyroleinshaping

howtheyseethemselves,suchasrace,gender,nationality,activities(e.g.,sportsormusic),religion,socio-economicstatus,culture,keylifeexperiencesandsoforth;

o TeachstudentshowtousePopplet(https://popplet.com/);o Havestudentscreatemindmapsabouttheiridentities;o Havestudentsrespondtosomequestionsrelatedtotheirmindmaps(appendix2);

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Day5Storyboard o Introductiontotheprojectthatwearegoingtomake;o HavestudentswatchtheArtAssignmenthttps://www.youtube.com/watch?v=RXPqk6Lg9W4&feature=youtu.be;o Handoutthestoryboardsheetandteachstudentswhatthefunctionofstoryboardisandhowtousethat;o Havestudentsmaketheirstoryboards;

Day6–9Animation o Havestudentswatchthetutorial:HowtoMakeanAnimationbyUsingAnimationCreatorHD https://www.youtube.com/watch?v=SmwANDLq0fY&t=7s;

o Studentsstartmakingtheiranimationsbasedontheirstoryboards;Lesson4:CollaborationwithChineseStudentsinChinaDay10DropboxandFeedback

o TeachstudentshowtouseDropbox;o HavestudentsuploadtheiranimationstoClassroomDropboxaccount;o HavestudentssignupaDropboxaccountindividually;(Teacherneedstosharethefolderwithallstudentsbysendingtheinvitation,

whichisalink.Oncestudentsclickedonthelink,theyareautomaticallyaddedinthisfolder,whichmeanstheyareeditorsofthisfolder,andtheycandelete,shareandcommentoneachdocument.DocumentsonDropboxareprivateandtheyarenotpublictoeveryone,onlycanpeoplewhohavethelinkopenit);

o Havestudentswatcheverystudent’sanimationandleavetheirfeedbackonDropbox;Day11Feedback o Havestudentswatcheverystudent’sanimationandleavetheirfeedbackonDropbox;Day12CollaborationandcommunicationwithChinesestudentsinChina

o WatchsomeofChinesestudents’animation,andhavestudentsVTSthosevideos;o HavestudentscommentoneveryChinesestudents’videos,theycansharetheir“wows”,“whatif”andsoon;o ReadChinesestudents’commentsonDropboxandreplytothem;

Day13Summativereflection

o HavestudentsreflectonwhattheyhavelearnedfromthisprocessofmakingartworksandthecollaborativeandcommunicationwithChinesestudents;

o Havestudentswritedownareflection;

AssessmentStrategiesFormative Summative

o Participationo MindMapo Storyboardwithnarrativeso PeerResponseo Self-assessment

o Animationvideoo Writingreflection

Resources:Hecht,M.L.(1993).2002—aresearchodyssey:Towardthedevelopmentofacommunicationtheoryofidentity.CommunicationsMonographs,60(1),76-82.Larkou,F.(2014).UsingArtifactstoPromoteCulturalAwarenessinCyprusPrimarySchools.InManifold,M.C.,Willis,S.andZimmerman,E.(2014).CulturallySensitiveArtEducationinaGlobalWorld(pp.23-39).Alexandria,VA:NationalArtEducationAssociation.Manifold,M.C.,Willis,S.andZimmerman,E.(2014).CulturallySensitiveArtEducationinaGlobalWorld.Alexandria,VA:NationalArtEducationAssociation.Paul,C.(2015).DigitalArt(worldofart)Thirdedition.DigitalTools:http://www.dropbox.comhttp://www.popplet.com

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http://www.youtube.comAppendix1

Appendix2