Upload
isabella-watts
View
229
Download
1
Tags:
Embed Size (px)
Citation preview
Creating a portrait with words . . .
From Reading to Writing Mary Oliver
captures the nature of a person in her poem
“The Journey.” In the story “Powder,” Tobias
Wolff draws a more leisurely portrait of a man “in
his forty-eighth year, rumpled, kind, bankrupt of
honor, flushed with certainty.”
CharacterSketch
Creating a portrait with words . . .A good character sketch captures the
personality and appearance of a person and can
be part of almost any writing genre, from poetry
to fictional narratives to biography to news
stories.
CharacterSketch
B a s i c s i n a B o x
Character Sketch at a Glance
RUBRIC Standards for Writing
A successful character sketch should• present a vivid picture of the
personality and physical appearance of a person
• establish a dominant, or main, impression of the person
• reveal the writer’s response to the person
• include dialogue, mannerisms, description, and other devices that show rather than tell what the character is like
• place the character in a context that contributes to the reader’s understanding of the character
• have a clear organizational structure and a strong conclusion
physical description
person’s action and
speech
mannerisms of person
writer’s feelings about
the person
other people’s reactions to the person
surroundings
MAIN IMPRESSION OF SUBJECT
MAIN IMPRESSION OF SUBJECT
Writing Your Character Sketch
A writer must learn to deepen characters, trim writing, intensify scenes.
Richard North Patterson
A writer must learn to deepen characters, trim writing, intensify scenes.
Richard North Patterson
1 Prewriting
You can choose someone you know well.
You might consider an interesting relative, a special teacher, or a remarkable friend.
You can also write about someone you have only casually observed but whose actions are unusual or revealing.
Whom do you want to write about?
Writing Your Character Sketch1 Prewriting
Planning Your Character Sketch
1. Explore your feelings. How do you feel about the person? What tone will you use to convey your feelings—detached, admiring, humorous, serious?
2. Create mental images of the person. Mentally replay scenes in which your character speaks, moves, and interacts with others. Which details stand out?
Planning Your Character Sketch
3. Place your character in a setting. Describe the person in a time and place that will reveal his or her personality. Which setting will best show how your character interacts with others? Which setting will reveal your character’s inner self?
4. Create a dominant impression. What is the main impression you want to give? What descriptions and incidents involving the character will best create this impression?
Writing Your Character Sketch2 Drafting
The best part of writing a character sketch is
that you can start anywhere. Just begin
drafting and let the person emerge as you
write. You can rework the details when you
revise and edit.
Writing Your Character Sketch2 Drafting
Show rather than tell.
Good character sketches let readers draw
conclusions. Use anecdotes, dialogue, or
any other device that will show rather than
tell what your character is like.
Writing Your Character Sketch2 Drafting
Grab attention early but save the best for last.
Draw in your audience by starting with an
interest tickler—a funny incident or a
bizarre detail about your character’s
appearance. As you develop your
character, save your best for last.
Writing Your Character Sketch3 RevisingTARGET SKILL
WORD CHOICE
In a character sketch, carefully chosen words
add clarity and vigor to description. Specific
verbs can bring the action to life. Specific
modifiers can paint vivid pictures of how
things look, smell, sound, taste, and feel.
Writing Your Character Sketch4 Editing and ProofreadingTARGET SKILL
PERSONAL PRONOUNS
Pronouns help present ideas clearly and help
prevent unnecessary repetition. Make sure
your pronouns agree with their antecedents in
number (singular or plural) and gender
(masculine, feminine, or neuter) and are the
right case (nominative, objective, or
possessive).