ALESIS Manual

7/24/2019 ALESIS Manual

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ALESIS

SR-16

Reference Manual


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TABLE OF CONTENTS

CHAPTER 1: INTRODUCTION ........................................................1

1.1 ELCOME TO THE SR-16 DRUM MACHINE!................................................................1 1.1A If "#u $u%& Can'& a(&).............................................................................. .....1 1.1B SR-16 *u(c+ De%cr(,&(#n.............................................................. ..................1 1.1C A#u& &(% Manual..........................................................................................1 1.1D Re&urn "#ur arran&/ Car0 N#!.....................................................................2

1.2 3ROUND RULES.........................................................................................................2 1.2A Te Pa&&ern4S#n5 Rec#r0(n5 Me.............................................................2 1.2B Te F#ur D(fferen& T/,e% #f Pa&&ern%............................................................... 1.2C H# 7L##,(n57 S(8,l(f(e% Rec#r0(n5........................................................... ....9 1.2D a&'% a #(ce;..............................................................................................9

1.2E A#u& Defaul&%...............................................................................................9 1.2F P/%(cal La/#u&..............................................................................................< 1.23 D(%,la/ La/#u&...............................................................................................6 1.2H Te=& Pr#c#l%...............................................................................................61. IMPORTANT

HO TO COMMUNICATE ITH THE SR-16.............................................................> 1.A En&er(n5 Nu8er%..........................................................................................> 1.B Te Cur%#r..................................................................... ...............................> 1.C Lea0(n5 ?er#e%.............................................................................................> 1.D Aua&(c Re@er&...........................................................................................> 1.E Te INC4DEC Bu&n%....................................................................................>

1.F Bu&n% &a& T#55le........................................................................................1.9 1 STEPS TO INSTANT 3RATIFICATION SETUP AND CHECOUT.............................

CHAPTER 2: RECORD SETUP ......................................................1

PA3E 1: SELECT THE *UANTI?ATION ALUE *UANTI?E SELECT.............. ............ .1 PA3E 2: SELECT THE SIN3 ALUE SIN3 SELECT..............................................11 PA3E : ENABLE CLIC METRONOME AND SET RH"THM CLIC SELECT.............12 PA3E 9: SET CLIC METRONOME OLUME CLIC OL.........................................12 PA3E :ADD4REMOE BEATS FROM PATTERN BE3INNIN3 START 19

2.12.22.2.92.


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.1$ Selec& Ne Pa&&ern% an0 F(ll% (le (n C#8,#%e Rec#r0 M#0e........................22 .1 U%(n5 F(ll Crea&e Re,e&(&(@e Dru8 H(&%..........................................................2.2 ERASE FUNCTIONS....................................................................................................29

.2A Era%e M(%&a+e% (le Rec#r0(n5............................................................ .........29 .2B Era%e an En&(re Pa&&ern...................................................................................29.2C Era%e All E@en&% Pla/e0 / a Par&(cular Dru8 Pa0.........................................................29. COP" FUNCTIONS......................................................................................................2< .A C#,/ A,,en0 an0 D#ule Pa&&ern%...............................................................2< .B C#,/ Mer5e One Dru8 Pa0'% Par& An#&er Dru8 Pa0 S#un0S&ac+(n5....2< .C C#,/ a S(n5le Dru8 Pa0'% Par& a Dru8 Pa0 (n a D(fferen& Pa&&ern....................26 .D C#,/ a Pa&&ern An#&er SR-16 (a MIDI........................................................26 .E C#,/ a S(n5le Dru8 Pa0'% Par& a Dru8 Pa0 (n An#&er SR-16 (a MIDI............2> .F C#,/ a Dru8 Se& An#&er SR-16 (a MIDI.....................................................2>

CHAPTER 9: CREATIN3 DRUM SETS............................................2

9.19.29.9.99.

9.9.G

PA3E 1: SELECT DRUM SET DRUMSET SELECT......................................................2PA3E 2: ASSI3N SOUNDS TO PADS...........................................................................2GPA3E : SET PAD OLUME OLUME.......................................................................2GPA3E 9: SET PAD STEREO POSITION PANNIN3.......................................................PA3E : CHOOSE OUTPUT $ACS OUTPUT.............................................................2

PA3E : SAE DRUM SET SAE SET.......................................................................PA3E G: MANUAL DRUM SET OERRIDE SET MODE................................................9

CHAPTER


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6.

6.6.G

PA3E : MER3E MIDI IN ITH MIDI OUT MIDITHRU......................................................9: BACUP....................................................................9

>.1 BACUP BASICS........................................................................................................9>.2 TAPE INTERFACE HOOUP.............................................................. ..........................9G

>. PA3E 1: SEND DATA AS MIDI TO A MIDI S"S EJ STORA3E DEICESEND OUT MIDI;..............................................................................................................9G>.9 RECEIE DATA DIRECTL" FROM ANOTHER MIDI DEICE............................................< PA3E 2: SAE ALL MEMOR" CONTENTS TO TAPE STORE TO TAPE;......................6 PA3E : ERIF" DATA RECORDED ON TAPE ERIF" TAPE;.....................................> PA3E 9: LOAD DATA FROM TAPE LOAD IN TAPE;..................................................... PA3E : CHEC AAILABLE MEMOR" FREE MEM..................................................11 CLEAR MEMOR"4RE-INITIALI?E PARAMETERS.........................................................12 CHEC SOFTARE ERSION.............................................................. ....................


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CHAPTER 1: INTRODUCTION

1.1 ELCOME TO THE SR-16 DRUM MACHINE!

1.1A If "#u $u%& Can'& a(&)

Turn %ec&(#n 1.9 1 S&e,% In%&an& 3ra&(f(ca&(#n an0 %&ar& 8a+(n5 %#un0%. S#8e #f &e&er8% (n &a& %ec&(#n 8a/ n#& 8a+e %en%e u& u%& f#ll# &e (n%&ruc&(#n% an0 5e& rea0/ ear %#8e 5rea& 5r##@e% an0 a@e a 5##0 &(8e. en /#u're rea0/ learn 8#re re&urn

&e e5(nn(n5 learn SR-16 a%(c%.

Te 5#al #f &e SR-16'% 0e%(5n &ea8 a% een crea&e a 8u%(cal (n%&ru8en& n#& a c#8,u&er&a& a,,en% 8a+e %#un0%. Te/ &an+ /#u f#r /#ur c#nf(0ence (n &(% ,r#0uc& an0 #,e&a& /#u f(n0 &e SR-16 a rear0(n5 #l f#r %elf-e=,re%%(#n &a& %&(8ula&e% /#ur crea&(@(&/ an0&(c+le% /#ur fanc/.

1.1B SR-16 *u(c+ De%cr(,&(#n

Te SR-16 (nclu0e% #@er 2 (5-f(0el(&/ 0ru84,ercu%%(#n %#un0% an0 (% ea%/ #,era&e.A% /#u &a, &e 12 0ru8 ,a0% eac #f (c can e a%%(5ne0 an/ #f &e a@a(lale %#un0%&e SR-16'% #n-#ar0 c#8,u&er rec#r0% e=ac&l/ en /#u &r(55ere0 &e 0ru8 %#un0 an0 &e0/na8(c% #f /#ur ,la/(n5. "#u can ,la/ ac+ &e ,ar& an0 e0(& (& (n @ar(#u% a/%.

Da&a (% re&a(ne0 (n 8e8#r/ e@en (f &e ,#er (% &urne0 #ff. If &e 8e8#r/ f(ll% u, (& 0ru8

Pa&&ern% an0 S#n5% &(% 0a&a can e %a@e0 ,er8anen&l/ %&an0ar0 ca%%e&&e% #r MIDIS/%&e8 E=clu%(@e %ra5e 0e@(ce%.

Te SR-16 al%# (nclu0e% a l(rar/ #f ,re%e& r/&8 Pa&&ern% ,re,are0 / ,r#fe%%(#nal


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. A,,l(ca&(#n%: T(% a00(&(#nal (nf#r8a&(#n (ll el, /#u 5e& &e 8#%& #u& #f &e SR-16.G. MIDI Su,,le8en&: T(% r(ef en&r/-le@el e=,lana&(#n #f MIDI e=,la(n% &e a%(c &e#r/e(n0 &e MIDI ,r#c#l.

Feel free c#@er ,(c% (n a 0(fferen& #r0er. F#r e=a8,le (f crea&(n5 a ac+e0-#u& Dru8 Se&(% (8,#r&an& /#u rea0 &e Dru8 Se& %ec&(#n ef#re /#u %&ar& rec#r0(n5. If /#u c#8e u, (&a 5rea& &une %+(, aea0 &e Bac+u, %ec&(#n %# &a& /#u 0#n'& acc(0en&all/ era%e &e &une #r#&er(%e l#%e (&. If /#u #nl/ an& u%e &e SR-16 a% a MIDI e=,an0er 8#0ule &en &e MIDISe&u, %ec&(#n 8(5& e a ,r(#r(&/.

E=,er&% a% ell a% e5(nner% %#ul0 rea0 &e f#ll#(n5 75r#un0 rule%7 0ef(n(&(#n% c#nce,&%an0 # c#88un(ca&e (& &e SR-16 @er/ carefull/. Te SR-16 (% ea%/ u%e u& #nl/ (f

/#u rea0 an0 un0er%&an0 &e%e a%(c ,r(nc(,le%.

Cer&a(n %uec&% %uc a% uan&(Ka&(#n an0 #u&,u& a%%(5n8en&% (ll e fa8(l(ar e=,er(ence0 0ru8 8ac(ne u%er% u& ne c#nce,&% #&er%. A% a re%ul& %#8e %ec&(#n%c#n&a(n ac+5r#un0 8a&er(al &a(l#re0 %,ec(f(call/ f#r e5(nner%. Te%e %ec&(#n% are (0en&(f(e0a% 7ac+5r#un07 an0 %e& (n a %8aller &/,e %(Ke.

1.1D Re&urn "#ur arran&/ Car0 N#!

"#ur arran&/ (ll e (n effec& an0 /#u (ll rece(@e ,r#0uc& u,0a&e (nf#r8a&(#n #nl/ (f /#u%en0 (n /#ur arran&/ car0. See &e ac+ ,a5e #f &e 8anual f#r full arran&/ (nf#r8a&(#n.

1.2 3ROUND RULES

Te SR-16 0ru8 8ac(ne c#n%(%&% #f 8a(n ele8en&%:

Te 0ru8 %#un0% &e8%el@e% rec#r0e0 u%(n516-(& re%#lu&(#n &e %a8e re%#lu&(#n a%CD%. F#r a00(&(#nal real(%8 8an/ %#un0% u%e a0@ance0 70/na8(c ar&(cula&(#n7 &ecn(ue%

Af&er ,erfec&(n5 &e%e Pa&&ern% S#n5 8#0e #ffer% a/% crea&e a %#n5:

Pr#5ra8 a l(%& #f Pa&&ern% (n &e #r0er (n (c &e/ are e ,la/e0. Selec& Pa&&ern% (n real &(8e an0 &e SR-16 (ll re8e8er /#ur ,erf#r8ance.

Te SR-16 %re% u, 1 U%er-,r#5ra88ale S#n5%.

Brea+(n5 a %#n5 (n Pa&&ern% %a@e% &(8e %(nce ele8en&% #f a %#n5 #f&en re,ea&. E=a8,le:Te %ec#n0 @er%e 8(5& a@e &e %a8e 0ru8 ,a&&ern a% &e f(r%& @er%e. Ra&er &an rec#r0 &e%a8e Pa&&ern &(ce %(8,l/ rec#r0 #ne Pa&&ern &en l(%& (& &(ce en a%%e8l(n5 a S#n5.T(% al%# %a@e% 8e8#r/ &u% lea@(n5 r##8 f#r 8#re Pa&&ern% an0 S#n5% %(nce l(%&(n5 aS#n5 %&e, &a+e% u, 8uc le%% 8e8#r/ &an rec#r0(n5 a Pa&&ern.

1.2B Te F#ur D(fferen& T/,e% #f Pa&&ern%

Te SR-16 (n&r#0uce% e=c(&(n5 ne S#n5 c#n%&ruc&(#n &ecn(ue%. Te SR-16 e=cel% a& l(@e,erf#r8ance%#8e&(n5 u%uall/ n#& a%%#c(a&e0 (& 0ru8 8ac(ne%. Te +e/ u%(n5 &e%ea0@ance0 fea&ure% (% un0er%&an0(n5 &e 0(fferen& &/,e% #f a@a(lale Pa&&ern%.

Pre%e& Pa&&ern% ,r#@(0e a @ar(e&/ #f r#c+ aKK ,#, an0 #&er r/&8% ,r#5ra88e0 /,r#fe%%(#nal 0ru88er%.

U%er Pa&&ern% are Pa&&ern% /#u can ,r#5ra8 e0(& an0 %a@e. Te Pre%e&4U%er u&n %elec&%e&een &e%e 8a%&er an+% #f Pre%e&%. Te #nl/ a/ 8#0(f/ a Pre%e& Pa&&ern (% c#,/ (& a U%er Pa&&ern ere (& can e e0(&e0.

Tere are


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1.2C H# 7L##,(n57 S(8,l(f(e% Rec#r0(n5

T# %(8,l(f/ rec#r0(n5 (n C#8,#%e 8#0e a Pa&&ern (ll 7l##,7 #@er an0 #@er a5a(n. E=a8,le:Su,,#%e /#u an& rec#r0 an -ea& ,a&&ern. (le rec#r0(n5 &e ,a&&ern (ll rec#r0&r#u5 all ea&% &en (88e0(a&el/ u8, ac+ &e e5(nn(n5 an0 c#n&(nue rec#r0(n5&r#u5 all ea&% a5a(n. Te SR-16 (ll re8a(n (n rec#r0 8#0e an0 c#n&(nue l##, un&(l/#u ,re%% STOP #r %(&c #@er Perf#r8 8#0e. "#u (ll ear an/ ,re@(#u%l/-,la/e0 ,ar&%a% /#u rec#r0 ne ,ar&%.

"#u can al%# era%e 0ru8 (&% (le &e ,a&&ern (% l##,(n5 c#rrec& f#r err#r%.

1.2D a&'% a #(ce;

Eac #f &e 12 lar5e ,a0% &r(55er% a @#(ce. A @#(ce (% a %#un0-5enera&(n5 ele8en& (&%e@eral @ar(ale ,ara8e&er%: Dru8 %#un0 &un(n5 @#lu8e #u&,u& a%%(5n8en& &e @#(ce'%au0(# #u&,u& can 5# e(&er #ne #f %e&% #f %&ere# #u&,u&% an0 fur&er8#re an/ere(&(n &e %&ere# f(el0 #f &e c#%en %e& #f #u&,u&% an0 MIDI n#&e nu8er.

Eac ,a0 (% @el#c(&/-%en%(&(@e: &e ar0er /#u (& &e ,a0 &e l#u0er &e 0ru8 %#un0a%%(5ne0 &e ,a0 (ll ,la/. Tan+% &e 0/na8(c ar&(cula&(#n &ecn(ue% 8en&(#ne0earl(er &e &(8re (ll #f&en can5e a% ell u%& l(+e 7real7 0ru8%.

Tere are e(5& le@el% #f ,a0 @#lu8e re%#lu&(#n fr#8 %#f& l#u0. H#e@er en u%(n5 &eSR-16 a% a 0ru8 %#un0 e=,an0er an0 &r(55er(n5 %#un0% @(a MIDI &e/ re%,#n0 all 12>MIDI @#lu8e le@el%.

1.2E A#u& Defaul&%


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1.2F P/%(cal La/#u&

Te SR-16 (nclu0e% %e@en 8a(n &/,e% #f c#n&r#l% al#n5 (& a 5r#u, #f c#nnecr% l#ca&e0#n &e ac+ ,anel. Te c#n&r#l 5r#u,% %ee 0(a5ra8 are:

Pa0% ,la/ u&n%. Ta,,(n5 eac u&n &r(55er% an SR-16 @#(ce. Func&(#n u&n%. Te%e %(= u&n% %elec& @ar(#u% func&(#n% %#8e #f (c (nclu0e 8ul&(,le7,a5e%7 #f #,&(#n%. Te8,#4Pa5e u&n%. Te%e al&er &e &e8,# an0 al%# %elec& 0(fferen& 7,a5e%7 ,re%en& (n &eDru8 Se& Rec#r0 Se&u, MIDI Se&u, an0 Bac+u, func&(#n%. Pa&&ern %elec& u&n%. Te%e c##%e e&een &e A B an0 F(ll @ar(a&(#n% f#r a Pa&&ern.

M#0e u&n%. Te%e c##%e e&een Pa&&ern an0 S#n5 8#0e% Perf#r8 ,la/ac+ an0C#8,#%e rec#r0 8#0e% an0 &e Pre%e& an0 U%er ,a&&ern%. 7Ta,e rec#r0er7 u&n%. Te%e c#n&r#l ,la/ac+ an0 %, an0 #r+ %(8(larl/ a &a,erec#r0er. D(%,la/ an0 0a&a en&r/ u&n%. Te 0(%,la/ (nf#r8% /#u #f &e (n%&ru8en&'% %&a&u% an0 al%#,r#8,&% /#u f#r 0a&a fr#8 &(8e &(8e. A 0e&a(le0 0e%cr(,&(#n #f &e 0(%,la/ f#ll#% %#r&l/.Te 0a&a en&r/ u&n% (nclu0e nu8er en&r/ u&n% -G an0 u, arr# (ncre8en& #r INCan0 0#n arr# 0ecre8en& #r DEC. Te la&&er (ncrea%e #r 0ecrea%e ,ara8e&er @alue% #n%&e, a& a &(8e.

Hu5e @#lu8e +n#. If /#u're u%e0 %cra&c(n5 a &urn&ale /#u'll l#@e &e feel #f &(% +n#. I&re5ula&e% &e @#lu8e #f &e en&(re un(&.

M#0e u&n%

D(%,la/

OLUME

Da&aen&r/

u&n%

7Ta,erec#r0er7u&n%

1

6

2

>

9

G

(ll 0ele&e 1 ea& fr#8 &e Pa&&ern e5(nn(n5. Teref#rea& a0 een ea&% 2- (ll n# e ea&% 1->. Becau%e a ea& a% re8#@e0 &e Pa&&ern (ll e >ea&% l#n5.

Can5(n5 START G (ll a00 a ea& &e e5(nn(n5 #f &e Pa&&ern. a& a0 een ea&% 1- (ll n#

e ea&% 2-G. Becau%e a ea& a% a00e0 &e e5(nn(n5 &e Pa&&ern (ll e G ea&% l#n5 an0 &e ea&a00e0 a& &e e5(nn(n5 (ll e %(len&.

2. PA3E : OFFSET A PATTERN OR DRUM PART

Off%e& %(f&% a Pa&&ern #r (n0(@(0ual 0ru8 ,ar&% aea0 #f #r e(n0 &e ea& (n 149& n#&e(ncre8en&% all# f#r al&er(n5 &e 7feel7 #f a ,(ece. T(% #nl/ affec&% alrea0/-rec#r0e0 ,ar&%.

1. Te SR-16 %#ul0 e (n Pa&&ern 8#0e an0 %,,e0. Te 0(%,la/ %a/% OFFSET (c (lle 4 9 n# #ff%e&.2. Pre%% &e ,a0 e #ff%e& a% c#nf(r8e0 / &e 0(%,la/. If /#u 0#n'& %elec& a ,a0 #ff%e&affec&% &e en&(re Pa&&ern.. En&er &e -0(5(& #ff%e& @alue (& &e INC4DEC #r nu8er u&n%. P#%(&(@e nu8er% %(f&e@en&% aea0 #f &e ea& lea0 ne5a&(@e nu8er% %(f& e@en&% e(n0 &e ea& la5.Te 0efaul& (% ,#%(&(@e nu8er% en&er a ne5a&(@e nu8er (& &e nu8er u&n% ,re%%DEC f(r%&. E=a8,le: T# #ff%e& a ,ar& 1416& n#&e la&er en&er -29 a% &e #ff%e& @alue %(nce 29

%u-ea&% eual% a 1416& n#&e.

Pre%% PLA" en&er &(% nu8er (n &e SR-16. T# a,,l/ &e %a8e a8#un& #f #ff%e&


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&an #ne 0ru8 e@en& #ccur% #n &e %a8e %u-ea& &e PA3E UP4DON u&n% %&e, f#rar0#r ac+ar0 re%,ec&(@el/ &r#u5 eac 0ru8 #ne a& a &(8e.

14

OL

*UANTI?E

DRUM

STEP EDITSIN3 OFF

If n# 0ru8 e@en& e=(%&% #n &(% ea&4%u-ea& &e 0(%,la/ (ll %# n# ,a0 nu8er an0EMPT" (n ,lace #f @#lu8e 0a&a.

T# na@(5a&e &r#u5 &e %&e,% a& &e curren& uan&(Ka&(#n ra&e u%e &e PA3E UP u&n #@e f#rar0 #r PA3E DON 8#@e ac+ar0. If a 0ru8 e=(%&% e&een %e ea&% &a&

fall #n &e curren& uan&(Ka&(#n @alue &e 0ru8 (ll %#un0 a% /#u 5# ,a%& (& u& &e 0(%,la/(ll n#& %, #n &a& 0ru8.

If %(n5 (% #n %&e, 8#0e (ll %&e, (n 7%(n5e07 (ncre8en&% %ee %ec&(#n 2.2.

Bac+5r#un0 S&e, 8#0e ,r#@(0e% 0e&a(le0 Pa&&ern e0(&(n5. N#&e &a& 7%&e,7 0#e% n#& refer S#n5 %&e,% u& &e %&e,% (n a Pa&&ern &a& #l0 0ru8 e@en&%. "#u can 8#@e &r#u5 a Pa&&ern #ne %&e, a& a &(8e %, a& eace@en& a% 0e%(re0 an0 0ele&e &e e@en& a00 an e@en& #r can5e an e@en&'% @#lu8e. (le #cca%(#nall/ %#8ea&&e0(#u% S&e, E0(& 8#0e all#% e0(&(n5 0ru8 ,ar&% /#ur e=ac& %,ec(f(ca&(#n%.

Eac %&e, al%# calle0 a %u-ea& (% 14G6& #f a ea& (n 0ura&(#n %# a& 8a=(8u8 re%#lu&(#n (& &a+e% G6 %&e,%

78#@e &r#u57 a uar&er n#&e. T# %a@e &(8e /#u can %&e, &r#u5 &e Pa&&ern a& @ar(#u% n#&e @alue% a% %e& /&e uan&(Ka&(#n @alue (c (% / (&'% ,referale %elec& &e uan&(Ka&(#n ra&e a& (c &e Pa&&ern a%rec#r0e0. E=a8,le: A 16& n#&e c#n%(%&% #f 29 %u-ea&% %# %e&&(n5 &e uan&(Ka&(#n @alue 1416 le&% /#u %&e,

Te f#ll#(n5 ,a5e %u88ar(Ke% &e %&e, e0(& #,&(#n%.


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2.GA A00 a Ne Dru8 a S&e,

U%e &e PA3E u&n% %elec& &e %&e, ere &e 0ru8 (% e a00e0. Pre%% &e ,a0 &a&c#rre%,#n0% &e %#un0 /#u an& a00. Ta& 0ru8 al#n5 (& (&% @#lu8e # ar0 &e

,a0 a% (& (ll e rec#r0e0 (n &e 0(%,la/e0 %&e,.

If /#u ,la/ a ,a0 an0 &ere (% alrea0/ a 0ru8 e@en& ,la/e0 / &a& ,a0 #n &e 0(%,la/e0 %&e,/#u (ll e0(& &e @#lu8e ra&er &an a00 an#&er e@en&. T(% (% &rue e@en (f &ere are %e@erale@en&% #n &e 0(%,la/e0 ea& an0 an e@en& #&er &an &e #ne e e0(&e0 (% %#(n5.

2.GB Era%e a Dru8 S#un0 Fr#8 a S&e,

U%e &e PA3E u&n% l#ca&e &e %&e, c#n&a(n(n5 &e 0ru8 e era%e0. (le #l0(n50#n &e ERASE u&n ,re%% PLA". Te 0ru8 &a& a% e(n5 0(%,la/e0 (ll e era%e0.

2.GC Can5e a Dru8 S#un0'% #lu8e (n a 3(@en S&e,

U%e &e PA3E u&n% %elec& &e %&e, c#n&a(n(n5 &e 0ru8 #%e @#lu8e nee0% ecan5e0. E(&er ,re%% a nu8er u&n fr#8 1- 1Q%#f&e%& Ql#u0e%& u%e &e INC4DECu&n% #r &a, &e 0(%,la/e0 0ru8 ,a0 a& &e 0e%(re0 le@el. If /#u ,la/ a ,a0 can5e &e

le@el an0 &ere are %e@eral e@en&% #n &e %a8e %&e, &e 0(%,la/ nee0 n#& %# &e %,ec(f(c0ru8 #%e @#lu8e /#u an& e0(&.

2.GD E=(& S&e, M#0e

T# e=(& %&e, 8#0e ,re%% STOP RECORD SETUP #r PLA" &e la&&er (ll e5(n ,la/(n5 &ePa&&ern fr#8 &e e5(nn(n5.

2.1 PA3E 1: NAME THE PATTERN NAME


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CHAPTER : PLA"IN3 BAC4RECORDIN3 PATTERNS

.1 PLA"BAC4RECORD BASICS

Plea%e 8a+e %ure /#u'@e rea0 %ec&(#n 1.2B (c e=,la(n% &e 0(fferen& &/,e% #f SR-16Pa&&ern%. I& (% (8,#r&an& un0er%&an0 &e 0(fference% e&een &e%e Pa&&ern &/,e%.

Te PATTERN4SON3 u&n c##%e% e&een Pa&&ern an0 S#n5 8#0e%. F#r all #f &ef#ll#(n5 Pa&&ern #,era&(#n% Pa&&ern 8#0e 8u%& e %elec&e0 a% c#nf(r8e0 / &e 0(%,la/.

ROC 1PATTERN

A

PRESS PLA"

TEMPO

PERFORM

.1A Te Dual-Pur,#%e F(ll Bu&n

In a00(&(#n call(n5 u, F(ll Pa&&ern% a% 0e%cr(e0 (n &e In&r#0uc&(#n &e FILL u&n can al%#e u%e0 (le rec#r0(n5 crea&e a %er(e% #f n#&e% a& &e 0e%(re0 uan&(Ka&(#n ra&e a%

0e%cr(e0 (n %ec&(#n .1.

1B Perf#r84C#8,#%e M#0e%

T# l(%&en c##%e Perf#r8 &(% 0e-ac&(@a&e% &e cl(c+. "#u can 0r#, (n an0 #u& #f &e%e #0e% a% /#u rec#r0. (le &e SR-16 (% (n e(&er 8#0e /#u can can5e Pa&&ernuan&(Ka&(#n %(n5 cl(c+ r/&8 an0 @#lu8e ,a0 @el#c(&/ re%,#n%e na8e 0ru8%e& 0ru8%e&

,ara8e&er% an0 MIDI ,ara8e&er%. "#u can &eref#re +ee, &e 5r##@e 5#(n5 a& all &(8e% e@en(le /#u 8a+e a0u%&8en&% ,r(#r rec#r0(n5 an#&er ,ar&.

NOTE: C#8,#%e 8#0e cann#& e %elec&e0 en u%(n5 Pre%e& Pa&&ern% %(nce &e/cann#& e al&ere0. If /#u (% al&er #ne #f &e Pre%e& Pa&&ern% c#,/ (& an e8,&/ U%er Pa&&ern f(r%&. %ee %ec&(#n .A

.1C Se& Pa&&ern Te8,#

Te &e8,# ran5e e=&en0% fr#8 2 2


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.1F U%(n5 &e S&ar&4S, F##&%(&c

en &e SR-16 (% %,,e0 ,re%%(n5 a f##&%(&c ,lu55e0 (n &e S&ar&4S, f##&%(&c ac+

(% eu(@alen& ,re%%(n5 PLA". en &e SR-16 (% runn(n5 ,re%%(n5 &e f##&%(&c (%eu(@alen& ,re%%(n5 STOP.

Bac+5r#un0 Te rear ,anel S&ar&4S, f##&%(&c ac+ acce,&% a 8#8en&ar/ n#r8all/ #,en #r n#r8all/ cl#%e0f##&%(&c a@a(lale a& 8#%& 8u%(c %re% f#r re8#&e #r f##& c#n&r#l #f &e %, an0 %&ar& func&(#n%. Te SR-16cec+% &e f##&%(&c #n ,#er-u, 0e&er8(ne e&er (& (% n#r8all/ #,en #r n#r8all/ cl#%e0 %# 8a+e %ure &ef##&%(&c (% ,lu55e0 (n an0 /#u're n#& ,re%%(n5 (& 0#n en /#u &urn #n ,#er.

.13 Selec& Ne Pa&&ern% (le (n Perf#r8 Pla/ac+ M#0e

In Perf#r8 8#0e /#u can %elec& a ne Pa&&ern nu8er (& &e 0e%(re0 A #r B 0e%(5nar #r%(&c fr#8 A B Pa&&ern% (&(n a Pa&&ern nu8er a& an/ &(8e. Te nel/-%elec&e0 Pa&&ern(ll ,la/ ac+ a% %##n a% &e curren& Pa&&ern ,la/% &r#u5 (&% en&(re len5&. Te 0(%,la/%#% &e Pa&&ern e ,la/e0 ne=&.

NEJT

PATT29B

USER

PATTERN

A

PRESS PLA"

PLA"IN3TEMPO

PERFORM

T# %elec& a ne Pa&&ern (n Perf#r8 8#0e en&er &e -0(5(& Pa&&ern nu8er. If an A Pa&&ern (%

.1H Selec& F(ll Pa&&ern% (n Perf#r8 Pla/ac+ M#0e

F(ll Pa&&ern% are &e +e/ crea&(n5 e=,re%%(@e 0ru8 ,ar&%. H#e@er F(ll (% a %#,(%&(ca&e0fea&ure &a& reu(re% %#8e e=,lana&(#n.

Re8e8er &a& F(ll% are ala/% &e %a8e len5& an0 u%e &e %a8e Dru8 Se& a% &ea%%#c(a&e0 Ma(n Pa&&ern. T(% le&% /#u 70r#, (n7 a F(ll a& an/ &(8e. A% %##n a% /#u ,re%% &eFILL u&n &e F(ll &a+e% #@er fr#8 &e Ma(n Pa&&ern an0 %&ar&% ,la/(n5 un&(l &e en0 #f &e F(ll.

3enerall/ F(ll% are &ran%(&(#nal Pa&&ern%. E=a8,le: Su,,#%e an -ea& A Ma(n Pa&&ern (%,la/(n5 an0 /#u ,re%% &e FILL u&n #n ea& 9. Te A F(ll Pa&&ern (ll ,la/ &e la%& 9 ea&%an0 &en aua&(call/ &ran%(&(#n (n &e B Ma(n Pa&&ern. C#n@er%el/ (f B Ma(n (% ,la/(n5 an0/#u ,re%% F(ll af&er B F(ll a% ,la/e0 &e SR-16 (ll &ran%(&(#n &e A Ma(n Pa&&ern. "#u can%elec& &e F(ll a& an/ &(8e &e Ma(n Pa&&ern (% ,la/(n5.

H#e@er F(ll% 0# n#& a@e e &ran%(&(#nal Pa&&ern%. If /#u ,re%% &e FILL u&n #rf##&%(&c ef#re &e F(ll a% f(n(%e0 ,la/(n5 an0 #l0 (& 0#n un&(l af&er &e F(ll a% ,la/e0

(.e. ,a%& &e 0#nea& #f &e ne=& Pa&&ern &e SR-16 (ll re&urn &e #r(5(nal Ma(n Pa&&ern.E=a8,le: Su,,#%e an -ea& A Ma(n Pa&&ern (% ,la/(n5 an0 /#u ,re%% &e FILL u&n #n ea&9 u& #l0 (& 0#n ,a%& ea& . Te A F(ll Pa&&ern (ll ,la/ &e la%& 9 ea&% &en &e SR-16 (llre&urn &e A Ma(n Pa&&ern.

F(ll% cann#& %&ar& #n &e 0#nea& %(nce a F(ll / 0ef(n(&(#n %&ar&% a& %#8e ,#(n& (n &e Ma(nPa&&ern. H#e@er an/&(n5 /#u rec#r0 #n &e F(ll 0#nea& (ll ,la/ #n &e f(r%& 0#nea&f#ll#(n5 &e F(ll (.e. &e 0#nea& #f &e ne=& Pa&&ern. T# %# / &(% (% a u%eful fea&urec#n%(0er &a& en c#8(n5 #u& #f a f(ll /#u'll #f&en an& (& %#8e&(n5 l(+e a c/8al cra%

#n &e 0#nea& #f &e ne=& Pa&&ern /e& n#& a@e &a& cra% re,ea& e@er/ &(8e &e Pa&&ern,la/%. T(% a/ #f an0l(n5 F(ll% le&% &e 0#nea& c/8al cra% e ,ar& #f &e F(ll (n%&ea0 #f&e Pa&&ern.


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.1I Rec#r0 a Pa&&ern

An e8,&/ Pa&&ern 0efaul&% an ea& len5& (& 16& n#&e uan&(Ka&(#n an0 %(n5 #ff


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.1 U%(n5 F(ll Crea&e Re,e&(&(@e Dru8 H(&%

A% 8en&(#ne0 earl(er &e FILL u&n ,erf#r8% 0(fferen& func&(#n%. e'@e alrea0/ c#@ere0# u%e &e FILL u&n f#r Pa&&ern %elec&(#n #e@er (& can al%# &r(55er a 0ru8 %#un0 a&

&e curren& uan&(Ka&(#n ra&e e.5. e(5& n#&e% 16& n#&e% e&c. (f uan&(Ka&(#n (% #ff u5&(% func&(#n (% (nac&(@e an0 %(n5 @alue. T(% all#% ,la/(n5 a %er(e% #f 0ru8 (&% (u&a@(n5 re,ea&e0l/ ,re%% &e ,a0% an0 (% &/,(call/ u%e0 crea&e %&ea0/ 16& n#&e (-a&,ar&% uar&er n#&e +(c+ 0ru8 ,ar&% %nare r#ll% e&c.

1. Te SR-16 %#ul0 e (n C#8,#%e 8#0e an0 rec#r0(n5.2. Pre%% a ,a0 #n &e f(r%& ea& #f a& (ll e a %er(e% #f (&% an0 #l0 (& 0#n.. I88e0(a&el/ af&er ,re%%(n5 &e ,a0 ,re%% an0 #l0 &e FILL u&n. Te 0ru8 (ll e re-

&r(55ere0 a& &e curren& uan&(Ka&(#n ra&e f#r a% l#n5 a% &e ,a0 an0 FILL u&n% are el00#n. All (&% (ll e a& &e %a8e @#lu8e a% &e f(r%& ,a0 (&.

Cau&(#n: If /#u 0#n'& (& &e 0ru8 f(r%& ,re%%(n5 &e FILL u&n (ll %elec& a F(ll Pa&&ern.


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.2 ERASE FUNCTIONS

.2A Era%e M(%&a+e% (le Rec#r0(n5

(le &e SR-16 (% rec#r0(n5 /#u can era%e an/ (n0(@(0ual 0ru8 e@en& #r %er(e% #f e@en&% (nreal &(8e f(= u, err#r%. Era%ure #ccur% #nl/ #n %e ea&% &a& c#(nc(0e (& &e curren&uan&(Ka&(#n an0 %(n5 @alue% &urn uan&(Ka&(#n #ff era%e a 0ru8 ere@er (& #ccur%.

1. Te SR-16 %#ul0 e (n C#8,#%e 8#0e an0 rec#r0(n5.2. Pre%% an0 #l0 ERASE.. (le #l0(n5 0#n ERASE ,re%% &e ,a0 c#rre%,#n0(n5 &e %#un0 e era%e0 u%&ef#re &e f(r%& e@en& e era%e0 an0 relea%e u%& af&er &e la%& e@en& e era%e0. T#

era%e a %(n5le e@en& &a, &e ,a0 #n &a& %(n5le e@en&.

.2B Era%e an En&(re Pa&&ern

If /#u era%e #& Ma(n an0 F(ll Pa&&ern% a%%#c(a&e0 (& a nu8ere0 Pa&&ern #r /#u era%e aMa(n #r F(ll Pa&&ern an0 &e #&er (% e8,&/ &e Dru8 Se& a%%(5n8en& u& n#& (&% Dru8 Se&,ara8e&er% na8e an0 len5& (ll re@er& &e 0efaul& %e&&(n5% (.e. &e Dru8 Se& (& &e

%a8e nu8er a% &e Pa&&ern EMPT" PATTERN a% &e na8e an0 a len5& #f ea&%.H#e@er a% l#n5 a% e(&er a Ma(n #r F(ll Pa&&ern c#n&a(n% ,re@(#u%l/-,r#5ra88e0 0a&a &enu8ere0 Pa&&ern (ll re8e8er &e Dru8 Se& a%%(5n8en& na8e an0 len5&.

1. Te SR-16 8u%& e (n Pa&&ern 8#0e an0 %,,e0 all# era%(n5 a Pa&&ern.2. En&er &e -0(5(& Pa&&ern nu8er e era%e0 (& &e nu8er #r INC4DEC u&n%.. Pre%% an0 #l0 &e ERASE u&n. Te 0(%,la/ %a/% PATTERN ERASE;9. (le c#n&(nu(n5 #l0 &e ERASE u&n ,re%% PLA". Te 0(%,la/ %a/% PATTERNERASED f#ll#e0 / FILL ERASE; .


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. COP" FUNCTIONS

Te f#ll#(n5 C#,/ func&(#n% a%%u8e &a& /#u are c#,/(n5 a Ma(n Pa&&ern a Ma(n Pa&&ernre8e8er c#,/(n5 a Ma(n Pa&&ern an#&er Ma(n Pa&&ern c#,(e% &e F(ll al#n5 (& (&.

O&er c#8(na&(#n% &a+e &e f#ll#(n5 rule% (n acc#un&.

C#,/(n5 a Ma(n Pa&&ern a n#n-e8,&/ Pa&&ern #r (&%elf a,,en0% &e F(ll &e e=(%&(n5F(ll a% ell a% a,,en0% &e Ma(n Pa&&ern &e e=(%&(n5 Ma(n Pa&&ern. If /#u c#,/ fr#8 Ma(n F(ll #r @(ce-@er%a (&(n a ,ar&(cular nu8ere0 Pa&&ern &e0e%&(na&(#n (ll e era%e0 an0 re,lace0 (& &e %#urce Pa&&ern %(nce Ma(n an0 F(ll Pa&&ern%8u%& a@e &e %a8e len5&. T(% (% u%eful (f /#u an& &e F(ll c#n&a(n @ar(a&(#n% #n &e Ma(nPa&&ernu%& c#,/ &e Ma(n F(ll an0 8a+e /#ur a00(&(#n%4can5e%.

C#,/(n5 a F(ll a F(ll f#ll#% &e %a8e rule% a% c#,/(n5 a Ma(n Pa&&ern a F(ll. Te #nl/ c#,/ &ecn(ue &a& a,,en0% a Pa&&ern an#&er Pa&&ern (% c#,/(n5 a Ma(nPa&&ern an#&er Ma(n Pa&&ern.

.A C#,/ A,,en0 an0 D#ule Pa&&ern%

1. Te SR-16 %#ul0 e (n Pa&&ern 8#0e an0 %,,e0.

2. Selec& &e Pa&&ern e c#,(e0.. Pre%% an0 #l0 &e COP" u&n an0 +ee, #l0(n5 (& 0#n un&(l %&e, 6. Te 0(%,la/ %a/%COP" TO PATT.9. En&er &e 0e%&(na&(#n Pa&&ern nu8er (n (c &e curren& Pa&&ern (ll e c#,(e0 (& &eINC4DEC #r nu8er u&n%.

C#,/(n5 a Pa&&ern a lan+ 0e%&(na&(#n Pa&&ern re,lace% &e lan+ Pa&&ern (& &e #r(5(nalPa&&ern 0a&a. C#,/(n5 a Pa&&ern &a& alrea0/ c#n&a(n% 0a&a a,,en0% &e #r(5(nal 0a&a &e en0 #f &e0a&a (n &e 0e%&(na&(#n Pa&&ern. If &(% #ul0 re%ul& (n a Pa&&ern (& 8#re &an 12 ea&% &e0(%,la/ (ll %a/ TOO MAN" BEATS. C#,/(n5 a Pa&&ern (&%elf 0#ule% &e len5&.

T D S ( 0 P ( 0 l ( 0 0 l (f

1. Te SR-16 %#ul0 e (n Pa&&ern 8#0e an0 %,,e0.2. Selec& &e Pa&&ern c#n&a(n(n5 &e 0ru8 ,ar& e c#,(e0.. Pre%% an0 #l0 &e COP" u&n an0 +ee, #l0(n5 (& 0#n un&(l %&e, >. Te 0(%,la/ %a/%COP" TO PATT.

9. Ta, &e ,a0 e c#,(e0. Te 0(%,la/ %#% &e ,a0 nu8er e.5. D (f /#u (& ,a0 .. Pre%% PLA". Te 0(%,la/ %a/% COP" DONE.. Relea%e &e COP" an0 PLA" u&n%.

.D C#,/ a Pa&&ern An#&er SR-16 (a MIDI


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CHAPTER 9: CREATIN3 DRUM SETS

Te SR-16'% 12 ,a0% can e a%%(5ne0 @ar(#u% 0ru8 %#un0% (& 0(fferen& le@el% &un(n5

,ann(n5 &r(55er(n5 8#0e an0 #u&,u& ac+ a%%(5n8en&. Eac %e& #f ,a0 ,ara8e&er% (% 5(@en anu8er an0 c#llec&(@el/ are calle0 a Dru8 Se& eac A an0 B u%er Pa&&ern can a@e (&% #nDru8 Se& a%%(5n8en&. Tere are


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9.2 PA3E 2: ASSI3N SOUNDS TO PADS

Te 0(%,la/ %#% &e curren&l/ %elec&e0 ,a0 nu8er an0 &e %#un0 a%%(5ne0 &a& ,a0.

FATSNARE 1

DRUM SET

DRUM

PA3E

"#u can a%%(5n an/ #f &e SR-16'% %#un0% an/ #f &e ,a0% #r 8#re &an #ne ,a0. Eac(n0(@(0ual Dru8 Se& can a@e (&% #n 0ru8 %#un0 a%%(5n8en&.

T# a%%(5n a %#un0 a ,a0:

1. Pre%% &e ,a0 &e 0(%,la/ (ll %# &e ,a0 nu8er.2. En&er &e 0e%(re0 0ru8 %#un0 nu8er (& &e nu8er #r INC4DEC u&n%. en u%(n5&e nu8er u&n% en&er a lea0(n5 Ker# (f nece%%ar/. Te car& (nclu0e0 (& &e SR-160e%cr(e% eac #f &e #@er 2 0ru8 %#un0%.. en &e 0(%,la/ c#nf(r8% /#ur c#(ce e(&er %re &e e0(&e0 Dru8 Se& %ee %ec&(#n 9.#r 0# 8#re a%%(5n8en&% / &a,,(n5 an#&er ,a0 %elec& (& an0 a%%(5n(n5 a 0ru8 %#un0 (&.

9. PA3E : SET PAD OLUME OLUME


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T# can5e &e @#lu8e a%%#c(a&e0 (& a 5(@en ,a0:

1. Pre%% &e ,a0 &e 0(%,la/ (ll %# &e ,a0 nu8er.2. En&er &e 0e%(re0 @#lu8e fr#8 full #ff GG 8a=(8u8 @#lu8e (& &e nu8er #r

INC4DEC u&n%..en &e 0(%,la/ c#nf(r8% /#ur c#(ce e(&er %re &e e0(&% /#u'@e 8a0e %ee %ec&(#n 9.#r 0# 8#re a%%(5n8en&% / &a,,(n5 an#&er ,a0 %elec& (& &en a%%(5n(n5 &e ,a0 @#lu8e.

9.9 PA3E 9: SET PAD STEREO POSITION PANNIN3

Te 0(%,la/ %#% PANNIN3 &e curren&l/ %elec&e0 ,a0 nu8er an0 &e ,an ,#%(&(#na%%(5ne0 &a& ,a0. N#&e &e cu&e l(&&le arr#% (n0(ca&(n5 ,an ,#%(&(#n &e/ 8#@e en /#u,an &e 0ru8 %#un0.

PANNIN3 V

DRUM SET

DRUM

PA3E

T# can5e &e ,an ,#%(&(#n a%%#c(a&e0 (& a 5(@en ,a0:


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9.< PA3E


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Bac+5r#un0 Eac 8#0e affec&% &r(55er(n5 (n a 0(fferen& a/:

Mul&(: en (&&(n5 a ,a0 re,ea&e0l/ eac (& (ll cau%e &e %#un0 5# &r#u5 (&% en&(re 0eca/. T(% (% u%eful(& c/8al% %(nce earl/ %&r(+e% (ll c#n&(nue 0eca/ a% /#u ,la/ la&er %&r(+e%.

S(n5le: en (&&(n5 a ,a0 re,ea&e0l/ a ne (& (ll aua&(call/ &er8(na&e an/ %#un0 &a& (% %&(ll 0eca/(n5. T(% (%u%eful (& 8an/ ,ercu%%(#n %#un0% %uc a% &a8#ur(ne a5#5# e&c..

3r#u, 1 an0 2: Pa0% a%%(5ne0 a ,ar&(cular 5r#u, 1 #r 2 (ll cu& eac #&er #ff (f a 5r#u, ,a0 (% %&ruc+ (lean#&er ,a0 a%%(5ne0 &e %a8e 5r#u, c#n&(nue% %#un0. Te cla%%(c u%e #f &(% (% (& (-a&% a cl#%e0 (5-

a& (ll cu& #ff an #,en (-a& an0 (&&(n5 an #,en (-a& %#un0 (ll cu& #ff a cl#%e0 (-a&.

Te SR-16 can ,la/ u, 16 @#(ce% a& a &(8e %# (&'% ,#%%(le run #u& #f @#(ce% (f /#u ,la/ a flurr/ #f n#&e% an0

a@e l#&% #f ,a0% (n &e Mul&( a%%(5n 8#0e. If 16 %#un0% are ,la/(n5 an0 /#u a%+ &e SR-16 ,la/ an#&er #ne &e%#un0 &a&'% cl#%e%& f(n(%(n5 (&% 0eca/ c/cle (ll e 7%len7 %# &a& &e 8#%& recen& %#un0 can e ,la/e0. In,rac&(ce (&'% 0(ff(cul& an0 u%uall/ n#& ar&(%&(call/ 0e%(rale! crea&e 0ru8 ,ar&% %# c#8,le= &a& @#(ce-%&eal(n5

ec#8e% a ,r#le8. H#e@er (f &(% (% a ,r#le8 &r/ a%%(5n(n5 all &e % a 5r#u, %# &a& &e/ #nl/ reu(re #ne@#(ce a& a &(8e.

9.> PA3E >: CHOOSE OUTPUT $ACS OUTPUT

Te 0(%,la/ %#% OUTPUT &e curren&l/ %elec&e0 ,a0 nu8er an0 &e ,a0'% #u&,u&a%%(5n8en&.

OUTPUTMAIN

DRUM SET

DRUMSET

PA3E


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S&ere# (& F(=e0 Place8en&: Plu5 &e lef& Ma(n #u&,u& (n &e lef& cannel #f /#ur a8, #r 8(=er an0 &e r(5&Ma(n #u&,u& (n &e r(5& cannel. Te 0efaul& @#(ce 8(= f#r &e ,re%e& Dru8 Se&% ,an% &e 0ru8% e&een &eMa(n #u&,u& ac+% (n a a/ &a& #r+% ell f#r 8#%& a,,l(ca&(#n%.

S&ere# (& ar(ale Place8en&: Plu5 &e lef& Ma(n #u&,u& (n &e lef& cannel #f /#ur a8, #r 8(=er an0 &e r(5&

Ma(n #u&,u& (n &e r(5& cannel. (& &e U%er Dru8 Se&% /#u can ,an &e 0ru8% e&een &e Ma(n #u&,u&ac+% a% 0e%(re0.

S&ere# (& In0(@(0ual Ou&,u&%: T(% reu(re% a %&ere# 8(=er (& a& lea%& f#ur cannel% an0 ,r#@(0e% (n0(@(0ual

#u&,u&% f#r an/ 0ru8 @#(ce%. Plu5 &e lef& Ma(n #u& (n a 8(=er cannel ,anne0 full/ &e lef&. Plu5 &e r(5&Ma(n #u& (n a 8(=er cannel ,anne0 full/ &e r(5&. Plu5 &e lef& Au= #u&,u& (n a &(r0 cannel ,anne0

cen&er f#r n# an0 &e r(5& Au= #u&,u& (n a f#ur& cannel al%# ,anne0 cen&er f#r n#. Dec(0e (c @#(ce% %#ul0 e (n0(@(0ual @#(ce% %uc a% +(c+ an0 %nare a%%(5n &e%e &e Au= #u&,u&% an0 all #&er 0ru8%,anne0 a% 0e%(re0 &e Ma(n #u&,u&%.

Pan &e +(c+ full lef& an0 &e %nare full r(5&. Tu% &e +(c+ (ll a,,ear (n &e lef& au= #u&,u& an0 &e %nare (lla,,ear (n &e r(5& au= #u&,u&. Te%e #u&,u&% can fee0 0(fferen& %(5nal ,r#ce%%#r% an0 &en %en& a 8(=(n5#ar0. Ma+e %ure &a& &e 0ru8% %elec&e0 f#r (n0(@(0ual #u&,u&% are ,anne0 &e e=&re8e lef& #r r(5& (n &e SR-16. O&er(%e %#8e #f &e %#un0 fr#8 #ne 0ru8 (ll lea+ (n &e #&er #u&,u&.

Se,ara&e Percu%%(#n4Dru8 Ou&,u&%: S&an0ar0 0ru8 +(& %#un0% can e %,rea0 (n %&ere# an0 a%%(5ne0 &e 8a(n#u&,u&% (& ,ercu%%(#n %#un0% %,rea0 (n %&ere# an0 a%%(5ne0 &e Au= #u&,u&%. Run &e #u&,u&% a 8(=(n5c#n%#le an0 /#u can &rea& &e 0ru8 +(& an0 ,ercu%%(#n %#un0% a% %u8(=e%. T(% &ecn(ue 8(5& al%# e

u%eful (f /#u're rec#r0(n5 &e ,ar& #n &a,e fee0 &e 0ru8% &a,e &rac+% an0 &e ,ercu%%(#n #&er&rac+%. A0u%& &e alance e&een &e (n &e 8(= #r fa0e &e ,ercu%%(#n (n an0 #u& (n0e,en0en&l/ #f &e &ra,

0ru8 %#un0%. Or ,r#ce%% &e 5r#u,% (n0(@(0uall/.

9. PA3E : SAE DRUM SET SAE SET

Te 0(%,la/ %#% SAE SET; &e curren&l/ %elec&e0 Dru8 Se& nu8er l#ca&(#n an0 a-0(5(& nu8er &a&'% &e %a8e a% &e curren&l/ %elec&e0 Dru8 Se&.

SAE SET


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c#,/ #ne Dru8 Se& a 0(fferen& Dru8 Se&. Al%# re8e8er &a& (f /#u can5e Pa&&ern%ef#re %a@(n5 /#ur Dru8 Se& all #f /#ur e0(&% (ll e l#%&.

9.G PA3E G: MANUAL DRUM SET OERRIDE SET MODE

Te 0(%,la/ %a/% SET MODE. U%e &e INC4DEC u&n% %elec& PATT eac Pa&&ern u%e%(&% a%%(5ne0 Dru8 Se& #r MANUAL &e SR-16 (ll re&a(n &e curren&l/ %elec&e0 0ru8a%%(5n8en&% re5ar0le%% #f (c Pa&&ern (% c#%en.

SET MODEPATT

DRUM SETPA3E

N#&e: If can5(n5 Pa&&ern% 0#e%n'& call u, 0(fferen& Dru8 Se&% &(% ,ara8e&er (% ,r#al/ %e& MANUAL (n%&ea0 #f PATT.

Bac+5r#un0 Eac Pa&&ern a% an a%%#c(a&e0 a%%(5ne0 Dru8 Se&. H#e@er /#u can &ell &e SR-16 (5n#re&e%e %re0 a%%(5n8en&% an0 re&a(n &e curren&l/ %elec&e0 Dru8 Se& re5ar0le%% #f e&er #r n#& /#u can5e

Pa&&ern%. T(% (% u%eful (f /#u an& ear # a Pa&&ern #ul0 %#un0 (& a 0(fferen& Dru8 Se& u%& %e& #ne u,8anuall/ a% #,,#%e0 &e #ne %re0 (& &e Pa&&ern.


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CHAPTER


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9. (le c#n&(nu(n5 #l0 &e COP" u&n en&er &e 0e%&(na&(#n S#n5 nu8er (c &e %#urce S#n5 %#ul0 e c#,(e0 u%(n5 &e nu8er #r INC4DEC u&n%.


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CHAPTER 6: MIDI SETUP

T(% 8enu acce%%e% (8,#r&an& MIDI func&(#n%. 3eneral (n%&ruc&(#n% are:

1. Pre%% &e MIDI SETUP u&n.2. U%e &e Pa5e u, an0 0#n u&n% %elec& 0(fferen& 7,a5e%7 #f func&(#n% &e 0(%,la/'%l#er r(5& (n0# %#% &e ,a5e nu8er. Te%e ,a5e% are 0e%cr(e0 el#.. A0u%& @alue% #n ,a5e% (f nece%%ar/ a% 0e%cr(e0 f#r eac ,a5e.9. Af&er 8a+(n5 all nee0e0 can5e% ,re%% MIDI SETUP a5a(n e=(& #r c##%e an#&er,a5e.

All &e ,ara8e&er% #n &e f#ll#(n5 ,a5e% re8a(n a% %e& e@en (f /#u &urn #ff ,#er un&(l

can5e0.

6.1 PA3E 1: SELECT MIDI CHANNEL MIDI CH

MIDI CHOMNI

SETUPMIDI

PA3E

PERFORM

Te 0(%,la/ %#% &e MIDI CHannel 1-16 #r O8n(. En&er &e 0e%(re0 @alue (& &enu8er #r INC4DEC u&n%. (& &e nu8er u&n% en&er a lea0(n5 Ker# (f nece%%ar/


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6.2 PA3E 2: RECEIE MIDI DRUM NOTES DRUM IN

DRUM INON 1

SETUPMIDI

PA3E

PERFORM

Te 0(%,la/ %#% DRUM IN. T(% ,a5e fea&ure% 0(fferen& MIDI (n,u& @el#c(&/ cur@e%ON 1 an0 ON 2. T# a@e &e SR-16 rece(@e n#&e 8e%%a5e% a& (&% MIDI (n,u& u%e &eINC4DEC u&n% %elec& ON 1 #r ON 2. Selec& OFF a@e &e SR-16 (5n#re n#&e8e%%a5e%. ON 1 (% a n#r8al l(near @el#c(&/ cur@e an0 (ll n#& affec& MIDI @el#c(&/ 0a&ae(n5 %en& / &e c#n&r#ller. F#r +e/#ar0% &a& 0# n#& ,r#@(0e a full ran5e #f @el#c(&/ %uca% &e "a8aa DJ> ON 2 (ll all# &e 0ru8% e ,la/e0 a& full @#lu8e (u& a@(n5 %en0 full @el#c(&/ fr#8 &e MIDI c#n&r#ller.

Bac+5r#un0 Selec& ON 1 #r ON 2 (f /#u're u%(n5 &e SR-16 a% an e=,an0er 8#0ule #r an& ,la/ real

&(8e 0ru8 c#n&r#ller% (n &e SR-16 a% (& ,la/% a Pa&&ern #r S#n5. Selec& O F F (f /#u're u%(n5 &e SR-16 a% a 0ru88ac(ne %la@e0 a %euencer en O F F &e SR-16 f#ll#% &e %euencer &(8(n5 0a&a u& n#& n#&e 0a&a /#u0#n'& an& (& ,la/ #&er ,ar&%. N#&e &a& Cl#c+ In ,a5e


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6.9 PA3E 9: ASSI3N MIDI NOTE NUMBERS TO DRUM PADS NOTE

T(% ,a5e 0e&er8(ne% (c MIDI (n NOTE (ll &r(55er a ,a0 #r MIDI #u& n#&e (ll e,r#0uce0 (f /#u ,la/ a ,a0. Te 0(%,la/ %#% &e n#&e nu8er4na8e (n &e u,,er lef& an0

&e 0ru8 ,a0 nu8er (n &e u,,er r(5& (n0#.

NOTE 9G

C2SETUPMIDIDRUM

PA3E

MIDI N#&eNu8er4Na8e

Dru8 Pa0Nu8er

Pla/ &e 0ru8 ,a0 e a%%(5ne0 a MIDI n#&e a% c#nf(r8e0 / &e Dru8 Pa0 Nu8er0(%,la/. En&er &e n#&e nu8er4na8e (& &e nu8er #r INC4DEC u&n%.

Bac+5r#un0 N#&e a%%(5n8en&% are 75l#al7 an0 affec& e@er/ Pa&&ern. MIDI n#&e a%%(5n8en&% are n#& (n0(@(0uall/%elec&ale f#r eac Pa&&ern.

Te 0efaul& n#&e a%%(5n8en&% are:

Dru84Pa0

(c+Snare

Cl% Ha&O,en Ha&

MIDI N#&e

6

9296

e/ Na8e

C1D1

F1A1


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6.< PA3E


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Te e=&ernal 0e@(ce %euencer 0ru8 8ac(ne e&c. can re%,#n0 MIDI &(8(n5 %(5nal%. Te%e %(5nal% 5# fr#8 &e SR-16'% MIDI #u& &e e=&ernal 0e@(ce'% MIDI (n. CLOCOUT (% ON .

en %la@(n5 &e SR-16 #&er 0e@(ce% CLOCOUT %#ul0 e O F F an0 CLOC IN %#ul0 e O N .

6.> PA3E >: MER3E MIDI IN ITH MIDI OUT MIDITHRU

MIDITHRUOFFSETUPMIDI

PA3E

PERFORM

Te 0(%,la/ %#% MIDITHRU. T# a@e &e SR-16 8er5e 0a&a a,,ear(n5 a& &e MIDI (n (&&e &(8(n5 an04#r n#&e 0a&a a,,ear(n5 a& &e MIDI #u& u%e &e INC4DEC u&n% %elec& ON.Selec& OFF a@e &e SR-16 MIDI #u& carr/ SR-16 &(8(n5 an0 n#&e 0a&a #nl/.

Bac+5r#un0 Turn(n5 MIDI #u& MIDI &ru can e an0/ f#r %#8e %/%&e8 a,,l(ca&(#n%. E=a8,le: A%%u8e a MIDI+e/#ar0 c#nnec&% &e SR-16 MIDI (n. Te SR-16 %er@e% a% &e 8a%&er cl#c+ f#r an MMT- %euencer &e SR-

16 MIDI #u& c#nnnec&% &e MMT- MIDI (n. (& MIDITHRU %e& ON &e +e/#ar0 n#&e 0a&a (ll e ,a%%e0&r#u5 &e SR-16 an0 a,,ear a& &e MMT- MIDI (n.

O&er SR-16 %e&&(n5% %#ul0 e DRUM IN OFF %# &e SR-16 0#e%n'& re%,#n0 /#ur +e/#ar0 ,la/(n5 an0CLOCOUT ON %# &a& &e SR-16 cl#c+ 0r(@e% &e MMT-. DRUMOUT %#ul0 al%# e O F F %# &a& &e MMT-0#e%n'& rec#r0 &e SR-16 0ru8 n#&e%. Plu55(n5 &e MMT- MIDI #u& &e +e/#ar0 MIDI (n ,la/% ac+ &e

0 & & & + 0


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6. PA3E : SELECT DRUM SETS IA MIDI PRO3RAM CHAN3ES PR3 CHN3

PR3 CHN3OFF

SETUPMIDI

PA3E

PERFORM

Te 0(%,la/ %#% PR3 CHN3. Pr#5ra8 Can5e c#88an0% can can5e Dru8 Se&%nu8er% a& an/ &(8e (nclu0(n5 (le &e SR-16 (% ,la/(n5. T# a@e &e SR-16 rece(@ePr#5ra8 Can5e% u%e &e INC4DEC u&n% %elec& ON. Selec& OFF a@e &e SR-16(5n#re Pr#5ra8 Can5e%.

Bac+5r#un0 Pr#5ra8 Can5e PC %elec&% U%er Dru8 Se& PC 1 %elec&% U%er Dru8 Se& 1 PC 2

%elec&% U%er Dru8 Se& 2 e&c. Cau&(#n! S#8e un(&% nu8er Pr#5ra8 Can5e% a% 1-12 #&er% a% -12> an0

%#8e a% an+% #f ,r#5ra8%. If &e 0e@(ce 5enera&(n5 Pr#5ra8 Can5e% f#ll#% a n#n-%&an0ar0 ,r#c#l (&'% a 5##0(0ea 8a+e u, a c#n@er%(#n car& &a& %#% (c Pr#5ra8 Can5e% call u, (c Dru8 Se&%.

Pr#5ra8 Can5e% -9G %elec& &e .

Te curren& Pa&&ern (ll re8e8er a&e@er Dru8 Se& (% %elec&e0 @(a Pr#5ra8 Can5e% u%& a% (f /#u a0 %elec&e0

(& 8anuall/ unle%% &e SR-16 (% (n Manual 8#0e 0e%cr(e0 (n Pa5e G #f &e Dru8 Se& 8enu.

If Pr#5ra8 Can5e (% enale0 an0 &e SR-16 (% (n MULTI-DRUMSET 8#0e %ee %ec&(#n 6.G el# an0 a

,r#5ra8 can5e (% rece(@e0 (n &e -9G ran5e &e SR-16 (ll aua&(call/ %elec& &e 0ru8%e& 5r#u,c#rre%,#n0(n5 &e ,r#5ra8 can5e nu8er. F#r e=a8,le (f ,r#5ra8 6 (% rece(@e0 (& &e a#@e c#n0(&(#n%

8e& &e n#&e 8a, (ll can5e 0ru8%e& 5r#u, -G.


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Dru8Se&

111111

111111222

2222

Pa01

29G11112129G1111212

9

MIDIN#&e

129G111121191

11G22122229222G

Dru8Se&

9999999999

99.2 TAPE INTERFACE HOOUP

T# %a@e &a,e: C#nnec& a 8(n( ,#ne ,lu5 cale 8ale--8ale fr#8 &e SR-16 &a,e(n4#u& &e rec#r0er'% &a,e (n. If /#u are u%(n5 a %&an0ar0 ca%%e&&e rec#r0er ra&er &an a

0a&a rec#r0er ,lu5 (n &e rec#r0er'% Au= #r L(ne Le@el (n,u&. If /#ur #nl/ #,&(#n (% ,lu5(n &e 8(cr#,#ne (n,u& /#u 8a/ %&(ll e ale ac(e@e %a&(%facr/ re%ul&%.

Ta,e Ta,e Rec#r0er

Au= In

T# @er(f/ a %a@e #r l#a0 0a&a fr#8 &a,e: C#nnec& a 8(n( ,#ne ,lu5 cale 8ale--8ale fr#8 &e rec#r0er'% %,ea+er #r l(ne #u& &e SR-16'% &a,e (n4#u&.

Ta,e Ta,e Rec#r0er

S,ea+er Ou&

>. PA3E 1: SEND DATA AS MIDI TO A MIDI S"S EJ STORA3E DEICE SENDOUT MIDI;

Te 0(%,la/ %#% SEND OUT MIDI; T# c#n@er& &e SR-16'% Pa&&ern an0 S#n5(nf#r8a&(#n (n MIDI %/%&e8 e=clu%(@e 0a&a an0 %en0 &(% 0a&a &r#u5 &e MIDI #u& ,re%%&e PLA" u&n. Te 0(%,la/ (ll %a/ SENDIN3 MIDI) c#nf(r8 &a& 0a&a (% e(n5 %en&.T ( ll & MIDI & l0 & & & SR 16' MIDI ( & l ( 0 &


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1. C#nnec& &e SR-16 MIDI #u& &e Da&aD(%+ DD MIDI (n.2 . In%er& a f#r8a&&e0 0(%+ (n &e DD an0 ,r#cee0 &e ne=& %&e,. If &e 0(%+ (% n#& f#r8a&&e0 (n%er& (& (n &e 0r(@ean0 ,re%% &e DD F#r8a& %(&c. en &e DD 0(%,la/ %a/% FORMAT DIS; ,re%% DO4"ES. en &e 0(%,la/%a/% ARE "OU SURE; ,re%% DO4"ES a5a(n.

. Pre%% &e DD RECEIE u&n. Te 0(%,la/ %a/% REC ONE S"SEJ: AITIN3 FOR DATA.9 . Pre%% &e SR-16 BACUP u&n (f /#u are n#& alrea0/ (n &e ac+u, func&(#n an0 %elec& Pa5e 1.< . Pre%% &e SR-16 PLA" u&n. Te SR-16 0(%,la/ %a/% SENDIN3 MIDI) an0 &e DD 0(%,la/ %a/% RECEIIN3Ale%(% SR-16 (n0(ca&e &a& 0a&a a% een rece(@e0.6 . T# ,re@en& fu&ure c#nfu%(#n na8e &e DD f(le u%(n5 &e DD NAME func&(#n.

>.9 RECEIE DATA DIRECTL" FROM ANOTHER MIDI DEICE

Te SR-16 (ll aua&(call/ l#a0 SR-16 %/%&e8 e=clu%(@e 0a&a ,re%en& a& (&% MIDI (n,u&.Teref#re &ere (% n# a%%#c(a&e0 func&(#n ,a5e %(nce rece,&(#n can #ccur a& an/ &(8e &a& a%/% e= %ra5e 0e@(ce #r an#&er SR-16 %en0% 0a&a &r#u5 (&% MIDI #u& (n &e SR-16'% MIDI(n. If &e SR-16 rece(@e% %/% e= (le a Pa&&ern #r S#n5 (% ,la/(n5 &e Pa&&ern #r S#n5 (ll%,. S#n5 GG (ll e %elec&e0 #nce &e 0u8, (% f(n(%e0.

Te SR-16 (% c#8,a&(le #nl/ (& SR-16 %/%&e8 e=clu%(@e 0a&a f#r e=a8,le /#u cann#&l#a0 %/%&e8 e=clu%(@e 0a&a fr#8 an#&er 0ru8 8ac(ne (n &e SR-16.

Te f#ll#(n5 0e%cr(e% # l#a0 0a&a fr#8 &e Ale%(% Da&aD(%+ #&er %/%&e8 e=clu%(@e%ra5e 0e@(ce% #r+ %(8(larl/ u& ,lea%e refer &e #ner'% 8anual f#r /#ur ,ar&(cular0e@(ce f(n0 #u& # %e& (& u, %en0 MIDI %/% e= 0a&a.

NOTE: en l#a0(n5 a %(n5le 0ru8 %e& (n %/% e= e %ure an0 %a@e &e %e& a u%er 0ru8 %e&8e8#r/ l#ca&(#n ef#re can5(n5 ,a&&ern%. If /#u can5e Pa&&ern% ef#re %a@(n5 &e 0ru8%e& &e 0ru8 %e& (ll e l#%&.

L#a0(n5 fr#8 Da&aD(%+

1. C#nnec& &e DD MIDI #u& &e SR-16 MIDI (n.


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>.< PA3E 2: SAE ALL MEMOR" CONTENTS TO TAPE STORE TO TAPE;

STORE TOTAPE;

BACUPPRESS PLA"

PA3E

T(% func&(#n %a@e% all Pa&&ern% S#n5% an0 Dru8 (&% &a,e. Te 0(%,la/ %#% STORETO TAPE; Pu& &e ca%%e&&e rec#r0er (n rec#r0 8#0e. Af&er &e &a,e a% 5#ne ,a%& &elea0er (f ,re%en& ,re%% PLA" #n &e SR-16. Te SR-16 0(%,la/ (ll (ncre8en& &r#u5 &eA4B Pa&&ern% an0 S#n5% &e #,era&(#n (% f(n(%e0 en &e 0(%,la/ %a/% DONE. I&'% a 5##0(0ea %a@e 0a&a %e@eral &(8e% (n ca%e ,ar& #f &e &a,e ec#8e% 0a8a5e0.

T# cancel &e %a@(n5 #,era&(#n a& an/ &(8e ,re%% STOP. Te 0(%,la/ %a/% TAPE OUT

CANCEL.

Re8e8er &a& /#u can %a@e 0a&a an/ &a,e 8e0(u8. F#r e=a8,le rec#r0(n5 0ru8 ,ar&0a&a a& &e ea0 #f a 8ul&(-&rac+ 8a%&er (% #f&en c#n@en(en& a% (& %re% &e 0ru8 ,ar&% u%e0#n a %#n5 (& &a& %#n5.

>.6 PA3E : ERIF" DATA RECORDED ON TAPE ERIF" TAPE;


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T# cancel &e @er(f/(n5 #,era&(#n a& an/ &(8e ,re%% STOP. Te 0(%,la/ %a/% TAPE INCANCEL.

Bac+5r#un0 Alu5 ca%%e&&e (n&erface% are u(&e rel(ale ,r#le8% can #ccur 0ue (nc#rrec& &a,e le@el%

0efec&(@e &a,e a0 luc+ e&c. D# n#& c#n%(0er /#ur #r+ a% %a@e0 un&(l /#u a@e @er(f(e0 &e 0a&a rec#r0e0 #n&a,e &u% (n%ur(n5 &a& (& can e l#a0e0 ac+ (n &e SR-16 (n &e fu&ure.

Unl(+e %#8e #&er ca%%e&&e (n&erface% &(% func&(#n @er(f(e% &a& &e 0a&a #n &a,e (% @al(0 n#& nece%%ar(l/ &a& (&'%&e %a8e 0a&a a% a&'% (n &e 8ac(ne. In #&er #r0% &e @er(f/ func&(#n 0#e% n#& #r+ / cec+(n5 &e &a,e 0a&aan0 SR-16 0a&a f#r %(8(lar(&(e%. Teref#re /#u can @er(f/ &a,e 0a&a a& an/ &(8e.

>.> PA3E 9: LOAD DATA FROM TAPE LOAD IN TAPE;

LOAD INTAPE;

BACUPPRESS PLA"

PA3E

T(% l#a0% all 0a&a %re0 (n &e &a,e 0u8, e(n5 l#a0e0. Te 0(%,la/ %a/% LOAD INTAPE; Pre%% PLA" &e 0(%,la/ %a/% START TAPE)

Pre%% &e rec#r0er'% Pla/ u&n. (le l#a0(n5 &e 0(%,la/ %#% &e curren& Pa&&ern #rS#n5 e(n5 l#a0e0 un&(l all 0a&a a% een l#a0e0. U,#n c#8,le&(#n &e 0(%,la/ %a/%DONE.


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>. PA3E


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Bac+5r#un0 "#u 8a/ u%& an& l#a0 #ne S#n5 fr#8 &a,e ra&er &an all 0a&a. A S#n5 e(n5 l#a0e0 fr#8 &a,e(ll &a+e (&% #r(5(nal ,#%(&(#n (n 8e8#r/ e.5. SON3 2 (ll rel#a0 ac+ (n SON3 2 an0 (ll #@err(&e an/ 0a&acurren&l/ %re0 (n &a& l#ca&(#n.

>.1 PA3E >: CHEC AAILABLE MEMOR" FREE MEM

FREE MEM

1BACUPPA3E

en /#u %elec& Pa5e > &e 0(%,la/ (ll %# &e a,,r#=(8a&e a8#un& #f free 8e8#r/

a@a(lale e=,re%%e0 a% a ,ercen&a5e #f &e &al a8#un&.

Bac+5r#un0 I& (% (8,#r&an& cec+ 8e8#r/ fr#8 &(8e &(8e ecau%e &e SR-16 ala/% reu(re% %#8e free

8e8#r/ f#r ,r#,er #,era&(#n. If &e a@a(lale 8e8#r/ fall% el# 1


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>.11 CLEAR MEMOR"4RE-INITIALI?E PARAMETERS

Af&er %a@(n5 a an+ #f 0a&a /#u 8a/ an& %&ar& ,r#5ra88(n5 ne Pa&&ern% fr#8 %cra&c %#/#u 0#n'& 8(= u, ne Pa&&ern% (& #l0 #ne%. T(% #,era&(#n clear% &e 8e8#r/ an0 re-

(n(&(al(Ke% all ,ara8e&er%. I& can al%# e a u%eful %er@(ce &ecn(ue re%re &e SR-16 n#r8al #,era&(#n (f (& 7l#c+% u,7 0ue %#8e unf#re%een e@en& l(+e a %&a&(c elec&r(c(&/ #l& #r,#er %u,,l/ (n&erru,&(#n.

All e=(%&(n5 Pa&&ern% S#n5% an0 0ru8 a%%(5n8en&% (ll e l#%& en /#u clear 8e8#r/.Sa@e &e SR-16'% 8e8#r/ &a,e #r MIDI unle%% /#u are a%#lu&el/ %ure /#u 0#n'& nee0 (&.

T# re-(n(&(al(Ke &urn #ff ,#er an0 a(& a fe %ec#n0%. Pre%% an0 #l0 &e PLA" an0 ERASE

u&n% (le &urn(n5 #n ,#er. C#n&(nue #l0(n5 &e%e u&n% 0#n f#r a& lea%& &ree%ec#n0% af&er &urn(n5 #n ,#er.

>.12 CHEC SOFTARE ERSION

ERSION1.

T# 0e&er8(ne &e %#f&are @er%(#n (n /#ur SR-16 ,re%% &e FILL u&n a& an/ &(8e /#u're (n


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CHAPTER : APPLICATIONS

.1 MIDI S"NC APPLICATIONS

.1A SR-16 A% MIDI T(8(n5 Ma%&er

Te SR-16 can c#n&r#l %e@eral #&er %la@e MIDI 0ru8 8ac(ne% #r %euencer% / &urn(n5 #nMIDI Cl#c+ Ou& (c %en0% SR-16 &(8(n5 (nf#r8a&(#n 0#n &e MIDI l(ne.

1. Turn #n MIDI Cl#c+ Ou& %ec&(#n 6.6.

2. Pr#5ra8 &e %la@e un(&% n#& f#ll# &e(r (n&ernal cl#c+% u& acce,& e=&ernal MIDI Cl#c+an0 S&ar&4S, 0a&a. Refer eac 0e@(ce'% 8anual f(n0 #u& # 0# &(%. Enale &e%la@e'% S#n5 P#%(&(#n P#(n&er (f (& (% a@a(lale #r (& 8a/ e a@a(lale all &e &(8e an0 n#& nee0 e %,ec(f(call/ enale0 a% (% &e ca%e (& &e Ale%(% HR-16 an0 MMT-.. Pre%% PLA" #n &e SR-16. Te %la@e un(&% %#ul0 %&ar& a& &e %a8e &(8e an0 ,r#5re%% a&&e %a8e &e8,#. If &e %la@e% re%,#n0 S#n5 P#%(&(#n P#(n&er /#u can %&ar& an SR-16 S#n5a& an/ ,#(n& an0 af&er a fe %ec#n0% &e %la@e% (ll ca&c u, an0 %/ncr#n(Ke fr#8 &a& ,#(nn.

Te f#ll#(n5 0(a5ra8 %#% an SR-16 %er@(n5 a% &e MIDI %/%&e8 8a%&er cl#c+ (& an HR-16 0ru8 8ac(ne an0 MMT- %euencer %e& a% %la@e%. N#&e &a& #& 0e@(ce% 8u%& e %e& acce,& e=&ernal MIDI cl#c+ 8e%%a5e%.

MIDI Ou&

OLUME


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. Pre%% PLA" #n &e %/%&e8 8a%&er. Te SR-16 %#ul0 %&ar& a& &e %a8e &(8e an0 ,r#5re%%a& &e %a8e &e8,#. If &e 8a%&er 5enera&e% S#n5 P#%(&(#n P#(n&er /#u can %&ar& &e 8a%&er a&an/ ,#(n& an0 #& un(&% (ll %/ncr#n(Ke fr#8 &a& ,#(n& #n.

Te f#ll#(n5 0(a5ra8 %#% an SR-16 %la@e0 &e MIDI %/%&e8 8a%&er cl#c+ ,r#@(0e0 (n&(% ca%e / a +e/#ar0 7#r+%&a&(#n7 #n-#ar0 %euencer.

MIDI In

MIDI Cl#c+In QOn

OLUME

MIDI Ou&

e/#ar07#r+%&a&(#n7

.1C S/nc(n5 S/n&e%(Ker Seuencer%

Man/ %/n&e%(Ker% (nclu0e u(l&-(n %euencer% En%#n( EPS16W an0 FJ-SD R#lan0 D-2#r5 M1 an0 T1 Pea@e/ DPM- e&c.. "#u can u%e &e SR-16 a% a 0ru8 e=,an0er 8#0ulean0 rec#r0 &e reu(re0 n#&e% (n #ne #f &e %euencer &rac+%. Or rec#r0 a S#n5 (n &e SR-16an0 %/nc (& &e +e/#ar0 %euencer'% &(8(n5 0a&a %# /#u 0#n'& nee0 u%e u, a %euencer&rac+.


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.2 STRATE3IES FOR ASSEMBLIN3 PATTERNS AND SON3S

I0eall/ /#u %#ul0 e ale &ran%la&e /#ur (n%,(ra&(#n% (n &an5(le f#r8 (& a 8(n(8u8a8#un& #f eff#r&. Te f#ll#(n5 &(,% an0 &ecn(ue% el, %,ee0 u, &e ,r#ce%% #f crea&(n5

Pa&&ern% an0 S#n5%.

.2A Crea&e F(ll% *u(c+l/ (& &e C#,/ Func&(#n

Man/ &(8e% a F(ll (ll %(8,l/ e a @ar(a&(#n #n an#&er Pa&&ern u& (& a fe 8(n#r0(fference% a00 @ar(e&/ #r %er@e 0(fferen& 8u%(cal ,ur,#%e%. T# %a@e &(8e u%e &e C#,/func&(#n c#,/ &e 8a(n Pa&&ern &e F(ll &en a00 @ar(a&(#n% &e F(ll (n real &(8e #r (&

S&e, E0(& 8#0e.

.2B A%%e8le S#r& Pa&&ern% (n L#n5er Pa&&ern% (& &e C#,/ Func&(#n

I&'% le%% &(8e-c#n%u8(n5 #r+ (& %#r& Pa&&ern% %(nce /#u 0#n'& a@e a(& f#r &e en&(rePa&&ern c/cle &r#u5 ef#re #@er0u(n5 #r 7%,#& era%(n57 e@en&%. Af&er a%%e8l(n5%e@eral %#r& Pa&&ern% u%e &e c#,/ func&(#n a,,en0 Pa&&ern% (n a l#n5er Pa&&ern.E=a8,le: Crea&e f#ur e(5&-ea& Pa&&ern% &en u%e &e c#,/ func&(#n c#8(ne &e%e (n a%(n5le 2-ea& Pa&&ern.

.2C Sa@e Me8#r/ Tr#u5 S#n5 S&e,%

ene@er ,#%%(le re,ea& Pa&&ern% u%(n5 S#n5 %&e,% ra&er &an ,r#5ra8 l#n5 Pa&&ern%.E=a8,le: Su,,#%e /#u a@e a 16-8ea%ure f(5ure ere &e f(r%& &ree 5r#u,% #f f#ur8ea%ure% are (0en&(cal an0 &e f(nal 5r#u, #f f#ur 8ea%ure% ,r#@(0e% %#8e %#r& #f @ar(a&(#n.

Rec#r0(n5 &(% a% #ne 16-8ea%ure Pa&&ern (ll &a+e u, 8#re 8e8#r/ &an rec#r0(n5 Pa&&ern% #ne #f &e f(r%& 5r#u, #f f#ur 8ea%ure% an0 #ne #f &e la%& 5r#u, #f f#ur 8ea%ure%an0 (le (n S#n5 8#0e re,ea&(n5 &e f(r%& 5r#u, &ree &(8e% f#ll#e0 / &e la%& 5r#u, #nce.


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. SOUND STACIN3

.A Ba%(c%

S#un0 S&ac+(n5 a% (n&r#0uce0 / Ale%(% #n (&% earl(er 0ru8 8ac(ne% &e HR-16 an0HR-16:B. I& (% a u(c+ an0 eff(c(en& a/ #f la/er(n5 0ru8 %#un0% crea&e &(c+er 0ru8&e=&ure% an0 5(@e% &e u%er (0e ca,a(l(&(e% f#r e=,er(8en&(n5 (& ne ,er%#nal(Ke0 0ru8%#un0%. Tr#u5 %#8e (n&ell(5en& %#f&are 8an(,ula&(#n a 0ru8 %#un0'% r/&8 ,a&&ern cane c#,(e0 an/ #&er 0ru8 ,a0 &ere/ %(8ul&ane#u%l/ &r(55er(n5 &e 0ru8 %#un0%a%%(5ne0 #& ,a0%. "#u can %&ac+ a% 8an/ %#un0% a% &ere are 0ru8 ,a0% u& /#u'll8#%& #f&en nee0 a@e en#u5 0ru8 5r#u,% crea&e a 0ru8 %e&. T/,(call/ &e %nare #ul0e %&ac+e0 (& #ne #r #&er %#un0% an0 &e +(c+ 8(5& e %&ac+e0 (& #ne #&er %#un0.Of c#ur%e &e ac&ual u%e (% &all/ u, /#u u& &e ,#%%((l(&(e% are en0le%%.

Te #,era&(#n (% a %(8,le c#,/ func&(#n ,erf#r8e0 en &e SR-16 (% (n %, 8#0e an0 cane 0#ne a& an/ &(8e: (le 0e@el#,(n5 a r/&8 ,a&&ern 0ur(n5 8(=0#n (f /#u're 0r(@(n5 &eSR-16 l(@e &r#u5 MIDI #r %&ac+ %#un0% #n &e SR-16'% ,re%e& r/&8 ,a&&ern%. Inc#nunc&(#n (& &e SR-16'% 8(= ,an an0 &une func&(#n% /#u can cu%(Ke &e 0ru8 %#un0 &e %,ec(f(c nee0% #f &e %#n5 /#u are #r+(n5 #n. T(% +(n0 #f fle=((l(&/ 8a+e% &e SR-16a ,#erful ,r#0uc&(#n #l (n &e cr(&(cal 0ec(%(#n 8a+(n5 ,r#ce%% &a& 5(@e% ,er%#nal(&/ rec#r0e0 8u%(c.

.B S#un0 S&ac+(n5 en U%(n5 &e SR-16 a% a Dru8 Mac(ne

en u%e0 a% a 0ru8 8ac(ne #ne ,a0'% r/&8 can e c#,(e0 an#&er ,a0 %# &a& a%&e Pa&&ern ,la/% #& ,a0% 0#ule a ,ar& u%e &e 0(rec&(#n% (n %ec&(#n .B ,erf#r8S#un0 S&ac+(n5. "#u can al%# c#,/ &e r/&8 a00(&(#nal ,a0% (f 0e%(re0.

.C E0(&(n5 S&ac+e0 C#8(na&(#n%

Re8e8er &a& &e %&ac+e0 %#un0% can e fur&er 8#0(f(e0 (& &e Dru8 Se& ,ara8e&er%.E=a8,le: T(8ale c#ul0 e %&ac+e0 (& a %nare u& 8(=e0 a (& l#er &an &e %nare 5(@e


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.9 UNDERSTANDIN3 RH"THMIC NOTATION

Mea%ure% A ,(ece #f 8u%(c (% 0(@(0e0 (n %8aller un(&% calle0 8ea%ure% al%# calle0 ar%an0 eac 8ea%ure (% 0(@(0e0 (n ea&%. In &e SR-16 eac ea& (% fur&er %u-0(@(0e0 (n G6

%u-ea&%.

R/&8(c alue% f#r N#&e% (& a 8ea%ure r(&&en (n a 949 &(8e %(5na&ure &ere are 9ea&% ,er 8ea%ure an0 eac ea& re,re%en&% a uar&er 149 n#&e. Tu% &ere are 9 uar&ern#&e% ,er 8ea%ure #f 949 8u%(c. (& a 49 &(8e %(5na&ure &e 7nu8erar7 (n0(ca&e% &a& &ereare ea&% ,er 8ea%ure (le &e 70en#8(nar7 (n0(ca&e% &a& eac #f &e%e ea&% (% auar&er n#&e 149.

Tere are e(5& n#&e% ,er uar&er n#&e. Tu% &ere are e(5& e(5& n#&e% ,er 8ea%ure#f 949 8u%(c.

Tere are f#ur16& n#&e% ,er uar&er n#&e. Tu% &ere are %(=&een 16& n#&e% ,er 8ea%ure #f949 8u%(c.

Tere are e(5& 2n0 n#&e% ,er uar&er n#&e. Tu% &ere are &(r&/- 2n0 n#&e% ,er8ea%ure #f 949 8u%(c.

Tere are al%# n#&e% &a& %,an a 5rea&er nu8er #f ea&% &an uar&er n#&e%. A alf n#&eeual% uar&er n#&e%. Teref#re &ere are alf n#&e% ,er 8ea%ure #f 949 8u%(c. A#le n#&e eual% f#ur uar&er n#&e% %# &ere (% #ne #le n#&e ,er 8ea%ure #f 949 8u%(c.e +ee, referr(n5 &e%e n#&e% 949 8u%(c ecau%e &a& (% &e 8#%& c#88#nl/ u%e0 &(8e%(5na&ure (n c#n&e8,#rar/ e%&ern 8u%(c.

Tr(,le&% Te a#@e n#&e% 0(@(0e 8ea%ure% / facr% #f . H#e@er &ere are %#8eca%e% ere /#u an& 0(@(0e a ea& (n &(r0% 5(@(n5 &ree n#&e% ,er ea&. D(@(0(n5 a

uar&er n#&e / &ree re%ul&% (n e(5&-n#&e &r(,le&%. Te rea%#n / e u%e &e &er8 e(5&-n#&e &r(,le&% (% ecau%e &e e(5& n#&e (% cl#%e%& &e ac&ual r/&8(c @alue. D(@(0(n5 ane(5& n#&e / &ree re%ul&% (n 16&-n#&e &r(,le&%. D(@(0(n5 a 16& n#&e / &ree re%ul&% (n 2n0

l


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CHAPTER G: MIDI SUPPLEMENT

T(% ca,&er (% a0a,&e0 (& ,er8(%%(#n fr#8 P#er Seuenc(n5 (& Ma%&er Trac+% Pr#4Pr#9 an0 Te C#8,le&e 3u(0e &e Ale%(% HR-16 an0 MMT- c#,/r(5& 1GG an0 1GG

re%,ec&(@el/ / AMSCO Pul(ca&(#n%.

G.1 MIDI BASICS

M#%& curren& elec&r#n(c (n%&ru8en&% (nclu0(n5 &e SR-16 c#n&a(n an (n&ernal c#8,u&er.C#8,u&er% an0 8u%(c a@e een #r+(n5 e&er f#r 0eca0e% (c (% n#& %ur,r(%(n5c#n%(0er(n5 8u%(c'% 8a&e8a&(cal a%(% c#n%(0er freuenc(e% ar8#n(c% @(ra ra&e%

&un(n5% e&c.. In &e 8(0->% 8(cr#c#8,u&er% eca8e (ne=,en%(@e en#u5 e u(l& (nc#n%u8er-,r(ce0 8u%(cal (n%&ru8en&%. Te/ ere u%e0 f#r e@er/&(n5 fr#8 %#un0 5enera&(#n %r(n5 ,ara8e&er% (n 8e8#r/ f#r la&er recall.

In 1G &e MIDI Mu%(cal In%&ru8en& D(5(&al In&erface %,ec(f(ca&(#n a% (n&r#0uce0 e&&ere=,l#(& &e c#8,u&er% (n%(0e &e%e ne 8u%(cal (n%&ru8en&% ,r(8ar(l/ (n%ure c#8,a&((l(&/(& eu(,8en& fr#8 #&er 8anufac&urer%. MIDI e=,re%%e% 8u%(cal e@en&% n#&e% ,la/e0@(ra 0/na8(c% &e8,# e&c. a% a c#88#n 7lan5ua5e7 c#n%(%&(n5 #f %&an0ar0(Ke0 0(5(&al

0a&a. T(% 0a&a can e un0er%#0 / MIDI-c#8,a&(le c#8,u&er% an0 c#8,u&er-a%e08u%(cal (n%&ru8en&%.

Bef#re elec&r#n(c% 8u%(c a% e=,re%%e0 e=clu%(@el/ a% r(&&en %/8#l%. B/ &ran%la&(n58u%(cal ,ara8e&er% (n 0(5(&al 0a&a MIDI can e=,re%% n#& #nl/ &e &/,e% #f 8u%(cal e@en&%r(&&en (n %ee& 8u%(c u& #&er ,ara8e&er% a% ell %uc a% a8#un& #f ,(&c en0 #r0e5ree #f @(ra.

G.1A MIDI Har0are

MIDI-c#8,a&(le 0e@(ce% u%uall/ (nclu0e #& MIDI (n an0 MIDI #u& ac+% (c &er8(na&e (n


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16'% MIDI #u& ac+ can e %(&ce0 a &ru func&(#n &a& 8er5e% MIDI (n 0a&a (& SR-16MIDI 0a&a.

G.1B A#u& Seuenc(n5

Seuenc(n5 &e c#8,u&er(Ke0 eu(@alen& #f &a,e rec#r0(n5 (% a @er/ c#88#n an0 ,#,ularMIDI a,,l(ca&(#n. Te SR-16 (% a %,ec(al-,ur,#%e %euencer #,&(8(Ke0 f#r 0ru8 8ac(nea,,l(ca&(#n%.

Seuenc(n5 &a+e% a0@an&a5e #f &e fac& &a& MIDI 0a&a can e &(8e-%&a8,e0 (& r/&8(c0a&a an0 rec#r0e0 (n c#8,u&er 8e8#r/. Te c#8,u&er ac&% l(+e a rec#r0er u& (n%&ea0 #frec#r0(n5 au0(# (& %re% 0(5(&al 0a&a &a& re,re%en&% &e ,a0% /#u ,la/e0 &e e=ac& #r0er (n(c /#u ,la/e0 %e ,a0% an0 &e ,a0 0/na8(c%.

Once %re0 (n 8e8#r/ &e ,erf#r8ance can e ,la/e0 ac+. Te ,r(nc(,le (% &e %a8e a% a,la/er ,(an# u& (n%&ea0 #f a@(n5 +e/% &r(55ere0 / #le% (n a r#ll #f ,a,er 0ru8 %#un0% are&r(55ere0 / 0a&a c#n&a(ne0 (n &e c#8,u&er'% 8e8#r/.

Te SR-16 al%# #r+% ell a% a 0ru8 %#un0 e=,an0er 8#0ule f#r %e,ara&e %&an0-al#ne #rc#8,u&er-a%e0 %euencer%. Eac #f MIDI'% 16 a@a(lale cannel% can carr/ a un(ue %e& #f

MIDI 0a&a. S(nce all &(% 0a&a &ra@el% #@er #ne cale eac ,(ece #f 0a&a (nclu0e% (&%a,,r#,r(a&e cannel ID %# &a& MIDI rece(@er% can 7&une (n7 a ,ar&(cular cannel an0 acce,nl/ &a& 0a&a. Te SR-16 can &une (n &e cannel &a& ,la/% 0ru8 n#&e% an0 re%,#n0 /&r(55er(n5 %#un0%.

G.2 MIDI CHANNEL MESSA3ES

Tere are 8a(n &/,e% #f MIDI 8e%%a5e%. Cannel 8e%%a5e% (c are cannel-%,ec(f(c


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G.2B M#0e Me%%a5e%

Tere are 8e%%a5e% &a& 0e&er8(ne &e MIDI 8#0e (.e. # 0e@(ce% (ll rece(@e MIDI0a&a. Te 7#8n(7 8e%%a5e 0e&er8(ne% # 8an/ cannel% (ll e rec#5n(Ke0. O8n( #n

8ean% &a& 0a&a fr#8 all cannel% (ll e rece(@e0 O8n( #ff l(8(&% &e nu8er #f cannel%u%uall/ #ne.

Te 78#n#4,#l/7 8e%%a5e 0eal% (& @#(ce a%%(5n8en& (&(n &e %/n&e%(Ker. In M#n# 8#0e#nl/ #ne n#&e a& a &(8e ,la/% (n re%,#n%e @#(ce 8e%%a5e% (n P#l/ 8#0e a% 8an/ @#(ce%can ,la/ n#&e% a% are a@a(lale ,la/ n#&e%.

Te SR-16 #ffer% &e f#ll#(n5:

O8n( On4P#l/ M#0e 1 Te SR-16 re%,#n0% MIDI 0a&a #ccur(n5 #n an/ cannel.

O8n( Off4P#l/ M#0e Te SR-16 (% &une0 #ne cannel an0 (5n#re% #&er cannel%.

G. S"STEM COMMON MESSA3ES

In&en0e0 f#r all un(&% (n a %/%&e8 %#8e #f &e%e 8e%%a5e% are:

S#n5 P#%(&(#n P#(n&er T(% (n0(ca&e% # 8an/ 7MIDI ea&%7 n#r8all/ a 16& n#&e a@eela,%e0 %(nce a ,(ece %&ar&e0 u, &al ea&%. I& (% ,r(8ar(l/ u%e0 all# 0(fferen&%euencer% an0 0ru8 8ac(ne% au-l#ca&e eac #&er %# &a& (f /#u %&ar& #ne%euencer &e #&er 0e@(ce (ll aua&(call/ u8, &e %a8e ,lace (n &e %#n5ereu,#n #& c#n&(nue #n e&er.

S/%&e8 E=clu%(@e T(% 8e%%a5e calle0 %/% e= f#r %#r& (% c#n%(0ere0 7e=clu%(@e7

ecau%e 0(fferen& 8anufac&urer% %en0 an0 rece(@e 0a&a #@er MIDI (c (% (n&en0e0 #nl/ f#r&a& 8anufac&urer'% eu(,8en&. E=a8,le: %en0(n5 an Ale%(% SR-16 8e%%a5e an En%#n(FJ-SD #r R#lan0 MT-2 #n'& 0# an/&(n5 u& (ll e un0er%#0 / #&er SR-16%. T(%


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MIDI F#r Mu%(c(an% an0 Te Elec&r#n(c Mu%(c(an'% D(c&(#nar/ / Cra(5 An0ern AMSCOPul(ca&(#n%. Te f#r8er a% r(&&en %,ec(f(call/ f#r 8u%(c(an% (& n# ac+5r#un0 (n MIDIan0 &e la&&er 0ef(ne% &er8% rela&e0 8u%(cal elec&r#n(c%.

Mu%(c Tr#u5 MIDI / M(cael B##8 M(cr#%#f& Pre%%. An e=cellen& &e=& f#r %e 5e&&(n5%&ar&e0 (& MIDI %/n&e%(% an0 rela&e0 ,(c%.

Te Mur,/'% La MIDI B##+ / $eff Bur5er Ale=an0er Pul(%(n5. E8,a%(Ke% a,,l(ca&(#n%an0 ,r#le8-%#l@(n5.

U%(n5 MIDI / Helen Ca%a#na an0 Da@(0 Fre0er(c+ Alfre0 Pul(%(n5. A 5eneral 5u(0e MIDI (& an e8,a%(% #n a,,l(ca&(#n%.

Un0er%&an0(n5 MIDI an0 Un0er%&an0(n5 MIDI 2 / @ar(#u% aur% A8#r0(an Pre%%. Ac#llec&(#n #f MIDI-#r(en&e0 ar&(cle% fr#8 Mu%(c(an 8a5aK(ne.

De%cur(en0# MIDI / $#%X alenKuela Ale%(% Pul(%(n5. A r#u5 #@er@(e #f MIDI (nS,an(% %u(&ale f#r e5(nner% an04#r a0@ance0 u%er%.

G.< IDEOS ON MIDI

Te Ba%(c% Of MIDI fea&ur(n5 Cra(5 An0ern (& S&e@e S8/&e Ale%(% Pul(%(n5. An#@er@(e #f &e c#nce,&% an0 a,,l(ca&(#n% #f &e MIDI (n&erface. A@a(lale &r#u5 Ale%(%C#88an0 Perf#r8ance Acce%%#r/ C#llec&(#n.

6<

ALESIS SR-16 TROUBLESHOOTIN3 CHART

O&er %euencer% #n'& %la@e... c#n&'0 Seuencer n#& %e& rece(@e MIDI e=&ernal cl#c+. Se& %la@eY% cl#c+ (n acc #r0(n5l/.


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ALESIS SR-16 TROUBLESHOOTIN3 CHART

S/8,

N# 0(%,la/.

a&Y% r#n5

P#er %(&c n#& #n.P#er %u,,l/ n#& c#nnec&e0.Ba0 ,#er %u,,l/.

I8,r#,er %u,,l/.

a& T# D#

Pu% ,#er %(&c (n.Cec+ P#er %u,,l/ c#nnec&(#n%.Tr/ +n#n 5##0 ,#er %u,,l/.

Tr/ +n#n 5##0 ,#er %u,,l/. P#er %u,,l/ 8u%& e G-

12 A.C. A G @#l& D.C. %u,,l/ #nY& #r+ u& (& #nY&ar8 &e un(&.

Re(n(&(al(Ke %#f&are. Turn ,#er #n (le #l0(n5 0#nZERASE[ an0 PLA"[.

Bu&n% a@e n# effec&. LCD rea0% ZS#f&are Err#r[.LCD %#% n#n%en%e all l(5&% #n #r un(& a% l#%& all

8e8#r/.

S#f&are @alue% are #u& #f ran5e un(& a% Zcra%e0[. A%(& all c#8,u&(n5 0e@(ce% cra%e% can e cau%e0 / an/

l#%% #f ,#er (le &e un(& (% NOT %(&&(n5 (0le. Mac(ne (%(n (0le en (n e(&er &e Pa&&ern #r S#n5 %elec& ,a5e%(.e. n#& ,la/(n5 #r rec#r0(n5. Cra%e% can al%# e

cau%e0 / err#r% 0ur(n5 &a,e l#a0% #r c #rru,&e0 MIDI %/%e= l#a0%. I& (% rec#88en0e0 &a& 0a&a e %a@e0 an0@er(f(e0 freuen&l/ ,re@en& l#%%e% #f lar5e a8#un&% #f

0a&a.

#lu8e +n# a& 8(n(8u8.Ba0 au0(# cale%.Pa0% %e& r#n5 #u&,u&%.

M(@ @#lu8e # l#.

M(= @#lu8e% %e& # l#u0.

SR-16 #u&,u& le@el (% # (5 an0 (% #@er0r(@(n5 rece(@er (n,u&.

Dru8 %e& ,ann(n5 ,ara8e&er% are %e& (nc#rrec&l/.Ba0 au0(# cale%.Effec&% ,r#ce%%#r% #r 8(=(n5 c#n%#le% e(n5 u%e0 (n

c#nunc&(#n (& &e SR-16 are c#rru,&(n5 &e %&ere# 8(=.

I8,r#,er #u&,u& %elec&(#n.

Ba0 au0(# cale%.Pa0Y% 8(= le@el (% %e& .Pann(n5 n#& c#rrec&.

*uan&(Ke @alue% n#& %e& c#rrec&l/.

N# %#un0. Turn +n# cl#c+(%e.Re,lace (& +n#n 5##0 cale%.Cec+ Dru8 Se& %e&u, f#r ,r#,er #u&,u& %elec&(#n.

Cec+ Dru8 Se& an0 (ncrea%e 8(= @#lu8e% (f nece%%ar/.

Cec+ Dru8 Se& an0 0ecre a%e 8(= @#lu8e% (f nece%%ar/.

Re0uce #@erall @#lu8e #r re0uce 0ru8 %e& 8(= le@el%.

Se& Dru8 Se& ,ann(n5 a% ,er %ec&(#n 9.9.Cec+ cale% / re,lac(n5 (& +n#n 5##0 cale%.

I%#la&e an0 c#rrec& &e ,r#le8.

Cec+ Dru8 Se& ,ara8e&er% f#r c#rrec& #u&,u& %elec&(#n.

Cec+ cale% / re,lac(n5 (& +n#n 5##0 cale%.Cec+ Dru8 Se& ,ara8e&er% f#r c#rrec& 8(= [email protected]+ Dru8 Se& ,ara8e&er% f#r u%eful ,an ,#%(&(#n.

Cec+ uan&(Ke an0 %(n5 @alue% (n RECORD SETUP.

S#un0 (% 0(%r&e0.

Dru8% 0#nY& Z,an[ (n %&ere# f(el0.

One #r 8#re ,a0% n#& #r+(n5.

Dru8% 0#nY& ,la/ ac+ a% rec#r0e0. S#8e ea&% %ee8%(f&e0.

#nY& 0(%,la/ cer&a(n 0ru8 ea&% (n %&e, e0(& 8#0e.

Pa0% n#& uc %en%(&(@e.

7

Pa0 0/na8(c% %e& f(=e0 @#lu8e.

7

Cec+ ,a0 @el#c(&/ ,ara8e&er% (n RECORD SETUP.

SR-16 #nY& %la@e #&er %euencer. SR-16 ZCl#c+ In[ &urne0 #ff.Ma%&er %euencer n#& %en0(n5 cl#c+ (nf#r8a&(#n.

Un(& (n MIDI ca(n n#& ,a%%(n5 #n cl#c+ (nf#r8a&(#n.

ZPR3 CHN3[ &urne0 #ff.SR-16 (% n#& (n Pa&&ern 8#0e.Inc#rrec& MIDI cannel.

SR-16 7Dru8 Ou&7 &urne0 #ff.Inc#rrec& MIDI cannel.

SR-16 7Dru8 In7 &urne0 #ff.Inc#rrec& MIDI cannel.

Inc#rrec& 0ru8 n#&e a%%(5n8en&%.

Rec#r0 an04#r ,la/ac+ le@el (nc#rrec&.

Turn SR-16Y% ZCl#c+ In[ #n.Se& 8a%&er %euencer cl#c+ %#urce acc#r0(n5l/.

Turn MIDI ec# #n #n eac (n0(@(0ual un(& (n &e ca(n.

Turn (& #n MIDI SETUP u&n.S(&c Pa&&ern 8#0e.Se& MIDI cannel acc#r0(n5l/.

Turn (& #n.Se& cannel acc#r0(n5l/.

Turn (& #n.Se& cannel acc#r0(n5l/.

Se& 0ru8 n#&e% acc#r0(n5l/.

A0u%& le@el% f#r e%& re%ul&%. 0B (% a 5##0 %&ar&(n5 ,#(n&

f#r 8#%& &a,e rec#r0er% #e@er %#8e e=,er(8en&a&(#n8a/ e nece%%ar/.Cec+ cale% ,lu5% %#ul0 e 8#n# 14[ 8(n( ,lu5.

A@#(0 a0a,&er ,lu5% an0 8a+e %ure &a& cale (% n#n-a&&enua&(n5.Tr/ ne &a,e. Ta,e %#ul0 e n#r8all/ (a%e0.

Clean &a,e ea0%.Turn #ff all &a,e n#(%e re0uc&(#n.

Re0uce &e a8#un& #f 8e8#r/ (n &e SR-16 / era%(n5unnee0e0 ,ar&%.

Cec+ #,era&(#nal ,r#ce0ure% f#r %ra5e an0 r e&r(e@al (n&e %ra5e un(&Y% 8anual. Te SR-16 (% 0e%(5ne0 %en0an0 rece(@e 5ener(c uncannel(Ke0 #ne a/ n#an0%a+e %/% e= 0a&a.

Re&r(e@e Pa&&ern #r S#n5 (n a (5er nu8ere0 Pa&&ern

#r S#n5 8e8#r/ l#ca&(#n. Or re0uce &e a8#un& #f

8e8#r/ u%e0 / &e SR-16 / era%(n5 unnee0e0 Pa&&ern%.

SR-16 n#& re%,#n0(n5 Pr#5ra8 Can5e%.

SR-16 n#& %en0(n5 MIDI n#&e%.

SR-16 n#& rece(@(n5 MIDI n#&e%.

#nY& l#a0 fr#8 &a,e. N#&e: Be %ure @er(f/ all %a@e%

(88e0(a&el/.

Ba0 cale OR A0a,&er ,lu5% #r cale %e&u, c#n&a(n% u(l&-(n a&&enuar re%(%&ance.

Ba0 &a,e.Ta,e ea0% 0(r&/.N#(%e re0uc&(#n &urne0 #n.

#nY& rel#a0 MIDI %/% e= 0a&a 0u8, fr#8 e=&ernal 0(%+0r(@e #r c#8,u&er.

D(%+ 0r(@e'% uffer 8e8#r/ (% # %8all #l0 &e en&(rec#n&en&% #f &e SR-16.

D(%+ 0r(@e #r c#8,u&er 0(0 n#& c#rrec&l/ %re #r(5(nal(nf#r8a&(#n.

SR-16 #nY& rece(@e #ne S#n5 #r Pa&&ern. T(% u%uall/ a,,en% en &r/(n5 rece(@e #ne S#n5 #r

Pa&&ern (n a l# nu8ere0 8e8#r/ l#ca&(#n en &e

SR-16 (% @er/ full. T(% (% 0ue &e (n&ernal %ra5ef#r8a& #f &e SR-16.

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ALESIS Manual