Silvius Leopold Weiss

5 Duo-Sonatas for Flute and Lutefrom the London Manuscript

editedby

Michel Cardin

TREE EDITION

FLUTE

Silvius Leopold Weiss(1687 - 1750)

5 Duo-Sonatas for Flute and Lute

from the London Manuscript(complete)

editedby

Michel Cardin

FLUTE

© 2008

TREE EDITION

Albert Reyerman

Editorial notes

- The current rediscovery of Weiss’s chamber music is both surprising and amazing the musicalworld of the present. The chamber works seem to reveal the composer’s genius with even more aplomb than his works for lute solo, owing to their easier comparison to the chamber music of such composers as Bach, Haendel and Telemann. Weiss’s solo works, albeit more and more admired –and with good reason-, tend to disclose little of their intrinsic worth due to of a lack of grounds for comparison, notwithstanding their contemporaneousness to Bach’s solo lute works. Moreover, there are three additional surprises. Firstly, the second Concert of the London Manuscript is composed not by Silvius Leopold but by Sigismund Weiss (c. 1695-1737), the younger brother of Silvius. Secondly, all the flute parts in the manuscript have been reconstructed, since the originals have disappeared. To our knowledge, Eileen Hadidian is the first to have published, in the Smith-Peters edition (1983-1990), complete reconstructions. This edition has helped performers in considering these works as both valid and playable.

- The reconstructions presented here are by Michel Cardin except for :- 1st Concert : 2d , 3rd et 4th movements- 3rd Concert : 2d and 4th movements- Duo 5 in d minor : 2d, 3d, 6th and 7th movements. These nine reconstructions are by Eileen

Hadidian and have been revised by Michel Cardin and Christiane Laflamme. They can beconsulted in their original version in the Peters Edition.

- The third surprise is that the duos 4 and 5 have no indication whatsoever to prove they areindeed duos, except … strong musical evidence.

- The Largo of Duo 5 is actually an isolated piece located seventy five pages prior to this duo,and serves perfectly as a sarabande. It is possible that Weiss and Adlersfeld (the owner of the London Manuscript who lived in Prague) had decided to insert it in the neighborhood of Sonata S-C13 because a sarabande in the same key is missing there, and also because the piece is adaptable as a solo.

- All the ensemble works of the London Ms are from unique source, with the exception of thefirst Concert, also found in the Dresden ms, from which was taken also the second half of the last movement, missing in London. Three different copyist handwritings, aside from the hand of Weiss himself, have been identified. More than mere accompaniment, the lute parts provide at least two complete voices in a trio sonata context, sometimes even more, to the point of sounding almost like solo works. This ensemble music would be equally beautiful with the addition of harpsichord and viola da gamba, which would give the works a whole new dimension, as well as added ampleness. However, a very important aspect to consider is the intimacy of the musical dialogue, the full, rich sonority of the lute, as well as Weiss’s writing style, which put lute and flute in close relation. One can deliberately choose to play the concertos without the ‘cello or viola da gamba and count on the capability of the lute to project a consistent, stable bass line. The fluid sonority of the flute works well in combination with the plucked strings and the well-separated basses of the lute, to give an amply sonorous musical envelope.

- Our thanks to Jean-Daniel Forget for the computerization of the music.- The notes suggested in parentheses and other rare little note changes come mostly from the

other source, the Dresden Manuscript, and secondly from us when it obviously appears as a copy mistake.

- Computerwise speaking, one will remark that appoggiaturas or other signs are not alwaysexactly as in the common notation. However, the score remains entirely readable, as theseare steadily following the same graphic settings.

- The sign / in the tablature (ex.: Un poco andante, Duo 5, m.13) means what is called „notesséparées“.

- In the tablature font used for this edition, the letter b and the ornament sign ) are not exactlyin the middle of the line, rather slightly under. It is not difficult for the reader to get used tothis.

- Interesting detail to note : in the Prelude of Duo 5, middle of line 3, we find a chord containingthe bass f# playable only on the standard lute and the other f# one octave higher, which theorbo-lute players will use. It seems that the author thought he would offer both possibilities, that is for both instruments.

- In the Duo 4, Adagio m.28, the appoggiatura is an Eb.

- The sign as in replaces the original double coma ) ) which means a

prolonged trill on the next beat.

M. Cardin, Moncton, December 11, 2007

1. Concert in Bb, S-C6 page 9

Adagio 11

Allegro 12

Grave 14

Allegro 16

2. Concert in Bb, S-C 8 19

(by Sigismund Weiss)

Andante 20

Presto 22

Andante 23

Allegro 24

3. Concert in F, S-C 9 27

Adagio 29

Allegro 30

Amoroso 32

Allegro 34

4. Duo in g minor, S-C 14 37

Adagio 39

Gavotte 40

Sarabande 41

Menuet 42

Bourée 44

Ciacona 46

5. Duo in d minor, S-C 20

(including the Largo, Lbm p.117) 49

Prelude (Lute solo) -

Un poco andante 50

Le Badinage 52

Largo 54

Le Sicilien 56

Menuet 57

Gigue 58

Computer settings by Jean-Daniel Forget

Silvius Leopold Weiss

Concert d´un Luth

et d´une Flûte traversière

del Sig.re Weiss

Lbm pages 50-58, Mov. 4 completed from D1

Flute

Partie de flûte reconstituée

par Michel Cardin et Eileen Hadidian

© 2008

TREE EDITION

Albert Reyerman

- 9 -

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Allegro

Page 6

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Page 7

- 17 -

- 18 -

Silvius Leopold Weiss

Concert d´un Luth

avec une Flûte traversière Del Sigismundo Weis

Lbm pages 66 - 70

Flute

Partie de flûte reconstituée

par Michel Cardin

© 2008

TREE EDITION

Albert Reyerman

- 19 -

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Page 2

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Page 3

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Andante

Page 4

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Allegro

Page 5

- 24 -

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Page 6

- 25 -

- 26 -

Silvius Leopold Weiss

Concert d´un Luth

avec La Flûte traversière

Del S. L. Weis

Lbm pages 71 - 77

Flute

Partie de flûte reconstituée

par Michel Cardin et Eileen Hadidian

© 2008

TREE EDITION

Albert Reyerman

- 27 -

- 28 -

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vcr vc v v v g l l l l l l f¥ F

13

Adagio- 29 -

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Allegro

Page 2

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qc q+51

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54

Page 3

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" � qcc� { v v�}3

v v v3

v v v v v}3

v v vc3

vc vc v v vc}3

vc vc v3

vc v v g30

Amoroso

Page 4

- 32 -

" � v v v� g l |h v v v g l |h v v v v v� v v� v33

" � v� v v�3

v v v3

v v}3

v v v3

v v}3

v vc vc3

vc v v v l l l lc vc v v� v v v v g {36

" � g g g� p { g g l� l� p� v v�}3

v v v3

39

" � v v v3

vr v v v3

v v vc3

vcc vc vc3

vr v v v v v vc pc pc43

" � vc� |r v v}3

v v v3

v� v� v� v v v v v v} v v v} l l l g� l l l l47

" � l l l |h { { l l v v v v l l g f ¹¹F

50

Page 5

- 33 -

" � 24 vr v v v v v là l l l l l l l l v v v v v v v v vc vc

" � vcc vc vc và vc vc và v v q v v v� v v v v v v v v v v v v5

" � v v v v� v v v v vc v v v v v v v v� v v v vc vc v v v� vc vc v v v v10

" � v v� v v v v v v v q¥ v v v v v v vc v v v v v v15

" � v v v v v v v q¥ lh l l l l l l l v� v v v20

" � q v v v� v v v v v v vc v v v v v v v v� v v l l24

" � l l l l l� l l l l l l l l l� v v v v v v v v v vc vc vcc v vcc28

" � v vc� v v v pà v v v v v v g q v v v v v v33

" � g q v v v� v v v g q v v v� v v v v vc v v38

" � v v v v v� v vc vc vcc vcc v vc�� qcc ¹¹ ¹¹43

" � ¹¹ | z z z z z z v v v v v45

" � l l l l l l l� l v v v v� v v� v v v� l l l l v v v v v�53

Allegro

Page 6

- 34 -

" � v v� v v� l l lc l� v v v v v v v v v v v v v v� v v p�¥57

" � q g g� q� g q p� v vc v v v} v vcc v v v� v v v v}62

" � v vcc v v l l v v� v} v vc� v v p v vccc vcc vcc vc� vcc v� vc vc� v vccc vcc vcc vc�}69

" � vcc v� v v l lc v v v v v� v v l lc v v v} v v� v v l l v v v76

" � v v� v v v vcc vc vc v vc v v v v vcc vc vc v} vc vc vc vcc vcc82

" � vc v vc vc vcc vc v v vc v v q¥ vr v v v v v l l l l l l l l l l v v v v87

" � v v v v vc vc vcc vc vc vcc v vcc v v v v vc vc v vc vc v vcc v v v v v vc vc vc v v93

" � v v v q v v q� v v v v v v v v v v v v v v� v v v v99

" � vc v v v v v v v v� v v v vc vc vc v v vc vc q qc vc v v v v vc104

" � q qc v v v v v v q q v v v v v v v v v vc v v l l109

" � q qc vc v v v v v qp. qc v v v v v v q q vr vc v v3

v v v v115

" � vfort:

vcc vcc vcc vc vcà v v v v v v v v vr v¥r q ¹¹ F|121

Page 7

- 35 -

- 36 -

Silvius Leopold Weiss

DUO 4

Lbm pages 122 - 129

Flute

Partie de flûte reconstituée

par Michel Cardin

© 2008

TREE EDITION

Albert Reyerman

- 37 -

- 38 -

" �� 34 z� q v vc vc vc vc v v v g v v q l l� g l� }h v v v} vc vc

" �� qcË vc v v v v v v v v v v l l g,v v v� v v v v v v l l� g v v v l l l l

6

" �� v v v v v v v v v v v v g� | l l l l l l l l l l l l11

" �� v v v v q�¥ vr q { { z� z� { v| r vc vc vc v v q� vc v14

" �� q� |vc v v� v v� v� v vc v v v v� v� v v� v v� v� l l

20

" �� l� l l l v v vc v v v� v v v� v v� v l� l l l v v v v l l� l� l l� l l l g ,23

" �� v v v v v vc v v v v v v v l l l v� v v� v vc v� vÃP r l� l l3

l l l326

" �� g l l v v l l l g ,v v� v v l l l l l l l v v v v l l l l l3

v� v vc v v v29

" �� v v v v� v v vc vc vcc vc vc vc vc q v v� v qcc� vcc vc� vc v v� v� q� vr33

" �� v v f g { q� q v vc vc vc vc v v v l l l l v v37

" �� q�Ê | { z v v v v v f g v� v v� v� v vc l l l l l l q41

" �� v� v v v v v� v l l v v v v v v v v l l� l l l l l g { ¹¹ B46

Adagio- 39 -

" �� L v. v. v. v. v. v. g.

v vc vc v� q� { v v v v v v l l v v v� v v� v v� v v v v v v v v

" �� g�¥ { v� v v v v v v v v v v v� v v v |r l l l l v v v v v v v v6

" �� v v v |r v v v v v vc vc vc vc |r v |r v v v v v |r v |r10

" �� v vc vc vc vc |r v |r q� { ¹¹ ¹¹ v. v. v. v. v. v. q. z13

" �� z v vc� v v v v q z z v v vc v v� vc v v� q z16

" �� v| r v vc vcc vc v v vc v v v v� v vcc vc vc v v� v v v vc vc v v� v v v v q�20

" �� q { z y v| r l l v v v v v� v v v v v v l |h v |r v |r l l v v v v v v24

" �� v v q v v v v v v v v v v |r v v v v v v g v vc vc v29

" �� p�¥ z v v v v v v v v q g v v q v v v v v v v v32

" �� q g v v v v� v v v v v v l� l v v v v v v l� l l l g ¹¹ B36

Gavotte

Page 2

- 40 -

" �� 34 v v v v l l q� q { v v v v v v p { v v v v v v

" �� p { vc vc v v q v v v v v g v v q�¥ vr v vc qcc�¥ vcr6

" �� qc�| { ¹¹ ¹¹ v v l l v v� p v� v| v v l l l v v� p v� v�|11

" �� v v� v v g v v� v v q� � | v� v v� v� v v� v v l l v v v� v v� v� l l l l l l q v v�16

" �� v |r z v v| v v l l q { { v� v| l l l� l v v v v v v v v v v v v21

" �� v� v v vc vc v v� v� q v v� v} l l l l l f { ¹¹B26

Sarabande

Page 3

- 41 -

" �� 34vcc vc q q p {

vccc vcc qc q p { v v q q

" �� v vc vc v v vc vc vc v v v v pÊ { v v v v q q p� {6

" �� v v v v qc q p { vc v v v q qc q { v� v g v v q11

" �� v v� v v l l f { z� v v v� v q v v v� v q16

" �� vc vc qc q vc v p vcc vc vc v v v q1.

v| r q ¹¹ p2.

{21

" �� ¹¹ l l v v vc v q q q v� v q q v v q q v v v v l l25

" �� v� v� v� v� v |r { v v q p { { vp.

v v v p {30

" �� vc v q q�� p q, p vc v vc v q q f g35

" �� g� ¹¹| lR

l v v v v v v v v v v v v v vc vcc vc v v v v v v v v v v v v40

" �� v vc qc qc vc vc qcc q vc v v v v v p { ¹¹B45

Menuet

Page 4

- 42 -

- 43 -

" �� M v v v v v vc qc v vc vc v v� v� q { y z { l l

" �� v v vc v v v v v l l v v q v v v v v v v v v v v v v v q q5

" �� q v v v v v v v v v v v v l l g� | z l l f {9

" �� { v v q v v v v v v v v v v v v v v v v v v q v, v v v v v13

" �� v v v v v v v v v v vc vc vc v vc vc vc vc vc v vc v v vc17

" �� q vc vc vcc vc vc vcc q v v v v v v v vc v v v v v v p { ¹¹ ¹¹ { y20

" �� y y z { v v q q q v v v q v v l l v� v v v v v v vc� v v25

" �� v v v v q v�, v v v v� v v v vc v v� v v v q v v v v v� v v� v vc v31

" �� v v� v v� q v vc vc vc v vc qc { v v v v g v, v vc v v v qc { v v l l g v v35

" �� v v v� v q { v� v v� v v v v v� l l v v v� v v v� q { { l l�40

Bourée

Page 5

- 44 -

" �� l l v v� q v vc v� v v� v g v v v� v v v vc v v v� v v v v v g {44

" �� y z { v v v v g v� v v� v v� v vc v q q p p�48

" �� q g g� ¹¹ vR v v v� v v v v v� v f { ¹¹ vR v v v v v v v l l53

" �� v v v v v3

l l l� l l l v v g� ¹¹ B57

Page 6

- 45 -

" �� 34 l l l l v v qc� vr vc vc v v v v l l g l l, v v v v v v v v

" �� q q q v v q q f { z� z� z� z� z� z�6

" �� l l l v v v v v vc v v v v v vc vc v vc v v v v v v l l� l v v v v vc15

" �� vc v v v v v v� v v v v v v v v v v v v v g�¥ lh g� | {19

" �� z� z� z� z� z� { v v v g l l l l v v v v v v v vc23

" �� vc vc vc v v v v v v v v v l l l l v v v v v v v vc vc vcc vc v� v vc v v l l l l30

" �� v v v v v vc v v v� v v v v v v v v v v v v v v v v v v v g l l� l l33

" �� f� f l� l l g� lh v v p { z� z� z�36

" �� l l l3

l l l3

v v v3

v v v3

vc v vc3

vcc vc vcc3

l l l3

l l l3 v v v

3

v v v3

vc v vc3

vcc vc vcc3

43

" �� vc vcc vc3

v vc v3

v v v3

v v v3

l l l3

l l l3

l� l l3

l l l3 v v v

3

v v v3

vc v vc3

vccr45

" �� vc vcc vcc3

vc vc v3

v v v3

v� v v3

v� v v v v v v3

v v v3

v v v3

v v v3

l� l l l47

" �� v v v3

v v v3

l l l l l l l l g { { z� z� z� z� z� z�49

Ciacona

Page 7

- 46 -

" �� v v v} l l l l v v v v vc v v v g q v v v} v v v v vc v v v57

" �� vc v� v v v v v v l� l l l v,

s v v v� v v v v l l l l60

" �� l l l l v v v v v� v v vcc vcc vc vc v vc v v� v l l f�mf.

62

" �� f� p q p� p v, v q q q v v v g� �¥ lh v v v} q v v v v65

" �� l l l l g l l l l l l l l g l l l l g� l l l l g72

" �� v v v} v v v v v v v v v v v v v v� v� v� v� v v� v75

" �� v v v� v� v vc vc� v v� v� v� v� v v v z z� z� z� z� z� z�77

" �� v v v} v v v v v v l l v v v v vc v v v l l v v v l l l85

" �� l� l l l l l v v v v v v v v v v v v v v v v v v v v v v v v l l l l88

" �� v v v g� �¥ | { v v v} g { v v v} g { v v v} g g� l l l l g91

" �� v v v v g v v v} v v v v v v v v v v v v v v v v g l l l� l l l l v v96

" �� qc v| r vc vc v v v v l l f { v v v v v v q q q v v g�¥ g f� ¹¹ A100

Page 8

- 47 -

- 48 -

Silvius Leopold Weiss

DUO 5

Lbm pages 192 - 198, 117

Flute

Partie de flûte reconstituée

par Michel Cardin et Eileen Hadidian

© 2008

TREE EDITION

Albert Reyerman

- 49 -

" � L q� v v v v v� v v vc vc v} v vc v v l l l� l vc� vcc vc q+

" � qcÆ v v v v} q q+ qÆ v v v} v v v v v v v v v3

" � q v v v} q v v v} q vc vc v} qcc vcc vcc vc vc5

" � qc vc vcc vc vc v qc vc vc v v q v v v v qc qc7

" � qcc qc vc v vc vc vc vc v v v v v v v v v vc vc q�¥ vr9

" � p1. vc vc vc} v vc vc v v v v v� ¹¹ p

2.

z11

" � ¹¹y z q v v v v v v� v v vc vc v} v v v v v v� v v�12

" � q� v v l l l g� l l l� l q v v v v q v v v� v q v v v v v v15

" � l� l l v v� v g�¥ lh l l l l l l v� v� v vc vc vcc q�¥|

18

" � v v v� v v| r v� v v vc q¥ v v v l l v v v v�¥ v20

Un poco andante- 50 -

" � v� � v v l lc qc vc vcc vc v qc vc vc v v q v vc v v q� vr pÃ22

" � v1. v v v v� vc vc� vc v v v v v� v� q q q v v v v v v v v v� v v q�¥ vr p z ¹¹

25

" � 642. Cadencev� vc�|

3

vccc vccc vccc3

vcc vccc vcc3

vcc vcc vcc3

vc vcc vc3

vc v vc 443

vc� v v v v� vc vc vc v v v v v� v� q29

" � q q v v v v v v v v v� v v q�¥ vr p z B31

Page 2

- 51 -

" � 34 { z� { { qc qà v v q g q q� q { { { { vc v q v v q

" � g q q�� q v v v vc qc vc vc vc vc q v v v v qc vc v vc v q q {8

" � q q { q q { q g� { q v v v v q q { q v v v v q g { v v l l q14

" � f { vc vc v vc qc pc� vc vc v v q p ¹¹ ¹¹ { z� { { qcc vc v q { z�22

" � { { qcc vc vc q { vc vc v v q� p� � vcc vc vc v q p� vcc vc vc v q q p�31

" �qccc� qcc qc qcc qc qc qcc qc q qc q q qc q q� v v v� v q g l l v v

39

" � p { g l l v v q g q l l g q, q v v q g q g� p { z�46

" � { { q v� v v v q q q� q� v v v v qc qc vc vc q p { qc vc vc q54

" � v v v v v� v� f { g q q q v� v q g q q q v� v� q pc� p� p�61

" � p� v� v v vc qc pc q� v� v v vc qc pc q v� v v v v v� v�| r v v� q70

" � pc� p� p� p� v| r v v qc vc v p¥ q q q v v q q�� q { { z� { { qc77

" � q v v q g q q� q qcc�, qcc qc q� qc qc q q�� p ¹¹B88

Le Badinage

Page 3

- 52 -

- 53 -

" � 34vccc vcc vcc� vcc qc v v v� v v� v vc v vc v v v l l l l vc v v v v v

" � g¥ v v| q { v v v} vc v v v q v v v v q v v v v g q q� { {4

" � v v v~ v v� v�3

v v v3

v vc vc3

vc v v3

v v v3

v v� v3

v vc vcc vcc vc vc vc vc3

v v v3

q {9

" � v v v� v v v v~ v vc vc3

vcc vc vc3

v v v3

v v v3

l l l l v v v v v v v v l l11

" � l l l l v v v v l |h q+ v v� v v v v v v v v v v v v v13

" � g� | { v vc v v v v v v v v v v vc vc vc v v vc v vc v v v v v16

" � v v v q g l l l v v v v l l l l l l { {19

" � vc vc vc v v� v v v v vc vccr vcc vc vc v v v� v v v v v |r {22

" � v v� v� v v� v v~ v v v v v v v3

v v l l vc v v v v v v� g v�| r24

" � v v v� v v� v� l l l l v v� v g� | v v� v} qc�|

26

Largo

Page 4

- 54 -

" � vc v v vc v v qc vc� v v� v v v l� l l q v v v v q29

" � v v� v} vc v v v v v v� v v l� l q� �¥ vr v vcc vc vcc v vc v v l l l lc32

" � vcc vc vcc} v vc v v v v v vcvccc vcc� vccc} vc vcc v v v v vc v v v v v� v g l l

35

" � l� l v v v v v� v� l l� l l l� l vc v v v v v v� v g� |38

" � vcc vc} vc v} v v v v vc v v v q v v pc�B

41

Page 5

- 55 -

" � 68 v v v� v vc vc v v v� v v q v vc vc� vc v q� vc� v v q|

" � v v vc v v v v v v v v v v� v v v v v g� vr v v v� v vr g5

" � v� v v v v g vr v v v v v v� v v v v v v v q |8

" � v v v v v q | v v v v v q | v v vc v v v l l l l q vr11

" � g vr v v v v v v g� { ¹¹ ¹¹ l l v� v vc vc v v15

" � v� � v v q vr v v v v v� � v v v v v v v v v v v v g vr v v� v18

" � g |v� � vc v q� |

v� � vc v q� v�r v� v v v� v v v q� vr22

" � q vr v� v v v� v v v� v v v v� v g� l l l l}26

" � g� l l l l} g� l l l l} l� l l l l� l l v� v v v vc qc�29

" � v� v v v v q� v� v v v v v� v v q� vr v� vc v33

" � q� � v v v vc v q vr v v� v vc v q� v v vc vc vc q vr v v v v|36

" � q� v v v v| q� vr v� v v q� { ¹¹ B40

Le Sicilien

Page 6

- 56 -

" � 3q vc vc qc¥ pcc qc qc q q q { { { qc q v v v v v v

" � q qcc qc p�Ã_ q vc vc� qc¥ qcc q q q� v v� q p� �7

" � p v v q�¥ vr q g q q�¥ q qcc qc� qc p q q q13

" � p q q v v� q q q�¥ vr p� ¹¹ ¹¹ q v v q¥ q v v q19

" � v v v v v v q l l g q� vr q p� v� v v v l l q v v q25

" � qc qc q p� � v v� v vc vc vcc qcc qc q�¥ v v� v vc vc vcc qcc qc q�31

" � v v� v vc vc vcc qc vc vc q qc pc¥ qc q� q qc qc�¥ vr q vc vcc qcc pc qc37

" � { vc vc qcc pc q p� p� p� pc� q vc v vc vc44

" � p�Ã_ ¹¹ z�R vcc vcc vc vc v v v v q q v v qc q v vc qc� q51

" � qcc qc vc� v qc q q v v q� vr p� ¹¹B57

Menuet

Page 7

- 57 -

" � 68 lh g vr v v v v v v v v� v� g� v v v v v v v q� �à q, vr

" � v v v v q vr v v v v g lh l l l v v v v v l l l l l g vr5

" � v vc v v q�¥ v vc vc v q� vc vcc vc vc qc� v vc vc v v v v v v v9

" � v v v vc vc v� q� q ¹¹ ¹¹ | z� { | { vr v v vc vc v v v13

" � v v vc v v v q� l l� l� l v v v v v v v� v� v g� � lh g� g |18

" � l l� l l l l l l l l l l v v� vc vc vc� qc¥ qc� vc v� v�22

" � vc vc vcc vc vc v v� vcc vc v vc vc vc v v� v vc vc v vc vc vc v v v vc v25

" � v v vc v v v v vc v v� v vc vc vc vc v v v v v v v q� �28

" � q lh q lh q lh v vcc vcc� vc vc vc v v v v v v v q� � qc vr v v v v q vr31

" � v� v v v qc vr v v v v q vr v vc vc v v v v v v v v� v v v v� g | q lh q lh36

" � q lh q vr qc� vr qc vr q¥ lh g vr v v v v v v v v� v� v v v�¥ q ¹¹ A41

Gigue

Page 8

- 58 -

TREE EDITION