- Country Award Winners easy cle de sol gros accords .PDF

7/21/2019 - Country Award Winners easy cle de sol gros accords .PDF

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TITLE

PAGE

AIN'T MISB EHAVIN' . . . . . . . . . . . .Hank

Wi l l iams, r . . 2

ALWAYSHAVE, ALWAYSWILL .JanieFr icke . . . . . . 40

AMERICA.. .Waylon

ennings . 20

,

BEST

YEAR OF MY LIFE . . . . . . . . .Eddie

Rabbitt . . . . .

. 45

BLUII

BAYOU . . . . . . .

.

.

.Linda Ronstadt

. . . 48

,

BLUE EYES CRYING

IN

THE RAIN

.Wi l l ieNelson . . . . . 4

THE CLOSER

YOU

GET

. . . . . . . . . .Alabama . . . . . . . . . . 23

CRYING. . . . . . .Don Mclean. . . . . . . 51

ELVIRA .

. . . . . .Oak RidgeBoys . . . 53

THE GAMBLER.

. . . . . .Kenny Rogers . . . . . . 32

HAVE

MERCY . . . . . . . . .The Judds . . . . . . . . 6

I BELI I IVE

N YOU. . . . .Don Wi l l iams . . . . . 8

i 'M FORLOVE

.. . . . . . . .Hank Wi l l iams, r . . 62

LOST IN THE FIFTIES TONIGHT

( In the St i l lo f theNight ) . . . . . . . . .Ronn ieMi lsap* . . . 26

THE MOSTBEAUTII , 'ULGIRL

. . .Char l ie

Rich . . . . . . 29

NOBODY

LOVES ME LIKE

YOU DO . . .Anne Murray/

DaveLoggins. . . . . 12

SHE'S

COMIN'

BACK TO

SAY

GOODBYE

.. . . . .Edd ie Rabbi t t . . . . . . 16

TAKE ME DOWN . . . . . . .A labama . . . . . . . . . . 56

'

TOUCH

A HAND, MAKE

.

A I 'RIEND

.OakRidgeBoys. . . . 42

'

WALTZ

ME TO HEAVFIN

. . . . . . . .Waylon Jenn ings

. 37

YOU

AND I . . . . . . . . .

. . . .Edd ie

Rabbi t t

/StgrtffiEneionoso

er

' l r q i ;

i r r Jn rmr

q i ,

n p r

r . u n r \ \ . . .

I m

,

I

Ctys ta l

Gay le . . . . . . 59

h

\ \ " ,d

(a tzaq

i

1987Co umb a

P

ct l res

P lb l ca t ions

A l lRrgh lsFeserved

MO394MPX

.E

3n



2

IRUMPET

FUI-L

'N'

BRN-LIANT

AIN'T MISBEHAVIN'

Words

bv

ANOY

RAZAI;

rvrusc v lIoMAs

_FAls

WAI-LLR

Jnd HARRY

BROOKS

lDml'

br-

ing

da

I n

h r p ' p r "o onc to tnll

l m thru wirh flirt

Im hom€ a

-

boul

I

my self,

El' tr

eight.

just

'Ti'l

hink

tFl

[6;it'

'ng

m

(

G l a

E a

CoFnshr

il

ltlt hl Nllr

r\

Mlrslc. INC

(iD{nh

M$rd. $,d.d to

clIAFPIlrl

t

(o.

lr c

(tNrERsora;

rusrc

ptrbrshci

ndNrrLLs

usrc.

t\



LikeJack

orn er

IA;J'

Whdt

do I crrel

\9

Gl

l-'ou



4

CL RINET

soFr solo

BLUE EYES CRYING IN THE RAIN

FRED ROSE

Ir

life I

e

loved

rwi , l ighrglow

tr

I

@'

Blue

A1l rnv

EI

caln

cry nr8 in

copyrgh e 1915

Reftled

197:)

lhe se ofthe

\ri.s

of rhn \r

. G t

(a) ( ) (A

G'

IJ

G

(



tr

? t

O n ' l y

tr

Throueh

a ges l l l

land

ar k.ows no

bcr -

part irg -

cry

-

ing in the

cry

-

ing in

the

G'

G'

(A

. G J

( )



6

FULL

'N'

MELLOW

TIAVE MERCY

EE' E'

ery

E'

past

just

like

E'

rnc

stand

-

ing in

2.

(See

addnional

hrics)

E'

Phd tom

jet

with your

PA(IL

KENNERLEY

D ? E O O E O C t ^

C a l A E

v

G l t a

V E O G I a

0

oct o

O A ^

G a l a f,

copyrigb'o 1e35,RoNDoR Musrc

(LoNDoN)

LrD

(PRs)

Y IRVINGMUSIC,NC.

BTfi)

rdenaiionsr cop}iichr s..und Mrd. in

u

s

A. An Rishs Rsened



DCt 0

oE o

a

G'

lit de

E'

EE' E'

Have

B

Repet ant

lade

tFt ' @'

'

E'

by.

I t s

cy

E'

Ba

You said

you won\ be hone cause

youre

wo.king

latei

Honel, I B no fool.

youive

bee. out on a date

r re l ipq ick on

)nur

lo l la r

Fvc\

Lhc

eame

Jq.y

Its strasbcrry

red and mine\

Pink

rose.

\l'he

I called

lou

,p on rhe rclephone.

I could heai

you

{as

playing

"Haggard'

and

"Joner'.

I knew right then there

was sonething srong;

There\ only

one reason

yon play

cheatilg songsl

well, I wenr to the bank wirb my little checkbook.

The casbier. he

gave

me the strangest ook;

He said,

"Youve

gol

no money ca6e

youro olerdraM:

Your man took

it all and he's long

gone.

O E

G'

O E DCt ?

li

T'

vct

2

O E

f, G



R..td.d br DON WILLIAMS

I BELIEVE IN YOU

GUITAR

FULL

'N'

MELLOW

1 .

gd

-

ic food

ard for-eign ca

,

on ly

those

who

con-gle-gate,

it

used to be,

cer

-

tain ty of growing

old, that

doM be iow,

He's up a-bove,He's

black

is black andwhite s white,that

w6rG

and Music by

ROCER COOK Ad

SAI4 IIOCIN

su per

-

stars, or

Heav en waits

for

gin - i ty is as

don't be-lieve theprice

of

gold,

the

like to think of

cod as love, He's

work

'

ing days odsleepingrights,that

E'

right is righta left is wong,that

*atch;ng

peo-ple

ev

-

'.ywhere,He

Su-per mdandRob

-

in-hood are

I

I

in

E a

C t a

Y g

6

- g f ,

Y t r C

co$rth o 1e3o by Rog{ c.ol

Thn mscdmr c.pyighr {i r9t34by Ibgcr

codk MBic md Gotrho

rntrbarjoial c.pydsht semd Md. ii u.s A all Rish6

RceBed



r G ' A

-

' jGt a

north and

south

can't

8et

a-long,that

knows

who

does aDddoes n't

care.and

slill a

'

live in Hol

-

ly-wood,that

east is east and west is west dd

I m a n o r - d i

- n a - r y

m a n , o m e -

gas o line\ in sbon sup'ply, the

n s - m g

tr

E'

I b e

I b e

al

-

aays

best:

But

who I m; But

gct

-

ting by;

But

I b e

lieve in ba biesi

lieve in mu sici

E'

Mom a.d

Dad,

mag' ic -

and I bc

-lieve

and I bc

-lievc

C l a

E - A a



@'

t;l

cer tarn

-

ty wbafs

goodthing.

E'

R.ruri

ro o

Plav ro

@

ski ; b

@

@

go in'

on

sith you

and mc is



l l

E'



' -

R. . .n / . { l

) ' . t \F 1 /a

/ t .1 } d

NOBODY

LOVES

ME

FULL

.N'

IUELLO\\

D?

W.

s

hy

PAMELA PHILLIPS

,\I IES P D(JNNE

LIKE

YOU DO

Gtlr Like

.r

burn ing

br ighr

lAmlT

-

E E I a

glo$

-

rng

flanre to light

our \ ry, thar burns

cotish,

t resr. le8l br ENsrc

|

(

d' s$L{n PLrl,,.Ncs

yort

\,r shtl

E



13

no

-

bod

-

y

loves me like

you

tr

r

BoI Like

a

I

could liod no placero

dreamedlhe

hours n

-

way,

and

I

won-'jered

eve

-

ry day, do



6irlr No

-

bod

Bo_yiWhat if I

ner

-

cr metvou?

Wherewould I bc ri8htnow?

E'

G' A

Fun'ny

how lifc

just

falls in place

some Bot

o

lAml'

iouchedmy heart in plac

-

esGt/: thatl

ve. knew.

_



G t ^

Aodr No bod

-

y

loves me likc

you

bod

-

v loves mc likc \oL,

E'

G l a

No

'

bod

'

v

loles me lilc

vo





1 7

[pml'

C t ^ GI

he

'

liere I nr

gon

N.C.

tFt

tr

E

a

G'A

|j E A G'

Z

back lo

s(a thc

back rLr mrk. Ih ins



18

tr

t

ta

right.

To

tr

foundsome-bod

y

ncw in

hcr

No.

she ain tcom in

back

to stay

this

bact ro

easc hcf

E'

tr

f . ,

t

No,

she ain

r con

in'

stay;



t ,

if ,r

goo(t

-

Dle

_

lAmlT

Io \ ta\ : sne

[AmJ'

cunr

in

t ' .1( [

r " \ . ' \

, '

, .1-h\ (

l . she re\ rhe i lhr i of rhc. i r \ l r€ l ( \ \ : n

run

r rouple l nnrure .

' . l l

t , .

r issrnhel lo

Ard sheacrs ikc she's e.dni he r L.ool . urd 'es rhi . l , i i hoN hi f f r

I m

lonni

loor

, \ fd aIer . l th. ic s r lunrp n h. r thr .

Ho\ \ i l l shc el lme shrr I d. f r \ rnnr ln.s

'

IF

r l

tFt

t t , r

l , r



20

BIG

'N'

BOLD

R.o..Ied h, WAYLON

TENNINGS

AMERICA

said. downthrough

3.

see

additionul

tits)

SAMMY JOHNS

his if you

lnsl

whar

he) crr lk in '

gue$theydon

know

tr

Fromthe moun-rains

do$n lo the

sea

you

vebe

hab it witb me, A

cop +hr

o 1e3.1olvPRY

MLr .

^pr^rN

.Rysrar Muslc

(BMI)

G'

G'

G l a



;

tr

al1bhckand $hirc.

\ .1 1c,s

E

2 1

G' ct

t

(AJ

red nan

is r i lht

e\

Pecl

r ht

-

Il. tronr



22_

tcl

tr

Prom ise,

and then fol los

L Al l the

o

a

tr

@

2. Well, I come rom dovn lound Tenne$..-

But the

peoplc

n Califonia arc nice

r) me. Anerica.

It don Dattcr

shcrc

I mav ro.m.

Tell you. people, hdt it s home $reet hone.

America.Ameica.

L All lhc mcn

who

fell on rhe

phins

And sho

lived hrouShhardship nd

pain.

Anericd, Anenca:

And the men who could nor llght in a war

Tlrdr idn rem n8hr.

ou

ler h im omehomp

Anerica.

Ancrica.



23

ecorded

ry ALABAMA

THE CLOSERYOU GET

soFr

solo

fall.

o ver tbe edge now,

.WorG

and

Mu\ic by

MARK GRAY and

JAMES P. PENNINGTON

I'm fa

-

ing

l,..j

gei.

I'u

E

al l

fast er dd fast-€r and

fast

-

er

with no time to

,

oD\aeh, t\6u

I

r^

\h 'E l

(BvIl

'

i-""

v

.,.

i."

b tbe rem.inins

crirodes emh o

Mdc in s.A An Ri8hs R*eNd



@

4

tr

h this

D o

I s e c a

Ialt

The clos er you

gel.

I

Ine

rungs rnar

you

I

Could I

be

ingl -

tr

E

bring

out the

'Cause

ther€'ssomething

mac

feel -

G'



/a)

fall ing. oh

I n fall in8

fal l

-

ing. Ycs, I m fal l ing.

-

E

;r

E

tlLl

I ' M

IF

E

Rerun ro O

Phv ro @

st<ip @

t

t)

. I u

G'

l r l l n

t t



26

Re.o ed

by RONNTE

MILSA?

LOST

IN

THE

FIFTIES

TONIGHT

(In

Th€

Slill

Of The

Nighr)+

CLARINET

soFT

sol-o

Gml'

Closeyoureyes

ba

by.

(See

ddnional

vns)

Wo s and

Musicby

MIKE

REID, TROY

SEALS

ANdFRED

P/\RRIS'

tr

call

on the

mcm

-

iics

_

here in

the dark.

_

ure us a way, _

back

to

thc feel

-

ing

wc

sharedwhen

bey'd

playi

In

copvrighr

re3{_Loic-t

HArl NrLrstc

Nc.

AsaAp).

$B

l\lljsta

coRp

lAscAp).

. .

Tvo

(cr\\

vr

\t i

{ i ' ' g l ' L ' i \ + " | f

Niade;

LrsA Ajr

R,gh,5 R*slrd

G' aL

e la

E a

j



27

tn

still

nr .qht .

rF

o h ,

s h o o - d o D p . s h o o - b e

d o o . c looP-

doo i

tr

tr

3

t

6\

r 4 r

G'

EG

Gt f , G

f, E

L $p+elpG

l$r rn

rhe Fi l

-

l ie\

ro



night.

Iti

doop. shoo ' bc doo. doop. shoo - b€ doo,

nrgnt.

J'

tz T

@ G ' @ J

J'

E

doop. shoo

-

be doo.

2.

-l

hcseprecious ou$. sc knoq crnl su ive.

Love

s

.ll thar

matteF

while

rhe

pasr

s alive.

No{ lnd for alwlys.

ill tjmc disaptells.

we

ll hold eachorher shen.vcr $e hc .:



THE MOST BEAUTIFUL GIRL

2 9

GUI-TAR

FI]LL

'N'

BRTLI-IANT

Wor&

and Music by

NORRIS WII,SON,

BILLY SHERRILL

Ed'RORY BOURKE

tr

l lcy,

E'

lDml

grrl

tr

i f you

f-t7

did, was she

tr

rnc,

hap

pen

ing?

Gt '

t

t a \

a it

t t

Hey.

c.pFcnt O rcrr br al Ganio Mdi. corp a AlAeeMNic corp, Ner Yo k. N Y

In tn d [ t r a l co p y i g h l Se u e d Ma d e i n U 'S 'AAn R i g f tR*e n e d



30E

beau ti ful girl walkedout on ne,

E'

Eml'

tr

o

ryi

tell

her:

'I

ba

by.

tr

'

@

tr

-a ---cr-.cr-Gt-

G'

anct rc

-

al izedwhat

I

had

E'

I slood a lone

in thc cold

-

Brey

dawn,

I





CUITAR

BRILLIANT

SOLO

TIIE

GAMBLER

DON

SCHLIIZ

O n a

.

On a

2.3.4.

(See

additionot ttics)

EI

tr

su

bler;

tr

So

in'

copFsnr

o 1977 y

WRr:IERSN

n.o3J

b l

wRrn

Rs tcHr

Musr t

G'

G'

G' G'

G'

G'



I

I

33

tr

r

tr

tr

1n

And

he be gan Io

tr

read in'

peo ple's

lnos

-

in

shdt

their

wav they held tbeir

l

-

A ^

Eax

[ t f ,

G'

G'

Z'

G' G' G'

G ' X E E' G'

you

doDl mind my



tr

tr

tr

r

I'11

diank

down my

last

Tlen

hebummed a

c r g - a r e n e a n d

tr

hand

-

ed him my

E

@

G'

(F

Gaa

G' G'

G'

G' G'

E

G'

light.

night got

death

-

ly



35

tr

or

G' G' f, G'

l rJ i

-

e

Ard \ i . %cp lon J1 e \ Dre . . \ io1 .

s3 id .

' I t vou

re

C l a

f,

E'

gon

nr

plat_

the

qane.

bo\'.

va

got ta learn

io

plav

j

tr

\now ehen 10 tbld cm.

tr

tFl

tr

(F

Y G

G G G'

righr. You got

to

know Fhen ro hold

'em,

(^

(A

G t G l r

G'

salk a

'

say

and

know when to run. You nev er



36

tr

(F

G'

G G'

tr

2. F\eD

Bamble,

no$\ rLar r r

Is knowin whai

to tbrow aNay

And Ino$i what to

kccp.

'Cause

everyhand\ d winnc.

and even hand a loser.

And rhe best hat

yo

can hope or n to die

in

your

sleep.

3. And when

he'd ndshed speakin-. e turned

back rosards

he wirdow,

Crushed ut his

cigarctre nd adedoff nr nccp.

And somewhe.en the darkncss

he

Sanbler,

he

b.oke e en.

Bur in

his linal words found an actthar

I could keep.

4. You got

kr

know whcn

ro hold em. knos whcn

o fotd en.

Know ahen

to

walk

awavand knos whe.

to run.

You never

count

your

m6neyvhen

youre

sittin at rhe rable.

There

U be dme eDousbor countin whcn

the dealin &)nc.

tr





38

E

E a

J

feel

-

ins

t;r

ar-

E

like

this. The

tr

night- To tbe

ful ly

E

gl ide

NI i tk

trr

ru*r r. O

Pla\ o @

srip . @

G' I J

G'

I E v

(F

I

oa

G'

G'

. ltt

'

(^

G l a

(F

t r ight l



39

(A

I

DCt

f,

G' f,

tr

tr

r'li1k

tr

l r l

eles.

$ .n

t

J4u

tr

tr

r

night?

G'

(A

G

G'

. G '

O E

ct

G'

J

I

I

ct

I

n i g h l r



40

CLARINET

FULL

-N

TILLLO\\'

ALWAYS

HAVE, ALWAYS WILL

1

ltseems

fun'nv I

2.

(Sc(

additionol

BI JOHN\}

tlEilRS

rc'nrem-bcrcdyour nunrber af ter

all tbis

l 7

tsut lor

(co

rIERI \Iuslc CORPOR,TTIOI)TE\ICA\

iLrslc

AscAPl

hcmdomr

coprilr" scoicd \1tr'1. L l.\

All tughERren.d

E

I'm

tr

r

r , L a L , - L a L a L a L ^ L ^ L ^

L , r L , r L a L a

G l a

E'

I e heentlnk-i'tg

hout ,^u

al l



E'

tr

n o w , - I v e b e e n

E'

think

-

irg of some

thing to

Chorus

tr

GmlT

E'

r

Gml?

L , A . . L a L , -

G l r

will.

tr

But

you

But I love

you

still: al-ways





Can

you feel

it

tFt

tr

l ighr .

E'

n€s rh inr

i \

rcrch oul

aidtouch a

make

a fiend -

ii

You

t

G l a )'

(A

Rerch out and kruch

r



@?

G'

rt

G

Rcrcll

fricnd -

2.

3 .

2. Hey.

whar aboul

you

m)

niend?

Ain r n rine to cone on

'n1'

We can nnd

a betet

$a .

\\ily

dorl

yoD

oin

Lrs

odayl'

Cln

t you fccl it. . .

L la\ tucn reflecredn

tbe a(tnude

Of orh.r

peoplc

ust

like

ou.

Rcrch our and touch

hand.

V kc

^ Iriend f

you

crn.

Cln t

yoD

eel t. .

Hey. what



fuN

I I b \ LDD]E R. \BA]TI

THE

BEST YEAR

OF

MY LIFE

We

ll

so

down

tSee

drlthanal rir\)

FDDIE

RABBITT dd

EVEN STEVENS

-

ry.

r l

vou 1or in m. .

J \ ( . r \ ( T RRJARPAra l l 1 r rC

B I f l )





I

47

life.

o

my

drcanE

cone

tr

f-l

G l a G'

i|

.

romr s i l l

br the

l i fe



,

E

The

l i l c .

I

8ab\ . rn rce

ou

.Jm. r l ,n nr \ L i .

.

r rn .J

ln vo r

. . s 1 I ln r l l \ \ cc

\ i \

b . \ .n r . r . rnLh \ . . ,h

\ J U , . I . .

| |

i

n .

. . . .

l i

j un

k. .ps on

qro \ i .

l t tu iLer c \ r r \ \

BLUE BAYOU

1 , I

rNIi

IOF MELSO\

lone

h

al l

feel $ bad,

I got a

2.

lSee

atlditia al Itri..t)

copnshta re6L * lcTr

bl

G' G'



ca

49

:o

ba by be

'

hind

tr

Blue

Bay

-

b a - b y a

-

g a i n ,

E'

tr

wirh

some

of ny &icnds,

tr

May be

I'll hap p i

er theD on

_

Blue

Bay

-

ou.

I'm

go

-

ing

G'

.

t t '

ca

G'

t

Blue Bay



'-

I-17

lltl

tr

t a

(A (

sl€ep

all

day aDd th€

BlueBi, .ou.

- And the

fish

-

ins boar $ith rhe

tr

m,l

. r0r

sun

r i \< throueh

tt

(F

. G t

-

G ' @

( F

hap-p)

I -d b" \--'l hrp-p) l i t

'

\-/

I fcel so bad. I gor d Mr.ied mind. I d so lone l\ lll the rjnrc

since

I Icft mt bab)

behind on Bhc B.)ou

sain.q

nic\les. lavin-s

dime\. $orkiig tiu ihe iun dun r shiic

lon \ ,nd

lur* . ' rd

ro happ; ,

r ime, . 'n

n luc 8 . , \o r

I m

going

b k

soneda,r.

gonna

slar

o Bhe

Bitou

whcrc mv ldlks l-ll find. all the rimc on Blue Ba\ou

wirh

thaa

Birl

of nine

br mr \ide till rhc Door in lhe e\ening

dies

Oh.

somc s$eet

day,

gonna

takc $a| ihis bultin nside.





tr

' lFl

t

c

G'

G'

G'

tr

l 4

o

'

ver

vou.

whcn

tr

bng.-

left me

tr

cry lngl

tr

t

un

-

dcr stand,

bur thc

G'

hand

can \rarr me



irg.

- I was all cry

,

ing.

-

2. I lh.ught thar I wa5

over

yo

tsut ils true. so true

I lolc you

cvcn Dore than I dld belore.

But darlirg, what can

I do?

Foi

you

donl love ne and I ll alway\ bc

Crying olcr

you.

crying over

you.

Ye. . nos lo l e Aoned d 1 , " - rhF monrenr n

I1l be cryine, crying, crying, fying-

Yeah. crying, crying over

you.

ELVIRA

TRUMPLT

BIG

'N'

BRASSY DALLAS

FR,{ZIER

E]

E]

l-17

t 4

ti

-

rc for El

coprdghr Lrc6i

& 1931 l:

$es. Nr6ri[e. Td ]7rI] rc00

o

My



tcj '

l. Eves

that look

like

2.

(See

addtionul

Utics)

lcl'

l-l

'Calsc

I

kro$

that

IFI

E'

G'

m)

El

otr

Up

l m s ing

i n ' E l

EI



E'

55

r

My

f re fo El

Chorus

II

Gid-dy

up, a oom

pa pa oom

pa

-

pa nowmow,

Gid-dy up, a ooro

pa

-

pa

@'

si l

2.

'lo

-

Tonight I n

gonna

neet her

At the hungry house caie

And l n

gon.a

gile

her all $e love I can.

shc's

eoona

junp

and

holler

'Causc

I saved

up nl last t$o dollar

And

wete gonna search and find tbar

preacher

nm

Hi

E]

-



56

TROMBO\E

IJULL

'N'

MELLO\I'

TAKE ME DOWN

Words

and IUu\i bf

]AMES

P. PENNI\GTON

Fl.r

In

b lo$

'

ins

br ight .

f,

keep

lhe ires burning:

f-

ngnr.

rt \rarm me

-rhrouth

rhe

t.t

tr

copv.lhr c rElD r idg vGj.



c,

youi.e

th€ one whonoves

me,

You

and me ba by,

when Do one else

ould un

-

der{tand:

'causeyouirewbat ove was meet to be:

|;I

likc Do bod

'

y

we'il set tbeflame

iD side us

oE

IDml'

E a E a

it

down,

-

where

I

tr

M

in

-

side of me. Take

mc

G'

al l

n ight onB. hold ne

closeand male me strong:

-



uuE

me down,

F-F

Itrttr

Youdon thave

to stay for

ev

-

cr ,

let \

just

put

ourhearts

o-gelh-er , share an

oih

-

er night in

ec

-

sta

-

sy. -

feel

'

ing bct

-

ier,

tr

F]

tr

I

t

t aa

a / t

a / t

a

t

l a a

lDmlT

f . r , r

t r r . r

ev

-

ry

-

hmc we get

to

-

geth

-

er, may b e l ove wasmea. t for you:nd



o

59

ri\

El

G

r

oh,

Take ne down

-

- to

-

night.

Ooh,

YOU AND I

FLLL-l.r' ITELLOW

FRANK

Nf\€RS

tr

tr

oreams

lo

-

geth

er,

and I knos n

(A

(asr AIJ

u.d

hJ Pcr,\,or

Inrenarionar copyrighr seurcd

Madc in u.s.A. ax Ftshr Rsefl.d





and

your

love is my

lAmlT

E'

GmlT

t ^

wnrd, and

I love

you

cv

-

en than

E'

lAml'

E'

I ev er did bc

-

iore.

tr

Y G

We made it. you

-

and L



62

Rf.,f,/.,1tr

u.l \l nTtttlr/s.

JR

I 'M FOR

LOVE

FLII

L

'N'

IiIELI

O\ \

HANK \ \ I L L IAMS.

J T

r-l

tr

l .

l . L

Nlolh€.s

ga,nndrunk

tSee tdi r londl

n6)

Pope is a gainsrlhe

The

Un

tr

work

-

ing a gainsr

rheir ei l l

Pres i -denr 's -gr inst the

Sen ate is a garnst the

Mir€ in s A Al Riihlt R$c^(,r

E

(4

ct

G'

(A)



63

@'

tr

In l a gainn cr ls

house. Bul lin

for

a

-

glrn{

Por

tr

o

I m

E'

l i l (

i r . . . n

n u

u \ t

Er

irr

(4'

I

ct

\ v Y a

t)

C l a

a

G'

G l a

l ighls.



64

cause I'm

for noth

F-- l

l@ |

@

night

@

niEht .

:. The Cnr's as.'nn rhe

Cdunr :

the

Counr)

ieainst h. Stare.

Tle Staten .erinsr the Go\rmmerr. lnd rhe highsa\s

srilt

ain

pa\ed

TIe Banlers aeainsr he farmer: he fameis aeainst he

\all

t le Dcror \ a ia,n\ tne

\mol,n.

Jno rhede , l i dsdn.ru. J t l

-l The copsare a-eainsthe robbe^: the la*5 arc aeain\i

he cops.

.lustices aelinsr he s$tcm. and sone

I'eople

re blowin rhen rops.

The ho6e is a-eainstre automobile:hc bus s againsr

he rrain.

Tle train n asrin( the

jumbo er.

and In againsrishin in thc raio

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