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Building World Music Collections: Latin America Caribbean, South and Central America Liza Vick, Associate Editor for World Music, Basic Music Library, 4 th Edition MLA Annual Meeting, 2015 Denver, CO

❧ Building World Music Collections: Latin America Caribbean, South and Central America Liza Vick, Associate Editor for World Music, Basic Music Library,

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Building World Music Collections: Latin

America

Caribbean, South and Central AmericaLiza Vick, Associate Editor for World Music,

Basic Music Library, 4th Edition

MLA Annual Meeting, 2015

Denver, CO

Celia Cruz welcomes you to a whirlwind tour of BML4, Latin America

Image from Celia Cruz’s website: http://celiacruz.com/

❧❧ Chapter 13: Traditional and Popular Music of

the Americas and the Caribbean❧ Drawing on the work of:

❧ Suzanne Flandreau❧ Andrew Justice and Mark McKnight❧ Rick McRae

Highlights…

❧❧ Compiled by Rick McRae❧ Areas covered:

❧ Salsa, Latin Jazz, and related styles: New York City, Miami, and Pan-Caribbean artists.❧ Cuba❧ Dominican Republic❧ Haiti❧ Jamaica❧ Puerto Rico❧ Trinidad and Tobago❧ Other Caribbean islands, including: Bahamas, Barbados, Guadeloupe, Martinique, St.

Lucia, and the U.S. Virgin Islands)

❧ Style and influence:❧ Salsa/Latin jazz popular worldwide, as are….❧ Reggae ❧ Steel band, calypso/soca, zouk

Caribbean Popular and Traditional

❧❧Cross-cultural styles and influences include:

❧ Creole, Afro-Brazilian, Afro-Cuban

❧Sources:❧ Universal Music Group

❧ Reyes Records

❧ Rhyner’s Music Store in Trinidad

❧ Parrot Fish Records and Tapes in the Virgin Islands, St. Thomas (tel: 340-776-4514)

❧Background Research:❧Allmusic.com❧Garland Handbook of Latin American Music, edited by Dale A. Olsen and Daniel E. Sheehy (2nd ed.,

Routledge, 2008)❧World Music: The Rough Guide, Vol. 2: Latin and North America, Caribbean, India, Asia,

and Pacific, edited by Simon Broughton and Mark Ellingham (Rough Guides, 2000)

Caribbean Popular and Traditional

❧❧ Types of releases:

❧ Commercial recordings are prevalent:❧ Labels such as Sony, Fania, etc.❧ Samplers: World Music Network, Putumayo, Rhino, Rounder, Rough

Guide, Rykodisc, Shanachie ❧ High profile artists (on a diversity of labels):

❧ Celia Cruz, Tito Puente, Bob Marley and the Wailers, Calypso Rose

❧ Selected ethnographic recordings such as:❧ Alan Lomax in Haiti (2009, Harte Records, HR 103), 2009❧ Caribbean Revels (Smithsonian Folkways, CD SF 40402), 1991

Caribbean Popular and Traditional

❧❧ Compiled by Suzanne Flandreau❧ Areas covered:

❧Bahamas❧Carriacou Islands (Grenada)❧Cayman Islands❧Cuba❧Dominica❧Dominican Republic❧Grenada❧Guadeloupe❧Haiti❧Jamaica❧Martinique❧Puerto Rico❧Saint-Barthélemy❧Saint Kitts and Nevis❧Saint Lucia❧Trinidad and Tobago❧Virgin Islands

Afro-Caribbean Traditional

❧❧History and Interconnections:

❧Colonial influence:❧European, indigenous, and African musics❧Creolization

❧Local genres

❧Types of recordings:❧Commercial issues of field recordings by ethnographers/scholars

❧Nonesuch, Smithsonian Folkways ❧Alan Lomax, Harold Courlander, etcetera

❧Reissues of early commercial recordings❧Genres: Calypso, Merengue (hugely popular)

❧Studio recordings by performers who keep traditional styles alive❧Specialist vendors

Afro-Caribbean Traditional

❧❧ Challenges

❧ African Diaspora: Garifuna (prime example)

Afro-Caribbean Traditional

❧❧ Compiled by Andrew Justice, Mark McKnight,

and Tom Moore❧ Areas covered:

❧Central:❧ Belize❧ Costa Rica❧ El Salvador❧ Guatemala❧ Honduras❧ Nicaragua❧ Panama

Central & South America

❧❧South:

❧ Andes Region❧ Argentina❧ Bolivia❧ Brazil❧ Chile❧ Colombia❧ Ecuador❧ Ecuador and Bolivia❧ Ecuador, Colombia, and Brazil❧ Ecuador and Peru❧ French Guiana❧ Paraguay❧ Peru❧ Suriname❧ Uruguay❧ Venezuela

Central & South America

❧❧ Geographic and stylistic diversity

❧ Indigenous, African, and European influences:❧ Garifuna (Belize, Honduras)❧ Maya-Quiche (Guatemala)❧ Tango (Argentina)❧ Andean huayño

❧ Genre diversity❧ Traditional regional/ethnic ❧ Popular: calypso, salsa, tango, cumbia, vallenato, and more

Central & South America

❧❧ Types of recordings:

❧ Commercial issues of field recordings on:❧ Major labels:

❧ Smithsonian Folkways❧ Nonesuch❧ Arhoolie

❧ Specialty labels:❧ Discos Fuentes (Colombia)❧ Sony Discos❧ Warner Music Chile

Central & South America

❧❧ Diaspora (e.g., Creole, Garifuna)❧ Infectious styles with global influence on

popular music (salsa, tango, reggae, etc.)❧ Fluid and dynamic❧ Doesn’t conform to geographical borders.

Overarching Themes

❧❧ BML4 is forthcoming (image from Pulsamerica)

Conclusion

❧❧ My email (I can put you in touch with

compilers):❧ Liza Vick: [email protected]

Questions?