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A compilation of the works of a third-year architecture student.
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EVELINE LAM
PORTFOLIOARCHITECTURE
2013
TABLE
RÉSUMÉPAGE 4
IOF
ONSEN HOTELPAGE 12
DAVIDCLOVERSPAGE 24
HONG KONG
STINGRAYCHAPEL
PAGE 30
COMPETITION
KENGO KUMAPARIS
PAGE 18
KING’S COLLEGEPAGE 32
SKETCHESPAGE 34
PHOTOGRAPHYPAGE 36
CONTENTS
BOTANICALPAGE 6
GARDEN
2
TABLE
RÉSUMÉPAGE 4
IOF
ONSEN HOTELPAGE 12
DAVIDCLOVERSPAGE 24
HONG KONG
STINGRAYCHAPEL
PAGE 30
COMPETITION
KENGO KUMAPARIS
PAGE 18
KING’S COLLEGEPAGE 32
SKETCHESPAGE 34
PHOTOGRAPHYPAGE 36
CONTENTS
BOTANICALPAGE 6
GARDEN
HOLY TRINITY SCHOOL PLAY
RÉSUMÉ
eveline.lam@gmail.com
(226) 972-3835
131 RIVERMILL CRESCENTEVELINE LAM
VAUGHAN, ON
WORK EXPERIENCE
KUMA & ASSOCIATES EUROPE
DAVIDCLOVERS
including branding for a new restaurant, furniture design, and architectural visualization.
JAN - APRIL 2012
SEPT -DEC 2012
including Besancon, Granada, Grenelle, Chamonix, and a competition for the Rimbaud museum. Responsibilities ranging from preliminary design to architectural visualization to meetings with furniture companies.
WORLD TRUMP LTD.JUNE - DEC 2010
preliminary character design for a possible children’s show on CCTV. Also involved in product design. Additional freelance work.
PARIS, FRANCE
HONG KONG
HONG KONG
EDUCATIONUNIVERSITY OF WATERLOO2010 - PRESENTCandidate for Bachelor of Architectural Studies, Co-op Program.
HOLY TRINITY SCHOOL1998 - 2010
WATERLOO, ON
RICHMOND HILL, ON Class of 2010.
INVOLVEMENT
NAIS AND GLOBAL YOUTH LEADERSHIP INSTITUTE LEADERSHIP CONFERENCEMARCH 2010Lectures and discussion about global water issues at United World College and EARTH University. www.nais.org
COSTA RICA
CO-HEAD OF ART COUNCIL
ORIENTATION LEADER
2008 - 2010
SEPT 2012
Promoted the arts and produced Arts Week.
Leader for both the Cambridge architecture campus and main campus engineering.
RICHMOND HILL, ON
WATERLOO, ON
PUBLIC RELATIONS2008, 2009. 2011Tours around Holy Trinity School. Guiding prospective students around the School of Architecture and answering questions about portfolios. Registering applicants for interviews and the précis test.
RICHMOND HILL, ON
2007, 2008, 2009Head of set design for “A Midsummer Night’s Dream”. Head of costumes and makeup for “Oklahoma”. Graphic designer for the promotional poster for “Seven Stories”.
RICHMOND HILL, ON
RECOGNITIONPRESIDENT’S SCHOLARSHIP2010Entrance grade percent between 90% and 94%.
HEADMASTER’S AWARD FOR ACADEMIC EXCELLENCE2007 - 2008Overall grade percent over 90%.
U OF WATERLOO
HOLY TRINITY
GRADE 10 RCM PIANO CERTIFICATE2009Grade 2 Rudiments, Grade 3 History, Grade 4 History, Grade 4 Harmony, Grade 10 Piano RICHMOND HILL, ON
UNITED NATIONS STAMP CONTEST2007Design of a stamp for the theme “We can end poverty”.RICHMOND HILL, ON
COMPUTER SKILLS
LANGUAGES
PHOTOSHOP CS5ILLUSTRATOR CS5INDESIGN CS5
DREAMWEAVER CS5
Ps Ps Ps Ps Ps
ENGLISH
MANDARINCANTONESEFRENCH
HTMLCSS
SKETCH UP
RHINOCERES 4V-RAY FOR RHINO
MAYA 3DAUTOCAD A
GRASSHOPPER g g
A A A
MICROSOFT OFFICE4
HOLY TRINITY SCHOOL PLAY
RÉSUMÉ
eveline.lam@gmail.com
(226) 972-3835
131 RIVERMILL CRESCENTEVELINE LAM
VAUGHAN, ON
WORK EXPERIENCE
KUMA & ASSOCIATES EUROPE
DAVIDCLOVERS
including branding for a new restaurant, furniture design, and architectural visualization.
JAN - APRIL 2012
SEPT -DEC 2012
including Besancon, Granada, Grenelle, Chamonix, and a competition for the Rimbaud museum. Responsibilities ranging from preliminary design to architectural visualization to meetings with furniture companies.
WORLD TRUMP LTD.JUNE - DEC 2010
preliminary character design for a possible children’s show on CCTV. Also involved in product design. Additional freelance work.
PARIS, FRANCE
HONG KONG
HONG KONG
EDUCATIONUNIVERSITY OF WATERLOO2010 - PRESENTCandidate for Bachelor of Architectural Studies, Co-op Program.
HOLY TRINITY SCHOOL1998 - 2010
WATERLOO, ON
RICHMOND HILL, ON Class of 2010.
INVOLVEMENT
NAIS AND GLOBAL YOUTH LEADERSHIP INSTITUTE LEADERSHIP CONFERENCEMARCH 2010Lectures and discussion about global water issues at United World College and EARTH University. www.nais.org
COSTA RICA
CO-HEAD OF ART COUNCIL
ORIENTATION LEADER
2008 - 2010
SEPT 2012
Promoted the arts and produced Arts Week.
Leader for both the Cambridge architecture campus and main campus engineering.
RICHMOND HILL, ON
WATERLOO, ON
PUBLIC RELATIONS2008, 2009. 2011Tours around Holy Trinity School. Guiding prospective students around the School of Architecture and answering questions about portfolios. Registering applicants for interviews and the précis test.
RICHMOND HILL, ON
2007, 2008, 2009Head of set design for “A Midsummer Night’s Dream”. Head of costumes and makeup for “Oklahoma”. Graphic designer for the promotional poster for “Seven Stories”.
RICHMOND HILL, ON
RECOGNITIONPRESIDENT’S SCHOLARSHIP2010Entrance grade percent between 90% and 94%.
HEADMASTER’S AWARD FOR ACADEMIC EXCELLENCE2007 - 2008Overall grade percent over 90%.
U OF WATERLOO
HOLY TRINITY
GRADE 10 RCM PIANO CERTIFICATE2009Grade 2 Rudiments, Grade 3 History, Grade 4 History, Grade 4 Harmony, Grade 10 Piano RICHMOND HILL, ON
UNITED NATIONS STAMP CONTEST2007Design of a stamp for the theme “We can end poverty”.RICHMOND HILL, ON
COMPUTER SKILLS
LANGUAGES
PHOTOSHOP CS5ILLUSTRATOR CS5INDESIGN CS5
DREAMWEAVER CS5
Ps Ps Ps Ps Ps
ENGLISH
MANDARINCANTONESEFRENCH
HTMLCSS
SKETCH UP
RHINOCERES 4V-RAY FOR RHINO
MAYA 3DAUTOCAD A
GRASSHOPPER g g
A A A
MICROSOFT OFFICE 5
BOTANICALGARDEN ONSEN HOTEL STINGRAY
NEW YORK
KING’SCOLLEGE CHAPEL
CAMBRIDGE, UKKENGO KUMA
PARIS
DAVIDCLOVERSHONG KONG
SKETCHES PHOTOGRAPHYCAMBRIDGE, ONTORONTO, ON
The botanical gardens are divided according to the energy gained from the 24 hour cycle of day and night.
There is a division between plants which bloom at daybreak and those which open at sundown. The separation of the day
and night pleasure gardens is achieved using the canal filled with reed grasses which generate electrical energy for the building.
RHINO, V-RAY FOR RHINO, PHOTOSHOP, ILLUSTRATOR, AUTOCAD
EXTERIOR VIEW
7
INFOGRAPHIC DETAILING THE PLANTS IN THE BOTANICAL GARDEN:(BLOOMING TIMES, ENERGY PRODUCTION, STATISTICS)
8
DIURNAL GARDENThe diurnal garden is divided into two layers influenced by the 24 hour cycle of the day. Firstly, there is a division between plants which bloom during the daytime and those which bloom during the night, creating moments of overwhelming nyctinastic movement at sunrise and sunset. Secondly, there is the separation of a pleasure garden of night and day blooming plants, from species which generate electrical energy from photosynthesis. This clear split of spectators and research demonstrates that the continuous steam of visitors and energy generation that is linked to the cycle of day and night.
EVELINE LAM 20387752
DAY BLOOMING
DAY CLOSED
DAY BLOOMING
NIGHT BLOOMING
NIGHT CLOSED
VISITOR FLOW
ENERGY GENERATION
DAY / NIGHT BLOOMING
1PM
2PM
3PM
4PM
5PM
6PM
7PM
8PM
9PM
10PM
11PM12AM
2AM
3AM
4AM
5AM
6AM
7AM
8AM
9AM
10AM
11AM12PM
1AM
JANFEBDEC
MAR
APR
MAY
JUNEJULY
AUG
SEPT
OCT
NOV
TROPICAL
TROPICAL
TROPICAL
TROPICAL
TROPICAL
TROPICAL
TROPICAL
USDA 11-134.4C to 21.1C
USDA 11-134.4C to 21.1C
USDA 11-134.4C to 21.1C
USDA 11-134.4C to 21.1C
USDA 8-10-12.2C to 4.4C
USDA 8-10-12.2C to 4.4C
USDA 8-10-12.2C to 4.4C
PARTIAL SUN
0m to 0.5m
PARTIAL SUN
1m to 2m
FULL SUN
0.5m to 1m
PARTIAL SUN
0m to 0.5m
PARTIAL SUN
2m to 3m
FULL SUN
2m to 3m
FULL SUN
0.5m to 1m
AFRICAN DAISY ‘WHIRLIGIG’ASTERACEAE OSTEOSPERMUM
DAY BLOOMING JASMINECESTRUM DIURNUM
BLUE EGYPTIAN WATER LILYNYMPHAEA CAERULEA
MOONFLOWERIPOMOEA ALBA
WOOD’S WHITE KNIGHTNYMPAEA
NIGHT BLOOMING JASMINECESTRUM NOCTURNUM
TUBEROSE ‘THE PEARL’POLIANTHES TUBEROSA
TROPICAL
USDA 8-10-12.2C to 4.4C
ARID
TEMPERATE
TEMPERATE
TEMPERATE
TEMPERATE
TEMPERATE
TEMPERATE
USDA 11-134.4C to 21.1C
USDA 5-7-28.9C to -12.2C
USDA 5-7-28.9C to -12.2C
USDA 0-4-51.1C to -28.9C
USDA 0-4-51.1C to -28.9C
USDA 0-4-51.1C to -28.9C
USDA 5-7-28.9C to -12.2C
PARTIAL SUN
2m to 3m
SHADE
2m to 3m
FULL SUN
2m to 3m
FULL SUN
0m to 0.5m
PARTIAL SUN
0m to 0.5m
FULL SUN
0m to 0.5m
PARTIAL SUN
0m to 0.5m
FULL SUN
1m to 2m
DUTCHMAN’S PIPE CACTUSEPIPHYLLUM OXYPETALUM
VIRGINIA SPRING BEAUTYCLAYTONIA VIRGINICA
CALIFORNIA POPPYESCHSCHOLZIA CALIFORNICA
CROCUSCROCUS ALATVICUS
REED GRASSCALAMAGROSTIS ACUTIFLORA
FOUR O’ CLOCKMIRABILIS JALAPA
NIGHT PHLOX ‘MIDNIGHT CANDY’ZALUZIANSKYA CAPENSIS
ADAM’S NEEDLEYUCCA FILAMENTOSA
TEMPERATE
USDA 0-4-51.1C to -28.9C
FULL SUN
0.5m to 1mWILD RICEZIZANIA PALUSTRIS
ENOUGH ENERGY TO POWER A HOUSEHOLD FOR A YEAR
100 square meters
100 square meters
100 square meters
ORNA
MENT
AL /
SERV
EDEN
ERGY
GEN
ERAT
ION
/ SER
VICE
This point marks the area where the density of the reeds is the greatest, and thus denotes the source of the majority of electrcity generated from the reeds. The flowers are planted according to the time that they bloom, so that a slow promenade around the ramped path throughout the day will allow a visitor to see the movement of the flora greeting them along the path.
GROUND FLOOR PLAN SECOND FLOOR PLAN
PRELIMINARY RENDER EXPLORING VOLUME AND ATMOSPHERE
BLUE EGYPTIAN WATER LILYNYMPHAEA CAERULEA
AFRICAN DAISY ‘WHIRLIGIG’ASTERACEAE OSTEOSPERMUM
CROCUSCROCUS ALATVICUS
DAY BLOOMING JASMINECESTRUM DIURNUM
VIRGINIA SPRING BEAUTYCLAYTONIA VIRGINICA
CALIFORNIA POPPYESCHSCHOLZIA CALIFORNICA
FOUR O’ CLOCKMIRABILIS JALAPA
WOOD’S WHITE KNIGHTNYMPAEA
MOONFLOWERIPOMOEA ALBA
NIGHT BLOOMING JASMINECESTRUM NOCTURNUM
TUBEROSE ‘THE PEARL’POLIANTHES TUBEROSA
DUTCHMAN’S PIPE CACTUSEPIPHYLLUM OXYPETALUM
NIGHT PHLOX ‘MIDNIGHT CANDY’ZALUZIANSKYA CAPENSIS
REED GRASSCALAMAGROSTIS ACUTIFLORA
EVOLUTION OF THE FORM
10
30˚
The form of the garden is created by spanning the canal diagonally between two solid masses which serve as the greenhouses. A massive skylight is carved out of both shapes to provide adequate light for the plants within, and a spacious ramp circles the boundary of the greenhouse to serve as the main circulation for visitors. This ramp leads from the daytime garden through a mirrored bridge over the reeds and into the night garden, creating a passage between aesthetic and utilitarian plants. The energy generated by the reeds is distributed between the interior and exterior night/day gardens. The plants are arranged in a series of triangular plots fanning out from a central node in the middle of the canal.
EXPLODED AXO OF DESIGN STRATEGY
ENERGY PRODUCTION PROCESS DISTRIBUTION OF ENERGY TO LIGHT VARIOUS AREAS
N
CHERRY STREET
NIGHTDAY
3ELECTRICAL GENERATION
1 PROGRAMMATIC DESIGN
2 LANDSCAPE STRATEGY
THEATRE
ENERGY GENERATION ROOM
CANAL INFILL
REED GRASSES
PRIVATE/PUBLIC, CIRCULATION, PROGRAM, DIVISION OF NIGHT/DAY
DISTRIBUTION OF PLANTS, CIRCULATION
SYSTEM CONFIGURATION, LIGHT DISTRIBUTION
EXTERIOR NIGHT GARDEN INTERIOR NIGHT GARDEN ENERGY GENERATION INTERIOR DAY GARDEN EXTERIOR DAY GARDEN
ENERGY SOURCE
ENERGY PRODUCTION
EXPERIENTIAL SECTION
NIGHT VIEW
BOTANICALGARDEN ONSEN HOTEL STINGRAY
NEW YORK
KING’SCOLLEGE CHAPEL
CAMBRIDGE, UKKENGO KUMA
PARIS
DAVIDCLOVERSHONG KONG
SKETCHES PHOTOGRAPHYCAMBRIDGE, ONTORONTO, ON
Situated on a busy street corner, the hotel offers a spa experience like none other. Clients are whisked
off to an Icelandic retreat surrounded by the serene atmosphere of Japanese-inspired architecture. The heated
pools are scattered in a faceted landscape that extends to an exterior terrace, allowing for a soothing dip even during the middle of
a snowy winter.
RHINO, V-RAY FOR RHINO, PHOTOSHOP, ILLUSTRATOR
13
14
FRONT ELEVATION ON MAIN ST. GROUND FLOOR PLANMAIN STREET
AINSLIE STREET
The entrance of the hotel is angled towards the intersection of two main roads, inviting visitors from every direction. The glass front façade of the hotel allows the restaurant within to have a vibrant street presence, and glows like a beacon in the night time. Above the restaurant is a private garden accessible by the second floor spa and onsen. The rooms are grouped in the rectilinear tower, which has a corner beveled to create two communal garden areas on the top two floors for the patrons.
DAYTIME VIEW
SERIES OF SECTION CUTS THROUGH ONSEN
MODEL OPEN TO SHOW RESTAURANT, ONSEN, AND HOTEL FLOORSCLOSE-UP OF HOTEL COMMUNAL BALCONIES16
DEVELOPMENT OF ONSEN LANDSCAPE
INTERIOR VIEW OF ONSEN
The onsen pools were inspired by the terraced form of rice paddies and natural hot springs in Iceland. Taking a regular gride of 12 squares, the surfaces of a few sections were first pushed up to random heights before being depressed into shallow pools. The remaining surfaces were landscaped with abstractly geometric versions of rolling hills to simulate the environment of a natural spring.
A few of these pools are situated on the exterior terrace, where the temperature of the hot water heats up the exterior patio enough for people to enjoy a hot dip even with the cold Ontario winter climate.
SPA / ONSEN FLOOR PLAN
GRANADA OPERA HOUSE - MAIN AMBIGU - SIGNAGE STUDY
BOTANICALGARDEN ONSEN HOTEL STINGRAY
NEW YORK
KING’SCOLLEGE CHAPEL
CAMBRIDGE, UKKENGO KUMA
PARIS
DAVIDCLOVERSHONG KONG
SKETCHES PHOTOGRAPHYCAMBRIDGE, ONTORONTO, ON
19
20
GRANADA - UPPER AMBIGU - DAYTIME
GRANADA - UPPER AMBIGU - NIGHT TIME
Grey Group par Pentagram
NUMÉRO DE CHAQUE ÉTAGE : METHOD 1
I was given responsibility in the visualization of spaces, design of interior architecture, research and meetings with suppliers, layout for project publication, and wayfinding design. Projects in which I was involved include the opera house at Granada, the culture centre at Besançon, museum competition for poet Rimbaud, and various other projects in Paris and Chamonix.
GRANADA - MAIN AMBIGU - COAT CHECK
BESANÇON - SIGNAGE FOR FIRE ESCAPE STAIR
GRANADA - SIGNAGE PROPOSAL
GRANADA - VIP LOUNGE BALCONY22
In the VIP lounge overlooking the main lobby area of the Granada opera house, I designed the partition that separates the interior seating area and exterior balcony. Wooden slats are used to create the wall, with shorter lengths sliding into the gaps between to form narrow shelves for the self-service bar and bar tables for people to rest their drinks on the balcony. On the other side, a low bench completes the bottom half of the partition. A wayfinding system incorporating the handrail was also designed to direct visitors to the appropriate section of the auditorium.
GRANADA - VIP LOUNGE
GRANADA - VIP LOUNGE DIVIDER PROPOSAL
BOTANICALGARDEN ONSEN HOTEL STINGRAY
NEW YORK
KING’SCOLLEGE CHAPEL
CAMBRIDGE, UKKENGO KUMA
PARIS
DAVIDCLOVERSHONG KONG
SKETCHES PHOTOGRAPHYCAMBRIDGE, ONTORONTO, ON
BRANDING FOR NEW OFFICE ON QUEEN’S ROAD EAST 25
DESIGN PROPOSALS FOR TABLE
DESIGN PROPOSALS FOR BENCHES26
FINAL DESIGN FOR TABLES - CHOSEN BY CLIENT
EXPERIMENTATION WITH MATERIALITY
A residential tower in Repulse Bay was aiming to renovate the interior and image branding of their restaurant. One of the points of interest was a pair of custom tables and benches in the center of the dining area. I was given free reign to experiment with the form and appearance of these tables as long as they were constructed of wood and steel. There were various proposals for the design of the legs, but the final chosen design was two angled tables with delicate steel legs.
davidclovers109 THE REPULSE BAY - WAVES RENOVATIONPALETTE 01_COOL
davidclovers109 THE REPULSE BAY - WAVES RENOVATIONPALETTE 02_WARM
davidclovers109 THE REPULSE BAY - WAVES RENOVATIONPALETTE 01_COOL
davidclovers109 THE REPULSE BAY - WAVES RENOVATIONPALETTE 02_WARM
davidclovers109 THE REPULSE BAY - WAVES RENOVATIONPALETTE 01_COOL
davidclovers109 THE REPULSE BAY - WAVES RENOVATIONPALETTE 02_WARM
davidclovers109 THE REPULSE BAY - WAVES RENOVATIONPALETTE 01_COOL
CUPS (TAKE-AWAY AND IN-HOUSE DINING) - WARM AND COOL SCHEMES
PLATES BRANDED WITH VERSIONS OF LOGO - WARM AND COOL SCHEMES
PRESENTATION FORMAT FOR BRANDING PROPOSAL
The restaurant asked the firm to create a new image and logo after changing the name to Breakers. The interior of the restaruant was designed as casual chic, and the client wanted the branding to reflect this same tone. Using a series of logo proposals, a set of take-away cups and in-house dishes and cutlery were designed.
A a B b C c D d E e F f G g H h I i r s t z v x y w
ICON FONT
FINAL LAYOUT FOR APP
29
Each residential unit at the De Ricou tower in Repulse Bay was designed to have the lighting, heating/cooling, and environmental system controlled with an interactive app on the iPad. I created a layout for each utility using the blue scheme of the residential branding and designed easily-recognizable icons for the individual function. Upon request by the manufacturer of the app, the icons were converted into a font to facilitate the insertion of the icons as workable buttons.
30
BOTANICALGARDEN ONSEN HOTEL STINGRAY
NEW YORK
KING’SCOLLEGE CHAPEL
CAMBRIDGE, UKKENGO KUMA
PARIS
DAVIDCLOVERSHONG KONG
SKETCHES PHOTOGRAPHYCAMBRIDGE, ONTORONTO, ON
The Stingray Observatory is an extension of the New York Aquarium for a view of Brooklyn’s local sea life.
The building’s name refers to its mimicry of the stingray’s physique and elegant movement in the shallow waters. The
stingray’s barbed tail is represented by the sweeping entrance way leading from the grassy dock to the underground observatory
which creates a beautiful connection between land and sea. The Stingray Observatory reinvents the oldest operating aquarium in the world
to properly represent the vibrance of the city.
RHINO, V-RAY FOR RHINO, PHOTOSHOPEntry for 10th annual SSEF competition in collaboration with Haylie Chan.
VIEW OF TRUSS SYSTEM ON THE INTERIOR OF ROOF
LONGITUDINAL SECTION
REFLECTION STUDY - WATER AND GLASS
32
BOTANICALGARDEN ONSEN HOTEL STINGRAY
NEW YORK
KING’SCOLLEGE CHAPEL
CAMBRIDGE, UKKENGO KUMA
PARIS
DAVIDCLOVERSHONG KONG
SKETCHES PHOTOGRAPHYCAMBRIDGE, ONTORONTO, ON
A study of the King’s College Chapel as an examplary case of English Perpendicular Gothic architecture.
Focus was given to the intricate ornamentation of the columns, the exquisite fan vaulting (largest in the world), and
the vibrant stained glass windows.
1:100 SCALE MODEL BUILT FROM WOOD, PLEXIGLASS, AND CARDSTOCKGroup collaboration with Haylie Chan, Emily Guo, Ronald Tang, and Jacqueline
Chow.
VIEW OF LENGTH OF INTERIOR + ROOD SCREEN
DETAIL VIEW OF THE SIDE AISLES + STAINED GLASS
34
BOTANICALGARDEN ONSEN HOTEL STINGRAY
NEW YORK
KING’SCOLLEGE CHAPEL
CAMBRIDGE, UKKENGO KUMA
PARIS
DAVIDCLOVERSHONG KONG
SKETCHES PHOTOGRAPHYCAMBRIDGE, ONTORONTO, ON
LIFE DRAWING STUDIES
BOTANICALGARDEN ONSEN HOTEL STINGRAY
NEW YORK
KING’SCOLLEGE CHAPEL
CAMBRIDGE, UKKENGO KUMA
PARIS
DAVIDCLOVERSHONG KONG
SKETCHES PHOTOGRAPHYCAMBRIDGE, ONTORONTO, ON
STUDY OF THE HUMAN FORM
37
MARYIA
39
40
REFERENCES
41
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