Faculdade de Letras da Universidade do Porto INFORMÁTICA DE TRADUÇÃO FALL SEMESTER 2010 Lesson

FLUP - Elena Zagar GalvãoFLUP - Elena Zagar Galvão

Faculdade de Letras da Universidade do Porto

INFORMÁTICA DE TRADUÇÃOFALL SEMESTER 2010

Lesson 3 November 2010

Teacher:Elena Zagar Galvãoelenazagar@gmail.com

egalvao@letras.up.pt

Webpage: web.letras.up.pt/egalvao

Legendas – Legendagem (PT)

?????? (FR) ?????? (ES) ?????? (DE) ?????? (FI) ?????? (IT) ?????? (PL) ?????? (CS)

FLUP - Elena Zagar GalvãoFLUP - Elena Zagar Galvão

http://br.youtube.com/watch?v=cv9Zmy9rSd4 http://ticklebooth.com/2006/09/iraqi-insurgents-dont-need-

subtitles/

FLUP - Elena Zagar GalvãoFLUP - Elena Zagar Galvão

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FLUP - Elena Zagar GalvãoFLUP - Elena Zagar Galvão

TRANSLATION

FLUP - Elena Zagar GalvãoFLUP - Elena Zagar Galvão

INTERLINGUALINTERLINGUAL

INTRALINGUALINTRALINGUAL

INTERSEMIOTICINTERSEMIOTIC(between communication (between communication

systems: written text into systems: written text into film, painting, music and film, painting, music and vice versa)vice versa)

Translation practice consisting of presenting a written text (usu. on the lower part of the screen) which recounts:- the original dialogues of the speakers;- the dicursive elements that appear in the image (letters, graffiti, placards, etc.)- the info contained in the soundtrack (songs, voices off).

FLUP - Elena Zagar GalvãoFLUP - Elena Zagar Galvão

the spoken word; the image; the subtitles

Their interaction + viewer’s ability to read the images and the the written text at a certain speed determine the basic characteristics of the audiovisual medium.

FLUP - Elena Zagar GalvãoFLUP - Elena Zagar Galvão

- synchrony with image+dialogue;- semantically adequate account of SL

dialogue;- remain on screen long enough for

viewers to read them.NB: synchrony, time and space (p. 9)

FLUP - Elena Zagar GalvãoFLUP - Elena Zagar Galvão

A way of translating what is being said in an audiovisual text.

Two characteristic features: Change of code (intersemiotic: oral to

written) Oral message of the source AV text is

present in the translated product. The oral and written message are received simultaneously, allowing for comparison between source text and target text.

FLUP - Elena Zagar GalvãoFLUP - Elena Zagar Galvão

In six seconds an average viewer can comfortably read the text written on two full subtitle lines, when each line contains a maximum of some 37 characters, i.e. a total of 74 characters. This calculation implies a rather low reading speed of some 145 words per minute (about 2.5 words per second).(seconds and frames are the measurement units used in TV)

FLUP - Elena Zagar GalvãoFLUP - Elena Zagar Galvão

A motion picture is measured using the Imperial units feet and frames.

1 foot = 16 frames1 second = 24 frames (cinema)1 second = 25 frames (TV)

1 second = 1 foot and 8 frames (1.5 feet)

To guarantee a comfortable reading speed, it is commonly accepted that a film foot (1 frames) should contain 10 characters (including letters, spaces and punctuation marks). In other words, a frame can contain 0.625 spaces or characters.

FLUP - Elena Zagar GalvãoFLUP - Elena Zagar Galvão

Adaptation: a lesser activity?Jakobson (1959)K.Reiss (1977; 1981)Delabatista (1989) Asensio (2001)Gambier (1994;2003)Neves (2005)

FLUP - Elena Zagar GalvãoFLUP - Elena Zagar Galvão

Terminology1980s early 1990s constrained translationThen audiovisual translation (AVT)Film translation, cinema translationScreen translationMultimedia translation

FLUP - Elena Zagar GalvãoFLUP - Elena Zagar Galvão

AVT SDH AD Concept of accessibility (Diaz Cintas 2005) Computer games and interactive software

programmes (convergence of AVT and localization)

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Linguistic Time available for preparation Technical Methods of projection Distribution format

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FLUP - Elena Zagar GalvãoFLUP - Elena Zagar Galvão

Intralingualsubtitles

SDHFor language

learningpurposes

For Karaoke Fordialects

of thesame

language

For notices

and announce-

ments

FLUP - Elena Zagar GalvãoFLUP - Elena Zagar Galvão

Interlingualsubtitles

For hearers SDH

Open subtitles(viewer has no choice as to the presence of

subtitles on screen) Closed subtitles(translation can be added to the programme

at the viewer’s will)

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Cinema Television DVD Video, VHS Internet

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Live performances:opera, concerts, musicalstheatreconferences

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Synthesis (condensation/concision; elemination/suppression)

Readability (accuracy, fluency, credibility)

Orality (written subtitles should sound like spoken language)

*from: Bartrina, Francesca and Eva Espsasa, Audiovisual Translation

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ViewingSpotting (timing/cueing)TranslatingEditing

*from: Bartrina, Francesca and Eva Espsasa, Audiovisual Translation

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Watch a programme (movie, talk show, serial, documentary, etc.) with subtitles in Portuguese and draw up a list of at least 5 different features that define/characterize the subtitles you have seen on screen.

Remember to note down the name of the programme as well as when and where (TV channel) you watched it.

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FLUP - Elena Zagar GalvãoFLUP - Elena Zagar Galvão

Visit this website and read the Visit this website and read the Code of Good Subtitling PracticeCode of Good Subtitling Practice at http://www.esist.org/Code.pdfat http://www.esist.org/Code.pdf

Translator, Adapter, ScreenwriterTranslating for the audiovisualby Robert Paquin

at: http://accurapid.com/journal/05dubb.htm

FLUP - Elena Zagar GalvãoFLUP - Elena Zagar Galvão

A Proposed Set of Subtitling Standards in Europe

by Fotios Karamitroglou

at: http://accurapid.com/journal/04stndrd.htm

FLUP - Elena Zagar GalvãoFLUP - Elena Zagar Galvão