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BLUE MOUNTAIN CHRYSLER

Blue Mountain Chrysler – Logo Design

WE’VE CHANGED

#NewBMC


A WEEK LONG EVENT!THE FIRST 200 PEOPLE TO REGISTER ONLINE WILL RECEIVE A FREE $25 GAS CARD!

ALL REGISTRANTS ARE AUTOMATICALLY

ENTERED FOR A CHANCE TO WIN A FREE

VACATION GETAWAY! NO PURCHASE NECESSARY

THE NEW BLUE MOUNTAIN CHRYSLER GRAND OPENING EVENT

VISIT WWW.BLUEMOUNTAINCHRYSLER.COM/newbmc AND RSVP TO THE WEEK LONG EVENT

MONDAY: Collingwood Appreciation DayTUESDAY: Contractor Appreciation DayWEDNESDAY: Wasaga Beach Appreciation DayTHURSDAY: Clearview Appreciation DayFRIDAY: Charity / Probus Apprectiation DaySATURDAY: PEAK FM Live on Location Holiday Giveaway

NOVEMBER 10 – 15#NEWBMC

During the past four years we have experienced extraordinary growth at Blue Mountain Chrysler. We have concentrated our efforts in assembling the most educated, sophisticated, and experienced staff we have ever employed. We have devoted all of our resources to providing our new staff with the most technologically advanced facility possible. But at the end of the day it’s not the new building or new staff that I am most proud of. It’s our new emphasis on providing the highest level of customer satisfaction that drives our vision.

I realize that vehicles can be sold and serviced anywhere and it’s our responsibility to ensure that our customers are exposed to such a positive experience that they will think of Blue Mountain Chrysler first for all of their automotive needs, including sales, parts, services, and accessories. This is the vision and mandate that drives our entire staff on a daily basis.

I am pleased to invite you to come in and allow me to personally give you a guided tour of our new facility and introduce you to not only our new staff members but also the new operating philosophy at Blue Mountain Chrysler.

Sincerely,

Warren SlyGeneral Manager

Blue Mountain Chrysler – Grand Opening Event

Blue Mountain Chrysler – Summer Campaign

2014 DODGE RAM IS

COLLINGWOOD’SFAVOURITE WORK HORSE.

2014 JEEP WRANGLER IS

WASAGA BEACH’SFAVOURITE CRUISER.

2014 JEEP CHEROKEEIS

BLUE MOUNTAIN’SFAVOURITE UTILITY VEHICLE.

2015 CHRYSLER 200IS

COLLINGWOOD’SFAVOURITE MID-SIZED SEDAN.

Blue Mountain Chrysler – Rentals


NEED TO RENT A CAR?GIVE DONNA A CALL.

HOURS OF OPERATIONMON–FRI: 8:00AM – 5:00PM

SATURDAY: 8:00AM – 12:00PM

CLOSED SUNDAY AND HOLIDAYS

705–445–2740 EXT 246

LOCATIONBLUE MOUNTAIN CHRYSLER (OLD BUILDING)

9950 HIGHWAY 26 EAST,COLLINGWOOD, ONTARIO, L9Y 3Z1

We carry tons of vehicles ranging fromEconomy to Trucks.

BMC RENTALS

WAYPOINT

WAYPOINT

WAYPOINT

WAYPOINT

Corporate Identity — Waypoint

Typefaces & Wordmark 6 Advertising Use 7

WAYPOINTFutura STD Light 60pt is the default size of the wordmark.

• Thewordmarkmustneverbemanuallytypedout.Alwaysusethewordmark.epsfileprovided.

• RemembertoholdSHIFTwhenresizingwordmarkfiletomaintaincorrectproportions.

• ColouroftypeshouldalwaysremainBLACK.

AllotherwordelementsonlogoshoulduseFuturaSTDLightandshouldbehalfthesizeofthelogowordmark.Sincethelogowordmarkis60pt,subheadsshouldbe30pt.

WAYPOINTManufacturing

WAYPOINTtextis60pt

MANUFACTURINGtextis30pt.

The“wordmarkwithsub.eps”fileisincludedandshouldbeusedinsteadoffreetyping.

WAYPOINTMANUFACTURING

Thesubheadshouldneverbebiggerthanlogowordmark.WAYPOINTmustalwaysbebiggerthanMANUFACTURING.

Thisisanexampleofacorrectbillboardad.Keepinmindhowthelogoandthewordmarksitperfectlyinthecentre.

The logo should take up a good amountofwhitespaceofferedbythebillboard.

WhenputtingWaypointonadvertisements,thereareafewrules to follow:

BillboardsandBusADS

• Logoandwordmarkmustsitcentreofthebillboard.

• MANUFACTURINGtextdoesnothavetobeusedunderWAYPOINTtext.

• ThelogomustbeCyan.BlackorGrayisonlytobeusedonblackandwhiteprintdocuments.

• Thebackgroundmustalwaysremainwhite.

WAYPOINT

WAYPOINT

Corporate Identity — Waypoint

HAVE YOUBEEN

INVITED

?

Campaign — TCDSB Skills Competition 2014

Campaign — TCDSB Skills Competition 2014

Dear Student,

You have been invited to the TCDSB Skills Competition. You will be competing in the following events:

•Graphic Design March 10 12:30pm•Photography March 10 4:15pm•Robotics March 12 10:00am•Landscape Design March 14 9:15am

Please arrive 30 minutes before your scheduled event begins.

Location

Rec Centre123 Steeles AveL3S123

Julius Caesar

2nd Annual Toronto Shakespearian Festival

Written by William ShakespeareDirected by Amanda Hiller

Cast Peter Weller Aissa Johnson Eva Orloff Janet Wood Jason Ramirez Malcolm Stewart

Artistic Director · Bill Clay Set Design · Michael Levine

Costume Design · Edith Chan Lighting Design · Nancy Monigan

July 13 – August 30, 2011Stage Door Theatre

172 John Street, East

Tickets and Information • 416·889·0356 www.shakespearefestival.com

Julius Caesar

2nd Annual Toronto Shakespearian Festival

Written by William ShakespeareDirected by Amanda Hiller

Cast Peter Weller Aissa Johnson Eva Orloff Janet Wood Jason Ramirez Malcolm Stewart

Artistic Director · Bill Clay Set Design · Michael Levine

Costume Design · Edith Chan Lighting Design · Nancy Monigan

July 13 – August 30, 2011Stage Door Theatre

172 John Street, East

Tickets and Information • 416·889·0356 www.shakespearefestival.com

Shakespeare Play — Julius Caesar

NCIX Site Redesign

EL CAMINO

Lonely Boy

Dead and Gone

Gold on the Ceiling

Little Black Submarines

Monkey Maker

Run Right Back

Sister

Hell of a Season

Stop Stop

Nova Baby

Mind Eraser

El Camino is the seventh studio album by

American rock duo The Black Keys. It was

co-produced by Danger Mouse and the band,

and was released on December 6, 2011 on

Nonesuch Records rock. Based on the difficulty

the group had performing some of the slower

songs from their previous album Brothers live,

they conceived more uptempo tracks for El

Camino. Danger Mouse contributed as a co-

writer on each of the 11 songs.

GALLERY VIDEOSMUSICBIOGRAPHY

BiographyBiography

Who are The Black Keys?

The Black Keys are a two-man blues-rock group from Akron, Ohio, United States

which formed in 2001, consisting of singer and guitarist Dan Auerbach and drummer

Patrick Carney. The band name was inspired by a schizophrenic artist and friend in

Akron, who used the term “black keys” to describe things he disliked or people he did

not trust. The Black Keys have roots in traditional blues and psychedelic rock stylings.

They released their first album, The Big Come Up, in 2002, followed by

Thickfreakness in 2003, and Rubber Factory in 2004. October 2005 saw the release

of the DVD Live, recorded live at The Metro Theatre in Sydney, Australia March 18,

2005. In 2006 they released Magic Potion, as well as the lesser-known Chulahoma

and a single version of Your Touch.

One of their trademarks is their preference for simple, lo-fi recording techniques.

They refuse to use big-name studios, and do most recording, producing, and mixing

themselves. Most of Thickfreakness was recorded in about 14 hours in Carney’s

basement, using only an early 80’s Tascam 388 8-track recorder. Often, their

recordings still have background noises (such as an owl hooting).

gaLLEry ViDEoSMUSiC

GALLERYGALLERY VIDEOSMUSICBIOGRAPHY

Interactive Discography — The Black Keys

WESTERN SPIRITSTribal Masks of the Pacific NorthwestSeptember 12 - October 15 2011

Western Spirits is the largest and most complete exhibition ever mounted of ceremonial masks. It explores three centuries of maskmaking and provides a rare opportunity to see these exquisite objects, which are drawn from collections throughout North America and Europe, some from as early as the 17th century.

Buy Your Tickets Online www.rom.on.ca

Western SpiritsTRIBAL MASKS OF THE PACIFIC NORTHWEST

SEPTEMBER 12 – OCTOBER 15 2011

Western Spirits is the largest and most complete exhibition ever mounted of ceremonial masks. It explores three centuries of

maskmaking and provides a rare opportunity to see these exquisite objects, which are drawn from collections throughout North America

and Europe, some from as early as the 17th century.

Buy Your Tickets Onlinewww.rom.on.ca

Western SpiritsTRIBAL MASKS OF THE PACIFIC NORTHWEST

SEPTEMBER 12 – OCTOBER 15 2011

Wesern Spirits is the largest and most complete exhibition ever mounted of ceremonial masks. It explores three centuries of

maskmaking and provides a rare opportunity to see these exquisite objects, which are drawn from collections throughout North America

and Europe, some from as early as the 17th century.



Royal Ontario Museum

RR

Now if your feelin’ kinda low ‘bout the duesyou’ve been payin’Future’s comin’ much too slowAnd you wanna run but somehow you keep on stayin’Can’t decide on which way to go

I understand about indecisionBut I don’t care if I get behindPeople living in competitionAll I want is to have my peace of mind

Now you’re climbing to the top of the company ladderHope it doesn’t take too longCan’t you see there’ll come a day when it won’t matterCome a day when you’ll be gone


Take a look aheadTake a look aheadYea,yea,yea, yea

Now everybody’s got advice they justkeep on givin’Dosen’t mean too much to meLots of people have to make believethey’re livin’Can’t decide who they should be



Look ahead! ROCKWELLTHE INLAND TYPE FOUNDRY PRESENTS...

ABCDEFGHIJKLMNOPQRSTUV

WXYZ

abcdefghijklm-nopqrstuvwxyz

1234567890

RR

Now if your feelin’ kinda low ‘bout the duesyou’ve been payin’Future’s comin’ much too slowAnd you wanna run but somehow you keep on stayin’Can’t decide on which way to go


Now you’re climbing to the top of the company ladderHope it doesn’t take too longCan’t you see there’ll come a day when it won’t matterCome a day when you’ll be gone



Now everybody’s got advice they justkeep on givin’Dosen’t mean too much to meLots of people have to make believethey’re livin’Can’t decide who they should be



Look ahead! ROCKWELLTHE INLAND TYPE FOUNDRY PRESENTS...

ABCDEFGHIJKLMNOPQRSTUV

WXYZ

abcdefghijklm-nopqrstuvwxyz

1234567890

Originally created by the Inland type Foundry in 1910 and named Litho Antique, Rockwell is a serif typeface classified as a slab serif or Egyptian. The font was redesigned at the Monotype Foundry later in the 1930th under the supervision of Frank Hinman Pierpont. Rockwell is used primarily for headlines instead of body text. The font was used in the Guinness World Book of Records in the early 1900s. A London public transit company called the Docklands Light Railway also used Rock-well during the late 1980s and earlier 1990s.

Pierpont was an engineer from Connecticut who moved to London and was in charge of the Monotype Corporation factory and drawing office from the early 1900s up until 1936. He was responsible for the quality of the typefaces created by the foundry. He invented a few typefaces in his lifetime, including Aldine and Revival. The most popular typeface created by Pierpont was Plantin which influenced the creation of Times New Roman.

This is dummy copy. You’re not really supposed to read dummy copy, it is just a place holder for people who need some type to visualize what the actual copy might look like if it were real content. If you want to read, I might suggest a good book, perhaps Hemingway or Melville. That’s why they call it dummy copy.

Can you count, suckers? I say the future is ours, if you can count. Look what we have

here before us. We’ve got the Saracens sitting next to the Jones Street Boys.

We’ve got the Moon Runners right by the Van Courtland Rangers. Nobody is wasting

nobody. That...is a miracle. And miracles is the way things ought to be. You’re stand-

ing right now with nine delegates from a hundred gangs.And there’s over a hundred

more. That’s 20, 000hard-core members counting affiliates, and more not organ-ised, but ready to fight. 60 000soldiers!

There ain’t but 20 000 police in thewhole town. Can you dig it? Can you dig it?

CAN YOU DIG IT?

HISTORY

R

SAMPLE

The type foundry was founded in St. Louis in 1892 by the three sons of Carl Schraubstadter. Prior to the creation of Inland, Carl was running another type foundry called Central Type Foundry. He end-ed up selling it to the American Type Founders in 1892. In reaction, the sons decided to create the In-land Type Foundry. It was quite successful up until 1911 when they were bought out by the American Type Founders. All the machinery owned by the In-land Foundry was split between their company and Barnhart Brothers and Spindler. The Inland Found-ry was the first to introduce a standard baseline.

FOUNDRY

PIERPONT

Font Brochure — Rockwell

Opening Gala, Friday, February 15, 2013, 7:00 p.m.

Exhibition Preview & ReceptionComplimentary gift to all attendees

RSVP by February 1st, 2013 to:[email protected]

or call (212) 708-9400

SANTIAGO

CALATRAVATHE BUILDING BLOCK

SAN FRANCISCO MUSEUM OF MODERN ART

www.sfmoma.org

SANTIAGO

CALATRAVAFebruary 16, 2013

toJune 23, 2013

THE BUILDING BLOCK


www.sfmoma.orgOpening Gala, Friday, February 15, 2013, 7:00 p.m.



or call (212) 708-9400

SANTIAGO



www.sfmoma.org

Opening Gala, Friday, February 15, 2013, 7:00 p.m.



or call (212) 708-9400

SANTIAGO



www.sfmoma.org

SFMoMa Event — Santiago Calatrava

IF IT BLEEDS, WE CAN KILL IT

PREDATORAN ARNOLD SCHWARZENEGGAR MUSICAL

FRIDAY DECEMBER 17 2011 8:00 PM

WWW.TICKETMASTER.COM416-870-8000.

PREDATORFRIDAY DECEMBER 17 2011 8:00 PM

PREDATORIF IT BLEEDS, WE CAN KILL IT

WWW.TICKETMASTER.COM416-870-8000.

Concert Poster — Predator, The Musical

3MAX PAYNE

EGMElectronic Gaming Monthly

EGM’s Holiday Gift GuideEverything you need for the new year

First LookPreviews of Ninja Gaiden 3

Tons of reviewsSkyrim, unchaRted 3, dark souls, and more

NFL BLITZ: EXCLUSIVE HANDS-ON AND SCREENS $6.99

US/C

ANNU

MBER

253.0 NOV/DEC 2011

DISPLAY UNTIL 12/27/2011

Magazine — Electronic Gaming Monthly

MAXIMUM

PAYNEBY EVAN SHAMOON


in cover-but don’t use it at all if you don’t want to. We just felt like to make a shooter in 2011 and not have that as an option would just be weird.” Like the original Max Payne games but unlike most of its contemporaries, Max Payne 3 encourages and rewards a run-and-gun approach to survival. Our next shootout does a good job of demonstrating. It’s here that we meet the new-and-improved Max Payne, dressed for the Brazilian summer: Sporting a shaved head, a thick beard, a white wife-beater, and

a crisp pair of Timberlands, Max looks more like a fit, Caucasian Rick Ross than the greased-up Guido we’ve come to know. In an abandoned bus depot in Sao Paulo, Max and Raul’s girlfriend, Giovanna, have been located by members of the rather unfriendly paramilitary group known as Cracha Preto. In addition to the Hong Kong inspirations, there’s more than a hint of Brian De Palma and Michael Mann: Handheld cameras and tightly framed close-ups are used extensively, and the action’s as stylish as

you might expect.

Max and Giovanna take cover inside one of the buses to avoid being spotted, and as the squad approaches another bus and peers inside, we sit patiently for the right moment to strike. Whether you bide your time on the bus, crawl out of the back to remain undetected, or dive out headfirst with guns blazing is entirely up to you: Each of these manoeuvres is a viable way forward, and each of these small decisions will have a domino effect on how the sequence plays out. As in

Sporting a shaved head, a thick beard, a white wife-beater, and a crisp pair of Timberlands, Max looks more like a fit, Caucasian Rick Ross than the greased-up Guido we’ve come to know.

earlier Max Payne titles, the instinctual, moment-to-moment actions one makes throughout the gunfights, and levels are built with replayability in mind. Will you use cover to lure enemies toward you or slide in behind them when their backs turn? And when will you trigger that glorious slow motion?

How about right... now? The screen desaturates as we engage bullet time, and watching the results is an excuse to violent excess. Max isn’t the only gunslinger in town, and enemies have likewise

been given their own custom animation sets to compliment their physics-based locomotive properties. Most importantly, they take their bullets really well-meaning in every square inch of their bodies, and with much enthusiasm. Each bullet you fire is modeled from the moment it leaves your gun, and enemy bodies flail in the appropriate direction-and with the appropriate velocity upon impact. To accentuate their death throes, the final bullet of every scene-that is to say, the one that kills the last breathing enemy within striking

distance-is given its own glamour shot, which follows as it exits your chamber and until it arrives at its destination. The showers of lead make their mark on whatever they hit, even if it’s not virtual human flesh, realistically leaving your distinctive marks on the walls, floors, and other inanimate ornamentation. The sequences that follow reveal impressively destructible environments. Arguable the litmus test for the contemporary urban shooter takes place inside an office building, and we’re shown two of these today. The

offices, like the bus depot, are distinctly Latin American: The distinctive mix of colonial and modernist architecture the orange-tinged sunlight, and spot-on Portuguese-language voice acting give the place a feel distinctly different from, say, GTAIV’s Liberty City.

Once the gunfire begins, the environment reacts as one hopes it would, with papers, computers, and staplers being blown to smithereens, filling the air with particulate. Max can, of course, down painkillers to boost his health,

and he’s been given a second chance with something called “Last Man Standing.” When you’re about to take your last breath, the game affords you a final shot at the enemy who delivered the mortal bullet: If you hit him, you’ll be given a morsel of health and one last go at survival. A minimal score provides the backing track for the frantic, hectic action, comprised mostly of heavy, undulating bass tones interspersed with staccato stabs of Latin strings. The combination’s surprisingly unsettling and powerful.

What’s noticeable is actually what you don’t notice: Characters running and shooting simultaneously, and the disconnect between their upper and lower bodies. Anyone who’s played online shooters has certainly noticed it, and Rockstar did as well-and became hell-bent on doing away with it. “It’s a really tricky thing to get right-the classic strafing where you see the guy’s lower body going left and right, or they don’t really know how to handle if you’re running back at the camera and you turn around,” says Nelson. “We

“I was a dumb American

in a place where dumb

Americans were less popular than

the clap.”

14 15


struggled with that and tried to get something that looked human and natural-but never let your gun waver from the screen. We’re believers in third-person storytelling and connection with the world, but we want the fluidity and the control that first-person shooters are known for.”

After a series of impressive acrobatics, we make it to the office lobby and find its secretary dead, just moments before a jeep blasts through the front door and careens towards us. It’s a scripted set

piece, and some mandatory bullet time lets us pick off the driver and send the car bursting into flames, all while leaping over the desk to safety. We later skip forward in time, to a point just after something very big as exploded inside the office. What’s left is an inferno, with convincingly realistic fire burning away on anything that will host it. It’s a dramatic end to a dramatic demo-and a taste of what to expect when the game ships in early 2012.

“I knew this was a bad idea, but, in the

absence of any good ideas,

I continued forward.”

16 17


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Advertising Campaign — Arizona Tea

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Advertising Campaign — Arizona Tea

Toronto Police Services – Sexual Assault Awareness Campaign

Toronto Police Services – Sexual Assault Awareness Campaign

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