- 1. 'Thorn lane' Storyboard
2. Thorn lane 1Long ShotCutELThis will be an establishing shot
of the church the wedding will be held from the outside to allow
the audience to become familiar with the location.N/AEdited: Demons
Tanner HoweStatic camera To keep a steady focus on the characters2
secs2POVELCutThis will be a shot from the perspective of the bride
walking in to the church, the place the characters are situated
inN/A Edited: Demons Tanner HoweSlow Track of the bride walking
into the church2 secs 3WSELCutThis shot will be of the bride
entering the church, introducing her to the audienceN/AEdited:
Demons Tanner HoweStatic camera To keep a steady focus on the
characters1 secsMS4ELCut 2 secsThis will be a mid shot of the bride
playing with her ring while walking down the aisle, connoting she's
nervous?N/A Edited: Demons Tanner HoweSlow Back Track from the
front of the bride as she walks down the aisleSarah Hutton,Ridgeway
Mazvimavi, Nathan Cordero and Charlene Fernandes 3. Thorn
lane5LSELCutBride making her way down the aisle. View of the guests
looking onto her connotes to the audience that the guests are
judging the bride; feels distant from the altar.N/AEdited: Demons
Tanner HoweStatic camera To keep a steady focus on the characters4
secs 6CUELCutBride turning to look at her left side towards the
guests connotes that the bride is looking for some sort of approval
from the audience or reassurance.N/AEdited: Demons Tanner
HoweStatic camera To keep a steady focus on the characters2 secs
CU7CutELBride turning to look at her right side towards the guests
connotes that the bride is looking for some sort of approval from
the audience or reassurance.N/AEdited: Demons Tanner HoweStatic
camera To keep a steady focus on the characters2 secs8LS/GSLACut 1
secsBride finally reaches the groom at the end of the aisle and
takes his hand. Shows to the audience that theres a connection
between the two despite the judgmental looks and her own
event.Camera closes in on the bride and groom (sort of a
zoom)N/AEdited: Demons Tanner Howe Sarah Hutton,Ridgeway Mazvimavi,
Nathan Cordero and Charlene Fernandes 4. Thorn lane MS (not shown
in image)9CutELBride finally reaches the groom at the end of the
aisle and takes his hand. Shows to the audience that theres a
connection between the two despite the judgmental looks and her own
event.N/AEdited: Demons Tanner HoweStatic camera To keep a steady
focus on the characters2 secs10MSLACutBride and groom walk up the
platform towards the altar. Bride looks back at best man sitting on
first row. This presents to the audience the affair between the
two.N/ATracking of bride and groom walking up the platformEdited:
Demons Tanner Howe2 secs 11MSHACutBest man looks back at her
(sorrowful/regretful expression), which connotes to the audience
that the best man isnt happy with her getting married to someone
else.N/AEdited: Demons Tanner HoweStatic camera To keep a steady
focus on the characters1 secs12CUELCut 2 secsSorrowful/regretful
expression continued then looks away. This connotes to the audience
that the best man isnt happy with her getting married to someone
elseN/AEdited: Demons Tanner HoweStatic camera To keep a steady
focus on the charactersSarah Hutton,Ridgeway Mazvimavi, Nathan
Cordero and Charlene Fernandes 5. Thorn lane13MSELCutBride and
groom looking into each others eyes. Connotes to the audience some
form of romance.N/AEdited: Demons Tanner HoweStatic camera To keep
a steady focus on the characters2 secs14OTSView of the best man
over the shoulder of the bride looking discerned. Connotes hes
uncomfortable with whats happening.CutOTSN/AEdited: Demons Tanner
HoweStatic camera To keep a steady focus on the characters1
secs15CUELClose up of bride looking down at the best man. Connotes
to the audience shes thinking about him in some way.CutN/AEdited:
Demons Tanner HoweStatic camera To keep a steady focus on the
characters2 secs16MSHACut 3 secsClose up of bride looking down at
the best man. Connotes to the audience shes thinking about him in
some way.N/AEdited: Demons Tanner HoweStatic camera To keep a
steady focus on the charactersSarah Hutton,Ridgeway Mazvimavi,
Nathan Cordero and Charlene Fernandes 6. Thorn lane17MSELCutBest
man hands over the ring in a mid shot to the groom while the groom
looks angry. Connotes to the audience that he may be
suspicious.N/AEdited: Demons Tanner HoweStatic camera To keep a
steady focus on the characters2 secs18CUHACutCut in of the groom
putting the ring on the bride. Connotes to the audience 1 of the 2
meanings. Bride is being tied down to that man, or the man is
willing to continue even with his suspicion.N/AEdited: Demons
Tanner HoweStatic camera To keep a steady focus on the characters1
secs19MSELMid shot of the ring being put on, cut from previous
shot. Connotes the same as above.CutN/AEdited: Demons Tanner
HoweStatic camera To keep a steady focus on the characters1
secs20CUHACut 3 secsClose up of groom holding brides hand tightly
with the ring fully on. Connotes to the audience the confirmation
of 1 of the 2 meanings to be the latter as if hell forgive
her.N/AEdited: Demons Tanner HoweStatic camera To keep a steady
focus on the charactersSarah Hutton,Ridgeway Mazvimavi, Nathan
Cordero and Charlene Fernandes 7. Thorn lane MS/ broken
Shots24cutELCharacters moving around, broken frame by
Groom.N/AEdited: Demons Tanner HoweStatic camera To keep a steady
focus on the characters2 secs OTS25cut HABest man receives text
from bride, who is out of focus in background.N/AEdited: Demons
Tanner HoweStatic camera To keep a steady focus on the characters3
secs 26MSELcutAngry; groom drops phone on table after reading the
text.N/AEdited: Demons Tanner Howe4 secsSarah Hutton,Ridgeway
Mazvimavi, Nathan Cordero and Charlene FernandesStatic camera To
keep a steady focus on the characters 8. Thorn lane27WideHAcutFlips
the table in anger from the text reciieved.N/AEdited: Demons Tanner
HoweStatic camera To keep a steady focus on the characters5
secs28CU CutELN/ABride tries to stop the groom from looking at the
best man.Edited: Demons Tanner HoweStatic camera To keep a steady
focus on the characters3 secs OTS29Best man storms out of the room
in anger/depression.SwipeELN/AEdited: Demons Tanner HoweStatic
camera To keep a steady focus on the characters3 secsMS30Best Mans
POV of the couple as the bride tries to stop the groom
looking.cutEL 2 secsN/AEdited: Demons Tanner HoweStatic camera To
keep a steady focus on the charactersSarah Hutton,Ridgeway
Mazvimavi, Nathan Cordero and Charlene Fernandes 9. Thorn
laneBroken frame/ Mid shot31Best man out of the room.CUTLAN/AStatic
camera To keep a steady focus on the charactersEdited: Demons
Tanner Howe3 secsWIDE SHOT32CUTN/ABride tries to hold back the best
man from investigating.ELEdited: Demons Tanner HoweStatic camera To
keep a steady focus on the characters5 secsMid Shot33Best Man
checks out phone.N/A30 seconds from Mars- Up in the air.CUT
ELStatic camera To keep a steady focus on the characters4
secsOTS34CUTEL 3 secsN/ABets man is staring at his bride.30 seconds
from Mars- Up in the air.Static camera To keep a steady focus on
the charactersSarah Hutton,Ridgeway Mazvimavi, Nathan Cordero and
Charlene Fernandes 10. Thorn lane35MSELBride looks upset/guilty as
the best man has found out.CUTN/A30 seconds from Mars- Up in the
air.Static camera To keep a steady focus on the characters5
secs36ELN/ALSCUTStatic camera To keep a steady focus on the
charactersGroom walking over with phone, shocked to 30 seconds from
Mars- Up in the air.4 secs MS37Best man outside Building
distraught/ upset CUTEL 3 secsStatic camera To keep a steady focus
on the charactersN/A 30 seconds from Mars- Up in the air.POC38Point
of call showing schedule. CUTEL 2 secs1 minute 40 seconds run
time.N/A Voiceover: Thorn lane, a brand new twist to BBC3Static
camera To keep a steady focus on the charactersSarah
Hutton,Ridgeway Mazvimavi, Nathan Cordero and Charlene
Fernandes
