Chipperfield a marbach am neckar jorge suárez kilzi

JORGE S. KILZI COMPO3 G41 | CELIA MARIN

NATIONAL MUSEUM OF MODERN LITERATURE MARBACH

DAVID CHIPPERFIELD

NATIONAL MUSEUM OF MODERN LITERATURE | MARBACH


LOCALITZACIÓ I PROGRAMA



NATIONAL MUSEUM OF MODERN LITERATURE


RIU NECKAR

EL NOU MUSEU ÉS UNA AFEGITOR PROGRAMÀTICA DEL SCHILLER MUSEUM, UN EDIFICI DE 1903 QUE SERVEIX DE MUSEU DE LITERATURA UNIVERSAL QUE PASSARÀ A CENTRAR-SE EN MANUSCRITS CLÀSSICS ANTERIORS MENTRE EL NOU EDIFICI SERÀ ON ES RECOLLIRAN MANUSCRITS PERTANYENTS A LA LITERATURA MODERNA DEL SEGLE XX

RERE EL CONCURS, CHIPPERFIELD GUANYA I LA CONSTRUCCIÓ COMENÇA EL 2002 I ACABA EL 2006.



EL NOU MUSEU ÉS UNA AFEGITOR PROGRAMÀTICA DEL SCHILLER MUSEUM, UN EDIFICI DE 1903 QUE SERVEIX DE MUSEU DE LITERATURA UNIVERSAL QUE PASSARÀ A CENTRAR-SE EN MANUSCRITS CLÀSSICS ANTERIORS MENTRE EL NOU EDIFICI SERÀ ON ES RECOLLIRAN MANUSCRITS PERTANYENTS A LA LITERATURA MODERNA DEL SEGLE XX

RERE EL CONCURS, CHIPPERFIELD GUANYA I LA CONSTRUCCIÓ COMENÇA EL 2002 I ACABA EL 2006.



COMPOSICIÓ



UN EDIFICI QUE CULMINA LA COLINA I QUE ES MARCA COM A FITA DINTRE EL NUCLI URBÀ, UNA AMPLIACIÓ A UN CONJUNT PREEXISTENT... LA IMATGE DEL TEMPLE CLÀSSIC I LA SEVA VOLUNTAT DE CORONAR EL PAISSATGE I D’ALIMENTAR-SE’N VA ESTAR SOBRE LA TAULA D’ENTRADA.

COMPOSICIÓ


HOUSE OF GERMAN CULTURE | MÜNCHEN

“But what is more interesting, perhaps, is that Chipperfield won the commission for the museum at all. That in a country still plagued by memories of Nazi monumental classicism – Hitler’s neo-Grecian House of German Culture, with its massive stone columns, is not far away in Munich – and its ongoing dilemma of how to achieve a suitable expression of monumentality in its architecture, an architect, a foreign one at that, would dare propose a neo-classical colonnaded structure for a building of such national importance” [...]

“Maybe it had to fall to an auslander, a foreigner, to convince the jury that at this distance from the Second World War an abstracted reduction of Nazi classicism might be okay to contemplate.”

COMPOSICIÓ


COMPOSICIÓ


COMPOSICIÓ

“We felt we were bringing back a sort of classicism that hadn’t been seen in this part of Germany since the [...]

“And the period was far enough away that the discussion could be interesting. Germans are willing to analyze what things mean. It’s a great climate to work in. I wanted to reduce the architecture to its most simplified, almost primitive form”. Still, mischievously, he had to reassure one concerned juror that the slender pre-cast concrete columns weren’t fascist columns at all but mullions!


COMPOSICIÓ

“Visitors enter the museum through this upper level lantern, reminiscent of Mies van der Rohe’s entrance to the Berlin Art Gallery, with its crystalline glass and steel pavilion atop a base. Marbach is sparer, the pavilion marked by a screen of skinny concrete columns, without capitals or bases, wrapped around its four regular, symmetrical sides. It sits ever so lightly, transparent-like, over the exhibition galleries where the columns more frequently turn into mullions for glass walls or pilasters set against solid panels. Roof terraces, podium walls and parapets are formed of stringently linear planks of sandblasted pre-cast concrete with a limestone aggregate.”

BERLIN NATIONALGALERIE

UN CONCEPTE FUNCIONAL S’AMAGA DARRERE AQUESTA INTENCIÓ FOMAL DE SEPARAR L’EDIFICI EN UNA LLANTERNA QUE SERVEIXI D’ESPAI CÍVIC I REPRESSENTATIU (TOTA ACOMPANYADA DE TERRASSES DES D’ON CONTEMPLAR EL PAISATGE DES DE L’ALTRUA DEL PUIG) I UN BASAMENT MÉS PESANT. DES DE LA LLANTERNA S’HA L’ACCÉS I ES DESCÉN A LES SIS SALES DE LA BASE, ON ES RECULL I PROTEGEIX LA COL·LECCIÓ LITERÀRIA A UNA LUMINOCITAT REDUÏDA.


COMPOSICIÓ

“We wanted these galleries to be dark in a positive way, not just dark boxes, but rooms with architectural integrity”

DINTRE EL BASAMENT, SIS SALES FOSQUES AMB ADMOSFERA CONTROLADA ALBERGUEN EL COS DE LA COL·LECCIÓ.

COMPOSICIÓ


SALES DE CONSERVACIÓ

PLANIMETRIA


The museum is located in Marbach’s scenic park, on top of a rock plateau overlooking the valley of the Neckar River. As the birthplace of the dramatist Friedrich Schiller, the town’s park already held the National Schiller Museum, built in 1903, and the Archive for German Literature, built in the 1970s. Displaying artefacts from the extensive 20th century collection from the Archive for German Literature, notably the original manuscripts of Franz Kafka’s “The Trial” and Alfred Döblin’s“Berlin Alexanderplatz”, the museum also provides panoramic views across and over the distant landscape. Embedded in the topography, the museum reveals different elevations depending on the viewpoint. By utilising the steep slope of the site, terraces allow for the creation of very different characters: an intimate, shaded entrance on the brow of thehill facing the National Schiller Museum with its forecourt and park, and a grander, more open series of tiered spaces facing the valley below. A pavilion-like volume is located on the highest terrace, providing the entrance to the museum.

David Chipperfield Architects

PLANIMETRIA


PROJECT STATEMENT | PLANTEJAMENT DE PROJECTE

PLANIMETRIA


The interiorsof the museum reveal themselves as one descends down through the loggia, foyer and staircase spaces, preparing the visitor for the dark timber-panelled exhibition galleries, illuminated only by artificial light due to fragility and sensitivity of the workson display. At the same time, each of these environmentally controlled spaces borders onto a naturally lit gallery, balancing views inward to the composed, internalized world of texts and manuscripts with the green and scenic valley on the other side of the glass.A clearly defined material concept using solid materials (fair- faced concrete, sandblasted reconstituted stone with limestone aggregate, limestone, wood, felt and glass) gives the calm, rational architectural language a sensual physical presence.

David Chipperfield Architects

PLANIMETRIA


PLANTA ACCÉS (P0)

01020304

Foyer | arees d’accésAuditoriPou de llum de doble alçadaTerrasses

PLANIMETRIA


PLANTA SALES (-1)

05060708091011

HallEspais d’ExibicióExibició TemporalLoggieW.C.Espais TècnicsCorredor d’Interconnexió

TOUR FOTOGRÀFIC


05060708091011


01020304


TOUR FOTOGRÀFIC


05060708091011


01020304


01

01 08 08

03

03

TOUR FOTOGRÀFIC


05060708091011


01020304


05

05 05

TOUR FOTOGRÀFIC


05060708091011


01020304


06 06

02

06

TOUR FOTOGRÀFIC


06

BIBLIOGRAFIA


http://einstein.tumblr.com/post/15041

http://es.inmagine.com/imagebrokerrm-333/ptg01459969-photo

http://www.architecture.com/

http://www.architecture.com/Awards/RoyalGoldMedal/175Exhibition/WinnersBiogs/2010s/DavidChipperfield.aspx

http://www.architecture.com/Awards/RIBAEuropeanAwards/2007/MuseumOfModernLiterature/MuseumOfModernLiterature.aspx

http://www.e-architect.co.uk/germany/marbach_museum.htm

http://www.dla-marbach.de/

http://www.dezeen.com

http://www.concrete.net.au/CplusA/issue9/Museum%20of%20Modern%20Literature,%20Germany.pdf

Revista C+A nº 9

El Croquis | David Chipperfield

http://einstein.tumblr.com/post/15041442/museum-of-modern-literature-marbach-am-neckar-by-david
















































Entertainment & Humor

Chipperfield a marbach am neckar jorge suárez kilzi