Summer courses 2015

Bande à Part

[email protected] / www.bandeapart.orgt +34 934447678 / skype: bandeapartbcn

DIRECTIONCAMERA

FILM DIRECTOR OF PHOTOGRAPHY

FILM EDITING FILM SOUND

FILM SUMMERCOURSES

JULY 2015

B.A. IN CINEMATOGRAPHY (3 YEARS) · DEGREE IN CINEMATOGRAPHY (4 YEARS) MÁSTER IN FILM DIRECTION · ANNUAL COURSES · NIGHT COURSE

www.bandeapart.orgAuthorisedTraining CentreEducation

Bande à Part. Escuela de Cine Barcelona©Con licencia Red One™

REGISTER NOW

1. Download the registration form in www.bandeapart.org.

2. Fill in all pages and select the course and payment form (single or monthly).

3. Sing all pages of the application form and, once you have paid, send them toghether with the payment proof and a photocopy of your identity card or passport to our administration departa-ment.

By e-mail:[email protected]

By fax:Nº de Fax: +34 934191389

By post:Bande a Part Escuela de Cinec/ París, 143 · Local08036 Barcelona · España

4. Once all documents have been receibed,you will receive confirmation of your place.

If you have any queries, please address them to our department of student assis-tance and information.

Monday to Friday from 10:00 am to 9:00 pm

Tel.:+34 934447678Skype: bandeapartbcn

[email protected]

Visit us at: Bande a Part Escuela de Cinec/ París, 143 · Local08036 Barcelona · España

www.bandeapart.org

www.bandeapart.org encuentranos en

BANDE À PART ESCUELA DE CINE | BARCELONAParís 143 - local. 08036 Barcelona · Tel: +34 93 444 76 78. Fax: +34 93 419 13 89 · [email protected]

París 143 - local. 08036 Barcelona Tel: +34 93 444 76 78. Fax: +34 93 419 13 89

[email protected]

www.bandeapart.org

SUMMER SCHOOLJULY 2015

We present the SUMMER COURSES Bande à Part.

To take advantage of the summer, in Bande à Part we o�er you a holiday �lm with a program of courses for all ages.Seminars and workshops for professionals and introductory workshops during the month of July.

Learn to make �lms and shoot one short �lm per week( Digital cinema for young people (aged 13 to 18))From June 29 to July 10 - Monday to Friday - From 10:00 to 14:00 From 13 to July 24 - Monday to Friday - From 10:00 to 14:00ADVANCED Digital cinema for young people (aged 14 to 19))From 6 to 17 July - Monday to Friday - From 10:00 to 14:00 From 20 to July 31 - Monday to Friday - From 10:00 to 14:00Short �lm making. Cinema for all From June 29 to July 10 - Monday to Friday - From16:30 to 20:30 h.

DIRECTION AND SCREENPLAY

Cinema Director Assistant and Movie Magic SchedullingFrom 6 to July 10. - Monday to Friday - From 10:00 to 14:00

CAMERA AND FILM DIRECTOR OF PHOTOGRAPHY

Film Lighting and Photography WorkshopFrom 13 to July 24 - Monday to Friday - From16:30 to 20:30 h.Color Correction and Grading Training with Davinci Resolve 9 From 19 to July 23 - Monday to Friday - From16:30 to 20:30 h.

FILM EDITING AND SOUNDPost-production and Digital CompositionFrom June 29 to July 10 - Monday to Friday - From 10:00 to 14:00 Live Sound for Films and TV WorkshopFrom 6 to July 10- Monday to Friday - From16:30 to 20:30 h.After E�ects Intensive Seminar From 13 to July 24 - Monday to Friday - From16:30 to 20:30 h.

www.bandeapart.org

París 143 - local. 08036 Barcelona

Tel: +34 93 444 76 78. Fax: +34 93 419 13 [email protected]

Name Surname

Nationality

Date of Birth

Profession/ Occupation Company/ Center

Place of Birth Age

ID/Passport Stick your photo here

Address

City Province/ State Country Postal Code

Address in the course

Further details of family contact

LandlineMobile Phone E-mail (COMPLETE IN CAPITAL LETTERS)

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> >

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> > >

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PERSONAL DETAILS

COURSE FOR APPLYING

Signature of the student Date:____/___/_______

APLICATTION FORM-ADMISION

Please, complete and sign all pages

1

SUMMER COURSES 2015

(Mark with an X the selected course)

COURSES DATES DAYS SCHEDULE HOURS FEE

Learn to make movies in 2 weeks. Digital cinema for young people 13 to 18

From June 29 to July 10

40 495

From 13 to July 24 40 495

495

20

20

20

Learn to make movies in 2 weeks. Digital cinema for young people 13 to 18

Color Grading Course with Davinci Resolve 9 Lite

Film Lighting and Photography Workshop

After Effects Intensive Seminar

Cinema Director Assistant and Movie Magic Schedullin

Live Sound for Films and TV Workshop

Postproduction and Digital Composition

Short film making. Cinema for all

From 16:30 to 20:30 h

From 10:00 a.m to 14:00 h

20

20

20

40

495

200

250

350

250

495

495

295

40

40

ADVANCED Digital Cinema For young people (aged 14 to 19) ADVANCED Digital Cinema For young people (aged 14 to 19)

From June 29 to July 10 From June 29 to July 10

From 13 to July 17

From 6 to July 17

From 20 to July 31

From 6 to July 10

From 6 to July 10

From 13 to July 17

From 20 to July 24

Monday to Friday

Monday to Friday

Monday to Friday

Monday to Friday

Monday to Friday

Monday to Friday

Monday to Friday

Monday to Friday

Monday to Friday

Monday to Friday

Monday to Friday

From 10:00 a.m to 14:00 h

From 10:00 a.m to 14:00 h

From 10:00 a.m to 14:00 h

From 10:00 a.m to 14:00 h

From 10:00 a.m to 14:00 h

From 16:30 to 20:30 h

From 16:30 to 20:30 h

From 16:30 to 20:30 h

From 16:30 to 20:30 h

www.bandeapart.org

París 143 - local. 08036 Barcelona

Tel: +34 93 444 76 78. Fax: +34 93 419 13 [email protected]

INFORMATION FOR STUDENTS

ACCESS TO SUMMER COURSES: REQUIREMENTS AND DOCUMENTS

Signature of the student Date:____/___/_______

2

> BANDE Á PART SCHOOL can override every course that not satisfies a minimum number of students.

> The student must respect the coexistence and respect rules of a normal educational activity. If a student disrupts the internal discipline, and the smooth running of classes and practices by a lack of respect for their companions, the faculty or the staff, he may be expelled from the School without any compensation. The repair of damage caused by improper and unauthorized use of the equipment, or the technical material and installations, has to be covered by the responsible of such damages.

> The equipments and installations of BANDE À PART SCHOOL can be used only by the students in practices or exercises programmed within the courses and the timetables established for this. The student has to return the materialin good condition, otherwise the cost of repairs due to negligence or misuse could result. > All courses are in Spanish.

> Students have to adapt to the timetables fixed by BANDE À PART to attend to classes, filming, recording, editing, professional visits, etc.

> Personal details of the students will be added, with confidentially and for educational purposes to the BANDE À PART computerized database of students, in accordance with the current legislation. You can rectify your personal details by notifying us. BANDE À PART does not commercialize his private database.

> Hereby, the student gives consent to BANDE À PART to record, capture, photograph, and use images where he appear, taken in any activity related to the course including practice, visits, etc.

> BANDE Á PART, as a producer of works realized within the academic program will be the exclusive owner of all rights, in every media, worldwide in all areas, and for the duration of their intellectual property rights. Nevertheless the student keeps all the rights, recognized by the law, attached to his authorship on the works which he participate.

> The cost of the course include a scholar insurance which cover the student whether inside the school or outside during the development of the practices.

REGISTRATION REQUIREMENTS:> Minimum age: 16 years.

DOCUMENTS:> Application form duly completed and signed by the student or, in the case of a minor, by the parent or guardian.> Passport or National Document copy and in the case of a minor, the parent or guardian. > 2 photo boot.> Proof of payment.> The places offered are assigned by rigorous order of registration, while the transfer has been confirmed.

METHOD OF PAYMENT

The amount of the registration fee will not be refunded under any circumstances, unless the School suspend indefinitely the beginning of the course, in which case the received amounts will be returned. The registration is not transferable. The money deposited is non transferable to a third person.

APLICATTION FORM-ADMISION 2015/2016

Please, complete and sign all pages

ANNUAL SCREENPLAY COURSE

Registration payment or one-time charge has to be paid by deposit or bank transfer at the following bank account:

La Caixa: C/ Londres 80. 08036 Barcelona. España.Holder: Bande à Part. Escuela de Cine S.L.

IBAN Entity Branch Office C.D Bank Accoun

ES78 2100 3007 31 2200631319

For international transfer add BIC code: CAIXESBBXXX

The student has to give to the Administration a receipt of payment,whether is a bank transfer or a deposit.

DIGITAL CINEMA FOR YOUNG PEOPLE (AGED 13 TO 18)

www.bandeapart.orgencuentranos en


40 hours | Monday to Friday | 10:00 to 14:00 | € 495

LEARN TO MAKE FILMS AND SHOOT ONE SHORT FILM PER WEEK

AIMED AT YOUNG PEOPLE, AGED 13 TO 18, WANTING TO LEARN TO MAKE THEIR OWN FILMS

EACH WEEK A SHORT FILM WILL BE SHOT AND THE DIFFERENT STAGES WILL BE SUPERVISED BY THE TEACHERS.

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JUNE 29 TO JULY 10 or 13 TO JULY 24

Our Digital Film Workshop is aimed at young people, aged 13 to 18, wanting to learn to make their own �lms. Digital �lms and the latest editing and outreach technologies for �lms allow young people to approach the world of audiovisuals with tools that are familiar for them: Digital Cameras, Computers, Software for Image retouch and effects, Digital Audio recorders and others.

Cinema is an attractive means of expression for young people, a vehicle for transmitting their thoughts and worries.

Our SUMMER CINEMA course offers young people a �rst approach to a �lm’s creative process. From inception, to developing a screenplay, preparing the �lm, shooting, editing, post-production and promotion of the �lm.

The students will combine theoretical knowledge with practice and shooting in order to acquire, in a fun and attractive way, the knowledge and then apply their own talent to writing, recording and editing short �lms.

At present the audiovisual industry is booming and constantly requires technicians and creators ready to work using the latest technology. Screenwriters, Directors, Photographers, Camera Operators, Sound Technicians, Assistant Directors, Actors and Actresses, Image Editors, Sound Editors and others.

This course is aimed at young people with an early audiovisual vocation and those that want to approach this form of artistic expression.

* Each week a short �lm will be shot and the different stages will be supervised by the teachers.

* Different styles will be used (B/W, colour…), genres (Fantasy Films, Thrillers, Videoclips…) and shooting techniques (Stop Motion, Chroma Key…).

* The students will get to know the different �lm crews (Direction, Camera, Editing, Sound) and will familiarise themselves with team work and the internal discipline of a shooting.

* All the technical equipment, such as cameras, lighting equipment, computers, monitors, DVDs among others will be provided by the school.

* All activities will be supervised by our Teachers, �lm professionals with a wide teaching experience.


[email protected]

www.bandeapart.org

SUMMER SCHOOL JULY 2015

Our Digital Film Workshop is aimed at young people, aged 13 to 18, wanting to learn to make their own �lms. Digital �lms and the latest editing and outreach technologies for �lms allow young people to approach the world of audiovisuals with tools that are familiar for them: Digital Cameras, Computers, Software for Image retouch and effects, Digital Audio recorders and others.

Cinema is an attractive means of expression for young people, a vehicle for transmitting their thoughts and worries.

Our SUMMER CINEMA course offers young people a �rst approach to a �lm’s creative process. From inception, to developing a screenplay, preparing the �lm, shooting, editing, post-production and promotion of the �lm.



This course is aimed at young people with an early audiovisual vocation and those that want to approach this form of artistic expression.

* Each week a short �lm will be shot and the different stages will be supervised by the teachers.

* Different styles will be used (B/W, colour…), genres (Fantasy Films, Thrillers, Videoclips…) and shooting techniques (Stop Motion, Chroma Key…).

* The students will get to know the different �lm crews (Direction, Camera, Editing, Sound) and will familiarise themselves with team work and the internal discipline of a shooting.

* All the technical equipment, such as cameras, lighting equipment, computers, monitors, DVDs among others will be provided by the school.

* All activities will be supervised by our Teachers, �lm professionals with a wide teaching experience.

SUMMER SCHOOL

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STUDENTS KNOW DIFFERENT EQUIPMENT FILM WORK.

THE SCRIPT, THE LANGUAGE FILM, CAMERA, LIGHTING, SOUND, THE ACTORS.

FROM INCEPTION, TO DEVELOPING A SCREENPLAY, PREPARING THE FILM, SHOOTING, EDITING, POST-PRODUCTION AND PROMOTION OF THE FILM.

www.bandeapart.org

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40 hours | Monday to Friday | 10:00 to 14:00 | € 495JUNE 29 TO JULY 10 or 13 TO JULY 24

JULY 2015

TEACHERS

DIGITAL FILM WORKSHOP FOR YOUNG 13 TO 18 YEARS

is taught by teachers of Bande à Part B.A in cinematography all specialties: Screenplay, Direction, Photography and Camera, postproduction, editing and sound.


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TOPICS AND PRACTICAL EXERCISES

www.bandeapart.org

1. What is cinema? Image in motion. Cinema as art and cinema as industry. Film trades.

2. What´s a screenplay? Building your story: situations, characters, dialogues... Basic structures. Con�ict. Film generes.

3 Film languaje: frame, composition, light, colour, movements, music, sound...

4. The hd camera. Basic operation: menus and recording cards. Accesories: optics, trypods, sunshade, �lters... Camera exercises in and outdoors. Recording exercises for �xed shots and movements (panoramas, hand-held camera...)

5. Light and shadow. Learning the basic lighting elements. Arti�cial and natural light.

6. Creating the visual script: shooting script and stoyboard. What's a shot? Types of shot according to the angle, scale, movement...

7. Sound. Dialogues, noises and music. Sound recording practice. Wildtracks and atmospheres.

8. Actors and actresses. Performance in cinerma. Casting and actor directing practice. Portrayal: make up, hair-dressing and wardrobe.

9. Preparing to shoot: work teams, roles and organization. Sets and locations. The shooting plan. Team work

10. The shooting: shot by shot. Work methodology. The clapperboard. Repetitions and corrections to technicians and actors.

11. Editing: image and sound editing. Rhythm. Order. Length. Transitions. Visual effects and retouching.

12. Weekly watching and analysis of short �lm elements.

The student have a DVD with work at the end of the course.


40 hours | Monday to Friday | 10:00 to 14:00 | € 495JUNE 29 TO JULY 10 or 13 TO JULY 24

ADVANCED DIGITAL CINEMAFOR YOUNG PEOPLE (AGED 14 TO 19)



Monday to Friday | 10:00 to 14:00 | € 495

AIMED AT YOUNG PEOPLE, AGED 14 TO 19, YEARS WHO ALREADY HAVE MADE OUR DIGITAL FILM WORKSHOP OR HAVE PREVIOUS EXPERIENCE.

THE STUDENT WILL COMBINE THEORETICAL KNOWLEDGE AND SHOOTING PRACTICE.

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FROM 6th TO 17th OF JULY OR 20th to 31st of JULY

This workshop is designed for young people from 14 to 19 who have already made our Digital Cinema Workshop, or who already have experience in all matters relating to shootings. A new audiovisual era is coming and no better than young people to face the new media and techniques shooting.

They have ideas and technology to do it, and in Bande à Part we will teach the technique to make special effects, models, types of shots and the tricks of the �lms they like. It is the best course to reaf�rm how to make a professional short �lm with which take part in contests or how to make a small quality video to upload it to social networks and online channels (youtube, vimeo ...) Students will combine theoretical knowledge with practical shooting so that, in a pleasant and attractive way, can easily assimilate knowledge and apply their talents in writing, recording and editing short �lms.

The aim of this two-week course is the shooting of a short �lm with a professional camera and several short �lms with cell phones, which incorporates different elements:

- Stop Motion- Chromas- Mechanical Special Effects- Post-production Special effects - Underwater Camera- Drone Several sequences will be shot to be integrated in the short �lm and they will be supervised by teachers. Different styles (B / W, color ...), genres (Fantastic Film Thriller, VideoClips ...) and �lming techniques (Stop Motion, Chroma, Underwater Filming, Shooting Air) will be learnt. Students will learn about different �lmmaking teams (Director, Camera, Editing, Sound...) and they will get in to teamwork and internal discipline of a shooting. All technical equipment: cameras, lighting material, computers, monitors, DVD, etc. are provided by the school, except for the Shooting with the Smartphone Camera in which each student will shoot with his own phone. All activities are supervised by teachers of Bande à Part, professionals with teaching experience.


[email protected]

www.bandeapart.org


This workshop is designed for young people from 14 to 19 who have already made our Digital Cinema Workshop, or who already have experience in all matters relating to shootings. A new audiovisual era is coming and no better than young people to face the new media and techniques shooting.

They have ideas and technology to do it, and in Bande à Part we will teach the technique to make special effects, models, types of shots and the tricks of the �lms they like. It is the best course to reaf�rm how to make a professional short �lm with which take part in contests or how to make a small quality video to upload it to social networks and online channels (youtube, vimeo ...) Students will combine theoretical knowledge with practical shooting so that, in a pleasant and attractive way, can easily assimilate knowledge and apply their talents in writing, recording and editing short �lms.

The aim of this two-week course is the shooting of a short �lm with a professional camera and several short �lms with cell phones, which incorporates different elements:

- Stop Motion- Chromas- Mechanical Special Effects- Post-production Special effects - Underwater Camera- Drone Several sequences will be shot to be integrated in the short �lm and they will be supervised by teachers. Different styles (B / W, color ...), genres (Fantastic Film Thriller, VideoClips ...) and �lming techniques (Stop Motion, Chroma, Underwater Filming, Shooting Air) will be learnt. Students will learn about different �lmmaking teams (Director, Camera, Editing, Sound...) and they will get in to teamwork and internal discipline of a shooting. All technical equipment: cameras, lighting material, computers, monitors, DVD, etc. are provided by the school, except for the Shooting with the Smartphone Camera in which each student will shoot with his own phone. All activities are supervised by teachers of Bande à Part, professionals with teaching experience.

SUMMER SCHOOL

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EVERY WEEK THE STUDENT WILL SHOT SEQUENCES TO INTEGRATE IN THE SHORT FILM OF THE COURSE.

STUDENTS WILL LEARN THE DIFFERENT FILMMAKING TEAMS.

THEY WILL WORK WITH DIFFERENT STYLES, GENRES AND SHOOTING TECHNIQUES.

www.bandeapart.org

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JULY 2015 ADVANCED DIGITAL CINEMA

FOR YOUNG PEOPLE (AGED 14 TO 19)

Monday to Friday | 10:00 to 14:00 | € 495FROM 6th TO 17th OF JULY OR 20th to 31st of JULY

TEACHERS

ADVANCED DIGITAL FILM WORKSHOP FOR YOUNG 14 TO 19 YEARS

is taught by teachers of Bande à Part B.A in cinematography all specialties: Screenplay, Direction, Photography and Camera, postproduction, editing and sound.


encuentranos en



www.bandeapart.org

1. Working with the script. Creating the story.

2. Planning and breakdown. Distributing functions and shooting practice in each team (direction, photography, sound and editing).

3 The HD camera and the Smartphone Camera. Stop motion. Smartphone cameras, recording possibilities and overturned images. GoPro (underwater, aerial drones and others). Integration into moving parts, bicycles, skates ...)

4. Lights and shadows. Arti�cial light and natural light. Using profesional and amateur light).

5. Special Lighting (chromas, light swords, impacts...)

6. Sound. Dialogues, sounds and music, creative commons. Practices sound recording. Willdtracks and environments. Dubbing for Stop Motion Animation.

7. Actors II. Zombies, vampires, aliens, etc ... The characterization: special effects makeup (creation of wounds, blood ...).

8. Shooting: shot to shot. Working methodology. The clapperboard. Repetitions and corrections to technicians and actors. Stop Motion animation. Camera underwater shooting, aerial camera, planning and shooting.

9. Mechanical Special Effects. Recreation of several common elements in movies and �ction (creating impact and controlled explosions, spaceships ...)

10. Decoration and art direction: models, scales and perspectives, smoke, unreal �re, rain, snow, the �sheye ...

11. The edition: image and sound editing. Integration chromas, color correction, retouching and 3D special effects in post-production.

12. Analysing the cinema elements of the sequence and projecting the resulting short in big screen.

ADVANCED DIGITAL CINEMAFOR YOUNG PEOPLE (AGED 14 TO 19)

Monday to Friday | 10:00 to 14:00 | € 495FROM 6th TO 17th OF JULY OR 20th to 31st of JULY

SHORT FILM-MAKING WORKSHOPCINEMA FOR ALL



40 hours | Monday to Friday | From 16:30 h to 20:30 h | 495 €

LEARN HOW TO MAKE YOUR MOVIE FILM WITHOUT PRIOR KNOWLEDGE.

FIRST APPROACH TO THE PROCESS OF MAKING A SHORT FILM.

THE STUDENTS WILL COMBINE THEORETICAL KNOWLEDGE WITH PRACTICE AND SHOOTING

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JUNE 29 TO JULY 10

Bande à Part’s Short Film-Making Workshop is aimed at all those that, with no prior knowledge of cinema, want to learn to make their own �lms. People with an audiovisual vocation interested in making a start in short �lm-making and all those who want to approach cinema as a form of artistic expression.

Digital Cinema and the latest editing and �lm outreach technologies allow an approach to the world of audiovisuals through tools that are accessible to all: Digital Cameras, Computers, Software for Image retouch and effects, Digital Audio recorders and others. Cinema is an artistic means of expression, a vehicle for transmitting thoughts and worries.

The Short Film-Making Workshop offers a �rst approach to the process of creating a short �lm. From inception, to developing a screenplay, preparing the �lm, shooting, editing, post-production and promotion of the short �lm.



The students will get to know the different �lm crews (Direction, Camera, Editing, Sound) and will familiarise themselves with team-work and the internal discipline of a shooting. All the technical equipment, such as cameras, lighting equipment, computers, monitors, DVDs among others will be provided by the school.

All activities will be supervised by our Teachers, �lm professionals with a wide teaching experience.

The students of the Short Film-Making Workshop will be able to join the �lm crews of the short �lms shot by Bande à Part from the Direction B.A. and Master.


[email protected]

www.bandeapart.org


Bande à Part’s Short Film-Making Workshop is aimed at all those that, with no prior knowledge of cinema, want to learn to make their own �lms. People with an audiovisual vocation interested in making a start in short �lm-making and all those who want to approach cinema as a form of artistic expression.

Digital Cinema and the latest editing and �lm outreach technologies allow an approach to the world of audiovisuals through tools that are accessible to all: Digital Cameras, Computers, Software for Image retouch and effects, Digital Audio recorders and others. Cinema is an artistic means of expression, a vehicle for transmitting thoughts and worries.

The Short Film-Making Workshop offers a �rst approach to the process of creating a short �lm. From inception, to developing a screenplay, preparing the �lm, shooting, editing, post-production and promotion of the short �lm.



The students will get to know the different �lm crews (Direction, Camera, Editing, Sound) and will familiarise themselves with team-work and the internal discipline of a shooting. All the technical equipment, such as cameras, lighting equipment, computers, monitors, DVDs among others will be provided by the school.

All activities will be supervised by our Teachers, �lm professionals with a wide teaching experience.

The students of the Short Film-Making Workshop will be able to join the �lm crews of the short �lms shot by Bande à Part from the Direction B.A. and Master.


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THE STUDENTS WILL GET TO KNOW THE DIFFERENT FILM CREWS (DIRECTION, CAMERA, EDITING, SOUND).

ALL THE TECHNICAL EQUIPMENT, SUCH AS CAMERAS, LIGHTING EQUIPMENT, COMPUTERS, MONITORS, DVDS AMONG OTHERS WILL BE PROVIDED BY THE SCHOOL.

www.bandeapart.org

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40 hours | Monday to Friday | From 16:30 h to 20:30 h | 495 € JUNE 29 TO JULY 10

TEACHERS

SHORT FILM-MAKING WORKSHOP is taught by teachers of Bande à Part B.A in cinematography all specialties: Screenplay, Direction, Photography and Camera, postproduction, editing and sound.

SUMMER SCHOOL

encuentranos en



www.bandeapart.org

1. What is cinema? Image in motion. Cinema as art and cinema as industry. Film trades.

2. What's a screenplay? Building your story: situations, chararacters, dialogues... Basic structures. Con�ict. Film generes.

3. Film language: frame, composition, light, colour, movements, music, sound.…

4. The hd camera. Basic operation: menus and recording cards. Accessories: optics, trypods, sunshade, �lters... Camera exercises in and outdoors. Recording exercises for �xed shots and movements (panoramas, hand-held camera...).

5. Light and shadow. Learning the basic lighting elements. Arti�cial and natural light. 6. Creating the visual script: shooting script and storyboard. What's a shot? Types of shot according to the angle, scale, movement...

7. Sound. Dialogues, noises and music. Sound recording practice. Wildtracks and atmospheres.

8. The �lm set. Notions of art direction. Setting and spaces. Props.

9. Actors and actresses. Performance in cinema. Casting and actor directing practice. Portrayal: make-up, hair-dressing and wardrobe.

10. Preparing to shoot: work teams, roles and organization. Sets and locations. The shooting plan. Team work.

11. The shooting: shot by shot. Work methodology. The clapperboard. Repetitions and corrections to technicians and actors.

12. Editing: image and sound editing. Rhythm. Order. Length. Transitions. Visual effects and retouching.

13. Making of two short �lms selected on the �rst week of the course. Follow-up of every stage of the process.

14. Weekly watching and analysis of �lm elements of the short �lm shot.


40 hours | Monday to Friday | From 16:30 h to 20:30 h | 495 € JUNE 29 TO JULY 10

JULY 2015

POST-PRODUCTION AND DIGITAL COMPOSITION WORKSHOP



20 hours | From Monday to Friday | From 10 AM to 2 PM | 250 €

LEARN ONE OF THE MOST USED SOFTWARE IN POST-PRODUCTION

IF 3D IS IN CINEMA, IT’S IN BANDE À PART.

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FROM 29th OF JUNE to 3th OF JULY

Learn composition with one of the most used software in nowadays postproduction, which count with high quality tools to create movies, animation or publicity.

Series like “Game of Thrones” and “Boardwalk Empire” or movies like “Rise of the planet of the apes”, “Alice in Wonderland” or “District 9” have used this software.

We’ll see how to work with nodes, how to manage layers and channels, match moving technique, color correction and every innovation on 3D work software.

This workshop will resolve your doubts on digital postproduction and composition.


[email protected]

www.bandeapart.org


Learn composition with one of the most used software in nowadays postproduction, which count with high quality tools to create movies, animation or publicity.

Series like “Game of Thrones” and “Boardwalk Empire” or movies like “Rise of the planet of the apes”, “Alice in Wonderland” or “District 9” have used this software.

We’ll see how to work with nodes, how to manage layers and channels, match moving technique, color correction and every innovation on 3D work software.

This workshop will resolve your doubts on digital postproduction and composition.


encuentranos en


www.bandeapart.org

SYLLABUS AND PRACTICESTEACHERSCarolina Novell

Teacher of edition and Special Effects at Bande à Part Film School, Adobe Premier CS5, Combustion, etc..

Expert in edition and digital post-production.

Teacher since 2002, has been professor at the University Ramon Lull and has given courses of digital video for the Zeta Group and for the newspaper El Pais, etc.

She has been working as a free-lance for TVE, TV3 and for advertising production companies as Locomotion Pictures, Mamma Team, etc.

She has been Special Effects Supervisor in many short-�lms and has realized more de 100 audiovisual for important clients. Among her more important works there are gust of “The Lunnis: Año Quijote”; the audiovisual image of Fanta Canal Nocturno; the digital composition of “Flame”; her collaboration on the digital retouch of “The man and the earth”; etc.

She received the First Prize Video Installation Camel Arte 2005 in Tokio.

Introduction / Work�ow / Layers / Channels / Animation

Learn how to work with nodes, how to manage layers and channels and how to deal with the Rotopaint node to paint, clone or create mask…

• Introduction to composition• Relation with other programs of VFX.• Work Interface / display screen / tools / menus• Layers and blend modes• Rotopaint: Tools, brush, clone, reveal.

Tracker / Matchmoving

Trackers 2D and 3D; animation control, adjustments and transformations.

Learn the match moving technique; analyze the movement of a real camera to reproduce the same movement with a virtual camera.

• Trackers 2D

* Animation controls with 1, 2, 3, 4 points. * Position, rotation and scale. * Stabilizing, match moving.

• Planar Tracker.• CameraTracker.

* Analyzing, tracking.

Chroma Key and Integration

Chroma Key and the color correction (useful for any software).

• Chroma Key

* Primatte * Keylight * Keyer * IBK Gizmo/ IBK Color


20 hours | From Monday to Friday | From 10 AM to 2 PM | 250 € FROM 29th OF JUNE to 3th OF JULY

SUMMER SCHOOL

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SYLLABUS AND PRACTICES

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• Integration.

* ColorLookUp * CcolorCorrect * Grade * HueCorrect

3D Passes and EXR

Import multiple render passes (EXR).

• Introduction to composition of 3D passes.

* Shuf�e, shuf�e copy * LayerContactSheet

• Render Passes

Integration of the processed passes with a 3D software: diffuse, specular, shadow, re�ection, occlusion, etc.

3D Geometry / 3D Scenes

Create 3D scenes and we apply textures, lights and cameras.

• 3D viewer• 3D geometry (primitives)• Create a scene

* 3D objects, shaders, lights and cameras.

• Obj. archive.• Projecting textures.

* UV project * Camera projection


20 hours | From Monday to Friday | From 10 AM to 2 PM | 250 € FROM 29th OF JUNE to 3th OF JULY

JULY 2015

LIVE SOUND FOR FILMS AND TV WORKSHOP



20 hours | Monday to Friday | From 16:30 h to 20:30 h | 350€

BANDE À PART’S LIVE SOUND FOR FILMS AND TV WORKSHOP OFFERS YOU A PRACTICAL APPROACH TO REAL SITUATIONS IN A SHOOTING FROM THE POINT OF VIEW OF SOUND.

YOU WILL EXPERIENCE THE STEP BY STEP RECORDING OF LIVE SOUND FOR A FILM OR TV SERIES.

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FROM 6 TO JULY 10

If you are good with sound and you are interested in working in �lms and TV series as a Live Sound Technician or Boom Operator, Bande à Part’s Live Sound for Films and TV Workshop offers you a practical approach to real situations in a shooting from the point of view of sound.

Evaluating the acoustics of the space where shooting will take place, analysing the typology of voice for each actor and actress, deciding the technical equipment to use and writing the sound report for editing among others.

You will experience the step by step recording of live sound for a �lm or TV series and you will learn the theory through real shooting situations.

Each session will set out a different shooting situation: indoors, outdoors, following the cast, play-back, wireless microphones, etc so that the students can practice with professional equipment the recording of live sound in sequences with different levels of dif�culty and different problems in relation to live sound.

The workshop will be delivered by Natxo Ortúzar, Main Teacher of the Sound Department at Bande à Part, Live Sound Technician for �lms and TV series.

All technical equipment will be provided by Bande à Part Film School.

Participants in the Live Sound for Film and TV Workshop will attend, as trainees, the 35 mm and Red One shootings of the School, joining the Live Sound teams and obtaining a showreel with the projects once they are �nished.

Participants in the Live Sound Workshop will be able to attend a session of Sound Editing and Mixing at Bande à Parts Sound Studio.


[email protected]

www.bandeapart.org


If you are good with sound and you are interested in working in �lms and TV series as a Live Sound Technician or Boom Operator, Bande à Part’s Live Sound for Films and TV Workshop offers you a practical approach to real situations in a shooting from the point of view of sound.

Evaluating the acoustics of the space where shooting will take place, analysing the typology of voice for each actor and actress, deciding the technical equipment to use and writing the sound report for editing among others.

You will experience the step by step recording of live sound for a �lm or TV series and you will learn the theory through real shooting situations.

Each session will set out a different shooting situation: indoors, outdoors, following the cast, play-back, wireless microphones, etc so that the students can practice with professional equipment the recording of live sound in sequences with different levels of dif�culty and different problems in relation to live sound.

The workshop will be delivered by Natxo Ortúzar, Main Teacher of the Sound Department at Bande à Part, Live Sound Technician for �lms and TV series.

All technical equipment will be provided by Bande à Part Film School.

Participants in the Live Sound for Film and TV Workshop will attend, as trainees, the 35 mm and Red One shootings of the School, joining the Live Sound teams and obtaining a showreel with the projects once they are �nished.

Participants in the Live Sound Workshop will be able to attend a session of Sound Editing and Mixing at Bande à Parts Sound Studio.


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ALL TECHNICAL EQUIPMENT WILL BE PROVIDED BY BANDE À PART FILM SCHOOL.

PARTICIPANTS IN THE LIVE SOUND FOR FILM AND TV WORKSHOP WILL ATTEND, AS TRAINEES, THE 35 MM AND RED ONE SHOOTINGS OF THE SCHOOL.

www.bandeapart.org

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20 hours | Monday to Friday | From 16:30 h to 20:30 h | 350€ FROM 6 TO JULY 10

PROFESORES

Natxo Ortúzar

Teacher Live Sound Bande à Part Escuela de Cine.

Sound Technician Film and Television.


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1. The sound team in �lms and tv. The sound technician and the boom operators. Relationship with the direction department, camera, wardrobe, art direction, cast, etc. Hierarchies and basic workings of a shooting.

2. Sound design. Positioning during shooting. Placing the sound recording equipment.

3. Acoustics of spaces. The sound �eld in-and outdoors. Sound reverberation, resonance and re�ection. Using absorbing materials. Evaluating sound.

4. Live sound/reference sound. Differences between recording sounds, dialogues and live music.

5. Knowledge and use of different kinds of mixers and recorders. 6. The microphones. Kinds of microphones. Accesories and gadgets. Microphone frequency response and directionality.

7. Wireless microphones: placing and operation. Solving frequent problems with wireless microphones.

8. Getting rid of noises that are in sync with dialogue. Recording ambient sound and wild tracks.

9. Sound reports. Classi�cation, �ling and delivery of sound recorded.

10. Watching and sound analysis of diferent �lm sequences.


20 hours | Monday to Friday | From 16:30 h to 20:30 h | 350€ FROM 6 TO JULY 10

CINEMA DIRECTOR ASSISTANT AND MOVIE MAGIC SCHEDULLING.



20 hours | Monday to Friday | from 10:00 h to 14:00 h | 250 €

THE DIRECTOR ASSISTANT CLOSELY WITH THE DIRECTOR OF THE FILM, AND THE PRODUCTION TEAM.

MOVIE MAGIC SCHEDULLING, A FUNDAMENTAL TOOL IN THE CURRENT JOB DIRECTOR ASSISTANT.

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FROM 6 TO JULY 10

The work of Director Assistant, is very imporant in the audiovisual

production: considered the �lming boss, his work begins long

before the �rst foreground. When the screenplay falls into his

hands, the Director Assistant organizes the work of equipment,

convenes meetings, an sets the preproduction calendar, and the

shooting schedule. He works closely with the director of the �lm,

and the production team, coordinating as a link between both

departments. He is familiar with the cinematographic language

and �lm planning. He has a profound knowledge of the work of

each �lm technicians, and control the execution time of each task.

If you are interested in this job, and if you want to dedicate

professionally to the cinema or televisión, if you want top lay this

role , this workshop will provide you a methodology, and it will

enable with real shootings. Also, you will learn how to manage

software Movie Magic Schedulling, a fundamental tool in the

current job Director Assistant, which allows to make breakdowns,

department lists, �lming plans, appointments…etc.


[email protected]

www.bandeapart.org JULY 2015SUMMER SCHOOL


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1. Incorporation of director’s assistant team in a movie or tv series. The work of different departments. Speci�c tasks with the direction team. Relations, hierarchies and communication with technical and artistic.

2. The director assistant during the preparation of a �lm of tv series. Immersion in the screenplay, and knowledge in the planning. The breakdown: the elements of the screenplay to the screen. Organization and information transmission.

3. The production schedule: planning the time, optimizing resources. Preview the problems, before they arise.

4. The director assistant during the �lming: from foreman to psychologist. Meeting the production schedule. The order to �lming.

5. The director assistant and the casting. Appointment to actors and �guration. Organization and direction of the �guration.

6. Differences between working “by hand” or using the industry standard software. Movie magic program.


20 hours | Monday to Friday | from 10:00 h to 14:00 h | 250 € FROM 6 TO JULY 10


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7. Preparing the script and breakdown: adaptation of the program user preferences. Bene�ts. Automatic creation of lists. Revisions.

8. Introduction of elements in leaf breakdown, modi�cations, rearrangements of categories positions.

9. Duplication, treatment and breakdown of simple scenes and multi-layer.

10. Running plann: management tools and selection according to preferences (outside/inside, actors availability and locations…)

11. Timetables according to requirements or limitations.

12. Reports of ocurrence (per scene, per day of shooting, by…)

13. Days of calls for each depending on the days of shooting (date out of dates- dood).

14. Desing and customization of report, �lming plans, forecasts…

15. Practical use of software, with a current motion picture display sequences for practice breakdown, shooting schedule and running order for �elds of light, for machinery, for actors, etc.



20 hours | Monday to Friday | from 10:00 h to 14:00 h | 250 € FROM 6 TO JULY 10

AFTER EFFECTS INTENSIVE SEMINAR



20 hours | Monday to Friday | from 16:30 pm. to 20:30 pm. | 200 €

AIMED AT STUDENTS WITH PREVIOUS KNOWLEDGE OF DIGITAL EDITING WHO WANT TO KNOW THE AFTER EFFECTS SOFTWARE.

THE FACILITIES OF BANDE Á PART ALLOW TO THE PUPILS TO REALIZE THE PRACTICAL CLASSES OF ALL THE IT APPLICATIONS THAT ARE IN USE IN THE DIGITAL TREATMENT OF IMAGE AND SOUND

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FROM 13 TO JULY 17

Bande à Part’s After Effects Intensive Seminar is aimed at students with prior knowledge of digital editing who want to get to know the After Effects software, which allows image retouch, creation of audiovisual effects, animation and work in 3D.

The Seminar will take place in the Grif�th Editing Room, which contains 16 workplaces allowing students to carry out the practical exercises with all the necessary software for digital treatment of image and sound. The room is equipped with: 16 Intel Core 2 Duo Apple iMacs at 3,06 GHz /4GB RAM/NVIDIA GeForce GT 130/24 inches, 1920*1200¨16 Mbox 2 Digidesign, Hitachi Starboard FX-77G interactive whiteboard and Hitachi ED-A101 projector (1500 Lumens), Sony Bravia 52 inch Monitor.

All computers have the following software: Final Cut 7, Color 1.5, Adobe After Effects CS4, Motion 4, Adobe Photoshop CS4, Adobe Premiere CS4, Avid Media Composer Academic 4, Pro Tools LE 8, Sountrack Pro 3, DVD Studio Pro 4, Roxio Toast Titanium Pro 10.

Students of the After Effects Seminar will be able to join the editing team for the �lm projects shot by Bande à Part.


[email protected]

www.bandeapart.org


TEACHERS

Miquel Teixidor

Professor of Adobe After Effects Bande à Part Escuela de Cine, Editor, Colorist and producer.

Artistic Studio School in the School of Arts and Crafts of Vic, with specialized training in edition and Sound for Film and Video.

He has worked as a freelance Proddigi Films for Audi, Nissan, Abbott and Lagarto Amarillo (video clip), UIC,. In opensesame for Kellogg's, GAES, in Nikodemo Animation for Carnivorous Crisis (animated �lm, 2007), Classes of Trelerele (BF mini-series), Planet Radio (spot), Ecolina (spot) at Mercuri (Mediapro) conducted the project on Climate Change for Caixa Catalunya; performed mounting the �lm "Barceloneta.com" Nuria Rafols and correction color and composition of the spot of the Tour of Spain for Nanouk Films.

As a composer (VFX), colorist, editor, sound designer and graphic artist, makes various short �lms and feature �lms (�ction and documentary) �lm and video.


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1. The AFTER EFFECTS workplace. Creating a project.

2. The Footage.

3. The composition window.

4. The tool palette.

5. The panels.

6. Composition techniques.

7. Layers, editing, blocking and visualization. Organizing layers.

8. Inserting solids and text.

9. Basic animation techniques.

10. Effects. Masks.

11. Creating elements in 3d.

12. The Render process.

AFTER EFFECTS INTENSIVE SEMINAR

FROM 13 TO JULY 1720 hours | Monday to Friday | from 16:30 pm. to 20:30 pm. | 200 €

FILM LIGHTING AND PHOTOGRAPHY WORKSHOP



20 hours | Monday to Friday | From 16:30 h to 20:30 h | 495 €

YOU WILL LEARN THE BASIC THEORETICAL NOTIONS AND YOU WILL ENTER THE DYNAMICS OF THE FILM PHOTOGRAPHY TEAM.

PARTICIPANTS OF THE WORKSHOP WILL HAVE THE NECESSARY TECHNICAL EQUIPMENT MADE AVAILABLE TO THEM BY BANDE À PART

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FROM 13 TO JULY 17

Bande à Part’s Film Lighting and Photography Workshop offers a �rst approach to the basics of light in cinema and to the practical work of photography in �lm shootings. You will learn the basic theoretical notions and you will enter the dynamics of the �lm photography team through the indoor and outdoor shooting exercises.

This workshop is aimed at students interested in acquiring the basic �lm photography and lighting knowledge, since no prior knowledge is necessary. Students of Photography, Film Direction, Editing, Art Direction, Production, Fine Arts or any other artistic discipline in need of basic notions about photography in cinema and the tools used to illuminate shots.

Participants of the workshop will have the necessary technical equipment made available to them by Bande à Part: Cameras, Accessories, Lighting Equipment, light meters, temperature and colour meters, exercise viewing equipment, iMac computers for the download and colour grading of the proofs… Last but not least, the necessary facilities for carrying out the workshop: �lm set, rooms, editing rooms, editing boxes, etc.

Participants of the workshop will be able to join Bande à Part’s shootings in HD and in 35 mm as members of the photography teams in different roles.


[email protected]

www.bandeapart.org


TEACHERS

Teresa Burgos

Professor of Photography and Camera Specialty Bande à Part Escuela de Cine Barcelona.Director of Photography and Camera Operator.

Elisabeth Prandi Chevalier

Professor of Photography and Camera Specialty Bande à Part Escuela de Cine Barcelona.Director of Photography, Camera Operator director in feature �lms and documentaries


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1. Film photography. Basics. Particles and waves. The human eye and light perception.

2. Colour measuring. Colour temperature.

3. Light sources. Indoor and outdoor lighting. Light cutting. Shadow values. Light rebounds. Internal and external movements of light.

4. Sensitivity measuring. Light intensity. Transparency, opacity and density. The sensitivity curve.

5. Electrical equipment: how to handle electrical equipment. Types of spotlights. Connections. Complementary equipment. Security in electrical work. Floros and kinos.

6. Filters. Gelatines. Diffusors.

7. Light measuring.

8. Special effects. Light switch.

9. The �lm negative. Black & white and colour. Emulsions. Developing. Colour grading and copies.

10. The lighting jobs in cinema: director of photography, gaffer, lighting technician. Relationship with the rest of shooting teams. Work prior to shooting. Locations and light diagrams. Shooting and team control.

FILM LIGHTING AND PHOTOGRAPHY WORKSHOP

20 hours | Monday to Friday | From 16:30 h to 20:30 h | 495 € FROM 13 TO JULY 17

COLOR CORRECTION AND GRADING TRAININGWITH DAVINCI RESOLVE 9 LITE



20 hours | From Monday to Friday | From 16:30 to 20:30 PM | 295€

AIMED TO ALL THOSE WHO WANT TO KNOW THE DAVINCI RESOLVE SOFTWARE

PRACTICING WITH ALL APPLICATIONS USED IN DIGITAL IMAGE PROCESSING.

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FROM 20 TH TO 24TH OF JULY

The Bande à Part color correction and grading with Davinci Resolve course is aimed to all those who want to know the Davinci Resolve software, which permits lights, colour and texture manipulations on images of cinematographic projects in digital format and Professional HD.

The training will take place in our editing room, furnished with 16 workstations that allow students to realize the practical classes of every application used on the digital image processing.

Students of the Davinci Resolve training will be able to participate on the colourist team of the projects shot at Bande à Part.


[email protected]

www.bandeapart.org



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SYLLABUS AND PRACTICESTEACHER

Adriá Cillero

Teacher of Final Cut and Apple Color at Bande à Part Film School.

Editor and colourist

After studying FP Image and Sound, he combined his studies in History of Arts at the Universidad Central of Barcelona, with his advanced preparation in Cinematographic Techniques.

He has been working as editor of many full-length movies (“Pactar con el gato” by Joan Morimón and “El caso de la novia dividida” by Joan Morimón…) and has been nominate as best editor at the Premis Ciutat de Barcelona 2007.

1. Know the interface and the basic mechanisms of the software

2. Conform sequences from the Final Cut (XML).

3. Conform sequences with Scene Cut Detection.

4. Basic concepts of the color correction. (Lift, gain, gamma. Hue, saturation, luma. Primary and complementary colours).

5. Interpret correctly scoops.

6. What the nodes are. How do they work. Basic serial structure.

7. Primary corrections. Basic tools. (Color wheels, Primaries, Custom curves, Log).

8. Secondary corrections. (Power windows and HSL selctions).


20 hours | From Monday to Friday | From 16:30 to 20:30 PM | 295€ FROM 20 TH TO 24TH OF JULY


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9. Keyframes. Traker and stabilizer.

10. Hue, saturation and luma curves.

11. Other nodes and advanced structures. Parallel, Key mixer node, Layer mixer node.

12. Stills, power grades, memories. Local and remote versions.

13. Copy grades and nodes. Create groups.

14. Blur window.

15. Sizing window.

16. Backups, auto save and export of projects.

17. Render, export and back to Final Cut.


20 hours | From Monday to Friday | From 10 AM to 2 PM | 350 € FROM 21ST TO 25TH OF JULY