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Publishing in the Age of Digital Reproduction
Publishing in the Age of Digital Reproduction
Fred Truyen, KU Leuven CS [email protected]
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• Overview- Introduction: The Age of Digital Reproduction- The (Re)Productive Powers of the Internet- Re-mediation: Always already New?- The Language of New Media- The New Creativity- Are we Posthuman?- The Reader's Online Toolkit
Publishing in the Age of Digital Reproduction
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Publishing in the Age of Digital Reproduction
The (Re)Productive Powers of the Internet
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Publishing in the Age of Digital Reproduction
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The (Re)Productive Powers of the InternetAvant la lettre ...• Vannevar Bush
– "As we May Think", 1945• Marshall McLuhan
– "Understanding Media: The Extensions of Man", 1964
• The medium is the message• The global village
Publishing in the Age of Digital Reproduction
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Publishing in the Age of Digital Reproduction
The (Re)Productive Powers of the Internet
• Tim Berners-Lee– "Weaving the Web: The Original
Design and Ultimate Destiny of the World Wide Web by its inventor", 1999 – with Mark Fischetti
– The "Semantic Web“
• Web 2.0 (Tim O’Reilly 2004)6
Publishing in the Age of Digital Reproduction
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The machine is Us/ing Us: http://www.youtube.com/watch?v=NLlGopyXT_g
Publishing in the Age of Digital Reproduction
The (Re)Productive Powers of the Internet• Hypertext & Hypermedia
– Ted Nelson• Coined the term in 1963• Literary Machines, 1981
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Publishing in the Age of Digital Reproduction
The (Re)Productive Powers of the Internet #tldr
• Manuel Castells: The Information Age: Economy, Society and Culture – 1996, "The Rise of the Network
Society"– 1997, "The Power of Identity"– 1998, "End of Millennium"
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Publishing in the Age of Digital Reproduction
The (Re)Productive Powers of the Internet• Manuel Castells
– Network organization forms, new social dynamics– The Post-Industrial society and The "Fourth World"– "Control over knowledge and information decides who holds power in society"– professionals, scientists and experts mobilizing the consumers
• "By bringing down the secular distinction between production and consumption in the social system, the new technological paradigm forces theory to analyze societies in terms of social relations cutting across various institutional spheres of social action"
• The Net and the Self
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Publishing in the Age of Digital Reproduction
The Productive Powers of the Internet• Albert-Laslo Barabasi
– “Linked", 2002The New Science of NetworksNotion of the scale-free network
• Chris Anderson– “The Long Tail”, 2004– Free: The future of a Radical Price, 2009
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If you are not paying for it, you’re not the customer, you’re the product being sold - blue_beatle
Publishing in the Age of Digital Reproduction
The Productive Powers of the Internet• Peter Morville
– "Ambient Findability", 2005The convergence of information and connectivity
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• David Weinberger– "Everything is Miscellaneous: The Power of the New Digital Disorder", 2007"we have to get rid of the idea that there's a best way of organizing the world."
Publishing in the Age of Digital Reproduction
The Productive Powers of the Internet• Clay Shirky
– “Here Comes Everybody: The Power of Organizing Without Organization", 2008
The convergence of information and connectivity– “Cognitive Surplus: Creativity and Generosity in
a Connected Age”, 2010
Crowdsourcing13
Publishing in the Age of Digital Reproduction
The Productive Powers of the Internet• Handbook of Collective Intelligence
(MIT Press)– Thomas W. Malone & Michael S. Bernstein, 2015
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Publishing in the Age of Digital Reproduction
From ReMediation to ReMix
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Publishing in the Age of Digital Reproduction
• From ReMediation to ReMix– Bolter & Grusin
• "Remediation: Understanding New Media", 1999
Was is the status of "newness"? How do new media regenerate old media? How do refashioning and the need to foreground the new medium intertwine?
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Publishing in the Age of Digital Reproduction
• From ReMediation to ReMix– Lisa Gitelman
• "Always already New. Media, History, and the Data of Culture", 2006
Media History point of view. How does the materiality of the medium marry with the social and economic context to define its meaning?
– Mark Amerika• Remixthebook, 2011
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Publishing in the Age of Digital Reproduction
• From ReMediation to ReMix– Ubiquitous Computing,
Complexity and Culture – Ekman – Bolter – Diaz 2016
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Publishing in the Age of Digital Reproduction
• Lev Manovich, The Language of New Media– From mass consumption to mass cultural
production– 5 principles of New Media:
• Numerical representation• Modularity• Automation• Variability• Transcoding
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Publishing in the Age of Digital Reproduction 20
Publishing in the Age of Digital Reproduction
• User-generated content• The Long Tail• Folksonomies• Social Bookmarking• Tagging• Syndication• Crowd Sourcing• Hacking
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BIG DATA
Publishing in the Age of Digital Reproduction
• Lisa Gitelman, “Raw Data” is an Oxymoron, 2013
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BIG DATA
Publishing in the Age of Digital Reproduction
• Lisa Gitelman, Paper Knowledge: Toward a Media History of Documents (Sign, Storage,…, ) 2016
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BIG DATA
Publishing in the Age of Digital Reproduction
• Steaming Sharing Stealing: Big Data and the Future of Entertainment
• Michael D. Smith2016 MIT Press
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BIG DATA
Publishing in the Age of Digital Reproduction
• The new creativity– The Prosumer
• Jim Collins, "Bring on the books for Everybody: How Literary Culture became Popular Culture", 2010
– The Pro-am– DIY practice
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Publishing in the Age of Digital Reproduction
• Crossmedia– Henri Jenkins,
Convergence Culture: Where Old and New Media Collide. New York: New York University Press, 2006.
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Publishing in the Age of Digital Reproduction
• Mashups– information
chuncks and media can be endlessly recombined on the web
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Publishing in the Age of Digital Reproduction
• The 4 R's of Openness– Reuse—The most basic level of openness. People are allowed to use all or part of
the work for their own purposes (e.g. download an educational video to watch at a later time).
– Redistribute—People can share the work with others (e.g. email a digital article to a colleague).
– Revise—People can adapt, modify, translate, or change the form the work (e.g. take a book written in English and turn it into a Spanish audio book).
– Remix—People can take two or more existing resources and combine them to create a new resource (e.g. take audio lectures from one course and combine them with slides from another course to create a new derivative work).
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Publishing in the Age of Digital Reproduction
• Creative Commons– creativecommons.org – Share, Remix, Reuse —
Legally
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Publishing in the Age of Digital Reproduction
• The Creative economies are Cultural economies– David Hesmondhalgh
The Cultural Industries– The Learning Economy
• Bengt-Ake Lundvall: "The Globalizing Learning Economy", 2004, with Daniele Archibugi
– The Open knowledge Economy• Yochai Benkler: "The Wealth of Networks"
– The Creative Economy• Charles Landry, "The Creative City", 2000• John Howkins, "The Creative Economy, 2001• Richard Florida, "The Rise of the Creative Class", 2002
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Publishing in the Age of Digital Reproduction
Richard Florida: https://www.youtube.com/watch?v=IhCf5AkII8Q
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Publishing in the Age of Digital Reproduction 32
RICHES:http://www.riches-project.eu/riches-book.html
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READING DIGITAL CULTURE
2016 David Trend (Ed.)
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